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55-584: Sezincote House (pronounced seas in coat ) is the centre of a country estate in the civil parish of Sezincote , in the county of Gloucestershire , England. The house was designed by Samuel Pepys Cockerell , built in 1805, and is a notable example of Neo-Mughal architecture , a 19th-century reinterpretation of 16th and 17th-century architecture from the Mughal Empire . Sezincote is dominated by its red sandstone colour, typical in Mughal architecture , but features

110-450: A château or a Schloss can be a fortified or unfortified building, a country house, similar to an Ansitz , is usually unfortified. If fortified, it is called a castle, but not all buildings with the name "castle" are fortified (for example Highclere Castle in Hampshire ). The term stately home is subject to debate, and avoided by historians and other academics. As a description of

165-413: A country house , mansion , palace or castle . It is the modern term for a manor , but lacks a manor's now-abolished jurisdiction. The "estate" formed an economic system where the profits from its produce and rents (of housing or agricultural land) sustained the main household, formerly known as the manor house . Thus, "the estate" may refer to all other cottages and villages in the same ownership as

220-794: A housing estate or industrial estate . Large country estates were traditionally found in New York's Long Island , and Westchester County , the Philadelphia Main Line , Maine's Bar Harbor on Mount Desert Island , and other affluent East Coast enclaves; and the San Francisco Bay Area , early Beverly Hills, California , Montecito, California , Santa Barbara, California and other affluent West Coast enclaves. All these regions had strong traditions of large agricultural, grazing, and productive estates modeled on those in Europe. However, by

275-400: A kitchen garden (for fruit and vegetables). A dower house may have been present on the estate to allow the widow of the former owner her own accommodation and household when moved out the primary house on the estate. The agricultural depression from the 1870s onwards and the decline of servants meant that the large rural estates declined in social and economic significance, and many of

330-531: A building style that flourished in India in the 16th century, were strictly through the medium of drawings and engravings, such as those by Thomas Daniell (who designed the garden for his "old Indian ally" Sir Charles Cockerell and its temple, bridge, dairy and farm buildings) and his nephews. Cockerell had already experimented cautiously with Indian elements at Daylesford, Gloucestershire , built for Warren Hastings , first governor-general of British India, nearby. Here

385-451: A copper-covered dome instead of the typical white marble . The fenestration is composed of a sequence of extra-large windows with an arch-shape at the top. The arch, however, is not a simple or typical design, but instead a shell-like fan that is evidence of the Mughal influence. The interior design is more typical European style. The landscape was designed by Humphry Repton . It is essentially

440-688: A country house, the term was first used in a poem by Felicia Hemans , "The Homes of England", originally published in Blackwood's Magazine in 1827. In the 20th century, the term was later popularised in a song by Noël Coward , and in modern usage it often implies a country house that is open to visitors at least some of the time. In England, the terms "country house" and "stately home" are sometimes used vaguely and interchangeably; however, many country houses such as Ascott in Buckinghamshire were deliberately designed not to be stately, and to harmonise with

495-428: A fortunate few; it was the centre of its own world, providing employment to hundreds of people in the vicinity of its estate . In previous eras, when state benefits were unheard of, those working on an estate were among the most fortunate, receiving secured employment and rent-free accommodation. At the summit of this category of people was the indoor staff of the country house. Unlike many of their contemporaries prior to

550-524: A mixture of high architecture , often as interpreted by a local architect or surveyor, and determined by practicality as much as by the whims of architectural taste. An example of this is Brympton d'Evercy in Somerset, a house of many periods that is unified architecturally by the continuing use of the same mellow, local Ham Hill stone . The fashionable William Kent redesigned Rousham House only to have it quickly and drastically altered to provide space for

605-593: A renaissance-style garden with elements of Hindu style, as seen in the crescent bridge with columns. The house is in countryside 1 + 1 ⁄ 2 miles (2.4 km) from Moreton-in-Marsh , "set on high ground in the shelter of the Cotswolds ". Colonel John Cockerell bought the estate in 1795 on his return from Bengal where he had been in the service of the East India Company (EIC). After his death in 1798, his youngest brother, Sir Charles Cockerell , inherited

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660-473: Is politics; they talk politics; and they make politics, quite spontaneously. There are no written terms for distinguishing between vast country palaces and comparatively small country houses; the descriptive terms, which can include castle , manor and court , provide no firm clue and are often only used because of a historical connection with the site of such a building. Therefore, for ease or explanation, Britain's country houses can be categorised according to

715-399: The agricultural depressions of the 1870s , the estates, of which country houses were the hub, provided their owners with incomes. However, the late 19th and early 20th centuries were the swansong of the traditional English country house lifestyle. Increased taxation and the effects of World War I led to the demolition of hundreds of houses ; those that remained had to adapt to survive. While

