Misplaced Pages

#979020

115-784: Qp-Crazy is a Japanese hardcore punk band. The band was started by Crazy Skb in 1994. They usually perform in Japan, but they released their 9th Album タンク山の動物園(Tank Mountain Zoo) in the United States. Past Members Hardcore punk Hardcore punk (commonly abbreviated to hardcore or hXc ) is a punk rock subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as

230-438: A "pulse-group" that corresponds to the poetic foot . Normally such pulse-groups are defined by taking the most accented beat as the first and counting the pulses until the next accent. Scholes 1977b A rhythm that accents another beat and de-emphasises the downbeat as established or assumed from the melody or from a preceding rhythm is called syncopated rhythm. Normally, even the most complex of meters may be broken down into

345-602: A band which, apart from Bad Brains , has arguably had the biggest influence on the hardcore punk genre, and whose contributions to the music, ethics, aesthetic, and ethos are still widely acknowledged by hardcore bands of the 2020s. The band used faster rhythms and more aggressive, less melodic riffs than was common at the time. Minor Threat popularized the straight edge movement with its song " Straight Edge ", which spoke out against alcohol, drugs and promiscuity. MacKaye and Nelson ran their own record label, Dischord Records , which released records by D.C. hardcore bands, including

460-437: A basic pulse but a freer rhythm, like the rhythm of prose compared to that of verse. See Free time (music) . Finally some music, such as some graphically scored works since the 1950s and non-European music such as Honkyoku repertoire for shakuhachi , may be considered ametric . Senza misura is an Italian musical term for "without meter", meaning to play without a beat, using time to measure how long it will take to play

575-430: A chain of duple and triple pulses either by addition or division . According to Pierre Boulez , beat structures beyond four, in western music, are "simply not natural". The tempo of the piece is the speed or frequency of the tactus , a measure of how quickly the beat flows. This is often measured in 'beats per minute' ( bpm ): 60 bpm means a speed of one beat per second, a frequency of 1 Hz. A rhythmic unit

690-413: A change in rhythm, which implies an inadequate perception of musical meaning. The study of rhythm, stress, and pitch in speech is called prosody (see also: prosody (music) ): it is a topic in linguistics and poetics , where it means the number of lines in a verse , the number of syllables in each line and the arrangement of those syllables as long or short, accented or unaccented. Music inherited

805-523: A characteristic tempo and measure. The Imperial Society of Teachers of Dancing defines the tango , for example, as to be danced in 4 time at approximately 66 beats per minute. The basic slow step forwards or backwards, lasting for one beat, is called a "slow", so that a full "right–left" step is equal to one 4 measure. ( See Rhythm and dance .) The general classifications of metrical rhythm , measured rhythm , and free rhythm may be distinguished. Metrical or divisive rhythm, by far

920-463: A double tempo (denoted as R012 = repeat from 0, one time, twice faster): However, the motive with this rhythm in the Moussorgsky's piece is rather perceived as a repeat This context-dependent perception of rhythm is explained by the principle of correlative perception, according to which data are perceived in the simplest way. From the viewpoint of Kolmogorov 's complexity theory, this means such

1035-518: A giant red mohawk and the band continued to wear swastikas , an approach influenced by the wearing of this symbol by 1970s punks such as Sid Vicious . Because of this, the Exploited were labeled by others in the scene as "cartoon punks". Other influential UK hardcore bands from this period included GBH , Anti-Establishment , Antisect , Broken Bones , Chaos UK , Conflict , Dogsflesh , English Dogs , and grindcore innovators Napalm Death . There

1150-534: A hardcore scene known as "nardcore" developed with bands like Agression , Ill Repute , Dr. Know , and Rich Kids on LSD . Whilst popular traditional punk bands such as the Clash , Ramones, and Sex Pistols were signed to major record labels, the hardcore punk bands were generally not. Black Flag, however, was briefly signed to MCA subsidiary Unicorn Records but were dropped because an executive considered their music to be "anti-parent". Instead of trying to be courted by

1265-673: A hardcore style (shaved head and boots) as being based on needing more functional clothing. Skateboard culture, streetwear, and workwear are also major influences on clothing worn by participants in both past and present eras of hardcore. Music writer Barney Hoskyns attributed hardcore being younger, faster and angrier than punk rock, to adolescents who were sick of their life in a "bland Republican " America. Hardcore punk lyrics often express antiestablishment , antimilitarist , antiauthoritarian , antiviolence , and pro- environmentalist sentiments, in addition to other typically left-wing , anarchist , or egalitarian political views. During

SECTION 10

#1732868818980

1380-417: A parody of conservative bands. Another act from Massachusetts, Vile, were known to insult women, minorities and gay people in their lyrics and would even go as far as putting their albums on the windshields of people's cars. On the other hand, Tim Yohannan and the influential punk rock fanzine Maximumrocknroll were criticized by some punks for acting as the "politically correct scene police", having what

1495-492: A pattern that is short enough to memorize. The alternation of the strong and weak beat is fundamental to the ancient language of poetry, dance and music. The common poetic term "foot" refers, as in dance, to the lifting and tapping of the foot in time. In a similar way musicians speak of an upbeat and a downbeat and of the "on" and "off" beat . These contrasts naturally facilitate a dual hierarchy of rhythm and depend on repeating patterns of duration, accent and rest forming

1610-553: A piano-roll recording contains tempo deviations within [REDACTED] . = 19/119, a span of 5.5 times. Such tempo deviations are strictly prohibited, for example, in Bulgarian or Turkish music based on so-called additive rhythms with complex duration ratios, which can also be explained by the principle of correlativity of perception. If a rhythm is not structurally redundant, then even minor tempo deviations are not perceived as accelerando or ritardando but rather given an impression of

1725-568: A radio show featuring hardcore called Capital Radio, hosted by Brad Morrison, beginning in February 1979 and continuing weekly until late 1983. In New York City , Tim Sommer hosted Noise The Show on WNYU . By 1984, the Ramones , one of the original New York punk bands, were experimenting with hardcore, with two songs, "Wart Hog" and "Endless Vacation" on their album Too Tough To Die . Minneapolis hardcore consisted of bands such as Hüsker Dü and

