PopClips is a music video television program, the direct predecessor of MTV .
112-471: Former Monkee Mike Nesmith conceived the first music-video program as a promotional device for Warner Communications' record division . Production began in the spring of 1979 at SamFilm, a sound-stage built and operated in Sand City, California by Sam Harrison, a Monterey Peninsula College instructor with a motion picture background. The series was produced by Jac Holzman . With an infinity cyclorama as
224-489: A 20th anniversary reunion. Over the subsequent 35 years, the Monkees intermittently reunited for reunion tours, a major-network television special, and the production of new studio albums. After the deaths of Jones in 2012 and Tork in 2019, Dolenz and Nesmith undertook a farewell tour in 2021. This tour concluded shortly before Nesmith's death later that year, leaving Dolenz as the sole surviving member. The Monkees were formed in
336-466: A I major to a VI minor—those kinds of things. So it was a little kind of a new wave country song. It didn't sound like the country songs of the time, which was Buck Owens." Their next single, "Daydream Believer" (with a piano intro written by Tork), shot to No. 1 on the charts, letting the Monkees hold the No. 1 position in the singles chart and the album chart with Pisces simultaneously. "Daydream Believer" used
448-402: A SG-affiliated production company to produce his own projects with that company. The most notable of these productions was Police Story , an NBC police crime drama. In 1973, Allan Blye and Chris Bearde via Blye-Bearde Productions signed an independent production agreement with Screen Gems to develop their own projects. Also that year, Harry Ackerman, who was vice president of production left
560-490: A diverse mixture of musical style influences, including country-rock, folk-rock, psychedelic rock, soul/R&B, guitar rock, Broadway and English music hall sensibilities. At the height of their fame in 1967, they also suffered from a media backlash. Nesmith states in the 2007 Rhino reissue of Pisces, Aquarius, Capricorn & Jones Ltd. , "Everybody in the press and in the hippie movement had got us into their target window as being illegitimate and not worthy of consideration as
672-474: A fictional band created for the NBC television sitcom The Monkees . Dolenz, Jones, Nesmith and Tork were cast to portray members of a band in the sitcom. Music credited to the Monkees appeared in the sitcom and was released on LPs and singles beginning in 1966, and the sitcom aired from 1966 to 1968. At first, the band members' musical contributions were primarily limited to lead vocals and the occasional composition, with
784-518: A half-hour dramatic anthology concept to the Ford Motor Company which became Ford Theatre , which was one of the first times a major Hollywood movie studio had produced content for television. They also produced seven episodes of the first season of Cavalcade of America . The name "Screen Gems," at the time, was used to hide the fact that the film studio was entering television production and distribution. Many film studios saw television as
896-544: A hole in a wall and saying, "That could have been your face!" However, each of the members, including Nesmith, accepted the $ 250,000 royalty checks (equivalent to approximately $ 2,300,000 in today's funds). Soon after, Colgems and the Monkees reached an agreement not to release material directly created by the group together with unrelated Kirshner-produced material. Kirshner immediately violated this agreement in early February 1967, when he released " A Little Bit Me, A Little Bit You ", composed and written by Neil Diamond , as
1008-523: A joint venture called Colgems Records ; the primary purpose of the venture was to distribute Monkees records. Raybert set up a rehearsal space and rented instruments for the group to practice playing in April 1966, but it quickly became apparent they would not be in shape in time for the series debut. The producers called upon Kirshner to recruit a producer for the Monkees' sessions. Kirshner called on Snuff Garrett , composer of several hits by Gary Lewis &
1120-613: A level of success comparable to Walt Disney Productions , Warner Bros. Cartoons , and the MGM Cartoon Studio . The studio's purpose was assumed by an outside producer, United Productions of America (UPA), whose cartoons, including Gerald McBoing-Boing and the Mr. Magoo series, were major critical and commercial successes. Following UPA, a deal with Hanna-Barbera was made in 1957, which lasted until 1967. In 1999, Columbia TriStar International Television produced Totally Tooned In -
1232-407: A musical force [or] certainly any kind of cultural force. We were under siege; wherever we went there was such resentment for us. We were constantly mocked and humiliated by the press. We were really gettin' beat up pretty good. We all knew what was going on inside. Kirshner had been purged. We'd gone to try to make Headquarters and found out that it was only marginally okay and that our better move
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#17328763057021344-525: A musician since early 1963 and had been recording and releasing music under various names, including Michael Blessing and "Mike & John & Bill", and he had studied drama in college. Of the final three, Nesmith was the only one who actually saw the ad in Daily Variety and The Hollywood Reporter . Tork, the last to be chosen, had been working the Greenwich Village scene as a musician and had shared
1456-491: A new character. The result was Oswald the Lucky Rabbit , the first animated character for Universal Pictures . In February 1928, when the character proved more successful than expected, Disney sought to meet with Mintz over the budget, wanting to spend more on the cartoons. Mintz refused, and hired away all of Walt Disney Studios 's animators except Iwerks, Les Clark, and Johnny Cannon, who all refused to leave Disney. He moved
1568-726: A non-exclusive agreement with the studio for joint distribution of its TV productions. Even though none of Greenway's shows went to SG, Greenway immediately struck out a deal with rival television producer 20th Century-Fox Television in 1964. In 1963, Screen Gens entered music publishing with the purchase of Don Kirshner 's Aldon Music with Kirshner named head of the Columbia-Screen-Gems music division. Four years later, he departed Screen Gems after coming into conflict with The Monkees over their desire to play on their records. Lester Sill replaced Kirshner , and remained head of music publishing until 1985. Screen Gems-Columbia Music
