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39-415: According to legend , this coat was assigned to knight Stawisz, who was defending the foreign castle of Etecz (or Eczech) against the pagans. When besieged, he ordered to kill a goat and a donkey, and then use their blood to paint ox's hide. With this hide he then ordered to decorate the walls of the castle. The pagans, seeing that defenders had so much meat as to waste it, lifted the siege and left. The knight

78-497: A tale type as follows: The Aarne–Thompson Tale Type Index divides tales into sections with an AT number for each entry. The names given are typical, but usage varies; the same tale type number may be referred to by its central motif or by one of the variant folktales of that type, which can also vary, especially when used in different countries and cultures. The name does not have to be strictly literal for every folktale. For example, The Cat as Helper (545B) also includes tales where

117-785: A fox helps the hero. Closely related folktales are often grouped within a type. For example, tale types 400–424 all feature brides or wives as the primary protagonist, for instance The Quest for a Lost Bride (400) or the Animal Bride (402). Subtypes within a tale type are designated by the addition of a letter to the AT number, for instance: tale 510, Persecuted Heroine (renamed in Uther's revision as Cinderella and Peau d'Âne ["Cinderella and Donkey Skin"]), has subtypes 510A, Cinderella , and 510B, Catskin (renamed in Uther's revision as Peau d'Asne [also "Donkey Skin"]). (See other examples of tale types in

156-499: A modern genre of folklore that is rooted in local popular culture , usually comprising fictional stories that are often presented as true, with macabre or humorous elements. These legends can be used for entertainment purposes, as well as semi-serious explanations for seemingly-mysterious events, such as disappearances and strange objects. The term "urban legend," as generally used by folklorists, has appeared in print since at least 1968. Jan Harold Brunvand , professor of English at

195-467: A narrative of an event. The word legendary was originally a noun (introduced in the 1510s) meaning a collection or corpus of legends. This word changed to legendry , and legendary became the adjectival form. By 1613, English-speaking Protestants began to use the word when they wished to imply that an event (especially the story of any saint not acknowledged in John Foxe 's Actes and Monuments )

234-468: A psychological level a symbolic representation of folk belief and collective experiences and serving as a reaffirmation of commonly held values of the group to whose tradition it belongs. Legend is a loanword from Old French that entered English usage c.  1340 . The Old French noun legende derives from the Medieval Latin legenda . In its early English-language usage, the word indicated

273-483: A series of vitae or instructive biographical narratives, tied to the liturgical calendar of the Roman Catholic Church . They are presented as lives of the saints, but the profusion of miraculous happenings and above all their uncritical context are characteristics of hagiography . The Legenda was intended to inspire extemporized homilies and sermons appropriate to the saint of the day. Urban legends are

312-515: Is a catalogue of folktale types used in folklore studies . The ATU index is the product of a series of revisions and expansions by an international group of scholars: Originally published in German by Finnish folklorist Antti Aarne (1910), the index was translated into English, revised, and expanded by American folklorist Stith Thompson (1928, 1961 ), and later further revised and expanded by German folklorist Hans-Jörg Uther (2004). The ATU index

351-536: Is an essential tool for folklorists, used along with the Thompson (1932) Motif-Index of Folk-Literature . Austrian consul Johann Georg von Hahn devised a preliminary analysis of some 40 tale "formulae" as introduction to his book of Greek and Albanian folktales , published in 1864. Reverend Sabine Baring-Gould , in 1866, translated von Hahn's list and extended it to 52 tale types, which he called "story radicals" . Folklorist J. Jacobs expanded

390-453: Is not more historical than folktale. In Einleitung in der Geschichtswissenschaft (1928), Ernst Bernheim asserted that a legend is simply a longstanding rumour . Gordon Allport credited the staying-power of some rumours to the persistent cultural state-of-mind that they embody and capsulise; thus " Urban legends " are a feature of rumour. When Willian Hugh Jansen suggested that legends that disappear quickly were "short-term legends" and

429-627: Is set in a historical context, but that contains supernatural , divine or fantastic elements. History preserved orally through many generations often takes on a more narrative-based or mythological form over time, an example being the oral traditions of the African Great Lakes . Hippolyte Delehaye distinguished legend from myth : "The legend , on the other hand, has, of necessity, some historical or topographical connection. It refers imaginary events to some real personage, or it localizes romantic stories in some definite spot." From

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468-602: The University of Utah , introduced the term to the general public in a series of popular books published beginning in 1981. Brunvand used his collection of legends, The Vanishing Hitchhiker: American Urban Legends & Their Meanings (1981) to make two points: first, that legends and folklore do not occur exclusively in so-called primitive or traditional societies, and second, that one could learn much about urban and modern culture by studying such tales. Aarne%E2%80%93Thompson The Aarne–Thompson–Uther Index ( ATU Index )

507-406: The motifs by which they are classified. Furthermore, Propp contended that using a "macro-level" analysis means that the stories that share motifs might not be classified together, while stories with wide divergences may be grouped under one tale type because the index must select some features as salient. He also observed that although the distinction between animal tales and tales of the fantastic

