Indian martial arts refers to the fighting systems of the Indian subcontinent . A variety of terms are used for the English phrases "Indian martial arts", deriving from ancient sources. While they may seem to imply specific disciplines (e.g. archery, armed combat), by Classical times they were used generically for all fighting systems.
110-577: Traditional Silambam is an old Indian martial art originating in the southern Indian state of Tamil Nadu . This style is mentioned in Tamil Sangam literature . The World Silambam Association is the official international body of Silambam. References in the Silappadikaram and other works of the Sangam literature show that Silambam has been practiced since at least the 4th century BC. It derives from
220-545: A Mahapurana, whereas the Padma Purana , Garuda Purana and Kurma Purana consider it an Upapurana. There are discussions on whether the Devi Bhagavata Purana is a Mahapurana. The difference between Upapuranas and Mahapuranas has been explained by Rajendra Hazra: "a Mahapurana is well known, and that what is less well known becomes an Upapurana". Rocher states that the distinction between Mahapurana and Upapurana
330-478: A boxing art while speaking to Manjusri . It also categorised combat techniques as joint locks, fist strikes, grapples and throws. The Lotus Sutra makes further mention of a martial art with dance-like movements called Nara . Another Buddhist sutra called Hongyo-kyo (佛本行集經) describes a "strength contest" between Gautama Buddha's half-brother Prince Nanda and his cousin Devadatta . Siddhartha Gautama himself
440-552: A heavily militaristic culture, characterising them as " martial races " and employing them in the armed forces. Sikhs – already known among Indians for their martial practices – were particularly valued by the colonists as soldiers and guards, and were posted throughout not only India but Southeast Asia and other parts of the British Empire . Members of the army were allowed to box as a way of settling disputes, provided that they were still able to carry out their duties as soldiers after
550-446: A kshatriya dynasty in northern India which exceeded the preceding Gupta Empire. During this period, Emperor Nagabhata I (750–780 AD) and Mihir Bhoja I (836–890) commissioned various texts on martial arts, and were themselves practitioners of these systems. Shiva Dhanuveda was composed in this era. The khadga , a two-handed broad-tipped heavy longsword, was given special preference. It was even used for khadga-puja , ritualised worship of
660-507: A match. The particular form of boxing used by the Punjabi soldiers was loh-musti , as the kara worn by Sikhs could be wielded like brass knuckles . The resurgence of public interest in kalaripayat began in the 1920s in Tellicherry as part of a wave of rediscovery of the traditional arts throughout south India which characterised the growing reaction against British colonial rule. During
770-427: A myth where the names of the characters are loaded with symbolism and axiological significance. The myth is as follows, The progeny of Dharma by the daughters of Daksha were as follows: by Sraddhá (devotion) he had Kama (desire); by Lakshmí (wealth, prosperity), was born Darpa (pride); by Dhriti (courage), the progeny was Niyama (precept); by Tusht́i (inner comfort), Santosha (contentment); by Pusht́i (opulence),
880-458: A peculiar kind of sword which, though curved towards the point, is straight near the handle. They wield it with great dexterity. The skill that they exhibit passes all description. Others are skillful in fighting with daggers and knives of various forms; of these there are upwards of a hundred thousand. Each class has a different name; they also differ in their performances. At court, there are a thousand gladiators always in readiness." Avid hunters,
990-548: A popular sport among the Mughals was shikar or tiger-hunting. While often done with arrows and later even rifles, it was considered most impressive to kill a tiger with a hand-to-hand weapon such as a sword or dagger. A warrior who managed to best a tiger would be awarded the title of Pachmar . In the 16th century, Madhusudana Saraswati of Bengal organised a section of the Naga tradition of armed sannyasi in order to protect Hindus from
1100-692: A process called Upabrimhana . However, some of the 36 major and minor Puranas are more focused handbooks, such as the Skanda Purana, Padma Purana and Bhavishya Purana, which deal primarily with Tirtha Mahatmyas (pilgrimage travel guides). while Vayu Purana and Brahmanda Purana focus more on history, mythology and legends. The colonial-era scholars of Puranas studied them primarily as religious texts, with Vans Kennedy declaring in 1837 that any other use of these documents would be disappointing. John Zephaniah Holwell , who from 1732 onwards spent 30 years in India and
1210-488: A religious, bhakti (devotional) context. Here the Puranic literature follows a general pattern. It starts with an introduction, where a future devotee is described as ignorant about the deity, yet curious. The devotee learns about the deity, and this begins their spiritual realization. The text then describes instances of this deity's grace, which begins to persuade and convert the devotee. The devotee, then, shows devotion, which
SECTION 10
#17329057814481320-479: A series of revolts. Silambam was also banned and became more common in the Malay Peninsula than its native Tamil Nadu. Nevertheless, traditional fighting systems persisted, sometimes even under the patronage of enthusiastic British spectators who tended to remark on the violence of native boxing and the acrobatic movements characteristic of Indian fighting styles. The British took advantage of communities with
1430-582: A single deity. The Puranas have also been classified based on a specific deity, although the texts are mixed and revere all gods and goddesses: Two puranas have "Bhagavata" in their names, the Bhagavata Purana and Devi Bhagavata Purana , which Srivastava says both are called Mahapuranas in Sanskrit literature, where the Vayu Purana , Matsya Purana , and Aditya Upa Purana admit the Devi Bhagavata Purana as
1540-609: A stratum of Rajput warriors who would gather after harvest and arm peasants into militarised units, effectively acting as a self-defense squad. Prevalent in Rajasthan , Maharashtra and Bengal , they would give up their occupations and leave their families to live as mercenaries. Naga sadhu today rarely practice any form of fighting other than wrestling, but still carry trishula , swords, canes and spears. To this day their retreats are called chhauni or armed camps, and they have been known to hold mock jousts among themselves. As recently as
