128-589: Shivering Shakespeare is an Our Gang short film directed by Anthony Mack . Produced by Hal Roach and released to theaters by Metro-Goldwyn-Mayer , it was the 95th Our Gang short to be released. The gang participates in a play entitled The Gladiator's Dilemma written, produced and directed by the wife of Kennedy the Cop. The badly written play goes comically wrong as the young actors forget their lines, miss their cues, and deal with unwieldy props and costumes. The audience members, unruly teenage boys, mercilessly heckle
256-582: A 21st birthday present. Universal already had a reputation for nepotism —at one time, 70 of Carl Sr.'s relatives were supposedly on the payroll. Many of them were nephews, resulting in Carl Sr. being known around the studios as "Uncle Carl". Ogden Nash famously quipped in rhyme, "Uncle Carl Laemmle/Has a very large faemmle". Among these relatives was future Academy Award-winning director/producer William Wyler . "Junior," Laemmle persuaded his father to bring Universal up to date. He bought and built theaters, converted
384-501: A Time , The Jeffersons , The Facts of Life , and Silver Spoons which premiered on NBC that same fall. At this time, Hal B. Wallis , who had recently worked as a major producer at Paramount, moved over to Universal, where he produced several films, among them a lavish version of Maxwell Anderson 's Anne of the Thousand Days (1969) and the equally lavish Mary, Queen of Scots (1971). Although neither could claim to be
512-465: A big financial hit, both films received Academy Award nominations, and Anne was nominated for Best Picture , Best Actor ( Richard Burton ), Best Actress ( Geneviève Bujold ), and Best Supporting Actor ( Anthony Quayle ). Wallis retired from Universal after making the film Rooster Cogburn (1975), a sequel to True Grit (1969), which Wallis had produced at Paramount. Rooster Cogburn co-starred John Wayne , reprising his Oscar-winning role from
640-514: A black boy, and the series ended after just one entry, The Pickaninny , was produced. Morrison's "Sunshine Sammy" instead became one of the foci of the new Our Gang series. Under the supervision of Charley Chase , work began on the first two-reel shorts in the new "kids-and-pets" series, to be called Hal Roach's Rascals , later that year. Director Fred C. Newmeyer helmed the first pilot film, entitled Our Gang , but Roach scrapped Newmeyer's work and had former fireman Robert F. McGowan reshoot
768-504: A box office for hours, counting patrons, and calculating the day's takings. Within weeks of his Chicago trip, Laemmle gave up dry goods to buy the first several nickelodeons . For Laemmle and other such entrepreneurs, the creation in 1908 of the Edison-backed Motion Picture Patents Company (or the "Edison Trust") meant that exhibitors were expected to pay fees for Trust-produced films they showed. Based on
896-634: A brief suspension in McFarland's work permit, Our Gang went into a four-month hiatus, during which the series was revised to a format similar to its original style and German-born Gus Meins was hired as the new series director. Hi-Neighbor! , released in March 1934, ended the hiatus and was the first series entry directed by Meins, a veteran of the once-competing Buster Brown short subject series. Gordon Douglas served as Meins's assistant director, and Fred Newmeyer alternated directorial duties with Meins for
1024-717: A career in features (he returned in 1939 for two shorts, Cousin Wilbur and Dog Daze ). Our Gang was very successful during the 1920s and the early 1930s. However, by 1934, many movie theater owners were increasingly dropping two-reel (20-minute) comedies like Our Gang and the Laurel & Hardy series from their bills and running double feature programs instead. The Laurel & Hardy series went from film shorts to features exclusively in mid 1935. By 1936, Hal Roach began debating plans to discontinue Our Gang until Louis B. Mayer , head of Roach's distributor MGM, persuaded Roach to keep
1152-600: A co-production arrangement with producer Walter Wanger and his partner, director Fritz Lang , lending the studio some amount of prestige productions. Universal's core audience base was still found in the neighborhood movie theaters , and the studio continued to please the public with low- to medium-budget films. Basil Rathbone and Nigel Bruce in new Sherlock Holmes mysteries (1942–46), teenage musicals with Gloria Jean , Donald O'Connor , and Peggy Ryan (1942–43), and screen adaptations of radio's Inner Sanctum Mysteries with Lon Chaney Jr. (1943–45). Alfred Hitchcock
1280-565: A contract with Universal ensuring three more years of Oswald cartoons. However, after Mintz had unsuccessfully demanded that Disney accept a lower fee for producing the films, Mintz took most of Walt's animators to work at his own studio. Disney and Iwerks would create Mickey Mouse in secret while they finished the remaining Oswald films they were contractually obligated to finish. Universal subsequently severed its link to Mintz and formed its own in-house animation studio to produce Oswald cartoons headed by Walter Lantz , which would later result in
1408-521: A contract with Universal in the presence of its vice president, R. H. Cochrane. Mintz's company, Winkler Pictures, was to produce 26 " Oswald the Lucky Rabbit " cartoons for Universal. Walt Disney and Ub Iwerks created the character and the Walt Disney Studio provided the animation for the cartoons under Winkler's supervision. The films enjoyed a successful theatrical run, and Mintz would sign
SECTION 10
#17328815371901536-613: A division of Comcast . Founded in 1912 by Carl Laemmle , Mark Dintenfass , Charles O. Baumann , Adam Kessel , Pat Powers , William Swanson, David Horsley , Robert H. Cochrane, and Jules Brulatour , Universal is the oldest surviving film studio in the United States and the fifth oldest in the world after Gaumont , Pathé , Titanus , and Nordisk Film , and is one of the "Big Five" film studios . Universal's most commercially successful film franchises include Fast & Furious , Jurassic Park , and Despicable Me . Additionally,
1664-448: A film. The girl was, in his opinion, overly made up and overly rehearsed, and Roach waited for the audition to be over. After the girl and her mother left the office, Roach looked out of his window to a lumberyard across the street, where he saw some children having an argument. The children had all taken sticks from the lumberyard to play with, but the smallest child had the biggest stick, and the others were trying to force him to give it to
1792-412: A handful of shorts. Meins's Our Gang shorts were less improvisational than McGowan's and featured a heavier reliance on dialogue. McGowan returned two years later to direct his Our Gang swan song, Divot Diggers , released in 1936. Retaining McFarland, Matthew Beard, Tommy Bond, and Jerry Tucker, the revised series added Scotty Beckett , Wally Albright , and Billie Thomas , who soon began playing
1920-525: A hit, the arrangement would become the rule for many future productions at Universal and eventually at other studios as well. In the early 1950s, Universal set up its own distribution company in France . In the late 1960s, the company also started a production company in Paris , Universal Productions France S.A. , although sometimes credited by the name of the distribution company, Universal Pictures France . Except for
