128-643: Sheldon Talmy (August 11, 1937 – November 13, 2024) was an American record producer, songwriter, and arranger, best known for his work in England in the 1960s with the Who , the Kinks , and many other artists. Talmy arranged and produced hits such as " You Really Got Me " by the Kinks , " My Generation " by the Who , and " Friday on My Mind " by the Easybeats . He also played guitar or percussion on some of his productions. Talmy
256-536: A pop art group and thus viewed advertising as an artform; they recorded a wide variety of radio advertisements, such as for canned milkshakes and the American Cancer Society , in defiance of the rising anti-consumerist ethos of the hippie counterculture. Townshend stated, "We don't change offstage. We live pop art." Later that year, Lambert and Stamp formed a record label, Track Records , with distribution by Polydor . As well as signing Hendrix, Track became
384-664: A popular music group, originating from Dublin , Ireland, but primarily based in the United Kingdom. They had several international hits during the 1960s, including eight top-ten singles in the UK between 1963 and 1966. The founding members of the group were Conleth (Con) Cluskey (18 November 1935 – 8 April 2022), his younger brother Declan (Dec) Cluskey (born 23 December 1941), and their friend John Stokes (Sean James Stokes) (born 13 August 1936). They formed their first band together in 1957: "The Harmonichords" (also seen as "The Harmony Chords"),
512-503: A whip on stage, and occasionally leapt into the crowd; Moon threw drumsticks into the air mid-beat; Townshend mimed machine-gunning the crowd with his guitar while jumping on stage and playing guitar with a fast arm-windmilling motion, or stood with his arms aloft allowing his guitar to produce feedback in a posture dubbed "the Bird Man". Meaden was replaced as manager by two filmmakers, Kit Lambert and Chris Stamp . They were looking for
640-436: A buck for each one. Jimmy Page did not play the solo on 'You Really Got Me,' he played rhythm guitar. He never played anything but rhythm guitar on that plus [the Kinks'] first album session. On 'You Really Got Me,' I used Bobby Graham on drums. Page played guitar because, at the time, Ray didn't want to play guitar, [as] he wanted to concentrate on his vocals. So I said, fine, let me get a rhythm guitarist, 'cause Dave [Davies]
768-597: A classically styled instrumental harmonica-act. As the Harmonichords, they appeared on Hughie Green 's Opportunity Knocks on Radio Luxembourg and on The Ed Sullivan Show St. Patrick's Day special (filmed in Dublin, broadcast 15 March 1959), in which they played " Danny Boy ". They also played background music plus featured pieces in a 25-week radio comedy series called Odd Noises on Radio Éireann , which featured Eamonn Andrews . In 1960, they changed their name to
896-450: A contestant in Channel 4 's Come Dine With Me . The Bachelors' version of "Charmaine", with its descending melody that had already made it an evergreen , jogs along to a country guitar strum and a sprinkling of piano licks. Dick Rowe chose American Shel Talmy as record producer, who went on to produce some of The Kinks ' classic rock hits. Another 1927 movie theme song, "Diane"—penned by
1024-561: A contrast to the themes on Tommy . The tour included their second appearance at the Isle of Wight Festival . A record attendance in England which the Guinness Book of Records estimated at between 600,000 and 700,000 people, the Who began their set at 2:00 A.M. on Sunday 30 August. Tommy secured the Who's future, and made them millionaires. The group reacted in different ways – Daltrey and Entwistle lived comfortably, Townshend
1152-575: A feature of the Who's live set. By late 1964, the Who were becoming popular in London's Marquee Club , and a rave review of their live act appeared in Melody Maker . Lambert and Stamp attracted the attention of the American producer Shel Talmy , who had produced the Kinks . Townshend had written a song, " I Can't Explain ", that deliberately sounded like the Kinks to attract Talmy's attention. Talmy saw
1280-482: A follow-up, Townshend insisted that the Who take a lengthy break, as they had not stopped touring since the band started. There was no group activity until May 1972, when they started working on a proposed new album, Rock Is Dead—Long Live Rock! , but, unhappy with the recordings, abandoned the sessions. Tensions began to emerge as Townshend believed Daltrey just wanted a money-making band and Daltrey thought Townshend's projects were getting pretentious. Moon's behaviour
1408-551: A gig having been on the Ready Steady Go! set with the Beach Boys ' Bruce Johnston . During "My Generation", Townshend attacked Moon with his guitar; Moon suffered a black eye and bruises, and he and Entwistle left the band, but changed their minds and rejoined a week later. Moon kept looking for other work, and Jeff Beck had him play drums on his song " Beck's Bolero " (with Page, John Paul Jones and Nicky Hopkins ) because he
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#17330853753651536-557: A guitarist, Daltrey on rhythm guitar, Entwistle on bass, Harry Wilson on drums, and Colin Dawson on vocals. The band played instrumentals by the Shadows and the Ventures , and a variety of pop and trad jazz covers. Daltrey was considered the leader and, according to Townshend, "ran things the way he wanted them". Wilson was fired in mid-1962 and replaced by Doug Sandom , though he was older than
1664-566: A job. Talmy met with Dick Rowe , head of Decca Records A&R , and played two of the acetates he was given to use. They were "Music in the Air" by Lou Rawls , and " Surfin' Safari " by The Beach Boys . Rowe told him, "you start today". Talmy joined Decca Records as an independent record producer (among the first in the UK) working with Decca's pop performers, such as Irish trio the Bachelors , leading to
1792-433: A landmark recording. A long-running controversy about the song revolved around the use of future Led Zeppelin guitarist Jimmy Page as a session musician on many of the Kinks' early recordings − and on the seminal guitar solo on "You Really Got Me" in particular. In an interview with rock writer and critic Richie Unterberger , Talmy set the record straight: "You know how many times I've answered that question? I wish I had
1920-565: A lead instrument, playing melodies. In February 1964, the Detours became aware of the group Johnny Devlin and the Detours, and changed their name. Townshend and his house-mate Richard Barnes spent a night considering names, focusing on a theme of joke announcements, including "No One" and "the Group". Townshend preferred "the Hair", and Barnes liked "the Who" because it "had a pop punch". Daltrey chose "the Who"
2048-461: A lot of weight, though Daltrey later said, "even at his worst, Keith Moon was amazing." Recording of Who Are You started in January 1978. Daltrey clashed with Johns over the production of his vocals, and Moon's drumming was so poor that Daltrey and Entwistle considered firing him. Moon's playing improved, but on one track, "Music Must Change", he was replaced as he could not play in 6/8 time. In May,
