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90-506: In 1976, Renée Richards is on the tennis court as a professional tennis player. The film flashes back to 1964, when Renée Richards is an eye surgeon named Richard Radley (both roles played by Redgrave). Radley has a successful career and a fiancée, but secretly cross-dresses at night. Unable to speak with his mother Sadie (Louise Fletcher), who is a psychiatrist, Radley consults his own psychiatrist, Dr. Beck (Martin Balsam), who advises him to grow

180-688: A Utopian India. Satyajit Ray experimented with flashbacks in The Adversary (Pratidwandi, 1972), pioneering the technique of photo-negative flashbacks. He also uses flashbacks in other films such as Nayak (1966), Kapurush- O – Mahapurush ( 1965), Aranyer Din Ratri (1970), Jalsaghar(1959). In fact, in Nayak, the entire film proceeds in a non linear narrative which explores the Hero (Arindam's) past through seven flashbacks and two dreams. He also uses extensive flashbacks in

270-498: A beard. This strategy works temporarily until Radley is drafted into the Navy , which does not allow beards. Following his discharge and a failed marriage, Radley undergoes gender reassignment surgery and becomes Renée. Renée relocates to California, resumes her career as a surgeon and begins dating. After playing in a local tennis tournament in La Jolla , Renée is outed as transgender by

360-549: A character, or add structure to the narrative. In literature, internal analepsis is a flashback to an earlier point in the narrative; external analepsis is a flashback to a time before the narrative started. In film, flashbacks depict the subjective experience of a character by showing a memory of a previous event and they are often used to "resolve an enigma". Flashbacks are important in film noir and melodrama films. In films and television, several camera techniques, editing approaches and special effects have evolved to alert

450-544: A flashback from the main character is used to provide a confession to his fraudulent and criminal activities. Fish & Cat is the first single-shot movie with several flashbacks. In John Brahm 's film noir " The Locket " (1946) a unique hat trick is used (a flashback within a flashback within a flashback) to give psychological depth to the story of a woman who was allegedly a kleptomaniac, inveterate liar, and murderess but had never been punished for any of her crimes. A good example of both flashback and flashforward

540-476: A narrator (who is often, but not always, the character who is experiencing the memory). An early example of analepsis is in the Ramayana and Mahabharata , where the main story is narrated through a frame story set at a later time. Another early use of this device in a murder mystery was in " The Three Apples ", an Arabian Nights tale. The story begins with the discovery of a young woman's dead body. After

630-457: A particularly close connection to Vedic ( Brahmana ) literature. The Panchavimsha Brahmana (at 25.15.3) enumerates the officiant priests of a sarpasattra among whom the names Dhritarashtra and Janamejaya, two main figures of the Mahābhārata' s sarpasattra , as well as Takshaka , a snake in the Mahābhārata , occur. The Suparnakhyana , a late Vedic period poem considered to be among

720-540: A pond and assumes it is not water and falls in. Bhima , Arjuna , the twins and the servants laugh at him. In popular adaptations, this insult is wrongly attributed to Draupadi, even though in the Sanskrit epic, it was the Pandavas (except Yudhishthira) who had insulted Duryodhana. Enraged by the insult, and jealous at seeing the wealth of the Pandavas, Duryodhana decides to host a dice-game on Shakuni's suggestion. This suggestion

810-455: A predominant feature of the television shows Lost , Arrow , Phineas and Ferb , Orange Is the New Black , 13 Reasons Why , Elite and Quicksand . Many detective shows routinely use flashback in the last act to illustrate the detective's reconstruction of the culprit's plot, e.g. Murder, She Wrote , Banacek , Columbo . The television show Leverage uses a flashback at

900-457: A princess from Gandhara, who blindfolds herself for the rest of her life so that she may feel the pain that her husband feels. Her brother Shakuni is enraged by this and vows to take revenge on the Kuru family. One day, when Pandu is relaxing in the forest, he hears the sound of a wild animal. He shoots an arrow in the direction of the sound. However, the arrow hits the sage Kindama , who was engaged in

990-511: A role in the Mahābhārata , some parts of the epic may have already been known in his day. Another aspect is that Panini determined the accent of mahā-bhārata . However, the Mahābhārata was not recited in Vedic accent . The Greek writer Dio Chrysostom ( c.  40  – c.  120 CE ) reported that Homer 's poetry was being sung even in India. Many scholars have taken this as evidence for