2048-657: A label within the Universal Music Group. The following year, G. P. Putnam's Sons was sold to the Penguin Group subsidiary of Pearson PLC . Matsushita provided a cash infusion, but the clash of cultures was too great to overcome, and five years later, Matsushita sold an 80% stake in MCA/Universal to Canadian drinks distributor Seagram for $ 5.7 billion. Seagram sold off its stake in DuPont to fund this expansion into
2176-454: A menagerie of animal characters, such as Dinah the Mule. Roach's distributor Pathé released One Terrible Day , the fourth short produced for the series, as the first Our Gang short on September 10, 1922; the pilot Our Gang was not released until November 5. The Our Gang series was a success from the start, with the children's naturalism, the funny animal actors, and McGowan's direction making
2304-518: A new distribution deal with to United Artists and left the short-subjects business. The final Roach-produced short in the Our Gang series, Hide and Shriek , was his final short-subject production. The Little Ranger was the first Our Gang short to be produced in-house at MGM. Gordon Douglas was loaned out from Hal Roach Studios to direct The Little Ranger and another early MGM short, Aladdin's Lantern , while MGM hired newcomer George Sidney as
2432-498: A niche for the studio, beginning a series of horror films which extended into the 1940s, affectionately dubbed Universal horror . Among them are Dracula (1931), Frankenstein (1931), The Mummy (1932) and The Invisible Man (1933). Other Laemmle productions of this period include Tay Garnett 's Destination Unknown (1933), John M. Stahl 's Imitation of Life (1934) and William Wyler's The Good Fairy (1935). Universal's forays into high-quality production spelled
2560-492: A remake of its earlier 1929 part-talkie production, and produced as a high-quality, big-budget film rather than as a B-picture . The new film featured several stars from the Broadway stage version, which began production in late 1935, and unlike the 1929 film, was based on the Broadway musical rather than the novel. Carl Jr.'s spending habits alarmed company stockholders. They would not allow production to start on Show Boat unless
2688-430: A return on some of the expenditure by launching a sensational ad campaign that attracted moviegoers. Character actor Lon Chaney became a drawing card for Universal in the mid-1910s, appearing steadily in dramas. However, Chaney left Universal in 1917 because of a salary dispute, and his two biggest hits for Universal were made as isolated returns to the studio: The Hunchback of Notre Dame (1923) and The Phantom of
SECTION 20
#17328815371902816-451: A rich partner. He located Japanese electronics manufacturer Matsushita Electric (now known as Panasonic ), which agreed to acquire MCA for $ 6.6 billion in 1990. On December 9, 1996, the new owners dropped the MCA name; the company became Universal Studios, Inc. and MCA's music division, MCA Music Entertainment Group, was renamed Universal Music Group . MCA Records continued to live on as
2944-480: A short-subject series which was essentially a teenaged version of Our Gang . Featuring Our Gang alumni Mickey Daniels and Mary Kornman among its cast, The Boy Friends was produced for two years, with fifteen installments in total. Jackie Cooper left Our Gang in early 1931 just before another wave of cast changes: Farina Hoskins, Chubby Chaney, and Mary Ann Jackson all departed a few months afterward. Our Gang entered another transitional period, similar to that of
3072-520: A spin-off of the studio's 1947 hit The Egg and I and the inexpensive Francis (1950), the first film of a series about a talking mule, became mainstays of the company. Once again, the films of Abbott and Costello, including Abbott and Costello Meet Frankenstein (1948), were among the studio's top-grossing productions. But at this point, Rank lost interest and sold his shares to the investor Milton Rackmil , whose Decca Records would take full control of Universal in 1952. Besides Abbott and Costello,
3200-412: A successful combination. The shorts did well at the box office, and by the end of the decade the Our Gang children were pictured on numerous product endorsements. The biggest Our Gang stars then were Ernie Morrison as Sunshine Sammy, Mickey Daniels, Mary Kornman, and Allen Hoskins as little Farina, who eventually became the most popular member of the 1920s gang and the most popular black child star of
3328-688: Is Pups , became recognizable trademarks of Our Gang , Laurel and Hardy , and the other Roach series and films. Another 1930 short, Teacher's Pet , marked the first use of the Our Gang theme song , "Good Old Days" . Originally composed by Shield for use in Laurel & Hardy's first feature, Pardon Us , "Good Old Days," featuring a notable saxophone solo, served as the series' theme until 1938. Shield and Hatley's scores supported Our Gang's on-screen action regularly through 1934, after which series entries with background scores became less frequent. In 1930, Roach began production on The Boy Friends ,
3456-481: Is an American series of comedy short films chronicling a group of poor neighborhood children and their adventures. Created by film producer Hal Roach , also the producer of the Laurel and Hardy films, Our Gang shorts were produced from 1922 to 1944, spanning the silent film and early sound film periods of American cinema . Our Gang is noted for showing children behaving in a relatively natural way; Roach and original director Robert F. McGowan worked to film
3584-523: The "He-Man Woman Haters Club" from Hearts Are Thumps and Mail and Female (both 1937), the Laurel and Hardy-ish interaction between Alfalfa and Spanky, and the comic tag-along team of Porky and Buckwheat. Roach produced the final two-reel Our Gang short, a high-budget musical special entitled Our Gang Follies of 1938 , in 1937 as a parody of MGM's Broadway Melody of 1938 . In Follies of 1938 , Alfalfa, who aspires to be an opera singer, falls asleep and dreams that his old pal Spanky has become
3712-575: The Independent Moving Pictures Company (IMP), with studios in Fort Lee, New Jersey , where many early films in America's first motion picture industry were produced in the early 20th century. Laemmle broke with Edison's custom of refusing to give billing and screen credits to performers. By naming the movie stars, he attracted many of the leading players of the time, contributing to
3840-636: The Latham Loop used in cameras and projectors, along with other patents, the Trust collected fees on all aspects of movie production and exhibition and attempted to enforce a monopoly on distribution. Soon, Laemmle and other disgruntled nickelodeon owners decided to avoid paying Edison by producing their own pictures. In June 1909, Laemmle started the Yankee Film Company with his brothers-in-law Abe Stern and Julius Stern . That company quickly evolved into
3968-508: The Our Gang shorts until 1933, assisted by his nephew Anthony Mack . McGowan worked to develop a style that allowed the children to be as natural as possible, downplaying the importance of the filmmaking equipment. Scripts were written for the shorts by the Hal Roach comedy writing staff, which included at various times Leo McCarey , Frank Capra , Walter Lantz , and Frank Tashlin , among others. The children, some too young to read, rarely saw
