Richard Jessup (January 2, 1925 in Savannah, Georgia - October 22, 1982 in Nokomis, Florida ) was an American author and screenwriter. He also wrote under the name of Richard Telfair.
77-402: Mr. Jessup spent his early years in and out of a local orphanage before running away to sea as a merchant seaman. In an interview in 1970, he said that he had read himself around the world, ferreting out English-language bookshops at each port of call and reading a book a day while at sea. During this time, he copied War and Peace on a typewriter while afloat, corrected all the errors, then threw
154-541: A syndicate hires people to write and draw a strip and then distributes it to many newspapers for a fee. Some newspaper strips begin or remain exclusive to one newspaper. For example, the Pogo comic strip by Walt Kelly originally appeared only in the New York Star in 1948 and was not picked up for syndication until the following year. Newspaper comic strips come in two different types: daily strips and Sunday strips . In
231-428: A "standard" size", with strips running the entire width of a page or having more than one tier. By the 1920s, strips often covered six of the eight columns occupied by a traditional broadsheet paper. During the 1940s, strips were reduced to four columns wide (with a "transition" width of five columns). As newspapers became narrower beginning in the 1970s, strips have gotten even smaller, often being just three columns wide,
308-488: A Movie. His best-known work, The Cincinnati Kid, published in 1964 in hardcover and later made into a motion picture with Steve McQueen, Edward G. Robinson, Ann Margaret and Tuesday Weld, was highly praised in The Times. Mr. Jessup has brilliantly enlarged the microcosm of the gambling table, to make it a genuine setting for a novel, said the reviewer. Within its circle, men act out, again and again, their commitment against
385-575: A flock of geese (without anybody mourning their demise). Max and Moritz provided an inspiration for German immigrant Rudolph Dirks , who created the Katzenjammer Kids in 1897—a strip starring two German-American boys visually modelled on Max and Moritz . Familiar comic-strip iconography such as stars for pain, sawing logs for snoring, speech balloons, and thought balloons originated in Dirks' strip. Hugely popular, Katzenjammer Kids occasioned one of
462-430: A full page, and daily strips were generally the width of the page. The competition between papers for having more cartoons than the rest from the mid-1920s, the growth of large-scale newspaper advertising during most of the thirties, paper rationing during World War II , the decline on news readership (as television newscasts began to be more common) and inflation (which has caused higher printing costs) beginning during
539-597: A prisoner of the North Vietnamese. as Richard Telfair His first published novel was The Cunning and the Haunted published in 1954 based on his experiences in orphanages. In the same year, Jessup wrote a teleplay for Tom Corbett, Space Cadet . The novel was filmed as The Young Don't Cry in 1957 with Jessup writing the screenplay for the film with Sal Mineo as the lead. He began writing Westerns in 1957 with Cheyenne Saturday and finishing with Chuka where he wrote
616-509: A radio script for "Tom Ranger" and the "Space Cadets" on January 16, 1946, but it remained unperformed when Heinlein's novel was published. Greene then reworked his radio script into a script for a daily newspaper adventure strip , which was never produced. The character appeared in the TV-series Tom Corbett, Space Cadet (1950–1955). The books from 1952–1956 were published by Grosset & Dunlap , written by unknown authors under
693-481: A secondary strip by the same artist as the main strip. No matter whether it appeared above or below a main strip, the extra strip was known as the topper , such as The Squirrel Cage which ran along with Room and Board , both drawn by Gene Ahern . During the 1930s, the original art for a Sunday strip was usually drawn quite large. For example, in 1930, Russ Westover drew his Tillie the Toiler Sunday page at
770-704: A set of rubber molds for making plaster-of-Paris figures, furniture and vehicles, made by Marx toys; a Little Golden Book; and a Little Golden Record of the Space Academy song ("From the rocket fields of the academy / to the far flung stars of outer space / we are space cadets training to be / ready for dangers we may face"). Two other records presented Space Cadet adventures, starring the original TV/radio cast: "Tom Corbett Space Cadet at Space Academy" and "Rescue in Space: Tom Corbett, Space Cadet". The back of boxes of Kellogg's Pep Cereal featured cardboard cutouts of