2176-453: A peak. After the 1976 tour, Townshend took most of the following year off to spend time with his family. He discovered that former Beatles and Rolling Stones manager Allen Klein had bought a stake in his publishing company. A settlement was reached, but Townshend was upset and disillusioned that Klein had attempted to take ownership of his songs. Townshend went to the Speakeasy where he met
2304-552: A roadie. The next single, " My Generation ", followed in October. Townshend had written it as a slow blues, but after several abortive attempts, it was turned into a more powerful song with a bass solo from Entwistle. The song used gimmicks such as a vocal stutter to simulate the speech of a mod on amphetamines , and two key changes . Townshend insisted in interviews that the lyrics "Hope I die before I get old" were not meant to be taken literally. Peaking at No. 2, "My Generation"
2432-468: A series of promotional television interviews, and Entwistle worked on the soundtrack for The Kids Are Alright . On 6 September, Moon attended a party held by Paul McCartney to celebrate Buddy Holly 's birthday. Returning to his flat, Moon took 32 tablets of clomethiazole which had been prescribed to combat his alcohol withdrawal . He passed out the following morning and was discovered dead later that day. The Bachelors The Bachelors were
2560-457: A short European tour , the remainder of 1972 was spent working on an orchestral version of Tommy with Lou Reizner . By 1973, the Who turned to recording the album Quadrophenia about mod and its subculture, set against clashes with Rockers in early 1960s Britain. The story is about a boy named Jimmy, who undergoes a personality crisis, and his relationship with his family, friends and mod culture. The music features four themes, reflecting
2688-534: A short show without any major responsibilities. After the Hermits tour, the Who recorded their next single, " I Can See for Miles ", which Townshend had written in 1966 but had avoided recording until he was sure it could be produced well. Townshend called it "the ultimate Who record", and was disappointed it reached only No. 10 in the UK. It became their best selling single in the US, reaching No. 9. The group toured
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#17330853753652816-583: A similar number, " I Can't Explain ", so that Talmy might produce his group. When the song was played over the telephone to Talmy, he agreed to hear the band. Now called The Who , they were rehearsing at a church hall, and Talmy says it took about eight bars before he said "Yes!" The band was signed to his production company, Orbit-Universal. Talmy got the band a contract with Decca in America and with their subsidiary Brunswick in Britain, and produced recordings modeled on
2944-474: A star-studded cast, including the band members. David Essex auditioned for the title role, but the band persuaded Daltrey to take it. The cast included Ann-Margret , Oliver Reed , Eric Clapton , Tina Turner , Elton John and Jack Nicholson . Townshend and Entwistle worked on the soundtrack for most of the year, handling the bulk of the instrumentation. Moon had moved to Los Angeles, so they used session drummers, including Kenney Jones (who would later join
3072-484: A straightforward pop band and enjoyed drugs and practical jokes. They bonded with Moon, who was excited to learn that cherry bombs were legal to purchase in Alabama. Moon acquired a reputation of destroying hotel rooms while on tour, with a particular interest in blowing up toilets. Entwistle said the first cherry bomb they tried "blew a hole in the suitcase and the chair". Moon recalled his first attempt to flush one down
3200-457: A successful end to the 1960s with the album World of the Bachelors hitting the top 10 in 1968, the band became less and less dominant in the changing music industry. They remained successful recording artists and moved to the Philips label, which contracted easy listening stars such as Val Doonican and The New Seekers . Despite the Bachelors' last chart single being in 1967, they continued to play
3328-625: A young, unsigned rock group that they could make a film about, and had seen the band at the Railway Hotel in Wealdstone , which had become a regular venue for them. Lambert related to Townshend and his art school background, and encouraged him to write songs. In August, Lambert and Stamp made a promotional film featuring the group and their audience at the Railway. The band changed their set towards soul, rhythm and blues and Motown covers, and created
3456-543: Is about a girl who has an affair while her lover is away, but is ultimately forgiven. The album was titled A Quick One ( Happy Jack in the US), and reached No. 4 in the UK charts. It was followed in 1967 by the UK Top 5 single " Pictures of Lily ". By 1966, Ready Steady Go! had ended, the mod movement was becoming unfashionable, and the Who found themselves in competition on the London circuit with groups including Cream and
3584-521: Is the group's highest-charting single in the UK. The debut album My Generation was released in late 1965. Among original material by Townshend, including the title track and " The Kids Are Alright ", the album has several James Brown covers from the session earlier that year that Daltrey favoured. After My Generation , the Who fell out with Talmy, which meant an abrupt end to their recording contract. The resulting legal acrimony resulted in Talmy holding
3712-449: The BBC 's highly rated review of the 1960s' music scene Pop Go The Sixties performing "Charmaine" and "Diane" live on the show, which was broadcast on BBC1 on 1 January 1970. In December 2016, Con and Dec (performing as The Bachelors) appeared in Channel 4 's Skeg Vegas , a one-off documentary following Skegness ' Number One Entertainment Agent Noel Gee. In August 2017, Dec appeared as
3840-580: The BBC , as one of the best live rock albums of all time. The Tommy tour included shows in European opera houses and saw the Who become the first rock act to play at the Metropolitan Opera House in New York City. In March the Who released the UK top 20 hit " The Seeker ", continuing a theme of issuing singles separate to albums. Townshend wrote the song to commemorate the common man, as
3968-598: The Encyclopedia of Popular Music , Colin Larkin described the song as "one of the all-time great beat group singles of the '60s". Bowie later covered "Friday on My Mind" on his album Pin Ups . Talmy's work with The Easybeats stretched through to their 1967 album Good Friday , after which the band's management decided to dismiss him as producer. Once established as an independent producer in early 1964, Talmy would be incredibly busy over
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4096-568: The Monterey Pop Festival and released " I Can See for Miles ", their only US top-ten single. The group's 1969 concept album Tommy included the single " Pinball Wizard " and was a critical and commercial success. Further festival appearances at Woodstock and the Isle of Wight , along with the concert album Live at Leeds (1970), established their reputation as a respected rock act. The success put pressure on lead songwriter Townshend, and