Shivering Shakespeare - Misplaced Pages Continue
4096-556: The Our Gang trademark after buying the series, the Roach-produced Our Gang sound films were re-released to theaters and syndicated for television under the title The Little Rascals . The Roach-produced Little Rascals shorts (1929–1938) are currently owned by Chicken Soup for the Soul Entertainment (through Halcyon Studios ), which manages the copyrights as well as theatrical and home video and streaming releases;
4224-755: The 1920s. A reviewer wrote of the Farina character — depicted as female though played by a male child — in Photoplay : "The honors go to a very young lady of color, billed as 'Little Farina.' Scarcely two years old, she goes through each set like a wee, sombre shadow." Daniels and Kornman were very popular and were often paired in Our Gang and a later teen version of the series called The Boy Friends , which Roach produced from 1930 to 1932. Other early Our Gang children were Eugene Jackson as Pineapple, Scooter Lowry , Andy Samuel , Johnny Downs , Winston and Weston Doty , and Jay R. Smith . After Ernie, Mickey and Mary left
4352-670: The Bandit (1977), Animal House (1978), The Jerk (1979), The Blues Brothers (1980), The Four Seasons (1981), E.T. the Extra-Terrestrial (1982), The Breakfast Club (1985), Back to the Future (also 1985), An American Tail (1986), The Land Before Time (1988), Field of Dreams (1989), Jurassic Park (1993) and Casper (1995), but the film business was financially unpredictable with some films like The Thing (1982), Scarface (1983), Dune (1984), Howard
4480-520: The Duck (1986), The Last Temptation of Christ (1988) or Waterworld (1995), which turned out to be big box office disappointments despite their high budget, however, fortunately, these films became cult films in later years. UIP began distributing films by start-up studio DreamWorks in 1997 due to the founders' connections with Paramount, Universal, and Amblin Entertainment. In 2001, MGM dropped out of
4608-563: The Jackal (1973). It was only involved in approximately 20 French film productions. In the early 1970s, the unit was incorporated into the French Cinema International Corporation arm. By the late 1950s, the motion picture business was again changing. The combination of the studio/theater-chain breakup and the rise of television saw the reduced audience size for cinema productions. The Music Corporation of America (MCA),
4736-677: The Laemmles obtained a loan. Universal was forced to seek a $ 750,000 production loan from the Standard Capital Corporation, pledging the Laemmle family's controlling interest in Universal as collateral . It was the first time Universal had borrowed money for a production in its 26-year history. The production went $ 300,000 over budget; Standard called in the loan, cash-strapped Universal could not pay, and Standard foreclosed and seized control of
4864-479: The Los Angeles area. Eventually Our Gang talent scouting employed large-scale national contests in which thousands of children tried out for an open role. For example, Norman Chaney ("Chubby"), Matthew Beard ("Stymie"), and Billie "Buckwheat" Thomas all won contests to become members of the cast: Chaney replaced Joe Cobb , Beard replaced Allen Hoskins ("Farina"), and Thomas replaced Beard. Even when there
4992-544: The Opera (1925). During the early 1920s Laemmle entrusted most of Universal's production policy decisions to Irving Thalberg . Thalberg had been Laemmle's personal secretary, and Laemmle was impressed by his cogent observations of how efficiently the studio could be operated. Promoted to studio chief in 1919, Thalberg made distinct improvements of quality and prestige in Universal's output in addition to dealing with star director Erich von Stroheim 's increasing inability to control
5120-523: The UIP venture and went with 20th Century Fox 's international arm to handle the distribution of their titles, an ongoing arrangement. UIP nearly lost its connection with Universal Pictures in 1999 when Universal started Universal Pictures International to take over the assets of PolyGram Filmed Entertainment and wanted UPI to distribute their films starting in 2001. Only a small handful of films were released theatrically by Universal Pictures International, up until
5248-492: The action, with each film often incorporating a moral, a civics lesson, or a patriotic theme. The series was given a permanent setting in the fictitious town of Greenpoint, and the mayhem caused by the Our Gang kids was toned down significantly. Exhibitors noticed the drop in quality, and often complained that the series was slipping. When six of the 13 shorts released between 1942 and 1943 sustained losses rather than turning profits, MGM discontinued Our Gang . The final short
Shivering Shakespeare - Misplaced Pages Continue
5376-404: The actors and torment them by throwing food. The movie ends with everyone in the auditorium participating in a pie fight . Mrs. Kennedy sees the play being completely ruined and orders everyone to stop. The kids turn to Mr. Kennedy. He nods, giving them permission, and all the kids throw their pies at her. Shivering Shakespeare was the final Our Gang comedy directed by Robert A. McGowan , who
5504-507: The advent of sound, these productions were made in the German language or, occasionally, Hungarian or Polish. In the U.S., Universal Pictures did not distribute any of this subsidiary's films. Still, some of them were exhibited through other independent, foreign-language film distributors based in New York City without the benefit of English subtitles. Nazi persecution and a change in ownership for
5632-402: The approach to McGowan's methods to meet the demands of the increasingly sophisticated movie industry of the mid-to-late 1930s. Douglas, in particular, had to streamline his films, as he directed Our Gang after Roach halved the running times of the shorts from two reels (20 minutes) to one reel (10 minutes). As children aged out of their roles, they were replaced by new children, usually from
5760-421: The biggest child. After realizing that he had been watching the children bicker for 15 minutes, Roach thought a short film series about children just being themselves might be a success. Our Gang also had its roots in an aborted Roach short-subject series revolving around the adventures of a black boy called "Sunshine Sammy", played by Ernie Morrison . Theater owners then were wary of booking shorts focused on
5888-522: The bookworm Waldo. Tommy Bond , an off-and-on member of the gang since 1932, returned to the series as Butch beginning with the 1937 short Glove Taps . Sidney Kibrick , the younger brother of Leonard Kibrick, played Butch's crony, Woim. Glove Taps also featured the first appearance of Darwood Kaye as the bespectacled, foppish Waldo. In later shorts, both Butch and Waldo were portrayed as Alfalfa's rivals in his pursuit of Darla's affections. Other popular elements in these mid-to-late-1930s shorts include
6016-416: The case of the silent entries) in a stereotypical " Negro dialect ", and several controversial gags revolved directly around their skin color: Matthew Beard's Stymie character sweating jet-black ink, Billie Thomas's Buckwheat character being given fake "white measles " instead of dark ones and supposedly turned into a monkey, and so forth. One early Our Gang short, Lodge Night (1924), revolves around
