123-789: The Orchester Musikkollegium Winterthur is a Swiss symphony orchestra based in Winterthur , Switzerland at its namesake venue, the Musikkollegium Winterthur. The orchestra performs around 60 concerts a year, and in addition to orchestra concerts, performs in the pit at the Zurich Opera . The oldest orchestra in Switzerland, the orchestra was founded in 1875 as the Stadtorchester Winterthur . The Musikkollegium itself, as an organisation based out of religious roots to that time,
246-411: A symphony orchestra or philharmonic orchestra (from Greek phil- , "loving", and "harmony"). The number of musicians employed in a given performance may vary from seventy to over one hundred, depending on the work being played and the venue size. A chamber orchestra (sometimes a concert orchestra ) is a smaller ensemble of not more than about fifty musicians. Orchestras that specialize in
369-519: A musical score , which contains all the instrument parts. The conductor uses the score to study the symphony before rehearsals and decide on their interpretation (e.g., tempos, articulation, phrasing, etc.), and to follow the music during rehearsals and concerts, while leading the ensemble. Orchestral musicians play from parts containing just the notated music for their instrument. A small number of symphonies also contain vocal parts (e.g., Beethoven 's Ninth Symphony ). Orchestras also perform overtures ,
492-471: A colorful orchestral palette. The mystic Alexander Scriabin dreamed of a synthesis of colors, sound and scents. Sergei Rachmaninov wrote melancholic-pathetic piano pieces and concertos full of intoxicating virtuosity, while the piano works of Nikolai Medtner are more lyrical. In the Czech Republic, Leoš Janáček , deeply rooted in the music of his Moravian homeland, found new areas of expression with
615-413: A conductor, although early orchestras did not have one, giving this role to the concertmaster or the harpsichordist playing the continuo . Some modern orchestras also do without conductors , particularly smaller orchestras and those specializing in historically accurate (so-called "period") performances of baroque and earlier music. The most frequently performed repertoire for a symphony orchestra
738-514: A consensus that faking may be acceptable when a part is not written well for the instrument, but faking "just because you haven't practised" the music is not acceptable. With the advent of the early music movement, smaller orchestras where players worked on execution of works in styles derived from the study of older treatises on playing became common. These include the Orchestra of the Age of Enlightenment ,
861-516: A distinctly Russian national style of classical music . They were often at odds with Pyotr Ilyich Tchaikovsky who favored a more Western approach to classical composition. Led by Mily Balakirev the group's main members also consisted of César Cui , Modest Mussorgsky , Nikolai Rimsky-Korsakov and Alexander Borodin . The Belyayev circle was a society of Russian musicians who met in Saint Petersburg from 1885 and 1908 who sought to continue
984-473: A few of his works are quite close to the musical progress of the time. His successor include Walter Braunfels , who mainly emerged as an opera composer, and the symphonist Wilhelm Furtwängler . The opera stage was particularly suitable for increased emotions. The folk and fairy tale operas of Engelbert Humperdinck , Wilhelm Kienzl and Siegfried Wagner , the son of Richard Wagner, were still quite good. But even Eugen d'Albert and Max von Schillings irritated
1107-633: A high school, or a university, and community orchestras; typically they are made up of amateur musicians from a particular city or region. The term orchestra derives from the Greek ὀρχήστρα ( orchestra ), the name for the area in front of a stage in ancient Greek theatre reserved for the Greek chorus . In the Baroque era, the size and composition of an orchestra were not standardised. There were large differences in size, instrumentation and playing styles—and therefore in orchestral soundscapes and palettes — between
1230-553: A hundred, but the actual number of musicians employed in a particular performance may vary according to the work being played and the size of the venue. A chamber orchestra is usually a smaller ensemble; a major chamber orchestra might employ as many as fifty musicians, but some are much smaller. Concert orchestra is an alternative term, as in the BBC Concert Orchestra and the RTÉ Concert Orchestra . Apart from
1353-415: A live performance, could be heard by critics. As recording technologies improved over the 20th and 21st centuries, eventually small errors in a recording could be "fixed" by audio editing or overdubbing . Some older conductors and composers could remember a time when simply "getting through" the music as well as possible was the standard. Combined with the wider audience made possible by recording, this led to