1680-656: A package of Universal Pictures horror films (later shifted to MCA TV ), which was enormously successful in reviving that genre. From 1958 to 1974, under President John H. Mitchell and Vice President of Production Harry Ackerman , Screen Gems delivered TV shows and sitcoms: Dennis the Menace , The Donna Reed Show , Hazel , Here Come the Brides , Mr. Smith Goes to Washington , Gidget , Bewitched , I Dream of Jeannie , The Flying Nun , The Monkees , The Girl with Something Extra and The Partridge Family . It
1792-585: A result, in funding its acquisitions, 18% of Screen Gems' shares was spun off from Columbia and it became a publicly-traded company on the NYSE until 1968. Screen Gems also provided technical assistance and partial control of a private television station in Venezuela , Canal 11 Televisión , which existed from 1966 to 1968. In 1963, William Dozier, who was one of the top Screen Gems employees, and senior vice president of production left to start out Greenway Productions, with
1904-634: A revived TriStar Television on February 21, 1994 to form Columbia TriStar Television . The name "Screen Gems" was also utilized for a syndicated hour-long program for classic television called Screen Gems Network that first aired in 1999 and ran until 2002. The television division is presently known as (and as a name-only unit of) Sony Pictures Television . Television programs produced and/or syndicated by Screen Gems: Note: (*)= Currently owned by Turner Entertainment Co. and Warner Bros. Note: (*) = Currently owned by Turner Entertainment and Warner Bros. Discovery On December 8, 1998, Screen Gems
2016-586: A single with an early version of "She Hangs Out", a song recorded in New York with Davy Jones's vocals, as the B-side. (This single was only released in Canada and was withdrawn after a couple of weeks. ) He was consequently dismissed from the project. Propelled by the band's second single, "I'm a Believer" b/w "(I'm Not Your) Steppin' Stone", More of the Monkees became the band's biggest-selling LP. The album spent 70 weeks on
2128-476: A song from the film's composer, Ken Thorne. The album had a mylar cover, to give it a mirror-like appearance, so that the person looking at the cover would see his own head, a play on the album title Head . Peter Tork said, "That was something special... [Jack] Nicholson coordinated the record, made it up from the soundtrack. He made it different from the movie. There's a line in the movie where [Frank] Zappa says, 'That's pretty white.' Then there's another line in
2240-455: A strong lead voice and did sing lead on several Monkees recordings, Dolenz's voice is regarded, particularly by Nesmith, as distinctive and a hallmark of the Monkees' sound. Unlike most television shows of the time, The Monkees episodes were written with many setups, requiring frequent breaks to prepare the set and cameras for short bursts of filming. Some of the "bursts" are considered proto-music videos, inasmuch as they were produced to sell
2352-407: A subsidiary of Japanese multinational conglomerate, Sony Group Corporation . The Screen Gems brand has served several different purposes for its parent companies over the decades since its incorporation, initially as a cartoon studio, then a television studio, and later on as a film studio. The label currently serves as a film production that specializes in genre films, mainly horror. Screen Gems
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#17328763057022464-495: A syndicated TV package showcasing Columbia's classic cartoon library. With the aid of animation historian Jerry Beck , Columbia restored and remastered the majority of the color Screen Gems cartoons (as well as all the UPA cartoons) from their original 35mm elements. The show aired in several international markets before making its American television debut on Antenna TV on January 8, 2011. They would later be aired on Toon In With Me on
2576-552: A threat to their business, thus it was expected that they would shun the medium. However, Columbia was one of a few studios who branched out to television under a pseudonym to conceal the true ownership of the television arm. That is until 1955, when Columbia decided to use the woman from its logo under the Screen Gems banner, officially billing itself as a part of "the Hollywood studios of Columbia Pictures", as spoken in announcements at
2688-591: Is a member of the Motion Picture Association (MPA). When producer Pat Sullivan came to Harry Warner to sign a contract with him on his and Otto Messmer 's series Felix the Cat , he declined and instead told his soon-to-be former secretary Margaret J. Winkler that she should form her own company and take control of the distribution of the series. Winkler formed M.J. Winkler Productions and soon also took control of Max and Dave Fleischer 's series Out of
2800-506: Is a psychedelic pop song written by Goffin and King , with lead vocals from Micky Dolenz and backing vocals from Davy Jones, and it reached No. 62 on the Billboard charts and No. 26 on the Canadian RPM charts . The film's soundtrack album reached No. 45 on the Billboard charts and No. 24 in Canada. Nicholson assembled the album, weaving dialogue and sound effects from the film in between
2912-551: Is that it features an early use of the Moog synthesizer on two tracks, the Nesmith-penned "Daily Nightly", along with "Star Collector". All of its songs, except for two, were featured on the Monkees' television show during the second season. The song "What Am I Doing Hangin' 'Round?", recorded in June 1967 and featured on Pisces, Aquarius, Capricorn & Jones Ltd. , is seen as a landmark in
3024-412: Is to sit up and have to duplicate somebody else's records?" he asked. "Tell the world we don't record our own music." The band members were displeased that the music publishing company would not allow them to play their own instruments on their records or to use more of their own material. These complaints intensified when Kirshner moved track recording from California to New York, leaving the band out of
3136-530: The MeTV Network in November 2021. Despite these restoration efforts, Sony Pictures Home Entertainment has no current plans to release these shorts on DVD or Blu-ray. Since CPE Holdings, Inc. became dormant on May 9, 2024, Sony Pictures Releasing now owns the theatrical distribution on behalf of Columbia Pictures , while Sony Pictures Television owns the television distribution on behalf of CPT Holdings, Inc. to