1840-579: A radio show in 1977, but branched out into a fanzine in 1982. While not as large as the scene in Los Angeles, the hardcore scene of the early 1980s included a number of noteworthy bands originating from the San Francisco Bay Area , including Bl'ast , Crucifix , the Faction , Fang , Flipper , and Whipping Boy . Additionally, during this time, seminal Texas -based bands Dirty Rotten Imbeciles ,

1955-471: A reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington, D.C. , and New York punk rock and early proto-punk . Hardcore punk generally disavows commercialism , the established music industry and "anything similar to the characteristics of mainstream rock " and often addresses social and political topics with "confrontational, politically charged lyrics". Hardcore sprouted underground scenes across

2070-425: A representation of the data that minimizes the amount of memory. The example considered suggests two alternative representations of the same rhythm: as it is, and as the rhythm-tempo interaction – a two-level representation in terms of a generative rhythmic pattern and a "tempo curve". Table 1 displays these possibilities both with and without pitch, assuming that one duration requires one byte of information, one byte

2185-419: A series of beats that we abstract from the rhythm surface of the music as it unfolds in time". The "perception" and "abstraction" of rhythmic measure is the foundation of human instinctive musical participation, as when we divide a series of identical clock-ticks into "tick-tock-tick-tock". Joseph Jordania recently suggested that the sense of rhythm was developed in the early stages of hominid evolution by

2300-517: A shape and structure of their own, also function as integral parts of a larger ["architectonic"] rhythmic organization. Most music, dance and oral poetry establishes and maintains an underlying "metric level", a basic unit of time that may be audible or implied, the pulse or tactus of the mensural level , or beat level , sometimes simply called the beat . This consists of a (repeating) series of identical yet distinct periodic short-duration stimuli perceived as points in time. The "beat" pulse

2415-511: A shift into hardcore. Similar to Black Flag and Youth Brigade, Dead Kennedys released their albums on their own label, which in DK's case was Alternative Tentacles . The scene was helped in particular by the San Francisco club Mabuhay Gardens , whose promoter, Dirk Dirksen , became known as "The Pope of Punk". Another important local institution was Tim Yohannan 's Maximumrocknroll , which started as

SECTION 20

#1732868818980

2530-410: A single, accented (strong) beat and either one or two unaccented (weak) beats. In the performance arts , rhythm is the timing of events on a human scale; of musical sounds and silences that occur over time, of the steps of a dance, or the meter of spoken language and poetry. In some performing arts, such as hip hop music , the rhythmic delivery of the lyrics is one of the most important elements of

2645-414: A strong pulse are strong , on a weak pulse, weak and those that end on a strong or weak upbeat are upbeat . Rhythm is marked by the regulated succession of opposite elements: the dynamics of the strong and weak beat, the played beat and the inaudible but implied rest beat , or the long and short note. As well as perceiving rhythm humans must be able to anticipate it. This depends on repetition of

2760-459: A style of dance in which participants push or slam into each other, and stage diving . Moshing works as a vehicle for expressing anger by "represent[ing] a way of playing at violence or roughness that allowed participants to mark their difference from the banal niceties of middle-class culture". Moshing is in another way a " parody of violence", that nevertheless leaves participants bruised and sometimes bleeding. The term mosh came into use in

2875-408: Is "usually associated with the further evolution of California's L.A. Punk Rock scene", which included young skateboarders. A September 1981 article by Tim Sommer shows the author applying the term to the "15 or so" punk bands gigging around the city at that time, which he considered a belated development relative to Los Angeles, San Francisco, and Washington, D.C. Blush said that the term "hardcore"

2990-405: Is a durational pattern that has a period equivalent to a pulse or several pulses. The duration of any such unit is inversely related to its tempo. Musical sound may be analyzed on five different time scales, which Moravscik has arranged in order of increasing duration. Curtis Roads takes a wider view by distinguishing nine-time scales, this time in order of decreasing duration. The first two,

3105-570: Is a subject of particular interest to outsiders while African scholars from Kyagambiddwa to Kongo have, for the most part, accepted the conventions and limitations of staff notation, and produced transcriptions to inform and enable discussion and debate. John Miller has argued that West African music is based on the tension between rhythms, polyrhythms created by the simultaneous sounding of two or more different rhythms, generally one dominant rhythm interacting with one or more independent competing rhythms. These often oppose or complement each other and

3220-556: Is also a reference to the sense of being "fed up" with the existing punk and new wave music . Blush also states that the term refers to "an extreme: the absolute most Punk". Kelefa Sanneh states that the term "hardcore" referred to an attitude of "turning inwards" towards the scene and "ignoring broader society", all with the goal of achieving a sense of "shared purpose" and being part of a community. Sanneh cites Agnostic Front 's band member selection approach as an example of hardcore's emphasis on "scene citizenship"; prospective members of

3335-448: Is any durational pattern that, in contrast to the rhythmic unit, does not occupy a period of time equivalent to a pulse or pulses on an underlying metric level. It may be described according to its beginning and ending or by the rhythmic units it contains. Rhythms that begin on a strong pulse are thetic , those beginning on a weak pulse are anacrustic and those beginning after a rest or tied-over note are called initial rest . Endings on

3450-535: Is fundamental, so that a person's sense of rhythm cannot be lost (e.g. by stroke). "There is not a single report of an animal being trained to tap, peck, or move in synchrony with an auditory beat", Sacks write, "No doubt many pet lovers will dispute this notion, and indeed many animals, from the Lipizzaner horses of the Spanish Riding School of Vienna to performing circus animals appear to 'dance' to music. It