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#17330860818601476-509: A loose collection of composers and critics informally led by Franz Liszt and Richard Wagner who strove for pushing the limits of chromatic harmony and program music as opposed to absolute music which they believed had reached its limit under Ludwig van Beethoven . This group also pushed for the development and innovation of the symphonic poem , thematic transformation in musical form , and radical changes in tonality and harmony . Other important members of this movement includes
1599-846: A modified member of the horn family, appears in Richard Wagner 's cycle Der Ring des Nibelungen and several other works by Strauss, Igor Stravinsky (as featured in The Rite of Spring ), Béla Bartók , and others; it also has a notably prominent role in Anton Bruckner 's Symphony No. 7 in E ;Major . Cornets appear in Pyotr Ilyich Tchaikovsky 's ballet Swan Lake , Claude Debussy 's La Mer , and several orchestral works by Hector Berlioz . Unless these instruments are played by members "doubling" on another instrument (for example,
1722-624: A permanent member who is sick. A professional musician who is hired to perform for a single concert is sometimes called a "sub". Some contract musicians may be hired to replace permanent members for the period that the permanent member is on parental leave or disability leave. Historically, major professional orchestras have been mostly or entirely composed of men. The first women members hired in professional orchestras have been harpists . The Vienna Philharmonic , for example, did not accept women to permanent membership until 1997, far later than comparable orchestras (the other orchestras ranked among
1845-405: A range of different employment arrangements. The most sought-after positions are permanent, tenured positions in the orchestra. Orchestras also hire musicians on contracts, ranging in length from a single concert to a full season or more. Contract performers may be hired for individual concerts when the orchestra is doing an exceptionally large late-Romantic era orchestral work, or to substitute for
1968-412: A renewed focus on particular star conductors and on a high standard of orchestral execution. The typical symphony orchestra consists of four groups of related musical instruments called the woodwinds , brass , percussion , and strings . Other instruments such as the piano, accordion , and celesta may sometimes be grouped into a fifth section such as a keyboard section or may stand alone, as may
2091-471: A style that reminded Brahms. Ralph Vaughan Williams , whose works were inspired by English folk songs and Renaissance music , became the most important symphonist of his country. Gustav Holst incorporated Greek mythology and Indian philosophy into his work. Very idiosyncratic composer personalities in the transition to modernity were also Havergal Brian and Frank Bridge . In Russia, Alexander Glazunov decorated his traditional composition technique with
2214-437: A term originally applied to the instrumental introduction to an opera. During the early Romantic era, composers such as Beethoven and Mendelssohn began to use the term to refer to independent, self-existing instrumental, programmatic works that presaged genres such as the symphonic poem , a form devised by Franz Liszt in several works that began as dramatic overtures. These were "at first undoubtedly intended to be played at
2337-458: A trend toward donors finding other social causes more compelling. While government funding is less central to American than European orchestras, cuts in such funding are still significant for American ensembles. Finally, the drastic drop in revenues from recording, related to changes in the recording industry itself, began a period of change that has yet to reach its conclusion. U.S. orchestras that have gone into Chapter 11 bankruptcy include
2460-461: A trombone player changing to euphonium or a bassoon player switching to contrabassoon for a certain passage), orchestras typically hire freelance musicians to augment their regular ensemble. The 20th century orchestra was far more flexible than its predecessors. In Beethoven's and Felix Mendelssohn 's time, the orchestra was composed of a fairly standard core of instruments, which was very rarely modified by composers. As time progressed, and as
2583-490: A variety of amateur orchestras: Orchestras play a wide range of repertoire ranging from 17th-century dance suites , 18th century divertimentos to 20th-century film scores and 21st-century symphonies. Orchestras have become synonymous with the symphony , an extended musical composition in Western classical music that typically contains multiple movements which provide contrasting keys and tempos. Symphonies are notated in