770-503: The 1850s, with the English economy booming, new mansions were built in one of the many revivalist architectural styles popular throughout the 19th century. The builders of these new houses were able to take advantage of the political unrest in Europe that gave rise to a large trade in architectural salvage. This new wave of country house building is exemplified by the Rothschild properties in

825-419: The 18th century with houses such as Castle Howard , Kedleston Hall and Holkham Hall . Such building reached its zenith from the late 17th century until the mid-18th century; these houses were often completely built or rebuilt in their entirety by one eminent architect in the most fashionable architectural style of the day and often have a suite of Baroque state apartments, typically in enfilade , reserved for

880-474: The 20th century, they slept in proper beds, wore well-made adequate clothes and received three proper meals a day, plus a small wage. In an era when many still died from malnutrition or lack of medicine, the long working hours were a small price to pay. As a result of the aristocratic habit of only marrying within the aristocracy, and whenever possible to a sole heiress, many owners of country houses owned several country mansions, and would visit each according to

935-560: The Norman era, hunting had always been a popular pastime with the British royalty and nobility, and dating from the medieval era, land was parcelled off and put aside for the leisurely pursuits of hunting. These originated as royal forests and chase land, eventually evolving into deer parks , or sometimes into the Royal Parks if owned by the royal family. The ownership of these estates for hunting

990-467: The best-known examples of the showy prodigy house , often built with the intention of attracting the monarch to visit. By the reign of Charles I , Inigo Jones and his form of Palladianism had changed the face of English domestic architecture completely, with the use of turrets and towers as an architectural reference to the earlier castles and fortified houses completely disappearing. The Palladian style, in various forms, interrupted briefly by baroque ,

1045-520: The circumstances of their creation. The great houses are the largest of the country houses; in truth palaces, built by the country's most powerful – these were designed to display their owners' power or ambitions to power. Really large unfortified or barely fortified houses began to take over from the traditional castles of the crown and magnates during the Tudor period, with vast houses such as Hampton Court Palace and Burghley House , and continued until

1100-619: The country and in the city—hence, for these people, the term distinguished between town and country. However, the term also encompasses houses that were, and often still are, the full-time residence for the landed gentry who dominated rural Britain until the Reform Act 1832 . Frequently, the formal business of the counties was transacted in these country houses, having functional antecedents in manor houses . With large numbers of indoor and outdoor staff, country houses were important as places of employment for many rural communities. In turn, until

1155-519: The country houses were destroyed , or land was parcelled off to be sold. An urban example of the use of the term estate is presented by the "great estates" in Central London such as the Grosvenor and Portman , which continue to generate significant income through rent. Sometimes London streets are named after the rural estates of aristocratic landowners, such as in the case of Wimpole Street . From

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1210-513: The country saw the building of the first of the unfortified great houses. Henry VIII 's Dissolution of the Monasteries saw many former ecclesiastical properties granted to the King's favourites, who then converted them into private country houses. Woburn Abbey , Forde Abbey and many other mansions with abbey or priory in their name became private houses during this period. Other terms used in

1265-428: The design of the wing around the next corner. These varying "improvements", often criticised at the time, today are the qualities that make English country houses unique. Wealthy and influential people, often bored with their formal duties, go to the country in order to get out of London, the ugliest and most uncomfortable city in the world; they invented the long week-end to stay away as long as possible. Their métier

1320-474: The dome. It is a Grade I listed building . 51°58′39″N 1°45′04″W  /  51.9775°N 1.7512°W  / 51.9775; -1.7512 Country estate In the United Kingdom , historically an estate comprises the houses, outbuildings, supporting farmland, tenanted buildings, and natural resources (such as woodland) that surround the gardens and grounds of a very large property, such as

1375-427: The early 1970s, hundreds of country houses were demolished . Houses that survived destruction are now mostly Grade I or II listed as buildings of historic interest with restrictions on restoration and re-creation work. However such work is usually very expensive. Several houses have been restored, some over many years. For example at Copped Hall where the restoration started in 1995 continues to this day. Although

1430-564: The empire from 1556 to 1605, "deliberately mixed Islamic and Hindu elements in architecture in an effort to culturally integrate" his kingdom. It has a green onion shaped dome, umbrella-shaped chhatris and overhanging chajjas , Mughal gardens, serpent fountains, a Surya temples, Shiva lingams and has Nandi bulls guarding the estate. The house is made of stone, taken from a nearby quarry and may have been artificially stained. Traditional Mughal construction materials would include red sandstone and white marble. Sezincote uses copper, however, on

1485-473: The home counties and Bletchley Park (rebuilt in several styles, and famous for its code-breaking role in World War II). The slow decline of the English country house coincided with the rise not just of taxation, but also of modern industry, along with the agricultural depression of the 1870s. By 1880, this had led some owners into financial shortfalls as they tried to balance maintenance of their estates with

