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74-562: The herb is mentioned in the Ramayana when Ravana 's son, Indrajit , hurls a powerful weapon at Lakshmana . Lakshmana is badly wounded, and is killed by this attack. In the Kamba Ramayanam , Sushen Vaidh instructs Hanuman to fetch the sanjeevani herb by flying to the northern side of Mount Meru , where he would find the Nīla-mahāgiri, the great blue mountain, beyond which he would find

148-422: A pathyā ("normal") form or one of several vipulā ("extended") forms. The form of the second foot of the first pāda (II.) limits the possible patterns the first foot (I.) may assume. The scheme below, given by Macdonell, shows his understanding of the form of the śloka in the classical period of Sanskrit literature (4th–11th centuries CE): [REDACTED] In poems of the intermediate period, such as

222-407: A śloka is recited, performers sometimes leave a pause after each pāda , at other times only after the second pāda . (See External links.) A Shloka has to be composed in a specific metre (chhanda), with a specific number of lines with a specific number of words per line, each word could be a mantra. For example, viṣṇu sahastranāma is in anuṣṭup chhanda (two lines of four words each). A mantra, on

296-678: A Torave Ramayana in Kannada by 16th-century poet Narahari; Adhyathmaramayanam , a Malayalam version by Thunchaththu Ramanujan Ezhuthachan in the 16th century; in Marathi by Sridhara in the 18th century; in Maithili by Chanda Jha in the 19th century; and in the 20th century, Rashtrakavi Kuvempu 's Sri Ramayana Darshanam in Kannada and Srimadramayana Kalpavrukshamu in Telugu by Viswanatha Satyanarayana who received Jnanapeeth award for this work. There

370-550: A demon, Lankini , who protects all of Lankā. Hanumān fights with her and subjugates her in order to get into Lankā. In the process, Lankini, who had an earlier vision/warning from the gods, therefore, knows that the end of Lankā nears if someone defeats Lankini. Here, Hanumān explores the demons' kingdom and spies on Rāvaṇa. He locates Sītā in Ashoka grove, where she is being wooed and threatened by Rāvaṇa and his rakshasis to marry Rāvaṇa. Hanumān reassures Sītā, giving Rāma's signet ring as

444-574: A gift. Rama's rule itself was Rāma rājya described to be a just and fair rule. It is believed by many that when Rama returned people celebrated their happiness with diyas , and the festival of Deepavali is connected with Rāma's return. Scholars note "linguistic and rhetorical differences" between the Uttara Kanda and books 2 through 6 of the Ramayana, especially in stories such as Sita's exile and death of Shambuka , and together with Bala Kanda it

518-409: A gigantic form and makes a colossal leap across the sea to Lanka. On the way, he meets with many challenges like facing a Gandharva Kanyā who comes in the form of a demon to test his abilities. He encounters a mountain named Maināka who offers Hanuman assistance and offers him rest. Hanumān refuses because there is little time remaining to complete the search for Sītā. After entering Lankā, he finds

592-437: A sign that Rāma is still alive. He offers to carry Sītā back to Rāma; however, she refuses and says that it is not the dharma, stating that Ramāyaṇa will not have significance if Hanumān carries her to Rāma – "When Rāma was not there Rāvaṇa carried Sītā forcibly and when Rāvaṇa was not there, Hanumān carried Sītā back to Ræma." She says that Rāma himself must come and avenge the insult of her abduction. She gives Hanumān her comb as

666-437: A son and in the desire to have a legal heir performs a fire sacrifice known as Putrīyā Iṣṭi. Meanwhile, the gods are petitioning to Brahmā and Viṣhṇu about Rāvaṇa, king of the rākṣasas who is terrorizing the universe. Thus Viṣṇu had opted to be born into mortality to combat the demon Rāvaṇa . As a consequence, Rāma was first born to Kausalyā, Bharata was born to Kaikeyī, and Lakṣmaṇa and Śatrughna were born to Sumitrā. When Rāma

