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Pittsburgh Filmmakers

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Pittsburgh Filmmakers was one of the oldest and largest media arts centers in the United States , operating from 1971 to 2019.

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102-622: The non-profit institution in Pittsburgh , Pennsylvania began as a filmmaking equipment access cooperative founded by curator Sally Dixon in 1971. The co-op remained a pillar of the organization throughout its life, supporting projects that grew to include a NASAD -accredited film school , the Three Rivers Film Festival , and three repertory theaters —most prominently the Harris Theater , which remains in operation under

204-433: A multimedia computer for non-linear editing of video may have a video capture card to capture analog video or a FireWire connection to capture digital video from a DV camera, with its video editing software. Various editing tasks could then be performed on the imported video before export to another medium , or MPEG encoded for transfer to a DVD . Modern web-based editing systems can take video directly from

306-584: A cafe, a library, and the 130-seat Melwood Screening Room. That same year, the screening program moved temporarily to a Point Park College venue at 222 Craft Ave., and then found a permanent home at the Harris Theater, a former X-rated movie house at 809 Liberty Ave. in the downtown Cultural District . In early 1998, Filmmakers also purchased the Regent Square Theater, at 1035 South Braddock Ave. The film school received accreditation in 1999, and spurred

408-415: A camera phone over a mobile connection, and editing can take place through a web browser interface, so, strictly speaking, a computer for video editing does not require any installed hardware or software beyond a web browser and an internet connection. Nowadays there is a huge amount of home editing which takes place both on desktop and tablets or smartphones. The social media revolution has brought about

510-768: A collective, public or social benefit, as opposed to an entity that operates as a business aiming to generate a profit for its owners. A nonprofit organization is subject to the non-distribution constraint: any revenues that exceed expenses must be committed to the organization's purpose, not taken by private parties. Depending on the local laws, charities are regularly organized as non-profits. A host of organizations may be nonprofit, including some political organizations, schools, hospitals, business associations, churches, foundations, social clubs, and consumer cooperatives. Nonprofit entities may seek approval from governments to be tax-exempt , and some may also qualify to receive tax-deductible contributions, but an entity may incorporate as

612-406: A console with two monitors built in. The right monitor, which played the preview video, was used by the editor to make cuts and edit decisions using a light pen . The editor selected from options superimposed as text over the preview video. The left monitor was used to display the edited video. A DEC PDP-11 computer served as a controller for the whole system. Because the video edited on the 600

714-424: A delegate structure to allow for the representation of groups or corporations as members. Alternatively, it may be a non-membership organization and the board of directors may elect its own successors. The two major types of nonprofit organization are membership and board-only. A membership organization elects the board and has regular meetings and the power to amend the bylaws. A board-only organization typically has

816-406: A desktop editor based on its proprietary compression algorithms and off-the-shelf parts. Their aim was to democratize the desktop and take some of Avid's market. In August 1993, Media 100 entered the market, providing would-be editors with a low-cost, high-quality platform. Around the same period, other competitors provided non-linear systems that required special hardware—typically cards added to

918-554: A fiscally viable entity. Nonprofits have the responsibility of focusing on being professional and financially responsible, replacing self-interest and profit motive with mission motive. Though nonprofits are managed differently from for-profit businesses, they have felt pressure to be more businesslike. To combat private and public business growth in the public service industry, nonprofits have modeled their business management and mission, shifting their reason of existing to establish sustainability and growth. Setting effective missions

1020-471: A low-stress work environment that the employee can associate him or herself positively with. Other incentives that should be implemented are generous vacation allowances or flexible work hours. When selecting a domain name , NPOs often use one of the following: .org , the country code top-level domain of their respective country, or the .edu top-level domain (TLD), to differentiate themselves from more commercial entities, which typically use .com . In

1122-457: A nonprofit entity without having tax-exempt status. Key aspects of nonprofits are accountability, integrity, trustworthiness, honesty, and openness to every person who has invested time, money, and faith into the organisation. Nonprofit organizations are accountable to the donors, founders, volunteers, program recipients, and the public community. Theoretically, for a nonprofit that seeks to finance its operations through donations, public confidence

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1224-410: A number of other cloud-based editors have become available including systems from Avid , WeVideo and Grabyo . Despite their reliance on a network connection, the need to ingest material before editing can take place, and the use of lower-resolution video proxies , their adoption has grown. Their popularity has been driven largely by efficiencies arising from opportunities for greater collaboration and

1326-578: A particular one, and still keep his data secure. The Optima software editing system was closely tied to Acorn hardware, so when Acorn stopped manufacturing the Risc PC in the late 1990s, Eidos discontinued the Optima system. In the early 1990s, a small American company called Data Translation took what it knew about coding and decoding pictures for the US military and large corporate clients and spent $ 12 million developing