1540-435: The household. These houses were always an alternative residence to a London house. During the 18th and 19th centuries, for the highest echelons of English society, the country house served as a place for relaxing, hunting and running the country with one's equals at the end of the week, with some houses having their own theatre where performances were staged. The country house, however, was not just an oasis of pleasure for

1595-551: The immediately preceding war then in World War I, were now paying far higher rates of tax, and agricultural incomes had dropped. Thus, the solution for many was to hold contents auctions and then demolish the house and sell its stone, fireplaces , and panelling . This is what happened to many of Britain's finest houses. Despite this slow decline, so necessary was the country house for entertaining and prestige that in 1917 Viscount Lee of Fareham donated his country house Chequers to

1650-438: The income they provided. Some relied on funds from secondary sources such as banking and trade while others, like the severely impoverished Duke of Marlborough , sought to marry American heiresses to save their country houses and lifestyles. The ultimate demise began immediately following World War I . The members of the huge staff required to maintain large houses had either left to fight and never returned, departed to work in

1705-484: The landscape, while some of the great houses such as Kedleston Hall and Holkham Hall were built as "power houses" to dominate the landscape, and were most certainly intended to be "stately" and impressive. In his book Historic Houses: Conversations in Stately Homes , the author and journalist Robert Harling documents nineteen "stately homes"; these range in size from the vast Blenheim Palace and Castle Howard to

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1760-552: The late 1940s and early 1950s, many of these estates had been demolished and subdivided , in some cases resulting in suburban villages named for the former owners, as in Baxter Estates, New York . An important distinction between the United States and England is that "American country estates, unlike English ones, rarely, if ever, supported the house." American estates have always been about "the pleasures of land ownership and

1815-540: The latter two are ducal palaces, Montacute, although built by a Master of the Rolls to Queen Elizabeth I, was occupied for the next 400 years by his descendants, who were gentry without a London townhouse , rather than aristocracy. They finally ran out of funds in the early 20th century. However, the vast majority of English country houses, often owned at different times by gentlemen and peers , are an evolution of one or more styles with facades and wings in different styles in

1870-567: The mansion itself, covering more than one former manor. Examples of such great estates are Woburn Abbey in Bedfordshire , England, and Blenheim Palace , in Oxfordshire , England, built to replace the former manor house of Woodstock. Before the 1870s, these estates often encompassed several thousand acres, generally consisting of several farms let to tenants ; the great house was supplied with food from its own home farm (for meat and dairy) and

1925-639: The minuscule Ebberston Hall , and in architecture from the Jacobean Renaissance of Hatfield House to the eccentricities of Sezincote . The book's collection of stately homes also includes George IV's Brighton town palace, the Royal Pavilion . The country houses of England have evolved over the last five hundred years. Before this time, larger houses were usually fortified, reflecting the position of their owners as feudal lords , de facto overlords of their manors . The Tudor period of stability in

1980-466: The money for their improvement and maintenance usually comes from fortunes earned in other economic sectors besides agriculture. They are distinguished from ordinary middle-class American houses by sheer size, as well as their landscaping, gardens, outbuildings, and most importantly, recreational structures (e.g., tennis courts and swimming pools). This usage is the predominant connotation of "estate" in contemporary American English (when not preceded by

2035-416: The most eminent guests, the entertainment of whom was of paramount importance in establishing and maintaining the power of the owner. The common denominator of this category of English country houses is that they were designed to be lived in with a certain degree of ceremony and pomp. It was not unusual for the family to have a small suite of rooms for withdrawing in privacy away from the multitude that lived in

2090-399: The munitions factories, or filled the void left by the fighting men in other workplaces. Of those who returned after the war, many left the countryside for better-paid jobs in towns. The final blow for many country houses came following World War II ; having been requisitioned during the war, they were returned to the owners in poor repair. Many estate owners, having lost their heirs, if not in

2145-468: The names of houses to describe their origin or importance include palace , castle , court , hall , mansion , park , house , manor , and place . It was during the second half of the reign of Elizabeth I , and under her successor, James I , that the first architect-designed mansions, thought of today as epitomising the English country house, began to make their appearance. Burghley House , Longleat House , and Hatfield House are among

2200-450: The nation for the use of a prime minister who might not possess one of his or her own. Chequers still fulfills that need today as do both Chevening House and Dorneywood , donated for sole use of high-ranking ministers of the Crown. Today, many country houses have become hotels, schools, hospitals and museums, while others have survived as conserved ruins, but from the early 20th century until

2255-457: The opportunity to enjoy active, outdoor pursuits ." Although some American estates included farms, they were always in support of the larger recreational purpose. Today, large houses on lots of at least several acres in size are often referred to as "estates", in a contemporary updating of the word's usage. Most contemporary American estates are not large enough to include significant amounts of self-supporting productive agricultural land, and

