140-427: Say It with Songs is a 1929 American pre-Code musical drama film, directed by Lloyd Bacon and released by Warner Bros. The film stars Al Jolson and Davey Lee and was a follow-up to their previous film, The Singing Fool (1928). Joe Lane, radio entertainer and songwriter, learns that the manager of the studio, Arthur Phillips, has made improper advances to his wife, Katherine. Infuriated, Lane engages him in
280-453: A World War I veteran cast onto the streets with a morphine addiction from his hospital stay. In Wild Boys of the Road (1933), the young man played by Frankie Darrow leads a group of dispossessed juvenile drifters who frequently brawl with the police. Such gangs were common; around 250,000 youths traveled the country by hopping trains or hitchhiking in search of better economic circumstances in
420-486: A chorus girl , she regularly received diamonds and pearls as gifts, but now must content herself with a corned beef sandwich. In Union Depot (1932), Douglas Fairbanks Jr. puts a luscious meal as the first order of business on his itinerary after coming into money. Given the social circumstances, politically oriented social problem films ridiculed politicians and portrayed them as incompetent bumblers, scoundrels, and liars. In The Dark Horse (1932), Warren William
560-603: A Wonderful Life , It Happened One Night , the original King Kong , Mutiny on the Bounty , Top Hat , City Lights , Red River , The Lady from Shanghai , Rear Window , On the Waterfront , Rebel Without a Cause , Some Like It Hot , and The Manchurian Candidate . The studio system and the Golden Age of Hollywood succumbed to two forces that developed in the late 1940s: In 1938, Walt Disney's Snow White and
700-579: A building named after himself that is larger than the Empire State Building . He tricks everyone he knows into poverty to appropriate others' wealth. He is ultimately shot by his secretary ( Verree Teasdale ), who then ends the film and her own life by walking off the roof of the skyscraper. Americans' mistrust and dislike of lawyers was a frequent topic of dissection in social problem films such Lawyer Man (1933), State's Attorney , and The Mouthpiece (1932). In films such as Paid (1930),
840-492: A cablegram to all the studios in March 1934 mandating that Dillinger not be portrayed in any motion picture. The genre entered a new level following the release of Little Caesar (1931), which featured Edward G. Robinson as gangster Rico Bandello. Caesar , along with The Public Enemy (starring James Cagney ) and Scarface (1932) (starring Paul Muni ), were, by standards of the time, incredibly violent films that created
980-665: A censorship board in 1921. Virginia followed suit the next year, and eight individual states had a board by the advent of sound film. Many of these boards were ineffectual. By the 1920s, the New York stage, a frequent source of subsequent screen material, had topless shows; performances were filled with profanity, mature subject matter, and sexually suggestive dialogue. Early during the sound system conversion process, it became apparent that what might be acceptable in New York would not be so in Kansas. In 1927, Hays suggested studio executives form
1120-429: A committee to discuss film censorship. Irving Thalberg of Metro-Goldwyn-Mayer (MGM), Sol Wurtzel of Fox , and E. H. Allen of Paramount responded by collaborating on a list they called the " Don'ts and Be Carefuls ", based on items that were challenged by local censor boards, and which consisted of eleven subjects best avoided, and twenty-six to be handled very carefully. The Federal Trade Commission (FTC) approved
1260-549: A compromise with Arnold in October 1940 and signing a consent decree agreeing to, within three years: The "Little Three" ( Universal Studios , United Artists , and Columbia Pictures ), who did not own any theaters, refused to participate in the consent decree. A number of independent film producers were also unhappy with the compromise and formed a union known as the Society of Independent Motion Picture Producers and sued Paramount for
1400-419: A computer and manipulate them digitally. The possibilities became apparent in director James Cameron 's Terminator 2: Judgment Day (1991), in images of the shape-changing character T-1000 . Computer graphics or CG advanced to a point where Jurassic Park (1993) was able to use the techniques to create realistic looking animals. Jackpot (2001) became the first film that was shot entirely in digital. In
1540-608: A dispossessed juvenile delinquent is in court expecting a jail sentence. However the judge lets the boy go free, revealing to him the symbol of the New Deal behind his desk, and tells him "[t]hings are going to be better here now, not only here in New York, but all over the country." A box-office casualty of this hopefulness was Gabriel Over the White House , which entered production during the Hoover era malaise and sought to capitalize on it. By
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#17328977771241680-471: A fight, and the encounter results in Phillips' accidental death. Joe goes to prison and soon insists that Katherine divorce him, for her and their son's sake, and marry her employer, Dr. Merrill, since Joe has learned the doctor has feelings for Katherine and would provide for them well. When Joe is released he visits his son, Little Pal, at school and they embrace during outdoor recess. Joe says goodbye when recess
1820-496: A high and self-sufficing purpose. Hays and others, such as Samuel Goldwyn , obviously felt that motion pictures presented a form of escapism that served a palliative effect on American moviegoers. Goldwyn had coined the famous dictum, "If you want to send a message, call Western Union " in the pre-Code era. However, the MPPDA took the opposite stance when questioned about certain so-called "message" films before Congress in 1932, claiming
1960-516: A homegrown supply of actors—lured west from the New York City stage after the introduction of sound films—to form one of the 20th century's most remarkable growth industries. At motion pictures' height of popularity in the mid-1940s, the studios were cranking out a total of about 400 movies a year, seen by an audience of 90 million Americans per week. Sound also became widely used in Hollywood in
2100-448: A lot further than more recent efforts such as Wall Street , and it's amazing how much plot and character are gracefully shoehorned into 75 minutes." The film featured pre-Code megastar Warren William (later dubbed "the king of Pre-Code" ), "at his magnetic worst", playing a particularly vile and heartless department store manager who, for example, terminates the jobs of two long-standing male employees, one of whom takes his own life as
2240-624: A major film production center. In Colorado , Denver was home to the Art-O-Graf Film Company, and Walt Disney 's early Laugh-O-Gram Studio was based in Kansas City , Missouri . From 1908, Jacksonville, Florida's motion picture industry saw more than 30 silent film companies establish studios in town, including Kalem Studios , Metro Pictures (later MGM ), Edison Studios , Majestic Films, King-Bee Films Corporation , Vim Comedy Company , Norman Studios , Gaumont Film Company and
2380-628: A memory." Although the liberalization of sexuality in American film had increased during the 1920s, the pre-Code era is either dated generally to the start of the sound film era, or more specifically to March 1930, when the Hays Code was first written. Over the protests of NAMPI, New York became the first state to take advantage of the Supreme Court's 1915 decision in Mutual Film vs. Ohio by instituting
2520-491: A new type of anti-hero. Nine gangster films were released in 1930, 26 in 1931, 28 in 1932 and 15 in 1933, when the genre's popularity began to subside after the end of Prohibition . The backlash against gangster films was swift. In 1931, Jack Warner announced that his studio would stop making them and that he himself had never allowed his 15-year-old son to see them. Cinema of the United States The cinema of