1650-505: A teacher, left to "fight of his own in danger". Over time, weaponry evolved and India became famous for its flexible wootz steel. The most commonly taught weapons in the Indian martial arts today are types of swords, daggers, spears, staves, cudgels, and maces. Weapons are linked to several superstitions and cultural beliefs in the Indian subcontinent. Drawing a weapon without reason is forbidden and considered by Hindus to be disrespectful to
1760-522: A term traditionally applied to the native inhabitants of India throughout antiquity] self-rule) at a time of Muslim supremacy and increasing intolerance. Utilizing speed, focused surprise attacks (typically at night and in rocky terrain), and the geography of Maharashtra , Karnataka , & South India ; the Maratha rulers were successfully able to defend their territory from the more numerous and heavily armed Mughals. The still-existing Maratha Light Infantry
1870-402: A type of spear which integrated a pointed spear butt and a club near the head, making it similar to a mace. On the other hand, the longer cavalry spear was made of wood, with red cloth attached near the blade to prevent the opponent's blood from dripping to the shaft. The Marathas were revered for their skill of wielding a ten-foot spear called bothati ( ਬੋਥਾਟੀ ) from horseback. Bothati fighting
1980-462: A whole, states Ludo Rocher . He points out that even for the better established and more coherent Puranas such as Bhagavata and Vishnu, the dates proposed by scholars continue to vary widely and endlessly. The date of the production of the written texts does not define the date of origin of the Puranas. They existed in an oral form before being written down. In the 19th century, F. E. Pargiter believed
2090-503: A wide range of topics, particularly about legends and other traditional lore. The Puranas are known for the intricate layers of symbolism depicted within their stories. Composed originally in Sanskrit and in other Indian languages, several of these texts are named after major Hindu gods such as Vishnu , Shiva , Brahma , and Tridevi . The Puranic genre of literature is found in both Hinduism and Jainism . The Puranic literature
2200-529: A wider system like Gatka , silambam or on its own. In the Kama Sutra the sage Vātsyāyana enjoins all women to practice fighting with single-stick, quarterstaff, sword and bow and arrow in addition to the art of love-making. The stick ( lathi in Prakrit ) is typically made of bamboo with steel caps at the ends to prevent it from splintering. Wooden sticks made from Indian ebony may also be used. It ranges from
2310-460: Is a Shaiva story that features Brahma , Vishnu , Shiva , the three major gods of Hinduism , who get together and debate about who is supreme amongst the three of them and after various incidents of the story, the glory of Shiva is established at the end by the apparition of the Linga which is a form of Shiva as Lingodbhava over Vishnu and Brahma, thus it shows that Vishnu and Brahma are secondary gods in
SECTION 20
#17329057814482420-533: Is a compound of the words śastra (weapon) and vidyā (knowledge). Dhanurveda derives from the words for bow ( dhanushya ) and knowledge ( veda ), the "science of archery" in Puranic literature, later applied to martial arts in general. The Vishnu Purana text describes dhanuveda as one of the traditional eighteen branches of "applied knowledge" or upaveda , along with shastrashāstra or military science . A later term, yuddha kalā , comes from
2530-520: Is ahistorical, since there is little corroborating evidence that either were more or less known, and that "the term Mahapurana occurs rarely in Purana literature, and is probably of late origin." The Upapuranas are eighteen in number, with disagreement as to which canonical titles belong in that list of eighteen. They include among – Only a few have been critically edited. The Ganesha and Mudgala Puranas are devoted to Ganesha . The Skanda Purana
2640-527: Is called Shiva is but identical with Vishnu. The Skanda Purana has received renewed scholarly interest ever since the late 20th century discovery of a Nepalese Skanda Purana manuscript dated to be from the early 9th century CE. This discovery established that the Skanda Purana existed by the 9th century CE. However, a comparison shows that the 9th century CE document is entirely different from versions of Skanda Purana that have been circulating in South Asia since
2750-559: Is encyclopedic, and it includes diverse topics such as cosmogony , cosmology , genealogies of gods, goddesses, kings, queens, heroes, heroines, sages, other gods, other goddesses, folk tales, pilgrimages, temples, medicine, astronomy, grammar, mineralogy, humor, love stories, theology, philosophy, etc. The content is highly inconsistent across the Puranas, and each Purana has survived in numerous manuscripts which are themselves inconsistent. The Hindu Maha Puranas are traditionally attributed to Vyasa , but many scholars considered them likely
2860-556: Is independent, has changed often over its history, and has little relation to the Vedic age or the Vedic literature. In contrast, Purana literature is evidently intended to serve as a complement to the Vedas, states Vans Kennedy. Some scholars such as Govinda Das suggest that the Puranas claim a link to the Vedas but in name only, not in substance. The link is purely a mechanical one. Scholars such as Viman Chandra Bhattacharya and PV Kane state that
2970-531: Is more often used in English when referring to the Panjabi-Sikh fighting style. A common way to practice precision-cutting is to slice cloves or lemons , eventually doing so while blindfolded. Pairing two swords of equal length, though considered impractical in some parts of the world, is common and was considered highly advantageous in the Indian subcontinent. Stick-fighting ( lathi khela ) may be taught as part of
3080-411: Is noted to be one of the noblest form of defense within Indian cultural heritage. As mentioned in Vedic literature, the bow and arrow is the most applauded weapon among Kshatriyas. Siddharta Gautama , Rama , Arjuna , Karna , Bhishma , Drona and Ekalavya were all said to be great archers. Dhanurveda is an ancient treatise on the science of archery. It describes the practices and uses of archery,