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1080-401: A sexual act in the guise of a deer. He curses Pandu that if he engages in a sexual act, he will die. Pandu then retires to the forest along with his two wives, and his brother Dhritarashtra rules thereafter, despite his blindness. Pandu's older queen Kunti, however, had been given a boon by Sage Durvasa that she could invoke any god using a special mantra. Kunti uses this boon to ask Dharma ,

1170-462: A similar distinction. At least three redactions of the text are commonly recognized: Jaya (Victory) with 8,800 verses attributed to Vyasa, the Bharata with 24,000 verses as recited by Vaisampayana , and finally the Mahābhārata as recited by Ugrashrava Sauti with over 100,000 verses. However, some scholars, such as John Brockington, argue that Jaya and Bharata refer to the same text, and ascribe

1260-550: A television reporter. In the ensuing controversy, Renée takes the United States Tennis Association to court, where she secures her right to play professional tournament tennis as a woman without being subjected to chromosome testing . Critic John J. O'Connor of The New York Times praised Redgrave's performance. Although noting that from a physical standpoint Redgrave is not very believable, O'Connor calls her performance "astonishingly convincing". While finding

1350-514: A tunnel. They escape to safety through the tunnel and go into hiding. During this time, Bhima marries a demoness Hidimbi and has a son Ghatotkacha . Back in Hastinapur, the Pandavas and Kunti are presumed dead. Whilst they were in hiding, the Pandavas learn of a swayamvara which is taking place for the hand of the Pāñcāla princess Draupadī . The Pandavas, disguised as Brahmins , come to witness

1440-585: A very short uneventful life and dies. Vichitravirya, the younger son, rules Hastinapura . Meanwhile, the King of Kāśī arranges a swayamvara for his three daughters, neglecting to invite the royal family of Hastinapur. To arrange the marriage of young Vichitravirya, Bhishma attends the swayamvara of the three princesses Amba , Ambika , and Ambalika , uninvited, and proceeds to abduct them. Ambika and Ambalika consent to be married to Vichitravirya. The oldest princess Amba, however, informs Bhishma that she wishes to marry

1530-424: A way to explain his past. A gag in the episode "Doof Dynasty" notes that, when a character explains his or her past, their body ripples (referencing the "ripple effect" which starts a flashback in other media). The whole episode "Act Your Age" is a flash-forward of the characters as teenagers. Several other episodes also feature flashbacks of the main characters' ancestors who, as a running gag, always seem to look like

1620-414: Is an interjected scene that takes the narrative back in time from the current point in the story . Flashbacks are often used to recount events that happened before the story's primary sequence of events to fill in crucial backstory . In the opposite direction, a flashforward (or prolepsis) reveals events that will occur in the future. Both flashback and flashforward are used to cohere a story, develop

1710-607: Is as follows: The historicity of the Kurukshetra War is unclear. Many historians estimate the date of the Kurukshetra war to Iron Age India of the 10th century BCE. The setting of the epic has a historical precedent in Iron Age ( Vedic ) India, where the Kuru kingdom was the center of political power during roughly 1200 to 800 BCE. A dynastic conflict of the period could have been

1800-550: Is based on a story that is the precursor to the Mahābhārata . The Urubhanga , a Sanskrit play written by Bhasa who is believed to have lived before Kalidasa, is based on the slaying of Duryodhana by the splitting of his thighs by Bhima . The copper-plate inscription of the Maharaja Sharvanatha (533–534 CE) from Khoh ( Satna District, Madhya Pradesh ) describes the Mahābhārata as a "collection of 100,000 verses" ( śata-sahasri saṃhitā ). The division into 18 parvas

1890-426: Is born blind. Ambalika turns pale and bloodless upon seeing him, and thus her son Pandu is born pale and unhealthy (the term Pandu may also mean 'jaundiced' ). Due to the physical challenges of the first two children, Satyavati asks Vyasa to try once again. However, Ambika and Ambalika send their maid instead, to Vyasa's room. Vyasa fathers a third son, Vidura , by the maid. He is born healthy and grows up to be one of

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1980-568: Is first recited at Takshashila by the sage Vaisampayana , a disciple of Vyasa, to the King Janamejaya who was the great-grandson of the Pandava prince Arjuna . The story is then recited again by a professional storyteller named Ugrashrava Sauti , many years later, to an assemblage of sages performing the 12-year sacrifice for the king Saunaka Kulapati in the Naimisha Forest . The text

2070-642: Is one of the two major Smriti texts and Sanskrit epics of ancient India revered in Hinduism , the other being the Rāmāyaṇa . It narrates the events and aftermath of the Kurukshetra War , a war of succession between two groups of princely cousins, the Kauravas and the Pāṇḍavas . It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or puruṣārtha (12.161). Among