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#17330860818602706-462: Is Franz Schubert , with Erlkönig , however, many other romantic composers have devoted themselves to the lied genre such as Saint-Saëns , Duparc , Robert Schumann , Johannes Brahms , Hugo Wolf , Gustav Mahler , and Richard Strauss . It is Beethoven who inaugurates the romantic concerto, with his five piano concertos (especially the fifth ) and his violin concerto where many characteristics of classicism can still be recognized. His example
2829-400: Is Western classical music or opera. However, orchestras are used sometimes in popular music (e.g., to accompany a rock or pop band in a concert), extensively in film music , and increasingly often in video game music . Orchestras are also used in the symphonic metal genre. The term "orchestra" can also be applied to a jazz ensemble, for example in the performance of big-band music. In
2952-486: Is a symphonic poem about the Moldau River in the modern-day Czech Republic , the second in a cycle of six nationalistic symphonic poems collectively titled Má vlast (My Homeland). Smetana also composed eight nationalist operas, all of which remain in the repertory. They established him as the first Czech nationalist composer as well as the most important Czech opera composer of the generation who came to prominence in
3075-520: Is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: Other instruments such as the piano , harpsichord , pipe organ , and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments , and guitars . A full-size Western orchestra may sometimes be called
3198-480: Is a relatively clear dividing line in musical structure and form following the death of Beethoven. Whether one counts Beethoven as a "romantic" composer or not, the breadth and power of his work gave rise to a feeling that the classical sonata form and, indeed, the structure of the symphony, sonata and string quartet had been exhausted. Events and changes in society such as ideas, attitudes, discoveries, inventions, and historical events often affect music. For example,
3321-417: Is called for in a string section, the section leader invariably plays that part. The section leader (or principal) of a string section is also responsible for determining the bowings, often based on the bowings set out by the concertmaster. In some cases, the principal of a string section may use a slightly different bowing than the concertmaster, to accommodate the requirements of playing their instrument (e.g.,
3444-472: Is followed by many composers: the concerto rivals the symphony in the repertoire of major orchestral formations . Finally, the concerto will allow instrumentalist composers to reveal their virtuosity, such as Niccolò Paganini on the violin, and Frédéric Chopin , Robert Schumann , and Franz Liszt on the piano. The nocturne is presented as a short-lived confidential piece, which the Irish composer John Field
3567-481: Is free of material or program, is the embodiment of the romantic art idea. Another one of the most important representatives of late classicism and early romanticism is Franz Schubert . Because only with him did romantic features come into the German-language opera with his chamber music works and later also symphonies . In this field, his work is supplemented by the ballads of Carl Loewe . Carl Maria von Weber
3690-563: Is important for the development of the German opera , especially with his popular Freischütz. In addition, there are fantastic-horrious materials by Heinrich Marschner and finally the cheerful opera by Albert Lortzing , while Louis Spohr became known mainly for his instrumental music. Still largely attached to classical music is the work of Johann Nepomuk Hummel , Ferdinand Ries , and the Frenchman George Onslow . Italy experienced
3813-592: Is the position of the Finn Jean Sibelius , also a symphonist of melancholy expressiveness and clear line design. In Sweden, the works of Wilhelm Peterson-Berger , Wilhelm Stenhammar , and Hugo Alfvén show a typical Nordic conservatism, and the Norwegian Christian Sinding also composed traditionally. The music of Spain also increased in popularity again after a long time, first in the piano works of Isaac Albéniz and Enrique Granados , then in
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3936-600: Is under the influence of Wagner's progressive ideas, among them, for example, Peter Cornelius . On the other hand, an opposition arose from numerous more conservative composers, to whom Johannes Brahms , who sought a logical continuation of classical music in symphony, chamber music and song, became a model of scale due to the depth of the sensation and a masterful composition technique . Among others, Robert Volkmann , Friedrich Kiel , Carl Reinecke , Max Bruch , Josef Gabriel Rheinberger , and Hermann Goetz are included in this party. In addition, some important loners came on