3248-666: The Nine Network . In the late 1950s, Screen Gems also entered into ownership and operation of television stations. Stations owned by Screen Gems over the years included KCPX (Salt Lake City; now KTVX , owned by Nexstar Media Group ), WVUE-DT (New Orleans; now owned by Gray Television ), WAPA-TV (San Juan; now owned by the Hemisphere Media Group), WNJU (Linden, NJ; now Telemundo / NBCUniversal O&O), and several radio stations as well, including 50,000-watt clear channel WWVA (Wheeling, WV; now owned by iHeartMedia ). As
3360-472: The #2 spot on the charts for the next 11 weeks—the same weeks which became known by the counterculture as the " Summer of Love ". A selection that Dolenz wrote and composed, " Randy Scouse Git ", was issued under the title "Alternate Title" (owing to the controversial nature of its original title ) as a single internationally, where it rose to No. 2 on the charts in the UK and Norway, and in the top 10 in other parts of
3472-413: The 12 songs on the album, plus the two tracks "Band 6" and "Zilch". The Los Angeles Times , when reviewing Headquarters , stated that "The Monkees Upgrade Album Quality" and that "The Monkees are getting better. Headquarters has more interesting songs and a better quality level [than previous albums]... None of the tracks is a throwaway... The improvement trend is laudable." The high of Headquarters
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3584-580: The 1941 short The Fox and the Grapes . Based on the Aesop's Fable of the same name, the short would inadvetably spawn Columbia's most successful characters with The Fox and the Crow , a comic duo of a refined Fox and a street-wise Crow. Tashlin's stay at Screen Gems would be short-lived, as he would later leave the studio, following an argument with Columbia higher-ups. When interviewed by Michael Barrier, Tashlin said that
3696-631: The Beatles' recording session for " A Day in the Life " at Abbey Road Studios. At that time, he reportedly asked John Lennon, "Do you think we're a cheap imitation of the Beatles, your movies and your records?" Lennon replied, "I think you're the greatest comic talent since the Marx Brothers . I've never missed one of your programs". With Kirshner dismissed as musical supervisor, in late February 1967 Nesmith hired former Turtles bassist Douglas Farthing Hatlelid, who
3808-505: The Billboard charts for 11 weeks. As the second season of the television series was being produced, the Monkees tired of the sitcom format and refused to participate in a third season without a major overhaul. NBC was uninterested in making any changes, and so the series was cancelled in February 1968. That same month, the Monkees began filming their feature film, Head . With Bob Rafelson as director and Bert Schneider as executive producer,
3920-413: The Billboard charts shortly after it was released in April 1968. It was the first album released after NBC announced they were not renewing The Monkees for a third season. The album cover—a quaint collage of items in a knickknack shelf—was chosen over the Monkees' objections. It was the last Monkees' album to be released in separate, dedicated mono and stereo mixes. During the 1986 reunion, it returned to
4032-502: The Billboard charts, staying No. 1 for 18 weeks and becoming the third-highest-selling album of the 1960s. "I'm a Believer" was written by Neil Diamond . The Monkees' recording of the single hit the number-one spot on the U.S. Billboard Hot 100 chart for the week ending December 31, 1966, remaining there for seven weeks. "I'm a Believer" became the biggest-selling single for all of 1967. The Monkees' musical opportunities were open beyond their ability to capitalize. Screen Gems held
4144-543: The Byrds and the Association , drummer "Fast" Eddie Hoh , Lowell George , Stephen Stills , Buddy Miles , and Neil Young —a practice that continued for all their studio albums except Justus . Using Chip Douglas again to produce, Pisces, Aquarius, Capricorn & Jones Ltd. , released in November 1967 was the Monkees' fourth No. 1 album in a row, staying at No. 1 for 5 weeks, and was also their last No. 1 album. It featured
4256-494: The CPT name. Columbia also ran Colex Enterprises , a joint venture with LBS Communications to distribute most of the Screen Gems library, which ended in 1987. In 1985, the name was brought back by Columbia Pictures Television to distribute classic television series from its vaults to first-run syndication. On December 18, 1987, Coca-Cola spun off its entertainment holdings and sold it to Tri-Star Pictures, Inc. for $ 3.1 billion. It
4368-607: The Colpix label. His involvement with The Monkees was publicly announced on July 14, 1965. Jones had previously starred as the Artful Dodger in the Broadway theater show Oliver! ; for his work in Oliver! , he was nominated for a Tony Award for Best Featured Actor in a Musical in 1963. In September 1965, Daily Variety and The Hollywood Reporter ran advertisements to cast
4480-585: The Inkwell . By 1923 she and Sullivan were arguing, and that same year the Fleischer Brothers formed their own distribution company named Red Seal. Winkler saw an unreleased short called Alice's Wonderland , a cartoon produced and directed by Walt Disney , and became impressed with the short. The two agreed to make a series about the cartoon. In 1924, Charles Mintz married Winkler, and the latter's career began to decline. Mintz quickly assumed Winkler's role in
4592-524: The Monkees held their first recording session as a fully functioning, self-contained band. The band recorded an early version of Nesmith's self-composed top 40 hit single "The Girl I Knew Somewhere", along with " All of Your Toys " and "She's So Far Out, She's In". Also in January, Kirshner released the band's second album of songs that used session musicians, More of the Monkees , without the band's knowledge. The Monkees were annoyed at not having even been told of
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4704-423: The Monkees once again a group in name only. With widespread allegations that the band members did not play their own instruments—followed by the cancellation of The Monkees TV series, diminishing success on the charts, and waning popularity overall—band members began to leave the group. The Monkees held a final recording session in 1970 before breaking up. Renewed interest in the Monkees emerged in 1986, leading to