3190-446: Is on the bamboo staff. The length of the staff depends on the height of the practitioner. Ideally, it should just touch the forehead about three fingers from the head, typically measuring around 1.68 meters (five and a half feet). Different lengths may be used depending on the situation. For instance, the sedikuchi or 3-foot stick can be easily concealed. Separate practice is needed for staffs of different lengths. Listed below are some of
3300-571: Is one of the "oldest and most renowned" regiments of the Indian Army, tracing its origins to 1768. Indian martial arts underwent a period of decline after the full establishment of British colonial rule in the 19th century. More European modes of organizing kings, armies and governmental institutions, and the increasing use of firearms, gradually eroded the need for traditional combat training associated with caste-specific duties. The British colonial government banned kalaripayat in 1804 in response to
3410-438: Is practiced with a ball-tipped lance, the end of which is covered in dye so that hits may easily be confirmed. In solo training, the spear is aimed at a pile of stones. From this was eventually developed the uniquely Indian vita which has a 5 feet (1.5 m) length of cord attached to the butt end of the weapon and tied around the spearman's wrist. Using this cord the spear can be pulled back after it has been thrown. Archery
Silambam - Misplaced Pages Continue
3520-474: Is rewarded by the deity. The reward is appreciated by the devotee, who, in return, performs further actions to express further devotion. The Puranas, states Flood, document the rise of the theistic traditions such as those based on Vishnu, Shiva, Brahma, Tridevi and include respective mythology, pilgrimage to holy places, rituals and genealogies. The bulk of these texts, in Flood's view, were established by 500 CE, in
3630-458: Is said to be skilled in spear-fighting, by holding his divine spear called Vel . The Indian spear is typically made of bamboo with a steel blade. It can be used in hand-to-hand combat or thrown when the fighters are farther apart. Despite primarily being a thrusting weapon, the wide spearhead also allows for many slashing techniques. By the 17th century, Rajput mercenaries in the Mughal army were using
3740-473: Is the largest Purana with 81,000 verses, named after the deity Skanda , the son of Shiva and Uma, and the brother of the deity Ganesha. The mythological part of the text weaves together the stories of Shiva and Vishnu, along with those featuring Parvati, Lakshmi, Rama, Krishna, Sita, Rukmini and other major gods and goddesses in the Hindu pantheon. In Chapter 1.8, it declares, Vishnu is nobody but Shiva, and he who
3850-567: The Bhakti movement in India, and both Dvaita and Advaita scholars have commented on the underlying Vedantic themes in the Maha Puranas . Douglas Harper states that the etymological origins of Puranas are from Sanskrit Puranah , literally "ancient, former," from pura "formerly, before," cognate with Greek paros "before," pro "before," Avestan paro "before," Old English fore, from Proto-Indo-European *pre- , from *per- ." Vyasa ,
3960-667: The British East India Company . Indian martial arts and other related martial arts practices suffered a decline after the British banned Silambam and promoted modern military training, which favored firearms over traditional weaponry. The first stages of Silambam practice are meant to provide a foundation for fighting, and also preparatory body conditioning. This includes improving flexibility, agility, and hand-eye coordination, kinesthetic awareness, balance, strength, speed, muscular and cardiovascular stamina. Silambam's main focus
4070-738: The Mulasamhita , from which the later eighteen Puranas were derived. The term Purana appears in the Vedic texts. For example, Atharva Veda mentions Purana (in the singular) in XI.7.24 and XV.6.10-11: "The Rig and Sama verses, the Chandas, the Purana along with the Yajur formulae, all sprang from the remainder of the sacrificial food, (as also) the gods that resort to heaven. He changed his place and went over to great direction, and Itihasa and Purana, gathas, verses in praise of heroes followed in going over." Similarly,
4180-559: The Pallava dynasty commissioned dozens of granite sculptures showing unarmed fighters disarming armed opponents. This is similar to the style described in the Agni Purana . Martial arts were not exclusive to the kshatriya caste, though the warrior class used them more extensively. The 8th-century text Kuvalaymala by Udyotanasuri recorded fighting techniques being taught at educational institutions, where non-kshatriya students from throughout
4290-775: The Trideva because he expanded and conquered the entire universe and them being secondary gods with lesser powers, so they cannot find his beginning and end at a single place in the universe. This story, state Bonnefoy and Doniger, appears in Vayu Purana 's chapter 1.55, Brahmanda Purana 's chapter 1.26, Shiva Purana 's Rudra Samhita's Sristi Khanda's chapter 15, Skanda Purana 's chapters 1.3, 1.16, 3.1, and other Puranas. The texts are in Sanskrit as well as regional languages, and almost entirely in narrative metric couplets. The texts use ideas, concepts and even names that are symbolic. The words can interpreted literally, and at an axiological level. The Vishnu Purana , for example, recites
4400-424: The chakram (war-quoit), the spear, the tomara (iron club), the gada (mace) , the axe, the hammer, the bhindipāla or laguda , the vajra , the dagger, the slingshot, and finally deeds with a bludgeon or cudgel. A short passage near the end of the text returns to the larger concerns of warfare and explains the various uses of war elephants and men. The text concludes with a description of how to appropriately send
4510-471: The chhau dance was performed only by martial artists. Some traditional Indian classical dance schools still incorporate martial arts as part of their exercise regimen. Written evidence of martial arts in Southern India dates back to the Sangam literature of about the 2nd century BC to the 2nd century AD. The Akananuru and Purananuru describe the use of spears, swords, shields, bows and silambam in
Silambam - Misplaced Pages Continue
4620-442: The dwandwayudda between Bali and Dundubhi, a demon in the form of a water buffalo , lasts for 45 days. The Manusmriti tells that if a warrior's topknot comes loose during such a fight or duel, the opponent must give him time to bind his hair before continuing. The Charanavyuha authored by Shaunaka mentions four upaveda (applied Vedas). Included among them are archery ( dhanurveda ) and military sciences ( shastrashastra ),
