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Porvenir massacre

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The Porvenir massacre (also, El Porvenir massacre , Pando massacre ) was a deadly ambush in the early hours of September 11, 2008, allegedly organized by Prefectural authorities of the Bolivian Department of Pando , as part of a civil coup d'état against the government of Evo Morales by members of the right-wing civic movement. As a result of the ambush, at least 12 indigenous protesters of the municipality of El Porvenir died that day.

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61-559: It was the most deadly act of political violence in Bolivia since 2003. The protesters were marching to the departmental capital of Cobija to protest departmental government actions during a national political crisis. An investigation by the Union of South American Nations (UNASUR) found the massacre to be a crime against humanity. UNASUR's reported list of 19 victims was later shortened to 13 confirmed dead by Bolivian prosecutors. On August 10, 2008,

122-546: A recall referendum was held in Bolivia on the mandates of President Evo Morales , his Vice-president Alvaro Garcia Linera and eight of the nine regional prefects. Evo Morales won the referendum with a 67% "yes" vote, and he and Garcia Linera were ratified in post. Two of the prefects, both aligned with the political opposition in the country, failed to gain enough support and had their mandates recalled with new prefects to be elected in their place. The elections were monitored by over 400 observers, including election observers from

183-584: A Metropolis (dir. Walter Ruttmann , 1927); Man with a Movie Camera (dir. Dziga Vertov , 1929); Douro, Faina Fluvial (dir. Manoel de Oliveira , 1931); and Rhapsody in Two Languages (dir. Gordon Sparling , 1934). A city symphony film, as the name suggests, is most often based around a major metropolitan city area and seeks to capture the life, events and activities of the city. It can use abstract cinematography (Walter Ruttman's Berlin ) or may use Soviet montage theory (Dziga Vertov's, Man with

244-421: A Movie Camera ). Most importantly, a city symphony film is a form of cinepoetry , shot and edited in the style of a " symphony ". The European continental tradition ( See: Realism ) focused on humans within human-made environments, and included the so-called city symphony films such as Walter Ruttmann's, Berlin: Symphony of a Metropolis (of which Grierson noted in an article that Berlin, represented what

305-429: A Summer ( Jean Rouch ), Dont Look Back ( D. A. Pennebaker ), Grey Gardens ( Albert and David Maysles ), Titicut Follies ( Frederick Wiseman ), Primary and Crisis: Behind a Presidential Commitment (both produced by Robert Drew ), Harlan County, USA (directed by Barbara Kopple ), Lonely Boy ( Wolf Koenig and Roman Kroitor ) are all frequently deemed cinéma vérité films. The fundamentals of

366-520: A broader perspective, as a reaction against studio-based film production constraints. Shooting on location, with smaller crews, would also happen in the French New Wave , the filmmakers taking advantage of advances in technology allowing smaller, handheld cameras and synchronized sound to film events on location as they unfolded. Although the terms are sometimes used interchangeably, there are important differences between cinéma vérité ( Jean Rouch ) and

427-452: A cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries". Early documentary films, originally called " actuality films ", briefly lasted for one minute or less. Over time, documentaries have evolved to become longer in length and to include more categories. Some examples are educational , observational and docufiction . Documentaries are very informative , and are often used within schools as

488-622: A documentary should not be); Alberto Cavalcanti's, Rien que les heures; and Dziga Vertov's Man with a Movie Camera . These films tend to feature people as products of their environment, and lean towards the avant-garde. Dziga Vertov was central to the Soviet Kino-Pravda (literally, "cinematic truth") newsreel series of the 1920s. Vertov believed the camera – with its varied lenses, shot-counter shot editing, time-lapse, ability to slow motion, stop motion and fast-motion – could render reality more accurately than

549-437: A form of journalism, advocacy, or personal expression. Early film (pre-1900) was dominated by the novelty of showing an event. Single-shot moments were captured on film, such as a train entering a station, a boat docking, or factory workers leaving work. These short films were called "actuality" films; the term "documentary" was not coined until 1926. Many of the first films, such as those made by Auguste and Louis Lumière , were

610-511: A major battle and re-enact scenes to film them. The propagandist tradition consists of films made with the explicit purpose of persuading an audience of a point. One of the most celebrated and controversial propaganda films is Leni Riefenstahl 's film Triumph of the Will (1935), which chronicled the 1934 Nazi Party Congress and was commissioned by Adolf Hitler . Leftist filmmakers Joris Ivens and Henri Storck directed Borinage (1931) about