847-493: A similar width to the one most daily panels occupied before the 1940s. In an issue related to size limitations, Sunday comics are often bound to rigid formats that allow their panels to be rearranged in several different ways while remaining readable. Such formats usually include throwaway panels at the beginning, which some newspapers will omit for space. As a result, cartoonists have less incentive to put great efforts into these panels. Garfield and Mutts were known during
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#1733085019549924-500: A single panel with a single gag, as seen occasionally in Mike Peters ' Mother Goose and Grimm . Early daily strips were large, often running the entire width of the newspaper, and were sometimes three or more inches high. Initially, a newspaper page included only a single daily strip, usually either at the top or the bottom of the page. By the 1920s, many newspapers had a comics page on which many strips were collected together. During
1001-558: A size of 17" × 37". In 1937, the cartoonist Dudley Fisher launched the innovative Right Around Home , drawn as a huge single panel filling an entire Sunday page. Full-page strips were eventually replaced by strips half that size. Strips such as The Phantom and Terry and the Pirates began appearing in a format of two strips to a page in full-size newspapers, such as the New Orleans Times Picayune , or with one strip on
1078-460: A space cadet cap, gauntlets, and a ray gun, and the cereal company made a direct tie-in with the product Kellogg's Pep: The Solar Cereal. Kellogg also published a "Tom Corbett Space Cadet News", Vol. 1 #1, a 23x15 inch newspaper, folded in half, 4 pages. The show was the subject of a parody, "Lawrence Fechtenberger, Interstellar Officer Candidate", a serial that made several appearances on programs of Bob and Ray . Comic strip A comic strip
1155-488: A tabloid page, as in the Chicago Sun-Times . When Sunday strips began to appear in more than one format, it became necessary for the cartoonist to allow for rearranged, cropped or dropped panels. During World War II , because of paper shortages, the size of Sunday strips began to shrink. After the war, strips continued to get smaller and smaller because of increased paper and printing costs. The last full-page comic strip
1232-549: A two-tier daily strip, Star Hawks , but after a few years, Star Hawks dropped down to a single tier. In Flanders , the two-tier strip is the standard publication style of most daily strips like Spike and Suzy and Nero . They appear Monday through Saturday; until 2003 there were no Sunday papers in Flanders. In the last decades, they have switched from black and white to color. Single panels usually, but not always, are not broken up and lack continuity. The daily Peanuts
1309-503: A wide range of colors. Printing plates were created with four or more colors—traditionally, the CMYK color model : cyan, magenta, yellow and "K" for black. With a screen of tiny dots on each printing plate, the dots allowed an image to be printed in a halftone that appears to the eye in different gradations. The semi-opaque property of ink allows halftone dots of different colors to create an optical effect of full-color imagery. The decade of
1386-446: Is a sequence of cartoons , arranged in interrelated panels to display brief humor or form a narrative, often serialized , with text in balloons and captions . Traditionally, throughout the 20th and into the 21st century, these have been published in newspapers and magazines , with daily horizontal strips printed in black-and-white in newspapers, while Sunday papers offered longer sequences in special color comics sections . With
1463-499: Is a strip, and the daily Dennis the Menace is a single panel. J. R. Williams ' long-run Out Our Way continued as a daily panel even after it expanded into a Sunday strip, Out Our Way with the Willets . Jimmy Hatlo 's They'll Do It Every Time was often displayed in a two-panel format with the first panel showing some deceptive, pretentious, unwitting or scheming human behavior and
1540-617: The Lansing State Journal in two sheets, printed much larger than the final version and ready to be cut apart and fitted into the local comics page." Comic strip historian Allan Holtz described how strips were provided as mats (the plastic or cardboard trays in which molten metal is poured to make plates) or even plates ready to be put directly on the printing press. He also notes that with electronic means of distribution becoming more prevalent printed sheets "are definitely on their way out." NEA Syndicate experimented briefly with