6144-498: The chance to have his films packaged with MGM features to the Loews Theatres chain. Some shorts around this time, particularly Spook Spoofing (1928, one of only two three-reelers in the Our Gang canon), contained extended scenes of the gang tormenting and teasing Farina, scenes which helped spur the claims of racism, which many other shorts did not warrant. These shorts marked the departure of Jackie Condon , who had been with
6272-499: The character of Stymie's sister "Buckwheat", though Thomas was a male. Semi-regular actors, such as Jackie Lynn Taylor , Marianne Edwards , and Leonard Kibrick as the neighborhood bully, joined the series at this time. Tommy Bond and Wally Albright left in the middle of 1934; Jackie Lynn Taylor and Marianne Edwards would depart by 1935. Early in 1935, new cast members Carl Switzer and his brother Harold joined Our Gang after impressing Roach with an impromptu musical performance at
6400-418: The children and was a box office disappointment. No further Our Gang features were made. After years of gradual cast changes, the troupe standardized in 1936 with the move to one-reel shorts. Most casual fans of Our Gang are particularly familiar with the 1936–1939 incarnation of the cast: Spanky, Alfalfa, Darla, Buckwheat, and Porky, with recurring characters such as neighborhood bullies Butch and Woim and
6528-503: The clearance to produce an Our Gang feature film, General Spanky , hoping that he might move the series to features as was done with Laurel & Hardy. Directed by Gordon Douglas and Fred Newmeyer, General Spanky featured characters Spanky, Buckwheat, and Alfalfa in a sentimental, Shirley Temple-esque story set during the American Civil War . The film focused more on the adult leads ( Phillips Holmes and Rosina Lawrence ) than
SECTION 50
#17328815371906656-614: The comic adventures of infant Baby Sandy (1938–41); comedies with Hugh Herbert (1938–42) and The Ritz Brothers (1940–43); musicals with Robert Paige , Jane Frazee , The Andrews Sisters , and The Merry Macs (1938–45); and westerns with Tom Mix (1932–33), Buck Jones (1933–36), Bob Baker (1938–39), Johnny Mack Brown (1938–43); Rod Cameron (1944–45), and Kirby Grant (1946–47). Universal could seldom afford its own stable of stars and often borrowed talent from other studios or hired freelance actors. In addition to Stewart and Dietrich, Margaret Sullavan and Bing Crosby were two of
6784-566: The creation of Woody Woodpecker in 1940. In February 2006, NBCUniversal sold all the Disney-animated Oswald cartoons, along with the rights to the character himself, to The Walt Disney Company . In return, Disney released ABC sportscaster Al Michaels from his contract so he could work on NBC's recently acquired Sunday night NFL football package . Universal retained ownership of the remaining Oswald cartoons. In 1928, Laemmle Sr. made his son, Carl Jr. , head of Universal Pictures,
6912-540: The creation of the star system . In 1910, he promoted Florence Lawrence , formerly known as " The Biograph Girl ", and actor King Baggot , in what may be the first instance of a studio using stars in its marketing. The Universal Film Manufacturing Company was incorporated in New York City on April 30, 1912. Laemmle, who emerged as president in July 1912, was the primary figure in the partnership with Dintenfass, Baumann, Kessel, Powers, Swanson, Horsley, and Brulatour. The company
7040-571: The decade was primarily a television studio. When Metro-Goldwyn-Mayer purchased United Artists in 1981, MGM could not drop out of the CIC venture to merge with United Artists overseas operations. However, with future film productions from both names being released through the MGM/UA Entertainment plate, CIC decided to merge UA's international units with MGM and reformed as United International Pictures . There would be other film hits like Smokey and
7168-435: The earlier film, and Katharine Hepburn , their only film together. The film was only a moderate success. In 1983, Universal Pictures launched an independent film arm designed to release specialty films, Universal Classics, and the division has sights on separation. In 1987, Universal Pictures, MGM/UA Communications Co. , and Paramount Pictures teamed up to market feature film and television products to China. Consumer reach
7296-405: The earlier shorts. Other minorities, including Asian Americans Sing Joy, Allen Tong (also known as Alan Dong), and Edward Soo Hoo, as well as Italian-American actor Mickey Gubitosi (later known as Robert Blake ), were depicted in the series with varying levels of stereotyping. According to Roach, the idea for Our Gang came to him in 1921, when he was auditioning a child actress to appear in
7424-484: The early 1970s, Universal teamed up with Paramount to form Cinema International Corporation , which distributed films by Paramount and Universal outside of the US and Canada. Although Universal did produce occasional hits, among them Airport (1970), The Sting (1973), American Graffiti (also 1973), Earthquake (1974), and a big box-office success which restored the company's fortunes: Jaws (1975), Universal during
7552-527: The end of 1941, Darla Hood had departed from the series, and Spanky McFarland followed her within a year. Billie Thomas as Buckwheat remained in the cast until the end of the series as the sole holdover from the Roach era. Overall, the Our Gang films produced by MGM were not as well-received as the Roach-produced shorts had been, largely due to MGM's inexperience with the brand of slapstick comedy that Our Gang
7680-461: The end of the Laemmle era at the studio. Taking on the task of modernizing and upgrading a film conglomerate in the depths of the Great Depression was risky, and for a time, Universal slipped into receivership . The theater chain was scrapped , but Carl Jr. held fast to distribution, studio, and production operations. The end for the Laemmles came with a lavish version of Show Boat (1936),
7808-478: The entries produced between 1922 and 1929 are in the public domain in the United States. Paramount Global (through King World Productions ) owns the television distribution rights to the 1929–1938 Roach-era shorts for broadcast and cable. Meanwhile, MGM's Our Gang series (1938–1944) is currently owned by Warner Bros. through Turner Entertainment Co. . New productions based on the shorts have been made over
SECTION 60
#17328815371907936-419: The expense and length of his films, eventually firing Stroheim on October 6, 1922, six weeks into the production of Merry-Go-Round (1923) and replacing him with Rupert Julian . Louis B. Mayer lured Thalberg away from Universal in late 1922 to his own growing studio, Louis B. Mayer Productions , as vice-president in charge of production, and when Metro-Goldwyn-Mayer was formed in 1924 Thalberg continued in
8064-407: The expressions "Okey-dokey!" and "Okey-doke!" Dickie Moore , a veteran child actor, joined in the middle of 1932 and remained with the series for one year. Other members in these years included Mary Ann Jackson's brother Dickie Jackson, John "Uh-huh" Collum , and Tommy Bond . Upon Dickie Moore's departure in mid 1933, long-term Our Gang members such as Wheezer (who had been with Our Gang since