4059-404: Is where verism developed, an exaggerated realism that could easily turn into the striking and melodramatic on the opera stage. Despite their extensive work, Ruggero Leoncavallo , Pietro Mascagni , Francesco Cilea , and Umberto Giordano have only become known through one opera at a time. Only Giacomo Puccini 's work has been completely preserved in the repertoire of the opera houses, although he
4182-588: The "Eroica" Symphony arrives to provide not only some harmonic flexibility but also the effect of "choral" brass in the Trio movement. Piccolo , contrabassoon , and trombones add to the triumphal finale of his Symphony No. 5 . A piccolo and a pair of trombones help deliver the effect of storm and sunshine in the Sixth , also known as the Pastoral Symphony . The Ninth asks for a second pair of horns, for reasons similar to
4305-451: The Baroque music of, for example, Johann Sebastian Bach and George Frideric Handel , or Classical repertoire, such as that of Haydn and Mozart , tend to be smaller than orchestras performing a Romantic music repertoire such as the symphonies of Ludwig van Beethoven and Johannes Brahms . The typical orchestra grew in size throughout the 18th and 19th centuries, reaching a peak with
4428-470: The Industrial Revolution was in full effect by the late 18th century and early 19th century. This event profoundly affected music: there were major improvements in the mechanical valves and keys that most woodwinds and brass instruments depend on. The new and innovative instruments could be played with greater ease and they were more reliable. Another development that affected music was the rise of
4551-623: The London Classical Players under the direction of Sir Roger Norrington and the Academy of Ancient Music under Christopher Hogwood , among others. In the United States, the late 20th century saw a crisis of funding and support for orchestras. The size and cost of a symphony orchestra, compared to the size of the base of supporters, became an issue that struck at the core of the institution. Few orchestras could fill auditoriums, and
4674-1035: The Philadelphia Orchestra (April 2011), and the Louisville Orchestra (December 2010); orchestras that have gone into Chapter 7 bankruptcy and have ceased operations include the Northwest Chamber Orchestra in 2006, the Honolulu Orchestra in March ;2011, the New Mexico Symphony Orchestra in April 2011, and the Syracuse Symphony in June ;2011. The Festival of Orchestras in Orlando, Florida, ceased operations at
4797-669: The Second Viennese School being its main promoters and Primitivism with Igor Stravinsky being its most influential composer. Carried to the highest degree by Ludwig van Beethoven , the symphony becomes the most prestigious form to which many composers devote themselves. The most conservative respect to the Beethovenian model includes composers such as Franz Schubert , Felix Mendelssohn , Robert Schumann , Camille Saint-Saëns , and Johannes Brahms . Others show an imagination that makes them go beyond this framework, in form or in
4920-477: The bassline ), played an important role; the second is a typical classical period orchestra (e.g., early Beethoven along with Mozart and Haydn ), which used a smaller group of performers than a Romantic music orchestra and a fairly standardized instrumentation; the third is typical of an early/mid-Romantic era (e.g., Schubert , Berlioz , Schumann , Brahms ); the fourth is a late-Romantic/early 20th-century orchestra (e.g., Wagner , Mahler , Stravinsky ), to
5043-440: The concert harp and electric and electronic instruments. The orchestra, depending on the size, contains almost all of the standard instruments in each group. In the history of the orchestra, its instrumentation has been expanded over time, often agreed to have been standardized by the classical period and Ludwig van Beethoven 's influence on the classical model. In the 20th and 21st century, new repertory demands expanded
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5166-491: The symphony genre in the classical mold, though they would implement their own musical language. The most prominent members of this circle were Johannes Brahms , Joseph Joachim , Clara Schumann , and the Leipzig Conservatoire , which had been founded by Felix Mendelssohn . The Mighty Five were a group of Russian composers centered in Saint Petersburg who collaborated with each other from 1856 to 1870 to create
5289-426: The "Eroica" (four horns has since become standard); Beethoven's use of piccolo, contrabassoon, trombones, and untuned percussion—plus chorus and vocal soloists—in his finale, are his earliest suggestion that the timbral boundaries of the symphony might be expanded. For several decades after his death, symphonic instrumentation was faithful to Beethoven's well-established model, with few exceptions. The invention of