4816-486: The Monkees' studio abilities arose. Dolenz told a reporter that the Wrecking Crew provided the backing tracks for the first two Monkees albums, and that his position as drummer was simply because a Monkee had to learn to play the drums, and he only knew the guitar. In the January 28, 1967, issue of Saturday Evening Post an article quoted Nesmith railing against the music creation process. "Do you know how debilitating it
4928-489: The Monkees, made a solo stand as a studio drummer. In commentary for the DVD release of the second season of the show, Tork said that Dolenz was "incapable of repeating a triumph." Having been a drummer for one album, Dolenz lost interest in being a drummer and, indeed, he largely gave up playing instruments on Monkees recordings to session musicians like "Fast" Eddie Hoh . (Producer Chip Douglas also had identified Dolenz's drumming as
5040-532: The Nesmith-composed straightforward pop-rock song "You Just May Be the One" (the only track from their peak years to feature the Monkees playing the same instruments they were shown to play on the television show), used on the television series during both seasons, along with "Shades of Gray" (with piano introduction written by Tork), "Forget that Girl", and "No Time", used in the television show. The Monkees wrote six of
5152-640: The Ocean ". In 1939, a short while before his death, after becoming indebted to Columbia, Mintz relinquished ownership of his studio and the Screen Gems name to Columbia to settle longstanding financial problems. Mintz was nominated for two Academy Awards for Best Short Subject. His first nomination was in 1935 for Holiday Land , and he was nominated again in 1938 for The Little Match Girl . For an entire decade, Charles Mintz produced Krazy Kat , Scrappy , and Color Rhapsody animated film shorts through Columbia Pictures. Mintz's production manager became
5264-464: The Playboys , to produce the initial musical cuts for the show. Garrett, upon meeting the four Monkees in June 1966, decided that Jones would sing lead, a choice that was unpopular with the group. This cool reception led Kirshner to drop Garrett and buy out his contract. Kirshner next allowed Nesmith to produce sessions, provided he did not play on any tracks he produced. Nesmith did, however, start using
5376-473: The United States, but it was still their third No. 1 album in a row, with many of its songs played on the second season of the television show. Having a more country-folk-rock sound than the pop outings under Kirshner, Sandoval notes in the 2007 Deluxe Edition reissue from Rhino that the album rose to No. 1 on May 24, 1967, with the Beatles' Sgt. Pepper released the following week, which moved Headquarters to
5488-518: The background, set flats were made from the Styrofoam packing used to ship laserdisc players and 3/4" video decks. The first " VeeJay " was Jeff Michalski. The director was William Dear . Besides Harrison, the production team was made up of Bruce "Buz" Clarke, Keith Cornell, Marybeth Harris, and Leslie Chacon. The program was broadcast weekly on the youth-oriented cable television channel Nickelodeon in late 1980 and early 1981. The channel's owners at
5600-497: The band was an intense argument among Nesmith, Kirshner and Colgems lawyer Herb Moelis, which took place at the Beverly Hills Hotel in January 1967. Kirshner had presented the group with royalty checks and gold records. Nesmith had responded with an ultimatum, demanding a change in the way the Monkees' music was chosen and recorded. Moelis reminded Nesmith that he was under contract. The confrontation ended with Nesmith punching
5712-473: The band's teenage fanbase while failing to attract a more adult audience. Rafelson and Schneider severed all ties to the band amid the bitterness that ensued over the commercial failure of Head . At the time, Rafelson told the press, "I grooved on those four in very special ways while at the same time thinking they had absolutely no talent." Released in October 1968, the single from the album, "The Porpoise Song",
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#17328763057025824-446: The cartoons made during this period were described as being "misguided" or "imitation Warner Bros." Hubley also said to have disliked his work at the studio, and that Columbia "hated" the cartoons they were making. Historians note that the decline in quality could have been caused by several key factors; Tashlin's departure from the studio, the inability to obtain confident animators, writers or directors and Columbia's mismanagement behind
5936-527: The casting process, Don Kirshner , Screen Gems' head of music, was contacted to secure music for The Monkees pilot. Kirshner's Brill Building firm Aldon Music had an extensive portfolio of songwriters, many in need of work after the British Invasion had reorganized the American music scene; while several Aldon writers contributed songs to the Monkees during their existence, the bulk of the songwriting for
6048-534: The company, later rebranding it Winkler Pictures. In 1925 Winkler's renewal contract for the Felix shorts was written, yet Winkler declined to renew due to her dispute with Sullivan. The following year the Alice Comedies stopped being distributed by Winkler. After Mintz become involved with the progress it was clear that Disney was unhappy with the production costs on cartoons, and he asked Disney and Ub Iwerks to develop
6160-520: The detriment of the Monkees project. Nesmith added that Head was Rafelson and Nicholson's intentional effort to "kill" the Monkees, so that they would no longer be bothered with the matter. A poor audience response at an August 1968 screening in Los Angeles forced the producers to edit the picture from its original 110-minute length. The 86-minute Head premiered in New York City on November 6, 1968;
6272-962: The end of some Screen Gems series. By 1952, the studio had produced a series of about 100 film-record coordinated releases for television under the brand "TV Disk Jockey Toons" in which the films "synchronize perfectly with the records". In 1954, the studio started producing Father Knows Best on CBS and The Adventures of Rin Tin Tin on ABC, which became their biggest successes at the time. On July 1, 1956, studio veteran Irving Briskin stepped down as stage manager of Columbia Pictures and formed his own production company Briskin Productions, Inc. to release series through Screen Gems and supervise all of its productions. On December 10, 1956, Screen Gems expanded into television syndication by acquiring Hygo Television Films (a.k.a. Serials Inc.) and its affiliated company United Television Films, Inc. Hygo Television Films