3565-469: Is important in hardcore. Noisey magazine describes one hardcore band as "an all-encompassing, full-volume assault" in which "[e]very instrument sounds like it's competing for the most power and highest volume". Scott Wilson states that the hardcore of the Bad Brains emphasized two elements: "off-the-charts" loudness which reached a level of threatening, powerful "uncompromising noise" and rhythm, in place of

Qp-Crazy - Misplaced Pages Continue

3680-402: Is needed for the pitch of one tone, and invoking the repeat algorithm with its parameters R012 takes four bytes. As shown in the bottom row of the table, the rhythm without pitch requires fewer bytes if it is "perceived" as it is, without repetitions and tempo leaps. On the contrary, its melodic version requires fewer bytes if the rhythm is "perceived" as being repeated at a double tempo. Thus,

3795-507: Is not a common word or phrase in the English Language, appearing approximately 0.01 times per million words in modern written English. Counter Rhythm has been on a steady decrease in usage since its conception, with the exception of a spike in usage in the 1970s. Previous definitions that have been phased out include, "The musical counter-rhythms which Marlowe introduced" and "Splashes of counter-rhythms, flashing tremolos" (OED ).   In

3910-434: Is not clear whether they are doing so or are responding to subtle visual or tactile cues from the humans around them." Human rhythmic arts are possibly to some extent rooted in courtship ritual. The establishment of a basic beat requires the perception of a regular sequence of distinct short-duration pulses and, as a subjective perception of loudness is relative to background noise levels, a pulse must decay to silence before

4025-468: Is not necessarily the fastest or the slowest component of the rhythm but the one that is perceived as fundamental: it has a tempo to which listeners entrain as they tap their foot or dance to a piece of music. It is currently most often designated as a crotchet or quarter note in western notation (see time signature ). Faster levels are division levels , and slower levels are multiple levels . Maury Yeston clarified "Rhythms of recurrence" arise from

4140-494: Is one of the three aspects of prosody , along with stress and intonation . Languages can be categorized according to whether they are syllable-timed, mora-timed, or stress-timed. Speakers of syllable-timed languages such as Spanish and Cantonese put roughly equal time on each syllable; in contrast, speakers of stressed-timed languages such as English and Mandarin Chinese put roughly equal time lags between stressed syllables, with

4255-471: Is related to the effectiveness of their upholding community values. Indian music has also been passed on orally. Tabla players would learn to speak complex rhythm patterns and phrases before attempting to play them. Sheila Chandra , an English pop singer of Indian descent, made performances based on her singing these patterns. In Indian classical music , the Tala of a composition is the rhythmic pattern over which

4370-434: Is supposed to be. It's its own form." According to AllMusic , the overall blueprint for hardcore was playing louder, harder and faster. Hardcore was a reaction to the "cosmopolitan art-school" style of new wave music . Hardcore "eschew[ed] nuance, technique, [and] the avant-garde ", and instead emphasized "speed and rhythmic intensity" using unpredictable song forms and abrupt tempo changes. The impact of powerful volume

4485-400: Is the dependence of its perception on tempo, and, conversely, the dependence of tempo perception on rhythm. Furthermore, the rhythm–tempo interaction is context dependent, as explained by Andranik Tangian using an example of the leading rhythm of "Promenade" from Moussorgsky 's Pictures at an Exhibition :( This rhythm is perceived as it is rather than as the first three events repeated at

4600-804: Is the true spirit of punk, because "all the poseurs and fashionistas fucked off to the next trend of skinny pink ties with New Romantic haircuts, singing wimpy lyrics" and the punk scene now consisted of people like Minor Threat, Bad Brains , Black Flag , and Circle Jerks , dedicated to the DIY ethics. Other writers have also attributed hardcore to a reaction against artsy and mellower sub-genres that punk grew into, such as post-punk and new wave . Hardcore punk additionally broke with original punk rock song patterns and visuals, favoring lower-key aesthetics. According to Eli Enis of Billboard magazine , hardcore shows are known to be violent. In 2002, during an interview with Nardwuar , Dead Kennedys singer Jello Biafra

4715-468: The Griot tradition of Africa everything related to music has been passed on orally. Babatunde Olatunji (1927–2003) developed a simple series of spoken sounds for teaching the rhythms of the hand-drum, using six vocal sounds, "Goon, Doon, Go, Do, Pa, Ta", for three basic sounds on the drum, each played with either the left or the right hand. The debate about the appropriateness of staff notation for African music

Qp-Crazy - Misplaced Pages Continue

4830-727: The Kensington Market neighbourhood of Toronto , Ontario , formed in November 1983 as a response to "a local war with glue huffing Nazi skinheads". In Montreal , The Asexuals helped fertilize a scene that became a necessary tour stop for punk and hardcore bands headed to the Northeast. In the United Kingdom , a fertile hardcore scene took root early on. Referred to under a number of names including "U.K. Hardcore", " UK 82 ", "second wave punk", "real punk", and "No Future punk", it took

4945-673: The Minutemen , with whom they shared a practice space until both bands were evicted, as well as the Circle Jerks (which featured Black Flag's original singer, Keith Morris ). From Hollywood , two other bands playing hardcore punk, Fear and the Germs , were featured with Black Flag and the Circle Jerks in Penelope Spheeris ' 1981 documentary The Decline of Western Civilization . By the time

5060-481: The Outpatients , both of whom would come to Boston to play shows. From nearby Manchester , New Hampshire, was G.G. Allin , a solo singer who, contrary to straight edge, used large amounts of drugs and alcohol, eventually dying of a heroin overdose. Allin's stage show included defecating on stage and then throwing his feces at the audience. The New York City hardcore scene emerged in 1981 when Bad Brains moved to

5175-457: The far-right Proud Boys during their sedition trial for their role in attacking the U.S. Capitol on January 6, 2021. While the early hardcore scene was mostly young white males, both onstage and in the audience, there are notable exceptions. Black musicians include Bad Brains, Fred "Freak" Smith of Beefeater , Dead Kennedys drummer D.H. Peligro , and Scream bassist Skeeter Thompson . Numerous Black and Latino members have been in

