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122-535: Shehzada ( lit.   ' The Prince ' ) is a 1972 Bollywood drama film produced by Surinder Kapoor and directed by K. Shankar , set during the British Raj . The film stars Rajesh Khanna and Raakhee as the lead pair and the supporting cast included Veena, Pandari Bai and Karan Dawan. The music was composed by R. D. Burman . This was remake of Tamil film Idhu Sathiyam (1963). The producer Surinder Kapoor quoted in an interview "Rajesh Khanna who played

244-565: A parallel cinema movement. Although the movement (emphasising social realism ) was led by Bengali cinema , it also began gaining prominence in Hindi cinema. Early examples of parallel cinema include Dharti Ke Lal (1946), directed by Khwaja Ahmad Abbas and based on the Bengal famine of 1943 , Neecha Nagar (1946) directed by Chetan Anand and written by Khwaja Ahmad Abbas, and Bimal Roy's Do Bigha Zamin (1953). Their critical acclaim and

366-534: A vigilante or anti-hero whose suppressed rage voiced the anguish of the urban poor. Hindi films have been a significant form of soft power for India, increasing its influence and changing overseas perceptions of India. In Germany , Indian stereotypes included bullock carts , beggars, sacred cows, corrupt politicians, and catastrophes before Bollywood and the IT industry transformed global perceptions of India. According to author Roopa Swaminathan, "Bollywood cinema

488-523: A Hong Kong remake, The Brothers (1979), which inspired John Woo 's internationally acclaimed breakthrough A Better Tomorrow (1986); the latter was a template for Hong Kong action cinema 's heroic bloodshed genre. "Angry young man" 1970s epics such as Deewaar and Amar Akbar Anthony (1977) also resemble the heroic-bloodshed genre of 1980s Hong Kong action cinema. The influence of filmi may be seen in popular music worldwide. Technopop pioneers Haruomi Hosono and Ryuichi Sakamoto of

610-442: A colour version of Mother India . However, colour did not become a popular feature until the late 1950s. At this time, lavish romantic musicals and melodramas were cinematic staples. The decade of the 1940s saw an expansion of Bombay cinema's commercial market and its presence in the national consciousness. The year 1943 saw the arrival of Indian cinema's first 'blockbuster' offering, the movie Kismet , which grossed in excess of

732-559: A composite Ganga-Jamuni tehzeeb . The language was also known as Rekhta , or 'mixed', which implies that the Sanskritic and Prakritic vocabulary base of Old Hindi was mixed with Persian loanwords. Written in the Perso-Arabic , Devanagari , and occasionally Kaithi or Gurmukhi scripts, it remained the primary lingua franca of northern India for the next four centuries, although it varied significantly in vocabulary depending on

854-497: A contemporary urban context and anguished urban poor. By the mid-1970s, romantic confections had given way to gritty, violent crime films and action films about gangsters (the Bombay underworld ) and bandits ( dacoits ). Salim-Javed's writing and Amitabh Bachchan's acting popularised the trend with films such as Zanjeer and (particularly) Deewaar , a crime film inspired by Gunga Jumna which pitted "a policeman against his brother,

976-613: A continuation and reinforcement of Persian by Central Asian Turkic rulers in the Indian Subcontinent, since Persian was also patronized by the earlier Turko-Afghan Delhi Sultanate who laid the basis for the introduction and use of Persian in the subcontinent. Hindustani began to take shape as a Persianised vernacular during the Delhi Sultanate (1206–1526 AD) and Mughal Empire (1526–1858 AD) in South Asia . Hindustani retained

1098-575: A film of scenes from that show, The Flower of Persia (1898). The Wrestlers (1899) by H. S. Bhatavdekar showed a wrestling match at the Hanging Gardens in Bombay . Dadasaheb Phalke 's silent film Raja Harishchandra (1913) is the first feature-length film made in India. The film, being silent, had English , Marathi , and Hindi -language intertitles . By the 1930s, the Indian film industry as

1220-497: A gang leader based on real-life smuggler Haji Mastan " (Bachchan); according to Danny Boyle , Deewaar was "absolutely key to Indian cinema". In addition to Bachchan, several other actors followed by riding the crest of the trend (which lasted into the early 1990s). Actresses from the era include Hema Malini , Jaya Bachchan , Raakhee , Shabana Azmi , Zeenat Aman , Parveen Babi , Rekha , Dimple Kapadia , Smita Patil , Jaya Prada and Padmini Kolhapure . The name "Bollywood"

1342-546: A genre of dacoit films , in turn defined by Gunga Jumna (1961). Written and produced by Dilip Kumar, Gunga Jumna was a dacoit crime drama about two brothers on opposite sides of the law (a theme which became common in Indian films during the 1970s). Some of the best-known epic films of Hindi cinema were also produced at this time, such as K. Asif 's Mughal-e-Azam (1960). Other acclaimed mainstream Hindi filmmakers during this period included Kamal Amrohi and Vijay Bhatt . The three most popular male Indian actors of

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1464-466: A global presence". Scholar Brigitte Schulze has written that Indian films, most notably Mehboob Khan 's Mother India (1957), played a key role in shaping the Republic of India 's national identity in the early years after independence from the British Raj ; the film conveyed a sense of Indian nationalism to urban and rural citizens alike. Bollywood has long influenced Indian society and culture as

1586-783: A good film is generally referred to as paisa vasool , (literally "money's worth"). Songs, dances, love triangles, comedy and dare-devil thrills are combined in a three-hour show (with an intermission). These are called masala films , after the Hindi word for a spice mixture. Like masalas , they are a mixture of action, comedy and romance; most have heroes who can fight off villains single-handedly. Bollywood plots have tended to be melodramatic , frequently using formulaic ingredients such as star-crossed lovers, angry parents, love triangles, family ties, sacrifice, political corruption, kidnapping, villains, kind-hearted courtesans , long-lost relatives and siblings, reversals of fortune and serendipity . Parallel cinema films tended to be less popular at

1708-448: A literature of 500 years, with prose, poetry, religion and philosophy. One could conceive of a wide spectrum of dialects and registers, with the highly Persianised Urdu at one end of the spectrum and a heavily Sanskritised variety spoken in the region around Varanasi , at the other end. In common usage in India, the term Hindi includes all these dialects except those at the Urdu spectrum. Thus,