1617-640: The Flossy Frills series on The American Weekly Sunday newspaper supplement . In the UK and the rest of Europe, comic strips are also serialized in comic book magazines , with a strip's story sometimes continuing over three pages. Storytelling using a sequence of pictures has existed through history. One medieval European example in textile form is the Bayeux Tapestry . Printed examples emerged in 19th-century Germany and in mid 18th-century England, where some of
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#17330850195491694-544: The Internet . Many are exclusively published online, but the majority of traditional newspaper comic strips have some Internet presence. King Features Syndicate and other syndicates often provide archives of recent strips on their websites. Some, such as Scott Adams , creator of Dilbert , include an email address in each strip. Most comic strip characters do not age throughout the strip's life, but in some strips, like Lynn Johnston 's award-winning For Better or For Worse ,
1771-537: The editorial or op-ed page rather than the comics page because of their regular political commentary. For example, the August 12, 1974 Doonesbury strip was awarded a 1975 Pulitzer Prize for its depiction of the Watergate scandal . Dilbert is sometimes found in the business section of a newspaper instead of the comics page because of the strip's commentary about office politics , and Tank McNamara often appears on
1848-930: The miniatures written on scrolls coming out of their mouths—which makes them to some extent ancestors of the modern cartoon strips. In China, with its traditions of block printing and of the incorporation of text with image, experiments with what became lianhuanhua date back to 1884. The origin of the modern English language comic strip can be traced to the efflorescence of caricature in late 18th century London. English caricaturists such as Richard Newton and George Woodward developed sophisticated caricature styles using strips of expressive comic figures with captions that could be read left to right to cumulative effect, as well as business models for advertising and selling cheap comic illustration on regular subscription. Other leading British caricaturists produced strips as well; for example James Gillray in Democracy;-or-a Sketch of
1925-519: The newspaper war (1887 onwards) between Pulitzer and Hearst . The Little Bears (1893–96) was the first American comic strip with recurring characters, while the first color comic supplement was published by the Chicago Inter-Ocean sometime in the latter half of 1892, followed by the New York Journal ' s first color Sunday comic pages in 1897. On January 31, 1912, Hearst introduced
2002-441: The 1920s the medium became wildly popular. While radio, and later, television surpassed newspapers as a means of entertainment, most comic strip characters were widely recognizable until the 1980s, and the "funny pages" were often arranged in a way they appeared at the front of Sunday editions. In 1931, George Gallup's first poll had the comic section as the most important part of the newspaper, with additional surveys pointing out that
2079-458: The 1930s, the original art for a daily strip could be drawn as large as 25 inches wide by six inches high. Over decades, the size of daily strips became smaller and smaller, until by 2000, four standard daily strips could fit in an area once occupied by a single daily strip. As strips have become smaller, the number of panels have been reduced. Proof sheets were the means by which syndicates provided newspapers with black-and-white line art for
2156-1047: The 1960s saw the rise of underground newspapers , which often carried comic strips, such as Fritz the Cat and The Fabulous Furry Freak Brothers . Zippy the Pinhead initially appeared in underground publications in the 1970s before being syndicated. Bloom County and Doonesbury began as strips in college newspapers under different titles, and later moved to national syndication. Underground comic strips covered subjects that are usually taboo in newspaper strips, such as sex and drugs. Many underground artists, notably Vaughn Bode , Dan O'Neill , Gilbert Shelton , and Art Spiegelman went on to draw comic strips for magazines such as Playboy , National Lampoon , and Pete Millar's CARtoons . Jay Lynch graduated from undergrounds to alternative weekly newspapers to Mad and children's books. Webcomics , also known as online comics and internet comics , are comics that are available to read on
