97-471: Penmetsa Ram Gopal Varma (born 7 April 1962), often referred to by his initials RGV , is an Indian film director, screenwriter and producer, known for his works in Telugu cinema in addition to Hindi , Kannada language films, and television. Varma has directed films across multiple genres, including parallel cinema and docudrama noted for their gritty realism , technical finesse, and craft. Regarded as one of
194-620: A Bollywood Movie Award for best direction, and was premiered at the 2004 Austin Film Festival ) and the 2005 film D (which he produced), were also featured in the Fribourg International Film Festival , and the New York Asian Film Festival . In 1991, Varma experimented with the supernatural thriller , Raat , and the 1992 Neo-noir , crime film Drohi , and gained positive reviews from critics. During
291-763: A memorandum of understanding with the Motion Picture Association of America to combat video piracy. In the years 2005, 2006, 2008, and 2014 the industry has produced the largest number of films in India, exceeding the number of films produced in Bollywood . The digital cinema network company UFO Moviez marketed by Southern Digital Screenz (SDS) has digitised several cinemas in the region. The Film and Television Institute of Telangana, Film and Television Institute of Andhra Pradesh, Ramanaidu Film School and Annapurna International School of Film and Media are some of
388-584: A psychological thriller , and Ab Tak Chhappan (2004), a film about an inspector in the Mumbai Encounter Squad noted for having killed 56 people in encounters, featured at the Fantastic Fest . In 2006, he re-made a new installment of Shiva , which was screened at the New York Asian Film Festival , where in a retrospective featuring Varma's experimental hits such as Company , Ek Hasina Thi , Ab Tak Chhappan , Sarkar , Contract , and Shabri
485-569: A "must watch" with children. Eega won various awards at the 8th Toronto After Dark Film Festival . Sub Genre war drama Kanche (2015) by Krish Jagarlamudi explored the 1944 Nazi attack on the Indian army in the Italian campaign , during World War II in an engrossing background tale of caste-ism while giving it a technically brilliant cinematic rendition. Sankalp Reddy explored submarine warfare in his directorial debut Ghazi (2017), based on
582-401: A Talk Show titled Ramuism. The show is being aired on a Telugu channel since September 2014. The show is noted for its fresh and witty appeal. The show focuses on Varma's Point of View on social issues such as Education, Religion, Mythology, Children, Crime, Death, Anger, Godmen, Woman, Philosophy, Cinema etc. The show is hosted by Swapna , the managing editor of Sakshi TV . He has also made
679-401: A Telugu person. He sent his son, Raghupathi Surya Prakash Naidu (R. S. Prakash) to study filmmaking in the studios of England , Germany , and United States . In 1921, they made Bhishma Pratigna , generally considered as the first Telugu feature film. Venkaiah Naidu produced the film, while R. S. Prakash directed and produced it along with playing the title character Bhishma . As
776-501: A documentary called God, Sex and Truth with adult actress Mia Malkova . Varma wrote an autobiography titled Na Ishtam ("As I Please"), which discusses his life experiences and philosophy. 'Naa Ishtam' was released in December 2010 at Taj Banjara, Hyderabad. Sirasri , poet, lyricist and writer wrote a biographical book on the interactions he had with Ram Gopal Varma with the title Vodka With Varma . Director Puri Jagannadh launched
873-572: A few gangsters." Varma was married to Ratna, whom he later divorced. They have a daughter. Varma has garnered the National Film Award , the Bimal Roy Memorial National Award, seven state Nandi Awards , two Bollywood Filmfare Awards , and five Bollywood Movie Awards . Telugu cinema Telugu cinema , also known as Tollywood , is the segment of Indian cinema dedicated to the production of motion pictures in
970-429: A film buff, through his uncle. Varma would skip classes often and watch films instead. He would watch the same film repeatedly "just to watch certain scenes which interested him." According to him, that is how he learned film direction. In an interview to Tehelka , Varma talked about his relationship with his parents and the reasons behind his decision to become a filmmaker. From my parents' perspective, I looked like
1067-456: A folklore film hero into a star of social films. Missamma (1955), directed by L. V. Prasad , and adapted from two Bengali works, became a landmark in Telugu cinema. It was celebrated for its blend of humour, drama, and social commentary. Savitri emerged as a leading actress after this film. Likewise, Thodi Kodallu (1957) and Mangalya Balam (1959) were also adapted from Bengali novels. In
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#17328701974571164-559: A long-lasting precedence of focusing exclusively on religious themes — Gajendra Moksham , Nandanar , and Matsyavataram —three of their most noted productions, centred on religious figures, parables, and morals. The first Telugu film with audible dialogue, Bhakta Prahlada , was directed by H. M. Reddy . Bhakta Prahlada was shot over 18 or 20 days at Imperial Studios, Bombay and was produced by Ardeshir Irani who also produced Alam Ara , India's first sound film . The film had an all-Telugu starcast featuring Sindhoori Krishna Rao as