4224-533: The Rock and Roll Hall of Fame in 1990. The Who evolved from an earlier group, the Detours, and established themselves as part of the pop art and mod movements , featuring auto-destructive art by destroying guitars and drums on stage. Their first single as the Who, " I Can't Explain " (1965), reached the UK top ten, and was followed by a string of hit singles including " My Generation " (1965), " Substitute " and " Happy Jack " (both 1966). In 1967, they performed at
4352-559: The West End of London . The group experienced a difficult time when touring Denmark in September, which culminated in Daltrey throwing Moon's amphetamines down the toilet and assaulting him. Immediately on returning to Britain, Daltrey was sacked, but was reinstated on the condition that the group became a democracy without his dominant leadership. At this time, the group enlisted Richard Cole as
4480-410: The hippie movement, and thought their violent stage act would stand in sharp contrast to the peaceful atmosphere of the festival. Hendrix was also on the bill, and was also going to smash his guitar on stage. Townshend verbally abused Hendrix and accused him of stealing his act, and the pair argued about who should go on stage first, with the Who winning the argument. The Who brought hired equipment to
4608-618: The " Wrecking Crew ". Talmy and Yeend often experimented with production techniques. They played with separation and recording levels and built baffles and platforms covered with carpet, using them to isolate vocals and instruments. In an interview with Terri Stone in Music Producers , Talmy recalled that Yeend "would let me do whatever I wanted after our regular sessions were over, so I used to work out miking techniques for how to make drums sound better or guitars sound better. ... There really weren't many precedents, so we were all doing it for
4736-399: The "quintessential rock single". Talmy also produced The Who's debut studio album, My Generation (1965), a collection of original songs and R&B covers. However, tensions arose between Talmy and one of the band's managers, Kit Lambert . Lambert 'fired' Talmy, but Talmy sued for breach of contract and won. Talmy called it a pyrrhic victory, as he would no longer produce any records by
4864-536: The 1960s hits together with two new songs recorded by Con and Dec Cluskey, was released through Universal , which had acquired the Decca catalogue, (available in the US as an import from Uni Classics Jazz UK), reached No. 7 in the UK album chart. Con and Dec Cluskey appeared on TV and radio to promote the album. Con Cluskey died on 8 April 2022, aged 86. He had been living in Elland , West Yorkshire , since 1970. Throughout
4992-580: The 1960s, the Bachelors racked up hit singles and albums, made guest appearances on all the then-current TV shows, and appeared in two Royal Variety TV shows. In 1963, they starred in It's All Over Town with Frankie Vaughan and The Springfields . The following year they appeared on the TV show Sunday Night at the London Palladium , then hosted by Bruce Forsyth : this episode, according to Paul Gambaccini , achieved
5120-483: The 1991 Bowie collection Early On features five additional vintage tracks from Talmy's archive. Singles Album Singles Album Singles Albums The Who The Who are an English rock band formed in London in 1964. Their classic lineup (1964–1978) consisted of lead vocalist Roger Daltrey , guitarist Pete Townshend , bassist John Entwistle and drummer Keith Moon . They are considered one of
5248-685: The B-side, " Instant Party ", and the single was withdrawn. A new B-side, "Waltz for a Pig", was recorded by the Graham Bond Organisation under the pseudonym "the Who Orchestra". In 1966 the Who released " I'm a Boy ", about a boy dressed as a girl, taken from an abortive collection of songs called Quads ; " Happy Jack "; and an EP, Ready Steady Who , that tied in with their regular appearances on Ready Steady Go! The group continued to have conflict; on 20 May, Moon and Entwistle were late to
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5376-431: The B-side, "Bald Headed Woman". "I Can't Explain" became popular with pirate radio stations such as Radio Caroline . Pirate radio was important for bands as there were no commercial radio stations in the UK and BBC Radio played little pop music. The group gained further exposure when they appeared on the television programme Ready Steady Go! Lambert and Stamp were tasked with finding "typical teens", and invited
5504-599: The Bachelors at the suggestion of Dick Rowe , A&R at Decca Records , who reportedly recommended the name "because that's the kind of boy a girl likes". During the 1960s, they had many successful songs in music charts in Europe, Australia, South Africa, South America, parts of the USSR, and the United States. Some of the most successful were "Charmaine" (1963); "Diane", " I Believe " (1964), "Ramona" and " I Wouldn't Trade You for
5632-487: The Creation. Though he was famous primarily for his contributions to rock music, Talmy also worked with musicians from the folk scene, including Pentangle , Roy Harper and Ralph McTell . He has also worked in the pop, orchestral, pop and punk categories. He produced the early Roy Harper albums Come Out Fighting Ghengis Smith and Folkejokeopus in 1967. In 1968 and 1969 Talmy produced the influential first three albums by
5760-565: The Jimi Hendrix Experience . Lambert and Stamp realised that commercial success in the US was paramount to the group's future, and arranged a deal with promoter Frank Barsalona for a short package tour in New York. The group's performances, which still involved smashing guitars and kicking over drums, were well received, and led to their first major US appearance at the Monterey Pop Festival . The group, especially Moon, were not fond of
5888-495: The Sex Pistols ' Steve Jones and Paul Cook , fans of the Who. After leaving, he passed out in a doorway, where a policeman said he would not be arrested if he could stand and walk. The events inspired the title track of the next album, Who Are You . The group reconvened in September 1977, but Townshend announced there would be no live performances for the immediate future, a decision that Daltrey endorsed. By this point, Moon
6016-438: The UK and No. 4 in the US. " Baba O'Riley " and " Won't Get Fooled Again " are early examples of synthesizer use in rock, featuring keyboard sounds generated in real time by a Lowrey organ ; on "Won't Get Fooled Again", it was further processed through a VCS3 synthesizer. The synthesizer intro to "Baba O'Riley" was programmed based on Meher Baba's vital stats, and the track featured a violin solo by Dave Arbus . The album
6144-453: The US again with Eric Burdon and the Animals , including an appearance on The Smothers Brothers Comedy Hour , miming to "I Can See For Miles" and "My Generation". Moon bribed a stage hand to put explosives in his drum kit, who loaded it with ten times the expected quantity. The resulting detonation threw Moon off his drum riser and his arm was cut by a flying piece of a cymbal. Townshend's hair