2233-413: The 1970s had been waning as an entertainment form. From 1903 to 1905 Gustave Verbeek , wrote his comic series "The UpsideDowns of Old Man Muffaroo and Little Lady Lovekins". These comics were made in such a way that one could read the 6 panel comic, flip the book and keep reading. He made 64 such comics in total. The longest-running American comic strips are: Most newspaper comic strips are syndicated;
2310-474: The 1997 Switcheroonie was a one-time publicity stunt, an artist taking over a feature from its originator is an old tradition in newspaper cartooning (as it is in the comic book industry). In fact, the practice has made possible the longevity of the genre's more popular strips. Examples include Little Orphan Annie (drawn and plotted by Harold Gray from 1924 to 1944 and thereafter by a succession of artists including Leonard Starr and Andrew Pepoy ), and Terry and
2387-476: The British magazine Judy by writer and fledgling artist Charles H. Ross in 1867, Ally Sloper is one of the earliest comic strip characters and he is regarded as the first recurring character in comics. The highly popular character was spun off into his own comic, Ally Sloper's Half Holiday , in 1884. While in the early 20th century comic strips were a frequent target for detractors of "yellow journalism", by
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2464-780: The Life of Buonaparte . His contemporary Thomas Rowlandson used strips as early as 1784 for example in The Loves of the Fox and the Badger . Rowlandson may also be credited with inventing the first internationally recognized comic strip character: Doctor Syntax whose picaresque journeys through England were told through a series of comic etchings, accompanied by verse. Original published in parts between 1809 and 1811 in Rudolf Ackermann 's Poetical Magazine , in book form The Tour of Doctor Syntax in search of
2541-843: The NCS, enthusiastically promote the medium, which since the 1970s (and particularly the 1990s) has been considered to be in decline due to numerous factors such as changing tastes in humor and entertainment, the waning relevance of newspapers in general and the loss of most foreign markets outside English-speaking countries. One particularly humorous example of such promotional efforts is the Great Comic Strip Switcheroonie , held in 1997 on April Fool's Day, an event in which dozens of prominent artists took over each other's strips. Garfield ' s Jim Davis, for example, switched with Blondie ' s Stan Drake, while Scott Adams ( Dilbert ) traded strips with Bil Keane ( The Family Circus ). While
2618-402: The Pirates . In the 1940s, soap-opera -continuity strips such as Judge Parker and Mary Worth gained popularity. Because "comic" strips are not always funny, cartoonist Will Eisner has suggested that sequential art would be a better genre -neutral name. Comic strips have appeared inside American magazines such as Liberty and Boys' Life , but also on the front covers, such as
2695-482: The Pirates , started by Milton Caniff in 1934 and picked up by George Wunder . A business-driven variation has sometimes led to the same feature continuing under a different name. In one case, in the early 1940s, Don Flowers ' Modest Maidens was so admired by William Randolph Hearst that he lured Flowers away from the Associated Press and to King Features Syndicate by doubling the cartoonist's salary, and renamed
2772-691: The Space Academy as they train to become members of the Solar Guard. The action takes place at the Academy in classrooms and bunkrooms , aboard their training ship the rocket cruiser Polaris , and on alien worlds, both within the Solar System and in orbit around nearby stars. Joseph Greene of Grosset & Dunlap developed Tom Corbett, Space Cadet , inspired by the Robert A. Heinlein novel Space Cadet (1948) but based on his own prior work. Greene had submitted
2849-483: The United States, a daily strip appears in newspapers on weekdays, Monday through Saturday, as contrasted with a Sunday strip, which typically only appears on Sundays. Daily strips usually are printed in black and white, and Sunday strips are usually in color. However, a few newspapers have published daily strips in color, and some newspapers have published Sunday strips in black and white. Making his first appearance in
2926-548: The World ), some have verbal thoughts but are not understood by humans, ( Garfield , Snoopy in Peanuts ), and some can converse with humans ( Bloom County , Calvin and Hobbes , Mutts , Citizen Dog , Buckles , Get Fuzzy , Pearls Before Swine , and Pooch Cafe ). Other strips are centered entirely on animals, as in Pogo and Donald Duck . Gary Larson 's The Far Side