1261-854: A moderate success at the box office. During this period, Varma produced films such as Money and Money Money . Other films by Varma in Telugu include Gulabi (1995); Madhyanam Hathya (2004); Rakta Charitra (2010), Dongala Mutha (2011), Rowdy (2014), Ice Cream (2014). Varma introduced online auction based film distribution model for this venture, and tasted success. Varma's notable mainstream works in Hindi cinema include Daud (1997), Darna Zaroori Hai (2006), Nishabd (2007), Darling (2007), and Phoonk (2008). Bollywood film makers such as Anurag Kashyap , Madhur Bhandarkar , Puri Jagannadh , E. Nivas , Prawaal Raman , Krishna Vamsi , Vishram Sawant , and Hansal Mehta assisted Varma, before venturing into direction. In 1993, he scripted
1358-485: A modern-day setting as opposed to mythological and folklore films. Later, more 'social films' i.e. films based on contemporary life and social issues, were made by filmmakers. Notable among them was Vandemataram (1939), touching on societal problems like the practice of dowry . Telugu films began to focus more on contemporary life, with 29 of the 96 films released between 1937 and 1947 featuring social themes. In 1938, Gudavalli Ramabrahmam has co-produced and directed
1455-405: A new era of comedy in Telugu cinema, where his movies captivated audiences with their blend of humour and social commentary . "Before his movies, comedy was a small part of movies and comedians were sidekicks to the hero or villain. Jandhyala proved that comedy can itself be a full-length subject and achieved a great success in this endeavor." His films are well known as clean entertainers affable to
1552-525: A period of time, I developed a low-angle fascination for larger than life people. I was always a loner – not because I was unhappy, but because I live away from myself, not just others. I like to study myself – the way I am walking, talking, behaving. My constant obsession with studying myself and other people is perhaps the primary motivation for me to be a filmmaker. After a brief stint as a site engineer for Krishna Oberoi hotel in Hyderabad , he put his dreams on
1649-439: A useless bum. It was the truth. I had no objective. I was just fascinated by people, so I used to study their behaviour. I was most fascinated by the bullies in my classroom. They were like gangsters for me. They had the guts to push around people, do things I couldn't— perhaps did not even want to do myself. But I'd want a friend like that (laughs). I used to adulate them like heroes. That was my first touch with anti-socialism. Over
1746-406: A vital role during this era, with the double act of Relangi and Ramana Reddy becoming immensely popular. Their performances provided comic relief in several films. This era, marked by groundbreaking films, innovative storytelling, and international recognition, remains a golden chapter in the history of Telugu cinema. The Telugu film industry, commonly known as Tollywood, traces its origins to
1843-462: Is particularly revered for its innovative use of special effects , such as the first illusion of moonlight, showcasing the technical brilliance of the era. Mayabazar remains a classic, inspiring generations of filmmakers and continuing to captivate new audiences. In 2013, CNN-IBN included Mayabazar in its list of "100 greatest Indian films of all time," with the public voting it as the "greatest Indian film of all time." This period also continued
1940-457: Is the first Indian film depicting the Indian movie world. The film was directed by Y. V. Rao and scripted by Balijepalli Lakshmikantha Kavi , starring V. Nagayya . Rao subsequently made the sequel films Savithri and Sathyabhama (1941–42) casting thespian Sthanam Narasimha Rao . The outbreak of World War II and the subsequent resource scarcity caused the British Raj to impose a limit on
2037-510: The 13th IFFI' 90 Indian Panorama mainstream section, and has won Varma, the state Nandi Awards for Best direction , Best first film of a director , and the Filmfare Award for Best Film – Telugu . Subsequently, the film was included in CNN-IBN 's list of 100 greatest Indian films of all time. Varma's next directorial was Kshana Kshanam (1991), the neo-noir heist film being featured at
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#17328701974572134-694: The 9th IIFA World Premiere-Bangkok , and was archived at the Academy of Motion Pictures library . In 2013, he directed a docudrama , The Attacks of 26/11 , showcased to critical acclaim at the Berlin International Film Festival , in the Panorama as well as the Competition section, and was premièred at Films Division of India . The film received highly positive reviews, with critics praising Varma's narrative of assistant commissioner N. R. Mahale, and
2231-531: The Ann Arbor Film Festival , won him another Nandi Award for Best Direction, and the Nandi Award for Best Screenplay Writer . The 1993 political drama , Gaayam received six state Nandi Awards. In 1999, he directed Prema Katha for which he received his third Nandi Award for Best Director . Varma is known for directing and presenting pan-Indian works casting actors across the country, such as
2328-668: The Erasing Borders Festival of Classical Dance, Indo-American Arts Council , New York, 2013. Experimental film Parampara has garnered the Platinum Award for Best Feature at the International Indonesian Movie Awards. 2018 biographical film Mahanati based on the life of veteran actress Savitri has garnered the "Equality in Cinema Award" at the 2018 Indian Film Festival of Melbourne . During
2425-563: The Fribourg International Film Festival , Switzerland; a retrospective of his filmography, highlighting Mumbai Noir was staged by film critic Edouard Waintrop, a delegate in the Directors' Fortnight of the Cannes Film Festival . Satya and Company , in particular, were cited by British director Danny Boyle as influences on his Academy Award -winning film Slumdog Millionaire (2008), for their "slick, often mesmerizing portrayals of