8192-539: The few women directing films in Hollywood. Starting in the mid-1920s, Universal branded its most expensive and heavily promoted feature films as "Super-Jewel" productions. These included films such as Erich von Stroheim 's Foolish Wives (1922), Clarence Brown 's The Acquittal (1923), Hobart Henley 's A Lady of Quality (1924), Harry A. Pollard 's Uncle Tom's Cabin (1927), and Edward Sloman 's Surrender (1928). Despite Laemmle's role as an innovator, he
8320-542: The gang as Spanky late in 1931 at the age of three and remained an Our Gang actor for eleven years, except for a brief break in summer 1938. At first appearing as the tag-along toddler of the group, and later finding an accomplice in Scotty Beckett in 1934, Spanky quickly became Our Gang ' s biggest child star. He won parts in a number of outside features, appeared in many of the now-numerous Our Gang product endorsements and spin-off merchandise items, and popularized
8448-492: The gang to fully adjust to talking pictures, during which time they lost Joe Cobb, Jean Darling and Harry Spear and added Norman Chaney , Dorothy DeBorba , Matthew "Stymie" Beard , Donald Haines and Jackie Cooper . Cooper proved to be the personality the series had been missing since Mickey Daniels left and was featured prominently in three 1930/1931 Our Gang films: Teacher's Pet , School's Out , and Love Business . These three shorts explored Jackie Cooper's crush on
8576-454: The group from the beginning of the series. Starting in 1928, Our Gang comedies were distributed with phonographic discs that contained synchronized music-and-sound-effect tracks for the shorts. In spring 1929, the Roach sound stages were converted for sound recording, and Our Gang made its " all-talking " debut in April 1929 with the 25-minute film Small Talk . It took a year for McGowan and
8704-415: The independent company International Pictures , and producer Kenneth Young. The new combine, United World Pictures, was a failure and was dissolved within one year. However, Rank and International remained interested in Universal, culminating in the studio's reorganization as Universal-International; the merger was announced on July 30, 1946. William Goetz , a founder of International along with Leo Spitz ,
8832-593: The kids forming a parody club based on the Ku Klux Klan (though the Black children are still allowed to join). In their adult years, actors Morrison, Beard, and Thomas defended the series, arguing that the white characters in the series were similarly stereotyped: the "freckle-faced kid", the "fat kid", the "neighborhood bully", the "pretty blond girl", and the "mischievous toddler". In an interview on Tom Snyder 's The Tomorrow Show in 1974, Matthew Beard said of his time in
8960-498: The late 1930s was Destry Rides Again (1939), starring James Stewart as Destry and Marlene Dietrich in her comeback role after leaving Paramount . By the early 1940s, the company was concentrating on lower-budget productions that were the company's main staple: westerns, melodramas, serials, and sequels to the studio's horror pictures, the latter now solely B pictures. The studio fostered many series: The Dead End Kids and Little Tough Guys action features and serials (1938–43);
9088-476: The late Pathé silents period) and Dorothy left the series as well. Robert McGowan, burned out from the stress of working with the child actors, had as early as 1931 tried to resign as producer/director of Our Gang . Lacking a replacement, Hal Roach persuaded him to stay on for another year. At the start of the 1933–34 season, the Our Gang series format was significantly altered to accommodate McGowan and persuade him to stay another year. The first two entries of
9216-420: The lucrative non-theatrical field, buying a majority stake in home-movie dealer Castle Films in 1947 and taking the company over entirely in 1951. For three decades, Castle would offer "highlights" reels from the Universal film library to home-movie enthusiasts and collectors. Goetz licensed Universal's pre–Universal-International film library to Jack Broeder's Realart Pictures for cinema re-release, but Realart
9344-414: The major names that made a couple of pictures for Universal during this period. Some stars came from radio, including Edgar Bergen , W. C. Fields , and the comedy team of Abbott and Costello ( Bud Abbott and Lou Costello ). Abbott and Costello's military comedy Buck Privates (1941) gave the former burlesque comedians a national and international profile. During the war years, Universal did have
9472-448: The management at MGM and its parent company, Loews Inc. , which elected to end MGM's partnership with Roach. However, MGM did not want Our Gang discontinued and agreed to take over production. On May 31, 1938, Roach sold MGM the Our Gang unit, including the rights to the name and the contracts for the actors and writers, for $ 25,000 (equal to $ 541,135 today). After delivering the Laurel and Hardy feature Block-Heads , Roach started
9600-442: The melodramas directed by Douglas Sirk and produced by Ross Hunter , which were critically reassessed more positively years later. Among Universal-International's stable of stars were Rock Hudson , Tony Curtis , Jeff Chandler , Audie Murphy , and John Gavin . Although Decca would continue to keep picture budgets lean, it was favored by changing circumstances in the film business, as other studios let their contract actors go in
9728-509: The mid-1920s. Matthew Beard, Wheezer Hutchins, and Dorothy DeBorba carried the series during this period, aided by Sherwood Bailey and Kendall McComas , who would play Breezy Brisbane. Unlike the mid-1920s period, McGowan sustained the quality of the series with the help of the several regular cast members and the Roach writing staff. Many of these shorts include early appearances of Jerry Tucker and Wally Albright , who later became series regulars. New Roach discovery George McFarland joined
9856-415: The motion pictures and television arms of the formerly Universal Pictures Company and Revue Productions (officially renamed as Universal Television in 1966). And so, with MCA in charge, Universal became a full-blown, A-film movie studio, with leading actors and directors under contract; offering slick, commercial films; and a studio tour subsidiary launched in 1964. Television production made up much of
9984-486: The new schoolteacher Miss Crabtree, played by June Marlowe . Cooper soon won the lead role in Paramount 's feature film Skippy , and Roach sold his contract to MGM in 1931. Other Our Gang members appearing in the early sound shorts included Buddy McDonald , Clifton Young , and Shirley Jean Rickert . Many also appeared in a group cameo appearance in the all-star comedy short The Stolen Jools (1931). Beginning with
10112-470: The parent Universal Pictures organization resulted in the dissolution of this subsidiary. In the early years, Universal had a "clean picture" policy. However, by April 1927, Carl Laemmle considered this a mistake as "unclean pictures" from other studios generated more profit while Universal lost money. In early 1927, Universal had been negotiating deals with cartoon producers since they wanted to get back into producing them. On March 4, Charles Mintz signed