1428-551: A photographer and curator at Anthology Film Archives in New York , supported the addition of still photography to the organization's mandate. In 1974, when lack of space became an issue, the University of Pittsburgh offered Filmmakers an empty building at 205 Oakland Ave., in the heart of the Oakland university district, for use as an equipment facility. Subsequent executive directors of

1530-684: A self-selected board and a membership whose powers are limited to those delegated to it by the board. A board-only organization's bylaws may even state that the organization does not have any membership, although the organization's literature may refer to its donors or service recipients as 'members'; examples of such organizations are FairVote and the National Organization for the Reform of Marijuana Laws . The Model Nonprofit Corporation Act imposes many complexities and requirements on membership decision-making. Accordingly, many organizations, such as

1632-406: A serious competitor to entry-level Avid systems. Another leap came in the late 1990s with the launch of DV-based video formats for consumer and professional use. With DV came IEEE 1394 (FireWire/iLink), a simple and inexpensive way of getting video into and out of computers. Users no longer had to convert video from analog to digital—it was recorded as digital to start with—and FireWire offered

1734-414: A significant change in access to powerful editing tools or apps, at everyone's disposal. When videotapes were first developed in the 1950s, the only way to edit was to physically cut the tape with a razor blade and splice segments together. While the footage excised in this process was not technically destroyed, continuity was lost and the footage was generally discarded. In 1963, with the introduction of

1836-535: A space in the basement of the Selma Burke Arts Center at 6118 Penn Circle South in East Liberty . They set up darkrooms and filmmaking facilities, and began to offer workshops in the use of equipment. In 1971, the group formally incorporated under the name Pittsburgh Filmmakers, with Bob Costa (1971) as its first executive director, followed by Phil Curry (1971-1973) and Robert Haller (1973-1979). Haller,

1938-541: A standard computer running a software-only editing system. Avid is an industry standard used for major feature films, television programs, and commercials. Final Cut Pro received a Technology & Engineering Emmy Award in 2002. Since 2000, many personal computers include basic non-linear video editing software free of charge. This is the case of Apple iMovie for the Macintosh platform, various open-source programs like Kdenlive , Cinelerra-GG Infinity and PiTiVi for

2040-436: A straightforward way to transfer video data without additional hardware. With this innovation, editing became a more realistic proposition for software running on standard computers. It enabled desktop editing, producing high-quality results at a fraction of the cost of earlier systems. In early 2000, the introduction of highly compressed HD formats such as HDV has continued this trend, making it possible to edit HD material on

2142-471: A strong vision of how to operate the project, try to retain control of the organization, even as new employees or volunteers want to expand the project's scope or change policy. Resource mismanagement is a particular problem with NPOs because the employees are not accountable to anyone who has a direct stake in the organization. For example, an employee may start a new program without disclosing its complete liabilities. The employee may be rewarded for improving

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2244-533: A wide diversity of structures and purposes. For legal classification, there are, nevertheless, some elements of importance: Some of the above must be (in most jurisdictions in the US at least) expressed in the organization's charter of establishment or constitution. Others may be provided by the supervising authority at each particular jurisdiction. While affiliations will not affect a legal status, they may be taken into consideration by legal proceedings as an indication of purpose. Most countries have laws that regulate

2346-399: Is a factor in the amount of money that a nonprofit organization is able to raise. Supposedly, the more a nonprofit focuses on their mission, the more public confidence they will gain. This will result in more money for the organization. The activities a nonprofit is partaking in can help build the public's confidence in nonprofits, as well as how ethical the standards and practices are. There

2448-461: Is a key for the successful management of nonprofit organizations. There are three important conditions for effective mission: opportunity, competence, and commitment. One way of managing the sustainability of nonprofit organizations is to establish strong relations with donor groups. This requires a donor marketing strategy, something many nonprofits lack. Nonprofit organizations provide public goods that are undersupplied by government. NPOs have

2550-439: Is an important distinction in the US between non-profit and not-for-profit organizations (NFPOs); while an NFPO does not profit its owners, and money goes into running the organization, it is not required to operate for the public good. An example is a club, whose purpose is its members' enjoyment. Other examples of NFPOs include: credit unions, sports clubs, and advocacy groups. Nonprofit organizations provide services to

2652-414: Is an important distinction in the US between non-profit and not-for-profit organizations (NFPOs); while an NFPO does not profit its owners, and money goes into running the organization, it is not required to operate for the public good. An example is a sports club, whose purpose is its members' enjoyment. The names used and precise regulations vary from one jurisdiction to another. According to