2522-561: The Indian Political Trilogy , and the Indian Gangster Trilogy ; film critic Rajeev Masand had labelled the latter series as one of the "most influential movies of Indian cinema. The first installment of the trilogy, Satya , was also listed in CNN-IBN 's 100 greatest Indian films of all time, fetching Varma the "Bimal Roy Award" for Best Direction. Varma fetched the National Film Award for scripting and producing
2619-529: The Mumbai underworld ", their display of "brutality and urban violence", and their gritty realism. In 2005, Varma directed the Godfatheresque - Sarkar , another super-hit thriller inspired by the life of Bal Thackeray and North Indian politics, which was screened to special mention at the New York Asian Film Festival , along with its sequel Sarkar Raj , which premiered at the 2008 Cannes Film Festival and
2716-546: The Raja of Challapalli , who produced Rojulu Marayi, acquired land in Hyderabad in March 1956 to set up a studio. In 1959, Maa Inti Mahalakshmi , the first Telugu film entirely filmed in Hyderabad, was released. Akkineni Nageswara Rao was one of the first prominent figures to move his film business entirely to Hyderabad, encouraging others to do the same and playing a crucial role in
2813-606: The Tamil thriller Thiruda Thiruda , screened at Toronto International Film Festival . In 2015, Varma was fined for Rs 10 Lakhs, for an alleged copyright violation with the film Aag (2007). He made his directorial debut in Kannada cinema with the thriller Killing Veerappan . Ram Gopal Varma announces his retirement from political filmmaking, declaring 'Shapadham' as his final project. Ram Gopal Varma made his début in Television through
2910-509: The Telugu language , widely spoken in the states of Andhra Pradesh and Telangana . Based in Film Nagar , Hyderabad , Telugu cinema has become the largest film industry in India by box-office revenue as of 2021. Telugu films sold 23.3 crore (233 million) tickets in 2022, the highest among all Indian film industries. As of 2023, Andhra Pradesh has the highest number of movie screens in India. Since 1909, filmmaker Raghupathi Venkaiah Naidu
3007-551: The United States . Speaking about the centenary of Indian cinema at the CII Media and Entertainment Summit 2012, filmmaker Shekhar Kapur said regional cinema is surpassing Hindi cinema in content and story, and cited Eega (2012) as an example. Kapur said he was impressed with its story and use of technology, and called it, "no less than a Hollywood superhero film". Shah Rukh Khan called Eega an "awesomely original" film and
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3104-618: The comedy thriller , Chantabbai , the vigilante thriller , Kondaveeti Donga the first Telugu film to be released on a 70 mm 6-Track Stereophonic sound , the western thriller Kodama Simham , and the action thriller , Gang Leader , popularised genre films with the highest estimated footfall. He received the Padma Vibhushan , the second-highest civilian award, in 2024. Sekhar Kammula debuted with his National Award -winning film, Dollar Dreams (2000) featuring dialogue in both Telugu and English. Dollar Dreams explored
3201-687: The social problem film , Mala Pilla starring Kanchanamala . The film dealt with the crusade against untouchability, prevailing in pre-independent India. In 1939, he directed Raithu Bidda , starring thespian Bellary Raghava . The film was banned by the British administration in the region, for depicting the uprise of the peasantry among the Zamindar 's during the British raj . The success of these films gave an impetus to Y. V. Rao , B. N. Reddy and others to produce films on social themes. Viswa Mohini (1940)
3298-600: The steadicam to Indian cinema with Siva . Later, he garnered attention in Bollywood with the romantic comedy film, Rangeela (1995) starring Aamir Khan . The film won seven Filmfare Awards . Rangeela was later remade in Hollywood as Win a Date with Tad Hamilton! . He then directed Satya (1998), which won six Filmfare Awards , including the Critics Award for Best Film , In 2005, Indiatimes Movies included Satya in its list of 25 Must See Bollywood Movies . Satya
3395-507: The "first legit Pan-Indian Superstar" in Indian cinema. Actors like Prabhas , Allu Arjun , Ram Charan and N. T. Rama Rao Jr. enjoy a nationwide popularity among the audiences after the release of their respective Pan-Indian films. RRR propelled Telugu cinema into the mainstream outside India, fuelling the growth of Pan-India movies. It received universal critical acclaim for its direction, screenwriting, cast performances, cinematography, soundtrack, action sequences and VFX . The film
3492-542: The 1950s, largely influenced by the formation of Andhra Pradesh in 1956. Sarathi Studios was established in Hyderabad in 1956, marking the beginning of this transition. It was the first film studio facility in Hyderabad. Before this, Hyderabad was primarily known for Hindi film releases. The success of Rojulu Marayi (1955), which ran for 100 days in Hyderabad, prompted the then Revenue Minister of Andhra Pradesh, K. V. Ranga Reddy to urge Telugu filmmakers to relocate to Hyderabad. In response, Yarlagadda Sivarama Prasad ,
3589-647: The 1990s, the Rayalaseema dialect was portrayed in films about the factional conflicts in the area, while the Telangana dialect, already having been pegged to villainous and comedic roles, saw an increase in this usage in reaction to the shift of the Telugu film production from Madras to Hyderabad. After the formation of the state of Telangana in 2014, Telangana culture gained more prominence, and more films were produced portraying Telangana culture, and dialect. Screenwriters such as Chandra Sekhar Yeleti experimented with