6272-649: The US later that month, where Robert Hilburn of the Los Angeles Times described the Who as "the Greatest Show on Earth". The tour was slightly disrupted at the Civic Auditorium in San Francisco on 12 December when Moon passed out over his kit after overdosing on brandy and barbiturates. He recovered and completed the gig, playing to his usual strength. After touring Who's Next , and needing time to write
6400-452: The United States in 1979. Though he reduced his workload, Talmy continued to be sought after to produce artists. He produced albums by Fuzztones, Nancy Boy and Sorrows. Most recently he produced records by Hidden Charms and Strangers in a Strange Land. In 2003, a tribute to Talmy was aired on the radio program Little Steven's Underground Garage . In 2017, Ace Records began issuing a series of compilations from Talmy's vintage catalog, including
6528-549: The Who are now the band against which all others are to be judged." Daltrey had significantly improved as a singer, and set a template for rock singers in the 1970s by growing his hair long and wearing open shirts on stage. Townshend had taken to wearing a boiler suit and Doctor Martens shoes. In August, the Who performed at the Woodstock Festival , despite being reluctant and demanding $ 13,000 up front. The group were scheduled to appear on Saturday night, 16 August, but
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#17330853753656656-414: The Who filmed another performance at Shepperton Sound Studios for The Kids Are Alright . This performance was strong, and several tracks were used in the film. It was the last gig Moon performed with the Who. The album was released on 18 August, and became their biggest and fastest seller to date, peaking at No. 6 in the UK and No. 2 in the US. Instead of touring, Daltrey, Townshend and Moon did
6784-554: The Who have continued to perform and tour, most commonly with Starkey on drums, Pino Palladino on bass, and Pete's brother Simon Townshend on second guitar and backing vocals. In 2019, the group released the album Who and toured with a symphony orchestra. The founding members of the Who, Roger Daltrey , Pete Townshend and John Entwistle , grew up in Acton, London and went to Acton County Grammar School . Townshend's father, Cliff , played saxophone and his mother, Betty, had sung in
6912-400: The Who were widely considered one of the best and most popular live rock bands; Chris Charlesworth described their concerts as "leading to a kind of rock nirvana that most bands can only dream about". They decided a live album would help demonstrate how different the sound at their gigs was to Tommy , and set about listening to the hours of recordings they had accumulated. Townshend baulked at
7040-521: The Who). Elton John used his own band for "Pinball Wizard". Filming was from April until August. 1500 extras appeared in the "Pinball Wizard" sequence. The film premiered on 18 March 1975 to a standing ovation. Townshend was nominated for the Academy Award for Best Original Score . Tommy was shown at the 1975 Cannes Film Festival , but not in the main competition. It won the award for Rock Movie of
7168-513: The Who. Talmy held the original session tapes to the My Generation album, but a re-release was held up for years because of the ongoing dispute. This prevented a proper re-release of the LP until 2002, when things were finally settled in Talmy's favor. My Generation was subsequently remixed by Talmy and issued on compact disc with bonus tracks. In his book Before I Get Old , Dave Marsh commented that
7296-686: The World " (1964); " Marie " (written by Irving Berlin ) and "In the Chapel in the Moonlight" (1965). In 1965 they had the 'most played juke box track' with "The Stars Will Remember", from the film "It's all over town". Their last big hit in the UK was a cover of the Paul Simon song " The Sound of Silence " which reached No. 3 in April 1966. Live work carried them into the 1970s with record-breaking theatre season shows. After
7424-728: The Year in the First Annual Rock Music Awards and generated over $ 2 million in its first month. The soundtrack reached number two on the Billboard charts. Work on Tommy took up most of 1974, and live performances by the Who were restricted to a show in May at the Valley , the home of Charlton Athletic , in front of 80,000 fans, and a few dates at Madison Square Garden in June. Towards
7552-413: The accompanying single, "Pinball Wizard", a début performance at Ronnie Scott's , and a tour , playing most of the new album live. Tommy sold 200,000 copies in the US in its first two weeks, and was a critical success, Life saying, "for sheer power, invention and brilliance of performance, Tommy outstrips anything which has ever come out of a recording studio". Melody Maker declared: "Surely
7680-489: The arrangements, getting musicians if necessary, choosing the studio and being there for the entire production on through the mixes and mastering." Talmy continued to work with other distinguished British performers throughout the 1960s, principal amongst whom was singer-songwriter David Bowie (then known by his real name Davy Jones). Talmy produced two singles in 1965 by two groups featuring Bowie, "I Pity The Fool" by The Manish Boys and "You've Got A Habit Of Leaving", where
7808-592: The band as a support act. The Detours were influenced by the bands they supported, including Screaming Lord Sutch , Cliff Bennett and the Rebel Rousers , Shane Fenton and the Fentones , and Johnny Kidd and the Pirates . The Detours were particularly interested in the Pirates as they also only had one guitarist, Mick Green , who inspired Townshend to combine rhythm and lead guitar in his style. Entwistle's bass became more of
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#17330853753657936-436: The band's high-energy live performances. The intentional feedback on the band's second single, " Anyway, Anyhow, Anywhere ", caused U.S. Decca executives to send back the recording, thinking that they had received a faulty pressing, and Talmy had to assure them it was intentional. Talmy and the Who created a historic recording in " My Generation ", the group's third release. Entertainment Weekly later called "My Generation"
8064-448: The band. "Sally Simpson" is about a fan who tried to climb on stage at a gig by the Doors that they attended and " Pinball Wizard " was written so that New York Times journalist Nik Cohn , a pinball enthusiast, would give the album a good review. Townshend later said, "I wanted the story of Tommy to have several levels ... a rock singles level and a bigger concept level", containing
8192-509: The book publishing and filmmaking worlds. He was however still in demand as a producer and worked on records by Small Faces , String Driven Thing, Fumble, Coven, Chris White, Mick Cox Band, Blues Project, Rumplestiltskin and others. He had production deals with the Bell and Charisma labels in the 1970s. Amongst his final UK productions was a collector's item single by punk group The Damned ("Stretcher Case Baby"/"Sick of Being Sick"). Talmy returned to
8320-561: The cabaret circuit, still maintaining the original line-up until 1984, when there was "a messy split" between the Cluskey brothers and Stokes. Following the split, the Cluskey brothers appeared as "The New Bachelors" and Stokes as "Stokes & Coe"; Stokes allegedly also then appeared as "The New Bachelors" and the Cluskeys performed as "Con & Dec, The Bachelors". In 2008, a compilation CD I Believe – The Very Best of The Bachelors , featuring
