In genre studies , a coming-of-age story is a genre of literature , theatre , film , and video game that focuses on the growth of a protagonist from childhood to adulthood, or " coming of age ". Coming-of-age stories tend to emphasize dialogue or internal monologue over action and are often set in the past. The subjects of coming-of-age stories are typically teenagers. The Bildungsroman is a specific subgenre of coming-of-age story.
36-448: Our Ladies is a 2019 Scottish coming-of-age comedy-drama film produced and directed by Michael Caton-Jones , who co-wrote the screenplay with Alan Sharp , based on Alan Warner 's 1998 novel The Sopranos . The film stars Tallulah Greive , Abigail Lawrie , Rona Morison , Sally Messham, Marli Siu , and Eve Austin . Our Ladies premiered at the 2019 BFI London Film Festival . Its original theatrical release date of 6 March 2020
72-446: A Teenage Girl (2015), Mistress America (2015), The Edge of Seventeen (2016), Lady Bird (2017), Sweet 20 (2017), Aftersun (2022) and Are You There God? It's Me, Margaret. (2023). Literary criticism A genre of arts criticism , literary criticism or literary studies is the study, evaluation , and interpretation of literature. Modern literary criticism is often influenced by literary theory , which
108-525: A form of hermeneutics : knowledge via interpretation to understand the meaning of human texts and symbolic expressions – including the interpretation of texts which themselves interpret other texts. In the British and American literary establishment, the New Criticism was more or less dominant until the late 1960s. Around that time Anglo-American university literature departments began to witness
144-502: A profound influence on the study of secular texts. This was particularly the case for the literary traditions of the three Abrahamic religions : Jewish literature , Christian literature and Islamic literature . Literary criticism was also employed in other forms of medieval Arabic literature and Arabic poetry from the 9th century, notably by Al-Jahiz in his al-Bayan wa-'l-tabyin and al-Hayawan , and by Abdullah ibn al-Mu'tazz in his Kitab al-Badi . The literary criticism of
180-617: A rise of a more explicitly philosophical literary theory , influenced by structuralism , then post-structuralism , and other kinds of Continental philosophy . It continued until the mid-1980s, when interest in "theory" peaked. Many later critics, though undoubtedly still influenced by theoretical work, have been comfortable simply interpreting literature rather than writing explicitly about methodology and philosophical presumptions. Today, approaches based in literary theory and continental philosophy largely coexist in university literature departments, while conventional methods, some informed by
216-475: A well-acted and affectingly nuanced portrait of female friendship." Amal Abdi of the Evening Standard wrote, "One of the best features of Our Ladies is the distastefulness of its characters. This posse of unruly young women are brash, bullies and often magnificently cruel. Yet it is precisely these reasons that make the film more radical than offensive. By playing into the stereotypes, Our Ladies rejects
252-492: Is an important characteristic of the genre, which relies on dialogue and emotional responses, rather than action. The story is sometimes told in the form of a flashback. Historically, coming-of-age films usually centred on young boys, although coming-of-age films focusing on girls have become more common in the early 21st century, such as The Poker House (2008), Winter's Bone (2010), Hick (2011), Girlhood (2014), Mustang (2015), Inside Out (2015), The Diary of
288-491: Is the philosophical analysis of literature's goals and methods. Although the two activities are closely related, literary critics are not always, and have not always been, theorists. Whether or not literary criticism should be considered a separate field of inquiry from literary theory is a matter of some controversy. For example, The Johns Hopkins Guide to Literary Theory and Criticism draws no distinction between literary theory and literary criticism, and almost always uses
324-561: The London Review of Books , the Dublin Review of Books , The Nation , Bookforum , and The New Yorker . Literary criticism is thought to have existed as far back as the classical period. In the 4th century BC Aristotle wrote the Poetics , a typology and description of literary forms with many specific criticisms of contemporary works of art. Poetics developed for the first time
360-476: The Enlightenment period (1700s–1800s), literary criticism became more popular. During this time literacy rates started to rise in the public; no longer was reading exclusive for the wealthy or scholarly. With the rise of the literate public, the swiftness of printing and commercialization of literature, criticism arose too. Reading was no longer viewed solely as educational or as a sacred source of religion; it
396-738: The New Critics , also remain active. Disagreements over the goals and methods of literary criticism, which characterized both sides taken by critics during the "rise" of theory, have declined. Some critics work largely with theoretical texts, while others read traditional literature; interest in the literary canon is still great, but many critics are also interested in nontraditional texts and women's literature , as elaborated on by certain academic journals such as Contemporary Women's Writing , while some critics influenced by cultural studies read popular texts like comic books or pulp / genre fiction . Ecocritics have drawn connections between literature and