1830-464: A major influence. During the early 20th century, Urdu was the lingua franca of popular cultural performance across northern India and established in popular performance art traditions such as nautch dancing, Urdu poetry , and Parsi theater. Urdu and related Hindi dialects were the most widely understood across northern India, and Hindustani became the standard language of early Indian talkies. Films based on " Persianate adventure-romances" led to

1952-402: A new generation of popular actors, including the three Khans : Aamir Khan , Shah Rukh Khan , and Salman Khan , who have starred in most of the top ten highest-grossing Bollywood films . The Khans and have had successful careers since the late 1980s and early 1990s, and have dominated the Indian box office for three decades. Shah Rukh Khan was the most successful Indian actor for most of

2074-695: A popular genre of " Arabian Nights cinema". Scholars Chaudhuri Diptakirti and Rachel Dwyer and screenwriter Javed Akhtar identify Urdu literature as a major influence on Hindi cinema. Most of the screenwriters and scriptwriters of classic Hindi cinema came from Urdu literary backgrounds, from Khwaja Ahmad Abbas and Akhtar ul Iman to Salim–Javed and Rahi Masoom Raza ; a handful came from other Indian literary traditions, such as Bengali and Hindi literature . Most of Hindi cinema's classic scriptwriters wrote primarily in Urdu, including Salim-Javed, Gulzar , Rajinder Singh Bedi , Inder Raj Anand , Rahi Masoom Raza and Wajahat Mirza . Urdu poetry and

2196-626: A renaissance of Western musical films such as Chicago , Rent , and Dreamgirls . Indian film composer A. R. Rahman wrote the music for Andrew Lloyd Webber 's Bombay Dreams , and a musical version of Hum Aapke Hain Koun was staged in London's West End. The sports film Lagaan (2001) was nominated for the Academy Award for Best Foreign Language Film , and two other Hindi films (2002's Devdas and 2006's Rang De Basanti ) were nominated for

2318-408: A short period. The term Hindustani was given to that language. The Perso-Arabic script form of this language underwent a standardisation process and further Persianisation during this period (18th century) and came to be known as Urdu, a name derived from Persian: Zabān-e Urdū-e Mualla ('language of the court') or Zabān-e Urdū ( زبان اردو , 'language of the camp'). The etymology of the word Urdu

2440-681: A silent spectator while his wife is thrown out. Janki goes to live with her father, who eventually passes away, and it is then Janki gives birth to a son, Rajesh. Years later, Rajesh has grown up, drives a truck, and is in love with a local shop-keeper, Chanda, who he would like to marry. Janki would like her son to go and meet his dad, and when Rajesh does so, Rajlaxmi arranges a pompous welcome for him with open arms, hoping that he will leave his mother and stay on with her. But Rajesh refuses to do this unless Rajlaxmi apologizes to Janki. An enraged Rajlaxmi refuses to do so, and asks Rajesh to leave. Rajesh and Chanda get married, and soon Chanda gets pregnant. Then

2562-504: A similar influence on Amitabh Bachchan , Naseeruddin Shah , Shah Rukh Khan and Nawazuddin Siddiqui . Veteran actresses such as Suraiya , Nargis , Sumitra Devi , Madhubala , Meena Kumari , Waheeda Rehman , Nutan , Sadhana , Mala Sinha and Vyjayanthimala have had their share of influence on Hindi cinema. While commercial Hindi cinema was thriving, the 1950s also saw the emergence of

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2684-597: A standardised literary register of the Hindustani arose in the 19th century. While the first literary works (mostly translations of earlier works) in Sanskritised Hindustani were already written in the early 19th century as part of a literary project that included both Hindu and Muslim writers (e.g. Lallu Lal , Insha Allah Khan ), the call for a distinct Sanskritised standard of Hindustani written in Devanagari under

2806-489: A substantial number of loanwords from Persian and Arabic (via Persian). Hindustani contains around 5,500 words of Persian and Arabic origin. There are also quite a few words borrowed from English, as well as some words from other European languages such as Portuguese and Dutch . Hindustani also borrowed Persian prefixes to create new words. Persian affixes became so assimilated that they were used with original Khari Boli words as well. Historically, Hindustani

2928-453: A whole was producing over 200 films per year. The first Indian sound film, Ardeshir Irani 's Alam Ara (1931), made in Hindustani language, was commercially successful. With a great demand for talkies and musicals, Hindustani cinema (as Hindi cinema was then known as) and the other language film industries quickly switched to sound films. The 1930s and 1940s were tumultuous times; India

3050-465: A whole, only refers to Hindi-language films, with Indian cinema being an umbrella term that includes all the film industries in the country, each offering films in diverse languages and styles. In 2017, Indian cinema produced 1,986 feature films, of which the largest number, 364 have been in Hindi. In 2022, Hindi cinema represented 33% of box office revenue, followed by Telugu and Tamil representing representing 20% and 16% respectively. Hindi cinema

3172-417: Is also called Hindi–Urdu . Colloquial registers of the language fall on a spectrum between these standards. In modern times, a third variety of Hindustani with significant English influences has also appeared, which is sometimes called Hinglish or Urdish . The concept of a Hindustani language as a "unifying language" or "fusion language" that could transcend communal and religious divisions across

3294-672: Is an Indo-Aryan language , deriving its base from the Western Hindi dialect of the Ganges-Yamuna Doab ( Delhi , Meerut and Saharanpur ) known as Khariboli —the contemporary form being classed under the umbrella of Old Hindi . Although the Mughals were of Timurid ( Gurkānī ) Turco-Mongol descent, they were Persianised , and Persian had gradually become the state language of the Mughal empire after Babur . Mughal patronage led to

3416-580: Is characterized by a symmetrical ten-vowel system, where vowels are distinguished by length, with long vowels typically being tense and short vowels lax. The language also includes nasalized vowels, as well as a wide array of consonants, including aspirated and murmured sounds. Hindustani maintains a four-way phonation distinction among plosives, unlike the two-way distinction in English. Hindi–Urdu's core vocabulary has an Indic base, being derived from Prakrit , which in turn derives from Sanskrit , as well as

3538-543: Is derived from Prakrit (a descendant of Sanskrit ), with substantial loanwords from Persian and Arabic (via Persian). It is often written in the Devanagari script or the Arabic-derived Urdu script in the case of Hindi and Urdu respectively, with romanisation increasingly employed in modern times as a neutral script. As of 2023, Hindi and Urdu together constitute the 3rd-most-spoken language in