546-499: The online resource links at the end of this article.) As an example, the entry for 510A in the ATU index (with cross-references to motifs in Thompson's Motif-Index of Folk Literature in square brackets, and variants in parentheses) reads: 510A Cinderella . (Cenerentola, Cendrillon, Aschenputtel.) A young woman is mistreated by her stepmother and stepsisters [S31, L55] and has to live in

585-618: The talking animal formula of Aesop identifies his brief stories as fables and not legends. The parable of the Prodigal Son would be a legend if it were told as having actually happened to a specific son of a historical father. If it included a donkey that gave sage advice to the Prodigal Son it would be a fable. Legend may be transmitted orally, passed on person-to-person, or, in the original sense, through written text. Jacobus de Voragine 's Legenda Aurea or "The Golden Legend" comprises

624-411: The "concern with human beings" is the long list of legendary creatures , leaving no "resolute doubt" that legends are "historically grounded." A modern folklorist 's professional definition of legend was proposed by Timothy R. Tangherlini in 1990: Legend, typically, is a short (mono-) episodic, traditional, highly ecotypified historicized narrative performed in a conversational mode, reflecting on

663-464: The ashes as a servant. When the sisters and the stepmother go to a ball (church), they give Cinderella an impossible task (e.g. sorting peas from ashes), which she accomplishes with the help of birds [B450]. She obtains beautiful clothing from a supernatural being [D1050.1, N815] or a tree that grows on the grave of her deceased mother [D815.1, D842.1, E323.2] and goes unknown to the ball. A prince falls in love with her [N711.6, N711.4], but she has to leave

702-408: The ball early [C761.3]. The same thing happens on the next evening, but on the third evening, she loses one of her shoes [R221, F823.2]. The prince will marry only the woman whom the shoe fits [H36.1]. The stepsisters cut pieces off their feet in order to make them fit into the shoe [K1911.3.3.1], but a bird calls attention to this deceit. Cinderella, who had first been hidden from the prince, tries on

741-496: The clever daughter-in-law (and variants); The travelling girl and her helpful siblings ; and Woman's magical horse , as named by researcher Veronica Muskheli of the University of Washington. In regards to the typological classification, some folklorists and tale comparativists have acknowledged singular tale types that, due to their own characteristics, would merit their own type. Although such tales often have not been listed in

780-668: The extensive body of sexual and 'obscene' material", and that – as of 1995 – "topics like homosexuality are still largely excluded from the type and motif indexes." In an essay, Alan Dundes also criticized Thompson's handling of the folkloric subject material, which he considered to be "excessive prudery" and a form of censorship. The ATU folktype index has been criticized for its apparent geographic concentration on Europe and North Africa, or over-representation of Eurasia and North America. The catalogue appears to ignore or under-represent other regions. Central Asian examples include: Yuri Berezkin  [ ru ] 's The captive Khan and

819-499: The folk legend as "a popular narrative with an objectively untrue imaginary content", a dismissive position that was subsequently largely abandoned. Compared to the highly structured folktale, legend is comparatively amorphous, Helmut de Boor noted in 1928. The narrative content of legend is in realistic mode, rather than the wry irony of folktale; Wilhelm Heiske remarked on the similarity of motifs in legend and folktale and concluded that, in spite of its realistic mode , legend

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858-575: The helm the crest composed of a goat passant proper Argent. Notable bearers of this coat of arms include: Legend A legend is a genre of folklore that consists of a narrative featuring human actions, believed or perceived to have taken place in human history. Narratives in this genre may demonstrate human values , and possess certain qualities that give the tale verisimilitude . Legend, for its active and passive participants, may include miracles . Legends may be transformed over time to keep them fresh and vital. Many legends operate within

897-551: The international folktale system, they can exist in regional or national classification systems. A quantitative study published by folklorist S. Graça da Silva and anthropologist J.J. Tehrani in 2016, tried to evaluate the time of emergence for the "Tales of Magic" (ATU 300–ATU 749), based on a phylogenetic model. They found four of them to belong to the Proto-Indo-European stratum of magic tales. Ten more magic tales were found to be current throughout

936-468: The list to 70 tale types and published it as "Appendix C" in Burne & Gomme 's Handbook of Folk-Lore . Before the edition of Antti Aarne 's first folktale classification, Astrid Lunding translated Svend Grundtvig 's system of folktale classification. This catalogue consisted of 134 types, mostly based on Danish folktale compilations in comparison to international collections available at

975-463: The moment a legend is retold as fiction, its authentic legendary qualities begin to fade and recede: in The Legend of Sleepy Hollow , Washington Irving transformed a local Hudson River Valley legend into a literary anecdote with "Gothic" overtones , which actually tended to diminish its character as genuine legend. Stories that exceed the boundaries of " realism " are called " fables ". For example,

1014-401: The original index. He points out that Thompson's focus on oral tradition sometimes neglects older versions of stories, even when written records exist, that the distribution of stories is uneven (with Eastern and Southern European as well as many other regions' folktale types being under-represented), and that some included folktale types have dubious importance. Similarly, Thompson had noted that