2160-415: Is reborn to King Drupada as Shikhandi (or Shikhandini) and causes Bhishma's fall, with the help of Arjuna , in the battle of Kurukshetra. When Vichitravirya dies young without any heirs, Satyavati asks her first son Vyasa , born to her from a previous union with the sage Parashara , to father children with the widows. The eldest, Ambika, shuts her eyes when she sees him, and so her son Dhritarashtra

2250-569: Is right, as well as the converse. The Mahābhārata itself ends with the death of Krishna , and the subsequent end of his dynasty and ascent of the Pandava brothers to heaven. It also marks the beginning of the Hindu age of Kali Yuga , the fourth and final age of humankind, in which great values and noble ideas have crumbled, and people are heading towards the complete dissolution of right action, morality, and virtue. King Janamejaya's ancestor, Shantanu ,

2340-476: Is the first scene of La Jetée (1962). As we learn a few minutes later, what we are seeing in that scene is a flashback to the past, since the present of the film's diegesis is a time directly following World War III . However, as we learn at the very end of the film, that scene also doubles as a prolepsis, since the dying man the boy is seeing is, in fact, himself. In other words, he is proleptically seeing his own death. We thus have an analepsis and prolepsis in

2430-538: Is the progenitor of the modern disaster epic in literature and film-making, where a single disaster intertwines the victims, whose lives are then explored by means of flashbacks of events leading up to the disaster. Analepsis is also used in Night by Elie Wiesel . If flashbacks are extensive and in chronological order, one can say that these form the present of the story, while the rest of the story consists of flash forwards. If flashbacks are presented in non-chronological order,

2520-430: Is translated as "Great Bharat (India)", or "the story of the great descendents of Bharata ", or as " The Great Indian Tale ". The Mahābhārata is the longest epic poem known and has been described as "the longest poem ever written". Its longest version consists of over 100,000 śloka or over 200,000 individual verse lines (each shloka is a couplet), and long prose passages. At about 1.8 million words in total,

2610-410: Is when they were leaving Portugal . The Harry Potter series employs a magical device called a Pensieve , which changes the nature of flashbacks from a mere narrative device to an event directly experienced by the characters, who are thus able to provide commentary. The creator of the flashback technique in cinema was Histoire d'un crime directed by Ferdinand Zecca in 1901. An early use of

2700-653: The Kali Yuga epoch, based on planetary conjunctions, by Aryabhata (6th century). Aryabhata's date of 18 February 3102 BCE for Mahābhārata war has become widespread in Indian tradition. Some sources mark this as the disappearance of Krishna from the Earth. The Aihole inscription of Pulakeshin II , dated to Saka 556 = 634 CE, claims that 3,735 years have elapsed since the Bhārata battle, putting

2790-593: The Guru–shishya tradition , which traces all great teachers and their students of the Vedic times. The first section of the Mahābhārata states that it was Ganesha who wrote down the text to Vyasa's dictation, but this is regarded by scholars as a later interpolation to the epic and the "Critical Edition" does not include Ganesha. The epic employs the story within a story structure, otherwise known as frametales , popular in many Indian religious and non-religious works. It

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2880-643: The Kaurava and the Pandava . Although the Kaurava is the senior branch of the family, Duryodhana , the eldest Kaurava, is younger than Yudhishthira , the eldest Pandava. Both Duryodhana and Yudhishthira claim to be first in line to inherit the throne. The struggle culminates in the Kurukshetra War , in which the Pandavas are ultimately victorious. The battle produces complex conflicts of kinship and friendship, instances of family loyalty and duty taking precedence over what

2970-502: The Kushan Period (200 CE). According to what one figure says at Mbh. 1.1.50, there were three versions of the epic, beginning with Manu (1.1.27), Astika (1.3, sub-Parva 5), or Vasu (1.57), respectively. These versions would correspond to the addition of one and then another 'frame' settings of dialogues. The Vasu version would omit the frame settings and begin with the account of the birth of Vyasa. The astika version would add

3060-413: The Mahābhārata has put an enormous effort into recognizing and dating layers within the text. Some elements of the present Mahabharata can be traced back to Vedic times. The background to the Mahābhārata suggests the origin of the epic occurs "after the very early Vedic period " and before " the first Indian 'empire' was to rise in the third century B.C." That this is "a date not too far removed from