2754-541: Is concerned. In many countries, nonprofits may apply for tax-exempt status, so that the organization itself may be exempt from income tax and other taxes. In the United States, to be exempt from federal income taxes, the organization must meet the requirements set forth in the Internal Revenue Code (IRC). Granting nonprofit status is done by the state, while granting tax-exempt designation (such as IRC 501(c) )

2856-450: Is granted by the federal government via the IRS. This means that not all nonprofits are eligible to be tax-exempt. For example, employees of non-profit organizations pay taxes from their salaries, which they receive according to the laws of the country. NPOs use the model of a double bottom line in that furthering their cause is more important than making a profit, though both are needed to ensure

2958-659: Is in contrast to 20th-century methods of linear video editing and film editing . In linear video editing, the product is assembled from beginning to end, in that order. One can replace or overwrite sections of material but never cut something out or insert extra material. Non-linear editing removes this restriction. Conventional film editing is a destructive process because the original film must be physically cut to perform an edit. A non-linear editing approach may be used when all assets are available as files on video servers , or on local solid-state drives or hard disks , rather than recordings on reels or tapes. While linear editing

3060-408: Is not classifiable as another category. Currently, no restrictions are enforced on registration of .com or .org, so one can find organizations of all sorts in either of those domains, as well as other top-level domains including newer, more specific ones which may apply to particular sorts of organization including .museum for museums and .coop for cooperatives . Organizations might also register by

3162-546: Is reconstructed from the original source and the specified editing steps. Although this process is more computationally intensive than directly modifying the original content, changing the edits themselves can be almost instantaneous, and it prevents further generation loss as the audio, video, or image is edited. A non-linear editing system ( NLE ) is a video editing (NLVE) program or application, or an audio editing (NLAE) digital audio workstation (DAW) system. These perform non-destructive editing on source material. The name

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3264-481: Is still the most-used NLE on prime-time TV productions, being employed on up to 90 percent of evening broadcast shows." Since then the rise in semi-professional and domestic users of editing software has seen a large rise in other titles becoming very popular in these areas. Other significant software used by many editors is Adobe Premiere Pro (part of Adobe Creative Cloud ), Apple Final Cut Pro X , DaVinci Resolve and Lightworks . The take-up of these software titles

3366-411: Is the remuneration package, though many who have been questioned after leaving an NPO have reported that it was stressful work environments and the workload. Public- and private-sector employment have, for the most part, been able to offer more to their employees than most nonprofit agencies throughout history. Either in the form of higher wages, more comprehensive benefit packages, or less tedious work,

3468-455: Is tied to the need to sequentially view film or hear tape, non-linear editing enables direct access to any video frame in a digital video clip , without having to play or scrub/shuttle through adjacent footage to reach it, as is necessary with video tape linear editing systems. When ingesting audio or video feeds, metadata is attached to the clip. That metadata can be attached automatically ( timecode , localization, take number, name of

3570-477: Is to an extent dictated by cost and subscription licence arrangements, as well as the rise in mobile apps and free software. As of January 2019 , Davinci Resolve has risen in popularity within professional users and others alike - it had a user base of more than 2 million using the free version alone. This is a comparable user base to Apple's Final Cut Pro X , which also had 2 million users as of April 2017 . Some notable NLEs are: Early consumer applications using

3672-472: Is unique in which source of income works best for them. With an increase in NPOs since 2010, organizations have adopted competitive advantages to create revenue for themselves to remain financially stable. Donations from private individuals or organizations can change each year and government grants have diminished. With changes in funding from year to year, many nonprofit organizations have been moving toward increasing

3774-507: The Ampex Editec, videotape could be edited electronically with a process known as linear video editing by selectively copying the original footage to another tape called a master . The original recordings are not destroyed or altered in this process. However, since the final product is a copy of the original, there is a generation loss of quality. The first truly non-linear editor, the CMX 600 ,

3876-715: The National Center for Charitable Statistics (NCCS), there are more than 1.5 million nonprofit organizations registered in the United States , including public charities , private foundations , and other nonprofit organizations. Private charitable contributions increased for the fourth consecutive year in 2017 (since 2014), at an estimated $ 410.02 billion. Out of these contributions, religious organizations received 30.9%, education organizations received 14.3%, and human services organizations received 12.1%. Between September 2010 and September 2014, approximately 25.3% of Americans over

3978-538: The Pittsburgh Glass Center , but negotiations failed by May 2011. In 2015, Humphrey resigned as executive director. The last executive directors of the organization while it retained the Pittsburgh Filmmakers name were Pete Mendes (2015-2016), Germaine Williams (2017-2018), and Dan Demicell (2018). In 2018, classes were cancelled and the 477 Melwood building was sold back to CMU. PF/PCA consolidated at

