Sōgetsu-ryū ( 草月流 ) is a school of ikebana , or Japanese floral art.
67-440: Sōgetsu was founded by Sōfū Teshigahara in 1927. Sōfū's father was an ikebana master, who taught his son from childhood. Sōfū wanted to become a painter, but he found that the possibilities for creative expression in using green materials are endless, just as in painting. He found that the strict rules of traditional ikebana did not allow individual expression. He broke away from traditional ikebana and formed his school in 1926. In
134-509: A March 2015 TEDx in Shimizu, Shizuoka , Tsuji elaborated on the relationship of ikebana to beauty. After the 2011 earthquake and tsunami devastated Japan, noted ikebana practitioner Toshiro Kawase began posting images of his arrangements online every day in a project called "One Day, One Flower." Another practitioner is the Hollywood actress Marcia Gay Harden , who started when she
201-456: A censer, and flowers in a vase. The flowers in the vase were arranged in the earliest style called tatebana or tatehana ( 立花 , ' standing flowers ' ) , and were composed of shin (motoki) and shitakusa . Recent historical research now indicates that the practice of tatebana derived from a combination of belief systems, including Buddhist, and the Shinto yorishiro belief
268-616: A family from one generation to the next. The oldest of these schools, Ikenobō goes back to the 8th century ( Heian period ). This school marks its beginnings from the construction of the Rokkaku-dō in Kyoto, the second oldest Buddhist temple in Japan, built in 587 by Prince Shōtoku , who had camped near a pond in what is now central Kyoto, and enshrined a small statue of her. During the 13th century, Ono-no-Imoko, an official state emissary, brought
335-480: A fire. An odd number of flowers is lucky, while even numbers are unlucky and therefore undesirable, and never used in flower arrangements. With odd numbers, symmetry and equal balance is avoided, a feature actually seldom found in nature, and which from the Japanese standpoint is never attractive in art of any description. These create a specific impression of nature, and convey the artist's intention behind each arrangement
402-450: A form of temple and room decoration, with greater consideration given to the natural beauty of a floral arrangement. At this time, ikebana was known as rikka . During the same time period, another form of flower arranging known as nageirebana was developed; rikka and nageirebana are the two branches into which ikebana has been divided. Popularity of the two styles vacillated between these two for centuries. In
469-481: A hidden kenzan spiked. However, other forms are possible, including highly elaborate creations that fill an entire hall. The arrangements in a tall vase are called Nageire, the ones in a shallow container are called Moribana. One of Sōgetsu' s central ideas is that an arrangement should have three strong elements, each with certain proportions and arranged at a certain angle. But there is considerable latitude to work with whatever materials are available and to express
536-450: A long journey, particularly if a branch is made to form a complete circle. For a house-warming, white flowers are used, as they suggest water to quench a fire; traditional Japanese homes, being made almost exclusively of wood, were particularly susceptible to fire, with everything but the roof being flammable. To celebrate an inheritance, all kinds of evergreen plants or chrysanthemums may be used, or any flowers which are long-lived, to convey
603-650: A long time the art of flower arranging had no meaning, and functioned as merely the placing in vases the flowers to be used as temple offerings and before ancestral shrines, without system or meaningful structure. The first flower arrangements were composed using a system were known as shin-no-hana , meaning ' central flower arrangement ' . A huge branch of pine or cryptomeria stood in the middle, with three or five seasonable flowers placed around it. These branches and stems were put in vases in upright positions without attempting artificial curves. Generally symmetrical in form, these arrangements appeared in religious pictures in
670-419: A minimal number of blooms interspersed among stalks and leaves. The structure of some Japanese flower arrangements is based on a scalene triangle delineated by three main points, usually twigs, considered in some schools to symbolise heaven , human , and earth , or sun , moon , and earth . Use of these terms is limited to certain schools and is not customary in more traditional schools. A notable exception
737-512: A number of splendid castles were constructed, with noblemen and royal retainers making large, decorative rikka floral arrangements that were considered appropriate decoration for castles. Many beautiful ikebana arrangements were used as decoration for castles during the Momoyama period, and were also used for celebratory reasons. When the tea ceremony emerged, another style was introduced for tea ceremony rooms called chabana . This style