3686-641: The Royal Reel Award at the Canada International Film Festival . 2013 Social problem film , Naa Bangaaru Talli won Best Film award at the Detroit Trinity International Film Festival. Minugurulu (2014) about blind children received Best Indian Film at the "9th India International Children's Film Festival Bangalore ". 2013 Cultural film, O Friend, This Waiting! has received special mention at
3783-468: The Special Jury Award (Feature Film - Director) at the 46th National Film Awards . K. Raghavendra Rao explored devotional themes with Agni Putrudu (1987), Annamayya (1997), Sri Ramadasu (2006), Shirdi Sai (2012) and Om Namo Venkatesaya (2017) receiving various state honours. Singeetam Srinivasa Rao introduced science fiction to the Telugu screen with Aditya 369 (1991),
3880-475: The Telugu film industry produces over 300 films annually, contributing significantly to the region's economy and maintaining a prominent position in Indian cinema. The Prasads IMAX located in Hyderabad is one of the largest 3D IMAX screens, and the most attended cinema screen in the world. As per the CBFC report of 2014, the industry is placed first in India, in terms of films produced yearly. The industry holds
3977-449: The Telugu film industry to relocate from Madras to the new state capital, Hyderabad . Despite these calls, the industry remained in Madras, where studios were already established and actors and technicians were settled. One early response to the call for relocation was the establishment of Sarathi Studios in Hyderabad in 1956, although it initially struggled to attract filmmakers. Over time,
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4074-552: The back burner and decided to go to Nigeria to make some money. It was at this moment that he visited a video rental library in Hyderabad. He loved the idea and decided to start one of his own at Ameerpet in Hyderabad, through which he slowly developed connections with the film world. His father at that time was a long time sound engineer at Annapurna Studios . After working as an assistant director in Collector Gari Abbai and Rao Gari Illu , Akkineni Nageswara Rao gave him
4171-438: The best off-beat films of the year by various international juries. Paul Nicodemus of The Times of India cited Prashanth Varma 's super-hero film Hanu Man for merging elements of mythology with contemporary action, and offering a unique viewing experience in Indian cinema. Pan-Indian film is a term related to Indian cinema that originated with Telugu cinema as a mainstream commercial cinema appealing to audiences across
4268-579: The book in December 2012. In November 2015, Varma published his book Guns and Thighs: The Story of My Life , which discusses a wide range of subjects, from the influences and circumstances that drew him to cinematic techniques, his successful and unsuccessful films, his Bollywood idols, his live in relationship with Suchitra Krishnamoorthy his relationship with the media and the controversies dogging him, his philosophy of life, and Indian cinema . On this occasion, Varma said "I dedicated my book to Ayn Rand , Bruce Lee , Urmila Matondkar , Amitabh Bachchan , and
4365-497: The box office. In addition to mythological and social films, the period was marked by an increasing influence of world cinema and Bengali literature on Telugu filmmakers. The International Film Festival of India , initiated in 1952, exposed Indian filmmakers to global cinema, inspiring them to experiment with new storytelling techniques. Devadasu (1953), an adaptation of Sarat Chandra Chattopadhyay 's 1917 Bengali novel Devdas , transformed Akkineni Nageswara Rao (ANR) from
4462-502: The conflict between American dreams and human feelings. The film re-introduced social realism to Telugu screen, and brought back its lost glory which until then was stuck in its run-of-the-mill commercial pot-boilers. Vanaja (2006) won several international awards including the first prize in the live-action feature film category at the Chicago International Children's Film Festival . Dream (2012), has garnered
4559-547: The country with a spread to world markets. S. S. Rajamouli pioneered the pan-Indian films movement with duology of epic action films Baahubali: The Beginning (2015) and Baahubali 2: The Conclusion (2017), that changed the face of Indian cinema. "Pan-India film" is both a style of cinema and a distribution strategy, designed to universally appeal to audiences across the country and simultaneously released in multiple languages. Film journalists and analysts, such as Baradwaj Rangan and Vishal Menon, have labelled Prabhas as
4656-463: The decade include Mayabazar (1957), Panduranga Mahatyam (1957), Suvarna Sundari (1957), Bhookailas (1958), Jayabheri (1959), Sri Venkateswara Mahatyam (1960), and Raja Makutam (1960). Among these, K. V. Reddy's Mayabazar stands as a landmark in Indian cinema, blending myth, fantasy, romance, and humour in a timeless narrative. The film excelled in various departments, including production design, music, and cinematography. It
4753-416: The discrepancies associated with Mahale's interaction with Ajmal Kasab on anti terrorism. Varma's philosophy is influenced by Russian-American Novelist Ayn Rand , Philosopher Friedrich Nietzsche and authors like James Hadley Chase and Frederick Forsyth , as well as by Mad magazine. Varma's first runaway hit in Hindi cinema was Shiva (1990), the remake of his 1989 film Siva . Varma introduced