4080-587: The Wikimedia Foundation , have formed board-only structures. The National Association of Parliamentarians has generated concerns about the implications of this trend for the future of openness, accountability, and understanding of public concerns in nonprofit organizations. Specifically, they note that nonprofit organizations, unlike business corporations, are not subject to market discipline for products and shareholder discipline of their capital; therefore, without membership control of major decisions such as

4182-681: The American Dream , which won a National Primetime Emmy Award for Editing in 1993. The NewTek Video Toaster Flyer for the Amiga included non-linear editing capabilities in addition to processing live video signals. The Flyer used hard drives to store video clips and audio, and supported complex scripted playback. The Flyer provided simultaneous dual-channel playback, which let the Toaster's video switcher perform transitions and other effects on video clips without additional rendering . The Flyer portion of

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4284-472: The Avid Media Composer was most often used for editing commercials or other small-content and high-value projects. This was primarily because the purchase cost of the system was very high, especially in comparison to the offline tape-based systems that were then in general use. Hard disk storage was also expensive enough to be a limiting factor on the quality of footage that most editors could work with or

4386-561: The Avid/1 (and later Media Composer systems from the late 1980s) was somewhat low (about VHS quality), due to the use of a very early version of a Motion JPEG (M-JPEG) codec. It was sufficient, however, to provide a versatile system for offline editing. Lost in Yonkers (1993) was the first film edited with Avid Media Composer, and the first long-form documentary so edited was the HBO program Earth and

4488-630: The Beaver ". By 1985 it was used on over 80% of filmed network programs and Cinedco was awarded the Technical Emmy for "Design and Implementation of Non-Linear Editing for Filmed Programs." In 1984, Montage Picture Processor was demonstrated at NAB. Montage used 17 identical copies of a set of film rushes on modified consumer Betamax VCRs. A custom circuit board was added to each deck that enabled frame-accurate switching and playback using vertical interval timecode. Intelligent positioning and sequencing of

4590-613: The Betamax system. All of these original systems were slow, cumbersome, and had problems with the limited computer horsepower of the time, but the mid-to-late-1980s saw a trend towards non-linear editing, moving away from film editing on Moviolas and the linear videotape method using U-matic VCRs. Computer processing advanced sufficiently by the end of the 1980s to enable true digital imagery and has progressed today to provide this capability in personal desktop computers. An example of computing power progressing to make non-linear editing possible

4692-618: The EDL (without having to have the actual film data duplicated). Generation loss is also controlled, due to not having to repeatedly re-encode the data when different effects are applied. Generation loss can still occur in digital video or audio when using lossy video or audio compression algorithms as these introduce artifacts into the source material with each encoding or re-encoding. codecs such as Apple ProRes , Advanced Video Coding and mp3 are very widely used as they allow for dramatic reductions on file size while often being indistinguishable from

4794-449: The EDLs, the editor can work on low-resolution copies of the video. This makes it possible to edit both standard-definition broadcast quality and high definition broadcast quality very quickly on desktop computers that may not have the power to process huge full-quality high-resolution data in real-time. The costs of editing systems have dropped such that non-linear editing tools are now within

4896-606: The EMC2 editor, a PC-based non-linear off-line editing system that utilized magneto-optical disks for storage and playback of video, using half-screen-resolution video at 15 frames per second. A couple of weeks later that same year, Avid introduced the Avid/1, the first in the line of their Media Composer systems. It was based on the Apple Macintosh computer platform ( Macintosh II systems were used) with special hardware and software developed and installed by Avid. The video quality of

4998-447: The Eidos system had no requirement for JPEG hardware and was cheap to produce. The software could decode multiple video and audio streams at once for real-time effects at no extra cost. But most significantly, for the first time, it supported unlimited cheap removable storage. The Eidos Edit 1, Edit 2, and later Optima systems let the editor use any Eidos system, rather than being tied down to

5100-587: The Linux platform, and Windows Movie Maker for the Windows platform. This phenomenon has brought low-cost non-linear editing to consumers. The demands of video editing in terms of the volumes of data involved means the proximity of the stored footage being edited to the NLE system doing the editing is governed partly by the capacity of the data connection between the two. The increasing availability of broadband internet combined with

5202-592: The M-JPEG data rate was too high for systems like Avid/1 on the Apple Macintosh and Lightworks on PC to store the video on removable storage. The content needed to be stored on fixed hard disks instead. The secure tape paradigm of keeping your content with you was not possible with these fixed disks. Editing machines were often rented from facilities houses on a per-hour basis, and some productions chose to delete their material after each edit session, and then ingest it again