3660-470: Is generally only required for religious and literary texts. Scholars trace the language's first written poetry, in the form of Old Hindi , to the Delhi Sultanate era around the twelfth and thirteenth century. During the period of the Delhi Sultanate , which covered most of today's India, eastern Pakistan, southern Nepal and Bangladesh and which resulted in the contact of Hindu and Muslim cultures ,

3782-575: Is instead recognised by its standard forms, Hindi and Urdu. Hindi is declared by Article 343(1), Part 17 of the Indian Constitution as the "official language ( राजभाषा , rājabhāṣā ) of the Union." (In this context, "Union" means the Federal Government and not the entire country —India has 23 official languages .) At the same time, however, the definitive text of federal laws is officially

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3904-478: Is linked to economic liberalization in India during the early 1990s. Early in the decade, the pendulum swung back toward family-centered romantic musicals. Qayamat Se Qayamat Tak (1988) was followed by blockbusters such as Maine Pyar Kiya (1989), Hum Aapke Hain Kaun (1994), Dilwale Dulhania Le Jayenge (1995), Raja Hindustani (1996), Dil To Pagal Hai (1997) and Kuch Kuch Hota Hai (1998), introducing

4026-462: Is more commonly used as a vernacular than highly Sanskritised Hindi or highly Persianised Urdu. This can be seen in the popular culture of Bollywood or, more generally, the vernacular of North Indians and Pakistanis, which generally employs a lexicon common to both Hindi and Urdu speakers. Minor subtleties in region will also affect the 'brand' of Hindustani, sometimes pushing the Hindustani closer to Urdu or to Hindi. One might reasonably assume that

4148-480: Is not the main language, in order to facilitate communication across language barriers. It is characterized by loanwords from local languages. Amir Khusro c.  1300 referred to this language of his writings as Dehlavi ( देहलवी / دہلوی , 'of Delhi') or Hindavi ( हिन्दवी / ہندوی ). During this period, Hindustani was used by Sufis in promulgating their message across the Indian subcontinent . After

4270-439: Is of Chagatai origin, Ordū ('camp'), cognate with English horde , and known in local translation as Lashkari Zabān ( لشکری زبان ), which is shortened to Lashkari ( لشکری ). This is all due to its origin as the common speech of the Mughal army. As a literary language, Urdu took shape in courtly, elite settings. Along with English, it became an official language of northern parts of British India in 1837. Hindi as

4392-414: Is one of the largest centres for film production in the world. Hindi films sold an estimated 341 million tickets in India in 2019. Earlier Hindi films tended to use vernacular Hindustani , mutually intelligible by speakers of either Hindi or Urdu , while modern Hindi productions increasingly incorporate elements of Hinglish . The most popular commercial genre in Hindi cinema since the 1970s has been

4514-462: Is one of the strongest global cultural ambassadors of a new India." Its role in expanding India's global influence is comparable to Hollywood's similar role with American influence. Monroe Township , Middlesex County , New Jersey , in the New York metropolitan area , has been profoundly impacted by Bollywood; this U.S. township has displayed one of the fastest growth rates of its Indian population in

4636-510: Is primarily the language of the Upper Gangetic Doab, and is also the lingua franca of India, capable of being written in both Persian and Dēva-nāgarī characters, and without purism, avoiding alike the excessive use of either Persian or Sanskrit words when employed for literature. The name 'Urdū' can then be confined to that special variety of Hindōstānī in which Persian words are of frequent occurrence, and which hence can only be written in

4758-635: Is treated with just as much respect as Shuddh Hindi. Besides being the lingua franca of North India and Pakistan in South Asia, Hindustani is also spoken by many in the South Asian diaspora and their descendants around the world, including North America (e.g., in Canada, Hindustani is one of the fastest growing languages), Europe , and the Middle East . Hindustani phonology, shared by both Hindi and Urdu,

4880-545: The BAFTA Award for Best Film Not in the English Language . Danny Boyle 's Slumdog Millionaire (2008), which won four Golden Globes and eight Academy Awards , was inspired by mainstream Hindi films and is considered an "homage to Hindi commercial cinema". It was also inspired by Mumbai-underworld crime films, such as Deewaar (1975), Satya (1998), Company (2002) and Black Friday (2007). Deewaar had

5002-509: The Deccan , for instance, Hindustani blended with Telugu and came to be called Dakhani . In Dakhani, aspirated consonants were replaced with their unaspirated counterparts; for instance, dekh 'see' became dek , ghula 'dissolved' became gula , kuch 'some' became kuc , and samajh 'understand' became samaj . When the British colonised the Indian subcontinent from the late 18th through to

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5124-595: The Sanskrit and Prakrit base of Old Hindi became enriched with loanwords from Persian , evolving into the present form of Hindustani. The Hindustani vernacular became an expression of Indian national unity during the Indian Independence movement , and continues to be spoken as the common language of the people of the northern Indian subcontinent , which is reflected in the Hindustani vocabulary of Bollywood films and songs. The language's core vocabulary

5246-543: The Western Hemisphere , increasing from 256 (0.9%) as of the 2000 Census to an estimated 5,943 (13.6%) as of 2017, representing a 2,221.5% (a multiple of 23) numerical increase over that period, including many affluent professionals and senior citizens as well as charitable benefactors to the COVID-19 relief efforts in India in official coordination with Monroe Township, as well as actors with second homes. During

5368-576: The Yellow Magic Orchestra produced a 1978 electronic album, Cochin Moon , based on an experimental fusion of electronic music and Bollywood-inspired Indian music. Truth Hurts ' 2002 song " Addictive ", produced by DJ Quik and Dr. Dre , was lifted from Lata Mangeshkar 's "Thoda Resham Lagta Hai" in Jyoti (1981). The Black Eyed Peas ' Grammy Award winning 2005 song " Don't Phunk with My Heart "

5490-722: The ghazal tradition strongly influenced filmi ( Bollywood lyrics ). Javed Akhtar was also greatly influenced by Urdu novels by Pakistani author Ibn-e-Safi , such as the Jasoosi Dunya and Imran series of detective novels; they inspired, for example, famous Bollywood characters such as Gabbar Singh in Sholay (1975) and Mogambo in Mr. India (1987). Todd Stadtman identifies several foreign influences on 1970s commercial Bollywood masala films , including New Hollywood , Italian exploitation films , and Hong Kong martial arts cinema . After