2660-798: A number of theaters in the late 1920s, and would hold a monopoly on theaters in Detroit, Michigan . By the 1930s, almost all of the first-run metropolitan theaters in the United States were owned by the Big Five studios— MGM , Paramount Pictures , RKO , Warner Bros. , and 20th Century Fox . Motion picture companies operated under the studio system . The major studios kept thousands of people on salary—actors, producers, directors, writers, stunt men, crafts persons, and technicians. They owned or leased Movie Ranches in rural Southern California for location shooting of westerns and other large-scale genre films, and
2800-408: A picture, Jolson's latest is indifferent stuff." Variety ran a positive review, calling the film "a marked advancement for [Jolson] as a screen player...He plays more naturally and looks the human Al Jolson on the screen, even in the betterment of his make up, than previously." Although word of mouth did not travel fast enough to completely sink the film at the box office, its $ 1.7 million gross in
2940-484: A picture, to be titled Mad Dog of Europe , which was intended to be a full-scale attack on Hitler. Jaffe had quit his job at RKO Pictures to make the film. Hays summoned the pair to his office and told them to cease production as they were causing needless headaches for the studios. Germany had threatened to seize all the properties of the Hollywood producers in Germany and ban the import of any future American films. In
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#17328977771243080-448: A potential government takeover of film censorship and social research seeming to indicate that movies that were seen to be immoral could promote bad behavior, was enough pressure to force the studios to capitulate to greater oversight. In 1922, after some risqué films and a series of off-screen scandals involving Hollywood stars, the studios enlisted Presbyterian elder Will H. Hays to rehabilitate Hollywood's image. Hays, later nicknamed
3220-549: A product of the excesses of the previous decade. In looking back upon the 1920s, events were increasingly seen as occurring in prelude to the market crash. In Dance, Fools, Dance (1931), lurid party scenes featuring 1920s flappers are played to excess. Joan Crawford ultimately reforms her ways and is saved; less fortunate is William Bakewell , who continues on the careless path that leads to his ultimate self-destruction. For Rain or Shine (1930), Milton Ager and Jack Yellen composed " Happy Days Are Here Again ". The song
3360-471: A result. He also threatens to fire Loretta Young 's character, who pretends to be single to stay employed, unless she sleeps with him, then attempts to ruin her husband after learning she is married. Films that stated a position about a social issue were usually labeled either "propaganda films" or "preachment yarns". In contrast to Goldwyn and MGM's definitively Republican stance on social issue films, Warner Brothers, led by New Deal advocate Jack L. Warner ,
3500-482: A row. Muybridge's accomplishment led inventors everywhere to attempt to make similar devices. In the United States , Thomas Edison was among the first to produce such a device, the kinetoscope and kinetograph . The history of cinema in the United States can trace its roots to the East Coast , where, at one time, Fort Lee, New Jersey , was the motion-picture capital of America. The American film industry began at
3640-549: A synchronized score and sound effects added – in addition to talking and singing sequences); his first to not present him singing a song in black-face; and the first Al Jolson movie to flop at the box office. It was also one of the few films in his career in which his on-screen character isn't named Al, and the second and last to cast him as a married man. Reviews from critics were mostly negative. Mordaunt Hall of The New York Times wrote that in "later episodes it lapses into sentimentality that makes it somewhat tedious, except for
3780-634: A time to theaters and use the lock-in to cover for releases of mediocre quality. Assistant Attorney General Thurman Arnold —a noted " trust buster " of the Roosevelt administration—took this opportunity to initiate proceedings against the eight largest Hollywood studios in July 1938 for violations of the Sherman Antitrust Act . The federal suit resulted in five of the eight studios (the "Big Five": Warner Bros. , MGM , Fox , RKO and Paramount ) reaching
3920-401: A vacant lot near Georgia Street in downtown Los Angeles. While there, the company decided to explore new territories, traveling several miles north to Hollywood: a little village that was friendly and enjoyed the movie company filming there. Griffith then filmed the first movie ever shot in Hollywood, In Old California , a Biograph melodrama about California in the 19th century, when the state
4060-415: A way that might arouse passion or be made to seem right and permissible. All criminal action had to be punished, and neither the crime nor the criminal could elicit sympathy from the audience. Authority figures had to be treated respectfully, and the clergy could not be portrayed as comic characters or villains. Under some circumstances, politicians, police officers and judges could be villains, as long as it
4200-533: Is again enlisted, this time to get an imbecile, who is accidentally in the running for Governor, elected. The candidate wins the election despite his incessant, embarrassing mishaps. Washington Merry-Go-Round portrayed the state of a political system stuck in neutral. Columbia Pictures considered releasing the film with a scene of the public execution of a politician as the climax before deciding to cut it. Cecil B. DeMille released This Day and Age in 1933, and it stands in stark contrast to his other films of
4340-466: Is decidedly anti-capitalist; however, its preface claims otherwise: In many parts of the South today, there exists an endless dispute between rich land-owners, known as planters, and the poor cotton pickers, known as "peckerwoods". The planters supply the tenants with the simple requirements of everyday life and; in return, the tenants work the land year in and year out. A hundred volumes could be written on
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4480-477: Is inhabited by the archangel Gabriel upon being knocked unconscious. The spirit's behavior is similar to that of Abraham Lincoln . The president solves the nation's unemployment crisis and executes an Al Capone -type criminal who has continually flouted the law. Dictators were not just glorified in fiction. Columbia's Mussolini Speaks (1933) was a 76-minute paean to the fascist leader, narrated by NBC radio commentator Lowell Thomas . After showing some of
4620-429: Is over, but Little Pal follows Joe downtown and is soon struck by a truck, causing the paralysis of his legs and loss of his voice. Joe takes the boy to Dr. Merrill, who long ago proposed to Katherine, but she had politely declined and told the doctor that she still loved Joe. Dr. Merrill says he will either operate for free if Joe relinquishes Little Pal to his mother's care or charge a large fee if Joe insists on keeping
4760-401: Is to ENTERTAIN. ... This we must keep before us at all times and we must realize constantly the fatality of ever permitting our concern with social values to lead us into the realm of propaganda ... the American motion picture ... owes no civic obligation greater than the honest presentment of clean entertainment and maintains that in supplying effective entertainment, free of propaganda, we serve
4900-555: Is unknown whether these sequences still survive. The sound to these sections survive on Vitaphone disks. The film has been released by The Warner Archive on DVD. Pre-Code Pre-Code Hollywood was an era in the American film industry that occurred between the widespread adoption of sound in film in the late 1920s and the enforcement of the Motion Picture Production Code censorship guidelines (popularly known as