5412-464: The "great unmentionable [topics] of orchestral playing" is " faking ", the process by which an orchestral musician gives the false "... impression of playing every note as written", typically for a very challenging passage that is very high or very fast, while not actually playing the notes that are in the printed music part. An article in The Strad states that all orchestral musicians, even those in
5535-414: The 1860s. The transition of Viennese classicism to Romanticism can be found in the work of Ludwig van Beethoven . Many typically romantic elements are encountered for the first time in his works. These works stand here in contrast to vocal music and are "purely" instrumental music. According to Hoffmann, the pure instrumental music of Viennese classical music, especially that of Beethoven , since it
5658-606: The 19th century is generally attributed to the forces called for by Beethoven after Haydn and Mozart. Beethoven's instrumentation almost always included paired flutes , oboes, clarinets, bassoons, horns and trumpets. The exceptions are his Symphony No. 4 , Violin Concerto , and Piano Concerto No. 4 , which each specify a single flute. Beethoven carefully calculated the expansion of this particular timbral "palette" in Symphonies 3, 5, 6, and 9 for an innovative effect. The third horn in
5781-406: The 2000s, all tenured members of a professional orchestra normally audition for positions in the ensemble. Performers typically play one or more solo pieces of the auditionee's choice, such as a movement of a concerto, a solo Bach movement, and a variety of excerpts from the orchestral literature that are advertised in the audition poster (so the auditionees can prepare). The excerpts are typically
5904-408: The 2015–2016 season. In June 2015, the orchestra announced the appointment of Thomas Zehetmair as its next principal conductor, effective September 2016, with an initial contract of three seasons. Zehetmair is scheduled to conclude his Winterthur tenure at the close of the 2020–2021 season. In July 2020, the orchestra announced the appointment of Roberto González-Monjas, first concertmaster (leader) of
6027-489: The Brahms-oriented Hubert Parry and symphonist, as well as the comic operas of Arthur Sullivan . In late Romanticism, also called post-Romanticism, the traditional forms and elements of music are further dissolved. An increasingly colorful orchestral palette, an ever-increasing range of musical means, the spread of tonality to its limits, exaggerated emotions and an increasingly individual tonal language of
6150-675: The Classical era, as composers increasingly sought out financial support from the general public, orchestra concerts were increasingly held in public concert halls , where music lovers could buy tickets to hear the orchestra. Aristocratic patronage of orchestras continued during the Classical era, but this went on alongside public concerts. In the 20th and 21st century, orchestras found a new patron: governments. Many orchestras in North America and Europe receive part of their funding from national, regional level governments (e.g., state governments in
6273-627: The Dane Niels Wilhelm Gade . In opera, the operas of Otto Nicolai and Friedrich von Flotow still dominated in Germany when Richard Wagner wrote his first romantic operas. The early works of Giuseppe Verdi were also still based on the Belcanto ideal of the older generation. In France, the Opéra lyrique was developed by Ambroise Thomas and Charles Gounod . Russian music found its own language in
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#17330860818606396-481: The Romantic Era, like Elgar , showed the world that there should be "no segregation of musical tastes" and that the "purpose was to write music that was to be heard". "The music composed by Romantic [composers]" reflected "the importance of the individual" by being composed in ways that were often less restrictive and more often focused on the composer's skills as a person than prior means of writing music. During
6519-517: The Romantic period saw changes in accepted modification with composers such as Berlioz and Mahler; some composers used multiple harps and sound effect such as the wind machine . During the 20th century, the modern orchestra was generally standardized with the modern instrumentation listed below. Nevertheless, by the mid- to late 20th century, with the development of contemporary classical music , instrumentation could practically be hand-picked by
6642-525: The Romantic period, music often took on a much more nationalistic purpose. Composers composed with a distinct sound that represented their home country and traditions. For example, Jean Sibelius' Finlandia has been interpreted to represent the rising nation of Finland, which would someday gain independence from Russian control. Frédéric Chopin was one of the first composers to incorporate nationalistic elements into his compositions. Joseph Machlis states, "Poland's struggle for freedom from tsarist rule aroused