671-437: A minute or less in length, due to technological limitations. Examples can be viewed on YouTube. Films showing many people (for example, leaving a factory) were often made for commercial reasons: the people being filmed were eager to see, for payment, the film showing them. One notable film clocked in at over an hour and a half, The Corbett-Fitzsimmons Fight . Using pioneering film-looping technology, Enoch J. Rector presented

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732-501: A more poetic aesthetic approach to documentary. Examples of their work include Drifters (John Grierson), Song of Ceylon (Basil Wright), Fires Were Started , and A Diary for Timothy (Humphrey Jennings). Their work involved poets such as W. H. Auden , composers such as Benjamin Britten , and writers such as J. B. Priestley . Among the best known films of the movement are Night Mail and Coal Face . Calling Mr. Smith (1943)

793-577: A new art form; that the "original" actor and "original" scene are better guides than their fiction counterparts for interpreting the modern world; and that materials "thus taken from the raw" can be more real than the acted article. In this regard, Grierson's definition of documentary as "creative treatment of actuality" has gained some acceptance; however, this position is at variance with Soviet film-maker Dziga Vertov 's credos of provocation to present "life as it is" (that is, life filmed surreptitiously), and "life caught unawares" (life provoked or surprised by

854-428: A resource to teach various principles . Documentary filmmakers have a responsibility to be truthful to their vision of the world without intentionally misrepresenting a topic. Social media platforms (such as YouTube ) have provided an avenue for the growth of the documentary- film genre . These platforms have increased the distribution area and ease-of-accessibility. Polish writer and filmmaker Bolesław Matuszewski

915-697: A sharp curve of the Acre river, at an altitude of 280 metres (920 ft) above sea level and in the north-western Amazon region of Bolivia. Cobija is classified as a tropical monsoon climate , Am in the Köppen classification system. Cobija has two distinct seasons, with a noticeable dry season and a wet rainy season fed by powerful thunderstorms, with hot temperatures year-round. Cobija is served by major Bolivian airlines at Captain Aníbal Arab Airport and by buses to Riberalta . The Interoceanic Highway passes through

976-503: A wordless meditation on wartime Britain. From 1982, the Qatsi trilogy and the similar Baraka could be described as visual tone poems, with music related to the images, but no spoken content. Koyaanisqatsi (part of the Qatsi trilogy ) consists primarily of slow motion and time-lapse photography of cities and many natural landscapes across the United States. Baraka tries to capture

1037-466: Is a Free economic zone in the city, the largest in Bolivia. The inhabitants of Cobija has risen very strongly during the past two decades to more than five-fold. Currently the estimated population is as much as 80,000 inhabitants with a population growth of 6 to 8% per year. The Estadio Roberto Jordán Cuellar is located in Cobija. The football stadium has a capacity of 24,000. The city of Cobija sits on

1098-470: Is a separate area. Pathé was the best-known global manufacturer of such films in the early 20th century. A vivid example is Moscow Clad in Snow (1909). Biographical documentaries appeared during this time, such as the feature Eminescu-Veronica-Creangă (1914) on the relationship between the writers Mihai Eminescu , Veronica Micle and Ion Creangă (all deceased at the time of the production), released by

1159-419: Is an anti-Nazi color film created by Stefan Themerson which is both a documentary and an avant-garde film against war. It was one of the first anti-Nazi films in history. Cinéma vérité (or the closely related direct cinema ) was dependent on some technical advances to exist: light, quiet and reliable cameras, and portable sync sound. Cinéma vérité and similar documentary traditions can thus be seen, in

1220-495: Is connected by one road to El Choro in the Beni Department , which is not always passable during the rainy season. When the rain allows it, Cobija is connected to the rest of Bolivia also via road. Cobija is connected to Brazil by two bridges. Cobija was founded in 1906 by Colonel Enrique Cornejo, originally under the name of Bahía and received its current name in 1908 in commemoration of the former Bolivian seaport Cobija on

1281-629: The Amazon Basin on the border with Brazil . Cobija lies on the banks of the Rio Acre across from the Brazilian city of Brasiléia . Cobija lies at an elevation of ca. 280 m (920 ft.) above sea level and has a tropical and rainy climate. Cobija has approximately 80,000 inhabitants, is the seat of a university and capital of the Bolivian Pando Department . Cobija has two airports and