5040-564: The Great Depression of the 1930s motivated studios to produce films with racy and violent content, which boosted ticket sales. Soon, the flouting of the code became an open secret. In 1931, The Hollywood Reporter mocked the code, and Variety followed suit in 1933. In the same year as the Variety article, a noted screenwriter stated that "the Hays moral code is not even a joke any more; it's just
5180-602: The Hays Code ) in 1934. Although the Hays Code was adopted in 1930, oversight was poor, and it did not become rigorously enforced until July 1, 1934, with the establishment of the Production Code Administration . Before that date, film content was restricted more by local laws, negotiations between the Studio Relations Committee (SRC) and the major studios, and popular opinion than by strict adherence to
5320-1072: The Kalem Company began using Fort Lee as a location for filming in the area, other filmmakers quickly followed. In 1909, a forerunner of Universal Studios , the Champion Film Company , built the first studio. Others quickly followed and either built new studios or leased facilities in Fort Lee. In the 1910s and 1920s , film companies such as the Independent Moving Pictures Company, Peerless Pictures Studios , Solax Studios , Eclair , Goldwyn Pictures Corporation , Star Film ( Georges Méliès ), World Film Company , Biograph Studios , Fox Film Corporation , Société Pathé Frères , Metro-Goldwyn-Mayer Studios Inc. , Victor Film Company , and Selznick International Pictures were all making pictures in Fort Lee. Such notables as Mary Pickford got their start at Biograph Studios. In New York,
5460-674: The Kaufman Astoria Studios in Queens , which was built during the silent film era, was used by the Marx Brothers and W.C. Fields . The Edison Studios were located in the Bronx . Chelsea, Manhattan , was also frequently used. Other Eastern cities, most notably Chicago and Cleveland , also served as early centers for film production. In the West, California was already quickly emerging as
5600-486: The Lubin Manufacturing Company . Picture City, Florida was a planned site for a movie picture production center in the 1920s, but due to the 1928 Okeechobee hurricane , the idea collapsed and Picture City, Florida returned to its original name of Hobe Sound . An attempt to establish a film production center in Detroit also proved unsuccessful. The film patents wars of the early 20th century helped
5740-466: The United States , consisting mainly of major film studios (also known metonymically as Hollywood ), has remained a significant influence on the global film industry beginning in the early 20th century . Classical Hollywood cinema , which developed from 1910 to 1962, is still typical of most films made in America today. While French filmmakers Auguste and Louis Lumière are generally credited with
Say It with Songs - Misplaced Pages Continue
5880-672: The Victorian era was sometimes ridiculed as being naïve and backward. When the Code was announced, The Nation , a liberal periodical, attacked it. The publication stated that if crime were never presented in a sympathetic light, then, taken literally, "law" and "justice" would become the same. Therefore, events such as the Boston Tea Party could not be portrayed. And if clergy were always to be presented positively, then hypocrisy could not be examined either. The Outlook agreed. Additionally,
6020-614: The antagonist and protagonist may be blurred. The roots of post-classical storytelling may be seen in film noir , in Rebel Without a Cause (1955), and in Hitchcock's storyline-shattering Psycho . The New Hollywood is the emergence of a new generation of film school-trained directors who had absorbed the techniques developed in Europe in the 1960s as a result of the French New Wave;
6160-473: The most commercially successful and most commercially successful movies in the world. Hollywood is considered to be the oldest film industry, where the earliest film studios and production companies emerged. It is the birthplace of various genres of cinema —among them comedy , drama , action , musical , romance , horror , science fiction , and epic —and has set the example for other national film industries. In 1878, Eadweard Muybridge demonstrated
6300-407: The studios and Hollywood grew. Before World War I , films were made in several American cities, but filmmakers tended to gravitate towards southern California as the industry developed. They were attracted by the warm, predictable climate with reliable sunlight, which made it possible to film their films outdoors year-round alongside the varied scenery that was available. War damage contributed to
6440-475: The "Match King", who attempts to corner the global market on matches. William's vile character, Paul Kroll, commits robbery, fraud, and murder on his way from a janitor to a captain of industry. When the market collapses in the 1929 crash, Kroll is ruined and chooses suicide over imprisonment. William played another unscrupulous businessman in Skyscraper Souls (1932): David Dwight, a wealthy banker who owns
6580-515: The "screen Landis". In 1924, Hays introduced a set of recommendations dubbed "The Formula", which the studios were advised to heed, and asked filmmakers to describe to his office the plots of films they were planning. The Supreme Court had already decided unanimously in 1915 in Mutual Film Corporation v. Industrial Commission of Ohio that free speech did not extend to motion pictures, and while there had been token attempts to clean up
6720-469: The 1920s. "After two years the Jazz Age seems as far away as the days before the war", F. Scott Fitzgerald commented in 1931. In the sense noted by Fitzgerald, understanding the moral climate of the early 1930s is complex. Although films experienced an unprecedented level of freedom and dared to portray things that would be kept hidden for several decades, many in America looked upon the stock market crash as
6860-533: The 1967 film Bonnie and Clyde marked the beginning of American cinema rebounding as well, as a new generation of films would afterwards gain success at the box offices as well. Filmmakers like Francis Ford Coppola , Steven Spielberg , George Lucas , Brian De Palma , Stanley Kubrick , Martin Scorsese , Roman Polanski , and William Friedkin came to produce fare that paid homage to the history of film and developed upon existing genres and techniques. Inaugurated by
7000-609: The 1969 release of Andy Warhol 's Blue Movie , the phenomenon of adult erotic films being publicly discussed by celebrities (like Johnny Carson and Bob Hope ), and taken seriously by critics (like Roger Ebert ), a development referred to, by Ralph Blumenthal of The New York Times , as " porno chic ", and later known as the Golden Age of Porn , began, for the first time, in modern American culture. According to award-winning author Toni Bentley , Radley Metzger 's 1976 film The Opening of Misty Beethoven , based on
7140-520: The 1990s had access to technological, political and economic innovations that had not been available in previous decades. Dick Tracy (1990) became the first 35 mm feature film with a digital soundtrack. Batman Returns (1992) was the first film to make use of the Dolby Digital six-channel stereo sound that has since become the industry standard. Computer-generated imagery was greatly facilitated when it became possible to transfer film images into
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#17328977771247280-542: The Catholic watchdog organization The Legion of Decency —appalled by some of the provocative films and lurid advertising of the era later classified Pre-Code Hollywood —threatened a boycott of motion pictures if it did not go into effect. The films that did not obtain a seal of approval from the Production Code Administration had to pay a $ 25,000 fine (equivalent to $ 455,976 in 2023) and could not profit in
7420-656: The Fox Film Corporation owned the Fox Theatre . RKO (a 1928 merger between Keith-Orpheum Theaters and the Radio Corporation of America ) also responded to the Western Electric/ERPI monopoly over sound in films, and developed their own method, known as Photophone , to put sound in films. Paramount, which acquired Balaban and Katz in 1926, would answer to the success of Warner Bros. and RKO by purchasing