5290-693: The gamelan . For information on rhythm in Indian music see Tala (music) . For other Asian approaches to rhythm see Rhythm in Persian music , Rhythm in Arabic music and Usul —Rhythm in Turkish music and Dumbek rhythms . As a piece of music unfolds, its rhythmic structure is perceived not as a series of discrete independent units strung together in a mechanical, additive, way like beads [or "pulses"], but as an organic process in which smaller rhythmic motives, whole possessing

5405-567: The infinite and the supra musical, encompass natural periodicities of months, years, decades, centuries, and greater, while the last three, the sample and subsample, which take account of digital and electronic rates "too brief to be properly recorded or perceived", measured in millionths of seconds ( microseconds ), and finally the infinitesimal or infinitely brief, are again in the extra-musical domain. Roads' Macro level, encompassing "overall musical architecture or form " roughly corresponds to Moravcsik's "very long" division while his Meso level,

5520-554: The 1980s, the subculture often rejected what was perceived to be " yuppie " materialism and interventionist American foreign policy. Numerous hardcore punk bands have taken far-left political stances, such as anarchism or other varieties of socialism , and in the 1980s expressed opposition to political leaders such as then US president Ronald Reagan and British prime minister Margaret Thatcher . Reagan's economic policies, sometimes dubbed Reaganomics , and social conservatism were common subjects for criticism by hardcore bands of

5635-411: The Circle Jerks were so far from that. We looked like the kid who worked at the gas station or sub. shop." Henry Rollins stated that for him, getting dressed up meant putting on a black shirt and some dark pants; taking an interest in fashion as being a distraction. Jimmy Gestapo from Murphy's Law describes his own transition from dressing in a punk style (spiked hair and a bondage belt) to adopting

5750-797: The Dicks , Dirty Rotten Imbeciles (D.R.I.), Really Red , Verbal Abuse and MDC were from Texas . Portland , Oregon, hardcore punk bands included Poison Idea and Final Warning , while north of there, Washington state included the Accüsed , Melvins , the Fartz , and 10 Minute Warning (the latter two included future Guns N' Roses member Duff McKagan ). Other prominent hardcore bands from this time that came from areas without large scenes include Raleigh , North Carolina's Corrosion of Conformity . D.O.A. formed in Vancouver , British Columbia in 1978 and were one of

5865-626: The Dicks , MDC , Rhythm Pigs , and Verbal Abuse all relocated to San Francisco. Further out of the Bay Area, Sacramento 's Tales of Terror were cited by many, including Mark Arm , as a key inspiration for the grunge movement. The first hardcore punk band to form on the East Coast of the United States was Washington, D.C.'s Bad Brains . Initially formed in 1977 as a jazz fusion ensemble called Mind Power, and consisting of all African-American members, their early foray into hardcore featured some of

SECTION 50

#1732868818980

5980-584: The F.U.'s , the Freeze , Gang Green , Jerry's Kids , Siege , DYS , Negative FX , and SS Decontrol . Members of the latter three bands were influenced by D.C.'s straight edge scene, and were part of "the Boston Crew", a mostly straight edge group of friends known to physically fight people who used alcohol or drugs. Members of the Boston Crew would later go on to form the band Slapshot , and also included future Mighty Mighty Bosstones singer Dicky Barrett , who

6095-704: The Faith , Iron Cross , Scream , State of Alert , Government Issue , Void , and D.C.'s Youth Brigade . The Flex Your Head compilation was a seminal document of the early 1980s D.C. hardcore scene. The record label was run out of the Dischord House, a Washington, D.C., punk house . Henry Rollins , who would come to prominence as the lead singer of the California-based Black Flag, as well as his own later Rollins Band , grew up in Washington, D.C., singing for

6210-462: The Los Angeles scene from 1981 to 1984, and it included show reviews and band interviews with groups including D.O.A., the Misfits, Black Flag, Suicidal Tendencies and the Circle Jerks. Shortly after Black Flag debuted in Los Angeles, Dead Kennedys were formed in San Francisco. While the band's early releases were played in a style closer to traditional punk rock, In God We Trust, Inc. (1981) marked

6325-553: The Misfits "crucial to the rise of hardcore." New York hardcore had more emphasis on rhythm, in part due to the use of palm-muted guitar chords, an approach called the NY hardcore "chug". The New York scene was known for its tough ethos, its "thuggery", and club shows that were a chaotic "proving ground" or even a "battleground". In the early 1980s, the New York hardcore scene centered around squats and clubhouses. After these were closed down,

6440-612: The Replacements , while Chicago had Articles of Faith , Big Black and Naked Raygun . The Detroit area was home to Crucifucks , Degenerates , the Meatmen , Negative Approach , Spite and Violent Apathy . From Ohio was Maumee 's Necros and Dayton 's Toxic Reasons . The zine Touch and Go covered this Midwest hardcore scene from 1979 to 1983. JFA and Meat Puppets were both from Phoenix , Arizona; 7 Seconds were from Reno , Nevada; and Butthole Surfers , Big Boys ,

6555-472: The State of Alert, and was influenced by the music of Bad Brains and the bands of his childhood friend Ian MacKaye. The tradition of holding all-ages shows at small DIY spaces, has roots in the early Washington, D.C., straight edge movement. It emerged from the idea that people of all ages should have access to music, regardless of if they're old enough to drink alcohol. Seminal Boston-area hardcore bands included

6670-785: The United States in the early 1980s, particularly in Los Angeles , San Francisco , Washington, D.C. , Boston , and New York , as well as in Canada and the United Kingdom. Hardcore has spawned the straight edge movement and its associated sub-movements, hardline and youth crew . Hardcore was heavily involved in the rise of the independent record labels in the 1980s and with the DIY ethics in underground music scenes. It has also influenced various music genres that have experienced widespread commercial success, including grunge and thrash metal . Although