10240-561: The permanent series director. Our Gang would be used by MGM as a training ground for future feature directors: Sidney, Edward Cahn and Cy Endfield all worked on Our Gang before moving on to features. Another director, Herbert Glazer, remained a second-unit director outside of his work on the series. Nearly all of the 52 MGM-produced Our Gangs were written by former Roach director Hal Law and former junior director Robert A. McGowan (also known as Anthony Mack, nephew of former senior Our Gang director Robert F. McGowan). Robert A. McGowan
10368-494: The popular series in production. Roach agreed, producing shorter, one-reel Our Gang comedies (ten minutes in length instead of twenty). The first one-reel Our Gang short, Bored of Education (1936), marked the Our Gang directorial debut of former assistant director Gordon Douglas and won the Academy Award for Best Short Subject (One Reel) in 1937. As part of the arrangement with MGM to continue Our Gang , Roach received
10496-475: The release of the film Mickey Blue Eyes . UIP then took over the theatrical distribution inventory of future films planned to be released by Universal Pictures International, such as The Green Mile and Angela's Ashes . On October 4, 1999, Universal renewed its commitments to United International Pictures to release its films internationally through 2006. Anxious to expand the company's broadcast and cable presence, longtime MCA head Lew Wasserman sought
10624-485: The rich owner of a swanky Broadway nightclub where Darla and Buckwheat perform, making "hundreds and thousands of dollars". As the profit margins continued to decline owing to double features, Roach could no longer afford to continue producing Our Gang . The lack of consistent success with Roach's concurrent program of feature output and an ultimately unsuccessful partnership with Vittorio Mussolini - son of Italian dictator Benito Mussolini - led to disagreements with
10752-525: The same corporate entity, the central element of the Studio system era. Following the westward trend of the industry, by the end of 1912, the company was focusing its production efforts in the Hollywood area. Universal Weekly and Moving Picture Weekly were the alternating names of Universal's internal magazine that began publication in this era; the magazine was intended to market Universal's films to exhibitors. Since much of Universal's early film output
10880-493: The same position for the new company. Without Thalberg's guidance, Universal became a second-tier studio and would remain so for several decades. In 1926, Universal opened a production unit in Germany, Deutsche Universal-Film AG, under the direction of Joe Pasternak . This unit produced three to four films per year until 1936, migrating to Hungary and then Austria in the face of Hitler 's increasing domination of central Europe. With
11008-420: The scripts; instead, McGowan would explain the scene to be filmed to each child immediately before it was shot, directing the children using a megaphone and encouraging improvisation . When sound came in at the end of the 1920s, McGowan modified his approach slightly, but scripts were not adhered to until McGowan left the series. Later Our Gang directors, such as Gus Meins and Gordon Douglas , streamlined
11136-529: The season in fall 1933, Bedtime Worries and Wild Poses (which featured a cameo by Laurel and Hardy), focused on Spanky and his hapless parents, portrayed by Gay Seabrook and Emerson Treacy , in a family-oriented situation comedy format similar to the style later popular on television . A smaller cast of Our Gang kids—Matthew Beard, Tommy Bond, Jerry Tucker, and Georgie Billings—were featured in supporting roles with reduced screen time. An unsatisfied McGowan abruptly left after Wild Poses . Coupled with
11264-408: The series entered its most popular period after converting to sound in 1929. Production continued at Roach until 1938, when the Our Gang production unit was sold to MGM, where production continued until 1944. Across 220 short films and a feature-film spin-off, General Spanky , the Our Gang series featured more than 41 child actors as regular members of its cast. As MGM retained the rights to
11392-512: The series in the mid-1920s, the Our Gang series entered a transitional period. The stress of directing child actors forced Robert McGowan to take doctor-mandated sabbaticals for exhaustion, leaving his nephew Robert A. McGowan (credited as Anthony Mack) to direct many shorts in this period. The Mack-directed shorts are considered among the lesser entries in the series. New faces included Bobby Hutchins as Wheezer, Harry Spear , Jean Darling and Mary Ann Jackson , while stalwart Farina served as
11520-446: The series that "I feel it was great. Some of the lines I had to say I didn't like, but I never look at it like that. I just try to look at it as mostly a fun thing. We were just a group of kids who were having fun." In a separate interview, Ernie Morrison stated, "When it came to race, Hal Roach was color-blind ." Despite the stereotyping and racial gags, Our Gang's integrated cast caused it to be disliked by certain theater owners in
11648-424: The series were Ernie Morrison , Eugene Jackson , Allen Hoskins , Matthew Beard and Billie Thomas . Ernie Morrison was, in fact, the first black actor signed to a long-term contract in Hollywood history and the first major black star in Hollywood history. The African-American characters have often been criticized as racial stereotypes. The Black children spoke (or were indicated as speaking via text titles in
11776-633: The series' anchor. Also at this time, the Our Gang cast acquired an American Pit Bull Terrier with a ring around one eye, originally named Pansy but soon known as Pete the Pup , the most famous Our Gang pet. In 1927, Roach ended his distribution arrangement with the Pathé company. He signed on to release future products through the newly formed Metro-Goldwyn-Mayer , which released its first Our Gang comedy in September 1927. The move to MGM offered Roach larger budgets and
11904-581: The short When the Wind Blows , in 1930 background music scores were added to the soundtracks of most of the Our Gang films. Initially, the music consisted of orchestral versions of then-popular tunes. Marvin Hatley had served as the music director of Hal Roach Studios since 1929, and RCA employee Leroy Shield joined the company as a part-time musical director in mid-1930. Hatley and Shield's jazz -influenced scores, first featured in Our Gang with 1930s Pups
12032-488: The short. Roach tested it at several theaters around Hollywood. The attendees were very receptive, and the press clamored for "lots more of those 'Our Gang' comedies." The colloquial usage of the term Our Gang led to its becoming the series' second (yet more popular) official title, with the title cards reading " Our Gang Comedies: Hal Roach presents His Rascals in..." The series was officially called both Our Gang and Hal Roach's Rascals until 1932, when Our Gang became
12160-503: The sole title of the series. The first cast of Our Gang was recruited primarily of children recommended to Roach by studio employees, with the exception of Ernie Morrison, who was already under contract to Roach. The other Our Gang recruits included Roach photographer Gene Kornman's daughter Mary Kornman , their friends' son Mickey Daniels , and family friends Allen Hoskins , Jack Davis , Jackie Condon , and Joe Cobb . Most early shorts were filmed outdoors and on location and featured