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#1732885095987804-509: A permanent installation at the Ken Domon Museum, Sakata, Japan. Teshigahara died at the age of 74 on April 14, 2001, in his hometown, Tokyo, Japan. On the first anniversary of his death, April 14, 2002, a DVD box set containing his best known work was released in Japan in commemoration. Teshigahara's filmography includes: Ikebana Ikebana ( 生け花 , 活け花 , ' arranging flowers ' or ' making flowers alive ' )
871-507: A person to identify with beauty in all art forms. Plants play an important role in the Japanese Shinto religion. Yorishiro are objects that divine spirits are summoned to. Evergreen plants such as kadomatsu are a traditional decoration of the New Year placed in pairs in front of homes to welcome ancestral spirits or kami of the harvest. Ikebana in the beginning
938-460: A practitioner of tea was most probably also a follower of ikebana . As a dependent of rikka , nageirebana branched off, gaining its independence and its own popularity in the 16th century for its freedom of line and natural beauty. Both styles, despite having originated in the Higashiyama period, reflect the time periods in which they gained popularity, with rikka displaying
1005-632: A shift, and the more naturalistic style of nageirebana was again revived. Until then, only one branch of ikebana had been taught at a time, following the taste of the day, but now rival teachers in both rikka and nageirebana existed. Rikka reached its greatest popularity in the Genroku era. From this time on nageirebana took the name of ikebana . In the Tenmei era (1781–1789), nageirebana , or ikebana , advanced rapidly in favour and developed great beauty of line. The exponents of
1072-597: Is a stub . You can help Misplaced Pages by expanding it . Hiroshi Teshigahara Hiroshi Teshigahara ( 勅使河原 宏 , Teshigahara Hiroshi , January 28, 1927 – April 14, 2001) was a Japanese avant-garde filmmaker and artist from the Japanese New Wave era. He is best known for the 1964 film Woman in the Dunes . He is also known for directing other titles such as The Face of Another (1966), Natsu no Heitai ( Summer Soldiers , 1972), and Pitfall (1962), which
1139-508: Is counted as one of the three classical Japanese arts of refinement, along with kōdō for incense appreciation and chadō for tea and the tea ceremony. The term ikebana comes from the combination of the Japanese ikeru ( 生ける , ' to arrange (flowers), have life, be living ' ) and hana ( 花 , ' flower ' ) . Possible translations include ' giving life to flowers ' and ' arranging flowers ' . The pastime of viewing plants and appreciating flowers throughout
1206-402: Is most likely the origin of the Japanese practice of modern ikebana . Together, they form the basis for the original, purely Japanese derivation of the practice of ikebana . The art of flower arranging developed with many schools only coming into existence at the end of the 15th century following a period of the civil war. The eighth shōgun , Ashikaga Yoshimasa (1436–1490),
1273-420: Is needed while constructing a flower arrangement, while others feel this is not necessary, though both sides commonly agree that flower arranging is a time to appreciate aspects of nature commonly overlooked in daily life. It is believed that practice of flower arranging leads a person to become more patient and tolerant of differences in nature and in life, providing relaxation in mind, body, and soul, and allowing
1340-400: Is no occasion which cannot be suggested by the manner in which the flowers are arranged. For instance, leaving home can be announced by an unusual arrangement of flowers; auspicious materials, such as willow branches, are used to indicate hopes for a long and happy life, and are particularly used for arrangements used to mark a parting, with the length of the branch signifying a safe return from
1407-490: Is shown through a piece's colour combinations, natural shapes, graceful lines, and the implied emotional meaning of the arrangement without the use of words. All flower arrangements given as gifts are given with the flowers in bud, so that the person to whom they are sent may have the pleasure of seeing them open, in contrast to the Western idea of flower arrangements, where the flowers are already in bloom before being given. There
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#17328850959871474-469: Is the Japanese art of flower arrangement . It is also known as kadō ( 華道 , ' way of flowers ' ) . The origin of ikebana can be traced back to the ancient Japanese custom of erecting evergreen trees and decorating them with flowers as yorishiro ( 依代 ) to invite the gods. Later, flower arrangements were instead used to adorn the tokonoma (alcove) of a traditional Japanese home. Ikebana