7560-980: The Hays Code, which was often ignored by Hollywood filmmakers. As a result, some films in the late 1920s and early 1930s depicted or implied sexual innuendo , romantic and sexual relationships between white and black people, mild profanity , illegal drug use , promiscuity , prostitution , infidelity , abortion , intense violence , and homosexuality . Nefarious characters were seen to profit from their deeds, in some cases without significant repercussions. For example, gangsters in films such as The Public Enemy , Little Caesar , and Scarface were seen by many as heroic rather than evil. Strong female characters were ubiquitous in such pre-Code films as Female , Baby Face or Red-Headed Woman , among many others, which featured independent, sexually liberated women. Many of Hollywood's biggest stars, such as Clark Gable , Bette Davis , James Cagney , Barbara Stanwyck , Joan Blondell , and Edward G. Robinson , got their start in
7700-510: The Hollywood antitrust case, as did the Little Three studios. The United States Supreme Court eventually ruled in United States v. Paramount Pictures, Inc. that the major studios ownership of theaters and film distribution was a violation of the Sherman Antitrust Act . As a result, the studios began to release actors and technical staff from their contracts with the studios. This changed
7840-466: The Hollywood studios. The Classical style began to emerge in 1913, was accelerated in 1917 after the U.S. entered World War I , and finally solidified when the film The Jazz Singer was released in 1927, ending the silent film era and increasing box-office profits for the film industry by introducing sound to feature films. Most Hollywood pictures adhered closely to a formula— Western , slapstick comedy , musical , animated cartoon , biographical —and
7980-571: The October 29, 1929, market crash) highlighted Bow's sexual attractiveness. 1920s stars such as Bow, Gloria Swanson , and Norma Talmadge freely displayed their sexuality in a straightforward fashion. The Great Depression presented a unique time for film-making in the United States. The economic disaster brought on by the stock market crash of 1929 changed American values and beliefs in various ways. Themes of American exceptionalism and traditional concepts of personal achievement, self-reliance, and
8120-483: The Pre-Code era was more incendiary than the gangster film; neither preachment yarns nor vice films so outraged the moral guardians or unnerved the city fathers as the high caliber scenarios that made screen heroes out of stone killers. In the early 1930s, several real-life criminals became celebrities. Two in particular captured the American imagination: Al Capone and John Dillinger . Gangsters like Capone had transformed
8260-492: The Seven Dwarfs was released during a run of lackluster films from the major studios, and quickly became the highest grossing film released to that point. Embarrassingly for the studios, it was an independently produced animated film that did not feature any studio-employed stars. This stoked already widespread frustration at the practice of block-booking , in which studios would only sell an entire year's schedule of films at
8400-502: The US film industry. They were able to make their mark in a brand-new business: the exhibition of short films in storefront theaters called nickelodeons , after their admission price of a nickel (five cents). Within a few years, men like Samuel Goldwyn , William Fox , Carl Laemmle , Adolph Zukor , Louis B. Mayer , and the Warner Brothers (Harry, Albert, Samuel, and Jack) had switched to
8540-609: The United States was considered a flop by Jolson's standards. It was received so badly in Los Angeles that the Warners Theatre closed it after only forty-eight hours. According to Warner Bros records it earned $ 1,715,000 domestically and $ 551,000 foreign. About ten minutes of film have been lost. Two musical numbers, "I'm Ka-razy for You" and "Back in Your Own Back Yard", are missing from the prints currently in circulation. It
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#17328977771248680-419: The actors who appeared in it; MGM , for example, claimed it had contracted "more stars than there are in heaven." Each studio had its own style and characteristic touches which made it possible to know this—a trait that rarely exists today. For example, To Have and Have Not (1944) is notable not only for the first pairing of actors Humphrey Bogart (1899–1957) and Lauren Bacall (1924–2014), but because it
8820-449: The airwaves to his wife, who, along with their son, await Joe at their lovely home. Say It With Songs reunited Al Jolson with the boy actor, Davey Lee , of The Singing Fool fame, who had enthralled audiences in 1928. This, Jolson's third feature film, contains several firsts in his movie career: His first full length talkie (unlike his previous two efforts which were Part-Talkies with long sections of an essential silent picture – with
8960-458: The audience as to how to commit crime. Sadistic violence and reaction shots showing the faces of individuals on the receiving end of violence were considered especially sensitive areas. The Code later recommended against scenes showing robbery, theft, safe-cracking, arson, "the use of firearms", "dynamiting of trains, machines, and buildings" and "brutal killings", on the basis that they would be rejected by local censors. No motion picture genre of
9100-593: The audience feels sure that evil is wrong and good is right." The Code contained an addendum, commonly referred to as the Advertising Code, that regulated film advertising copy and imagery. On February 19, 1930, Variety published the entire contents of the Code. Soon the men obligated to enforce the code – Jason Joy, who was the head of the Committee until 1932, and his successor, Dr. James Wingate – would be seen as generally ineffective. The first film
9240-425: The audiences' desire for realism led to certain unsavory social, legal, and political issues being portrayed in film. The length of pre-Code films was usually comparatively short, but that running time often required tighter material and did not affect the impact of message films. Employees' Entrance (1933) received the following 1985 review from Jonathan Rosenbaum : "As an attack on ruthless capitalism, it goes
9380-399: The authority to order studios to remove material from a film in 1930, but instead worked by reasoning and sometimes pleading with them. Complicating matters, the appeals process ultimately put the responsibility for making the final decision in the hands of the studios themselves. One factor in ignoring the Code was the fact that some found such censorship prudish. This was a period in which
9520-529: The ban on homosexuality or the use of specific curse words, were never directly mentioned but were assumed to be understood without clear demarcation. Miscegenation, the mixing of the races, was forbidden. The Code stated that the notion of an "adults-only policy" would be a dubious, ineffective strategy that would be difficult to enforce. However, it did allow that "maturer minds may easily understand and accept without harm subject matter in plots which does younger people positive harm." If children were supervised and
9660-464: The birth of modern cinema, American cinema soon came to be a dominant force in the emerging industry. With more than 600 English-language films released annually as of 2017 , it has produced the fourth-largest number of films of any national cinema , after India , Japan , and China . While the national cinemas of the United Kingdom , Canada , Australia , and New Zealand also produce films in
9800-538: The boy to himself. Joe panics and leaves with the boy, but soon realizes his mistake and brings Little Pal back for the surgery. After obtaining Joe's promise that he will return Little Pal to his mother, Merrill operates and restores the use of the boy's legs. Little Pal's voice is regained later when Katherine plays a recording by Joe, "Little Pal", at his bedtime and Little Pal dreams of a tender visit with his father holding him in his arms and singing to him. Joe returns to work, singing and also sending personal messages over