6384-480: The film by the group) ruthlessly parodies Boyce and Hart's "Monkees Theme". A sparse advertising campaign (with no mention of the Monkees) hurt any chances of the film doing well, and it played briefly in half-filled theaters. In the DVD commentary, Nesmith said that everyone associated with the Monkees "had gone crazy" by this time. They were each using the platform of the Monkees to push their own disparate career goals, to
6496-406: The film later debuted in Hollywood on November 20. It was not a commercial success. This was in part because Head comprehensively demolished the group's carefully groomed public image while the counterculture audience they had been reaching for rejected the Monkees' efforts out of hand. Receiving mixed critical reviews and virtually non-existent box office receipts, the film succeeded in alienating
6608-423: The first major film studio to move into television. Although Harry wasn't convinced by the suggestion, Columbia invested $ 50,000 acquiring Pioneer and reorganized it as Screen Gems. The studio started its new business in New York on April 15, 1949. By 1951, Screen Gems became a full-fledged television studio by producing and syndicating several popular shows (see below ) . Within a few months, Ralph Cohn had sold
6720-402: The fusion of country and rock despite Nesmith's prior country-flavored rock songs for the Monkees. Nesmith stated, "One of the things that I really felt was honest was country-rock. I wanted to move the Monkees more into that because ... if we get closer to country music, we'll get closer to blues, and country blues, and so forth. ... It had a lot of un-country things in it: a familiar change from
6832-459: The group fell upon Tommy Boyce and Bobby Hart, two songwriters who were only beginning to break through to success at the time. Boyce and Hart contributed four demo recordings for the pilot. One of these recordings was "(Theme From) The Monkees" which helped get the series the green light. When The Monkees was picked up as a series, development of the musical side of the project accelerated. Columbia - Screen Gems and RCA Victor entered into
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#17328763057026944-505: The group members did not always play their own instruments or sing the backing vocals in the studio. They were derisively dubbed the " Pre-Fab Four" and the Sunday Mirror called them a "disgrace to the pop world." However, George Harrison praised the Monkees' self-produced musical attempts. Peter Tork was later one of the musicians on Harrison's album Wonderwall Music , playing Paul McCartney 's five-string banjo . Nesmith attended
7056-519: The hit single "Pleasant Valley Sunday" (#3 on charts) b/w "Words" (#11 on charts), the A-side had Nesmith on electric guitar/backing vocals, Tork on piano/backing vocals, Dolenz on lead vocals and possibly guitar and Jones on backing vocals; the B-side had Dolenz and Tork alternating lead vocals, Tork played organ, Nesmith played guitar, percussion, and provided backing vocals, and Jones provided percussion and backing vocals. Other notable items about this album
7168-444: The instrument, but both declined to give the drum set a try. Jones knew how to play the drums and tested well enough on the instrument; however, the producers believed that he would be virtually hidden from view behind a drum set due to his short stature. Thus, Dolenz (who knew only how to play the guitar) was assigned to become the drummer. Tork taught Dolenz his first few beats on the drums, enough for him to fake his way through filming
7280-523: The last major studio to enter television by name. Changes in corporate ownership of Columbia came in 1982, when Coca-Cola bought the company, although continuing to trade under the CPT name. In the mid-1980s, Coca-Cola reorganized its television holdings to create Coca-Cola Television, merging CPT with the television unit of Embassy Communications as Columbia/Embassy Television, although both companies continued to use separate identities until January 4, 1988, when it and Tri-Star Television were reunited under
7392-401: The majority of the color Screen Gems cartoons (as well as all the UPA cartoons) library. All series were distributed by Columbia unless otherwise noted. Ralph Cohn, the son of Columbia co-founder Jack Cohn and nephew of Columbia head Harry Cohn , founded Pioneer Telefilms, a television commercial production company, in 1947. Ralph later wrote a 50-page memo arguing that Columbia should be
7504-431: The management "can't stay happy long when things are going well, so we ended up in another fracas and I left." He was replaced by Dave Fleischer , previously the co-founder and head director of Fleischer Studios . John Hubley described Fleischer as "one of the world's intellectual lightweights", as he had very little involvement in the making of cartoons. However he was also noted for his baffling editing practices. Dave
7616-730: The mid-1960s in Los Angeles. Aspiring filmmaker Bob Rafelson developed the initial idea for The Monkees in 1962 and tried selling it to Revue Productions , the television division of Universal Pictures , but was unsuccessful. In May 1964, while working at Screen Gems , Rafelson teamed up with Bert Schneider , whose father, Abraham Schneider, headed the Colpix Records and Screen Gems Television units of Columbia Pictures . Rafelson and Schneider ultimately formed Raybert Productions. The Beatles ' films A Hard Day's Night and Help! inspired Rafelson and Schneider to revive Rafelson's idea for The Monkees . As "Raybert Productions", they sold
7728-466: The mid-1960s. The band consisted of Micky Dolenz , Davy Jones , Michael Nesmith , and Peter Tork . Spurred by the success of TV series The Monkees , the Monkees were one of the most successful bands of the late 1960s. With international hits, four chart-topping albums and three chart-topping songs (" Last Train to Clarksville ", " I'm a Believer ", and " Daydream Believer "), they sold more than 75 million records worldwide. The Monkees were originally