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1342-660: The Bucharest chapter of Pathé . Early color motion picture processes such as Kinemacolor (known for the feature With Our King and Queen Through India (1912)) and Prizma Color (known for Everywhere With Prizma (1919) and the five-reel feature Bali the Unknown (1921)) used travelogues to promote the new color processes. In contrast, Technicolor concentrated primarily on getting their process adopted by Hollywood studios for fiction feature films. Also during this period, Frank Hurley 's feature documentary film, South (1919) about

1403-644: The Imperial Trans-Antarctic Expedition was released. The film documented the failed Antarctic expedition led by Ernest Shackleton in 1914. With Robert J. Flaherty 's Nanook of the North in 1922, documentary film embraced romanticism . Flaherty filmed a number of heavily staged romantic documentary films during this time period, often showing how his subjects would have lived 100 years earlier and not how they lived right then. For instance, in Nanook of

1464-1268: The Ministerio Público ) presented indictments against 26 people, including Fernández, before the Sixth Sentencing Tribunal ( Tribunal Sexto de Sentencia ) on 12 October 2009. By that time, the number of deaths had been revised from 18 or 20 down to 13, including Ramiro Tiñini Alvarado, a soldier who was killed at the Cobija airport on 12 September 2008. The defendants are: Leopoldo Fernández Ferreira , Jorge Lengua Áñez, Olman Pino Soria, Rosendo Domínguez Deromides, Melitón Brito Ferreira, Homer Polanco Ventura, Felsin Fernández Medina, William Musuco Rodríguez, Ronald Musuco Rodríguez, Néstor Da Silva Rivero, Danilo Huari Cartagena, William Terrazas López, Juan Marcelo Mejido Flores, Abel Janco Cáceres, Adhemar Herrera Guerra, Hugo Apaza Sahonero, Felipe Vigabriel Villarroel, Máximo Aillón Martínez, Agapito Vira Cuéllar, Oswaldo Valdivia Avariega, Nilma Banegas Becerra, Hugo Mopi Soliz, Herman Justiniano Negrete, Marcial Peña Toyama, Roberto Rea Ruiz, Wilson Da Silva Ramallo y Evin Ventura Voght. Seven of

1525-584: The Organization of American States , European Parliament and Mercosur . After Morales' victory in the recall referendum, the Morales government claimed that right wing forces led by Ruben Costas , Mario Cossio , Leopoldo Fernandez and Ernesto Suarez rejected the result of the vote and in September 2008, and supported by Philip Goldberg they launched a civil coup d'état , seizing public building and airports in

1586-884: The 1920s and 1930s. These films were particularly influenced by modern art , namely Cubism , Constructivism , and Impressionism . According to art historian and author Scott MacDonald , city symphony films can be described as, "An intersection between documentary and avant-garde film: an avant-doc "; however, A.L. Rees suggests regarding them as avant-garde films. Early titles produced within this genre include: Manhatta (New York; dir. Paul Strand , 1921); Rien que les heures /Nothing But The Hours ( France ; dir. Alberto Cavalcanti , 1926); Twenty Four Dollar Island (dir. Robert J. Flaherty , 1927); Moscow (dir. Mikhail Kaufman , 1927); Études sur Paris (dir. André Sauvage , 1928); The Bridge (1928) and Rain (1929), both by Joris Ivens ; São Paulo, Sinfonia da Metrópole (dir. Adalberto Kemeny , 1929), Berlin: Symphony of

1647-544: The Belgian coal mining region. Luis Buñuel directed a " surrealist " documentary Las Hurdes (1933). Pare Lorentz 's The Plow That Broke the Plains (1936) and The River (1938) and Willard Van Dyke 's The City (1939) are notable New Deal productions, each presenting complex combinations of social and ecological awareness, government propaganda, and leftist viewpoints. Frank Capra 's Why We Fight (1942–1944) series

1708-648: The Departmental Road Service), to five years; and Evin Ventura (the former mayor of Porvenir), to nine years. The massacre is the subject of a 2010 documentary by César Brie , Morir en Pando ("To Die in Pando"), later amplified into Tahuamanu: Morir en Pando. Cobija Cobija is a city in Bolivia , capital of the department of Pando , and is located about 600 km (373 mi.) north of La Paz in