9940-460: The breaking point. These economic circumstances led to a loss of nearly half of the weekly attendance numbers and closure of almost a third of the country's theaters in the first few years of the depression. Even so, 60 million Americans went to the cinema weekly. Apart from the economic realities of the conversion to sound, were the artistic considerations. Early sound films were often noted for being too verbose. In 1930, Carl Laemmle criticized
10080-439: The connection between mobsters and Broadway productions in movies such as Lights of New York (1928), Tenderloin (1928), and Broadway (1929). The Hays Office had never officially recommended banning violence in any form in the 1920s—unlike profanity, the drug trade or prostitution—but advised that it be handled carefully. New York's censor board was more thorough than that of any other state, missing only around 50 of
10220-502: The country's 1,000 to 1,300 annual releases. From 1927 to 1928, violent scenes removed included those in which a gun was pointed at the camera or "at or into the body of another character". Also subject to potential censorship were scenes involving machine guns, criminals shooting at law enforcement officers, stabbing or knife brandishing (audiences considered stabbings more disturbing than shootings), whippings, choking, torture and electrocution, as well as scenes perceived as instructive to
10360-399: The decline of the then-dominant European film industry, in favor of the United States , where infrastructure was still intact. The stronger early public health response to the 1918 flu epidemic by Los Angeles compared to other American cities reduced the number of cases there and resulted in a faster recovery, contributing to the increasing dominance of Hollywood over New York City. During
10500-410: The early 1900s, the United States was still primarily a rural country, especially in self-identity. D. W. Griffith 's The Musketeers of Pig Alley (1912) is one of the earliest American films to feature urban organized crime. Prohibition 's arrival in 1920 created an environment in which those who wished to consume alcohol often had to consort with criminals, especially in urban areas. Nonetheless,
10640-483: The early 1930s. Complicating matters for the studios, the advent of sound film in 1927 required an immense expenditure in sound stages, recording booths, cameras, and movie-theater sound systems, not to mention the new-found artistic complications of producing in a radically altered medium. The studios were in a difficult financial position even before the market crash as the sound conversion process and some risky purchases of theater chains had pushed their finances near
10780-506: The early New Hollywood films like Bonnie and Clyde and Easy Rider had been relatively low-budget affairs with amoral heroes and increased sexuality and violence, the enormous success enjoyed by Friedkin with The Exorcist , Spielberg with Jaws , Coppola with The Godfather and Apocalypse Now , Scorsese with Taxi Driver , Kubrick with 2001: A Space Odyssey , Polanski with Chinatown , and Lucas with American Graffiti and Star Wars , respectively helped to give rise to
10920-486: The early times of talkies, American studios found that their sound productions were rejected in foreign-language markets and even among speakers of other dialects of English. The synchronization technology was still too primitive for dubbing . One of the solutions was creating parallel foreign-language versions of Hollywood films. Around 1930, the American companies opened a studio in Joinville-le-Pont , France, where
11060-562: The economic realities of a country struggling to find its next meal. In Blonde Venus (1932), Marlene Dietrich 's character resorts to prostitution to feed her child, and Claudette Colbert 's character in It Happened One Night (1934) gets her comeuppance for throwing a tray of food onto the floor by later finding herself without food or financial resources. Joan Blondell 's character in Big City Blues (1932) reflects that, as
11200-601: The end of the 19th century, with the construction of Thomas Edison's " Black Maria ", the first motion-picture studio in West Orange, New Jersey . The cities and towns on the Hudson River and Hudson Palisades offered land at costs considerably less than New York City across the river, and benefited greatly as a result of the phenomenal growth of the film industry at the turn of the 20th century. The industry began attracting both capital and innovative work forces. In 1907, when
11340-521: The end of their careers or used the same creative teams on their films so that a DeMille film still looked like one whether it was made in 1932 or 1956. Post-classical cinema is the changing methods of storytelling in the New Hollywood. It has been argued that new approaches to drama and characterization played upon audience expectations acquired in the classical period: chronology may be scrambled, storylines may feature " twist endings ", and lines between
11480-450: The era. Other stars who excelled during this period, however, like Ruth Chatterton (who decamped to England) and Warren William (the so-called "king of pre-Code", who died in 1948), would be largely forgotten by the general public within a generation. Beginning in late 1933 and escalating throughout the first half of 1934, American Catholics launched a campaign against what they deemed the immorality of American cinema. This, along with
11620-399: The events implied elliptically, the code allowed what Brandeis University cultural historian Thomas Doherty called "the possibility of a cinematically inspired thought crime ". The Code sought not only to determine what could be portrayed on screen, but also to promote traditional values. Sexual relations outside of marriage could not be portrayed as attractive and beautiful, presented in
11760-599: The eventual shift of virtually all filmmaking to the West Coast by the 1930s. At the time, Thomas Edison owned almost all the patents relevant to motion picture production and movie producers on the East Coast acting independently of Edison's Motion Picture Patents Company were often sued or enjoined by Edison and his agents while movie makers working on the West Coast could work independently of Edison's control. In Los Angeles,
11900-543: The film Titanic , Cameron wanted to push the boundary of special effects with his film, and enlisted Digital Domain and Pacific Data Images to continue the developments in digital technology which the director pioneered while working on The Abyss and Terminator 2: Judgment Day . Many previous films about the RMS Titanic shot water in slow motion , which did not look wholly convincing. Cameron encouraged his crew to shoot their 45-foot-long (14 m) miniature of
12040-490: The film's message. The Jazz Age prelude was almost singularly used to cast shame on the boisterous behavior of the 1920s. Cabin in the Cotton (1932) is a Warner Bros. message film about the evils of capitalism. The film takes place in an unspecified southern state where workers are given barely enough to survive and taken advantage of by being charged exorbitant interest rates and high prices by unscrupulous landowners. The film
12180-459: The foreign language. The Spanish-language crews included people like Luis Buñuel , Enrique Jardiel Poncela , Xavier Cugat , and Edgar Neville . The productions were not very successful in their intended markets, due to the following reasons: Classical Hollywood cinema , or the Golden Age of Hollywood, is defined as a technical and narrative style characteristic of American cinema from 1913 to 1962, during which thousands of movies were issued from