740-506: A token to prove that she is still alive. Hanumān takes leave of Sītā. Before going back to Rāma and tell him of Sītā's location & desire to be rescued only by him, he decides to wreak havoc in Lankā by destroying trees in the Naulakha Bagh and buildings and killing Rāvaṇa's warriors. He allows himself to be captured and delivered to Rāvaṇa. He gives a bold lecture to Rāvaṇa to release Sīta. He

814-568: A twelve-year exile. After nine years, Dasharatha died and Lakkhaṇa and Sita returned. Rāmapaṇḍita, in deference to his father's wishes, remained in exile for a further two years. This version does not include the abduction of Sītā. There is no Ravana in this version, or the Rama-Ravana war. However, Ravana appears in other Buddhist literature, the Lankavatara Sutra . Shloka Shloka or śloka ( Sanskrit : श्लोक śloka , from

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888-593: A version of the Ramayana in the 17th century. Akbar , the third Mughal Emperor, commissioned a simplified text of the Ramayana which he dedicated to his mother, Hamida Banu Begum . Created around 1594, the manuscript is illustrated with scenes from the narrative. Other versions include Krittivasi Ramayan , a Bengali version by Krittibas Ojha in the 15th century; Vilanka Ramayana by 15th century poet Sarala Dasa and Jagamohana Ramayana (also known as Dandi Ramayana ) by 16th century poet Balarama Dasa, both in Odia ;

962-406: A wicked maidservant, to claim two boons that Daśaratha had long ago granted her. Kaikeyī demands Rāma to be exiled into the wilderness for fourteen years , while the succession passes to her son Bharata. The grief-stricken king, bound by his word, accedes to Kaikeyī's demands. Rāma accepts his father's reluctant decree with absolute submission and calm self-control which characterizes him throughout

1036-480: Is that the Rama, Lakshmana and Hanuman were tied to a tree and were brought to trial in the tribal court, where the deities of the clan Sidhappan, Nanjappan, Mathappan etc. interrogate them with intense inquiries regarding the ethical justification for abandoning his pregnant wife in the barren jungle, neglecting his duties as a husband. Rama admits his mistakes and reaccepts Sita, Lava and Kusha. Even before Kambar wrote

1110-585: Is a smriti text (also described as a Sanskrit epic ) from ancient India , one of the two important epics of Hinduism known as the Itihasas , the other being the Mahabharata . The epic narrates the life of Rama , the seventh avatar of the Hindu deity Vishnu , who is a prince of Ayodhya in the kingdom of Kosala . The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha , on

1184-465: Is a sub-plot to the Ramayana , prevalent in some parts of India, relating the adventures of Ahiravan and Mahi Ravana, evil brother of Ravana, which enhances the role of Hanuman in the story. Hanuman rescues Rama and Lakshmana after they are kidnapped by the Ahi-Mahi Ravana at the behest of Ravana and held prisoner in a cave, to be sacrificed to the goddess Kali . Adbhuta Ramayana is a version that

1258-450: Is an epic poem containing over 24,000 couplet verses, divided into seven kāṇḍa s ( Bālakāṇḍa , Ayodhyakāṇḍa, Araṇyakāṇḍa, Kiṣkindakāṇḍa, Sundarākāṇḍa , Yuddhakāṇḍa, Uttarakāṇḍa), and about 500 sargas (chapters). It is regarded as one of the longest epic poems ever written. The Ramayana text has several regional renderings, recensions, and sub-recensions. Textual scholar Robert P. Goldman differentiates two major regional revisions:

1332-446: Is an image of Rama and Sita inside his chest. Rama rules Ayodhya and the reign is called Rama-Rajya (a place where the common folk is happy, fulfilled, and satisfied). Then Valmiki trained Lava and Kusha in archery and succeeded the throne after Rama. As in many oral epics, multiple versions of the Ramayana survive. In particular, the Ramayana related in north India differs in important respects from that preserved in south India and