1769-539: The Departments of Santa Cruz, Beni, Pando, Tarija; attacking government officials and Morales supporters, and calling for civil disobedience. This included the occupation of the National Institute for Agrarian Reform (INRA)'s Pando office. Campesinos, largely aligned with the Morales government, feared their recently granted land titles were at risk, although in fact they were safely stored in a military barracks. In

1830-728: The Furnaces , from 1968), directed by Octavio Getino and Fernando Solanas , influenced a whole generation of filmmakers. Among the many political documentaries produced in the early 1970s was "Chile: A Special Report", public television's first in-depth expository look at the September 1973 overthrow of the Salvador Allende government in Chile by military leaders under Augusto Pinochet , produced by documentarians Ari Martinez and José Garcia. A June 2020 article in The New York Times reviewed

1891-574: The North , Flaherty did not allow his subjects to shoot a walrus with a nearby shotgun, but had them use a harpoon instead. Some of Flaherty's staging, such as building a roofless igloo for interior shots, was done to accommodate the filming technology of the time. Paramount Pictures tried to repeat the success of Flaherty's Nanook and Moana with two romanticized documentaries, Grass (1925) and Chang (1927), both directed by Merian C. Cooper and Ernest Schoedsack . The " city symphony " sub film genre consisted of avant-garde films during

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1952-673: The North American " direct cinema " (or more accurately " cinéma direct "), pioneered by, among others, Canadians Michel Brault , Pierre Perrault and Allan King , and Americans Robert Drew , Richard Leacock , Frederick Wiseman and Albert and David Maysles . The directors of the movement take different viewpoints on their degree of involvement with their subjects. Kopple and Pennebaker, for instance, choose non-involvement (or at least no overt involvement), and Perrault, Rouch, Koenig, and Kroitor favor direct involvement or even provocation when they deem it necessary. The films Chronicle of

2013-556: The Pacific, which has been a part of Chile since the War of the Pacific . In the early 1900s, Cobija experienced a boom as an India rubber industry center. When the industry collapsed, a major source of income being lost, Cobija became impoverished and its population fell. Nowadays, Cobija is developing again and its population is increasing. Currently, the region's primary industry is Bolivia nuts , although tourism and commerce are growing. There

2074-460: The Penguins , and An Inconvenient Truth among the most prominent examples. Compared to dramatic narrative films, documentaries typically have far lower budgets which makes them attractive to film companies because even a limited theatrical release can be highly profitable. The nature of documentary films has expanded in the past 30 years from the cinéma vérité style introduced in the 1960s in which

2135-571: The Romanian professor Gheorghe Marinescu made several science films in his neurology clinic in Bucharest : Walking Troubles of Organic Hemiplegy (1898), The Walking Troubles of Organic Paraplegies (1899), A Case of Hysteric Hemiplegy Healed Through Hypnosis (1899), The Walking Troubles of Progressive Locomotion Ataxy (1900), and Illnesses of the Muscles (1901). All these short films have been preserved. The professor called his works "studies with

2196-485: The advantage of documentaries lies in introducing new perspectives which may not be prevalent in traditional media such as written publications and school curricula. Documentary practice is the complex process of creating documentary projects. It refers to what people do with media devices, content, form, and production strategies to address the creative, ethical, and conceptual problems and choices that arise as they make documentaries. Documentary filmmaking can be used as

2257-474: The camera). The American film critic Pare Lorentz defines a documentary film as "a factual film which is dramatic." Others further state that a documentary stands out from the other types of non-fiction films for providing an opinion, and a specific message, along with the facts it presents. Scholar Betsy McLane asserted that documentaries are for filmmakers to convey their views about historical events, people, and places which they find significant. Therefore,

2318-422: The city of Cobija. 11°02′S 68°44′W  /  11.033°S 68.733°W  / -11.033; -68.733 Documentary film A documentary film or documentary is a non-fictional motion picture intended to "document reality, primarily for instruction, education or maintaining a historical record ". Bill Nichols has characterized the documentary in terms of "a filmmaking practice,

2379-492: The creation of a Film Archive to collect and keep safe visual materials. The word "documentary" was coined by Scottish documentary filmmaker John Grierson in his review of Robert Flaherty 's film Moana (1926), published in the New York Sun on 8 February 1926, written by "The Moviegoer" (a pen name for Grierson). Grierson's principles of documentary were that cinema's potential for observing life could be exploited in