8448-573: The career anthology Making Time − A Shel Talmy Production , produced by Alec Palao . Shel Talmy lived in the Los Angeles area. He had two children, Jonna and Steven Talmy (twins). He was the elder brother of the American linguist Leonard Talmy . Talmy died from complications of a stroke on November 13, 2024, at the age of 87. Note: Talmy also produced numerous tracks that would appear on later albums, singles, and archival collections. Albums Note: Talmy also produced numerous tracks that would appear on later archival collections. Singles Note:
8576-537: The commitment of the group prevented him from releasing solo material. The next album, The Who by Numbers , had introspective songs from Townshend that dealt with disillusionment such as "However Much I Booze" and "How Many Friends"; they resembled his later solo work. Entwistle's "Success Story" gave a humorous look at the music industry, and " Squeeze Box " was a hit single. The group toured from October, playing little new material and few Quadrophenia numbers, and reintroducing several from Tommy . The American leg of
8704-519: The country; Prime Minister John Gorton sent a telegram to the Who telling them never to return to Australia. The Who would not return to Australia again until 2004. They continued to tour across the US and Canada during the first half of the year. By 1968, the Who had started to attract attention in the underground press . Townshend had stopped using drugs and became interested in the teachings of Meher Baba . In August, he gave an interview to Rolling Stone editor Jann Wenner describing in detail
8832-434: The demands of the music; added to this issue, tour rehearsals had been interrupted due to an argument that culminated in Daltrey punching Townshend and knocking him out cold. At a gig in Newcastle, the tapes completely malfunctioned, and an enraged Townshend dragged sound-man Bob Pridden on-stage, screamed at him, kicked all the amps over and partially destroyed the backing tapes. The show was abandoned for an "oldies" set, at
8960-492: The drumming and, according to Sandom, Townshend immediately turned on him and threatened to fire him if his playing did not immediately improve. Sandom left in disgust, but was persuaded to lend his kit to any potential stand-ins or replacements. Sandom and Townshend did not speak to each other again for 14 years. During a gig with a stand-in drummer in late April at the Oldfield, the band first met Keith Moon. Moon grew up in Wembley , and had been drumming in bands since 1961. He
9088-406: The end of 1976. The release of Who Are You (1978) was overshadowed by Moon's death shortly after. Kenney Jones replaced Moon and the group resumed touring, and released a film adaptation of Quadrophenia and the retrospective documentary The Kids Are Alright (both 1979). The band embarked on the It's Hard Tour in support of their 1982 album, It's Hard . After Townshend became weary of
9216-450: The end of the year, the group released the out-takes album Odds & Sods , which featured several songs from the aborted Lifehouse project. In 1975, Daltrey and Townshend disagreed about the band's future and criticised each other via interviews in the music paper New Musical Express . Daltrey was grateful that the Who had saved him from a career as a sheet-metal worker and was unhappy at Townshend not playing well; Townshend felt
9344-560: The end of which Townshend smashed his guitar and Moon kicked over his drumkit. The Independent described this gig as one of the worst of all time. The US tour started on 20 November at the Cow Palace in Daly City, California ; Moon passed out during "Won't Get Fooled Again" and during " Magic Bus ". Townshend asked the audience, "Can anyone play the drums? – I mean somebody good." An audience member, Scot Halpin , filled in for
9472-657: The entertainment division of the Royal Air Force during World War II, and both supported their son's interest in rock and roll . Townshend and Entwistle became friends in their second year of Acton County, and formed a trad jazz group; Entwistle also played French horn in the Middlesex Schools' Symphony Orchestra. Both were interested in rock, and Townshend particularly admired Cliff Richard 's début single, " Move It ". Entwistle moved to guitar, but struggled with it due to his large fingers, and moved to bass on hearing
9600-422: The festival ran late and they did not take to the stage until 5 am on Sunday; they played most of Tommy . During their performance, Yippie leader Abbie Hoffman interrupted the set to give a political speech about the arrest of John Sinclair ; Townshend kicked him off stage, shouting: "Fuck off my fucking stage!" During " See Me, Feel Me ", the sun rose almost as if on cue; Entwistle later said, "God
9728-415: The festival; Hendrix shipped over his regular touring gear from Britain, including a full Marshall stack . According to biographer Tony Fletcher , Hendrix sounded "so much better than the Who it was embarrassing". The Who's appearance at Monterey gave them recognition in the US, and "Happy Jack" reached the top 30. The group followed Monterey with a US tour supporting Herman's Hermits . The Hermits were
9856-419: The first time together. It was all totally new." In the summer of 1962, Talmy went to Britain, supposedly for a 5-week European vacation. He went with little money and thought he might be able to work for a couple of weeks to earn some more. Nick Venet , a good friend and producer at Capitol Records , gave him a stack of acetates to take along with him and use as if he had produced them, if it could get him
9984-457: The folk supergroup, Pentangle, as well as their hit single "Light Flight". In the late 1960s Talmy worked with American artists Lee Hazlewood and Tim Rose and supervised film music with his favored arranger David Whitaker. For CBS, he produced Music to Spy By and The Revolutionary Piano of Nicky Hopkins , both arranged and conducted by Whitaker. By the early 1970s, Talmy was doing less record production work and pursuing his other interests in
10112-456: The follow-up to Tommy , Lifehouse , was abandoned. Songs from the project made up the album Who's Next (1971), including the hits " Won't Get Fooled Again ", " Baba O'Riley ", and " Behind Blue Eyes ". The group released another concept album, Quadrophenia (1973), as a celebration of their mod roots, and oversaw the film adaptation of Tommy (1975). They continued to tour to large audiences before semi-retiring from live performances at
10240-463: The four personalities of the Who. Townshend played multi-tracked synthesizers, and Entwistle played several overdubbed horn parts. By the time the album was being recorded, relationships between the band and Lambert and Stamp had broken down irreparably, and Bill Curbishley replaced them. The album reached No. 2 in both the UK and US. The Quadrophenia tour started in Stoke on Trent in October and