12288-467: The southern United States. Early in the existence of Our Gang , these theater owners complained to Pathé that Morrison and Hoskins had too much screen time and their prominence in the shorts would offend white audiences. A later Our Gang spin-off film, Curley (1947), was banned by the Memphis, Tennessee censor board for showing black and white children in school together, a characteristic common to even
12416-455: The studio commissary. While Harold would eventually be relegated to the role of a background player, Carl, nicknamed "Alfalfa", eventually replaced Scotty Beckett as Spanky's sidekick. Matthew Beard as Stymie left the cast soon after, and the Buckwheat character morphed subtly into a male. That same year, Darla Hood , Patsy May, and Eugene Lee as Porky joined the gang. Scotty Beckett departed for
12544-417: The studio incorporated as a distinct subsidiary organization. Unlike other movie moguls, Laemmle opened his studio to tourists. Universal became the largest studio in Hollywood and remained so for a decade. However, it sought an audience mostly in small towns, producing mostly inexpensive melodramas , westerns , and serials . In 1916, Universal formed a three-tier branding system for their releases. Unlike
12672-410: The studio on April 2, 1936. Although Universal's 1936 Show Boat (released a little over a month later) became a critical and financial success, it was not enough to save the Laemmles' involvement with the studio. They were unceremoniously removed from the company they had founded, with studio advertisements referring to "the new Universal". Because the Laemmles personally oversaw production, Show Boat
12800-470: The studio retained the Walter Lantz cartoon studio, whose product was released with Universal-International's films. In the 1950s, Universal-International resumed their series of Arabian Nights films, many starring Tony Curtis . The studio also had success with monster and science fiction films produced by William Alland , with many directed by Jack Arnold and starring John Agar . Other successes were
12928-540: The studio to sound production, and made several forays into high-quality production. His early efforts included the critically panned part-talkie version of Edna Ferber 's novel Show Boat (1929), the lavish musical Broadway (1929) which included Technicolor sequences; and the first all-color musical feature (for Universal), King of Jazz (1930). The more serious All Quiet on the Western Front (1930) won its year's Best Picture Oscar . Laemmle Jr. created
13056-631: The studio's library includes many individual films such as Jaws and E.T. the Extra-Terrestrial , both of which became the highest-grossing films of all time during their initial releases. Universal Pictures is a member of the Motion Picture Association (MPA), and was one of the "Little Three" majors during Hollywood's golden age . Universal was founded by Carl Laemmle , Mark Dintenfass, Charles O. Baumann , Adam Kessel, Pat Powers , William Swanson, David Horsley , Robert H. Cochrane and Jules Brulatour . One story has Laemmle watching
13184-615: The studio's output from its wartime average of fifty films per year (nearly twice the major studio's output) to thirty-five films a year. Distribution and copyright control remained under the name of Universal Pictures Company Inc. Goetz set out an ambitious schedule. Universal-International became responsible for the American distribution of Rank's British productions, including such classics as David Lean 's Great Expectations (1946) and Laurence Olivier 's Hamlet (1948). Broadening its scope further, Universal-International branched out into
13312-505: The studio's output, with Universal heavily committed, in particular, to deals with NBC (which much later merged with Universal to form NBC Universal; see below ) providing up to half of all prime time shows for several seasons. An innovation during this period championed by Universal was the made-for-television movie. In 1982, Universal became the studio base for many shows that were produced by Norman Lear 's Tandem Productions / Embassy Television , including Diff'rent Strokes , One Day at
13440-531: The studio. Gone were the big ambitions, and though Universal had a few big names under contract, those it had been cultivating, like William Wyler and Margaret Sullavan , left. Meanwhile, producer Joe Pasternak, who had been successfully producing light musicals with young sopranos for Universal's German subsidiary, repeated his formula in the United States. Teenage singer Deanna Durbin starred in Pasternak's first American film, Three Smart Girls (1936). The film
13568-520: The top-tier studios, Universal did not own any theaters to market its feature films. Universal branding their product gave theater owners and audiences a quick reference guide. Branding would help theater owners judge films they were about to lease and help fans decide which movies they wanted to see. Universal released three different types of feature motion pictures: Directors of "Jewel" films included Jack Conway , John Ford , Rex Ingram , Robert Z. Leonard , George Marshall , and Lois Weber , one of
13696-567: The two first films it produced, Claude Chabrol 's Le scandale (English title The Champagne Murders , 1967) and Romain Gary 's Les oiseaux vont mourir au Pérou (English title Birds in Peru ), it was only involved in French or other European co-productions, including Louis Malle 's Lacombe, Lucien , Bertrand Blier 's Les Valseuses (English title Going Places , 1974), and Fred Zinnemann 's The Day of
13824-533: The unaffected, raw nuances apparent in regular children, rather than have them imitate adult acting styles. The series also broke new ground by portraying white and black children interacting as equals during the Jim Crow era of racial segregation in the United States . The franchise began in 1922 as a silent short subject series produced by the Roach studio and released by Pathé Exchange . Roach changed distributors from Pathé to Metro-Goldwyn-Mayer (MGM) in 1927, and
13952-449: The wake of the 1948 U.S. vs. Paramount Pictures, et al. decision. Leading actors were increasingly free to work where and when they chose, and in 1950 MCA agent Lew Wasserman made a deal with Universal for his client James Stewart that would change the rules of the business. Wasserman's deal gave Stewart a share in the profits of three pictures in lieu of a large salary. When one of those films, Winchester '73 (1950), proved to be
14080-459: The world's largest talent agency, had also become a powerful television producer, renting space at Republic Studios for its Revue Productions subsidiary. After a period of complete shutdown, a moribund Universal agreed to sell its 360-acre (1.5 km ) studio lot to MCA in 1958 for $ 11 million, renamed Revue Studios . MCA owned the studio lot, but not Universal Pictures, yet was increasingly influential on Universal's products. The studio lot
14208-431: The years, including the 1994 feature film The Little Rascals , released by Universal Pictures . Unlike many motion pictures featuring children and based in fantasy , producer/creator Hal Roach rooted Our Gang in real life: most of the children were poor, and the gang was often at odds with snobbish "rich kids", officious adults, parents, and other such adversaries. Senior director Robert F. McGowan helmed most of