6765-600: The Symphony poems oriented towards Liszt. The symphonies, concerts and chamber music works of Antonín Dvořák , on the other hand, have Brahms as a model. In Poland, Stanisław Moniuszko was the leading opera composer, in Hungary Ferenc Erkel . Norway produced its best-known composers with Edvard Grieg , creator of lyrical piano works, songs and orchestral works such as the Peer-Gynt Suite; England's voice resonated with
6888-472: The U.S.) or city governments. These government subsidies make up part of orchestra revenue, along with ticket sales, charitable donations (if the orchestra is registered as a charity) and other fundraising activities. With the invention of successive technologies, including sound recording , radio broadcasting , television broadcasting and Internet-based streaming and downloading of concert videos, orchestras have been able to find new revenue sources. One of
7011-763: The VPO now uses completely screened blind auditions . In 2013, an article in Mother Jones stated that while "[m]any prestigious orchestras have significant female membership — women outnumber men in the New York Philharmonic 's violin section — and several renowned ensembles, including the National Symphony Orchestra , the Detroit Symphony , and the Minnesota Symphony, are led by women violinists",
7134-410: The case of the first violins, an assistant concertmaster, who often plays a tutti part in addition to replacing the principal in their absence. A section string player plays in unison with the rest of the section, except in the case of divided ( divisi ) parts, where upper and lower parts in the music are often assigned to "outside" (nearer the audience) and "inside" seated players. Where a solo part
7257-416: The classical era, the orchestra became more standardized with a small to medium-sized string section and a core wind section consisting of pairs of oboes, flutes, bassoons and horns, sometimes supplemented by percussion and pairs of clarinets and trumpets. The so-called "standard complement" of doubled winds and brass in the orchestra pioneered in the late 18th century and consolidated during the first half of
7380-498: The common complement of a 2010-era modern orchestra (e.g., Adams , Barber , Aaron Copland , Glass , Penderecki ). Among the instrument groups and within each group of instruments, there is a generally accepted hierarchy. Every instrumental group (or section) has a principal who is generally responsible for leading the group and playing orchestral solos. The violins are divided into two groups, first violin and second violin, with
7503-406: The composer (e.g., to add electric instruments such as electric guitar, electronic instruments such as synthesizers, ondes martenot , or trautonium , as well as other non-Western instruments, or other instruments not traditionally used in orchestras including the: bandoneon , free bass accordion , harmonica , jews harp , mandola and water percussion. With this history in mind,
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#17330860818607626-553: The concertmaster, or by a chord-playing musician performing the basso continuo parts on a harpsichord or pipe organ , a tradition that some 20th-century and 21st-century early music ensembles continue. Orchestras play a wide range of repertoire, including symphonies, opera and ballet overtures , concertos for solo instruments, and pit ensembles for operas, ballets, and some types of musical theatre (e.g., Gilbert and Sullivan operettas ). Amateur orchestras include youth orchestras made up of students from an elementary school,
7749-413: The conductor and the panel to compare the best candidates. Performers may be asked to sight read orchestral music. The final stage of the audition process in some orchestras is a test week , in which the performer plays with the orchestra for a week or two, which allows the conductor and principal players to see if the individual can function well in an actual rehearsal and performance setting. There are
7872-662: The conductor of the theatre orchestra, as he elaborated in his influential work On Conducting . This brought about a revolution in orchestral composition and set the style for orchestral performance for the next eighty years. Wagner's theories re-examined the importance of tempo , dynamics , bowing of string instruments and the role of principals in the orchestra. At the beginning of the 20th century, symphony orchestras were larger, better funded, and better trained than previously; consequently, composers could compose larger and more ambitious works. The works of Gustav Mahler were particularly innovative; in his later symphonies, such as