10368-550: The group in rehearsals and was impressed. He signed them to his production company, and sold the recording to the US arm of Decca Records , which meant that the group's early singles were released in Britain on Brunswick Records , one of UK Decca's labels for US artists. "I Can't Explain" was recorded in early November 1964 at Pye Studios in Marble Arch with the Ivy League on backing vocals, and Jimmy Page played fuzz guitar on
10496-667: The group to release a solo album, Smash Your Head Against the Wall , in May 1971. Recording at the Record Plant in New York City in March 1971 was abandoned when Lambert's addiction to hard drugs interfered with his ability to produce. The group restarted with Glyn Johns in April. The album was mostly Lifehouse material, with one unrelated song by Entwistle, " My Wife ", and was released as Who's Next in August. The album reached No. 1 in
10624-536: The group would be ideal to represent the growing mod movement in Britain which involved fashion, scooters and music genres such as rhythm and blues , soul and modern jazz . He renamed the group the High Numbers, dressed them up in mod clothes, secured a second, more favourable audition with Fontana and wrote the lyrics for both sides of their single " Zoot Suit"/"I'm the Face " to appeal to mods. The tune for "Zoot Suit"
10752-733: The group's regular audience from the Goldhawk Social Club. Enthusiastic reception on television and regular airplay on pirate radio helped the single slowly climb the charts in early 1965 until it reached the top 10. In early 1965, the Who made their first appearance on the television music show, Top of the Pops , at the BBC 's Dickenson Road Studios in Manchester , with "I Can't Explain". The follow-up single, " Anyway, Anyhow, Anywhere ", by Townshend and Daltrey, features guitar noises such as pick sliding , toggle switching and feedback , which
10880-401: The group, they split in 1983. The Who occasionally re-formed for live appearances such as Live Aid in 1985, a 25th-anniversary tour in 1989 with Simon Phillips on drums and a tour of Quadrophenia in 1996–1997. A full reunion began in 1999, with drummer Zak Starkey . After Entwistle's death in 2002, plans for a new album were delayed until 2006, with Endless Wire . Since Entwistle's death,
11008-422: The guitar work of Duane Eddy . He was unable to afford a bass and built one at home. After Acton County, Townshend attended Ealing Art College , a move he later described as profoundly influential on the course of the Who. Daltrey, who was in the year above, had moved to Acton from Shepherd's Bush , a more working-class area. He had trouble fitting in at the school, and discovered gangs and rock and roll. He
11136-519: The hits singles "Just Like A Woman" and "Semi-Detached Suburban Mr James", and Amen Corner (" If Paradise Was Half as Nice " and "Hello Susie"). Talmy also produced the pioneering all-women quartet Goldie and the Gingerbreads , and produced other female acts such as Liz Shelley, Dani Sheridan, Vicki Brown and The Orchids. In late 1965, Talmy and impresario Arthur Howes formed their own label, Planet Records , distributed by Philips Records . Although
11264-586: The imprint for all the Who's UK output until the mid-1970s. The group started 1968 by touring Australia and New Zealand with the Small Faces . The groups had trouble with the local authorities and the New Zealand Truth called them "unwashed, foul-smelling, booze-swilling no-hopers". After an incident that took place on a flight to Sydney , the band were briefly arrested in Melbourne and then forced to leave
11392-580: The largest viewing audience ever for this very popular show. The Bachelors appeared in a film in 1964 called Just for You (known as Disk-o-Tek Holiday in the USA), with DJ Sam Costa. In 1965 they made I've Gotta Horse with Billy Fury . In 1971 they starred in a TV situation comedy series called Under and Over playing three Irish navvies working on the London Underground . Six episodes were broadcast on BBC One . The group began 1970 by appearing on
11520-516: The most influential rock bands of the 20th century. Their contributions to rock music include the development of the Marshall stack , large public address systems , the use of synthesizers , Entwistle's and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera . They are cited as an influence by many hard rock , punk , power pop and mod bands. The Who were inducted into
11648-431: The next five years, producing dozens of discs, largely in the beat and mod categories, genres with which he would be forever associated. These include records by Mickey Finn , The First Gear, The Sneekers, The Untamed, Ben Carruthers & The Deep, The Nashville Teens , The Thoughts, Colette & The Bandits, Wild Silk and many others. He was also hired to work with successful acts like Manfred Mann , for whom he produced
11776-825: The next morning. By the time the Detours had become the Who, they had already found regular gigs, including at the Oldfield Hotel in Greenford, the White Hart Hotel in Acton, the Goldhawk Social Club in Shepherd's Bush, and the Notre Dame Hall in Leicester Square. They had also replaced Druce as manager with Helmut Gorden, with whom they secured an audition with Chris Parmeinter for Fontana Records . Parmeinter found problems with
11904-454: The plot of a new album project and its relationship to Baba's teachings. The album went through several names during recording, including Deaf Dumb and Blind Boy and Amazing Journey ; Townshend settled on Tommy for the album about the life of a deaf, dumb and blind boy, and his attempt to communicate with others. Some songs, such as "Welcome" and "Amazing Journey", were inspired by Baba's teaching, and others came from observations within
12032-416: The project was never broadcast. The Who had not released an album in over a year, and had not completed the recording of Tommy , which continued well into 1969, interspersed with gigs at weekends. Lambert was a key figure in keeping the group focused and getting the album completed, and typed up a script to help them understand the story and how the songs fitted together. The album was released in May with
12160-605: The prospect of doing so, and demanded that all the tapes be burned. Instead, they booked two shows, one in Leeds on 14 February, and one in Hull the following day, with the intention of recording a live album. Technical problems from the Hull gig resulted in the Leeds gig being used, which became Live at Leeds . The album is viewed by several critics including The Independent , The Telegraph and
12288-494: The record "Falling Star" by Debbie Sharron. According to journalist Chris Hunt , Talmy's move from television to audio recording was a result of "the rapid deterioration of his eyesight." At Conway, he worked with Gary Paxton , producer of The Hollywood Argyles " Alley Oop ", surf band the Marketts , vocal group The Castells , R&B pioneers Rene Hall and Bumps Blackwell , and the elite group of session musicians known as
12416-602: The recording to mastering." In another interview with musician/producer/songwriter Artie Wayne , Talmy dismissed the idea that great music production relies primarily on some kind of personal "magic": "[Laughing] The productions don't just materialize out of a clear blue sky. I spent a lot of time in the studio working out how to isolate instruments, how to mic drums, how to do all kinds of stuff. When I arrived in London, I started recording drums using twelve mics, which I had worked out how to do in Los Angeles. Everybody in London, at