4730-532: The "original Purana" may date to the time of the final redaction of the Vedas. Wendy Doniger , based on her study of indologists, assigns approximate dates to the various Puranas. She dates Markandeya Purana to c. 250 CE (with one portion dated to c. 550 CE), Matsya Purana to c. 250–500 CE, Vayu Purana to c. 350 CE, Harivamsa and Vishnu Purana to c. 450 CE, Brahmanda Purana to c. 350–950 CE, Vamana Purana to c. 450–900 CE, Kurma Purana to c. 550–850 CE, and Linga Purana to c. 600–1000 CE. Of
4840-481: The 1950s and 1960s, MGR had incorporated silambam fighting scenes to popularize these ancient martial arts in the 20th century. MGR himself was a practitioner of silambam fighting, learning this martial art from Master Madurai Maadakulam Ravi. Some of these movies include Thaikkupin Tharam , Periya Idathu Penn , Mugaraasi and Thanipiravi . Indian martial arts Among the most common terms today, śastra-vidyā ,
4950-707: The 1950s, it was not unusual for Naga sadhu to strike to kill someone over issues of honour. There is also a 17th-century Dhanurveda-samhita attributed to Vasistha . The pehlwani style of wrestling developed in the Mughal Empire by combining native malla-yuddha with influences from Persian varzesh-e bastani . Coming from a hilly region characterized by valleys and caves, the Marathas became expert horsemen who favoured light armour and highly mobile cavalry units during war. Known especially as masters of swords and spears, their heavily martial culture and propensity for
5060-509: The 3rd century, elements from the Yoga Sutras of Patanjali , as well as finger movements in the nata dances, were incorporated into the fighting arts. A number of Indian fighting styles remain closely connected to yoga , dance and performing arts. Some of the choreographed sparring in kalaripayat can be applied to dance and kathakali dancers who knew kalaripayat were believed to be markedly better than other performers. Until recent decades,
5170-544: The China-Taipei government representatives raised questions concerning border conflicts in ancient records pertaining to Silambam. A request was lodged for the organization of Silambam Asia to resolve with ratification of the raised problems by member states. On 30 January 2019, substantive work was completed and concluded for Silambam Asia with Special Status in the United Nations. In many M.G.Ramachandran (MGR) films from
5280-556: The Gupta era, though amendments were made later. Along with inconsistencies, common ideas are found throughout the corpus, but it is not possible to trace the lines of influence of one Purana upon another, so the corpus is best viewed as a synchronous whole. An example of similar stories woven across the Puranas, but in different versions, include the Lingodbhava – the apparition of the Linga . The
5390-690: The Hindu-Buddhist pantheon are armed with their own personal weapon, and are revered not only as master martial artists but often as originators of those systems themselves. The Mahabharata tells of fighters armed only with daggers besting lions, and describes a prolonged battle between Arjuna and Karna using bows, swords, trees, rocks and fists. Another unarmed battle in the Mahabharata describes two combatants boxing with clenched fists and fighting with kicks, finger strikes, knee strikes and headbutts. The oldest recorded organized unarmed fighting art in
5500-486: The Indian subcontinent is malla-yuddha or combat-wrestling, codified into four forms in the Vedic Period . Stories describing Krishna report that he sometimes engaged in wrestling matches where he used knee strikes to the chest, punches to the head, hair pulling, and strangleholds. Based on such accounts, Svinth (2002) traces press-ups and squats used by Indian wrestlers to the pre-classical era. In Sanskrit literature
5610-793: The Indian subcontinent, some of which are not found anywhere else. According to P.C. Chakravati in The Art of War in Ancient India , armies used standard weapons such as wooden or metal-tipped spears, swords, thatched bamboo, wooden or metal shields, axes, short and longbows in warfare as early as the 4th century BC. Military accounts of the Gupta Empire (c. 240–480) and the later Agni Purana identify over 130 different weapons. The Agni Purana divides weapons into thrown and unthrown classes. The thrown ( mukta ) class includes twelve weapons altogether which come under four categories, viz. These were opposed to
SECTION 50
#17329057814485720-412: The Purana adds that it was abridged by sage Vyasa before being taught to Romaharshana. The Puranas, according to Flood, have traditionally been classified according to three qualities ( guna ) which are inherent in existence, namely the quality of light or purity ( sattva ), passion ( rajas ), and darkness or inertia ( tamas ), with each quality having six puranas focused, but not exclusively, upon
5830-425: The Puranas are a continuation and development of the Vedas. Sudhakar Malaviya and VG Rahurkar state the connection is closer in that the Puranas are companion texts to help understand and interpret the Vedas. K.S. Ramaswami Sastri and Manilal N. Dvivedi reflect the third view which states that Puranas enable us to know the "true import of the ethos, philosophy, and religion of the Vedas". Barbara Holdrege questions
5940-519: The Sangam era. The word kalari appears in the Puram (verses 225, 237, 245, 356) and Akam (verses 34, 231, 293) to describe both a battlefield and combat arena. The word kalari tatt denoted a martial feat, while kalari kozhai meant a coward in war. Each warrior in the Sangam era received regular military training in target practice and horse riding. They specialized in one or more of the important weapons of
6050-584: The Shatapatha Brahmana (XI.5.6.8) mentions Itihasapuranam (as one compound word) and recommends that on the 9th day of Pariplava, the hotr priest should narrate some Purana because "the Purana is the Veda, this it is" (XIII.4.3.13). However, states P.V. Kane, it is not certain whether these texts suggested several works or a single work with the term Purana . The late Vedic text Taittiriya Aranyaka (II.10) uses
6160-657: The Tamil word silam, meaning hill. The term silambambu referred to a particular type of bamboo from the Kurinjimala (kurinji hills) in present-day Kerala . Thus silambam was named after its primary weapon, the bamboo staff. It may have earlier used for self-defense and to ward off animals in the Kurinji hills and later evolved into the present-day martial art. Bamboo staffs – as well as swords, pearls and armor – were in great demand from foreign traders. The ancient city of Madurai formed as