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5304-542: The Marshall Mansion location and rebranded as the Pittsburgh Center for Arts and Media (PCA&M). In 2019, the Regent Square Theater was closed, all film operations were ended, and the school's accreditation was withdrawn. Non-profit A nonprofit organization ( NPO ), also known as a nonbusiness entity , nonprofit institution , or simply a nonprofit , is a legal entity organized and operated for

5406-452: The NPO's reputation, making other employees happy, and attracting new donors. Liabilities promised on the full faith and credit of the organization but not recorded anywhere constitute accounting fraud . But even indirect liabilities negatively affect the financial sustainability of the NPO, and the NPO will have financial problems unless strict controls are instated. Some commenters have argued that

5508-559: The Video Toaster/Flyer combination was a complete computer of its own, having its own microprocessor and embedded software . Its hardware included three embedded SCSI controllers. Two of these SCSI buses were used to store video data, and the third to store audio. The Flyer used a proprietary wavelet compression algorithm known as VTASC, which was well regarded at the time for offering better visual quality than comparable non-linear editing systems using motion JPEG . Until 1993,

5610-461: The age of 16 volunteered for a nonprofit. In the United States, both nonprofit organizations and not-for-profit organizations are tax-exempt. There are various types of nonprofit exemptions, such as 501(c)(3) organizations that are a religious, charitable, or educational-based organization that does not influence state and federal legislation, and 501(c)(7) organizations that are for pleasure, recreation, or another nonprofit purpose. There

5712-532: The amount of material that could be held digitized at any one time. Up until 1992, the Apple Macintosh computers could access only 50 gigabytes of storage at once. This limitation was overcome by a digital video R&D team at the Disney Channel led by Rick Eye . By February 1993, this team had integrated a long-form system that let the Avid Media Composer running on the Apple Macintosh access over seven terabytes of digital video data. With instant access to

5814-649: The appropriate country code top-level domain for their country. In 2020, nonprofit organizations began using microvlogging (brief videos with short text formats) on TikTok to reach Gen Z, engage with community stakeholders, and overall build community. TikTok allowed for innovative engagement between nonprofit organizations and younger generations. During COVID-19, TikTok was specifically used to connect rather than inform or fundraise, as its fast-paced, tailored For You Page separates itself from other social media apps such as Facebook and Twitter. Some organizations offer new, positive-sounding alternative terminology to describe

5916-401: The best of the newly minted workforce. It has been mentioned that most nonprofits will never be able to match the pay of the private sector and therefore should focus their attention on benefits packages, incentives and implementing pleasurable work environments. A good environment is ranked higher than salary and pressure of work. NPOs are encouraged to pay as much as they are able and offer

6018-533: The clip) or manually (players names, characters, in sports). It is then possible to access any frame by entering directly the timecode or the descriptive metadata. An editor can, for example, at the end of the day in the Olympic Games , easily retrieve all the clips related to the players who received a gold medal. The non-linear editing method is similar in concept to the cut and paste techniques used in IT . However, with

6120-565: The community; for example aid and development programs, medical research, education, and health services. It is possible for a nonprofit to be both member-serving and community-serving. Nonprofit organizations are not driven by generating profit, but they must bring in enough income to pursue their social goals. Nonprofits are able to raise money in different ways. This includes income from donations from individual donors or foundations; sponsorship from corporations; government funding; programs, services or merchandise sales, and investments. Each NPO

6222-464: The computer system. Fast Video Machine was a PC-based system that first came out as an offline system, and later became more online editing capable. The Imix video cube was also a contender for media production companies. The Imix Video Cube had a control surface with faders to allow mixing and shuttle control. Data Translation's Media 100 came with three different JPEG codecs for different types of graphics and many resolutions. DOS -based D/Vision Pro

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6324-706: The corner at 3712 Forbes Ave., and the screening program at the Fulton Theater Annex in the Fulton Building at 101 Sixth St. The organization's longest-serving executive director, Charlie Humphrey (1992-2015), began his tenure with a campaign to modernize and unify the facilities in one location. In the summer of 1995, Pittsburgh Filmmakers opened the doors at 477 Melwood Ave., its home for the next 23 years. The 44,000-square-foot (4,100 m) space, formerly used as Carnegie Mellon University 's Tartan Labs , contained an equipment room, classrooms, darkrooms, offices,

6426-402: The diversity of their funding sources. For example, many nonprofits that have relied on government grants have started fundraising efforts to appeal to individual donors. Most nonprofits have staff that work for the company, possibly using volunteers to perform the nonprofit's services under the direction of the paid staff. Nonprofits must be careful to balance the salaries paid to staff against