5612-561: The grammar , as well as the core Sanskritic and Prakritic vocabulary , of the local Indian language of the Ganges-Yamuna Doab called Khariboli . However, as an emerging common dialect, Hindustani absorbed large numbers of Persian, Arabic, and Turkic loanwords, and as Mughal conquests grew it spread as a lingua franca across much of northern India; this was a result of the contact of Hindu and Muslim cultures in Hindustan that created

5734-535: The masala film , which freely mixes different genres including action , comedy , romance , drama and melodrama along with musical numbers . Masala films generally fall under the musical film genre, of which Indian cinema has been the largest producer since the 1960s when it exceeded the American film industry's total musical output after musical films declined in the West. The first Indian talkie , Alam Ara (1931),

5856-461: The overseas Indian diaspora , have also been inspired by Bollywood music. Hindi films are primarily musicals, and are expected to have catchy song-and-dance numbers woven into the script. A film's success often depends on the quality of such musical numbers. A film's music and song and dance portions are usually produced first and these are often released before the film itself, increasing its audience. Indian audiences expect value for money, and

5978-531: The socio-economic and socio-political realities of contemporary India. They channeled growing popular discontent and disillusionment and state failure to ensure welfare and well-being at a time of inflation, shortages, loss of confidence in public institutions, increasing crime and the unprecedented growth of slums . Salim-Javed and Bachchan's films dealt with urban poverty, corruption and organised crime; they were perceived by audiences as anti-establishment , often with an "angry young man" protagonist presented as

6100-583: The 13th-14th century works of Amīr Khusrau Dehlavī , often called the "father of Urdu literature " while Walī Deccani is seen as the progenitor of Urdu poetry . The term bazaar Hindustani , in other words, the 'street talk' or literally 'marketplace Hindustani', also known as Colloquial Hindi or Simplified Urdu , has arisen to denote a colloquial register of the language that uses vocabulary common to both Hindi and Urdu while eschewing high-register and specialized Arabic or Sanskrit derived words. It has emerged in various South Asian cities where Hindustani

6222-405: The 18th century, towards the end of the Mughal period, with the fragmentation of the empire and the elite system, a variant of Hindustani, one of the successors of apabhraṃśa vernaculars at Delhi, and nearby cities, came to gradually replace Persian as the lingua franca among the educated elite upper class particularly in northern India, though Persian still retained much of its pre-eminence for

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6344-547: The 1950s and 1960s were Dilip Kumar , Raj Kapoor , and Dev Anand , each with a unique acting style. Kapoor adopted Charlie Chaplin 's tramp persona; Anand modeled himself on suave Hollywood stars like Gregory Peck and Cary Grant , and Kumar pioneered a form of method acting which predated Hollywood method actors such as Marlon Brando . Kumar, who was described as "the ultimate method actor" by Satyajit Ray , inspired future generations of Indian actors. Much like Brando's influence on Robert De Niro and Al Pacino , Kumar had

6466-415: The 1950s and early 1960s and some won major prizes at the festival. Guru Dutt , overlooked during his lifetime, received belated international recognition during the 1980s. Film critics polled by the British magazine Sight & Sound included several of Dutt's films in a 2002 list of greatest films , and Time's All-Time 100 Movies lists Pyaasa as one of the greatest films of all time. During

6588-483: The 1970s. Although the art film bent of the Film Finance Corporation was criticised during a 1976 Committee on Public Undertakings investigation which accused the corporation of not doing enough to encourage commercial cinema, the decade saw the rise of commercial cinema with films such as Sholay (1975) which consolidated Amitabh Bachchan 's position as a star. The devotional classic Jai Santoshi Ma

6710-453: The 1980s was Mira Nair 's Salaam Bombay! (1988), which won the Camera d'Or at the 1988 Cannes Film Festival and was nominated for the Academy Award for Best Foreign Language Film . Hindi cinema experienced another period of box-office decline during the late 1980s with due to concerns by audiences over increasing violence and a decline in musical quality, and a rise in video piracy. One of

6832-467: The 1990s and 2000s, and Aamir Khan has been the most successful Indian actor since the mid 2000s. Action and comedy films, starring such actors as Akshay Kumar and Govinda . The decade marked the entrance of new performers in art and independent films, some of which were commercially successful. The most influential example was Satya (1998), directed by Ram Gopal Varma and written by Anurag Kashyap . Its critical and commercial success led to

6954-501: The 2000s, Hindi cinema began influencing musical films in the Western world and was instrumental role in reviving the American musical film. Baz Luhrmann said that his musical film, Moulin Rouge! (2001), was inspired by Bollywood musicals; the film incorporated a Bollywood-style dance scene with a song from the film China Gate . The critical and financial success of Moulin Rouge! began

7076-411: The 2010s, the industry saw established stars such as making big-budget masala films like Dabangg (2010), Singham (2011) , Ek Tha Tiger (2012), Son of Sardaar (2012), Rowdy Rathore (2012), Chennai Express (2013), Kick (2014) and Happy New Year (2014) with much-younger actresses. Although the films were often not praised by critics, they were commercially successful. Some of

7198-728: The Bombay film industry was closely linked to the Lahore film industry (known as "Lollywood"; now part of the Pakistani film industry ); both produced films in Hindustani (also known as Hindi-Urdu), the lingua franca of northern and central India. Another centre of Hindustani-language film production was the Bengal film industry in Calcutta , Bengal Presidency (now Kolkata, West Bengal ), which produced Hindustani-language films and local Bengali language films. Many actors, filmmakers and musicians from

7320-804: The Bombay film industry's position as the preeminent center for film production in India. The period from the late 1940s to the early 1960s, after India's independence , is regarded by film historians as the Golden Age of Hindi cinema. Some of the most critically acclaimed Hindi films of all time were produced during this time. Examples include Pyaasa (1957) and Kaagaz Ke Phool (1959), directed by Guru Dutt and written by Abrar Alvi ; Awaara (1951) and Shree 420 (1955), directed by Raj Kapoor and written by Khwaja Ahmad Abbas , and Aan (1952), directed by Mehboob Khan and starring Dilip Kumar . The films explored social themes, primarily dealing with working-class life in India (particularly urban life) in

7442-537: The Constitution of India and is an official language of the Indian states of Jharkhand , Bihar , Telangana , Uttar Pradesh , West Bengal , and also the Union Territories of Delhi and Jammu and Kashmir. Although the government school system in most other states emphasises Standard Hindi, at universities in cities such as Lucknow , Aligarh and Hyderabad , Urdu is spoken and learnt, and Saaf or Khaalis Urdu