4850-574: The early 1990s, Hyderabad had become the central hub for Telugu cinema, further strengthened by the development of large film studios like Ramoji Film City , a 1,600-acre integrated film studio complex, which holds the Guinness World Record as the largest film production facility in the world. In 2006, 245 Telugu films were produced, the highest in India. The influence of Telugu cinema extended beyond regional boundaries, with many successful films being remade in other Indian languages. As of 2022,
4947-778: The early 20th century in Madras (now Chennai), which was the capital of the Madras Presidency , a region that included Andhra. Raghupathi Venkaiah Naidu , often regarded as the father of the Telugu film industry, was a pioneering figure who established Star of the East Films and the Glass Studio. The industry initially flourished in Madras, with major studios such as Vauhini Studios , founded by Moola Narayana Swamy and B. N. Reddy in 1948, and Prasad Studios, established by L. V. Prasad in 1956. The shift from Madras to Hyderabad began in
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#17328701974575044-459: The family audiences without any obscene language or double entendre . Aha Naa Pellanta! is considered one of the best comedy films in Telugu cinema. Ram Gopal Varma 's Siva , which attained cult status in Telugu cinema, is one of the first Telugu films produced after the migration of Telugu film industry from Madras to Hyderabad to feature characters speaking the Telangana dialect. Varma
5141-479: The film dealt with exploratory dystopian and apocalyptic themes. The edge of the seat thriller had characters which stayed human, inconsistent and insecure. The film's narrative takes the audience into the post apocalyptic experience through time travel, as well as folklore generation of 1500 CE, which including a romantic backstory, the "Time Machine" made it a brilliant work of fiction. Jandhyala popularly known as "Hasya Brahma" ( Brahma of comedy), ushered
5238-484: The film song. Playback singers like Ghantasala, Rao Balasaraswathi Devi , P. Leela , Jikki , P. B. Srinivas and P. Suseela emerged as prominent voices, defining the musical landscape of the era. This period also saw the rise of notable dance choreographers like Pasumarthi Krishnamurthy and Vempati Peda Satyam, who enhanced the artistic quality of Telugu cinema. The 1950s also saw the formation of Andhra State in 1953 and Andhra Pradesh in 1956 leading to calls for
5335-721: The film was also showcased in the United States . Nartanasala (1963) won three awards at the third Afro-Asian Film Festival in Jakarta . K. V. Reddy's Donga Ramudu (1955) was archived in the curriculum of the Film and Television Institute of India , and Nammina Bantu (1960) received critical acclaim at the San Sebastián International Film Festival . Films like Ummadi Kutumbam (1967), Sudigundalu (1968), and Bapu 's Sakshi (1967) were showcased at various international film festivals, highlighting
5432-611: The first Telugu film exhibitor and producer, Raghupathi Venkaiah Naidu is regarded as the 'Father of Telugu cinema'. From 1921 to 1931 about a dozen feature films were made by Telugu people . C. Pullayya made a three- reel short film, Markandeya (1926 or 1931) at his house in Kakinada . In 1921, the first cinema hall in Andhra , Maruthi Cinema was established in Vijayawada by Pothina Srinivasa Rao. Y. V. Rao and R. S. Prakash established
5529-465: The first ever permanent cinema theatre in Madras and all of South India . He later constructed the Crown Theatre and Globe Theatre. In his theatres, he screened American and European films as well as silent films made in various parts of India. In 1919, he started a film production company called 'Star of the East Films' also called 'Glass Studio', the first production company established by
5626-593: The first female producer of Telugu film industry. The first film studio in Andhra , Durga Cinetone, was built in 1936 by Nidamarthi Surayya in Rajahmundry . Sampurna Ramayanam (1936) was the first film produced by the studio relying mostly on local talent. In 1937, another studio called Andhra Cinetone was built in Visakhapatnam . However, both the studios were short-lived. Early Telugu silent films and talkies were deeply influenced by stage performances, continuing
5723-504: The formation of Andhra Pradesh opened new markets for Telugu films in the Telangana region, laying the groundwork for the industry's eventual expansion into Hyderabad. During this golden era, several Telugu films received international recognition. Malliswari (1951), a historical romance film directed by B. N. Reddy , was screened at the 1952 Peking film festival, making it the first Telugu film to be screened in China . A 16 mm print of
5820-456: The global reach of Telugu cinema. Vijaya Productions, led by Nagi Reddi and Chakrapani , became the most successful production company of the era. Their collaborative approach brought together some of the best talents in the industry, resulting in a string of hits that defined the golden age of Telugu cinema. Vijaya Productions operated like a Hollywood studio , with staff hired on monthly salaries, and working regular hours. Comedy also played
5917-597: The industry's relocation. He insisted on working in films produced in Andhra Pradesh, except for those made at Vauhini and Venus Studios in Madras. In 1976, the Andhra Pradesh government allocated 22 acres of land in Banjara Hills , Hyderabad, to Akkineni Nageswara Rao for the establishment of a film studio. This led to the founding of Annapurna Studios in 1976. By the 1970s and 1980s, most production houses had moved to Andhra Pradesh or opened branch offices there. By