6528-432: The election of the board, there are few inherent safeguards against abuse. A rebuttal to this might be that as nonprofit organizations grow and seek larger donations, the degree of scrutiny increases, including expectations of audited financial statements. A further rebuttal might be that NPOs are constrained, by their choice of legal structure, from financial benefit as far as distribution of profit to members and directors

6630-475: The establishment and management of NPOs and that require compliance with corporate governance regimes. Most larger organizations are required to publish their financial reports detailing their income and expenditure publicly. In many aspects, they are similar to corporate business entities though there are often significant differences. Both not-for-profit and for-profit corporate entities must have board members, steering-committee members, or trustees who owe

6732-711: The first of the organization's partner schools to start its own competing in-house film degree program. In 2006, Pittsburgh Filmmakers merged with the Pittsburgh Center for the Arts (PCA), following votes by the organizations' respective membership and boards; the combined organization took the new name Pittsburgh Filmmakers/Pittsburgh Center for the Arts (PF/PCA) and used the PCA's Marshall Mansion building in Shadyside as its headquarters. In 2010, PF/PCA attempted further merger discussions with

6834-519: The introduction of DV video equipment for student use. In 2001, at the organization's point of maximum development, a renovation of the second floor of 477 Melwood added more offices and classrooms, digital editing suites, a sound stage , a gallery for photo exhibitions, and an additional 60-seat theater. In 2003, a number of the institutional connections that had existed since Pittsburgh Filmmakers' founding were severed. The Carnegie Museum of Art closed its film department, and Point Park College became

6936-581: The management of the Pittsburgh Cultural Trust . Artist alumni of Pittsburgh Filmmakers include Peggy Ahwesh , Tony Buba , Greg Mottola , and Victoria Pedretti . Starting in 1969, Chuck Glassmire hosted an experimental film series at the Crumbling Wall coffeehouse at 4515 Forbes Ave. The screenings drew a regular audience from the Carnegie Museum of Art across the street, where Dixon

7038-511: The money paid to provide services to the nonprofit's beneficiaries. Organizations whose salary expenses are too high relative to their program expenses may face regulatory scrutiny. A second misconception is that nonprofit organizations may not make a profit. Although the goal of nonprofits is not specifically to maximize profits, they still have to operate as a fiscally responsible business. They must manage their income (both grants and donations and income from services) and expenses so as to remain

7140-643: The next day to guarantee the security of their content. In addition, each NLE system had storage limited by its fixed disk capacity. These issues were addressed by a small UK company, Eidos Interactive . Eidos chose the new ARM -based computers from the UK and implemented an editing system, launched in Europe in 1990 at the International Broadcasting Convention . Because it implemented its own compression software designed specifically for non-linear editing,

7242-445: The nonprofit sector today regarding newly graduated workers, and to some, NPOs have for too long relegated hiring to a secondary priority, which could be why they find themselves in the position many do. While many established NPOs are well-funded and comparative to their public sector competitors, many more are independent and must be creative with which incentives they use to attract and maintain people. The initial interest for many

7344-411: The organization a fiduciary duty of loyalty and trust. A notable exception to this involves churches , which are often not required to disclose finances to anyone, including church members. In the United States, nonprofit organizations are formed by filing bylaws, articles of incorporation , or both in the state in which they expect to operate. The act of incorporation creates a legal entity enabling

7446-452: The organization to be treated as a distinct body (corporation) by law and to enter into business dealings, form contracts, and own property as individuals or for-profit corporations can. Nonprofits can have members, but many do not. The nonprofit may also be a trust or association of members. The organization may be controlled by its members who elect the board of directors , board of governors or board of trustees . A nonprofit may have

7548-435: The organization were Marilyn Levin (1979-1983), Bob Marinaccio (1983-1987), Jan Erlich-Moss (1987), Tony Buba (1988), Margaret Meyers (1988-1991), Kurt Saunders (1991-1992), Marcia Clark (1992), and Brady Lewis (1992). By 1992, the organization had grown to a staff of 18 full-time and 8 part-time employees, and was operating at three more locations—a classroom and editing facility at 218 Oakland Ave., administrative offices around

7650-463: The organization's sustainability. An advantage of nonprofits registered in the UK is that they benefit from some reliefs and exemptions. Charities and nonprofits are exempt from Corporation Tax as well as the trustees being exempt from Income Tax. There may also be tax relief available for charitable giving, via Gift Aid, monetary donations, and legacies. Founder's syndrome is an issue organizations experience as they expand. Dynamic founders, who have

7752-399: The original content is not modified in the course of editing. In non-linear editing, edits are specified and modified by specialized software. A pointer-based playlist, effectively an edit decision list (EDL), for video and audio, or a directed acyclic graph for still images, is used to keep track of edits. Each time the edited audio, video, or image is rendered, played back, or accessed, it