7995-443: The core orchestral complement, various other instruments are called for occasionally. These include the flugelhorn and cornet . Saxophones and classical guitars, for example, appear in some 19th- through 21st-century scores. While appearing only as featured solo instruments in some works, for example Maurice Ravel 's orchestration of Modest Mussorgsky 's Pictures at an Exhibition and Sergei Rachmaninoff 's Symphonic Dances ,
8118-400: The critic Richard Pohl and composers Felix Draeseke , Julius Reubke , Karl Klindworth , William Mason , and Peter Cornelius . The conservatives were a broad group of musicians and critics who maintained the artistic legacy of Robert Schumann who adhered to composing and promoting absolute music . They believed in continuing along the footsteps of Ludwig van Beethoven of composing
8241-510: The development of the language melody in his operas. The local sounds are also unmistakable in the music of Zdeněk Fibich , Josef Bohuslav Foerster , Vítězslav Novák , and Josef Suk . On the other hand, there is a slightly morbid exoticism and later classicist measure in the work of the Polish Karol Szymanowski . The most important Danish composer is Carl Nielsen , known for symphonies and concerts. Even more dominant in his country
8364-626: The development of the national Russian style of classical music following in the footsteps of the Mighty Five although they were far more tolerant of the Western compositional style of Tchaikovsky . This group was founded by Russian music publisher philanthropist Mitrofan Belyayev . The two most important composers of this group were Nikolai Rimsky-Korsakov and Alexander Glazunov . Members also included Vladimir Stasov , Anatoly Lyadov , Alexander Ossovsky , Witold Maliszewski , Nikolai Tcherepnin , Nikolay Sokolov , and Alexander Winkler . During
8487-436: The double bass, brass, and percussion sections of major orchestras "... are still predominantly male." A 2014 BBC article stated that the "... introduction of 'blind' auditions, where a prospective instrumentalist performs behind a screen so that the judging panel can exercise no gender or racial prejudice, has seen the gender balance of traditionally male-dominated symphony orchestras gradually shift." There are also
8610-400: The double-bass section). Principals of a string section will also lead entrances for their section, typically by lifting the bow before the entrance, to ensure the section plays together. Tutti wind and brass players generally play a unique but non-solo part. Section percussionists play parts assigned to them by the principal percussionist. In modern times, the musicians are usually directed by
8733-575: The end of March 2011. Romantic music Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism —the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 until 1837. Romantic composers sought to create music that
8856-519: The end of his life, represents in person as well as in music almost the prototype of the passionate romantic artist, shadowed by tragedy. His idiosyncratic piano pieces, chamber music works and symphonies should have a lasting influence on the following generation of musicians. Franz Liszt , who came from the German minority in Hungary, was on the one hand a swarmed piano virtuoso, but on the other hand also laid
8979-426: The ensemble. The conductor also prepares the orchestra by leading rehearsals before the public concert, in which the conductor provides instructions to the musicians on their interpretation of the music being performed. The leader of the first violin section – commonly called the concertmaster – also plays an important role in leading the musicians. In the Baroque music era (1600–1750), orchestras were often led by
9102-435: The expression of emotions. It was also through the writings of Hoffmann and other German authors that German music was brought to the center of musical Romanticism. The classical period often used short, even fragmentary, thematic material while the Romantic period tended to make greater use of longer, more fully defined and more emotionally evocative themes. Characteristics often attributed to Romanticism: In music, there
9225-454: The first of these essays Hoffmann traced the beginnings of musical Romanticism to the later works of Haydn and Mozart . It was Hoffmann's fusion of ideas already associated with the term "Romantic", used in opposition to the restraint and formality of Classical models, that elevated music, and especially instrumental music, to a position of pre-eminence in Romanticism as the art most suited to
9348-434: The first systematic treatise on using instrumental sound as an expressive element of music. The next major expansion of symphonic practice came from Richard Wagner 's Bayreuth orchestra, founded to accompany his musical dramas. Wagner's works for the stage were scored with unprecedented scope and complexity: indeed, his score to Das Rheingold calls for six harps . Thus, Wagner envisioned an ever-more-demanding role for
