The Fender Princeton Reverb is a guitar amplifier combo. It is based on the Princeton and includes built-in reverb and vibrato.
12-451: The Fender Princeton Reverb is a guitar amplifier combo, essentially a Princeton with built-in reverb and vibrato. The 12 Watt Blackface version was introduced in 1964 and available until 1967; in 1968 it was changed to the Silverface version with a drip edge around the grill cloth. Amps produced after the end of 1969 saw a change in circuitry, the removal of the drip edge and a change in
24-523: A built-in reverb, treble boost and mid boost controls, and a switchable lead (overdrive) effect. The Princeton Reverb II was removed from the Fender pricelist in 1986. The development of the Princeton amplifier, from its inception as a 4-watt practice amp in 1948, can be tracked by working through http://ampwares.com attached to the sales website of the commercial firm "Mojotone". In Summer 2008, Fender reissued
36-588: A higher gain output of 60 watts. Fender produced a solid state Princeton from 1988 to 2001, the Princeton Chorus. Models from 1988-1991 ("red knob") were made in USA, models from 1991-1997 ("black knob") were also made in USA, and models from 1998-2001 ("black knob") were made in Mexico. This model was notable for its two independent 25.5-watt amplifiers running in stereo mode. The USA models used Accusonics Spring Reverb while
48-510: The ' 68 Custom Princeton Reverb. Fender Princeton The Fender Princeton was a guitar amplifier made by Fender . It was introduced in 1946 and discontinued in 1979. After Fender introduced the Champ Amp in 1948, the Princeton occupied the next to the bottom spot in the Fender line. Fender Princetons (as well as their sister amp the Princeton Reverb ) from the early models into
60-486: The 1970s models are highly valued particularly as recording amplifiers. The first Princeton, the "Woody" (so called for its uncovered wooden cabinet), was the smallest of the original Fender line of three amplifiers, an incredibly basic 3-watt practice amp with no controls at all, not even a power switch. The first widely produced Princeton, the 1948 tweed-covered "TV front," used one 6SL7 or 6SC7 dual-triode tube to provide two stages of RC-coupled voltage amplification in
72-504: The Mexican models used DSP Reverb. Recently, the American models made at Fender's Lake Oswego factory (branded 'LO') are becoming more sought after for their high quality and rich built-in chorus modulation. In 2006, Fender revived the Princeton name, under "Princeton Recording-Amp" (Pro-tube series) and "Princeton 650" (under Dyna-touch III series). The Princeton recording amplifier is basically
84-520: The Princeton Reverb. While it is based on the Blackface version, and utilizes a tube rectifier and a tube reverb, it uses printed circuit boards instead of eyelet-style hand-wired circuit boards. In Summer 2013, Fender released a redress of the Princeton Reverb reissue with slightly modified circuitry and the drip-edge "silverface" cosmetics introduced on Fender amplifiers in 1968. The model is known as
96-424: The power section. In 1964, the single tone control was replaced with individual bass and treble control knobs, and the base Princeton was joined by the Princeton Reverb. A pull-out "boost" switch was added to the volume pot in 1978. The Princeton is particularly famous as the basis for Mesa Boogie 's Mark I , which is a heavily hot-rodded Princeton equipped with modified preamp and a Bassman transformer, allowing it
108-502: The preamplifier section; the power amplifier section used a single cathode-biased 6V6 beam power tetrode necessarily in Class A operation. The amplifier had a single volume control and a simple low-pass tone control to control treble response. The Princeton circuits up through 5C2 differed from the Fender Champ in having two versus one preamp stage (6SC7 dual-triode vs 6SJ7 pentode) and added
120-486: The rectifier from a 5AR4 to a 5U4GB along with a change in bias resistor value; a "boost" pull switch to the volume control pot was added in 1977. In 1980 and 1981 the Silverface version was cosmetically changed back to the Blackface. It was discontinued in 1981. This Paul Rivera-specified Fender guitar amplifier was introduced in 1982 to replace the Princeton Reverb . It was a completely different and significantly more powerful amplifier. Designed by Ed Jahns, it featured
132-498: The tone control that was absent in the Champs; the 12AX7-based Princeton models 5D2 through 5F2-A were essentially the Champ circuits 5D1 through 5F1 with a tone control and a somewhat larger output transformer. In 1956 the Princeton received a new cabinet roughly half again as tall and wide as the previous Champ-sized "small box." In 1961, a new Princeton (6G2) of fundamentally different design
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#1732873033185144-452: Was introduced, which instead of being essentially an upgraded Champ was more like a junior Deluxe . This "brownface" version used a single 7025 dual triode in the preamplifier; a 12AX7 dual triode, one half of which operated a tremolo oscillator and the other half of which served as a split-load phase inverter; and two 6V6GT tubes, which were fixed-biased in Class AB push-pull configuration in
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