6785-474: The all-Latino punk band Manic Hispanic , which also featured Efrem Schulz from Death By Stereo . There are also notable women such as Crass singers Joy de Vivre and Eve Libertine , Black Flag bassist Kira Roessler , and Germs bassist Lorna Doom . Several documentaries, including 2003's Afro-Punk and 2016's Los Punks , chronicle these subcultures within American punk and hardcore. As of 2019,

6900-493: The anti-Bush political activist group PunkVoter. A minority of hardcore musicians have expressed right-wing views, such as the band Antiseen , whose guitarist Joe Young ran for public office as a North Carolina Libertarian . Former Misfits singer Michale Graves appeared on an episode of The Daily Show , voicing support for George W. Bush, on behalf of the Conservative Punk website, and in 2023 testified on behalf of

7015-581: The band Suicidal Tendencies , including Mike Muir , Rocky George , R.J. Herrera, Louiche Mayorga, Robert Trujillo , Thundercat , Dean Pleasants , Ra Díaz, Dave Lombardo , Eric Moore, Tim "Rawbiz" Williams, David Hidalgo Jr. , and Ronald Bruner Jr. Other Latinos in early hardcore bands include Black Flag members Ron Reyes , Dez Cadena , Robo , and Anthony Martinez, Agnostic Front singer Roger Miret , his brother Madball singer Freddy Cricien , Adolescents guitarist Steve Soto , and Wasted Youth drummer Joey Castillo . Soto would later form

SECTION 60

#1732868818980

7130-492: The band were chosen based on being part of the local hardcore scene and being regularly in the moshing pit at shows, rather than based on a musical audition . Michael Azerrad states that "[by] 1979 the original punk scene [in Southern California] had almost completely died out" and was replaced by punk music boiled down to its essence, but with faster tempos, which became known as "hardcore". Steven Blush states that

7245-423: The bar. A composite rhythm is the durations and patterns (rhythm) produced by amalgamating all sounding parts of a musical texture . In music of the common practice period , the composite rhythm usually confirms the meter , often in metric or even-note patterns identical to the pulse on a specific metric level. White defines composite rhythm as, "the resultant overall rhythmic articulation among all

7360-548: The city from Washington, D.C. Starting in 1981, there was an influx of new hardcore bands in the city including Agnostic Front , Beastie Boys , Cro-Mags , Cause for Alarm, the Mob , Murphy's Law , Reagan Youth , and Warzone . A number of other bands associated with New York hardcore scene came from New Jersey , including the Misfits , Adrenalin OD and Hogan's Heroes . Steven Blush calls

7475-409: The community. Largely inspired by early labels like Dischord Records , Alternative Tentacles , Epitaph Records , SST Records , Revelation Records , and Touch & Go Records , record labels are usually run on DIY ethic, collaboration, financial trust, and an emphasis on creative control. Labels within hardcore are seldom large, profit-making operations, but rather collaborative music partners with

7590-541: The crowd was singing the lyrics so loud they could be heard over the PA system. Hardcore vocal lines are often based on minor scales and songs may include shouted background vocals from the other band members. Hardcore lyrics expressed the "frustration and political disillusionment" of youth who were against 1980s-era affluence , consumerism , greed, Reagan politics and authority. The polarizing sociopolitical messages in hardcore lyrics (and outrageous on-stage behaviour) meant that

7705-625: The development of the effective defense system of early hominids. Rhythmic war cry , rhythmic drumming by shamans , rhythmic drilling of the soldiers and contemporary professional combat forces listening to the heavy rhythmic rock music all use the ability of rhythm to unite human individuals into a shared collective identity where group members put the interests of the group above their individual interests and safety. Some types of parrots can know rhythm. Neurologist Oliver Sacks states that chimpanzees and other animals show no similar appreciation of rhythm yet posits that human affinity for rhythm

7820-428: The dominant rhythm. Moral values underpin a musical system based on repetition of relatively simple patterns that meet at distant cross-rhythmic intervals and on call-and-response form . Collective utterances such as proverbs or lineages appear either in phrases translated into "drum talk" or in the words of songs. People expect musicians to stimulate participation by reacting to people dancing. Appreciation of musicians

7935-446: The dream is now 35 years old, so they can go fuck themselves." Steven Blush states that the Vancouver -based band D.O.A. 's 1981 album, Hardcore '81 , "was where the genre got its name". This album also helped to make people aware of the term "hardcore". Konstantin Butz states that while the origin of the expression "hardcore" "cannot be ascribed to a specific place or time", the term

8050-421: The drummer should have listened to a lot of hardcore, so that they can understand the "raw emotions" it expresses. Lucky Lehrer , the drummer and co-founder of the Circle Jerks in 1979, was an early developer of hardcore drumming; he has been called the "Godfather of hardcore drumming" and Flipside zine calls him the best punk drummer. According to Tobias Hurwitz, "[h]ardcore drumming falls somewhere between

8165-485: The early 1980s American hardcore scene in Washington, D.C. A performance by Fear on the 1981 Halloween episode of Saturday Night Live was cut short when moshers, including John Belushi and members of a few hardcore punk bands, invaded the stage, damaged studio equipment and used profanity. Many North American hardcore punk fans adopted a dressed-down style of T-shirts , jeans or work chinos , combat boots or sneakers , and crew cut -style haircuts. Women in

8280-742: The early Los Angeles hardcore scene increasingly became sites of violent battles between police and concertgoers. Another source of violence in L.A. was tension created by what one writer calls the invasion of "antagonistic suburban poseurs " into hardcore venues. Violence at hardcore concerts was portrayed in episodes of the popular television shows CHiPs and Quincy, M.E. . In the pre-Internet era, fanzines, commonly called zines , enabled hardcore scene members to learn about bands, clubs, and record labels. Zines typically included reviews of shows and records, interviews with bands, letters, ads for records and labels, and were DIY products, "proudly amateur, usually handmade. A zine called We Got Power described