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7564-480: The DIG's son, Ratan. The DIG and his wife Rajlaxmi refuse to have to do anything with Devdutt, but Ratan refuses to marry anyone else. They eventually relent and agree to this marriage. Shortly after the marriage, riots ensue between the police and freedom fighters, and as a result the DIG is killed. Rajlaxmi blames Devdutt for his death, and asks a pregnant Janki to leave her house. Unable to stand up for his wife, Ratan remains

7686-452: The English text and proceedings in the higher appellate courts must be conducted in English. At the state level, Hindi is one of the official languages in 10 of the 29 Indian states and three Union Territories , respectively: Bihar , Chhattisgarh , Haryana , Himachal Pradesh , Jharkhand , Madhya Pradesh , Rajasthan , Uttarakhand , Uttar Pradesh and West Bengal ; Andaman and Nicobar Islands , Dadra and Nagar Haveli , and Delhi. In

7808-483: The Hindustani spoken in Lucknow , Uttar Pradesh (known for its usage of Urdu) and Varanasi (a holy city for Hindus and thus using highly Sanskritised Hindi) is somewhat different. Standard Hindi, one of the 22 officially recognized languages of India and the official language of the Union, is usually written in the indigenous Devanagari script of India and exhibits less Persian and Arabic influence than Urdu. It has

7930-405: The Indian economy and a demand for quality entertainment in this era led the country's film industry to new heights in production values, cinematography and screenwriting as well as technical advances in areas such as special effects and animation. Some of the largest production houses, among them Yash Raj Films and Dharma Productions were the producers of new modern films. Some popular films of

8052-552: The Lahore industry migrated to the Bombay industry during the 1940s, including actors K. L. Saigal , Prithviraj Kapoor , Dilip Kumar and Dev Anand as well as playback singers Mohammed Rafi , Noorjahan and Shamshad Begum . Around the same time, filmmakers and actors from the Calcutta film industry began migrating to Bombay; as a result, Bombay became the center of Hindustani-language film production. The 1947 partition of India divided

8174-547: The Latin script. This adaptation is called Roman Urdu or Romanised Hindi, depending upon the register used. Since Urdu and Hindi are mutually intelligible when spoken, Romanised Hindi and Roman Urdu (unlike Devanagari Hindi and Urdu in the Urdu alphabet) are mostly mutually intelligible as well. An example of colloquial Hindustani: The following is a sample text, Article 1 of the Universal Declaration of Human Rights , in

8296-589: The Persian character, and, similarly, 'Hindī' can be confined to the form of Hindōstānī in which Sanskrit words abound, and which hence can only be written in the Dēva-nāgarī character. Before 1947, Hindustani was officially recognised by the British Raj. In the post-independence period however, the term Hindustani has lost currency and is not given any official recognition by the Indian or Pakistani governments. The language

8418-510: The Urdu alphabet, to the extent that these standards are partly defined by their script. However, in popular publications in India, Urdu is also written in Devanagari, with slight variations to establish a Devanagari Urdu alphabet alongside the Devanagari Hindi alphabet. Because of anglicisation in South Asia and the international use of the Latin script , Hindustani is occasionally written in

8540-479: The advent of the Mughals in the subcontinent, Hindustani acquired more Persian loanwords. Rekhta ('mixture'), Hindi ('Indian'), Hindustani, Hindvi, Lahori , and Dakni (amongst others) became popular names for the same language until the 18th century. The name Urdu (from Zabān-i-Ordu , or Orda ) appeared around 1780. It is believed to have been coined by the poet Mashafi . In local literature and speech, it

8662-670: The biggest entertainment industry; many of the country's musical, dancing, wedding and fashion trends are Bollywood-inspired. Bollywood fashion trendsetters have included Madhubala in Mughal-e-Azam (1960) and Madhuri Dixit in Hum Aapke Hain Koun..! (1994). Hindi films have also had a socio-political impact on Indian society, reflecting Indian politics . In classic 1970s Bollywood films, Bombay underworld crime films written by Salim–Javed and starring Amitabh Bachchan such as Zanjeer (1973) and Deewaar (1975) reflected

8784-545: The blockbuster Sholay (1975), written by Salim-Javed and starring Amitabh Bachchan. It combined the dacoit film conventions of Mother India and Gunga Jumna with spaghetti Westerns , spawning the Dacoit Western (also known as the curry Western ) which was popular during the 1970s. Some Hindi filmmakers, such as Shyam Benegal , Mani Kaul , Kumar Shahani , Ketan Mehta , Govind Nihalani and Vijaya Mehta , continued to produce realistic parallel cinema throughout

8906-858: The box office. A large Indian diaspora in English-speaking countries and increased Western influence in India have nudged Bollywood films closer to Hollywood. Hindustani language Hindustani is an Indo-Aryan language spoken in North India and Pakistan , and functioning as the lingua franca of the region. It is also spoken by the Deccani people . Hindustani is a pluricentric language with two standard registers , known as Hindi (written in Devanagari script and influenced by Sanskrit ) and Urdu (written in Perso-Arabic script and influenced by Persian and Arabic ) which serve as official languages of India and Pakistan, respectively. Thus, it

9028-647: The conventions which were once strictly associated with parallel cinema. "Bollywood" is a portmanteau derived from Bombay (the former name of Mumbai ) and "Hollywood", a shorthand reference for the American film industry which is based in Hollywood , California . The term "Tollywood", for the Tollygunge -based cinema of West Bengal , predated "Bollywood". It was used in a 1932 American Cinematographer article by Wilford E. Deming, an American engineer who helped produce

9150-523: The country into the Republic of India and Pakistan , which precipitated the migration of filmmaking talent from film production centres like Lahore and Calcutta , which bore the brunt of the partition violence. This included actors, filmmakers and musicians from Bengal , Punjab (particularly the present-day Pakistani Punjab ), and the North-West Frontier Province (present-day Khyber Pakhtunkhwa ). These events further consolidated

9272-528: The creation of a national movement against colonial rule in India, while simultaneously leveraging the popular political movement to increase their own visibility and popularity. Themes from the Independence Movement deeply influenced Bombay film directors, screen-play writers, and lyricists, who saw their films in the context of social reform and the problems of the common people. Before the Partition,

9394-405: The decade were Kaho Naa... Pyaar Hai (2000), Kabhi Khushi Kabhie Gham... (2001), Gadar: Ek Prem Katha (2001), Lagaan (2001), Koi... Mil Gaya (2003), Kal Ho Naa Ho (2003), Veer-Zaara (2004), Rang De Basanti (2006), Lage Raho Munna Bhai (2006), Dhoom 2 (2006), Krrish (2006), and Jab We Met (2007), among others, showing the rise of new movie stars. During