12320-536: The late 1920s. After The Jazz Singer , the first film with synchronized voices was successfully released as a Vitaphone talkie in 1927, Hollywood film companies would respond to Warner Bros. and begin to use Vitaphone sound—which Warner Bros. owned until 1928—in future films. By May 1928, Electrical Research Product Incorporated (ERPI), a subsidiary of the Western Electric company, gained a monopoly over film sound distribution. A side effect of these " talkies "
12460-439: The legal system turns innocent characters into criminals. The life of Joan Crawford 's character is ruined and her romantic interest is executed so that she may live free, although she is innocent of the crime for which the district attorney wants to convict her. Religious hypocrisy was addressed in such films as The Miracle Woman (1931), starring Barbara Stanwyck and directed by Frank Capra . Many pre-Code films dealt with
12600-570: The list, and Hays created the Studio Relations Committee (SRC) to oversee its implementation. However, there was still no way to enforce these tenets. The controversy surrounding film standards came to a head in 1929. Director Cecil B. DeMille was responsible for the increasing discussion of sex in cinema in the 1920s. Starting with Male and Female (1919), he made a series of films that examined sex and were highly successful. Films featuring Hollywood's original " It girl " Clara Bow such as The Saturday Night Kid (released four days before
12740-468: The major studios owned hundreds of theaters in cities and towns across the nation in 1920 film theaters that showed their films and that were always in need of fresh material. In 1930, MPPDA President Will Hays created the Hays (Production) Code , which followed censorship guidelines and went into effect after government threats of censorship expanded by 1930. However, the code was never enforced until 1934, after
12880-556: The modern " blockbuster ", and induced studios to focus ever more heavily on trying to produce enormous hits. In the US, the PG-13 rating was introduced in 1984 to accommodate films that straddled the line between PG and R, which was mainly due to the controversies surrounding the violent content of the PG films Indiana Jones and the Temple of Doom and Gremlins (both 1984). Film makers in
13020-561: The monopoly they still had over the Detroit Theaters—as Paramount was also gaining dominance through actors like Bob Hope, Paulette Goddard, Veronica Lake, Betty Hutton, crooner Bing Crosby, Alan Ladd, and longtime actor for studio Gary Cooper too- by 1942. The Big Five studios did not meet the requirements of the Consent of Decree during WWII, without major consequence, but after the war ended they joined Paramount as defendants in
13160-508: The most successful film of its time, Snow White and the Seven Dwarfs . This distinction was promptly topped in 1939 when Selznick International created what is still, when adjusted for inflation, the most successful film of all time in Gone with the Wind . Many film historians have remarked upon the many great works of cinema that emerged from this period of highly regimented filmmaking. One reason this
13300-542: The motion picture "Czar", was paid the then-lavish sum of $ 100,000 a year (equivalent to more than $ 1.7 million in 2022 dollars). Hays had previously served as U.S. Postmaster General under president Warren G. Harding and as the head of the Republican National Committee . At the time of his hiring, he was president of the Motion Picture Producers and Distributors of America (MPPDA); he held
13440-521: The movie-making process. Nestor Studios of Bayonne, New Jersey , built the first studio in the Hollywood neighborhood in 1911. Nestor Studios, owned by David and William Horsley, later merged with Universal Studios; and William Horsley's other company, Hollywood Film Laboratory, is now the oldest existing company in Hollywood, presently called the Hollywood Digital Laboratory. California 's more hospitable and cost-effective climate led to
13580-577: The movies before, such as when the studios formed the National Association of the Motion Picture Industry (NAMPI) in 1916, little had come of the efforts. In 1929, Catholic layman Martin Quigley , editor of the prominent trade paper Motion Picture Herald , and Father Daniel A. Lord , a Jesuit priest, created a code of standards (of which Hays strongly approved) and submitted it to
13720-434: The office reviewed, The Blue Angel , which was passed by Joy without revision, was considered indecent by a California censor. Although there were several instances where Joy negotiated cuts from films, and there were indeed definite, albeit loose, constraints, a significant amount of lurid material made it to the screen. Joy had to review 500 films a year using a small staff and little power. The Hays office did not have
13860-485: The overcoming of odds lost great currency. Due to the constant empty economic reassurances from politicians in the early years of the Depression, the American public developed an increasingly jaded attitude. The cynicism, challenging of traditional beliefs, and political controversy of Hollywood films during this period mirrored the attitudes of many of their patrons. Also gone was the carefree and adventurous lifestyle of
14000-503: The pandemic, public health officials temporarily closed movie theaters in some jurisdictions, large studios suspended production for weeks at a time, and some actors came down with the flu. This caused major financial losses and severe difficulties for small studios, but the industry as a whole more than recovered during the Roaring Twenties . In the early 20th century, when the medium was new, many Jewish immigrants found employment in
14140-437: The paradigm of film making by the major Hollywood studios, as each could have an entirely different cast and creative team. The decision resulted in the gradual loss of the characteristics which made Metro-Goldwyn-Mayer, Paramount Pictures, Universal Studios, Columbia Pictures, RKO Pictures, and 20th Century Fox films immediately identifiable. Certain movie people, such as Cecil B. DeMille , either remained contract artists until
14280-413: The perception of entire cities. Capone gave Chicago its "reputation as the locus classicus of American gangsterdom, a cityscape where bullet-proof roadsters with tommygun-toting hoodlums on running boards careened around State Street spraying fusillades of slugs into flower shop windows and mowing down the competition in blood-spattered garages". Capone appeared on the cover of Time magazine in 1930. He
14420-476: The period. Filmed shortly after DeMille had completed a five-month tour of the Soviet Union , This Day and Age takes place in America and features several children torturing a gangster who got away with the murder of a popular local shopkeeper. The youngsters are seen lowering the gangster into a vat of rats when the police arrive, and their response is to encourage the youths to continue this. The film ends with
14560-477: The play Pygmalion by George Bernard Shaw (and its derivative, My Fair Lady ), and due to attaining a mainstream level in storyline and sets, is considered the "crown jewel" of this ' Golden Age '. At the height of his fame in the early 1970s, Charles Bronson was the world's No. 1 box office attraction, commanding $ 1 million per film. In the 1970s, the films of New Hollywood filmmakers were often both critically acclaimed and commercially successful. While
14700-485: The position for 25 years and "defended the industry from attacks, recited soothing nostrums , and negotiated treaties to cease hostilities". Hollywood mimicked the decision Major League Baseball had made in hiring judge Kenesaw Mountain Landis as League Commissioner the previous year to quell questions about the integrity of baseball in the wake of the 1919 World Series gambling scandal ; The New York Times called Hays
14840-458: The power of photography to capture motion. In 1894, the world's first commercial motion-picture exhibition was given in New York City , using Thomas Edison 's kinetoscope and kinetograph. In the following decades, the production of silent films greatly expanded, studios formed and migrated to California , and the films and stories they told became much longer. The United States produced