3003-624: The advent of the internet, online comic strips began to appear as webcomics . Most strips are written and drawn by a comics artist, known as a cartoonist . As the word "comic" implies, strips are frequently humorous. Examples of these gag-a-day strips are Blondie , Bringing Up Father , Marmaduke , and Pearls Before Swine . In the late 1920s, comic strips expanded from their mirthful origins to feature adventure stories , as seen in Popeye , Captain Easy , Buck Rogers , Tarzan , and Terry and
3080-685: The adventures of Winnie Winkle , Moon Mullins and Dondi , and waited each fall to see how Lucy would manage to trick Charlie Brown into trying to kick that football. (After I left for college, my father would clip out that strip each year and send it to me just to make sure I didn't miss it.)" The two conventional formats for newspaper comics are strips and single gag panels. The strips are usually displayed horizontally, wider than they are tall. Single panels are square, circular or taller than they are wide. Strips usually, but not always, are broken up into several smaller panels with continuity from panel to panel. A horizontal strip can also be used for
3157-623: The characters age as the years pass. The first strip to feature aging characters was Gasoline Alley . The history of comic strips also includes series that are not humorous, but tell an ongoing dramatic story. Examples include The Phantom , Prince Valiant , Dick Tracy , Mary Worth , Modesty Blaise , Little Orphan Annie , Flash Gordon , and Tarzan . Sometimes these are spin-offs from comic books , for example Superman , Batman , and The Amazing Spider-Man . A number of strips have featured animals as main characters. Some are non-verbal ( Marmaduke , The Angriest Dog in
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3234-407: The characters and models of the spacecraft and props. The story was of finding on the moon a miniature pyramid made by unknown aliens, which led to a clue on Mars, and finally to fighting interplanetary crooks in the asteroid belt. There were also several coloring books; a flashlight; a punch-out book; a costume for children; a lunch box; a pocket watch; a Space Academy playset with plastic figures;
3311-462: The characters. Hearst promptly hired Harold Knerr to draw his own version of the strip. Dirks renamed his version Hans and Fritz (later, The Captain and the Kids ). Thus, two versions distributed by rival syndicates graced the comics pages for decades. Dirks' version, eventually distributed by United Feature Syndicate , ran until 1979. In the United States, the great popularity of comics sprang from
3388-594: The comic strips were the second most popular feature after the picture page. During the 1930s, many comic sections had between 12 and 16 pages, although in some cases, these had up to 24 pages. The popularity and accessibility of strips meant they were often clipped and saved; authors including John Updike and Ray Bradbury have written about their childhood collections of clipped strips. Often posted on bulletin boards , clipped strips had an ancillary form of distribution when they were faxed, photocopied or mailed. The Baltimore Sun ' s Linda White recalled, "I followed
3465-517: The feature Glamor Girls to avoid legal action by the AP. The latter continued to publish Modest Maidens , drawn by Jay Allen in Flowers' style. As newspapers have declined , the changes have affected comic strips. Jeff Reece, lifestyle editor of The Florida Times-Union , wrote, "Comics are sort of the ' third rail ' of the newspaper." In the early decades of the 20th century, all Sunday comics received
3542-402: The fifties and sixties led to Sunday strips being published on smaller and more diverse formats. As newspapers have reduced the page count of Sunday comic sections since the late 1990s (by the 2010s, most sections have only four pages, with the back page not always being destined for comics) has also led to further downsizes. Daily strips have suffered as well. Before the mid-1910s, there was not
3619-460: The first satirical or humorous sequential narrative drawings were produced. William Hogarth 's 18th-century English caricature include both narrative sequences, such as A Rake's Progress , and single panels. The Biblia pauperum ("Paupers' Bible"), a tradition of picture Bibles beginning in the Late Middle Ages , sometimes depicted Biblical events with words spoken by the figures in
3696-400: The first comic-strip copyright ownership suits in the history of the medium. When Dirks left William Randolph Hearst for the promise of a better salary under Joseph Pulitzer , it was an unusual move, since cartoonists regularly deserted Pulitzer for Hearst. In a highly unusual court decision, Hearst retained the rights to the name "Katzenjammer Kids", while creator Dirks retained the rights to