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#17328701974576014-456: The largest film schools in India. The Telugu states consist of approximately 2800 theatres, the largest number of cinema halls of any state in India. Being commercially consistent, Telugu cinema had its influence over commercial cinema in India. The 1992 film Gharana Mogudu is the first Telugu film to gross over ₹ 10 crore at the box office. Produced on a shoestring budget of ₹ 1.2 crore, 2000 film Nuvve Kavali became sleeper hit of
6111-569: The late 1940s and 1950s. These studios played a crucial role in the development of Telugu cinema, contributing to the production of over 300 films between 1950 and 1960. Many Telugu-Tamil bilinguals were made during this period. During this era, the Telugu film industry became one of the largest producers of folklore , fantasy , and mythological films. Directors like K. V. Reddy and B. Vittalacharya pioneered these genres, creating films that captivated audiences with their imaginative storytelling. As demand for films grew, filmmakers recognised
6208-859: The late 1940s and early 1950s, many members of the Praja Natya Mandali and Abhyudaya Rachayithala Sangham, both affiliated with the Communist Party, transitioned into the film industry, bringing with them progressive ideas that subtly influenced the industry, though they eventually adapted to the commercial demands of mainstream cinema. During the 1950s and 1960s, Telugu film songs entered a golden era marked by exceptional lyricism, orchestration, and technological advancements. Prominent lyricists like Samudrala Sr. , Pingali Nagendra Rao , Devulapalli Krishna Sastry , and Kosaraju Raghavayya , alongside composers like Saluri Rajeswara Rao , Ghantasala , T. V. Raju , Pendyala , and Master Venu , set new standards for
6305-570: The late 1990s. It was screened for 200 days in 20 screens grossing over ₹ 20 crore . Dasari Narayana Rao directed the most number of films in the Telugu language, exploring themes such as aesthestics in Meghasandesam (1982), Battle of Bobbili in the biographical war film Tandra Paparayudu (1986), alternate history with Sardar Papa Rayudu (1980), and gender discrimination in Kante Koothurne Kanu (1998) for which he received
6402-477: The lead actors, which bought a rather fictional storyline a sense of authenticity at a time when the industry was being filled with unnecessary commercial fillers. It went on to gather a cult following in south India, with a dubbed Hindi version titled Hairaan released to positive reports from Bollywood critics, the Ann Arbor Film Festival , and the Fribourg Festival . Chiranjeevi 's works such as
6499-529: The lines of his earlier hit Raat . Bhoot became a major hit at the box office, and Varma was nominated for the Filmfare Best Director Award for the film. Bhoot was followed by even more horror movies, including hit films such as Darna Mana Hai (2003), Darna Zaroori Hai (2006), and Phoonk (2008), gaining Varma the status of ster of the Indian horror genre. Other experimental productions of Varma include Ek Hasina Thi (2003),
6596-527: The mysterious altercation between PNS Ghazi and INS Karanj during the Indo-Pakistani War of 1971 . Indo-Asian News Service called new-generation film maker Sandeep Vanga 's Arjun Reddy the "most original, experimental work to come out of Telugu cinema in a long time", and said the protagonist's (played by Vijay Deverakonda ) "rise, fall and rise ... is nothing short of poetic and heart wrenching". Actor-dancer Allu Arjun produced and acted in
6693-564: The mythological Sri Seeta Rama Jananam (1944) under his home production, Prathiba Picture, marking Akkineni Nageswara Rao 's debut in a lead role. The 1950s and 1960s are often regarded as the golden age of Telugu cinema. This era witnessed significant advances in production quality, the establishment of iconic studios, and the rise of influential filmmakers who shaped the industry. Prominent production houses such as Vijaya Productions , Vauhini Studios , Bharani Pictures , Prasad Art Pictures , and Annapurna Pictures were established during
6790-503: The nationwide popularity of Telugu actors. Baahubali 2 (2017) won the Saturn Award for Best International Film , while RRR (2022) became the first Indian feature film to win an Academy Award and received various international accolades, including an Academy Award and a Golden Globe for the song " Naatu Naatu " and a Critics' Choice Award for Best Foreign Language Film . From its inception, Telugu cinema has been renowned as
6887-739: The off beat film Aithe (2003) with a caption "all movies are not the same". Aithe was made on a shoestring budget of about 1.5 crores and went on to collect more than 6 crores. After almost two years he delivered another thriller Anukokunda Oka Roju (2005) both films were a refreshing change of pace to the audiences, produced by Gangaraju Gunnam . Aithe was remade in Tamil as Naam (2003) and in Malayalam as Wanted (2004). Mohana Krishna Indraganti explored themes of chastity and adultery in his 2004 literary adaptation Grahanam , based on Dosha Gunam written by social critic G. V. Chalam . The film
6984-451: The opportunity to direct the 1989 cult blockbuster, Siva , after being impressed by him. Rachel Dwyer, a reader in world cinema at the University of London -Department of South Asia, marked Varma's Satya as an experiment with a new genre, a variation of film noir that has been called Mumbai Noir , of which Varma is the acknowledged master. In 2010, Varma received critical acclaim at