1406-464: Is best if he continues to follow Rāma's orders to protect her. On the verge of hysterics, Sītā insists that it is not she but Rāma who needs Lakṣmaṇa's help. He obeys her wish but stipulates that she is not to leave the cottage or entertain any stranger. He then draws a line that no demon could cross and leaves to help Rāma. With the coast finally clear, Rāvaṇa appears in the guise of an ascetic requesting Sītā's hospitality. Unaware of her guest's plan, Sītā

1480-582: Is composed of two words, Rāma and ayaṇa . Rāma , the name of the main figure of the epic, has two contextual meanings. In the Atharvaveda , it means 'dark, dark-coloured or black' and is related to the word rātri which means 'darkness or stillness of night'. The other meaning, which can be found in the Mahabharata , is 'pleasing, pleasant, charming, lovely, beautiful'. The word ayana means travel or journey. Thus, Rāmāyaṇa means "Rama's journey" with ayana altered to yaṇa (due to

1554-435: Is condemned and his tail is set on fire, but he escapes his bonds and leaps from roof to roof, sets fire to Rāvaṇa's citadel, and makes the giant leap back from the island. The joyous search party returns to Kiṣkindhā with the news. Also known as Lankā Kāṇḍa , this book describes the war between the army of Rāma and the army of Rāvaṇa. Having received Hanuman's report on Sītā, Rāma and Lakṣmaṇa proceed with their allies towards

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1628-593: Is considered by some scholars to be an interpolation, and that "the 'original' poem ended with the Yuddhakanda. This kanda narrates Rama's reign of Ayodhya , the birth of Lava and Kusha , the Ashvamedha yajna , and last days of Rama. At the expiration of his term of exile, Rama returns to Ayodhya with Sita, Lakshmana, and Hanuman, where the coronation is performed. On being asked to prove his devotion to Rama, Hanuman tears his chest open and to everyone's surprise, there

1702-614: Is identified as the Valley of Flowers near Badri in Uttarakhand on the slopes of the Himalayas. Several plants have been proposed as possible candidates for the sanjeevani plant, including: Selaginella bryopteris , Dendrobium plicatile (synonym Desmotrichum fimbriatum ), Cressa cretica , and others. A search of ancient texts at CSIR laboratories did not reveal any plant that can be definitively confirmed as sanjeevani. In certain texts it

1776-455: Is obscure but also attributed to Valmiki – intended as a supplementary to the original Valmiki Ramayana . In this variant of the narrative, Sita is accorded far more prominence, such as elaboration of the events surrounding her birth – in this case to Ravana 's wife, Mandodari as well as her conquest of Ravana's older brother in the Mahakali form. The Gondi people have their own version of

1850-768: Is similar to the Vedic anuṣṭubh metre, but with stricter rules. The śloka is the basis for Indian epic poetry , and may be considered the Indian verse form par excellence , occurring as it does far more frequently than any other metre in classical Sanskrit poetry . The śloka is the verse-form generally used in the Mahabharata , the Ramayana , the Puranas , Smritis , and scientific treatises of Hinduism such as Sushruta Samhita and Charaka Samhita . The Mahabharata , for example, features many verse metres in its chapters, but 95% of

1924-413: Is tricked and is then forcibly carried away by Rāvaṇa. Jatāyu , a vulture , tries to rescue Sītā but is mortally wounded. In Lankā, Sītā is kept under the guard of rakṣasīs . Ravaṇa asks Sītā to marry him, but she refuses, being totally devoted to Rāma. Meanwhile, Rāma and Lakṣmaṇa learn about Sītā's abduction from Jatāyu and immediately set out to save her. During their search, they meet Kabandha and

1998-564: Is written that sanjeevani glows in the dark. The herb, believed in Ayurvedic medicine to have medicinal properties, has been searched for unsuccessfully for centuries, up to modern times. The Himalayan state of Uttarakhand in northern India committed an initial 250m rupees (£2.8m) of state money to search for sanjeevani Booti starting in August 2016. The search was focused on the Dronagiri range of