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2310-468: The owner of a "power house" or a small manor, the inhabitants of the English country house have become collectively referred to as the ruling class, because this is exactly what they did in varying degrees, whether by having high political influence and power in national government, or in the day-to-day running of their own localities or "county" in such offices as lord/deputy lieutenant , magistrates , or occasionally even clergy. The Country house mystery

2365-521: The owner's twelve children. Canons Ashby , home to poet John Dryden 's family, is another example of architectural evolution: a medieval farmhouse enlarged in the Tudor era around a courtyard, given grandiose plaster ceilings in the Stuart period , and then having Georgian façades added in the 18th century. The whole is a glorious mismatch of styles and fashions that seamlessly blend together. These could be called

2420-502: The ownership or management of some houses has been transferred to a private trust , most notably at Chatsworth , other houses have transferred art works and furnishings under the Acceptance in Lieu scheme to ownership by various national or local museums, but retained for display in the building. This enables the former owners to offset tax, the payment of which would otherwise have necessitated

2475-457: The private sale of the art works. For example, tapestries and furniture at Houghton Hall are now owned by the Victoria and Albert Museum . In addition, increasing numbers of country houses hold licences for weddings and civil ceremonies . Another source of income is to use the house as a venue for parties, a film location or a corporate entertainment venue. While many country houses are open to

2530-564: The property who then "employed another brother, Samuel Pepys Cockerell , to build him a house in the Indian manner." Samuel Pepys Cockerell had worked as a surveyor for the EIC and as an apprentice to Sir Robert Taylor , where John Nash was also apprenticed. In spite of his tenure as Surveyor to the East India Company, Cockerell never travelled to India ; his encounters with Mughal architecture ,

2585-467: The public and derive income through that means, they remain homes, in some cases inhabited by the descendants of their original owners. The lifestyles of those living and working in a country house in the early 20th century were recreated in a BBC television programme, The Edwardian Country House , filmed at Manderston House in Scotland. Another television programme which features life in country houses

2640-509: The season: Grouse shooting in Scotland , pheasant shooting and fox hunting in England. The Earl of Rosebery , for instance, had Dalmeny House in Scotland, Mentmore Towers in Buckinghamshire, and another house near Epsom just for the racing season. For many, this way of life, which began a steady decline in 1914, continued well into the 20th century, and for a few continues to this day. In

2695-444: The second category of Britain's country houses are those that belonged to the squirearchy or landed gentry . These tend either to have evolved from medieval hall houses, with rooms added as required, or were purpose-built by relatively unknown local architects. Smaller, and far greater in number than the "power houses", these were still the epicentre of their own estate, but were often the only residence of their owner. However, whether

2750-659: The style is characterized by a striking revival of Islamic architecture in northern India, where Persian, Indian and various provincial styles were fused to produce works of great refinement. Favoured materials included white marble and red sandstone. A notable example is the Taj Mahal , completed in 1648 by the Emperor Shah Jahan . The architecture of the estate can be described as a British re-interpretation in Georgian architecture of classic Mughal forms. Emperor Akbar , who ruled

2805-488: The true English country house. Wilton House , one of England's grandest houses, is in a remarkably similar vein; although, while the Drydens, mere squires, at Canons Ashby employed a local architect, at Wilton the mighty Earls of Pembroke employed the finest architects of the day: first Holbein , 150 years later Inigo Jones, and then Wyatt followed by Chambers. Each employed a different style of architecture, seemingly unaware of

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2860-430: The word "real" ), which is why "industrial estate" sounds like an oxymoron to Americans, as few wealthy persons would deliberately choose to live next to factories. Traditional American estates include: Country house An English country house is a large house or mansion in the English countryside. Such houses were often owned by individuals who also owned a town house . This allowed them to spend time in

2915-511: Was a popular genre of English detective fiction in the 1920s and 1930s; set in the residence of the gentry and often involving a murder in a country house temporarily isolated by a snowstorm or similar with the suspects all at a weekend house party. Following the Industrial Revolution of the 18th century, a third category of country houses was built as newly rich industrialists and bankers were eager to display their wealth and taste. By

2970-472: Was in practice strictly restricted until the 19th century when legal changes to game hunting meant the nobility, gentry and other wealthy families could purchase land for the purposes of hunting. At the administrative centre of these sporting estates is usually a sporting lodge . These are also often known as shooting or hunting estates. In modern British English , the term "estate" has been generalised to any large parcel of land under single ownership, such as

3025-422: Was to predominate until the second half of the 18th century when, influenced by ancient Greek styles, it gradually evolved into the neoclassicism championed by such architects as Robert Adam . Some of the best known of England's country houses were the work of only one architect/designer, built in a relatively short, particular time: Montacute House , Chatsworth House , and Blenheim Palace are examples. While

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