3773-606: The first seven Dell issues in volume one, and the remaining four Dell issues along with the three Prize issues in volume two. There were two four-issue manga-style Tom Corbett, Space Cadet mini-series released by Eternity Comics in the 1990, eventually followed by two four-issue Tom Corbett: Space Cadet mini-series released by Bluewater Comics in 2009 and 2012–2013. Dell Comics (February 1952–September–November 1954) K.K. Publications World Distributors Prize Comics (May 1955–October 1955) Eternity Comics 1990 Bluewater Comics PS Artbooks The cast for
3850-461: The gratuitousness and terror of fate. Some turn into machines that bleed inside. And others come to know finally that they are human beings. Mr. Jessup attributed much of his outlook to a chance meeting with Albert Camus in Marsailles in 1945, during which they drank together for hours and the philosopher impressed upon the 20-year-old seaman his existential philosophy. Mr. Jessup wrote the book and
3927-547: The history of London. The Reuben , named for cartoonist Rube Goldberg , is the most prestigious award for U.S. comic strip artists. Reuben awards are presented annually by the National Cartoonists Society (NCS). In 1995, the United States Postal Service issued a series of commemorative stamps, Comic Strip Classics , marking the comic-strip centennial. Today's strip artists, with the help of
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#17330850195494004-401: The late 1960s, it became a mouthpiece for Capp's repudiation of the counterculture. Pogo used animals to particularly devastating effect, caricaturing many prominent politicians of the day as animal denizens of Pogo's Okeefenokee Swamp. In a fearless move, Pogo's creator Walt Kelly took on Joseph McCarthy in the 1950s, caricaturing him as a bobcat named Simple J. Malarkey, a megalomaniac who
4081-403: The late 19th century. The Yellow Kid is usually credited as one of the first newspaper strips . However, the art form combining words and pictures developed gradually and there are many examples which led up to the comic strip. The Glasgow Looking Glass was the first mass-produced publication to tell stories using illustrations and is regarded as the world's first comic strip. It satirised
4158-505: The members with his drawings and the force of his personality. The comic strip was safe for satire. During the early 20th century, comic strips were widely associated with publisher William Randolph Hearst , whose papers had the largest circulation of strips in the United States. Hearst was notorious for his practice of yellow journalism , and he was frowned on by readers of The New York Times and other newspapers which featured few or no comic strips. Hearst's critics often assumed that all
4235-460: The movie was never made. His final work was Threat published in 1981. He died of cancer in 1982. Tom Corbett, Space Cadet Tom Corbett is the main character in a series of Tom Corbett—Space Cadet stories that were depicted in television , radio , books, comic books , comic strips , and other media in the 1950s. The stories followed the adventures of Corbett, Astro, and Roger Manning (originally; later, T.J. Thistle), cadets at
4312-462: The nation's first full daily comic page in his New York Evening Journal . The history of this newspaper rivalry and the rapid appearance of comic strips in most major American newspapers is discussed by Ian Gordon . Numerous events in newspaper comic strips have reverberated throughout society at large, though few of these events occurred in recent years, owing mainly to the declining use of continuous storylines on newspaper comic strips, which since
4389-674: The picturesque ran to 9 editions between 1812 and 1819, spun off two sequels, a prequel, numerous pirate imitations and copies including French, German, Danish and translations. His image was available on pottery, textiles wallpaper and other merchandise. The Caricature Magazine or Hudibrastic Mirror , an influential English comic series published in London between 1807 and 1819 by Thomas Tegg included some satirical stories in comic strip format such as The Adventures of Johnny Newcome . The first newspaper comic strips appeared in North America in
4466-612: The political and social life of Scotland in the 1820s. It was conceived and illustrated by William Heath. Swiss author and caricature artist Rodolphe Töpffer (Geneva, 1799–1846) is considered the father of the modern comic strips. His illustrated stories such as Histoire de Mr. Vieux Bois (1827), first published in the US in 1842 as The Adventures of Obadiah Oldbuck or Histoire de Monsieur Jabot (1831), inspired subsequent generations of German and American comic artists. In 1865, German painter, author, and caricaturist Wilhelm Busch created