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#1732905324410432-494: The Renaissance developed classical ideas of unity of form and content into literary neoclassicism , proclaiming literature as central to culture, entrusting the poet and the author with preservation of a long literary tradition. The birth of Renaissance criticism was in 1498, with the recovery of classic texts, most notably, Giorgio Valla 's Latin translation of Aristotle 's Poetics . The work of Aristotle, especially Poetics ,
468-462: The history of the book is a field of interdisciplinary inquiry drawing on the methods of bibliography , cultural history , history of literature , and media theory . Principally concerned with the production, circulation, and reception of texts and their material forms, book history seeks to connect forms of textuality with their material aspects. Among the issues within the history of literature with which book history can be seen to intersect are:
504-691: The UK on 6 March 2020, which was then delayed to 24 April and subsequently 11 September due to the COVID-19 pandemic , before being shelved indefinitely. It was released at select AMC Theatres in the United States on 18 June 2021, and in cinemas in the UK on 27 August. The film received critical acclaim. On review aggregator website Rotten Tomatoes , it has an approval rating of 93% based on 29 reviews with an average rating of 7/10. The consensus states: "Despite its outdated ideas about teen sexuality, Our Ladies presents
540-544: The Yahoos". The British Romantic movement of the early nineteenth century introduced new aesthetic ideas to literary studies, including the idea that the object of literature need not always be beautiful, noble, or perfect, but that literature itself could elevate a common subject to the level of the sublime . German Romanticism , which followed closely after the late development of German classicism , emphasized an aesthetic of fragmentation that can appear startlingly modern to
576-514: The author's psychology or biography, which became almost taboo subjects) or reader response : together known as Wimsatt and Beardsley's intentional fallacy and affective fallacy . This emphasis on form and precise attention to "the words themselves" has persisted, after the decline of these critical doctrines themselves. In 1957 Northrop Frye published the influential Anatomy of Criticism . In his works Frye noted that some critics tend to embrace an ideology, and to judge literary pieces on
612-516: The basis of their adherence to such ideology. This has been a highly influential viewpoint among modern conservative thinkers. E. Michael Jones, for example, argues in his Degenerate Moderns that Stanley Fish was influenced by his own adulterous affairs to reject classic literature that condemned adultery. Jürgen Habermas , in Erkenntnis und Interesse [1968] ( Knowledge and Human Interests ), described literary critical theory in literary studies as
648-445: The competition. The group includes Orla, who is in recovery from leukemia and has an attitude of living life to the fullest; Finnoula, a brainy girl who is desperate to experience life beyond her small town; Chell, a wild child struggling with the loss of her father; Manda, a sharp-tongued, witty girl; and Kylah, a musical protégé with a rebellious spirit. Michael Caton-Jones optioned Alan Warner 's novel The Sopranos in 1998. It
684-455: The concepts of mimesis and catharsis , which are still crucial in literary studies. Plato 's attacks on poetry as imitative, secondary, and false were formative as well. The Sanskrit Natya Shastra includes literary criticism on ancient Indian literature and Sanskrit drama. Later classical and medieval criticism often focused on religious texts, and the several long religious traditions of hermeneutics and textual exegesis have had
720-408: The established portrayals which turn ordinary school girls into bad asses or inexplicable geniuses in the name of a 'strong female character.'" Abdi commented further, " Our Ladies has its flaws. The tone is uneven, it is overly eager and there are points when it is unrealistic to the point of absurdity. Nevertheless, it deserves to be seen. It speaks to the thinly veiled misogyny that has long governed
756-558: The film for SPIP. Principal photography took place on location in Fort William and Edinburgh . Some scenes were also filmed in Glasgow . The world premiere of Our Ladies was held at the 2019 BFI London Film Festival on 4 October. It was also shown at the 2020 Glasgow Film Festival on 28 February. A trailer was released in January 2020. The film was initially set for theatrical release in
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#1732905324410792-506: The former is usually a wider genre. The Bildungsroman (from the German words Bildung , "education", alternatively "forming" and Roman , "novel") is further characterized by a number of formal, topical, and thematic features. It focuses on the psychological and moral growth of the protagonist from childhood to adulthood ( coming of age ), in which character change is important. The genre evolved from folk tales of young children exploring
828-399: The natural sciences. Darwinian literary studies studies literature in the context of evolutionary influences on human nature. And postcritique has sought to develop new ways of reading and responding to literary texts that go beyond the interpretive methods of critique . Many literary critics also work in film criticism or media studies . Related to other forms of literary criticism,
864-574: The new direction taken in the early twentieth century. Early in the century the school of criticism known as Russian Formalism , and slightly later the New Criticism in Britain and in the United States, came to dominate the study and discussion of literature in the English-speaking world. Both schools emphasized the close reading of texts, elevating it far above generalizing discussion and speculation about either authorial intention (to say nothing of