9516-672: The decade with films such as Zanjeer (1973) and Deewaar (1975). Salim-Javed reinterpreted the rural themes of Mehboob Khan 's Mother India (1957) and Dilip Kumar 's Gunga Jumna (1961) in a contemporary urban context, reflecting the socio-economic and socio-political climate of 1970s India and channeling mass discontent, disillusionment and the unprecedented growth of slums with anti-establishment themes and those involving urban poverty, corruption and crime. Their "angry young man", personified by Amitabh Bachchan , reinterpreted Dilip Kumar's performance in Gunga Jumna in

9638-500: The different meanings of the word Hindi include, among others: Urdu is the national language and state language of Pakistan and one of the 22 officially recognised languages of India . It is written, except in some parts of India, in the Nastaliq style of the Urdu alphabet , an extended Perso-Arabic script incorporating Indic phonemes. It is heavily influenced by Persian vocabulary and

9760-409: The emergence of a genre known as Mumbai noir: urban films reflecting the city's social problems. This led to a resurgence of parallel cinema by the end of the decade. The films featured actors whose performances were often praised by critics. The 2000s saw increased Bollywood recognition worldwide due to growing (and prospering) NRI and South Asian diaspora communities overseas. The growth of

9882-503: The film industry based in Mumbai , engaged in production of motion pictures in Hindi language. The popular term Bollywood is a portmanteau of "Bombay" (former name of Mumbai) and " Hollywood ". The industry is a part of the larger Indian cinema , which also includes South Indian cinema and other smaller film industries . The term 'Bollywood', often mistakenly used to refer to Indian cinema as

10004-829: The films starring Aamir Khan, from Taare Zameen Par (2007) and 3 Idiots (2009) to Dangal (2016) and Secret Superstar (2018), have been credited with redefining and modernising the masala film with a distinct brand of socially conscious cinema. Most stars from the 2000s continued successful careers into the next decade, and the 2010s saw a new generation of popular actors in different films. Among new conventions, female-centred films such as The Dirty Picture (2011), Kahaani (2012), and Queen (2014), Pink (2016), Raazi (2018), Gangubai Kathiawadi (2022) started gaining wide financial success. Moti Gokulsing and Wimal Dissanayake identify six major influences which have shaped Indian popular cinema: Sharmistha Gooptu identifies Indo-Persian - Islamic culture as

10126-602: The first Indian sound picture. "Bollywood" was probably invented in Bombay-based film trade journals in the 1960s or 1970s, though the exact inventor varies by account. Film journalist Bevinda Collaco claims she coined the term for the title of her column in Screen magazine. Her column entitled "On the Bollywood Beat" covered studio news and celebrity gossip. Other sources state that lyricist, filmmaker and scholar Amit Khanna

10248-455: The first masala film and the first quintessentially "Bollywood" film. Salim-Javed wrote more successful masala films during the 1970s and 1980s. Masala films made Amitabh Bachchan the biggest star of the period. A landmark of the genre was Amar Akbar Anthony (1977), directed by Manmohan Desai and written by Kader Khan , and Desai continued successfully exploiting the genre. Both genres (masala and violent-crime films) are represented by

10370-414: The first two examples. Awaara presented the city as both nightmare and dream, and Pyaasa critiqued the unreality of urban life. Mehboob Khan 's Mother India (1957), a remake of his earlier Aurat (1940), was the first Indian film nominated for the Academy Award for Best Foreign Language Film ; it lost by a single vote. Mother India defined conventional Hindi cinema for decades. It spawned

10492-490: The formation of words in which the first element of the compound was from Khari Boli and the second from Persian , such as rajmahal 'palace' ( raja 'royal, king' + mahal 'house, place') and rangmahal 'fashion house' ( rang 'colour, dye' + mahal 'house, place'). As Muslim rule expanded, Hindustani speakers traveled to distant parts of India as administrators, soldiers, merchants, and artisans. As it reached new areas, Hindustani further hybridized with local languages. In

10614-464: The important barrier of one crore (10 million) rupees, made on a budget of only two lakh (200,000) rupees. The film tackled contemporary issues, especially those arising from the Indian Independence movement, and went on to become "the longest running hit of Indian cinema", a title it held till the 1970s. Film personalities like Bimal Roy, Sahir Ludhianvi and Prithviraj Kapoor participated in

10736-459: The intensiveness of Hindi in the curriculum varies. Urdu is the national language ( قومی زبان , qaumi zabān ) of Pakistan, where it shares official language status with English . Although English is spoken by many, and Punjabi is the native language of the majority of the population, Urdu is the lingua franca . In India, Urdu is one of the languages recognised in the Eighth Schedule to

10858-419: The late 1960s and early 1970s, the industry was dominated by musical romance films with romantic-hero leads. By 1970, Hindi cinema was thematically stagnant and dominated by musical romance films . The arrival of screenwriting duo Salim–Javed ( Salim Khan and Javed Akhtar ) was a paradigm shift, revitalising the industry. They began the genre of gritty, violent, Bombay underworld crime films early in

10980-429: The late 19th century, they used the words 'Hindustani', 'Hindi', and 'Urdu' interchangeably. They developed it as the language of administration of British India , further preparing it to be the official language of modern India and Pakistan. However, with independence, use of the word 'Hindustani' declined, being largely replaced by 'Hindi' and 'Urdu', or 'Hindi–Urdu' when either of those was too specific. More recently,

11102-608: The latter's commercial success paved the way for Indian neorealism and the Indian New Wave (synonymous with parallel cinema). Internationally acclaimed Hindi filmmakers involved in the movement included Mani Kaul , Kumar Shahani , Ketan Mehta , Govind Nihalani , Shyam Benegal , and Vijaya Mehta . After the social-realist film Neecha Nagar received the Palme d'Or at the inaugural 1946 Cannes Film Festival , Hindi films were frequently in competition for Cannes' top prize during

11224-555: The liberal use of English or Hinglish in scripts and soundtrack lyrics. Film titles are often screened in three scripts: Latin, Devanagari and occasionally Perso-Arabic. The use of Urdu or Hindi in films depends on the film's context: historical films set in the Delhi Sultanate or Mughal Empire are almost entirely in Urdu, whereas films based on Hindu mythology or ancient India make heavy use of Hindi with Sanskrit vocabulary. In recent years, boycotts have been launched against Bollywood films by Hindu nationalists partially on