4543-812: The pseudonym Carey Rockwell, with Willy Ley as technical advisor. In 1953 a slim children's book titled Tom Corbett's Wonder Book of Space (or Tom Corbett: A Trip to the Moon ) was written by Marcia Martin and published by Wonder Books. The Tom Corbett — Space Cadet comic strip , drawn in Milton Caniff style by Ray Bailey, ran Sunday and daily in American newspapers, from September 9, 1951 to September 6, 1953. Paul S. Newman scripted through February 8, 1953. The strips from September 9, 1951 to July 31, 1952 were republished by Eternity Comics as five issues of The Original Tom Corbett, Space Cadet . The original Tom Corbett series
4620-736: The radio program was the same as for the television series. It ran from January 1-June 26, 1952, as a half-hour show twice a week, on Tuesday and Thursday. Each story line would start on Tuesday and end on Thursday. Many of the radio episodes were based on television episodes. A radio version produced in Australia used local actors. The radio drama company The Colonial Radio Theatre on the Air produced two "radio dramatization" audio versions of BlueWater/Tidalwave titles, Tom Corbett Space Cadet (2012), and Tom Corbett Space Cadet: Danger in Deep Space (2013). There
4697-439: The reproduction of strips (which they arranged to have colored in the case of Sunday strips). Michigan State University Comic Art Collection librarian Randy Scott describes these as "large sheets of paper on which newspaper comics have traditionally been distributed to subscribing newspapers. Typically each sheet will have either six daily strips of a given title or one Sunday strip. Thus, a week of Beetle Bailey would arrive at
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#17330850195494774-501: The screenplay for Chuka, about the lone survivor of a massacre by Arapahoe Indians in the 1870s. The movie starred Rod Taylor, Ernest Borgnine and John Mills. Mr. Jessup also wrote Foxway, a novel published in 1971 about a psychologically distraught young combat veteran of Vietnam. His last novel, Threat, published 1981, also dealt with a Vietnam veteran, this one who was working his way through Columbia University by robbing bookies in an effort to raise ransom money for his twin brother,
4851-493: The screenplay for the film of the same name for actor and producer Rod Taylor . Jessup wrote a series of three Westerns featuring Wyoming Jones under the name Richard Telfair. With his Western series ending, in the same year he wrote again as Telfair for a series of spy novels featuring Montgomery Nash. He used the name Telfair for an original novel based on the TV series Danger Man (the half-hour precursor to " Secret Agent ", as it
4928-413: The second panel revealing the truth of the situation. Sunday newspapers traditionally included a special color section. Early Sunday strips (known colloquially as "the funny papers", shortened to "the funnies"), such as Thimble Theatre and Little Orphan Annie , filled an entire newspaper page, a format known to collectors as full page . Sunday pages during the 1930s and into the 1940s often carried
5005-494: The sports page because of its subject matter. Lynn Johnston 's For Better or For Worse created an uproar when Lawrence, one of the strip's supporting characters, came out of the closet. The world's longest comic strip is 88.9-metre (292 ft) long and on display at Trafalgar Square as part of the London Comedy Festival. The London Cartoon Strip was created by 15 of Britain's best known cartoonists and depicts
5082-412: The strip Max and Moritz , about two trouble-making boys, which had a direct influence on the American comic strip. Max and Moritz was a series of seven severely moralistic tales in the vein of German children's stories such as Struwwelpeter ("Shockheaded Peter"). In the story's final act, the boys, after perpetrating some mischief, are tossed into a sack of grain, run through a mill, and consumed by
5159-451: The strips in his papers were fronts for his own political and social views. Hearst did occasionally work with or pitch ideas to cartoonists, most notably his continued support of George Herriman 's Krazy Kat . An inspiration for Bill Watterson and other cartoonists, Krazy Kat gained a considerable following among intellectuals during the 1920s and 1930s. Some comic strips, such as Doonesbury and Mallard Fillmore , may be printed on
5236-505: The way for some of these strips, as its human characters were manifest in diverse forms—as animals, vegetables, and minerals. The comics have long held a distorted mirror to contemporary society, and almost from the beginning have been used for political or social commentary. This ranged from the conservative slant of Harold Gray's Little Orphan Annie to the unabashed liberalism of Garry Trudeau's Doonesbury . Al Capp's Li'l Abner espoused liberal opinions for most of its run, but by