1541-417: Is the opposite of the Momoyama style and emphasises rustic simplicity. Chabana is not considered a style of ikebana but is separate. The simplicity of chabana in turn helped create the nageirebana or ' thrown-in ' style. The receptacles used in flower arranging come in a large variety. They are traditionally considered not only beautiful in form, material, and design but are made to suit
1608-409: Is the traditional rikka form, which follows other precepts. The container can be a key element of the composition, and various styles of pottery may be used in their construction. In some schools, the container is only regarded as a vessel to hold water, and should be subordinate to the arrangement. The seasons are also expressed in flower arrangements, with flowers grouped differently according to
1675-605: The Kegon-kyo ( Flower Garland Sutra ) and Hokke-kyo ( Lotus Sutra ). The Chōjū-jinbutsu-giga ( ' Scroll of Frolicking Animals and Humans ' ) depicts lotus being offered by a monkey in front of a frog mimicking the Buddha. With the development of the shoin-zukuri architectural style starting in the Muromachi period (1336–1573), kakemono (scroll pictures) and containers could be suitable displayed as art objects in
1742-558: The Sendenshō ( 仙伝抄 ) was published, the oldest published manual. The Kawari Kaden Hisho ( 替花伝秘書 ) was published in Kanbun 1 (1661). This was carefully written and instructive ikebana text, with rules and principles detailed in full, and was the second publication of ikebana texts in the Edo period after the Sendenshō . Although the text is similar to the contents of commentaries of
1809-504: The oshiita , a precursor to the tokonoma alcove, and the chigaidana , two-levelled shelves. Also displayed in these spaces were flower arrangements in vases that influenced the interior decorations, which became simpler and more exquisite over time. This style of decoration was called zashiki kazari ( 座敷飾 ) . The set of three ceremonial objects at the Buddhist altar called mitsugusoku consisted of candles lit in holders,
1876-569: The 14th century, as the first attempt to represent natural scenery. The large tree in the centre represented distant scenery, plum or cherry blossoms middle distance, and little flowering plants the foreground. The lines of these arrangements were known as centre and sub-centre. Later on, among other types of Buddhist offering, placing mitsu-gusoku became popular in the Kamakura (1185–1333) and Nanboku-chō periods (1336–1392). Various Buddhist scriptures have been named after flowers such as
1943-543: The 17th century, Korin, the famous lacquer artist known for his exquisite designs, strongly influenced ikebana . In this period, the combination of a pattern or design with lines that followed the natural growth of the plant produced the most pleasing and graceful results. It was in the latter part of the 17th century that ikebana was most practised and reached its highest degree of perfection as an art. Still, there were occasional departures into unnatural curves and artificial presentation styles that caused
2010-595: The 1960s, he continued to collaborate on films with Abe and Takemitsu while simultaneously pursuing his interest in ikebana and sculpture on a professional level. In 1965, the Teshigahara/Abe film Woman in the Dunes (1964) was nominated for an Academy Award for Best Foreign Language Film and won the Special Jury Prize at the Cannes Film Festival . Although the original director's cut of Woman in
2077-695: The 1990s, he pushed the art form of renka, which is a series of impromptu Ikebana arranged by multiple artists. Teshigahara was also involved in ceramics calligraphy and installation art . Throughout his career, Teshigahara also involved himself in stage and art direction, both domestically and internationally. He has directed performances such as the opera Turandot ( Lyon , France , 1992; Geneva , Switzerland , 1996), and original Noh play Susanoh (the Avignon Theatre Festival, 1994), Sloka by Chandralekha Dance Company (1999), and original outdoor dance play Susano Iden (1991). In 1983, Teshigahara created
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2144-450: The Buddhist community. As time passed, other schools emerged, styles changed, and ikebana became a custom among the whole of Japanese society. Other schools include Banmi Shōfū-ryū ( 晩美生風流 ) , founded in 1962 by Bessie "Yoneko Banmi" Fooks, and Kaden-ryū ( 華伝流 ) , founded by Kikuto Sakagawa in 1987 based on the Ikenobō school. Since flower arrangement became popular with Buddhism, it
2211-559: The Dunes was 147 minutes, he cut it down to 124 minutes when he was invited to the Cannes Film Festival. In 1972, he worked with Japanese researcher and translator John Nathan to make Summer Soldiers , a film set during the Vietnam War about American deserters living on the fringe of Japanese society. From the mid-1970s onwards, he worked less frequently on feature films as he concentrated more on documentaries, exhibitions and