2072-685: The na- , bha- , ma- , and ra-vipulā . A fifth vipulā , known as the minor Ionic, in which the first pāda ends | u u – x |, is sometimes found in the Mahābhārata , although rarely. Macdonell's chart given above is in fact too restrictive with regard the first four syllables in a vipulā verse. For example, the first quarter verse of the Rāmayaṇa (critical edition) contains a na-vipulā and scans ⏑ – – – ⏑ ⏑ ⏑ – ( tapaḥsvādhyāyanirataṃ ). Other examples are easy to find among classical poets, e.g., Rāmacarita 1.76 manyur dehāvadhir ayaṃ – – – – ⏑ ⏑ ⏑ –. In

2146-654: The Alvar literature of Kulasekhara Alvar , Thirumangai Alvar , Andal and Nammalvar (dated between 5th and 10th centuries CE). Even the songs of the Nayanmars have references to Ravana and his devotion to Lord Siva. The entire Ramayana was written as a Tamil Opera again in the 18th century CE by Arunachala Kavirayar in Srirangam . The Ramayana was named as Rama Natakam and was composed in Tamil Language . Arunachala Kavi

2220-567: The Bhagavad Gita , a fourth vipulā is found. This occurs 28 times in the Bhagavad Gita, that is, as often as the third vipulā . When this vipulā is used, there is a word-break (caesura) after the fourth syllable: Two rules that always apply are: The pathyā and vipulā half-verses are arranged in the table above in order of frequency of occurrence. Out of 2579 half-verses taken from Kalidasa , Bharavi , Magha , and Bilhana , each of

2294-620: The Himalayas near the Chinese border. The Ramayana mentions a mountain believed to refer to the Dronagiri range, where the magical herb is supposed to grow. Uttarakhand established a Department of AYUSH in November 2014. Ramayana Traditional The Ramayana ( / r ɑː ˈ m ɑː j ə n ə / ; Sanskrit : रामायणम् , romanized :  Rāmāyaṇam ), also known as Valmiki Ramayana , as traditionally attributed to Valmiki ,

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2368-413: The Himalayas . Upon reaching, Hanumān is unable to identify the sanjeevani herb that will cure Lakṣmaṇa and so he decides to bring the entire mountain back to Lankā. Eventually, the war ends when Rāma kills Rāvaṇa. Rāma then installs Vibhishaṇa on the throne of Lanka. On meeting Sītā, Rāma says; "The dishonour meted out to him and the wrong done to her by Rāvaṇa have been wiped off, by his victory over

2442-496: The Hindu life and culture, and its main figures were fundamental to the cultural consciousness of a number of nations, both Hindu and Buddhist . Its most important moral influence was the importance of virtue, in the life of a citizen and in the ideals of the formation of a state (from Sanskrit : रामराज्य , romanized :  Rāmarājya , a utopian state where Rama is king) or of a functioning society/ realm. The name Rāmāyaṇa

2516-642: The Ramavataram in Tamil in the 12th century AD, there are many ancient references to the story of Ramayana, implying that the story was familiar in the Tamil lands even before the Common Era. References to the story can be found in the Sangam literature of Akanaṉūṟu (dated 1st century BCE) and Purananuru (dated 300 BC), the twin epics of Silappatikaram (dated 2nd century CE) and Manimekalai (cantos 5, 17 and 18), and

2590-567: The 15th century. The earliest translation to a regional Indo-Aryan language is the early 14th century Saptakanda Ramayana in Assamese by Madhava Kandali . Valmiki's Ramayana inspired Sri Ramacharit Manas by Tulsidas in 1576, an epic in Awadhi Hindi with a slant more grounded in a different realm of Hindu literature, that of bhakti ; it is an acknowledged masterpiece, popularly known as Tulsi-krita Ramayana . Gujarati poet Premanand wrote

2664-502: The 6th or 5th century BCE, due to the narrative not mentioning Buddhism (founded in the 5th century BCE) nor the prominence of Magadha (which rose to prominence in the 7th century BCE). The text also mentions Ayodhya as the capital of Kosala , rather than its later name of Saketa or the successor capital of Shravasti . In terms of narrative time, the action of the Ramayana predates the Mahabharata . Goldman & Sutherland Goldman (2022) consider Ramayana's oldest surviving version