5313-453: The work over the side. In 1948, he left the sea behind and began a career as a full-time writer, averaging 10 hours a day at the typewriter. He designed and built a home in Connecticut, where he lived until moving to Florida a few years ago. Several of his novels drew upon his experiences at sea; one of them, Sailor, about a youth who signs on as a merchant seaman and sails around the world,
5390-555: Was also a musical recording, "Tom Corbett, Space Cadet, Song and March" in 1951 ("Space Cadet Song” b/w an instrumental version called "Space Cadet March"). These were performed by the “Space Cadet Marching Band and Chorus” (in reality, studio musicians directed by Columbia Records executive Mitch Miller ) and released on Simon & Schuster’s Golden Records kiddie label. There was a Tom Corbett—Space Cadet View-Master packet containing three reels. Its three-dimensional photographs were brilliantly colored but were taken of sculptures of
5467-513: Was bent on taking over the characters' birdwatching club and rooting out all undesirables. Kelly also defended the medium against possible government regulation in the McCarthy era . At a time when comic books were coming under fire for supposed sexual, violent, and subversive content, Kelly feared the same would happen to comic strips. Going before the Congressional subcommittee, he proceeded to charm
5544-603: Was described in The New York Times as a seafaring novel written with salt spray and affection. Mr. Jessup wrote more than 60 books, most of them paperback originals about crime ( A Rage to Die ), detectives ( Cry Passion ), Indians ( Comanche Vengeance ) and adventure ( The Deadly Duo, about an American reporter who tries to foil a murder on the Riviera). He wrote under several pseudonyms, including Richard Telfair, and he also wrote radio shows and television scripts. Book Becomes
5621-457: Was known in the US) called Target for Tonight in 1962. Inspired by The Hustler , Jessup wrote a novel of poker playing called The Cincinnati Kid that was filmed with Steve McQueen. In 1962, another of his novels, The Deadly Duo , was also filmed. In 1969, he wrote Sailor based on his experiences as a merchant seaman. Otto Preminger bought the rights to his novel Foxway for filming, but
5698-642: Was partnered. As the popularity of the television series waned, Dell stopped producing the comic book at #11 in 1954, and the series was taken up in 1955 by Prize Comics for three issues. All eleven Dell issues were reprinted in black and white by the UK based World Distributors , with some cover rearrangements and material omissions. The Dell standalone issues were re-released digitally—albeit not in publication order—by Bluewater Comics as Tom Corbett: Space Cadet Classics in 2014–2015. In 2017, PS Artbooks released two volumes as part of their "Pre-Code Classics" line, collecting
5775-406: Was published by Dell Comics beginning in their Four Color series, which was used to try out new story lines on the public to obtain feedback. After three tryout issues, Corbett moved to a standalone title which began numbering at #4. Corbett was also featured in a 1953 issue of Boys and Girls March of Comics , published by the K.K. Publications imprint of Western Publishing , with which Dell
5852-711: Was the Prince Valiant strip for 11 April 1971. Comic strips have also been published in Sunday newspaper magazines. Russell Patterson and Carolyn Wells' New Adventures of Flossy Frills was a continuing strip series seen on Sunday magazine covers. Beginning January 26, 1941, it ran on the front covers of Hearst's American Weekly newspaper magazine supplement, continuing until March 30 of that year. Between 1939 and 1943, four different stories featuring Flossy appeared on American Weekly covers. Sunday comics sections employed offset color printing with multiple print runs imitating
5929-561: Was unusual, as there were no central characters. Instead The Far Side used a wide variety of characters including humans, monsters, aliens , chickens, cows, worms , amoebas , and more. John McPherson's Close to Home also uses this theme, though the characters are mostly restricted to humans and real-life situations. Wiley Miller not only mixes human, animal, and fantasy characters, but also does several different comic strip continuities under one umbrella title, Non Sequitur . Bob Thaves 's Frank & Ernest began in 1972 and paved
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