3150-427: The Mahābhārata is attributed to Vyāsa . There have been many attempts to unravel its historical growth and compositional layers. The bulk of the Mahābhārata was probably compiled between the 3rd century BCE and the 3rd century CE, with the oldest preserved parts not much older than around 400 BCE. The text probably reached its final form by the early Gupta period ( c.  4th century CE ). The title

3240-555: The Mahābhārata is roughly ten times the length of the Iliad and the Odyssey combined, or about four times the length of the Rāmāyaṇa . Within the Indian tradition it is sometimes called the fifth Veda . The epic is traditionally ascribed to the sage Vyasa , who is also a major figure in the epic. Vyasa described it as being an itihasa ( transl.  history ). He also describes

3330-532: The sarpasattra and ashvamedha material from Brahmanical literature, introduce the name Mahābhārata , and identify Vyasa as the work's author. The redactors of these additions were probably Pancharatrin scholars who according to Oberlies (1998) likely retained control over the text until its final redaction. Mention of the Huna in the Bhishma Parva however appears to imply that this Parva may have been edited around

3420-630: The wife of all five brothers . After the wedding, the Pandava brothers are invited back to Hastinapura. The Kuru family elders and relatives negotiate and broker a split of the kingdom, with the Pandavas obtaining and demanding only a wild forest inhabited by Takshaka , the king of snakes, and his family. Through hard work, the Pandavas build a new glorious capital for the territory at Indraprastha . Shortly after this, Arjuna elopes with and then marries Krishna's sister, Subhadra . Yudhishthira wishes to establish his position as king; he seeks Krishna's advice. Krishna advises him, and after due preparation and

3510-645: The "earliest traces of epic poetry in India," is an older, shorter precursor to the expanded legend of Garuda that is included in the Astika Parva , within the Adi Parva of the Mahābhārata . The earliest known references to bhārata and the compound mahābhārata date to the Ashtadhyayi ( sutra 6.2.38) of Panini ( fl. 4th century BCE) and the Ashvalayana Grihyasutra (3.4.4). This may mean that

3600-427: The 4th century. The Adi Parva includes the snake sacrifice ( sarpasattra ) of Janamejaya , explaining its motivation, detailing why all snakes in existence were intended to be destroyed, and why despite this, there are still snakes in existence. This sarpasattra material was often considered an independent tale added to a version of the Mahābhārata by "thematic attraction" (Minkowski 1991), and considered to have

3690-512: The 78 CE. This places Yudhishthara (and therefore, the Mahabharata war) around 2448–2449 BCE (2526–78). Some scholars have attempted to identify the "Shaka" calendar era mentioned by Varāhamihira with other eras, but such identifications place Varāhamihira in the first century BCE, which is impossible as he refers to the 5th century astronomer Aryabhata . Kalhana 's Rajatarangini (11th century), apparently relying on Varāhamihira, also states that

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3780-461: The 8th or 9th century B.C." is likely. The Mahabharata started as an orally-transmitted tale of the charioteer bards . It is generally agreed that "Unlike the Vedas , which have to be preserved letter-perfect, the epic was a popular work whose reciters would inevitably conform to changes in language and style," so the earliest 'surviving' components of this dynamic text are believed to be no older than

3870-614: The Black Pearl at the border of the Afterlife for fourteen long years. Some months later, flashbacks that are memories belonging to Jaken ("The Silver-Scale Curse") and Hachimon ("Battle of the Moon, Part 1") eventually come. In the Disney Channel series Phineas and Ferb , flashbacks and flash forwards often appear. In several episodes, the main antagonist Dr. Doofenshmirtz uses flashbacks as

3960-519: The Kanchenjunga (1962). Quentin Tarantino makes extensive use of the flashback and flashforward in many of his films. In Reservoir Dogs (1992), for example, scenes of the story present are intercut with various flashbacks to give each character's backstory and motivation additional context. In Pulp Fiction (1994), which uses a highly nonlinear narrative, traditional flashback is also used in

4050-460: The Pandava brothers, from their youth and into manhood, leads to the Kurukshetra war. After the deaths of their mother (Madri) and father (Pandu), the Pandavas and their mother Kunti return to the palace of Hastinapur. Yudhishthira is made Crown Prince by Dhritarashtra, under considerable pressure from his courtiers. Dhritarashtra wanted his son Duryodhana to become king and lets his ambition get in

4140-554: The Pandavas flourished 653 years after the beginning of the Kali Yuga; Kalhana adds that people who believe that the Bharata war was fought at the end of the Dvapara Yuga are foolish. The core story of the work is that of a dynastic struggle for the throne of Hastinapura , the kingdom ruled by the Kuru clan. The two collateral branches of the family that participate in the struggle are