2440-698: The defendants were apprehended, while the remaining nineteen fled the country, mostly to Brazil. After several years in the San Pedro prison in La Paz, Fernández was released to house arrest in February 2013. Roberto Rea Ruiz, Homer Polanco Ventura, and William Terrazas López accepted their guilt in an abbreviated trial and were sentenced to three to six years in jail. Four others, including the former prefect, went to trial in 2015: Leopoldo Fernández, Herman Justiciano, Evin Ventura, and Marcelo Mejido. After examination of evidence in

2501-468: The departmental capital of Cobija to protest departmental government actions during a national political crisis. An investigation by UNASUR found the massacre to be a crime against humanity . The event culminated in the spectacular arrest in September of the Prefect of Pando, Leopoldo Fernández , for the departmental government's role in the massacre of backers of President Evo Morales . Prosecutors (of

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2562-429: The development of "reality television" that occasionally verges on the documentary but more often veers to the fictional or staged. The "making-of" documentary shows how a movie or a computer game was produced. Usually made for promotional purposes, it is closer to an advertisement than a classic documentary. Modern lightweight digital video cameras and computer-based editing have greatly aided documentary makers, as has

2623-407: The director. The commercial success of these documentaries may derive from this narrative shift in the documentary form, leading some critics to question whether such films can truly be called documentaries; critics sometimes refer to these works as " mondo films " or "docu-ganda." However, directorial manipulation of documentary subjects has been noted since the work of Flaherty, and may be endemic to

2684-448: The dramatic drop in equipment prices. The first film to take full advantage of this change was Martin Kunert and Eric Manes ' Voices of Iraq , where 150 DV cameras were sent to Iraq during the war and passed out to Iraqis to record themselves. Films in the documentary form without words have been made. Listen to Britain , directed by Humphrey Jennings and Stuart McAllister in 1942, is

2745-441: The early hours of September 11, 2008, a group organized by the central government left Riberalta with the intention to reach Cobija. Pedro Oshiro and Alfredo Céspedes, two Cobija residents were on the path of said group. As a result of a series of confrontations, near the city of Cobija , at least a dozen individuals died that day. It was the most deadly act of political violence in Bolivia since 2003. The protesters were marching to

2806-526: The early part of the 20th century. They were often referred to by distributors as "scenics". Scenics were among the most popular sort of films at the time. An important early film which moved beyond the concept of the scenic was In the Land of the Head Hunters (1914), which embraced primitivism and exoticism in a staged story presented as truthful re-enactments of the life of Native Americans . Contemplation

2867-519: The entirety of a famous 1897 prize-fight on cinema screens across the United States. In May 1896, Bolesław Matuszewski recorded on film a few surgical operations in Warsaw and Saint Petersburg hospitals. In 1898, French surgeon Eugène-Louis Doyen invited Matuszewski and Clément Maurice to record his surgical operations. They started in Paris a series of surgical films sometime before July 1898. Until 1906,

2928-513: The films was so vital that they were often given co-director credits. Famous cinéma vérité/direct cinema films include Les Raquetteurs , Showman , Salesman , Near Death , and The Children Were Watching . In the 1960s and 1970s, documentary film was often regarded as a political weapon against neocolonialism and capitalism in general, especially in Latin America, but also in a changing society. La Hora de los hornos ( The Hour of

2989-533: The form due to problematic ontological foundations. Documentary filmmakers are increasingly using social impact campaigns with their films. Social impact campaigns seek to leverage media projects by converting public awareness of social issues and causes into engagement and action, largely by offering the audience a way to get involved. Examples of such documentaries include Kony 2012 , Salam Neighbor , Gasland , Living on One Dollar , and Girl Rising . Although documentaries are financially more viable with

3050-694: The help of the cinematograph," and published the results, along with several consecutive frames, in issues of La Semaine Médicale magazine from Paris, between 1899 and 1902. In 1924, Auguste Lumière recognized the merits of Marinescu's science films: "I've seen your scientific reports about the usage of the cinematograph in studies of nervous illnesses, when I was still receiving La Semaine Médicale , but back then I had other concerns, which left me no spare time to begin biological studies. I must say I forgot those works and I am thankful to you that you reminded them to me. Unfortunately, not many scientists have followed your way." Travelogue films were very popular in