7840-516: The most notable other production of Goldberg's tenure at Screen Gems being the 1971 television movie Brian's Song . He then formed a production company with producer Aaron Spelling . In 1971, Douglas S. Cramer , former executive VP in charge of production at Paramount Television , set up a SG-affiliated production firm, The Douglas S. Cramer Company, to produce projects for feature films and TV projects via Columbia Pictures. In 1972, David Gerber , who had left 20th Century Fox Television , set up
7952-472: The movie that was not juxtaposed in the movie, but Nicholson put them together in the [soundtrack album], when Mike says, 'And the same thing goes for Christmas'... that's funny... very different from the movie... that was very important and wonderful that he assembled the record differently from the movie... It was a different artistic experience." Screen Gems Screen Gems is an American film production company owned by Sony Pictures Entertainment ,
8064-458: The musical process entirely until they were called upon to add their vocals to the completed tracks. Nesmith, when asked about the situation by Rolling Stone magazine, said, "The [TV show's] producers [in Hollywood] backed us and David went along. None of us could have fought the battles we did [with the music publishers] without the explicit support of the show's producers". On January 16, 1967,
8176-442: The newly formed Columbia Pictures Industries, Inc. for $ 24.5 million. In the following year, former ABC vice president of programming Leonard Goldberg joined Screen Gems, displacing Jackie Cooper as vice president of program development. Goldberg failed to receive the same level of success as Cooper. His shows all tanked after one season, with the exception of The Partridge Family , and he abruptly left after three years, with
8288-440: The non-album track " Goin' Down " as its B-side, which featured Nesmith and Tork on guitar with Micky on lead vocals. During their 1986 reunion, both Headquarters and Pisces, Aquarius, Capricorn & Jones Ltd. returned to the charts for 17 weeks. No longer desiring to work as a group, the Monkees dropped Chip Douglas as a producer, and starting in November 1967, they largely produced their own sessions. Although credited to
8400-410: The other Monkees on his sessions, particularly Tork as a guitarist. Kirshner came back to the enthusiastic Boyce and Hart to be the regular producers, but he brought in one of his top East Coast associates, Jack Keller , to lend some production experience to the sessions. Boyce and Hart quickly realized that, when together, the four actors fooled around and tried to crack each other up. Because of this,
8512-565: The other musicians involved in the project. The Monkees' first single, " Last Train to Clarksville " b/w "Take a Giant Step", was released in August 1966, just weeks prior to the TV broadcast debut. In conjunction with the first broadcast of the television show on September 12, 1966, on the NBC television network, NBC and Columbia had a major hit on their hands. The single topped the Billboard Hot 100 for
8624-409: The pilot. He was soon taught how to play properly. The lineup for the TV show most frequently featured Nesmith on guitar, Tork on bass, Dolenz on drums and Jones as a frontman, singer and percussionist, despite the fact that this lineup did not correspond to the members' musical strengths. Tork was a more experienced guitar player than Nesmith, while Nesmith had trained on the bass. Also, while Jones had
8736-433: The producers often brought in each singer individually. The Monkees' debut and second albums were meant to be a soundtrack to the first season of the TV show, to cash in on the audience. In the 2006 Rhino Deluxe Edition re-issue of their second album, More of the Monkees , Nesmith stated that he was angered by the release of the first album because it portrayed the band as an actual rock-and-roll band and gave no credit to
8848-542: The producers, the band went out on the road and made their debut live performance in December 1966 in Hawaii. The results of these live performances were far better than expected. Wherever they went, the group was greeted by scenes of fan adulation reminiscent of Beatlemania . This gave the singers increased confidence in their fight for control over the musical material chosen for the series. In early 1967, controversy concerning
8960-524: The production of the Oswald cartoons to Winkler Pictures, along with Margaret Winkler's brother, George. After losing the Oswald contract to Walter Lantz , Mintz focused on the Krazy Kat series, which was the output of a Winkler-distributed property. M.J. Winkler Productions became known as Winkler Pictures after Mintz took over in 1926 and partnered with Columbia Pictures for distribution in 1929. In 1931, when
9072-442: The project was co-written and co-produced by Rafelson with a then-relatively unknown Jack Nicholson . The film, conceived and edited in a stream of consciousness style, featured oddball cameo appearances by movie stars Victor Mature , Annette Funicello , a young Teri Garr (credited as "Terry Garr"), boxer Sonny Liston , famous stripper Carol Doda , Green Bay Packers linebacker Ray Nitschke , and musician Frank Zappa . It
9184-516: The publishing rights to a wealth of material, with the Monkees being offered the first choice of many new songs. Due to the abundance of material numerous tracks were recorded, but dozens were left unreleased until Rhino Records started releasing them through the Missing Links series of albums starting in the late 1980s. The Monkees' UK tour in 1967 received a chilly reception; the front pages of several UK and international music papers proclaimed that
9296-404: The records. The Monkees Tale author Eric Lefcowitz noted that the Monkees were—first and foremost—a video group. Pleased with their initial efforts, Columbia (over Kirshner's objections) planned to send the Monkees out to play live concerts . The massive success of the series—and its spin-off records—created intense pressure to mount a touring version of the group. Against the initial wishes of
9408-405: The release in advance, at having their opinions on the track selection ignored, at Kirshner's self-congratulatory liner notes and also because of the cover photo, which was a composite of photographs taken for a J.C. Penney clothing advertisement. Indeed, the Monkees had not even been given a copy of the album; they had to buy it from a record store. The climax of the rivalry between Kirshner and