7081-489: The pioneers of new age Indian cinema , he was featured in the BBC World series Bollywood Bosses in 2004. In 2006, Grady Hendrix of Film Comment , published by the Film at Lincoln Center cited Varma as "Bombay's Most Successful Maverick" for his works on experimental films . Starting his career as a civil engineer , he made an entry into Telugu cinema with the path-breaking crime thriller , Siva (1989) featured at
7178-812: The political crime drama, Shool (1999) cited by "India Today" as the "Best Cop Movie" of the 90's. His recent avant-garde works include hits such as the dramatised re-enactment of "Rayalaseema factionism" in Rakta Charitra (2010), the " 2008 Mumbai attacks " in The Attacks of 26/11 (2013), the " Operation Cocoon " in Killing Veerappan (2016), the "Vijayawada riots" in Vangaveeti (2016), N. T. R. in Lakshmi's NTR (2019), and Konda politics in Konda (2022). Varma
7275-519: The potential to remake earlier productions with enhanced cinematic techniques. Many mythological films originally made in the early talkie era, which featured actors from drama troupes and were limited by the technical constraints of the time, were reimagined in this era with improved technologies. Pathala Bhairavi (1951) emerged as the most successful folklore film of the decade and turned its lead actors, N. T. Rama Rao and S. V. Ranga Rao , into stars. Other notable mythological and folklore films from
7372-440: The preeminent centre of Hindu mythological films in India. Today, it is also recognised for its advanced technical crafts, particularly in visual effects and cinematography , making it one of the most sophisticated in Indian cinema. Telugu cinema has produced some of India's most expensive and highest-grossing films , including Baahubali 2 (2017), which holds the record as the highest-grossing film of all time in India. Over
7469-464: The producer nor the director of these two films were Telugus. In 1933, Sati Savitri directed by C. Pullayya received an honorary diploma at the 2nd Venice Film Festival . In the same year, Pruthvi Putra , based on the story of Narakasura was released. It starred Kalyanam Raghuramayya and was produced by Pothina Srinivasa Rao, who had previously built the first cinema hall in Andhra in 1921. This
7566-449: The rise of star-driven commercial films, technological advancements, and the development of major studios like Ramoji Film City , which holds the Guinness World Record as the largest film studio complex in the world. The 2010s marked a new era for Telugu cinema as a pioneer of the pan-Indian film movement, expanding its reach across India and globally. This established the industry as a major force in Indian and world cinema and boosted
7663-739: The sets of films such as Collector Gari Abbai and Rao Gari Illu . His father Krishnam Raju Varma, was a sound recordist at the Annapurna Studios . Varma met Nagarjuna Akkineni at the studio and narrated a scene to the actor which impressed him. The result of their collaboration was a film on the criminalisation of student politics – Siva . It was a commercially successful film that gave Varma an opportunity to demonstrate his technical expertise and story telling skills. Kshana Kshanam with Venkatesh , Gaayam with Jagapathi Babu and Anaganaga Oka Roju with J.D. Chakravarthy were successful, Govinda Govinda with Nagarjuna proved to be
7760-494: The short film, I Am That Change (2014), to spread awareness on individual social responsibility. The movie was directed by Sukumar , which was screened in theatres across Andhra Pradesh and Telangana on Indian Independence day, 2014. Adivi Sesh scripted the Neo-noir Kshanam (2016), based on a real life incident of a missing three-year-old girl. Sesh followed it up writing R.A.W. thriller Goodachari (2018), and
7857-469: The titular Prahlada , Munipalle Subbayya as Hiranyakasyapa , and Surabhi Kamalabai as Leelavathy. Bhakta Prahlada was completed on 15 September 1931, which henceforth became known as "Telugu Film Day" to commemorate its completion. Popularly known as talkies , films with sound quickly grew in number and popularity. In 1932, Sagar Movietone produced Sri Rama Paduka Pattabhishekam and Sakunthala , both directed by Sarvottam Badami . Neither
7954-423: The traditions of theatre onto the screen. These films often retained the same scripts, dialogues, and background settings as their stage counterparts. By 1936, the mass appeal of film allowed directors to move away from religious and mythological themes. That year, under the direction of Kruthiventi Nageswara Rao, Prema Vijayam , a film with a contemporary setting, was released. It was the first Telugu film with
8051-442: The trend of social films, which began in the late 1930s, focusing on contemporary issues and everyday life rather than mythology and fantasy. Notable social films from the decade included Pelli Chesi Choodu (1952), Puttillu (1953), Devadasu (1953), Pedda Manushulu (1954), Missamma (1955), Ardhangi (1955), Rojulu Marayi (1955), Donga Ramudu (1955), and Thodi Kodallu (1957), many of which performed well at
8148-501: The use of filmstrip in 1943 to 11,000 feet, a sharp reduction from the 20,000 feet that had been common till then. As a result, the number of films produced during the war was substantially lower than in previous years. Nonetheless, before the ban, an important shift occurred in the industry: Independent studios formed, actors and actresses were signed to contracts limiting whom they could work for, and films moved from social themes to folklore legends. Ghantasala Balaramayya , has directed
8245-488: The war docudrama Major (2022). Cinema Bandi (2022) scripted and directed by Praveen Kandregula, and produced by film making duo Raj and D. K. ; explored the theme of how a lost camera fuels dreams in a Telugu hamlet, winning the Jury Special Mention at the 53rd IFFI . Venu Yeldandi explored slice of life story from rural Telangana with Balagam (2023) hitting the right chords to be considered one of