6270-463: The Vedas, providing a "culture synthesis" in weaving and integrating the diverse beliefs of a great number of local traditions into the Vedic-Brahmanic fold. While all Puranas praise many gods and goddesses and "their sectarianism is far less clear cut" than assumed, the religious practices included in them are considered Vaidika (congruent with Vedic literature). The Puranic literature wove with
6380-466: The Vedas. The curved shape of the bow is called vakra in the Artha Veda. The bowstring was called jya, and was strung only when needed. An arrow was called an iṣu , and a quiver was called an iṣudhi which was slung on the back. Archers wore a hastaghna, which was an arm guard or shield usually worn on the left forearm and was used to protect the wearer from friction caused by the bowstring. A dhanushkara
6490-577: The blade, telling the price or source of acquisition, throwing it on the ground or using it for domestic purposes. Nakula and Sahadeva are said to be skilled swordsmen in Mahabharata . Sword-fighting is one of the common Indian fighting arts. Varieties include the curved single-edge sword, the straight double-edge sword, the two-handed longsword, the gauntlet-sword , and the urumi or flexible sword. Techniques differ from one state to another but all make extensive use of circular movements, often circling
6600-811: The colonial era. Several Puranas, such as the Matsya Purana, list "five characteristics" or "five signs" of a Purana. These are called the Pancha Lakshana ( pañcalakṣaṇa ), and are topics covered by a Purana: A few Puranas, such as the most popular Bhagavata Purana, add five more characteristics to expand this list to ten: These five or ten sections weave in biographies, myths, geography, medicine, astronomy, Hindu temples, pilgrimage to distant real places, rites of passage, charity, ethics, duties, rights, dharma, divine intervention in cosmic and human affairs, love stories, festivals, theosophy and philosophy. The Puranas link gods to men, both generally and in
6710-424: The craft of bow and arrow making, training of the army, and enumerates the rules of engagement. The treatise also discusses martial arts in relation to the training of warriors, charioteers, cavalry, elephant warriors, infantry etc. It was considered as a sin to shoot a warrior from the back and fight more than one warrior at a time. The bow used in the Vedic period were called danush , and were described in detail in
SECTION 60
#17329057814486820-462: The eastern districts of Hindostan use a small shield called " chirwah ". Those from the southern provinces have shields of such magnitude as to cover a man and a horse. This kind of shield is called tilwah . Another class use a shield somewhat less than the height of a man. Some again use a long sword, and seizing it with both hands they perform extraordinary feats of skill. There is another famous class called Bankúlis. They have no shield but make use of
6930-421: The editing and expansion of the Puranas did not stop after the Gupta era, and the texts continued to "grow for another five hundred or a thousand years" and these were preserved by priests who maintained Hindu pilgrimage sites and temples. The core of Itihasa-Puranas, states Klaus Klostermaier, may possibly go back to the 7th century BCE or even earlier. It is not possible to set a specific date for any Purana as
7040-448: The fact that it would be irresponsible and highly misleading to speak of or pretend to describe the religion of the Puranas. The study of Puranas as religious texts remains a controversial subject. Some Indologists, in the colonial tradition of scholarship, treat the Puranic texts as scriptures, or as useful sources of religious contents. Other scholars, such as Ronald Inden, consider this approach "essentialist and antihistorical" because
7150-612: The faculty to procreate; they perpetually operate as causes of the destruction of this world. On the contrary, Daksha and the other Rishis, the elders of mankind, tend perpetually to influence its renovation: whilst the Manus and their sons, the heroes endowed with mighty power, and treading in the path of truth, as constantly contribute to its preservation. The relation of the Puranas with Vedas has been debated by scholars, some holding that there's no relationship, others contending that they are identical. The Puranic literature, stated Max Muller ,
7260-469: The fifth Veda status of Itihasas (the Hindu epics) and Puranas. The Puranas, states V.S. Agrawala, intend to "explicate, interpret, adapt" the metaphysical truths in the Vedas. In the general opinion, states Rocher, "the Puranas cannot be divorced from the Vedas" though scholars provide different interpretations of the link between the two. Scholars have given the Bhagavata Purana as an example of
7370-426: The fifth Veda". The Brhadaranyaka Upanishad also refers to purana as the "fifth Veda". According to Thomas Coburn, Puranas and early extra-puranic texts attest to two traditions regarding their origin, one proclaiming a divine origin as the breath of the great beings, the other as a human sage named Vyasa as the arranger of already existing material into eighteen Puranas. In the early references, states Coburn,
7480-432: The fight are listed below: Then there follows a more detailed discussion of archery technique. The section concludes with listing the names of actions or "deeds" possible with a number of weapons, including 32 positions to be taken with sword and shield ( khaḍgacarmavidhau ), 11 names of techniques of using a rope in fighting, along with 5 names of "acts in the rope operation" along with lists of "deeds" pertaining to
7590-855: The following three decades, other regional styles were subsequently revived such as silambam in Tamil Nadu, thang-ta in Manipur and paika akhada in Orissa. One of the earliest extant manual of Indian martial arts is in the Agni Purana (dated to between the 8th and the 11th century). The dhanurveda section in the Agni Purana spans chapters 248–251, categorizing weapons into thrown and unthrown classes and further divided into several sub-classes. It catalogs training into five major divisions for different types of warriors, namely charioteers, elephant-riders, horsemen, infantry, and wrestlers. The nine asanas (stances) in