14980-629: The production side of the business. Soon they were the heads of a new kind of enterprise: the movie studio . The US had at least two female directors, producers and studio heads in these early years: Lois Weber and French-born Alice Guy-Blaché . They also set the stage for the industry's internationalism; the industry is often accused of Amero centric provincialism . Other movie makers arrived from Europe after World War I: directors like Ernst Lubitsch , Alfred Hitchcock , Fritz Lang and Jean Renoir ; and actors like Rudolph Valentino , Marlene Dietrich , Ronald Colman , and Charles Boyer . They joined
15120-536: The progress Italy has made during Mussolini 's 10-year reign, Thomas opines, "This is a time when a dictator comes in handy!" The film was viewed by over 175,000 jubilant people during its first two weeks at the cavernous Palace Theater in Albany, New York . The election of Franklin Delano Roosevelt (FDR) in 1932 quelled the public affection for dictators. As the country became increasingly enthraled with FDR, who
15260-527: The rights and wrongs of both parties, but it is not the object of the producers of Cabin in the Cotton to take sides. We are only concerned with the effort to picture these conditions. In the end, however, the planters admit their wrongdoing and agree to a more equitable distribution of capital. The avaricious businessman remained a recurring character in pre-Code cinema. In The Match King (1932), Warren William played an industrialist based on real-life Swedish entrepreneur Ivar Kreuger , himself nicknamed
15400-449: The same creative teams often worked on films made by the same studio. For example, Cedric Gibbons and Herbert Stothart always worked on MGM films, Alfred Newman worked at 20th Century Fox for twenty years, Cecil B. De Mille 's films were almost all made at Paramount , and director Henry King 's films were mostly made for 20th Century Fox . At the same time, one could usually guess which studio made which film, largely because of
15540-509: The same language, they are not part of the Hollywood system. Because of this, Hollywood has also been considered a transnational cinema , and has produced multiple language versions of some titles, often in Spanish or French. Contemporary Hollywood often outsources production to the United Kingdom, Canada, Australia, and New Zealand. The major film studios of Hollywood are the primary source of
15680-469: The same sets and wardrobe and even mass scenes were used for different time-sharing crews. Also, foreign unemployed actors, playwrights, and winners of photogenic contests were chosen and brought to Hollywood, where they shot parallel versions of the English-language films. These parallel versions had a lower budget, were shot at night and were directed by second-line American directors who did not speak
15820-466: The ship as if "we're making a commercial for the White Star Line". Even The Blair Witch Project (1999), a low-budget indie horror film by Eduardo Sanchez and Daniel Myrick , was a huge financial success. Filmed on a budget of just $ 35,000, without any big stars or special effects, the film grossed $ 248 million with the use of modern marketing techniques and online promotion. Though not on
15960-520: The singing of Mr. Jolson. Even the lines in some of Mr. Jolson's songs detract from their value, for his tuneful exhortation to a group of convicts is by no means inspiring." John Mosher of The New Yorker called it long and "blatantly sentimental", adding, "Even the fantastically happy ending, when the sound of his voice cures the child of aphasia, does not eradicate the general impression of dreary and specious tragedy." "Story mawkish and over sentimental", agreed Film Daily . "It can't miss and yet, as
16100-443: The spread of film companies to other parts of the US, outside New York. Many filmmakers worked with equipment for which they did not own the rights to use. Therefore, filming in New York could be dangerous, as it was close to Edison's company headquarters, and close to the agents the company sent out to seize cameras. An alternative was Los Angeles , which had mild winters, a large selection of places to film, and, most importantly, it
16240-631: The streets in protest became a prevalent sight during the Great Depression. The Bonus Army protests of World War I veterans on the capital in Washington, D.C., on which Hoover unleashed a brutal crackdown, prompted many of the Hollywood depictions. Although social issues were examined more directly in the pre-Code era, Hollywood still largely ignored the Great Depression, as many films sought to ameliorate patrons' anxieties rather than incite them. Hays remarked in 1932: The function of motion pictures
16380-451: The studios in order to achieve their artistic visions. The apogee of the studio system may have been the year 1939, which saw the release of such classics as The Wizard of Oz , Gone with the Wind , Stagecoach , Mr. Smith Goes to Washington , Wuthering Heights , Only Angels Have Wings , Ninotchka and Midnight . Among the other films from the Golden Age period that are now considered to be classics: Casablanca , It's
16520-565: The studios wanted to appease the German government. The ban on Jews and negative portrayals of Germany by Hitler's government even led to a significant reduction in work for Jews in Hollywood until after the end of World War II. As a result, only two social problem films released by independent film companies addressed the mania in Germany during the pre-Code era ( Are We Civilized? and Hitler's Reign of Terror ). In 1933, Herman J. Mankiewicz and producer Sam Jaffe announced they were working on
16660-498: The studios. Lord's concerns centered on the effects sound film had on children, whom he considered especially susceptible to the medium's allure. Several studio heads, including Irving Thalberg of Metro-Goldwyn-Mayer (MGM), met with Lord and Quigley in February 1930. After some revisions, they agreed to the stipulations of the Code. One of the main motivating factors in adopting the Code was to avoid direct government intervention. It
16800-450: The surface of American life in the Depression was the fear of the angry mob, portrayed in panicked hysteria in films such as Gabriel Over the White House (1933), The Mayor of Hell (1933), and American Madness (1932). Massive wide shots of angry hordes, comprising sometimes hundreds of men, rush into action in terrifyingly efficient uniformity. Groups of agitated men either standing in breadlines, loitering in hobo camps, or marching
16940-726: The theaters, as the MPPDA controlled every theater in the country through the Big Five studios. Throughout the 1930s, as well as most of the golden age, MGM dominated the film screen and had the top stars in Hollywood, and they were also credited for creating the Hollywood star system altogether. Some MGM stars included "King of Hollywood" Clark Gable , Lionel Barrymore , Jean Harlow , Norma Shearer , Greta Garbo , Joan Crawford , Jeanette MacDonald , Gene Raymond , Spencer Tracy , Judy Garland , and Gene Kelly . Another great achievement of American cinema during this era came through Walt Disney's animation company . In 1937, Disney created
17080-426: The time the film was released on March 31, 1933, FDR's election had produced a level of hopefulness in America that rendered the film's message obsolete. Adolf Hitler 's rise to power in Germany and his regime's anti-Semitic policies significantly affected American pre-Code filmmaking. Although Hitler had become unpopular in many parts of the United States, Germany was still a voluminous importer of American films and
17220-594: The time was an independent city. In the Sultan's Power, directed by Boggs for Selig Polyscope Company, also starring Bosworth, is considered the first film shot entirely in Los Angeles, with shooting at 7th and Olive Streets, in 1909. In early 1910, director D. W. Griffith was sent by the Biograph Company to the West Coast with his acting troupe, consisting of actors: Blanche Sweet , Lillian Gish , Mary Pickford , Lionel Barrymore and others. They started filming on