4230-573: The Phantom from a freak show. An extremely convoluted story may contain flashbacks within flashbacks within flashbacks, as in Six Degrees of Separation , Passage to Marseille , and The Locket . This technique is a hallmark of Kannada movie director Upendra . He has employed this technique in his movies – Om (1995), A (1998) and the futuristic flick Super (2010) – set in 2030 containing multiple flashbacks ranging from 2010 to 2015 depicting

4320-658: The attempt but is interrupted by Draupadi who refuses to marry a suta (this has been excised from the Critical Edition of Mahabharata as later interpolation ). After this, the swayamvara is opened to the Brahmins leading Arjuna to win the contest and marry Draupadi. The Pandavas return home and inform their meditating mother that Arjuna has won a competition and to look at what they have brought back. Without looking, Kunti asks them to share whatever Arjuna has won amongst themselves, thinking it to be alms . Thus, Draupadi ends up being

4410-442: The average duration of a reign, arrived at an estimate of 850  BCE for Adhisimakrishna, and thus approximately 950  BCE for the Bharata battle. B. B. Lal used the same approach with a more conservative assumption of the average reign to estimate a date of 836 BCE, and correlated this with archaeological evidence from Painted Grey Ware (PGW) sites, the association being strong between PGW artifacts and places mentioned in

4500-598: The birth of Parikshit (Arjuna's grandson) and the accession of Mahapadma Nanda (400–329 BCE), which would yield an estimate of about 1400 BCE for the Bharata battle. However, this would imply improbably long reigns on average for the kings listed in the genealogies. Of the second kind is analysis of parallel genealogies in the Puranas between the times of Adhisimakrishna ( Parikshit 's great-grandson) and Mahapadma Nanda . Pargiter accordingly estimated 26 generations by averaging 10 different dynastic lists and, assuming 18 years for

4590-592: The core 24,000 verses, known as the Bhārata , as well as an early version of the extended Mahābhārata , were composed by the 4th century BCE. However, it is uncertain whether Panini referred to the epic, as bhārata was also used to describe other things. Albrecht Weber mentions the Rigvedic tribe of the Bharatas , where a great person might have been designated as Mahā-Bhārata. However, as Panini also mentions figures that play

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4680-502: The date of Mahābhārata war at 3137BCE. Another traditional school of astronomers and historians, represented by Vrddha Garga , Varāhamihira and Kalhana , place the Bharata war 653 years after the Kali Yuga epoch, corresponding to 2449 BCE. According to Varāhamihira's Bṛhat Saṃhitā (6th century), Yudhishthara lived 2,526 years before the beginning of the Shaka era , which begins in

4770-478: The earliest 'external' references we have to the epic, which include an reference in Panini 's 4th century BCE grammar Ashtadhyayi 4:2:56. Vishnu Sukthankar, editor of the first great critical edition of the Mahābhārata , commented: "It is useless to think of reconstructing a fluid text in an original shape, based on an archetype and a stemma codicum . What then is possible? Our objective can only be to reconstruct

4860-454: The elimination of some opposition, Yudhishthira carries out the rājasūya yagna ceremony; he is thus recognized as pre-eminent among kings. The Pandavas have a new palace built for them, by Maya the Danava . They invite their Kaurava cousins to Indraprastha. Duryodhana walks round the palace, and mistakes a glossy floor for water, and will not step in. After being told of his error, he then sees

4950-410: The end of each episode to show how the protagonists successfully carried out their confidence trick on the episode's antagonist. The anime Inuyasha uses flashbacks that take one back half a century ago in the two-part episode "The Tragic Love Song of Destiny" in the sixth season narrated by the elderly younger sister of Lady Kikyo, Lady Kaede ; Episodes 147 and 148. In Princess Half-Demon ,

5040-483: The entire court, but Draupadi's disrobe is prevented by Krishna, who miraculously make her dress endless, therefore it couldn't be removed. Dhritarashtra, Bhishma, and the other elders are aghast at the situation, but Duryodhana is adamant that there is no place for two crown princes in Hastinapura. Against his wishes Dhritarashtra calls for another dice game. The Pandavas are required to go into exile for 12 years, and in

5130-462: The epic. John Keay suggests "their core narratives seem to relate to events from a period prior to all but the Rig Veda." Attempts to date the events using methods of archaeoastronomy have produced, depending on which passages are chosen and how they are interpreted, estimates ranging from the late 4th to the mid-2nd millennium BCE. The late 4th-millennium date has a precedent in the calculation of