7700-466: The goddess Chandika . Thus the saying that a sword cannot be sheathed until it has drawn blood. It was a mother's duty to tie a warrior's sword around his waist before war or a duel. In addition, she would cut her finger with the sword and make a tilak on his head from a drop of her blood. Weapons themselves were also anointed with tilak, most often from the blood of a freshly-decapitated goat ( chatanga ). Other taboos include looking at one's reflection in
7810-462: The human body of which 64 were classified as being lethal if properly struck with a fist or stick. Sushruta 's work formed the basis of the medical discipline ayurveda which was taught alongside various martial arts. With numerous other scattered references to vital points in Vedic and epic sources, it is certain that Indian subcontinent 's early fighters knew and practised attacking or defending vital points. Around 630, King Narasimhavarman of
7920-401: The intolerant Mughal rulers. Although generally said to abide by the principle of non-violence ( ahimsā ), these Dashanami monks had long been forming akhara for the practice of both yoga and martial arts. Such warrior-ascetics have been recorded from 1500 to as late as the 18th century, although tradition attributes their creation to the 8th-century philosopher Sankaracharya . They began as
8030-547: The lance is mentioned as early as the 7th century by Xuanzang . After serving the Dakshin sultanates of the early 17th century, the scattered Marathas united to found their own kingdom under the warrior Shivaji . Having learned the native art of mardani khela from a young age, Shivaji was a master swordsman and proficient in the use of various weapons. He took advantage of his people's expertise in guerilla tactics ( Shiva sutra ) to re-establish Hindavi Swarajya (native [Hindu being
8140-757: The late 16th century, compiled under the patronage of Akbar . The Ain-i-Akbari tells that the Mughal court had various kinds of fighting men from around the empire who would demonstrate their skills every day in exchange for rewards. Among them were said to be both native and Mughal wrestlers , slingers from Gujarat , Hindustani athletes, boxers , stone-throwers and many others. "There are several kinds of gladiators, each performing astonishing feats. In fighting they show much speed and agility and blend courage and skill in squatting down and rising up again. Some of them use shields in fighting, others use cudgels. Others again use no means of defence, and fight with one hand only; these are called ek-hath . Those who come from
8250-461: The length of a cudgel to a staff equal to the wielder's height. The stick used during matches is covered in leather to cushion the impact. Points are awarded based on which part of the body is hit. Techniques differ from system to system, but northern styles tend to primarily use only one end of the staff for attacking while the other end is held with both hands. Southern styles like also make use of this technique but will more often use both ends of
8360-661: The links and continuity of the Vedic content, such as its providing an interpretation of the Gayatri mantra. The Puranas, states Kees Bolle , are best seen as "vast, often encyclopedic" works from ancient and medieval India. Some of them, such as the Agni Purana and Matsya Purana, cover all sorts of subjects, dealing with – states Rocher – "anything and everything", from fiction to facts, from practical recipes to abstract philosophy, from geographic Mahatmyas (travel guides) to cosmetics, from festivals to astronomy. Like encyclopedias, they were updated to remain current with their times, by
8470-660: The many texts designated 'Puranas' the most important are the Mahāpurāṇa s or the major Puranas. These are said to be eighteen in number, divided into three groups of six, though they are not always counted in the same way. The list of Mahapuranas is mentioned in the Vishnu Purana , part 3, chapter 6, verses 21–24. The number of verses in each Mahapurana is mentioned in the Bhagavata Purana , part 12, chapter 13, verses 4–9. The Shiva Purana asserts that it once consisted of 100,000 verses set out in twelve samhitas (books), however
8580-529: The mastery of which was the duty ( dharma ) of the warrior class. Kings usually belonged to the kshatria (warrior) class and thus served as heads of the army. They typically practiced archery, wrestling, boxing, and swordsmanship as part of their education. Examples include such rulers as Siddhartha Gautama and Rudradaman . The Chinese monk Xuanzang writes that the emperor Harsha was light on his feet despite his advancing age and managed to dodge and seize an assailant during an assassination attempt. Many of
8690-513: The mention of the term Purana or Puranas in the Vedic texts, there is uncertainty about the contents of them until the composition of the oldest Dharmashastra Apastamba Dharmasutra and Gautama Dharmasutra , which mention Puranas that resemble the extant Puranas. Another early mention of the term 'Itihas-purana' is found in the Chandogya Upanishad (7.1.2), translated by Patrick Olivelle as "the corpus of histories and ancient tales as
8800-471: The much larger unthrown class of three categories. The duel with bow and arrows is considered the noblest, fighting with the spear ranks next, while fighting with the sword is considered unrefined, and wrestling is classed as the meanest or worst form of fighting. Only a Brahmin could be an acharya (teacher) of sastravidya, Kshatriya and vaishya should learn from the Acharya, while a shudra could not take
8910-465: The narrator of the Mahabharata , is hagiographically credited as the compiler of the Puranas. The ancient tradition suggests that originally there was but one Purana. Vishnu Purana (3.6.15) mentions that Vyasa entrusted his Puranasamhita to his disciple Lomaharshana , who in turn imparted it to his disciples, three of whom compiled their own samhitas. These three, together with Lomaharshana's, comprise
9020-537: The particular geography of their origin. Tradition ascribes their convergence to the 6th-century university of Takshashila , ancient India's intellectual capital. Located in present-day Panjab, Pakistan, the Ramayana ascribes the city's founding to Bharata who named it after his son Taksha. From the 7th to the 5th centuries BC it was held in high regard as a great centre of trade and learning, attracting students from throughout present-day Pakistan and northern India. Among