2278-454: The Ken'ei era, rikka was simple and natural, with no extreme curves in the arrangement, but in the Genroku era, the lines became complicated and the forms pattern-like, following general trends of high artistic development and expression within that period; during the Genroku period, all the fine arts were highly developed, above all pattern-printing for fabrics and decoration. In the latter part of
2345-533: The Muromachi period, the illustrations showed how to enjoy tachibana , which had spread from monks to warriors and further on to townspeople. The Kokon Rikka-shu ( 古今立花集 ) was the oldest published work on rikka in Kanbun 12 (1672). The Kokon Rikka-taizen ( 古今立花大全 ) , published in Tenna 3 (1683), was the most famous rikka manual. The Rikka Imayō Sugata ( 立華時勢粧 ) came out Jōkyō 5 (1688). In
2412-1008: The Sogetsu School and became grand master of the school in 1980. In 1980, after the death of his father, Teshigahara became the third generation Iemoto of Sogetsu School, using bamboo at his large-scale solo exhibitions at several well known museums, including the National Museum of Contemporary Art in Seoul , Korea (1989), Palazzo Reale in Milan , Italy (1995), and the Kennedy Center in Washington, D.C. (1996), among other venues. In Japan, Teshigahara displayed his art installations nationwide, including Gen-Ichiro Inokuma Museum of Contemporary Art in Marugame and Hiroshima City Museum of Contemporary Art. In
2479-739: The art not only studied nature freely, but combined this knowledge with that of rikka , developing the results of ikebana even further. After the Tenmei era, a formal form of arrangement developed. This form has a fixed rule or model known as "heaven, human, and earth". Is it known as Seika ( 生花 ) .In the Mishō-ryū school, the form is called Kakubana ( 格花 ) . The most popular schools of today, including Ikenobō , Enshū-ryū , and Mishō-ryū , amongst others, adhere to some principles, but there are in Tokyo and Kyoto many masters of ikebana who teach
2546-532: The beginning, rikka was stiff, formal, and more decorative style, while nageirebana was simpler and more natural. Although nageirebana began to come into favour in the Higashiyama period , rikka was still preferred, and nageirebana did not truly gain popularity until the Momoyama period, about a hundred years after Ashikaga Yoshimasa. It was at this period that tea ceremony reached its highest development and strongly influenced ikebana , as
2613-401: The beginning, he promoted the school through radio. As of 2016, there have been four headmasters. Sōfū's daughter Kasumi was a gifted artist. She became the second headmaster until she died at age 47. Her elder brother, film director Hiroshi Teshigahara , took over. The current headmaster is Akane, Sōfū's granddaughter. The Sōgetsu school is an open-minded and avant-gardist school. The school
2680-537: The centuries from the Ken'ei (1206–1207) to the Genroku (1668–1704) eras, all founded on Sōami's idea of the three elements. A number of texts documenting ikebana also existed, though few contained directly instructional content; however, these books were fully illustrated, thus documenting the gradual progress of the art. During the early Edo period (17th century), publications in Japan developed rapidly. Books about ikebana were published in succession. During this time,
2747-413: The colour of the flowers, the presence of thorns within the height of tall plants, the combination of flowers used in garlands and the different types of flowers themselves, amongst other factors. For instance, the colours of some flowers are considered unlucky. Red flowers, which are used at funerals, are undesirable for their morbid connotations, but also because red is supposed to suggest the red flames of
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2814-403: The colour of the vases, the soft pastel shades are common, and bronze vases are especially popular. To the Japanese, the colour bronze seems most like mother earth, and therefore best suited to enhance the beauty of flowers. Bamboo, in its simplicity of line and neutral colour, makes a charming vase, but one of solid bamboo is not practical in some countries outside of Japan, where the dryness of
2881-670: The four seasons was established in Japan early on through the aristocracy. Waka poetry anthologies such as the Man'yōshū and Kokin Wakashū from the Heian period (794–1185) included many poems on the topic of flowers. With the introduction of Buddhism , offering flowers at Buddhist altars became common. Although the lotus is widely used in India where Buddhism originated, in Japan other native flowers for each season were selected for this purpose. For
2948-402: The gods, should not be offered loosely, but should represent time and thought. Yoshimasa's contemporaries also contributed heavily to the development of flower arranging; the celebrated painter Sōami , a friend of Yoshimasa, conceived of the idea of representing the three elements of heaven, humans, and earth, from which grew the principles of arrangements used today in some ikebana schools. It