8395-431: The fastest tempos in rock music . The band released its debut single, " Pay to Cum ", in 1980, and were influential in establishing the D.C. hardcore scene. Hardcore historian Steven Blush calls the single the first East Coast hardcore record. Ian MacKaye and Jeff Nelson , influenced by Bad Brains , formed the band Teen Idles in 1979. The group broke up in 1980, and MacKaye and Nelson went on to form Minor Threat ,

8510-520: The film was released, other hardcore bands from Los Angeles County were also making a name for themselves including Bad Religion , Descendents , Red Kross , Rhino 39 , Suicidal Tendencies , Wasted Youth , Youth Brigade , and Youth Gone Mad . Neighboring Orange County had the Adolescents , Agent Orange , China White , Social Distortion , Shattered Faith , T.S.O.L. , and Uniform Choice , while north of Los Angeles, around Oxnard , California,

8625-511: The fingers, some bassists use a pick. Some bassists play fuzz bass by overdriving their bass tone. Hardcore drumming, typically played fast and aggressively, has been called the "engine" and most essential element of the genre's aggressive sound of "unrelenting anger". Two other key elements for hardcore drummers are playing "tight" with the other musicians, especially the bassist (this does not mean metronomic time; indeed, coordinated tempo shifts are used in many important hardcore albums) and

8740-599: The first bands to refer to its style as "hardcore", with the release of their album Hardcore '81 . Other early hardcore bands from British Columbia included Dayglo Abortions who formed in 1979, the Subhumans and the Skulls . Nomeansno is a hardcore band originally from Victoria , British Columbia , and now located in Vancouver . SNFU formed in Edmonton in 1981 and also later relocated to Vancouver . Bunchofuckingoofs , from

8855-530: The first hardcore record to come out of the West Coast was Out of Vogue by the Santa Ana band Middle Class . The band pioneered a shouted, fast version of punk rock which would shape the hardcore sound that would soon emerge. In terms of impact upon the hardcore scene, Black Flag has been deemed the most influential group. Azerrad calls Black Flag the "godfathers" of hardcore punk and states that even "...more than

8970-665: The flagship band of American hardcore", they were "...required listening for anyone who was interested in underground music." Blush states that Black Flag were to hardcore what the Sex Pistols and Ramones were to punk. Formed in Hermosa Beach , California by guitarist and primary songwriter Greg Ginn , they played their first show in December 1977. Originally called Panic, they changed their name to Black Flag in 1978. By 1979, Black Flag were joined by another South Bay hardcore band,

9085-405: The forces of natural selection . Plenty of animals walk rhythmically and hear the sounds of the heartbeat in the womb, but only humans have the ability to be engaged ( entrained ) in rhythmically coordinated vocalizations and other activities. According to Jordania, development of the sense of rhythm was central for the achievement of the specific neurological state of the battle trance, crucial for

9200-515: The genre garnered no mainstream popularity. In hardcore, guitarists frequently play fast power chords with a heavily distorted and amplified tone, creating what has been called a "buzzsaw" sound. Guitar parts can sometimes be complex, technically versatile, and rhythmically challenging. Guitar melody lines usually use the same minor scales used by vocalists (although some solos use pentatonic scales). Hardcore guitarists sometimes play solos , octave leads and grooves , as well as tapping into

9315-511: The genre is still overwhelmingly represented by white males. However, as sonic diversity has increased in the genre, so too has its fanbase. This has helped bring greater attention to inclusivity within the scene. Bands like War On Women , Limp Wrist , Gouge Away , and G.L.O.S.S. have helped bring attention to subjects like women's rights, transphobia, rape, mental health, queer rights, and misogyny. Record labels in hardcore are often DIY endeavors, run by musicians or participants within

9430-427: The hardcore scene typically wore army pants, band T-shirts and hooded sweatshirts. The clothing style was a reflection of hardcore ideology, which included dissatisfaction with suburban America and the hypocrisy of American culture. It was essentially a deconstruction of American fashion staples—ripped jeans, holey T-shirts, torn stockings for women, and work boots. The style of the 1980s hardcore scene contrasted with

9545-422: The intent to document and release music for the underground community. Ian Mackaye , co-founder of Dischord Records claimed, "We don't use contracts, lawyers, any of those kinds of things. We are partners – they make the music, and we make the records. From the beginning of this label, people have said that the way we do things is unsustainable, unrealistic, idealistic, and we were just dreaming", he said. "Well,

9660-454: The interaction of two levels of motion, the faster providing the pulse and the slower organizing the beats into repetitive groups. "Once a metric hierarchy has been established, we, as listeners, will maintain that organization as long as minimal evidence is present". A durational pattern that synchronises with a pulse or pulses on the underlying metric level may be called a rhythmic unit . These may be classified as: A rhythmic gesture

9775-581: The level of "divisions of form" including movements , sections , phrases taking seconds or minutes, is likewise similar to Moravcsik's "long" category. Roads' Sound object : "a basic unit of musical structure" and a generalization of note ( Xenakis' mini structural time scale); fraction of a second to several seconds, and his Microsound (see granular synthesis ) down to the threshold of audible perception; thousandths to millionths of seconds, are similarly comparable to Moravcsik's "short" and "supershort" levels of duration. One difficulty in defining rhythm

9890-461: The look that was common in the San Francisco hardcore scene as consisting of biker-style leather jackets, chains, studded wristbands, multiple piercings, painted or tattooed statements (e.g., an anarchy symbol) and hairstyles ranging from military-style haircuts dyed black or blonde to mohawks and shaved heads. Circle Jerks frontman Keith Morris wrote: "[Punk] was basically based on English fashion. But we had nothing to do with that. Black Flag and

10005-449: The loop of interdependence of rhythm and tempo is overcome due to the simplicity criterion, which "optimally" distributes the complexity of perception between rhythm and tempo. In the above example, the repetition is recognized because of additional repetition of the melodic contour, which results in a certain redundancy of the musical structure, making the recognition of the rhythmic pattern "robust" under tempo deviations. Generally speaking,