9130-514: The period including the spear ( vel ), sword ( val ), shield ( kedaham ), and bow and arrow ( vil ambu ). The combat techniques of the Sangam period were the earliest precursors to kalaripayat . References to "Silappadikkaram" in Sangam literature date back to the 2nd century. This referred to the silambam staff which was in great demand with foreign visitors. The ten fighting styles of northern sastra-vidya were said to have been created in different areas based on animals and gods, and designed for
9240-698: The point of focus of Silambam spreading. The Silambam staff was acquired by the Egyptians , Greeks and Romans and was spread back to the Middle East , Europe and North Africa . The Tamil Kingdom which encompassed Southern India and Sri Lanka spread it throughout the Southeast Asia . The Kings Puli Thevar and Dheeran Chinnamalai had armies of Silambam soldiers named "Thadii Pattalam." Veerapandiya Kattabomman , Chinna Maruthu and Periya Maruthu (1760–1799) relied mainly on their Silambam prowess in warfare against
9350-503: The popular sports mentioned in the Vedas and the epics have their origins in military training, such as boxing ( musti-yuddha ), wrestling ( maladwandwa ), chariot-racing ( rathachalan ), horse-riding ( aswa-rohana ) and archery ( dhanurvidya ). Competitions were held not just as a contest of the players' prowess but also as a means of finding a bridegroom. Arjuna , Rama and Siddhartha Gautama all won their consorts in such tournaments. In
9460-540: The prince of Odisha who was known for being an expert with both the sword and dagger. The prince accepted the challenge until he learned he would be fighting one not of royal blood and so killed himself rather than having to "soil his hands". Fernao Nunes and the Persian envoy Adbur Razzak relate that Deva Raya II survived an assassination attempt "as he was a man who knew how to use both sword and dagger better than anyone in his kingdom, avoided by twists and turns of his body
9570-525: The progeny was Lobha (cupidity, greed); by Medhá (wisdom, experience), Sruta (sacred tradition); by Kriyá (hard work, labour), the progeny were Dańd́a, Naya, and Vinaya (justice, politics, and education); by Buddhi (intellect), Bodha (understanding); by Lajjá (shame, humility), Vinaya (good behaviour); by Vapu (body, strength), Vyavasaya (perseverance). Shanti (peace) gave birth to Kshama (forgiveness); Siddhi (excellence) to Sukha (enjoyment); and Kírtti (glorious speech) gave birth to Yasha (reputation). These were
9680-453: The reciters of the Vedas, and the bardic poetry recited by Sutas that was handed down in Kshatriya circles". The original Puranas comes from the priestly roots while the later genealogies have the warrior and epic roots. These texts were collected for the "second time between the fourth and sixth centuries CE under the rule of the Gupta kings and queens", a period of Hindu renaissance. However,
9790-471: The sons of Dharma ; one of whom, Kama (love, emotional fulfillment) had baby Hersha (joy) by his wife Nandi (delight). The wife of Adharma (vice, wrong, evil) was Hinsá (violence), on whom he begot a son Anrita (falsehood), and a daughter Nikriti (immorality): they intermarried, and had two sons, Bhaya (fear) and Naraka (hell); and twins to them, two daughters, Máyá (deceit) and Vedaná (torture), who became their wives. The son of Bhaya (fear) and Máyá (deceit)
9900-406: The staff to strike. The latter is the more common method of attacking in the eastern states and Bangladesh , combined with squatting and frequent changes in height. Yudhishthira is said to be a master in spearplay warfare in Mahabharata , while Shalya was also noted to be an excellent warrior in the field of spearplay. Also according to Indian Hindu myths, Murugan , the son of Lord Shiva ,
10010-406: The subcontinent "were learning and practicing archery, fighting with sword and shield, with daggers, sticks, lances, and with fists, and in duels ( niyuddham )". Hindu priests of the traditional gurukula still teach unarmed fighting techniques to their students as a way of increasing stamina and training the physical body . The Gurjara-Pratihara came into power during the 7th century and founded
10120-508: The subjects taught were the "military sciences", and archery was one of its prime arts. Some measures were put into place to discourage martial activity during the Buddhist period. The Khandhaka in particular forbids wrestling, boxing, archery, and swordsmanship. However, references to fighting arts are found in early Buddhist texts , such as the Lotus Sutra (c. 1st century AD) which refers to
10230-609: The sword. The Gurjara-Pratiharas continuously fought off Arab invasions, particularly during the Caliphate campaigns in India . The Arab chronicler Sulaiman wrote of the Gurjara ruler as the greatest foe to Islamic expansion, while at the same time praising his cavalry. Kalaripayat had developed into its present form by the 11th century, during an extended period of warfare between the Chera and Chola dynasties. The earliest treatise discussing
10340-557: The techniques of malla-yuddha is the Malla Purana (c. 13th century), unlike the earlier Manasollasa which gives the names of movements but no descriptions. Over a period of several centuries, invading Muslim armies managed to occupy much of present-day Pakistan and northern India. In response to the spread of Muslim rule, the kingdoms of South India united in the 14th century to found the Vijayanagara Empire . Physical culture
10450-449: The term dwandwayuddha referred to a duel, such that it was a battle between only two warriors and not armies. Epics often describe the duels between deities and god-like heroes as lasting a month or more. The malla-yuddha (wrestling match) between Bhima and Jarasandha lasts 27 days. Similarly, the dwandayuddha between Parasurama and Bhishma lasts for 30 days, while that between Krishna and Jambavan lasts for 28 days. Likewise,
10560-537: The term Purana occurs in singular unlike the later era which refers to a plural form presumably because they had assumed their "multifarious form". According to the Indologists J. A. B. van Buitenen and Cornelia Dimmitt, the Puranas that have survived into the modern era are ancient but represent "an amalgam of two somewhat different but never entirely different separate oral literatures: the Brahmin tradition stemming from
10670-405: The term in the plural. Therefore, states Kane, that in the later Vedic period at least, the Puranas referred to three or more texts, and that they were studied and recited. In numerous passages the Mahabharata mentions ' Purana ' in both singular and plural forms. Moreover, it is not unlikely that, where the singular ' Puranam ' was employed in the texts, a class of works was meant. Further, despite