2738-483: The 7th to 5th centuries BCE, and later stages extend up to the 3rd century CE, although the original date of composition is unknown. It is one of the largest ancient epics in world literature and consists of nearly 24,000 verses (mostly set in the Shloka / Anuṣṭubh metre), divided into seven kāṇḍa (chapters). It belongs to the genre of Itihasa , narratives of past events ( purāvṛtta ), interspersed with teachings on

2812-553: The Ramayana known as the Gond Ramayani , derived from oral folk legends. It consists of seven stories with Lakshmana as the protagonist, set after the main events of the Ramayana, where he finds a bride. In Adiya Ramayana, an oral version of Ramayana prevailing among the Adiya tribe of Wayanad , Sita is an Adiya woman hailing from Pulpally in Wayanad. A notable difference in the version

2886-538: The aid of the rakṣasa Mārīca . Mārīca, assuming the form of a golden deer, captivates Sītā's attention. Entranced by the beauty of the deer, Sītā pleads with Rāma to capture it. Rāma, aware that this is the ploy of the demons, cannot dissuade Sītā from her desire and chases the deer into the forest, leaving Sītā under Lakṣmaṇa's guard. After some time, Sītā hears Rāma calling out to her; afraid for his life, she insists that Lakṣmaṇa rush to his aid. Lakṣmaṇa tries to assure her that Rāma cannot be hurt that easily and that it

2960-493: The amalgamation of "a" in Rama and the "a" in ayana, as per the Sanskrit grammar rule of internal sandhi ). Scholarly estimates for the earliest stage of the available text range from the 7th to 5th centuries BCE, with later stages extending up to the 3rd century CE. According to Robert P. Goldman (1984), the oldest parts of the Ramayana date to the early 7th century BCE . The later parts cannot have been composed later than

3034-414: The ascetic Śabarī , who directs them towards Sugriva and Hanuman. Kishkindha Kanda is set in the place of Vānaras (Vana-nara) – Forest dwelling humans. Rāma and Lakṣmaṇa meet Hanumān, the biggest devotee of Rāma, greatest of ape heroes, and an adherent of Sugriva , the banished pretender to the throne of Kiṣkindhā. Rāma befriends Sugriva and helps him by killing his elder brother Vāli thus regaining

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3108-454: The author of the Rāmāyaṇa , in grief on seeing a hunter shoot down one of two birds in love. On seeing the sorrow (śoka) of the widowed bird, he was reminded of the sorrow Sītā felt on being separated from Shri Rama and began composing the Ramayana in shlokas. For this he is called the Ādikavi (first poet.) Each 16-syllable hemistich (half-verse), of two 8-syllable pādas , can take either

3182-527: The bow, but breaks it in the process. Rāma marries Sītā; the wedding is celebrated with great festivity in Mithilā and the marriage party returns to Ayodhyā. After Rāma and Sītā have been married, an elderly Daśaratha expresses his desire to crown Rāma, to which the Kosala assembly and his subjects express their support. On the eve of the great event, Kaikeyī was happy about this, but was later on provoked by Mantharā ,

3256-431: The burning pyre, carrying Sītā in his arms and restores her to Rāma, testifying to her purity. Rama later joyfully accepts her. The episode of Agni Pariksha varies in the versions of Ramāyaṇa by Valmiki and Tulsidas . In Tulsidas 's Ramcharitmanas , Sītā was under the protection of Agni (see Māyā Sītā ) so it was necessary to bring her out before reuniting with Rāma. The gods led by Brahma arrive and glorify Rama as

3330-402: The earth, only to return without success from north, east, and west. The southern search party under the leadership of Aṅgada and Hanumān learns from a vulture named Sampātī the elder brother of Jatāyu, that Sītā was taken to Lankā. Sundara Kanda forms the heart of Valmiki's Ramayana and consists of a detailed, vivid account of Hanumān 's heroics. After learning about Sītā, Hanumān assumes