9520-510: The remainder of the band/cast members for the TV show. The advertisements each read as follows: Madness!! Auditions. Folk & Roll Musicians-Singers for acting roles in new TV series. Running parts for 4 insane boys, age 17–21. Want spirited Ben Frank's -types. Have courage to work. Must come down for interview. Out of 437 applicants, the other three chosen for the cast of the TV show were musician Michael Nesmith, musician Peter Tork, and actor/musician Micky Dolenz. Nesmith had been working as
9632-419: The remaining music provided by professional songwriters and studio musicians. Though this arrangement yielded multiple hit albums and singles, the band members revolted and, after a brief power struggle, gained full control over the recording process in 1967. For two albums, the Monkees mostly performed as a group; however, within a year, each member was pursuing his own interests under the Monkees' name, rendering
9744-497: The scenes. Other staff members during this period included people such as Bob Wickersham, Paul Sommer, Alec Geiss, Sid Marcus, Howard Swift and Alex Lovy . Bob Clampett was also brought in as a gag writer before setting up his own animation studio for Republic Pictures . Screen Gems was, in an attempt to keep costs low, the last American animation studio to stop producing black and white cartoons. The final black-and-white Screen Gems shorts appeared in 1946, over three years after
9856-472: The second-longest holdouts ( Famous Studios and Leon Schlesinger Productions). During that same year, Columbia decided to shut its doors for good, while releasing a back catalog up until 1949. It later merged with the television version of Screen Gems (previously Pioneer Telefilms). In spite of the studio's internal affairs, Screen Gems' cartoons were still moderately successful, with it achieving additional Academy Awards nominations . However it never achieved
9968-503: The show to Screen Gems Television on April 16, 1965. Rafelson and Schneider's original idea was to cast an existing New York folk rock group, the Lovin' Spoonful , who were not widely known at the time. After those plans fell through, Rafelson and Schneider focused on Davy Jones. In September 1964, Jones had signed to a long-term contract to appear in TV programs for Screen Gems, to make feature films for Columbia Pictures and to record music for
10080-436: The songs. The six (plus "Ditty Diego") Monkees songs on the album range from psychedelic pop to straightforward rockers to Broadway rock to eastern-influenced pop to a folk-rock ballad. Although the Monkees performed "Circle Sky" live in the film, the studio version was chosen for the album. The live version was later released on various compilations, including Rhino's Missing Links series of Monkees albums. The album also includes
10192-470: The soundtrack to the second season of the television show. In March 1967, " The Girl I Knew Somewhere ", composed by Nesmith and performed by Dolenz, Nesmith, Tork and bassist John London , was issued as the B-side to the Monkees' third single, " A Little Bit Me, a Little Bit You ", and it rose to No. 39 on the charts. The A-side rose to No. 2. Issued in May 1967, Headquarters had no songs released as singles in
10304-522: The stage with Pete Seeger ; he learned of The Monkees from Stephen Stills , whom Rafelson and Schneider had rejected as a songwriter. Dolenz was an actor (his father was veteran character actor George Dolenz ) who had starred in the Screen Gems-produced TV series Circus Boy as a child, using the stage name Mickey Braddock. He had also played guitar and sung in a band called the Missing Links, which released one single, "Don't Do It". During
10416-461: The studio head but was shortly replaced by Mintz's brother-in-law, George Winkler. Columbia then decided to hire Frank Tashlin , then a writer for Walt Disney Productions , as lead producer. There he would hire many displaced animators from the 1941 Disney animators' strike , as well as making the decision of firing the bulk of their initial staff (included Arthur Davis , Manny Gould , Lou Lilly , Ben Harrison and Winkler). Tashlin would also direct
10528-555: The studio moved from New York to California, it was renamed The Charles Mintz Studio. The Charles Mintz studio became known as Screen Gems in 1933. The name was originally used in 1933, when Columbia Pictures acquired a stake in Charles Mintz's animation studio. The name was derived from an early Columbia Pictures slogan, "Gems of the Screen"; itself a takeoff on the song " Columbia, the Gem of
10640-429: The studio to start his own production company to be affiliated with Paramount Television . On May 6, 1974, Screen Gems was renamed to Columbia Pictures Television as suggested by then-studio president David Gerber , who succeeded Art Frankel as his studio president. The final notable production from this incarnation of Screen Gems before the name change was the 1974 miniseries QB VII . Columbia was, technically,
10752-470: The time, Warner Cable , wanted to buy the name and idea, but instead, according to Dear, "they just watered down the idea and came up with MTV ." PopClips was preceded by the video Elephant Parts (which won the first ever Grammy Award for Music Video ), and followed by a second series titled Television Parts , both of which Nesmith hosted and produced. The Monkees The Monkees were an American pop rock band formed in Los Angeles in
10864-419: The weak point in the collective musicianship of the quartet, having to splice together multiple takes of Dolenz's "shaky" drumming for final use.) By this point, the four did not have a common vision regarding their musical interests, with Nesmith and Jones also moving in different directions—Nesmith following his country/folk instincts and Jones reaching for Broadway-style numbers. The next three albums featured
10976-553: The week ending November 5, 1966. The Monkees' debut album, The Monkees , was released a month later; it spent 13 weeks at No. 1 and stayed on the Billboard charts for 78 weeks. Twenty years later, during their reunion, it spent another 24 weeks on the Billboard charts. In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would portray the drummer. Both Nesmith (a skilled guitarist and bassist) and Tork (who could play several stringed and keyboard instruments) were peripherally familiar with