10780-496: The thrusts aimed at him, freed himself from him, and slew him with a short sword that he had". After a series of victories, the Central Asian conqueror Babur established Mughal rule in north India during the 16th century. The Mughals were patrons of India's native arts, not only recruiting akhara-trained Rajput fighters for their armies but even practicing these systems themselves. The Ausanasa Dhanurveda Sankalanam dates to
10890-431: The traditional akharas . An Indus valley civilization seal shows two men spearing one another in a duel which seem to be centered on a woman. A statue of a spear thrower was also excavated from an Indus valley site. Dhanurveda , a section found in the Vedas (1500 BCE - 1100 BCE) contains references to martial arts. Indian epics contain the earliest accounts of combat, both armed and bare-handed. Most deities of
11000-482: The weapon around the user's head. The flexible nature and lightweight of Indian swords allows for speed but provides little defensive ability, so that the swordsman must instead rely on body maneuvers to dodge attacks. Entire systems exist focusing on drawing the sword out of the opponent's body. Stances and forms traditionally made up the early training before students progress to free sparring with sticks to simulate swords in an exercise called gatka , although this term
11110-710: The weapons used in Silambam. Kuttu Varisai is the unarmed combat component of Silambam and also a stand-alone martial art. It contains animal forms. Silambam made its first historical appearance in the eyes of the world through the auspices of the committee of the United Nations Assembly, which recommended Silambam Asia for United Nations status. The inauguration was held at the United Nations Headquarters in New York, United States on 21 January 2019. However,
11220-763: The well-trained fighter off to war. The Arthashastra , c. 4th century BCE, typically attributed to Chanakya chief advisor of Chandragupta Maurya is one of the earliest treatises on statecraft, including diverse topics such as economics, politics, diplomacy and military strategy. There is an extant Dhanurveda-Samhita dating to the mid-14th century, by Brhat Sarngadhara Paddhati (ed. 1888). Other scattered references to fighting arts in medieval texts include the: Kamandakiya Nitisara (c. 8th century ed. Manmatha Nath Dutt, 1896), The Nitivakyamrta by Somadeva Suri (10th century), The Yuktikalpataru of Bhoja (11th century) and The Manasollasa of Somesvara III (12th century) A wide array of weapons are used in
11330-400: The words yuddha meaning fight or combat and kalā meaning art or skill. The related term śastra kalā (lit. weapon art) usually refers specifically to armed disciplines. Another term, yuddha-vidyā or "combat knowledge", refers to the skills used on the battlefield, encompassing not only actual fighting but also battle formations and strategy. Martial arts are usually learnt and practiced in
11440-529: The work of many authors over the centuries; in contrast, most Jaina Puranas can be dated and their authors assigned. There are 18 Mukhya Puranas (Major Puranas) and 18 Upa Puranas (Minor Puranas), with over 400,000 verses. The first versions of various Puranas were likely to have been composed between 3rd and 10th century CE. While the Puranas do not enjoy the authority of a scripture in Hinduism , but are considered as Smritis , they shaped Hinduism more than
11550-414: Was a bowyer, or the profession of bow crafting and arrow making, and it had become a regular profession by the early Vedic period. Others called jyakara specialized in making bowstrings. Puranas Divisions Sama vedic Yajur vedic Atharva vedic Vaishnava puranas Shaiva puranas Shakta puranas Puranas (Ancients), are a vast genre of Hindu literature about
11660-550: Was a champion wrestler and swordsman before becoming the Buddha . Like other branches of Sanskrit literature , treatises on martial arts become more systematic in the course of the 1st millennium AD. Vajra-musti , an armed grappling style, is mentioned in sources of the early centuries AD. Around this time, tantric philosophers developed important metaphysical concepts such as kundalini , chakra , and mantra . The Sushruta Samhita (c. 4th century) identifies 108 vital points on
11770-658: Was elected Fellow of the Royal Society in 1767, described the Puranas as "18 books of divine words". British officials and researchers such as Holwell, states Urs App, were orientalist scholars who introduced a distorted picture of Indian literature and Puranas as "sacred scriptures of India" in 1767. Holwell, states Urs App, "presented it as the opinion of knowledgeable Indians; But it is abundantly clear that no knowledgeable Indian would ever have said anything remotely similar". Modern scholarship doubts this 19th-century premise. Ludo Rocher, for example, states, I want to stress
11880-897: Was given much attention by both royalty and commoners in the empire, with wrestling being particularly popular with both men and women. Gymnasiums have been discovered inside royal quarters of Vijayanagara, and records speak of regular physical training for commanders and their armies during peacetime. Royal palaces and market places had special arenas where royalty and common people alike amused themselves by watching matches such as cockfights, ram fights, and wrestling. One account describes an akhara in Chandragiri where noblemen practiced jumping exercises, boxing , fencing and wrestling almost every day before dinner to maintain their health, and observed that "men as old as seventy years look only thirty". The Italian traveller Pietro Della Valle wrote of cane-fighting in southern India. According to Pietro, it
11990-402: Was the custom for soldiers to specialise in their own particular weapon of expertise and never use any other even during war, "thereby becoming very expert and well practised in that which he takes to". As their ancient predecessors, swordplay and wrestling were commonly practiced by the royalty of Vijayanagara. Krishna Deva Raya is said to have arranged a duel between a champion swordsman and
12100-406: Was the destroyer of living creatures, or Mrityu (death); and Dukha (pain) was the offspring of Naraka (hell) and Vedaná (torture). The children of Mrityu were Vyádhi (disease), Jará (decay), Soka (sorrow), Trishńa (greediness), and Krodha (wrath). These are all called the inflictors of misery, and are characterised as the progeny of Vice (Adharma). They are all without wives, without posterity, without
#447552