1053-428: The persistent ones be termed "long-term legends", the distinction between legend and rumour was effectively obliterated, Tangherlini concluded. In a narrow Christian sense, legenda ("things to be read [on a certain day, in church]") were hagiographical accounts, often collected in a legendary. Because saints' lives are often included in many miracle stories, legend , in a wider sense, came to refer to any story that

1092-464: The realm of uncertainty, never being entirely believed by the participants, but also never being resolutely doubted. Legends are sometimes distinguished from myths in that they concern human beings as the main characters and do not necessarily have supernatural origins, and sometimes in that they have some sort of historical basis whereas myths generally do not. The Brothers Grimm defined legend as " folktale historically grounded". A by-product of

1131-568: The second half of the century. Another edition with further revisions by Thompson followed in 1961. According to American folklorist D.L. Ashliman , The AT-number system was updated and expanded in 2004 with the publication of The Types of International Folktales: A Classification and Bibliography by German folklorist H.-J. Uther . Uther noted that many of the earlier descriptions were cursory and often imprecise, that many "irregular types" are in fact old and widespread, and that "emphasis on oral tradition " often obscured "older, written versions of

1170-406: The shoe and it fits her. The prince marries her. Combinations: This type is usually combined with episodes of one or more other types, esp. 327A, 403, 480, 510B, and also 408, 409, 431, 450, 511, 511A, 707, and 923. Remarks: Documented by Basile, Pentamerone (I,6) in the 17th century. The entry concludes, like others in the catalogue, with a long list of references to secondary literature on

1209-562: The tale type index might well be called The Types of the Folk-Tales of Europe, West Asia, and the Lands Settled by these Peoples . However, Dundes notes that in spite of the flaws of tale type indexes (e.g., typos, redundancies, censorship, etc.; Author Pete Jordi Wood claims that topics related to homosexuality have been excluded intentionally from the type index. Similarly, folklorist Joseph P. Goodwin states that Thompson omitted "much of

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1248-497: The tale types". To remedy these shortcomings Uther developed the Aarne–Thompson–Uther (ATU) classification system and included more tales from eastern and southern Europe as well as "smaller narrative forms" in this expanded listing. He also put the emphasis of the collection more explicitly on international folktales, removing examples whose attestation was limited to one ethnic group. In The Folktale , Thompson defines

1287-526: The tale, and variants of it. In his essay "The motif-index and the tale type index: A critique", American folklorist Alan Dundes explains that the Aarne–Thompson indexes are some of the "most valuable tools in the professional folklorist's arsenal of aids for analysis". The tale type index was criticized by V. Propp of the Russian Formalist school of the 1920s for ignoring the functions of

1326-514: The time by other folklorists, such as the Brothers Grimm 's and Emmanuel Cosquin 's. Antti Aarne was a student of Julius Krohn and his son Kaarle Krohn . Aarne developed the historic-geographic method of comparative folkloristics , and developed the initial version of what became the Aarne–Thompson tale type index for classifying folktales , first published in 1910 as Verzeichnis der Märchentypen ("List of Fairy Tale Types"). The system

1365-434: Was based on identifying motifs and the repeated narrative ideas that can be seen as the building-blocks of traditional narrative; its scope was European. The American folklorist Stith Thompson revised Aarne's classification system in 1928, enlarging its scope, while also translating it from German into English. In doing so, he created the "AT number system" (also referred to as "AaTh system") which remained in use through

1404-552: Was basically correct – no one would classify " Tsarevitch Ivan, the Fire Bird and the Gray Wolf " as an animal tale, just because of the wolf – it did raise questions because animal tales often contained fantastic elements, and tales of the fantastic often contained animals; indeed a tale could shift categories if a peasant deceived a bear rather than a devil. In describing the motivation for his work, Uther presents several criticisms of

1443-582: Was enriched particularly after the 1960s, by addressing questions of performance and the anthropological and psychological insights provided in considering legends' social context. Questions of categorising legends, in hopes of compiling a content-based series of categories on the line of the Aarne–Thompson folktale index, provoked a search for a broader new synthesis. In an early attempt at defining some basic questions operative in examining folk tales, Friedrich Ranke  [ de ] in 1925 characterised

1482-433: Was fictitious. Thus, legend gained its modern connotations of "undocumented" and " spurious ", which distinguish it from the meaning of chronicle . In 1866, Jacob Grimm described the fairy tale as "poetic, legend historic." Early scholars such as Karl Wehrhan  [ de ] Friedrich Ranke and Will Erich Peuckert followed Grimm's example in focussing solely on the literary narrative, an approach that

1521-559: Was rewarded by the king Bolesław I Chrobry with a coat of arms and returned to Poland. The bearers of the coat were mentioned since early Piast era. Initially they were tied to the land of Lesser Poland , (regions of Sandomierz and Kraków ), regions near Lublin , Rawa Mazowiecka , Sieradz and then Red Ruthenia . After the Union of Horodło bearers of the coat of arms appeared also in Lithuania . Gules, donkeys head gardant Argent. Over

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