14336-400: Was Dancing Romeo , which was released on April 29, 1944 (as an MGM Miniature, not an Our Gang comedy). Universal Pictures Universal City Studios LLC , doing business as Universal Pictures (also known as Universal Studios , or Universal ), is an American film production and distribution company that is a division of Universal Studios , which is owned by NBCUniversal ,
14464-544: Was a box-office hit and reputedly resolved the studio's financial problems. The film's success led Universal to offer her a contract, which for the first five years of her career, produced her most successful pictures. When Pasternak stopped producing Durbin's pictures, and she outgrew her screen persona and pursued more dramatic roles, the studio signed 13-year-old Gloria Jean for her own series of Pasternak musicals from 1939; she went on to star with Bing Crosby , W. C. Fields , and Donald O'Connor . A popular Universal film of
14592-416: Was also borrowed for two films from Selznick International Pictures : Saboteur (1942) and Shadow of a Doubt (1943). As Universal's main product had always been lower-budgeted films, it was one of the last major studios to contract with Technicolor . The studio did not make use of the three-strip Technicolor process until Arabian Nights (1942), starring Jon Hall and Maria Montez . Technicolor
14720-429: Was also used for the studio's remake of their 1925 horror melodrama, Phantom of the Opera (1943) with Claude Rains and Nelson Eddy . With the success of their first two pictures, a regular schedule of high-budget Technicolor films followed. In 1945, J. Arthur Rank, who had already owned a stake in the studio almost a decade before, hoping to expand his American presence, bought into a four-way merger with Universal,
14848-447: Was an extremely cautious studio chief. Unlike rivals Adolph Zukor , William Fox , and Marcus Loew , Laemmle chose not to develop a theater chain . He also financed all of his own films, refusing to take on debt. This policy nearly bankrupted the studio when actor-director Erich von Stroheim insisted on excessively lavish production values for his films Blind Husbands (1919) and Foolish Wives (1922), but Universal shrewdly gained
14976-410: Was billed as "Anthony Mack" to differentiate himself from his uncle, Robert Francis McGowan , who was the Our Gang series' producer and senior director. The younger McGowan would remain a part of the Our Gang unit as a writer for the rest of its existence, even after the series was sold to MGM in 1938. Our Gang Our Gang (also known as The Little Rascals or Hal Roach's Rascals )
15104-400: Was credited for these shorts as "Robert McGowan"; as a result, moviegoers have been confused for decades about whether this Robert McGowan and the senior director of the same name at Roach were two separate people. The last few of the Roach comedies featured Alfalfa Switzer as the lead character; Spanky McFarland had departed from the series just before its sale to MGM. Casting his replacement
15232-405: Was delayed until after the move to MGM, at which point MGM rehired McFarland. In 1939, Mickey Gubitosi (later known by the stage name of Robert Blake ) replaced Eugene "Porky" Lee, who had matured too quickly. Tommy Bond, Darwood Kaye, and Alfalfa Switzer all left the series in 1940, and Billy "Froggy" Laughlin (with his Popeye -esque trick voice) and Janet Burston were added to the cast. By
15360-474: Was destroyed in subsequent fires and nitrate degradation, the surviving issues of these magazines are a crucial source for film historians. On March 15, 1915, Laemmle opened the world's largest motion picture production facility, Universal City Studios , on a 230-acre (0.9-km ) converted farm just over the Cahuenga Pass from Hollywood. Studio management became the third facet of Universal's operations, with
15488-590: Was established on June 8, 1912, formed in a merger of Independent Moving Pictures (IMP), the Powers Motion Picture Company , Rex Motion Picture Manufacturing Company , Champion Film Company , Nestor Film Company , and the New York Motion Picture Company . Eventually all would be bought out by Laemmle. The new Universal studio was a vertically integrated company , with movie production, distribution, and exhibition venues all linked in
15616-411: Was famous for, and to MGM's insistence on keeping Alfalfa, Spanky, and Buckwheat in the series as they became teens. The MGM entries are considered by many film historians, and the Our Gang children themselves, to be lesser films than the Roach entries. The children's performances were criticized as stilted and stiff, their dialogue being recited instead of spoken naturally. Adult situations often drove
15744-468: Was made head of production at the renamed Universal-International Pictures, a subsidiary of Universal Pictures Company, Inc. which also served as an import-export subsidiary, and copyright holder for the production arm's films. Goetz, a son-in-law of Louis B. Mayer , decided to bring "prestige" to the new company. He stopped the studio's low-budget production of B movies , serials and curtailed Universal's horror and " Arabian Nights " cycles. He also reduced
15872-608: Was measured in terms of the 25 billion admission tickets that were clocked in China in 1986, and Worldwide Media Sales, a division of the New York-based Worldwide Media Group, had been placed in charge of the undertaking. In the early 1980s, the company had its own pay television arm Universal Pay Television (a.k.a. Universal Pay TV Programming, Inc.), which spawned in 1987, an 11-picture cable television agreement with then-independent film studio New Line Cinema . In
16000-495: Was no talent search, the studio was bombarded by requests from parents who were sure their children were perfect for the series. Among them were the future child stars Mickey Rooney and Shirley Temple , neither of whom made it past the audition. The Our Gang series, produced during the Jim Crow era, is notable for being one of the first in cinema history in which African Americans and White Americans were portrayed as equals. The five black child actors who held main roles in
16128-454: Was not allowed to show the films on television. The production arm of the studio still struggled. While there were to be a few hits like The Killers (1946) and The Naked City (1948), both produced by Mark Hellinger , Universal-International's new theatrical films often met with disappointing response at the box office. By the late 1940s, Goetz was out. The studio returned to low-budget and series films such as Ma and Pa Kettle (1949),
16256-401: Was released (despite the takeover) with Carl Laemmle and Carl Laemmle Jr.'s names on the credits and in the film's advertising campaign. Standard Capital's J. Cheever Cowdin had taken over as president and chairman of the board of directors and instituted severe cuts in production budgets. Joining him were British entrepreneurs C.M. Woolf and J. Arthur Rank , who bought a significant stake in
16384-534: Was upgraded and modernized, while MCA clients like Doris Day , Lana Turner , Cary Grant , and director Alfred Hitchcock were signed to Universal contracts. The long-awaited takeover of Universal Pictures by MCA, Inc. happened in mid-1962 as part of the MCA- Decca Records merger. As a final gesture before leaving the talent agency business, virtually every MCA client was signed to a Universal contract. In 1964, MCA formed Universal City Studios, Inc ., merging
#189810