17360-728: The urban-crime genre was mostly ignored until 1927 when Underworld , which is recognized as the first gangster movie, became a surprise hit. According to the Encyclopedia of Hollywood entry on Underworld , "The film established the fundamental elements of the gangster movie: a hoodlum hero; ominous, night-shrouded city streets; floozies; and a blazing finale in which the cops cut down the protagonist." Gangster films such as Thunderbolt (1929) and Doorway to Hell (1930) were released to capitalize on Underworld ' s popularity, with Thunderbolt being described as "a virtual remake" of Underworld . Other late-1920s crime films investigated
17500-557: The wall-to-wall banter of sound pictures, and director Ernst Lubitsch wondered what the camera was intended for if characters were going to narrate all the onscreen action. The film industry also withstood competition from the home radio, and often characters in films went to great lengths to belittle other media. The film industry was not above using the new medium to broadcast commercials for its projects however, and occasionally turned radio stars into short feature performers to take advantage of their built-in following. Seething beneath
17640-428: The world's first sync-sound musical film , The Jazz Singer , in 1927, and was at the forefront of sound-film development in the following decades. It was fully released to the public on October 6, 1927. Since the early 20th century, the U.S. film industry has primarily been based in and around the thirty-mile zone centered in the Hollywood neighborhood of Los Angeles County, California . Director D. W. Griffith
17780-496: The youngsters taking the gangster to a local judge and forcing the magistrate to conduct a trial in which the outcome is never in doubt. The need for strong leaders who could take charge and steer America out of its crisis is seen in Gabriel Over the White House (1933), about a benevolent dictator who takes control of the United States. Walter Huston stars as a weak-willed, ineffectual president (likely modeled after Hoover) who
17920-451: Was central to the development of a film grammar . Orson Welles 's Citizen Kane (1941) is frequently cited in critics' polls as the greatest film of all time . The first recorded instance of photographs capturing and reproducing motion was a series of photographs of a running horse by Eadweard Muybridge , which he took in Palo Alto, California , using a set of still cameras placed in
18060-501: Was claimed as the first to have been filmed in Los Angeles , in 1907. A plaque was unveiled by the city, in 1957, at Dearden's flagship store on the corner of Main Street and 7th Street, to mark the filming on the site when it had been a Chinese laundry. Bosworth's widow suggested the city had got the date and location wrong, and that the film was actually shot in nearby Venice , which at
18200-463: Was clear that they were the exception to the rule. The entire document contained Catholic undertones and stated that art must be handled carefully because it could be "morally evil in its effects" and because its "deep moral significance" was unquestionable. The Catholic influence on the Code was initially kept secret, owing to the Anti-Catholic bias of the time. A recurring theme was "throughout,
18340-622: Was even offered seven-figure sums by two major Hollywood studios to appear in a film, but he declined. Dillinger became a national celebrity as a bank robber who eluded arrest and escaped confinement several times. He had become the most celebrated public outlaw since Jesse James . His father appeared in a popular series of newsreels giving police homespun advice on how to catch his son. Dillinger's popularity rose so quickly that Variety joked that "if Dillinger remains at large much longer and more such interviews are obtained, there may be some petitions circulated to make him our president." Hays wrote
18480-404: Was featured in countless newsreels , it exhibited less desire for alternative forms of government. Many Hollywood films reflected this new optimism. Heroes for Sale , despite being a tremendously bleak and at times anti-American film, ends on a positive note as the New Deal appears as a sign of optimism. When Wild Boys of the Road (1933), directed by William Wellman , reaches its conclusion,
18620-492: Was only 90 miles to the border of Mexico , in case they needed to run if Edison's enforcement agents found them. By 1912, most major film companies had set up production facilities in Southern California , near or in Los Angeles , because of the region's favorable year-round weather. The 1908 Selig Polyscope Company production of The Count of Monte Cristo , directed by Francis Boggs and starring Hobart Bosworth ,
18760-464: Was possible is that, with so many movies being made, not everyone had to be a big hit. A studio could gamble on a medium-budget feature with a good script and relatively unknown actors: Citizen Kane , directed by Orson Welles (1915–1985) and often regarded as the greatest film of all time , fits this description. In other cases, strong-willed directors like Howard Hawks (1896–1977), Alfred Hitchcock (1899–1980), and Frank Capra (1897–1991) battled
18900-573: Was repeated sarcastically by characters in several films such as Under Eighteen (1931) and 20,000 Years in Sing Sing (1933). Less comical was the picture of the United States' future presented in Heroes for Sale that same year (1933), in which a hobo looks into a depressing night and proclaims, "It's the end of America". Heroes for Sale was directed by prolific pre-Code director William Wellman and featured silent film star Richard Barthelmess as
19040-587: Was that many actors who had made their careers in silent films suddenly found themselves out of work, as they often had bad voices or could not remember their lines. Meanwhile, in 1922, US politician Will H. Hays left politics and formed the movie studio boss organization known as the Motion Picture Producers and Distributors of America (MPPDA). The organization became the Motion Picture Association of America after Hays retired in 1945. In
19180-423: Was the most prominent maker of these types of films and preferred they be called "Americanism stories". Pre-Code historian Thomas Doherty has written that two recurring elements marked the so-called preachment yarns. "The first is the exculpatory preface; the second is the Jazz Age prelude." The preface was essentially a softened version of a disclaimer that intended to calm any in the audience who disagreed with
19320-426: Was the responsibility of the Studio Relations Committee, headed by Colonel Jason S. Joy, to supervise film production and advise the studios when changes or cuts were required. The Code was divided into two parts. The first was a set of "general principles" that mostly concerned morality. The second was a set of "particular applications", an exacting list of items that could not be depicted. Some restrictions, such as
19460-494: Was under Mexican rule . Griffith stayed there for months and made several films before returning to New York. Also in 1910, Selig Polyscope Company of Chicago established the first film studio in the Los Angeles area in Edendale , and the first studio in Hollywood opened in 1912. After hearing about Griffith's success in Hollywood, in 1913, many movie-makers headed west to avoid the fees imposed by Thomas Edison , who owned patents on
19600-637: Was written by two future winners of the Nobel Prize in Literature : Ernest Hemingway (1899–1961), the author of the novel on which the script was nominally based, and William Faulkner (1897–1962), who worked on the screen adaptation. After The Jazz Singer was released in 1927, Warner Bros. gained huge success and were able to acquire their own string of movie theaters after purchasing Stanley Theaters and First National Productions in 1928. In contrast, Loews theaters owned MGM since forming in 1924, while
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