10120-450: The major labels, hardcore bands started their own independent record labels and distributed their records themselves. Ginn started SST Records , which released Black Flag's debut EP Nervous Breakdown in 1979. SST went on to release a number of albums by other hardcore artists, and was described by Azerrad as "easily the most influential and popular underground indie of the Eighties." SST

10235-602: The more provocative fashion styles of late 1970s punk rockers. Siri C. Brockmeier writes that "hardcore kids do not look like punks", since hardcore scene members wore basic clothing and short haircuts, in contrast to the "embellished leather jackets and pants" worn in the punk scene. Lauraine Leblanc, however, claims that the standard hardcore punk clothing and styles included torn jeans, leather jackets, spiked armbands, dog collars, mohawk hairstyles , DIY ornamentation of clothes with studs, painted band names, political statements, and patches. Tiffini A. Travis and Perry Hardy describe

10350-534: The more redundant the "musical support" of a rhythmic pattern, the better its recognizability under augmentations and diminutions, that is, its distortions are perceived as tempo variations rather than rhythmic changes: By taking into account melodic context, homogeneity of accompaniment, harmonic pulsation, and other cues, the range of admissible tempo deviations can be extended further, yet still not preventing musically normal perception. For example, Skrjabin 's own performance of his Poem op. 32 no. 1 transcribed from

10465-534: The most common in Western music calculates each time value as a multiple or fraction of the beat. Normal accents re-occur regularly providing systematical grouping (measures). Measured rhythm ( additive rhythm ) also calculates each time value as a multiple or fraction of a specified time unit but the accents do not recur regularly within the cycle. Free rhythm is where there is neither, such as in Christian chant , which has

10580-651: The music genre started in English-speaking Western countries, notable hardcore scenes have existed in Italy , Japan and Brazil . Hardcore historian Steven Blush credits Minor Threat 's Ian MacKaye with starting a "die-hard mindset that begat almost everything we now call Hardcore", which was virulently anti-music industry and anti- rock star . An article in Drowned in Sound argues that late 1970s/early 1980s-era hardcore

10695-422: The next occurs if it is to be really distinct. For this reason, the fast-transient sounds of percussion instruments lend themselves to the definition of rhythm. Musical cultures that rely upon such instruments may develop multi-layered polyrhythm and simultaneous rhythms in more than one time signature, called polymeter . Such are the cross-rhythms of Sub-Saharan Africa and the interlocking kotekan rhythms of

10810-473: The previous punk sound and added the incessant, heavy drumbeats and heavily distorted guitar sound of new wave of British heavy metal bands, especially Motörhead . Formed in 1977 in Stoke-on-Trent , Discharge played a large role in influencing other European hardcore bands. AllMusic calls the band's sound a "high-speed noise overload" characterized by "ferocious noise blasts." Their style of hardcore punk

10925-553: The regularity with which we walk and the heartbeat. Other research suggests that it does not relate to the heartbeat directly, but rather the speed of emotional affect, which also influences heartbeat. Yet other researchers suggest that since certain features of human music are widespread, it is "reasonable to suspect that beat-based rhythmic processing has ancient evolutionary roots". Justin London writes that musical metre "involves our initial perception as well as subsequent anticipation of

11040-460: The relation of long and short or stressed and unstressed syllables in a metrical foot or line; an instance of this" . Rhythm is related to and distinguished from pulse, meter, and beats: Rhythm may be defined as the way in which one or more unaccented beats are grouped in relation to an accented one. ... A rhythmic group can be apprehended only when its elements are distinguished from one another, rhythm...always involves an interrelationship between

11155-545: The scene was emanating in a small after-hours bar, A7 , on the Lower East Side of Manhattan, and later around the famous bar CBGB . For several years, CBGB held weekly hardcore matinées on Sundays, but they stopped in 1990 when violence led Kristal to ban hardcore shows at the club. Early radio support in New York's surrounding Tri-State area came from Pat Duncan, who had hosted live punk and hardcore bands weekly on WFMU since 1979. Bridgeport , Connecticut's WPKN had

11270-426: The sense of a regular beat is absent because the music consists only of long sustained tones ( drones ). In the 1930s, Henry Cowell wrote music involving multiple simultaneous periodic rhythms and collaborated with Leon Theremin to invent the rhythmicon , the first electronic rhythm machine , in order to perform them. Similarly, Conlon Nancarrow wrote for the player piano . In linguistics , rhythm or isochrony

11385-430: The starting point. In the vein of earlier punk rock, most hardcore punk bands have followed the traditional singer/guitar/bass/drum format. The song-writing has more emphasis on rhythm rather than melody . Blush writes "The Sex Pistols were still rock'n'roll...like the craziest version of Chuck Berry . Hardcore was a radical departure from that. It wasn't verse-chorus rock. It dispelled any notion of what songwriting

11500-470: The straight-ahead rock styles of old-school punk and the frantic, warp-speed bashing of thrash." Some hardcore punk drummers play fast D-beat one moment and then drop tempo into elaborate musical breakdowns in the next. Drummers typically play eighth notes on the cymbals, because at the tempos used in hardcore, it would be difficult to play a smaller subdivision of the beat. The early 1980s hardcore punk scene developed slam dancing (also called moshing),

11615-757: The style. Rhythm may also refer to visual presentation, as "timed movement through space" and a common language of pattern unites rhythm with geometry. For example, architects often speak of the rhythm of a building, referring to patterns in the spacing of windows, columns, and other elements of the façade . In recent years, rhythm and meter have become an important area of research among music scholars. Recent work in these areas includes books by Maury Yeston , Fred Lerdahl and Ray Jackendoff , Jonathan Kramer , Christopher Hasty, Godfried Toussaint , William Rothstein, Joel Lester, Guerino Mazzola and Steffen Krebber . In his television series How Music Works , Howard Goodall presents theories that human rhythm recalls