12544-504: The records that Talmy made with the Who "are technically among the best that the band ever did, and they have a distinct, original sound." Thanks to his work with the Who and the Kinks, Talmy is considered at the forefront of the British music scene in the mid-1960s. In a 1989 interview with writer Chris Hunt , Talmy described his approach to music production: "There are two categories of producers. Let me explain. First, one produces an artist
12672-485: The release of the hit single "Charmaine". Once he struck out as an independent, Talmy also had success in the United States with his productions for Chad & Jeremy , including " A Summer Song " and "Willow Weep for Me". In 1963 Talmy met Robert Wace, the manager of a group called the Ravens who later changed their name to the Kinks . He brought the Kinks into the studio and their third single, " You Really Got Me ", became
12800-446: The rest of the band, married, and a more proficient musician, having been playing semi-professionally for two years. Dawson left after frequently arguing with Daltrey and was briefly replaced by Gabby Connolly, before Daltrey moved to lead vocals. Townshend, with Entwistle's encouragement, became the sole guitarist. Through Townshend's mother, the group obtained a management contract with local promoter Robert Druce, who started booking
12928-497: The rest of the show. After a show in Montreal , the band (except for Daltrey, who retired to bed early) caused so much damage to their hotel room, including destroying an antique painting and ramming a marble table through a wall, that federal law enforcement arrested them. By 1974, work had begun in earnest on a Tommy film . Stigwood suggested Ken Russell as director, whose previous work Townshend had admired. The film featured
13056-475: The rights to the master tapes, which prevented the album from being reissued until 2002. The Who were signed to Robert Stigwood 's label, Reaction, and released " Substitute ". Townshend said he wrote the song about identity crisis, and as a parody of the Rolling Stones 's " 19th Nervous Breakdown ". It was the first single to feature him playing an acoustic twelve-string guitar . Talmy took legal action over
13184-505: The same songwriters as "Charmaine", Erno Rapee and Lew Pollack , and arranged in the same Nashville-like manner, but produced by Michael Barclay—was released in 1964 and gave the group their biggest international hit, reaching number one in the UK Singles Chart , as well as an American breakthrough at number ten. Four of their hit songs ("Charmaine","Ramona","Marie" and "Diane") were taken from 1920s films. Jim Reeves had also covered
13312-497: The singer was accompanied by The Lower Third. He is known to have a considerable amount of unreleased material by Bowie in his archive. Another artist of lasting impact that Talmy produced was Australian group The Easybeats . Though successful in Australia, the act floundered when it first arrived in the UK in the summer of 1966. The first session under Talmy's direction produced the massive global hit " Friday On My Mind ". Writing in
13440-450: The slogan "Maximum R&B". In June 1964, during a performance at the Railway, Townshend accidentally broke the head of his guitar on the low ceiling of the stage. Angered by the audience's laughter, he smashed the instrument on the stage, then picked up another guitar and continued the show. The following week, the audience were keen to see a repeat of the event. Moon obliged by kicking his drum kit over, and auto-destructive art became
13568-520: The spiritual message he wanted as well as being entertaining. The album was projected for a Christmas 1968 release but recording stalled after Townshend decided to make a double album to cover the story in sufficient depth. By the end of the year, 18 months of touring had led to a well-rehearsed and tight live band, which was evident when they performed "A Quick One While He's Away" at The Rolling Stones Rock and Roll Circus television special. The Stones considered their own performance lacklustre, and
13696-419: The time, were only using three or four mics. They said I couldn't do that because it would (create) phase. I said, 'Just listen to it, see if it does. A month later everybody was trying to use 12 mics on the drums!'" Asked, in the same interview, if he always picks the songs for the artists he produces, Talmy replied: "I'm a hands-on producer, meaning that I always work with the artist on choosing material, doing
13824-461: The toilet: "[A]ll that porcelain flying through the air was quite unforgettable. I never realised dynamite was so powerful." After a gig in Flint, Michigan on Moon's 21st birthday on 23 August 1967, the entourage caused $ 24,000 of damage at the hotel, and Moon knocked out one of his front teeth. Daltrey later said that the tour brought the band closer, and as the support act, they could turn up and perform
13952-653: The tour began in Houston to a crowd of 18,000 at The Summit Arena , and was supported by Toots and the Maytals . On 6 December 1975, the Who set the record for largest indoor concert at the Pontiac Silverdome , attended by 78,000. On 31 May 1976, they played a second concert at the Valley which was listed in the Guinness Book of Records as the world's loudest concert at over 120 dB. Townshend had become fed up of touring but Entwistle considered live performance to be at
14080-407: The venture was not successful, the label did release the initial discs by Talmy's discovery The Creation , now considered amongst the most iconic of mod/psychedelic groups, who often used pop-art imagery. These included "Making Time" and "Painter Man". Their later work with Talmy such as "How Does It Feel To Feel" was issued on Polydor and Talmy has said that he did some of his most essential work with
14208-537: The way 'they' want to hear to them, without a whole lot of regard to what the artist is really like, or how they see themselves. I'd like to think that I'm in the other category. I liked the artists that I produced – a lot, or else I wouldn't produce them, and what I wanted to do was enhance what they do already. I just wanted to make it better, more polished, put the best frame around it I could. The other 'category' of producers are divided between what I subscribe to, 'hands-on', i.e. being there from inception, and all through
14336-443: The whole of America had gone mad." A more enjoyable appearance came a few weeks later at the 1969 Isle of Wight Festival in England, which Townshend described as "a great concert for" the band. According to Townshend, at the end of the Isle of Wight gig the field was covered in rubbish left by fans (which the band's roadies helped to clear up), which inspired the line "teenage wasteland" from their single " Baba O'Riley ". By 1970,