5220-406: The event. Meanwhile, Krishna, who has already befriended Draupadi, tells her to look out for Arjuna (though now believed to be dead). The task was to string a mighty steel bow and shoot a target on the ceiling, which was the eye of a moving artificial fish, while looking at its reflection in oil below. In popular versions, after all the princes fail, many being unable to lift the bow, Karna proceeds to

5310-619: The existence of a Māhabhārata at this date, whose episodes Dio or his sources identify with the story of the Iliad . Several stories within the Mahābhārata took on separate identities of their own in Classical Sanskrit literature . For instance, the Abhijnanashkuntala by the renowned Sanskrit poet Kalidasa ( c.  400 CE ), believed to have lived in the era of the Gupta dynasty,

5400-480: The film is told in flashback, with the scene of Liberty Valance's murder occurring as a flashback within that flashback. Other examples that contains flashbacks within flashbacks are the 1968 Japanese film Lone Wolf Isazo and 2004's The Phantom of the Opera , where almost the entire film (set in 1870) is told as a flashback from 1919 (in black-and-white ) and contains other flashbacks; for example, Madame Giry rescuing

5490-549: The fine bones of that face and the twitching of her various limbs, every internal contradiction of the polymorphously perverse." Second Serve was not universally praised by critics, receiving negative reviews from such outlets as the Chicago Sun-Times . Redgrave was nominated for an Emmy Award and a Golden Globe for her performance and Second Serve won Emmys for hairstyling and makeup. Flashback (narrative) A flashback , more formally known as analepsis ,

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5580-399: The five brothers, who are from then on usually referred to as the Pandava brothers. Dhritarashtra has a hundred sons, and one daughter— Duhsala —through Gandhari , all born after the birth of Yudhishthira. These are the Kaurava brothers, the eldest being Duryodhana , and the second Dushasana . Other Kaurava brothers include Vikarna and Sukarna. The rivalry and enmity between them and

5670-678: The flashback technique in cinema occurs throughout D.W. Griffith 's film, Hearts of the World (1918): for example, during the wall scene with the Boy at 1:33. Flashbacks were first employed during the sound era in Rouben Mamoulian 's 1931 film City Streets , but were rare until about 1939 when, in William Wyler 's Wuthering Heights as in Emily Brontë 's original novel, the housekeeper Ellen narrates

5760-405: The flashbacks take place years before the events of each series, there are also cases in which new scenes set during previous episodes are shown, such as Breaking Bad' s " Más " and " Ozymandias ," whose openings are set during the show's pilot . The final three episodes of Better Call Saul , set in the post- Breaking Bad timeline, also include flashbacks taking place both between and during

5850-478: The god of justice, Vayu , the god of the wind, and Indra , the lord of the heavens for sons. She gives birth to three sons, Yudhishthira , Bhima , and Arjuna , through these gods. Kunti shares her mantra with the younger queen Madri , who bears the twins Nakula and Sahadeva through the Ashwini twins. However, Pandu and Madri indulge in lovemaking, and Pandu dies. Madri commits suicide out of remorse. Kunti raises

5940-451: The inspiration for the Jaya , the foundation on which the Mahābhārata corpus was built, with a climactic battle, eventually coming to be viewed as an epochal event. Puranic literature presents genealogical lists associated with the Mahābhārata narrative. The evidence of the Puranas is of two kinds. Of the first kind, there is the direct statement that there were 1,015 (or 1,050) years between

6030-438: The king of Hastinapura , had a short-lived marriage with the goddess Ganga and had a son, Devavrata (later to be called Bhishma , a great warrior), who becomes the heir apparent. Many years later, when King Shantanu goes hunting, he sees Satyavati , the daughter of the chief of fishermen, and asks her father for her hand. Her father refuses to consent to the marriage unless Shantanu promises to make any future son of Satyavati

6120-429: The king of Shalva whom Bhishma defeated at their swayamvara. Bhishma lets her leave to marry the king of Shalva, but Shalva refuses to marry her, still smarting at his humiliation at the hands of Bhishma. Amba then returns to marry Bhishma but he refuses due to his vow of celibacy. Amba becomes enraged and becomes Bhishma's bitter enemy, holding him responsible for her plight. She vows to kill him in her next life. Later she