11346-511: The local language. Alongside Persian, it achieved the status of a literary language in Muslim courts and was also used for literary purposes in various other settings such as Sufi , Nirgun Sant , Krishna Bhakta circles, and Rajput Hindu courts. Its majors centres of development included the Mughal courts of Delhi, Lucknow , Agra and Lahore as well as the Rajput courts of Amber and Jaipur . In

11468-523: The magnitude and importance of separate language. It is linguistic result of Muslim rule of eleventh & twelfth centuries and is spoken (except in rural Bengal ) by many Hindus in North India and by Musalman population in all parts of India." Next to English it was the official language of British Indian Empire , was commonly written in Arabic or Persian characters, and was spoken by approximately 100,000,000 people. The process of hybridization also led to

11590-501: The name of Hindi became increasingly politicised in the course of the century and gained pace around 1880 in an effort to displace Urdu's official position. John Fletcher Hurst in his book published in 1891 mentioned that the Hindustani or camp language of the Mughal Empire 's courts at Delhi was not regarded by philologists as a distinct language but only as a dialect of Hindi with admixture of Persian. He continued: "But it has all

11712-451: The police arrest Rajesh, for which he may face several years in prison. He is held in the local police station. The truth does prevail, the real culprit is caught, and Rajesh is let go. He returns home to find out that everything is not the same anymore. Chanda has given birth a baby boy, and now lives with Rajlaxmi, and refuses to return home. Rajesh must now find out what compelled Chanda to leave Janki and go to live with Rajlaxmi. Shehzada

11834-421: The remaining states, Hindi is not an official language. In states like Tamil Nadu and Karnataka , studying Hindi is not compulsory in the state curriculum. However, an option to take the same as second or third language does exist. In many other states, studying Hindi is usually compulsory in the school curriculum as a third language (the first two languages being the state's official language and English), though

11956-404: The rest of Indian cinema) it has become part of the "Indian story". In India, Bollywood is often associated with India's national identity. According to economist and Bollywood biographer Meghnad Desai , "Cinema actually has been the most vibrant medium for telling India its own story, the story of its struggle for independence, its constant struggle to achieve national integration and to emerge as

12078-448: The result that Hindustani commonly, but mistakenly, came to be seen as a "mixture" of Hindi and Urdu. Grierson , in his highly influential Linguistic Survey of India , proposed that the names Hindustani, Urdu, and Hindi be separated in use for different varieties of the Hindustani language, rather than as the overlapping synonyms they frequently were: We may now define the three main varieties of Hindōstānī as follows:—Hindōstānī

12200-540: The same and derive from a Prakritic base, and both have Persian/Arabic influence. The standardised registers Hindi and Urdu are collectively known as Hindi–Urdu . Hindustani is the lingua franca of the north and west of the Indian subcontinent , though it is understood fairly well in other regions also, especially in the urban areas. This has led it to be characterised as a continuum that ranges between Hindi and Urdu. A common vernacular sharing characteristics with Sanskritised Hindi, regional Hindi and Urdu, Hindustani

12322-467: The spoken level, Hindi and Urdu are considered registers of a single language, Hindustani or Hindi–Urdu, as they share a common grammar and core vocabulary, they differ in literary and formal vocabulary; where literary Hindi draws heavily on Sanskrit and to a lesser extent Prakrit , literary Urdu draws heavily on Persian and Arabic loanwords. The grammar and base vocabulary (most pronouns, verbs, adpositions, etc.) of both Hindi and Urdu, however, are

12444-455: The subcontinent was endorsed by Mahatma Gandhi , as it was not seen to be associated with either the Hindu or Muslim communities as was the case with Hindi and Urdu respectively, and it was also considered a simpler language for people to learn. The conversion from Hindi to Urdu (or vice versa) is generally achieved by merely transliterating between the two scripts . Translation, on the other hand,

12566-570: The success of Bruce Lee films (such as Enter the Dragon ) in India, Deewaar (1975) and other Bollywood films incorporated fight scenes inspired by 1970s martial arts films from Hong Kong cinema until the 1990s. Bollywood action scenes emulated Hong Kong rather than Hollywood, emphasising acrobatics and stunts and combining kung fu (as perceived by Indians) with Indian martial arts such as pehlwani . Perhaps Hindi cinema's greatest influence has been on India's national identity, where (with

12688-550: The thirteenth century during the Delhi Sultanate period in North India, used these forms (which was the lingua franca of the period) in his writings and referred to it as Hindavi ( Persian : ھندوی , lit.   'of Hind or India '). By the end of the century, the military exploits of Alauddin Khalji , introduced the language in the Deccan region, which led to the development of its southern dialect Deccani , which

12810-464: The title-role in Shehzada was truly of a princely disposition. He started shooting for me without ever discussing the price, saying that we could settle that once the film is made, he said and made banner S. K. International Films became an acknowledged company." Circa British rule in India, wealthy DIG of Police is approached by Devdutt, a poor freedom fighter, who would like his daughter, Janki, to marry

12932-414: The turning points came with such films as Qayamat Se Qayamat Tak (1988), presenting a blend of youthfulness, family entertainment, emotional intelligence and strong melodies, all of which lured audiences back to the big screen. It brought back the template for Bollywood musical romance films which went on to define 1990s Hindi cinema. Known since the 1990s as "New Bollywood", contemporary Bollywood

13054-779: The two official registers of Hindustani, Hindi and Urdu. Because this is a formal legal text, differences in vocabulary are most pronounced. अनुच्छेद १ — सभी मनुष्यों को गौरव और अधिकारों के विषय में जन्मजात स्वतन्त्रता और समानता प्राप्त हैं। उन्हें बुद्धि और अन्तरात्मा की देन प्राप्त है और परस्पर उन्हें भाईचारे के भाव से बर्ताव करना चाहिए। :دفعہ ١: تمام اِنسان آزاد اور حُقوق و عِزت کے اعتبار سے برابر پَیدا ہُوئے ہَیں۔ انہیں ضمِیر اور عقل ودِیعت ہوئی ہَیں۔ اِس لئے انہیں ایک دُوسرے کے ساتھ بھائی چارے کا سُلُوک کرنا چاہئے۔ The predominant Indian film industry Bollywood , located in Mumbai , Maharashtra uses Standard Hindi, colloquial Hindustani, Bombay Hindi , Urdu , Awadhi , Rajasthani , Bhojpuri , and Braj Bhasha , along with Punjabi and with