3015-406: The idea that the wealth or possessions may remain forever. There are also appropriate arrangements for sad occasions. A flower arrangement made to mark a death is typically constructed of white flowers, with some dead leaves and branches, arranged to express peace. Another common but not exclusive aspect present in ikebana is the employment of minimalism . Some arrangements may consist of only
3082-448: The lake ' ) . The name 'Ikenobō', granted by the emperor, became attached to the priests there who specialised in altar arrangements. Ikenobō is the only school that does not have the ending -ryū in its name, as it is considered the original school. The first systematised classical styles, including rikka , started in the middle of the 15th century. The first students and teachers were Ikenobō Buddhist priests and members of
3149-407: The large, round surface on top is supposed to represent the moon, and the hole for the nail a star. The cut, or opening, below the top is called fukumuki , the ' wind drawing through a place ' . Besides offering variety in the form of receptacles, the low, flat vases, more used in summer than winter, make it possible to arrange plants of bulbous and water growth in natural positions. As for
3216-470: The oxygen entering through the neck opening is as necessary to the plant as the oxygen it receives directly from the water; thus, the water remains sweet much longer than in small-necked vases. There are many ideas connected with these receptacles. For instance, hanging vases came into use through the idea that flowers presented by an esteemed friend should not be placed where they could be looked down upon, so they were raised and hung. In hanging bamboo vases,
3283-436: The plant, such as its stems and leaves, and puts emphasis on shape , line , and form . Though ikebana is an expression of creativity, certain rules govern its form, such as the idea of good and evil fortune in the selection of material and form of the arrangement. The concept of hanakotoba ( 花言葉 ) is the Japanese form of the language of flowers , wherein plants are given specific coded meanings, varying based on
3350-456: The practice into an art form with fixed instructions. Books were written about the art, Sedensho being the oldest of these, covering the years 1443 to 1536. Ikebana became a major part of traditional festivals, and exhibitions were occasionally held. The first styles were characterised by a tall, upright central stem accompanied by two shorter stems. During the Momoyama period , 1560–1600,
3417-422: The practice of placing Buddhist flowers on an altar from China. He became a priest at the temple and spent the rest of his days practising flower arranging. The original priests of the temple lived by the side of the pond, for which the Japanese word is ike ( 池 ) , and the word bō ( 坊 ) , meaning priest, connected by the possessive particle no ( の ) , gives the word Ikenobō ( 池坊 , ' priest of
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#17328850959873484-476: The simpler forms of Ko-ryū, and Ko-Shin-ryū of the Genroku and Tenmei eras. The oldest international organisation, Ikebana International, was founded in 1956; Princess Takamado is the honorary president. Followers and practitioners of ikebana , also referred to as kadō , are known as kadōka ( 華道家 ) . A kadō teacher is called sensei ( 先生 ) . Noted Japanese practitioners include Junichi Kakizaki , Mokichi Okada , and Yuki Tsuji . At
3551-399: The spirit of the moment. [REDACTED] Media related to Sōgetsu-ryū at Wikimedia Commons This article about an art or artists' organization is a stub . You can help Misplaced Pages by expanding it . This article related to art or architecture in Japan is a stub . You can help Misplaced Pages by expanding it . This article about an organization or organization-related topic in Japan
3618-457: The tastes of the Higashiyama period, and nageirebana the tastes of the Momoyama period. Rikka lost some of its popularity during the Momoyama period, but in the first part of the Edo period (1603–1668) was revived, and became more popular than ever before. In the Higashiyama period, rikka had been used only as room decorations on ceremonial occasions, but now was followed as a fine art and looked upon as an accomplishment and pastime of
3685-481: The time of the year. For example, in March, when high winds prevail, the unusual curves of the branches convey the impression of strong winds. In summer, low, broad flower receptacles are used, where the visually predominant water produces a cooler and more refreshing arrangement than those of upright vases. The spiritual aspect of ikebana is considered very important to its practitioners. Some practitioners feel silence
3752-540: The upper classes. Rikka reached its greatest popularity during the Genroku era. Ikebana has always been considered a dignified accomplishment. All of Japan's most celebrated generals notably practised flower arranging, finding that it calmed their minds and made their decisions on the field of action clearer; notable military practitioners include Toyotomi Hideyoshi , one of Japan's most famous generals. Many works of various schools on ikebana were published in