11088-399: The whole band, the songs were mostly solo efforts. In a couple of cases, Boyce and Hart had returned from the first two albums to produce, but credit was given to the Monkees due to contractual requirements. Propelled by the hit singles "Daydream Believer" and " Valleri ", along with Nesmith's self-penned top 40 hit "Tapioca Tundra", The Birds, The Bees & The Monkees reached No. 3 on
11200-434: The world. Tork's "For Pete's Sake" was used as the closing theme for the television show. Nesmith continued in his country-rock leanings, adding the pedal steel guitar to three of the songs, along with contributing his self-composed countrified-rock song "Sunny Girlfriend". Tork added the banjo to the Nesmith-composed rocker "You Told Me", a song whose introduction was satirical of the Beatles' "Taxman". Other notable songs are
11312-738: Was also the first distributor for Hanna-Barbera Productions, an animation studio founded by William Hanna and Joseph Barbera after leaving Metro-Goldwyn-Mayer , and was also the distributor of the Soupy Sales show. The company also entered a co-production deal with Canada 's CTV Television Network and produced several shows, many of which were filmed or taped in Toronto for distribution to Canadian stations ( Showdown , The Pierre Berton Show ). The company even expanded as far as Australia , opening Screen Gems Australia to produce shows for that country's networks, including The Graham Kennedy Show for
11424-456: Was better known by his stage name Chip Douglas , to produce the next Monkees album. This album was to be the first Monkees album where they were the only musicians, outside of most of the bass and the horns. Douglas was responsible for both music presentation—actually leading the band and engineering recordings—and playing bass on most of Headquarters . This album, along with their next, Pisces, Aquarius, Capricorn & Jones Ltd. , served as
11536-504: Was filmed at Columbia Pictures ' Screen Gems studios and on location in California, Utah , and the Bahamas between February 19 and May 17, 1968, and premiered in New York City on November 6 of that year (the film later debuted in Hollywood on November 20). The film was the antithesis of The Monkees television show. Rafelson and Nicholson's "Ditty Diego-War Chant" (recited at the start of
11648-402: Was founded in 1951 by Jerome Hyams, who also acquired United Television Films in 1955 that was founded by Archie Mayers. During that year, the studio began syndicating Columbia Pictures' theatrical film library to television, including the series of two-reel short subjects starring The Three Stooges in 1957. Earlier on August 2, 1957, they also acquired syndication rights to " Shock Theater ",
11760-580: Was later fired and succeeded by a revolving door of producers, including musician Paul Worth, Three Stooges producer Hugh McCollum and ex-Schlesinger assistants Ray Katz and Henry Binder. The studio would also create several more recurring characters around this time, including Tito and His Burrito, Flippy , Flop the Cat , Igor Puzzlewitz, Willoughby Wren , and an adaptation of Al Capp's comic series Li'l Abner , with varying levels of success. The studios output following Tashlin's departure was, in retrospect, considered to be vastly inferior as many of
11872-421: Was much better, but I think it suffers for that reason." With Pisces, Aquarius, Capricorn & Jones Ltd. , the Monkees' fourth album, they went back to making music for the television show, except that they had control over the music and which songs would be chosen. They used a mixture of themselves and session musicians on the album, including the Wrecking Crew , Louie Shelton , Glen Campbell , members of
11984-460: Was renamed to Columbia Pictures Entertainment, Inc., also creating Columbia/Tri-Star by merging Columbia and Tri-Star. Both studios continued to produce and distribute films under their separate names. In 1989, Sony Corporation of Japan purchased Columbia Pictures Entertainment. On August 11, 1991, Columbia Pictures Entertainment was renamed as Sony Pictures Entertainment as a film production-distribution subsidiary and subsequently combined CPT with
12096-443: Was resurrected as a fourth speciality film-producing arm of Sony's Columbia TriStar Motion Picture Group. It was created after Triumph Films closed. Screen Gems produces and releases "films that fall between the wide-release films traditionally developed and distributed by Columbia Pictures and those released by Sony Pictures Classics ". Many of its releases are of the horror, thriller, action, drama, comedy and urban genres, making
12208-411: Was short-lived, however. Recording and producing as a group was Tork's major interest and he hoped that the four would continue working together as a band on future recordings, according to the liner notes of the 2007 Rhino reissue of Pisces, Aquarius, Capricorn & Jones Ltd. . "Cuddly Toy" on Pisces, Aquarius, Capricorn & Jones Ltd. marked the last time Dolenz, who originally played guitar before
12320-427: Was sold to EMI for $ 23.5 million in 1976. From 1964 to 1969, former child star Jackie Cooper was Vice President of Program Development. He was responsible for packaging series (such as Bewitched ) and other projects and selling them to the networks. For the 1965–1966 season, Screen Gems announced that they would sign three big creative programmers to develop new series, which was announced in June 1964. Among them
12432-504: Was to just go back to the original songwriting and song-making strategy of the first albums except with a clear indication of how [the music] came to be... The rabid element and the hatred that was engendered is almost impossible to describe. It lingers to this day among people my own age." Tork disagreed with Nesmith's assessment of Headquarters , stating, "I don't think the Pisces album was as groovy to listen to as Headquarters . Technically it
12544-599: Was writer Sidney Sheldon , director Hy Averback , and writer David Swift . In 1965, Columbia Pictures acquired a fifty per cent interest in the New York-based commercial production company EUE, which was incorporated into Screen Gems and renamed EUE/Screen Gems . The studios were sold in 1982 to longtime Columbia Pictures executive George Cooney shortly after Columbia Pictures was sold to The Coca-Cola Company . On December 23, 1968, Screen Gems merged with its parent company Columbia Pictures Corporation and became part of
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