3404-465: The enemy with the assistance of Hanumān, Sugrīva and Vibhishaṇa". However, upon criticism from people in his kingdom about the chastity of Sītā, Rāma gets extremely disheartened. So Sītā, in order to prove the citizens wrong and wipe the false blame on her, requests Rāma and Lakṣmaṇa to prepare a pyre for her to enter. When Lakṣmaṇa prepares the pyre, Sītā prays to Agni and enters into it, in order to prove her conjugal fidelity. Agni appears in person from

3478-477: The epic without two of its kandas. During the 12th century, Kamban wrote Ramavataram , known popularly as Kambaramayanam in Tamil , but references to Ramayana story appear in Tamil literature as early as 3rd century CE. The Telugu rendition, Ranganatha Ramayanam , was written by Gona Budda Reddy in the 13th century and another of a purer Telugu rendition, called Molla Ramayanam written by Atukuri Molla in

3552-559: The epics Mahabharata and Ramayana , and the Puranas . The genre also includes teachings on the goals of human life . It depicts the duties of relationships, portraying ideal characters like the ideal son, servant, brother, husband, wife, and king. Like the Mahabharata , Ramayana presents the teachings of ancient Hindu sages in the narrative allegory , interspersing philosophical and ethical elements. In its extant form, Valmiki's Ramayana

3626-430: The forest and implores him to return to Ayodhyā and claim the throne that is rightfully his. But Rāma, determined to carry out his father's orders to the letter, refuses to return before the period of exile. Bharata reluctantly returns to Ayodhyā and rules the kingdom on behalf of his brother. In exile, Rāma, Sītā, and Lakṣmaṇa journey southward along the banks of the river Godāvari , where they build cottages and live off

3700-476: The four admissible forms of śloka in this order claims the following share: 2289, 116, 89, 85; that is, 89% of the half-verses have the regular pathyā form. The various vipulā s, in the order above, are known to scholars writing in English as the first, second, third and fourth vipulā , or the paeanic , choriambic , molossic , and trochaic vipulā respectively. In Sanskrit writers, they are referred to as

3774-552: The frequency of the vipulā s and the patterns in the earlier part of the pāda have been carried out to try to establish the preferences of various authors for different metrical patterns. It is believed that this may help to establish relative dates for the poems, and to identify interpolated passages. A typical śloka is the following, which opens the Bhagavad Gita : From the period of high classical Sanskrit literature comes this benediction, which opens Bāṇabhaṭṭa 's biographical poem Harṣacaritam (7th century CE): When

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3848-415: The goals of human life . There are many versions of the Ramayana in Indian languages, including Buddhist and Jain adaptations. There are also Cambodian ( Reamker ), Indonesian , Filipino , Thai ( Ramakien ), Lao , Burmese , Nepali , Maldivian , Vietnamese , Tibeto-Chinese , and Malay versions of the Ramayana. The Ramayana was an important influence on later Sanskrit poetry and

3922-415: The incarnation of Supreme God Narayana. Indra restores the dead Vanaras back to life. After the exile, Rāma returns to Ayodhya and the people are so happy they celebrate it like a festival. Deepavali is the day considered that Rāma, Sītā, Lakṣmaṇa and Hanumān reached Ayodhyā after a period of 14 years in exile after Rāma's army of good defeated demon king Rāvaṇa's army of evil. The return of Rāma to Ayodhyā

3996-523: The killing of the ascetic Sambuka. The U-K attributes both actions to Rama, whom people acknowledged to be righteous and as a model to follow. By masquerading as an additional kanda of the Ramayana composed by Valmiki himself, the U-K succeeded, to a considerable extent, in sabotaging the values presented in Valmiki's Ramayana. The epic begins with the sage Vālmīki asking Nārada if there is a righteous man still left in

4070-417: The kingdom of Kiṣkindhā, in exchange for helping Rāma to recover Sītā. However, Sugriva soon forgets his promise and spends his time enjoying his newly gained power. The clever former ape queen Tārā , (wife of Vāli) calmly intervenes to prevent an enraged Lakṣmaṇa from destroying the ape citadel. She then eloquently convinces Sugriva to honor his pledge. Sugriva then sends search parties to the four corners of