6210-408: The king upon his death. To resolve his father's dilemma, Devavrata agrees to relinquish his right to the throne. As the fisherman is not sure about the prince's children honoring the promise, Devavrata also takes a vow of lifelong celibacy to guarantee his father's promise. Shantanu has two sons by Satyavati, Chitrāngada and Vichitravirya . Upon Shantanu's death, Chitrangada becomes king. He lives

6300-404: The main characters with slight variations in clothing, but the exact same mannerisms and voices. ( Northern Exposure episode "Cicely" used a similar device, with the main cast playing unrelated characters of 84 years before, at the founding of the village.) Breaking Bad and its spinoff Better Call Saul frequently employ flashbacks, most often in the form of the cold open . While many of

6390-419: The main story to overnight visitor Mr. Lockwood, who has witnessed Heathcliff's frantic pursuit of what is apparently a ghost. More famously, also in 1939, Marcel Carné 's film Le Jour Se Lève is told almost entirely through flashback: the story starts with the murder of a man in a hotel. While the murderer, played by Jean Gabin , is surrounded by the police, several flashbacks tell the story of why he killed

6480-564: The man at the beginning of the film. One of the most famous examples of a flashback is in the Orson Welles ' film Citizen Kane (1941). The protagonist, Charles Foster Kane , dies at the beginning, uttering the word Rosebud . The remainder of the film is framed by a reporter's interviewing Kane's friends and associates, in a futile effort to discover what the word meant to Kane. As the interviews proceed, pieces of Kane's life unfold in flashback, but Welles' use of such unconventional flashbacks

6570-402: The most celebrated fictional use of contested multiple testimonies. Sometimes a flashback is inserted into a film even though there was none in the original source from which the film was adapted. The 1956 film version of Rodgers and Hammerstein 's stage musical Carousel used a flashback device which somewhat takes the impact away from a very dramatic plot development later in the film. This

6660-543: The murderer later reveals himself, he narrates his reasons for the murder in a series of flashbacks leading up to the discovery of her dead body at the beginning of the story. Flashbacks are also employed in several other Arabian Nights tales such as " Sinbad the Sailor " and " The City of Brass ". Analepsis was used extensively by author Ford Madox Ford , and by poet, author, historian and mythologist Robert Graves . The 1927 book The Bridge of San Luis Rey by Thornton Wilder

6750-432: The oldest form of the text which it is possible to reach based on the manuscript material available." That manuscript evidence is somewhat late, given its material composition and the climate of India, but it is very extensive. The Mahābhārata itself (1.1.61) distinguishes a core portion of 24,000 verses: the Bhārata proper, as opposed to additional secondary material, while the Ashvalayana Grihyasutra (3.4.4) makes

6840-541: The ongoing spinoff to the anime stated above, the premiere takes us back eighteen years ago, five months since the conclusion of the original series' seventh season . Episode Fifteen "Farewell Under the Lunar Eclipse" is narrated by Riku that explains what had happened before and right after the Half-Demon Princesses were born; namely where Inuyasha and nineteen-year-old Kagome Higurashi had ended up, trapped within

6930-456: The principal works and stories in the Mahābhārata are the Bhagavad Gita , the story of Damayanti , the story of Shakuntala , the story of Pururava and Urvashi , the story of Savitri and Satyavan , the story of Kacha and Devayani , the story of Rishyasringa and an abbreviated version of the Rāmāyaṇa , often considered as works in their own right. Traditionally, the authorship of

7020-636: The script wanting for its tendency to reduce complexities to cliches, O'Connor also found that Second Serve "does manage, despite oversimplifications and evasions, to stick to the point. But it is the extraordinary Redgrave performance that slams the message home." New York magazine concurred in this assessment, with reviewer John Leonard calling the film "calm and matter-of-fact, and perhaps too tidy". Leonard lavished Redgrave with praise for her performance, writing: Redgrave, tall and vulnerable, athletic and bewildered, fearful and loving competitive and lonely, manages to transsex both ways. She embodies, with

7110-401: The sequence titled "The Gold Watch". Other films, such as his two-part Kill Bill (Part I 2003, Part II 2004), also feature a narrative that bounces between present time and flashbacks. The television series Quantico , Kung Fu , Psych , How I Met Your Mother , Grounded for Life , Once Upon a Time , and I Didn't Do It use flashbacks in every episode. Flashbacks were also

7200-569: The theory of Jaya with 8,800 verses to a misreading of a verse in the Adi Parva (1.1.81). The redaction of this large body of text was carried out after formal principles, emphasizing the numbers 18 and 12. The addition of the latest parts may be dated by the absence of the Anushasana Parva and the Virata Parva from the " Spitzer manuscript ". The oldest surviving Sanskrit text dates to