8342-555: The years between his trilogy, from Satya in 1998 to D in 2005, Varma implemented different film genres in his craft. In 1999, he directed Kaun , a suspense thriller set entirely in one house and featuring only three actors, and Mast , a subversion of Hindi cinema's masala genre. In 2000, he directed Jungle , set entirely in a jungle , for which he was nominated for the Star Screen Award for Best Director . In 2003 he directed another supernatural thriller Bhoot on
8439-448: The years, Telugu filmmakers have also ventured into parallel and arthouse cinema. Films like Daasi (1988), Thilaadanam (2000), and Vanaja (2006), among others, received acclaim at major international film festivals such as Venice , Berlin , Karlovy Vary , Moscow , and Busan . Additionally, ten Telugu films have been featured in CNN-IBN 's list of the "100 Greatest Indian Films of All Time." Raghupathi Venkaiah Naidu
8536-597: Was a photographer and photographic studio owner in Madras who was drawn into filmmaking . Since 1909, he was involved in producing short films . He shot 12 three-minute-long short films and exhibited them in Victoria Public Hall , Madras . He also travelled to Bangalore , Vijayawada , Sri Lanka , Rangoon and Pegu to exhibit his films. In c. 1909-10 , he established a tent house called Esplanade in Madras to exhibit his films. In c. 1912-14 , he established Gaiety Theatre on Mount Road ,
8633-516: Was born on 7 April 1962 in a Telugu Hindu family to Krishna Raju Varma and Suryavathi. In an interview with Lakshmi Manchu on a talk show Varma said that he was born in Nampally Hyderabad He did his schooling at St. Mary's High School, Secunderabad and completed his BE degree in Civil engineering from V.R. Siddhartha Engineering College , Vijayawada. Even during this period, Varma remained
8730-670: Was considered one of the ten best films of the year by the National Board of Review , making it only the seventh non-English language film ever to make it to the list. The song " Naatu Naatu " won the Oscar for Best Original Song at the 95th Academy Awards , making it the first song from an Indian film, as well as the first from an Asian film, to win in this category. This made the film the first Indian film by an Indian production to win an Academy Award. St. Mary%27s High School, Secunderabad Too Many Requests If you report this error to
8827-520: Was credited with the introduction of steadicams and new sound recording techniques in Telugu films. Within a year of the film's release, more than ten steadicams were imported into India. Siva attracted the young audience during its theatrical run, and its success encouraged filmmakers to explore a variety of themes and make experimental Telugu films. Subsequently, Varma introduced road movie and film-noir to Indian screen with Kshana Kshanam . Varma experimented with close-to-life performances by
8924-412: Was directed by H. M. Reddy . The 1950s and 1960s are considered the golden age of Telugu cinema, featuring enhanced production quality, influential filmmakers, and notable studios, resulting in a variety of films that were both popular and critically acclaimed. The industry, initially based in Madras , began shifting to Hyderabad in the 1970s, completing the transition by the 1990s. This period also saw
9021-501: Was involved in producing short films and exhibiting them in different regions of South Asia. He established the first Indian-owned cinema halls in South India . In 1921, he produced the silent film , Bhishma Pratigna , generally considered to be the first Telugu feature film . As the first Telugu film producer and exhibitor, Naidu is regarded as the 'Father of Telugu cinema'. The first Telugu talkie film , Bhakta Prahlada (1932)
9118-487: Was shot with a digital camera on a modest budget of approximately ₹ 8 lakh, with artists and technicians reportedly working without any remuneration. B. Anuradha of Rediff.com noted, "In this offbeat film, Indraganti upholds the tirade against chauvinists who accuse a noble lady of infidelity, ignoring her denials with contempt". The film was featured at the Independent South Asian Film Festival in
9215-618: Was showcased among the Indian panorama section, at the 1998 International Film Festival of India , Varma received the Bimal Roy memorial award for best direction for this film. In the same year, he co-produced Dil Se.. , directed by Mani Ratnam , screened at the 1999 Berlin Film Festival , and won the Netpac Award , as well as two National Film Awards and six Filmfare Awards . Satya , together with his 2002 film Company (which he directed, won three IIFA Awards , seven Filmfare Awards, and
9312-450: Was staged. Shabri was also screened at Rome Film Festival . 2010 film on media, Rann was screened at Toronto International Film Festival . A two-part bilingual Parallel cinema Rakta Charitra (2010), on the theme of South Indian politics , was based on the life of Paritala Ravindra , and Maddela Cheruvu Suri; the film received praise from critics. Varma started his career in the Telugu film industry as an assistant director on
9409-409: Was the first Telugu talkie entirely financed by Telugu people. In 1934, the industry saw its first major commercial success with Lava Kusa . Directed by C. Pullayya and starring Parupalli Subbarao and Sriranjani , the film attracted unprecedented numbers of viewers to theatres and thrust the young industry into mainstream culture. Dasari Kotiratnam produced Sati Anasuya in 1935 and became
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