4144-536: The land. One day, in the Pañcavati forest they are visited by a rākṣasī named Śurpaṇakhā , sister of Ravaṇa. She tries to seduce the brothers and, after failing, attempts to kill Sītā out of jealousy. Lakṣmaṇa stops her by cutting off her nose and ears. Hearing of this, her brothers Khara and Dushan organize an attack against the princes. Rama defeats Khara and his rakshasas. When the news of these events reaches Rāvaṇa, he resolves to destroy Rāma by capturing Sītā with

4218-439: The landscape, his own ancestors, and the ancestors of the princes. The party then decide to go to attend king Janaka's sacrifice in the kingdom of Mithilā , who has a bow that no one has been able to string. Janaka recounts the history of the famed bow, and informs them that whoever strings the bow will win the hand of his daughter Sītā , whom he had found in the earth when plowing a field. Rāma then proceeds to not only string

4292-403: The ma-vipulā, a caesura is not obligatory after the fifth syllable, e.g., Śiśupālavadha 2.1a yiyakṣamāṇenāhūtaḥ ⏑ – ⏑ – – – – –. Noteworthy is the avoidance of an iambic cadence in the first pāda . By comparison, syllables 5–8 of any pāda in the old Vedic anuṣṭubh metre typically had the iambic ending u – u x (where "x" represents an anceps syllable). Statistical studies examining

4366-430: The main epic, according to many Uttara Kanda is certainly a later interpolation, not attributable to Valmiki. Both of these two kāndas are absent in the oldest manuscript. Some think that the Uttara Kanda contradicts how Rama and Dharma are portrayed in the rest of the epic. M. R. Parameswaran says that the way the positions of women and Shudras are depicted shows that the Uttara Kanda is a later insertion. Since Rama

4440-424: The northern (n) and the southern (s). Scholar Romesh Chunder Dutt writes that "the Ramayana , like the Mahabharata , is a growth of centuries, but the main story is more distinctly the creation of one mind." There has been discussion as to whether the first and the last volumes of Valmiki's Ramayana (Bala Kanda and Uttara Kanda) were composed by the original author. Though Bala Kanda is sometimes considered in

4514-452: The request of Rama's stepmother Kaikeyi ; his travels across forests in the Indian subcontinent with his wife Sita and brother Lakshmana ; the kidnapping of Sita by Ravana , the king of Lanka , that resulted in war; and Rama's eventual return to Ayodhya along with Sita to be crowned king amidst jubilation and celebration. Scholarly estimates for the earliest stage of the text range from

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4588-499: The rest of southeast Asia. There is an extensive tradition of oral storytelling based on Ramayana in Indonesia , Cambodia , Philippines , Thailand , Malaysia , Laos , Vietnam and Maldives . There are diverse regional versions of the Ramayana written by various authors in India. Some of them differ significantly from each other. A West Bengal manuscript from the 6th century presents

4662-597: The root श्रु śru , lit.   ' hear ' in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32- syllable verse, derived from the Vedic anuṣṭubh metre, used in the Bhagavad Gita and many other works of classical Sanskrit literature. In its usual form it consists of four pādas or quarter-verses, of eight syllables each, or (according to an alternative analysis) of two half-verses of 16 syllables each. The metre

4736-450: The shore of the southern sea. There they are joined by Rāvaṇa's renegade brother Vibhiṣaṇa . The vānaras named Nala and Nīla construct the Rama Setu . The princes and their army cross over to Lanka. A lengthy war ensues. During a battle, Ravana's son Meghanāda hurls a powerful weapon at Lakṣmaṇa and he gets mortally wounded. So Hanumān assumes his gigantic form and flies from Lankā to

4810-510: The stanzas are ślokas of the anuṣṭubh type, and most of the rest are tristubh s. The anuṣṭubh is found in Vedic texts, but its presence is minor, and triṣṭubh and gāyatrī metres dominate in the Rigveda . A dominating presence of ślokas in a text is a marker that the text is likely post-Vedic. The traditional view is that this form of verse was involuntarily composed by Vālmīki ,