3111-428: The human eye, and created a film philosophy from it. The newsreel tradition is important in documentary film. Newsreels at this time were sometimes staged but were usually re-enactments of events that had already happened, not attempts to steer events as they were in the process of happening. For instance, much of the battle footage from the early 20th century was staged; the cameramen would usually arrive on site after

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3172-468: The increasing popularity of the genre and the advent of the DVD, funding for documentary film production remains elusive. Within the past decade, the largest exhibition opportunities have emerged from within the broadcast market, making filmmakers beholden to the tastes and influences of the broadcasters who have become their largest funding source. Modern documentaries have some overlap with television forms, with

3233-656: The landmark 14-hour Eyes on the Prize : America's Civil Rights Years (1986 – Part 1 and 1989 – Part 2) by Henry Hampton, 4 Little Girls (1997) by Spike Lee , The Civil War by Ken Burns , and UNESCO-awarded independent film on slavery 500 Years Later , express not only a distinctive voice but also a perspective and point of views. Some films such as The Thin Blue Line by Errol Morris incorporate stylized re-enactments, and Michael Moore 's Roger & Me place far more interpretive control with

3294-513: The political documentary And She Could Be Next , directed by Grace Lee and Marjan Safinia. The Times described the documentary not only as focusing on women in politics, but more specifically on women of color, their communities, and the significant changes they have wrought upon America. Box office analysts have noted that the documentary film genre has become increasingly successful in theatrical release with films such as Fahrenheit 9/11 , Super Size Me , Food, Inc. , Earth , March of

3355-458: The second half of 2015, closing arguments in the trial were held in March 2016. In March 2017, Fernández was found guilty as an indirect author of homicide, and acquitted of the crimes of murder, terrorism, criminal association, and light and severe assault; he was sentenced to fifteen years in prison. Alongside him, Herman Justiniano was sentenced to eight years in prison; Marcelo Mejido (an official with

3416-530: The style include following a person during a crisis with a moving, often handheld, camera to capture more personal reactions. There are no sit-down interviews, and the shooting ratio (the amount of film shot to the finished product) is very high, often reaching 80 to one. From there, editors find and sculpt the work into a film. The editors of the movement – such as Werner Nold , Charlotte Zwerin , Muffie Meyer , Susan Froemke , and Ellen Hovde  – are often overlooked, but their input to

3477-432: The use of portable camera and sound equipment allowed an intimate relationship between filmmaker and subject. The line blurs between documentary and narrative and some works are very personal, such as Marlon Riggs 's Tongues Untied (1989) and Black Is...Black Ain't (1995), which mix expressive, poetic, and rhetorical elements and stresses subjectivities rather than historical materials. Historical documentaries, such as

3538-494: The year of his last film, Doyen recorded more than 60 operations. Doyen said that his first films taught him how to correct professional errors he had been unaware of. For scientific purposes, after 1906, Doyen combined 15 of his films into three compilations, two of which survive, the six-film series Extirpation des tumeurs encapsulées (1906), and the four-film Les Opérations sur la cavité crânienne (1911). These and five other of Doyen's films survive. Between July 1898 and 1901,

3599-661: Was a newsreel series in the United States, commissioned by the government to convince the U.S. public that it was time to go to war. Constance Bennett and her husband Henri de la Falaise produced two feature-length documentaries, Legong: Dance of the Virgins (1935) filmed in Bali , and Kilou the Killer Tiger (1936) filmed in Indochina . In Canada, the Film Board , set up by John Grierson,

3660-475: Was among those who identified the mode of documentary film. He wrote two of the earliest texts on cinema, Une nouvelle source de l'histoire ("A New Source of History") and La photographie animée ("Animated photography"). Both were published in 1898 in French and were among the earliest written works to consider the historical and documentary value of the film. Matuszewski is also among the first filmmakers to propose

3721-599: Was set up for the same propaganda reasons. It also created newsreels that were seen by their national governments as legitimate counter-propaganda to the psychological warfare of Nazi Germany orchestrated by Joseph Goebbels . In Britain, a number of different filmmakers came together under John Grierson. They became known as the Documentary Film Movement . Grierson, Alberto Cavalcanti , Harry Watt , Basil Wright , and Humphrey Jennings amongst others succeeded in blending propaganda, information, and education with

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