900-494: The publication of Emanuele Tesauro 's Il Cannocchiale aristotelico (The Aristotelian Telescope) in 1654. This seminal treatise – inspired by Giambattista Marino 's epic Adone and the work of the Spanish Jesuit philosopher Baltasar Gracián – developed a theory of metaphor as a universal language of images and as a supreme intellectual act, at once an artifice and an epistemologically privileged mode of access to truth. In
936-447: The reader of English literature, and valued Witz – that is, "wit" or "humor" of a certain sort – more highly than the serious Anglophone Romanticism. The late nineteenth century brought renown to authors known more for their literary criticism than for their own literary work, such as Matthew Arnold . However important all of these aesthetic movements were as antecedents, current ideas about literary criticism derive almost entirely from
972-515: The self-growth of an artist. In film, coming-of-age is a genre of teen films. Coming-of-age films focus on the psychological and moral growth or transition of a protagonist from youth to adulthood. A variant in the 2020s is the "delayed-coming-of-age film, a kind of story that acknowledges the deferred nature of 21st-century adulthood", in which young adults may still be exploring short-term relationships, living situations, and jobs even into their late 20s and early 30s. Personal growth and change
1008-606: The terms together to describe the same concept. Some critics consider literary criticism a practical application of literary theory, because criticism always deals directly with particular literary works, while theory may be more general or abstract. Literary criticism is often published in essay or book form. Academic literary critics teach in literature departments and publish in academic journals , and more popular critics publish their reviews in broadly circulating periodicals such as The Times Literary Supplement , The New York Times Book Review , The New York Review of Books ,
1044-566: The treatment of young women." Sophie Butcher of The Film Magazine said, "there’s a raucous energy and seemingly specifically Scottish nostalgia evident in Our Ladies that really set it apart", and concluded " Our Ladies is a wildly entertaining riot of a movie." Coming-of-age story The plot points of coming-of-age stories are usually emotional changes within the character(s) in question. In literary criticism , coming-of-age novels and Bildungsroman are sometimes interchangeable, but
1080-654: The world to find their fortune. Although the Bildungsroman arose in Germany, it has had extensive influence first in Europe and later throughout the world. Thomas Carlyle had translated Goethe's Wilhelm Meister novels into English, and after their publication in 1824/1825, many British authors wrote novels inspired by it. Many variations of the Bildungsroman exist, such as the Künstlerroman ("artist novel"), which focuses on
1116-408: Was a form of entertainment. Literary criticism was influenced by the values and stylistic writing, including clear, bold, precise writing and the more controversial criteria of the author's religious beliefs. These critical reviews were published in many magazines, newspapers, and journals. The commercialization of literature and its mass production had its downside. The emergent literary market, which
Our Ladies - Misplaced Pages Continue
1152-490: Was announced in 2018 that production on a film adaptation had begun. Caton-Jones directed the film and wrote the screenplay with Alan Sharp . The film was produced by Sigma Films , Sony Pictures International Productions, and Four Point Play Pictures in association with Screen Scotland . Warner himself and Jennifer Armitage of Creative Scotland executive produced and Caton-Jones produced alongside Laura Viederman of Four Point Play and Brian Coffey of Sigma. Luke Scrase oversaw
1188-519: Was delayed multiple times due to the COVID-19 pandemic , before finally being released in the United Kingdom on 27 August 2021. In 1996, five best friends attend a strict Catholic school for girls in the Scottish Highlands town of Fort William . They get the opportunity to go to Edinburgh for a choir competition, but they are more interested in drinking, partying and hooking up than winning
1224-601: Was expected to educate the public and keep them away from superstition and prejudice, increasingly diverged from the idealistic control of the Enlightenment theoreticians so that the business of Enlightenment became a business with the Enlightenment. This development – particularly of emergence of entertainment literature – was addressed through an intensification of criticism. Many works of Jonathan Swift , for instance, were criticized including his book Gulliver's Travels , which one critic described as "the detestable story of
1260-536: Was the most important influence upon literary criticism until the late eighteenth century. Lodovico Castelvetro was one of the most influential Renaissance critics who wrote commentaries on Aristotle's Poetics in 1570. The seventeenth-century witnessed the first full-fledged crisis in modernity of the core critical-aesthetic principles inherited from classical antiquity , such as proportion, harmony, unity, decorum , that had long governed, guaranteed, and stabilized Western thinking about artworks. Although Classicism
1296-552: Was very far from spent as a cultural force, it was to be gradually challenged by a rival movement, namely Baroque, that favoured the transgressive and the extreme, without laying claim to the unity, harmony, or decorum that supposedly distinguished both nature and its greatest imitator, namely ancient art. The key concepts of the Baroque aesthetic, such as " conceit ' ( concetto ), " wit " ( acutezza , ingegno ), and " wonder " ( meraviglia ), were not fully developed in literary theory until
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