3819-455: The use to which they will be put, so that a flower can always be placed in an appropriate receptacle, and probably in one especially designed for that particular sort of flower. The thing the Japanese most seek in a vase's shape is what will best prolong the life of flowers. For this reason, vases are wide open at the mouth, for, unlike in Western flower arranging, they do not depend upon the vase itself to hold flowers in position, believing that
3886-499: The water is always exposed, alongside the surface of the earth from which the grouping of flowers springs. This aids in creating the effect of representing a complete plant growing as nearly as possible in its natural conditions. More than simply putting flowers in a container, ikebana is a disciplined art form in which nature and humanity are brought together. Contrary to the idea of a particoloured or multicoloured arrangement of blossoms, ikebana often emphasises other areas of
3953-499: Was Teshigahara's directorial debut. He has been called "one of the most acclaimed Japanese directors of all time". Teshigahara is the first person of Asian descent to be nominated for the Academy Award for Best Director , accomplishing this in 1964 for his work on Woman in the Dunes . Apart from being a filmmaker, Teshigahara also practiced other arts, such as calligraphy , pottery , painting , opera and ikebana . Teshigahara
4020-416: Was a patron of the arts and the greatest promoter of cha-no-yu – tea ceremony – and ikebana , flower arrangement. Yoshimasa would later abdicate his position to devote his time to the arts, and developed concepts that would then go on to contribute to the formulation of rules in ikebana ; one of the most important being that flowers offered on all ceremonial occasions, and placed as offerings before
4087-467: Was at Yoshimasa's Silver Pavilion in Kyoto that ikebana received its greatest development, alongside the art of tea ceremony and ko-awase , the incense ceremony. Artists of the Kanō school , such as Sesshū Tōyō (1420–1506), Sesson, Kanō Masanobu , Kanō Motonobu (1476–1559), and Shugetsu of the 16th century, were lovers of nature, and ikebana advanced a step further in this period beyond
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#17328850959874154-651: Was born in Tokyo , the son of Sōfu Teshigahara , founder and grand master of the Sōgetsu-ryū school of ikebana . He graduated in 1950 from the Tokyo National University of Fine Arts and Music and began working in documentary film. He directed his first feature film, Pitfall (1962), in collaboration with author Kōbō Abe and musician Toru Takemitsu . The film won the NHK New Director's award, and throughout
4221-541: Was constructed by the architect Kenzo Tange . Beverly Harden, the mother of the actress Marcia Gay Harden , was a practitioner of the Sōgetsu school. She later became also president of the Ikebana International Washington, DC chapter. Sōgetsu typically uses either a tall, narrow vase such as one made from a bamboo stem, or a flat, open dish called a "suiban" in which the flowers and branches are fixed in
4288-412: Was living in Japan as a child, and has published a book on ikebana with her own works. Her mother, Beverly Harden, was a practitioner of the Sōgetsu school. She later became also president of the Ikebana International Washington, DC chapter. Mary Averill (1913) gives an overview of the numerous schools of ikebana . A school is normally headed by an iemoto , oftentimes passed down within
4355-430: Was naturally imbued with Buddhist philosophy. The Buddhist desire to preserve life lies at the root of much of ikebana practice, and has created most of the rules of flower arrangement, controlling also the shapes of the flower vases, formed as to help to prolong the life of the flowers. Consideration of the vase as being something more than a mere holder of the flowers is also an important consideration. The surface of
4422-429: Was one of the first to have English textbooks. A famous saying by Sōfū Teshigahara and credo of the Sōgetsu school is that Sōgetsu can be done by anyone, anywhere, anytime with any kind of material. The school is led by Akane Teshigahara, the founder's granddaughter. Noted practitioners include Master Instructor Kōka Fukushima, whose masterclasses worldwide have received acclaim in floral art circles. The headquarters
4489-411: Was very simple, constructed from only a very few stems of flowers and evergreen branches. This first form of ikebana was called kuge ( 供華 ) . Patterns and styles evolved, and by the late 15th century arrangements were common enough to be appreciated by ordinary people and not only by the imperial family and its retainers, styles of ikebana having changed during that time, transforming
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