7290-522: The time at which the story takes place can be ambiguous: An example of such an occurrence is in Slaughterhouse-Five where the narrative jumps back and forth in time, so there is no actual present time line. Os Lusíadas is a story about a voyage of Vasco da Gama to India and back. The narration starts when they were arriving in Africa but it quickly flashes back to the beginning of the story which

7380-973: The two series' time frames. The 2D hand-drawn animated show Rapunzel's Tangled Adventure (known as Tangled: The Series during its first season) began showing flashbacks set a quarter of a century ago in the Dark Kingdom, where the heavenly Moonstone resides within for hundreds of years in the second season's premiere "Beyond the Walls of Corona", "Rapunzel and the Great Tree" and the finale "Destinies Collide." Mahabharata Divisions Sama vedic Yajur vedic Atharva vedic Vaishnava puranas Shaiva puranas Shakta puranas The Mahābhārata ( / m ə ˌ h ɑː ˈ b ɑːr ə t ə , ˌ m ɑː h ə -/ mə- HAH - BAR -ə-tə, MAH -hə- ; Sanskrit : महाभारतम् , IAST : Mahābhāratam , pronounced [mɐɦaːˈbʱaːrɐt̪ɐm] )

7470-455: The very same scene. Occasionally, a story may contain a flashback within a flashback, with the earliest known example appearing in Jacques Feyder 's L'Atlantide . Little Annie Rooney (1925) contains a flashback scene in a Chinese laundry, with a flashback within that flashback in the corner of the screen. In John Ford 's The Man Who Shot Liberty Valance (1962), the main action of

7560-406: The viewer that the action shown is a flashback or flashforward; for example, the edges of the picture may be deliberately blurred, photography may be jarring or choppy, or unusual coloration or sepia tone, or monochrome when most of the story is in full color, may be used. The scene may fade or dissolve, often with the camera focused on the face of the character and there is typically a voice-over by

7650-463: The way of preserving justice. Shakuni, Duryodhana, and Dushasana plot to get rid of the Pandavas. Shakuni calls the architect Purochana to build a palace out of flammable materials like lac and ghee. He then arranges for the Pandavas and the Queen Mother Kunti to stay there, intending to set it alight. However, the Pandavas are warned by their wise uncle, Vidura , who sends them a miner to dig

7740-588: The wisest figures in the Mahabharata . He serves as Prime Minister (Mahamantri or Mahatma) to King Pandu and King Dhritarashtra. When the princes grow up, Dhritarashtra is about to be crowned king by Bhishma when Vidura intervenes and uses his knowledge of politics to assert that a blind person cannot be king. This is because a blind man cannot control and protect his subjects. The throne is then given to Pandu because of Dhritarashtra's blindness. Pandu marries twice, to Kunti and Madri . Dhritarashtra marries Gandhari ,

7830-460: Was accepted by Yudhisthira despite the rest of the Pandavas advising him not to play. Shakuni , Duryodhana's uncle, now arranges a dice game, playing against Yudhishthira with loaded dice. In the dice game, Yudhishthira loses all his wealth, then his kingdom. Yudhishthira then gambles his brothers, himself, and finally his wife into servitude. The jubilant Kauravas insult the Pandavas in their helpless state and even try to disrobe Draupadi in front of

7920-453: Was described by some early 20th-century Indologists as unstructured and chaotic. Hermann Oldenberg supposed that the original poem must once have carried an immense "tragic force" but dismissed the full text as a "horrible chaos." Moritz Winternitz ( Geschichte der indischen Literatur 1909) considered that "only unpoetical theologists and clumsy scribes" could have lumped the parts of disparate origin into an unordered whole. Research on

8010-417: Was done because the plot of Carousel was then considered unusually strong for a film musical. In the film version of Camelot (1967), according to Alan Jay Lerner , a flashback was added not to soften the blow of a later plot development but because the stage show had been criticized for shifting too abruptly in tone from near-comedy to tragedy. In Billy Wilder 's film noir Double Indemnity (1944),

8100-733: Was thought to have been influenced by William K. Howard 's The Power and the Glory . Lubitsch used a flashback in Heaven Can Wait (1943) which tells the story of Henry Van Cleve. Though usually used to clarify plot or backstory, flashbacks can also act as an unreliable narrator . The multiple and contradictory staged reconstructions of a crime in Errol Morris 's 1988 documentary The Thin Blue Line are presented as flashbacks based on divergent testimony. Akira Kurosawa 's 1950 Rashomon does this in

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