14464-472: Was "Misery" by the Dynamics , and "I'm the Face" borrowed from Slim Harpo 's "I Got Love If You Want It". Although Meaden tried to promote the single, it failed to reach the top 50 and the band reverted to calling themselves the Who. The group – none of whom played their instruments conventionally – began to improve their stage image; Daltrey started using his microphone cable as
14592-525: Was "trying to get Keith out of the Who". To alleviate financial pressure on the band, Lambert arranged a song-writing deal which required each member to write two songs for the next album. Entwistle contributed " Boris the Spider " and "Whiskey Man" and found a niche role as second songwriter. The band found they needed to fill an extra ten minutes, and Lambert encouraged Townshend to write a longer piece, " A Quick One, While He's Away ". The suite of song fragments
14720-562: Was a critical and commercial success, and has been certified 3× platinum by the RIAA . The Who continued to issue Lifehouse -related material over the next few years, including the singles " Let's See Action ", " Join Together " and " Relay ". The band went back on tour, and "Baba O' Riley" and "Won't Get Fooled Again" became live favourites. In November they performed at the newly opened Rainbow Theatre in London for three nights, continuing in
14848-559: Was becoming increasingly destructive and problematic through excessive drinking and drugs use, and a desire to party and tour. Daltrey performed an audit of the group's finances and discovered that Lambert and Stamp had not kept sufficient records. He believed them to be no longer effective managers, which Townshend and Moon disputed. The painful dissolution of the managerial and personal relationships are recounted in James D. Cooper's 2014 retrospective documentary, Lambert & Stamp . Following
14976-404: Was booked for a series of experimental concerts. Townshend approached the gigs with optimism; the rest of the band were just happy to be gigging again. Eventually, the others complained to Townshend that the project was too complicated and they should simply record another album. Things deteriorated until Townshend had a nervous breakdown and abandoned Lifehouse . Entwistle was the first member of
15104-517: Was born in Chicago , Illinois , the son of Esther (Gutes) and Isaac Talmy, a dentist. From an early age, he was interested both in music (early rock , rhythm and blues , folk music , and country music ) as well as the technology of the recording studio. At the age of 13, Talmy appeared regularly on the popular NBC-TV television show Quiz Kids , a question-and-answer program from Chicago. He told Chris Ambrose of Tokion Magazine , "What it did for me
15232-465: Was embarrassed at his wealth, which he felt was at odds with Meher Baba's ideals, and Moon spent frivolously. During the latter part of 1970, Townshend plotted a follow-up Tommy : Lifehouse , which was to be a multi-media project symbolising the relationship between an artist and his audience. He developed ideas in his home studio, creating layers of synthesizers, and the Young Vic theatre in London
15360-423: Was expelled at 15 and found work on a building site. In 1959 he started the Detours, the band that was to evolve into the Who. The band played professional gigs, such as corporate and wedding functions, and Daltrey kept a close eye on the finances as well as the music. Daltrey spotted Entwistle by chance on the street carrying a bass and recruited him into the Detours. In mid-1961, Entwistle suggested Townshend as
15488-406: Was immediately beset with problems. Daltrey resisted Townshend's wish to add Joe Cocker 's keyboardist Chris Stainton (who played on the album) to the touring band. As a compromise, Townshend assembled the keyboard and synthesizer parts on backing tapes, as such a strategy had been successful with "Baba O'Riley" and "Won't Get Fooled Again". The technology was not sophisticated enough to deal with
15616-575: Was our lighting man". At the end, Townshend threw his guitar into the audience. The set was professionally recorded and filmed, and portions appear on the Woodstock film , The Old Grey Whistle Test and The Kids Are Alright . Woodstock has been regarded as culturally significant, but the Who were critical of the event. Roadie John "Wiggie" Wolff, who arranged the band's payment, described it as "a shambles". Daltrey declared it as "the worst gig [they] ever played" and Townshend said, "I thought
15744-594: Was performing with a semi-professional band called the Beachcombers, and wanted to play full-time. Moon played a few songs with the group, breaking a bass drum pedal and tearing a drum skin. The band were impressed with his energy and enthusiasm, and offered him the job. Moon performed with the Beachcombers a few more times, but dates clashed and he chose to devote himself to The Who. The Beachcombers auditioned Sandom, but were unimpressed and did not ask him to join. The Who changed managers to Peter Meaden . He decided that
15872-499: Was playing the leads, and so I hired Jimmy." Whoever started the rumor, Page no longer takes credit. Talmy produced many more hits with the group up to 1967 including " All Day and All of the Night ", " Tired of Waiting for You ", " Dedicated Follower of Fashion ", " Well Respected Man ", " Sunny Afternoon ", and " Waterloo Sunset ". Pete Townshend , guitarist of a band called the High Numbers, liked "You Really Got Me" so much that he wrote
16000-518: Was singed and his left ear left ringing, and a camera and studio monitor were destroyed. The next album was The Who Sell Out – a concept album paying tribute to pirate radio, which had been outlawed in August 1967 by the Marine Broadcasting Offences Act 1967 . It included humorous jingles and mock commercials between songs, a mini rock opera called "Rael", and "I Can See For Miles". The Who declared themselves
16128-466: Was so unconventional that it was initially rejected by the US arm of Decca. The single reached the top 10 in the UK and was used as the theme song to Ready Steady Go! The transition to a hit-making band with original material, encouraged by Lambert, did not sit well with Daltrey, and a recording session of R&B covers went unreleased. The Who were not close friends either, apart from Moon and Entwistle, who enjoyed visiting nightclubs together in
16256-529: Was so unhealthy that the Who conceded it would be difficult for him to cope with touring. The only gig that year was an informal show on 15 December at the Gaumont State Cinema in Kilburn , London, filmed for the documentary The Kids Are Alright . The band had not played for 14 months, and their performance was so weak that the footage was unused. Moon's playing was particularly lackluster and he had gained
16384-604: Was that I absolutely knew that this was the business I wanted to be in." He graduated from Fairfax High School in Los Angeles in June 1955, the same high school attended by songwriter Jerry Leiber , A&M label owner and performer Herb Alpert , Michael Jackson , and producer Phil Spector . After working for ABC Television , he became a recording engineer at Conway Studios in Los Angeles where owner/engineer Phil Yeend trained him on three-track recording equipment. Three days later, Talmy had his first assignment, producing
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