7854-675: The potential for cost savings derived from using a shared platform, hiring rather than buying infrastructure, and the use of conventional IT equipment over hardware specifically designed for video editing. As of 2014 , 4K Video in NLE was fairly new, but it was being used in the creation of many movies throughout the world, due to the increased use of advanced 4K cameras such as the Red Camera . Examples of software for this task include Avid Media Composer , Apple's Final Cut Pro X , Sony Vegas , Adobe Premiere , DaVinci Resolve , Edius , and Cinelerra-GG Infinity for Linux. As of 2019 8K video

7956-550: The public and private sectors have enjoyed an advantage over NPOs in attracting employees. Traditionally, the NPO has attracted mission-driven individuals who want to assist their chosen cause. Compounding the issue is that some NPOs do not operate in a manner similar to most businesses, or only seasonally. This leads many young and driven employees to forego NPOs in favor of more stable employment. Today, however, nonprofit organizations are adopting methods used by their competitors and finding new means to retain their employees and attract

8058-428: The reach of home users. Some editing software can now be accessed free as web applications ; some, like Cinelerra (focused on the professional market) and Blender , can be downloaded as free software ; and some, like Microsoft 's Windows Movie Maker or Apple Inc. 's iMovie , come included with the appropriate operating system. The non-linear editing retrieves video media for editing. Because these media exist on

8160-483: The receipt of significant funding from large for-profit corporations can ultimately alter the NPO's functions. A frequent measure of an NPO's efficiency is its expense ratio (i.e. expenditures on things other than its programs, divided by its total expenditures). Competition for employees with the public and private sector is another problem that nonprofit organizations inevitably face, particularly for management positions. There are reports of major talent shortages in

8262-440: The sector in its own terms, without relying on terminology used for the government or business sectors. However, use of terminology by a nonprofit of self-descriptive language that is not legally compliant risks confusing the public about nonprofit abilities, capabilities, and limitations. Non-linear editing Non-linear editing is a form of offline editing for audio , video , and image editing . In offline editing,

8364-558: The sector. The term civil society organization (CSO) has been used by a growing number of organizations, including the Center for the Study of Global Governance . The term citizen sector organization (CSO) has also been advocated to describe the sector – as one of citizens, for citizens – by organizations including Ashoka: Innovators for the Public . Advocates argue that these terms describe

8466-457: The shot footage of an entire movie , long-form non-linear editing was now possible. The system made its debut at the NAB conference in 1993 in the booths of the three primary sub-system manufacturers, Avid, Silicon Graphics and Sony . Within a year, thousands of these systems had replaced 35mm film editing equipment in major motion picture studios and TV stations worldwide. Although M-JPEG became

8568-512: The source decks provided a simulation of random-access playback of a lengthy edited sequence without any re-recording. The theory was that with so many copies of the rushes, there could always be one machine cued up to replay the next shot in real time. Changing the EDL could be done easily, and the results seen immediately. The first feature edited on the Montage was Sidney Lumet's Power . Notably, Francis Coppola edited The Godfather Part III on

8670-427: The source material can be edited on a computer using any of a wide range of video editing software . The end product of the offline non-linear editing process is a frame-accurate edit decision list (EDL) which can be taken, together with the source tapes, to an online quality tape or film editing suite. The EDL is then read into an edit controller and used to create a replica of the offline edit by playing portions of

8772-424: The source tapes back at full quality and recording them to a master as per the exact edit points of the EDL. Editing software records the editor's decisions in an EDL that is exportable to other editing tools. Many generations and variations of the EDL can exist without storing many different copies, allowing for very flexible editing. It also makes it easy to change cuts and undo previous decisions simply by editing

8874-418: The standard codec for NLE during the early 1990s, it had drawbacks. Its high computational requirements ruled out software implementations imposing extra cost and complexity of hardware compression/playback cards. More importantly, the traditional tape workflow had involved editing from videotape, often in a rented facility. When the editor left the edit suite, they could securely take their tapes with them. But

8976-452: The system, and Stanley Kubrick used it for Full Metal Jacket . It was used on several episodic TV shows ( Knots Landing , for one) and on hundreds of commercials and music videos. The original Montage system won an Academy Award for Technical Achievement in 1988. Montage was reincarnated as Montage II in 1987, and Montage III appeared at NAB in 1991, using digital disk technology, which should prove to be considerably less cumbersome than

9078-524: The team to take their non-linear editor to the NAB Show . After various companies made offers, Keygrip was purchased by Apple as Steve Jobs wanted a product to compete with Adobe Premiere in the desktop video market. At around the same time, Avid—now with Windows versions of its editing software—was considering abandoning the Macintosh platform. Apple released Final Cut Pro in 1999, and despite not being taken seriously at first by professionals, it has evolved into