4884-477: The story. He asks Sītā to remain in Ayodhyā, but she convinces him to take her with him in exile. Lakṣmaṇa also resolves to follow his brother into the forest. After Rāma's departure, King Daśaratha, unable to bear the grief, passes away. Meanwhile, Bharata, who was on a visit to his maternal uncle, learns about the events in Ayodhyā. He is shocked and refuses to profit from his mother's wicked scheming. He visits Rāma in

4958-525: The world, to which Nārada replies that such a man is Rāma. After seeing two birds being shot, Vālmīki creates a new form of metre called śloka , in which he is granted the ability to compose an epic poem about Rāma. He teaches his poem to the boys Lava and Kuśa, who recite it throughout the land and eventually at the court of king Rāma. Then the main narrative begins. Daśaratha was the King of Ayodhyā. He had three wives: Kausalyā, Kaikeyī, and Sumitrā. He did not have

5032-479: The Ṛṣabhādri, the ox-shaped mountain, with two peaks. This mountain is described to bear four medicinal herbs, including sanjeevani. Unable to identify the herb, and due to time being of the essence, Hanuman lifts the entire mountain and carries it to the dead Lakshmana, who is healed and revived after its application. The mountain that bears the sanjeevani is also called the Oshadhiparvata . The mountain of herbs

5106-414: Was 16 years old, the r̥ṣi (sage) Viśvāmitra comes to the court of Daśaratha in search of help against demons who were disturbing sacrificial rites. He chooses Rāma, who is followed by Lakṣmaṇa, his constant companion throughout the story. Rāma and Lakṣmaṇa receive instructions and supernatural weapons from Viśvāmitra and proceed to destroy Tāṭakā and many other demons. Viśvāmitra also recounts much lore of

5180-473: Was celebrated with his coronation. It is called Rāma pattabhisheka . There are mentions in Rāmayaṇa that Rama gave several donations to Sugriva, Jambavan, other Vanaras, and gave a pearl necklace to Sita telling her to give it to a great person. She gives it to Hanumān. Rāma was so thankful to Vibhisaṇa and wanted to give him a great gift. Rāma gave his Aradhana Devata (Sri Ranganathaswamy) to Vibhishana as

5254-468: Was composed around 500 BCE. Books two to six are the oldest portion of the epic, while the first and last books ( Balakanda and Uttara Kanda , respectively) seem to be later additions. Style differences and narrative contradictions between these two volumes and the rest of the epic have led scholars since Hermann Jacobi toward this consensus. The Ramayana belongs to the genre of Itihasa , narratives of past events ( purāvṛtta ), which includes

5328-460: Was fascinated by the epic Ramayana so much that he wanted to impart the story and the good lessons preached by it to a large number of persons who could not obviously read the entire epic in original. He composed the entire Ramayana in the form of songs together as an opera so even normal people could understand his Ramayana. In the Buddhist variant of the Ramayana ( Dasaratha Jataka ), Dasharatha

5402-400: Was king of Benares and not Ayodhya. Rama (called Rāmapaṇḍita in this version) was the son of Kaushalya, first wife of Dasharatha. Lakṣmaṇa (Lakkhaṇa) was a sibling of Rama and son of Sumitra, the second wife of Dasharatha. Sita was the wife of Rama. To protect his children from his wife Kaikeyi, who wished to promote her son Bharata, Dasharatha sent the three to a hermitage in the Himalayas for

5476-426: Was revered as a dharmatma, his ideas seen in the Ramayana proper cannot be replaced by new ideas as to what dharma is, except by claiming that he himself adopted those new ideas. That is what the U-K [Uttara Kanda] does. It embodies the new ideas in two stories that are usually referred to as Sita-parityaga, the abandonment of Sita (after Rama and Sita return to Ayodhya and Rama was consecrated as king) and Sambuka-vadha,

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