13176-455: The word 'Hindustani' has been used for the colloquial language of Bollywood films, which are popular in both India and Pakistan and which cannot be unambiguously identified as either Hindi or Urdu. British rule over India also introduced some English words into Hindustani, with these influences increasing with the later spread of English as a world language. This has created a new variant of Hindustani known as Hinglish or Urdish . At

13298-433: The world after English and Mandarin , with 843 million native and second-language speakers, according to Ethnologue , though this includes millions who self-reported their language as 'Hindi' on the Indian census but speak a number of other Hindi languages than Hindustani. The total number of Hindi–Urdu speakers was reported to be over 300 million in 1995, making Hindustani the third- or fourth-most spoken language in

13420-544: The world. Early forms of present-day Hindustani developed from the Middle Indo-Aryan apabhraṃśa vernaculars of present-day North India in the 7th–13th centuries. Hindustani emerged as a contact language around the Ganges-Yamuna Doab ( Delhi , Meerut and Saharanpur ), a result of the increasing linguistic diversity that occurred during the Muslim period in the Indian subcontinent . Amir Khusrow , who lived in

13542-606: Was also known as the Lashkari Zabān (military language) or Lashkari . Mashafi was the first person to simply modify the name Zabān-i-Ordu to Urdu . During the British Raj , the term Hindustani was used by British officials. In 1796, John Borthwick Gilchrist published "A Grammar of the Hindoostanee Language". Upon partition , India and Pakistan established national standards that they called Hindi and Urdu, respectively, and attempted to make distinct, with

13664-465: Was also released that year. By 1983, the Bombay film industry was generating an estimated annual revenue of ₹700 crore ( ₹ 7 billion, $ 693.14 million ), equivalent to $ 2.12 billion ( ₹12,667 crore , ₹ 111.33 billion) when adjusted for inflation. By 1986, India's annual film output had increased from 741 films produced annually to 833 films annually, making India the world's largest film producer. The most internationally acclaimed Hindi film of

13786-523: Was buffeted by the Great Depression , World War II , the Indian independence movement , and the violence of the Partition . Although most early Bombay films were unabashedly escapist , a number of filmmakers tackled tough social issues or used the struggle for Indian independence as a backdrop for their films. Irani made the first Hindi colour film, Kisan Kanya , in 1937. The following year, he made

13908-606: Was coined during the 1970s, when the conventions of commercial Hindi films were defined. Key to this was the masala film , which combines a number of genres ( action , comedy , romance , drama , melodrama , and musical ). The masala film was pioneered early in the decade by filmmaker Nasir Hussain , and the Salim-Javed screenwriting duo, pioneering the Bollywood- blockbuster format. Yaadon Ki Baarat (1973), directed by Hussain and written by Salim-Javed, has been identified as

14030-507: Was historically also known as Rekhta . As Dakhini (or Deccani) where it also draws words from local languages, it survives and enjoys a rich history in the Deccan and other parts of South India , with the prestige dialect being Hyderabadi Urdu spoken in and around the capital of the Nizams and the Deccan Sultanates . Earliest forms of the language's literature may be traced back to

14152-433: Was inspired by two 1970s Bollywood songs : "Ye Mera Dil Yaar Ka Diwana" from Don (1978) and "Ae Nujawan Hai Sub" from Apradh (1972). Both songs were composed by Kalyanji Anandji , sung by Asha Bhosle , and featured the dancer Helen . The Kronos Quartet re-recorded several R. D. Burman compositions sung by Asha Bhosle for their 2005 album, You've Stolen My Heart: Songs from R.D. Burman's Bollywood , which

14274-464: Was its creator. It is unknown if it was derived from "Hollywood" through "Tollywood", or was inspired directly by "Hollywood". The term has been criticised by some film journalists and critics, who believe it implies that the industry is a poor cousin of Hollywood. In 1897, a film presentation by Professor Stevenson featured a stage show at Calcutta 's Star Theatre. With Stevenson's encouragement and camera, Hiralal Sen , an Indian photographer, made

14396-584: Was nominated for Best Contemporary World Music Album at the 2006 Grammy Awards. Filmi music composed by A. R. Rahman (who received two Academy Awards for the Slumdog Millionaire soundtrack ) has frequently been sampled by other musicians, including the Singaporean artist Kelly Poon , the French rap group La Caution and the American artist Ciara . Many Asian Underground artists, particularly those among

14518-421: Was one of the successful film of Rajesh Khanna when he was on peak and gained popularity among his fans All lyrics are written by Rajinder Krishan ; all music is composed by Rahul Dev Burman This article about a Hindi film of the 1970s is a stub . You can help Misplaced Pages by expanding it . Bollywood Hindi cinema , popularly known as Bollywood and formerly as Bombay cinema , refers to

14640-465: Was produced in the Hindustani language, four years after Hollywood's first sound film, The Jazz Singer (1927). Alongside commercial masala films, a distinctive genre of art films known as parallel cinema has also existed, presenting realistic content and avoidance of musical numbers. In more recent years, the distinction between commercial masala and parallel cinema has been gradually blurring, with an increasing number of mainstream films adopting

14762-924: Was promoted by Muslim rulers in the Deccan. The Delhi Sultanate, which comprised several Turkic and Afghan dynasties that ruled much of the subcontinent from Delhi, was succeeded by the Mughal Empire in 1526 and preceded by the Ghorid dynasty and Ghaznavid Empire before that. Ancestors of the language were known as Hindui , Hindavi , Zabān-e Hind ( transl.  'Language of India' ), Zabān-e Hindustan ( transl.  'Language of Hindustan' ), Hindustan ki boli ( transl.  'Language of Hindustan' ), Rekhta , and Hindi. Its regional dialects became known as Zabān-e Dakhani in southern India, Zabān-e Gujari ( transl.  'Language of Gujars' ) in Gujarat, and as Zabān-e Dehlavi or Urdu around Delhi. It

14884-688: Was written in the Kaithi , Devanagari, and Urdu alphabets. Kaithi and Devanagari are two of the Brahmic scripts native to India, whereas the Urdu alphabet is a derivation of the Perso-Arabic script written in Nastaʿlīq , which is the preferred calligraphic style for Urdu. Today, Hindustani continues to be written in the Urdu alphabet in Pakistan. In India, the Hindi register is officially written in Devanagari, and Urdu in

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