9180-486: The traditional domain noted in RFC   1591 , .org is for "organizations that didn't fit anywhere else" in the naming system, which implies that it is the proper category for non-commercial organizations if they are not governmental, educational, or one of the other types with a specific TLD. It is not designated specifically for charitable organizations or any specific organizational or tax-law status, but encompasses anything that

9282-400: The uncompressed or losslessly compressed original. Compared to the linear method of tape-to-tape editing, non-linear editing offers the flexibility of film editing, with random access and easy project organization. In non-linear editing, the original source files are not lost or modified during editing. This is one of the biggest advantages of non-linear editing compared to linear editing. With

9384-464: The use of lower-resolution copies of original material provides an opportunity to not just review and edit material remotely but also open up access to far more people to the same content at the same time. In 2004 the first cloud-based video editor , known as Blackbird and based on technology invented by Stephen Streater , was demonstrated at IBC and recognized by the RTS the following year. Since that time

9486-508: The use of non-linear editing systems, the destructive act of cutting of film negatives is eliminated. It can also be viewed as the audio/video equivalent of word processing , which is why it is called desktop video editing in the consumer space. In broadcasting applications, video and audio data are first captured to hard disk-based systems or other digital storage devices. The data are then imported into servers employing any necessary transcoding , digitizing or transfer . Once imported,

9588-465: The video server or other mass storage that stores the video feeds in a given codec, the editing system can use several methods to access the material: The leading professional non-linear editing software for many years has been Avid Media Composer . This software is likely to be present in almost all post-production houses globally, and it is used for feature films, television programs, advertising and corporate editing. In 2011, reports indicated, "Avid

9690-487: Was demonstrated in the first all-digital non-linear editing system, the "Harry" effects compositing system manufactured by Quantel in 1985. Although it was more of a video effects system, it had some non-linear editing capabilities. Most importantly, it could record (and apply effects to) 80 seconds (due to hard disk space limitations) of broadcast-quality uncompressed digital video encoded in 8-bit CCIR 601 format on its built-in hard disk array. The term nonlinear editing

9792-439: Was formalized in 1991 with the publication of Michael Rubin's Nonlinear: A Guide to Digital Film and Video Editing —which popularized this terminology over other terminology common at the time, including real-time editing, random-access or RA editing, virtual editing, electronic film editing, and so on. Non-linear editing with computers as it is known today was first introduced by Editing Machines Corp. in 1989 with

9894-430: Was in low-resolution black and white, the 600 was suitable only for offline editing. Non-linear editing systems were built in the 1980s using computers coordinating multiple LaserDiscs or banks of VCRs. One example of these tape and disc-based systems was Lucasfilm's EditDroid , which used several LaserDiscs of the same raw footage to simulate random-access editing. EditDroid was demonstrated at NAB in 1984. EditDroid

9996-441: Was in the process of launching the museum's Film Section (later Department of Film and Video), one of the first of its kind in the country. In 1970, Dixon raised funding for an expanded screening program, bringing visiting artists to town for in-person exhibitions and providing 16mm filmmaking equipment so that they could also work on new films while in residence. At first called "Pittsburgh Independent Film-Makers," her group secured

10098-416: Was introduced in 1971 by CMX Systems , a joint venture between CBS and Memorex . It recorded and played back black-and-white analog video recorded in " skip-field " mode on modified disk pack drives the size of washing machines that could store a half-hour worth of video & audio for editing. These disk packs were commonly used to store data digitally on mainframe computers of the time. The 600 had

10200-480: Was relatively new. 8K video editing requires advanced hardware and software capable of handling the standard. For imaging software, early works such as HSC Software 's Live Picture brought non-destructive editing to the professional market and current efforts such as GEGL provide an implementation being used in open-source image editing software. An early concern with non-linear editing had been picture and sound quality available to editors. Storage limitations at

10302-643: Was released by TouchVision Systems, Inc. in the mid-1990s and worked with the Action Media II board. These other companies caused tremendous downward market pressure on Avid. Avid was forced to continually offer lower-priced systems to compete with the Media 100 and other systems. Inspired by the success of Media 100, members of the Premiere development team left Adobe to start a project called "Keygrip" for Macromedia. Difficulty raising support and money for development led

10404-468: Was the first system to introduce modern concepts in non-linear editing such as timeline editing and clip bins. The LA-based post house Laser Edit also had an in-house system using recordable random-access LaserDiscs. The most popular non-linear system in the 1980s was Ediflex , which used a bank of U-matic and VHS VCRs for offline editing. Ediflex was introduced in 1983 on the Universal series " Still

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