11730-516: The term " meter or metre " from the terminology of poetry. ) The metric structure of music includes meter, tempo and all other rhythmic aspects that produce temporal regularity against which the foreground details or durational patterns of the music are projected. The terminology of western music is notoriously imprecise in this area. MacPherson preferred to speak of "time" and "rhythmic shape", Imogen Holst of "measured rhythm". Dance music has instantly recognizable patterns of beats built upon

11845-862: The time. Jimmy Gestapo of Murphy's Law , however, endorsed Reagan and even went as far to call then former president Jimmy Carter a "pussy" in a 1986 New York Magazine cover story. Shortly after Reagan's death in 2004, the Maximumrocknroll radio show aired an episode composed of anti-Reagan songs by early hardcore punk bands. Certain hardcore punk bands have conveyed messages sometimes deemed " politically incorrect " by placing offensive content in their lyrics and relying on stage antics to shock listeners and people in their audience. Boston band The F.U.'s generated controversy with their 1983 album, My America , whose lyrics contained what appeared to be conservative and patriotic views. Its messages were sometimes taken literally, when they were actually intended as

11960-534: The timing of the unstressed syllables in between them being adjusted to accommodate the stress timing. Narmour describes three categories of prosodic rules that create rhythmic successions that are additive (same duration repeated), cumulative (short-long), or countercumulative (long-short). Cumulation is associated with closure or relaxation, countercumulation with openness or tension, while additive rhythms are open-ended and repetitive. Richard Middleton points out this method cannot account for syncopation and suggests

12075-467: The typically focused-on elements in mainstream rock music, harmony and pitch (i.e., melody ). Hardcore vocalists often shout, scream or chant along with the music, using "vocal intensity" and an abrasive tone. The shouting of hardcore vocalists is often accompanied by audience members who are singing along, making the hardcore vocalist like the "leader of a mob" commonly known as "gang vocals". Steven Blush describes one early Minor Threat show where

12190-488: The various feedback and harmonic noises available to them. There are generally fewer guitar solos in hardcore than in mainstream rock, because solos were viewed as representing the "excess and superficiality" of mainstream commercial rock. Hardcore bassists use varied rhythms in their basslines , ranging from longer held notes (whole notes and half notes) to quarter notes, to rapid eighth note or sixteenth note runs. To play rapid bass lines that would be hard to play with

12305-399: The voices of a contrapuntal texture". This concept was concurrently defined as "attack point rhythm" by Maury Yeston in 1976 as "the extreme rhythmic foreground of a composition – the absolute surface of articulated movement". From 1927 and forward the recognized definition of "Counter Rhythm " is "A subordinate rhythm acting as a counterbalance to the main rhythm" (OED ). Counter Rhythm

12420-409: The whole piece is structured. In the 20th century, composers like Igor Stravinsky , Béla Bartók , Philip Glass , and Steve Reich wrote more rhythmically complex music using odd meters , and techniques such as phasing and additive rhythm . At the same time, modernists such as Olivier Messiaen and his pupils used increased complexity to disrupt the sense of a regular beat, leading eventually to

12535-459: The widespread use of irrational rhythms in New Complexity . This use may be explained by a comment of John Cage 's where he notes that regular rhythms cause sounds to be heard as a group rather than individually; the irregular rhythms highlight the rapidly changing pitch relationships that would otherwise be subsumed into irrelevant rhythmic groupings. La Monte Young also wrote music in which

12650-672: Was an Italian hardcore punk scene in the 1980s that included groups like Wretched , Raw Power , and Negazione . Sweden developed several influential hardcore bands, including Anti Cimex , Disfear , and Mob 47 . Finland produced some influential hardcore bands, including Terveet Kädet , one of the first hardcore groups to emerge in the country. In Eastern Europe, notable hardcore bands included Hungary's Galloping Coroners from 1975, Yugoslavia's 1980s-era Niet from Ljubljana, and KBO! Rhythm The Oxford English Dictionary defines rhythm as "The measured flow of words or phrases in verse, forming various patterns of sound as determined by

12765-481: Was asked what he believed to be the first hardcore record, he remarked: "Sound Of Imker Train of Doomsday single in the late '60s in Holland. The only true '60s hardcore record I know." One definition of the genre is "a form of exceptionally harsh punk rock". Hardcore has been called a faster, meaner genre of punk rock, that was a stern refutation against it, being more primal and immediate, with speed and aggression as

12880-548: Was coined as D-beat , a term referring to a distinctive drum beat that a number of 1980s imitators of Discharge are associated with. Another UK band, the Varukers , were one of the original D-beat bands, Scottish band the Exploited were also influential, with the term "UK 82" (used to refer to UK hardcore in the early 1980s) being taken from one of their songs. They contrasted with early American hardcore bands by placing an emphasis on appearance. Frontman Walter "Wattie" Buchan had

12995-659: Was followed by a number of other successful artist-run labels—including BYO Records (started by Shawn and Mark Stern of Youth Brigade), Epitaph Records (started by Brett Gurewitz of Bad Religion), New Alliance Records (started by the Minutemen's D. Boon and Mike Watt ), as well as fan-run labels like Frontier Records and Slash Records . Bands also funded and organized their own tours. Black Flag's tours in 1980 and 1981 brought them in contact with developing hardcore scenes in many parts of North America, and blazed trails that were followed by other touring bands. Concerts in

13110-410: Was perceived to be "a very narrow definition of what fits into Punk", apparently being "authoritarian and trying to dominate the scene" with their views. During the 2001–2009 United States presidency of George W. Bush , it was not uncommon for hardcore bands to express anti-Bush messages. During the 2004 United States presidential election , several hardcore punk artists and bands were involved with

13225-603: Was then a member of the band Impact Unit, and drew the artwork for the DYS album Brotherhood . In 1982, Modern Method Records released This Is Boston, Not L.A. , a compilation album of the Boston hardcore scene. In addition to Modern Method was Taang! Records , who released material by a number of the aforementioned Boston hardcore bands. Further outside of Boston were Western Massachusetts bands Deep Wound (which featured future Dinosaur Jr. members J Mascis and Lou Barlow ) and

#979020