9471-533: The foundation for the progressive " New German School " with his harmoniously bold symphonic poems . Also committed to program music was the technique of the Idée fixe (leitmotif) of the Frenchman Hector Berlioz , who also significantly expanded the orchestra. Felix Mendelssohn was again more oriented towards the classicist formal language and became a role model especially for Scandinavian composers such as
9594-577: The full range of orchestral sounds and timbres during the performance of orthodox Western classical music. The terms symphony orchestra and philharmonic orchestra may be used to distinguish different ensembles from the same locality, such as the London Symphony Orchestra and the London Philharmonic Orchestra . A symphony or philharmonic orchestra will usually have over eighty musicians on its roster, in some cases over
9717-543: The head of a programme". In the 1850s the concert overture began to be supplanted by the symphonic poem. Orchestras also play with instrumental soloists in concertos. During concertos, the orchestra plays an accompaniment role to the soloist (e.g., a solo violinist or pianist) and, at times, introduces musical themes or interludes while the soloist is not playing. Orchestras also play during operas, ballets, some musical theatre works and some choral works (both sacred works such as Masses and secular works). In operas and ballets,
9840-430: The hero for example), it is to be compared to music with a symphonic program. This musical genre appeared with the evolution from pianoforte to piano during the romantic period. The lied is vocal music most often accompanied by this instrument. The singing is taken from romantic poems and this style makes it possible to bring the voice as close to feelings as possible. One of the first and most famous lieder composers
9963-489: The heyday of the Belcanto opera in early Romanticism, associated with the names of Gioachino Rossini , Gaetano Donizetti , and Vincenzo Bellini . While Rossini's comic operas are primarily known today, often only through their rousing overtures , Donizetti and Bellini predominate tragic content. The most important Italian instrumental composer of this time was the legendary "devil's violinist" Niccolò Paganini . In France , on
10086-579: The individual composer are typical features; the music is led to the threshold of modernity . Thus, the symphonies of Gustav Mahler reached previously unknown dimensions, partly give up the traditional four-sentence and often contain vocal proportions. But behind the monumental facade is the modern expressiveness of the Fin de siècle . This psychological expressiveness is also contained in the songs of Hugo Wolf , miniature dramas for voice and piano. More committed to tradition, particularly oriented towards Bruckner, are
10209-503: The instrumentation of the orchestra, resulting in a flexible use of the classical-model instruments and newly developed electric and electronic instruments in various combinations. In the mid 20th century, several attempts were made in Germany and the United States to confine the instrumentation of the symphonic orchestra exclusively to groups of one instrument. In this configuration, the symphonic orchestra consisted entirely of free-reed chromatic accordions which were modified to recreate
10332-411: The large orchestras of as many as 120 players called for in the works of Richard Wagner and later Gustav Mahler . Orchestras are usually led by a conductor who directs the performance with movements of the hands and arms, often made easier for the musicians to see by using a short wooden rod known as a conductor's baton . The conductor unifies the orchestra, sets the tempo , and shapes the sound of
10455-730: The later half of the 19th Century, some prominent composers began exploring the limits of the traditional tonal system. Important examples include Tristan und Isolde by Richard Wagner and Bagatelle sans tonalité by Franz Liszt . This limit was finally reached during the Late Romantic period where progressive tonality is demonstrated in the works of composers such as Gustav Mahler . With these developments, Romanticism finally began to break apart into several new parallel movements forming in response, bringing way to Modernism . Some notable movements to form in response to Romanticism's collapse include Expressionism with Arnold Schoenberg and
10578-526: The mammoth Symphony No. 8 , Mahler pushes the furthest boundaries of orchestral size, employing large forces. By the late Romantic era, orchestras could support the most enormous forms of symphonic expression, with huge string and brass sections and an expanded range of percussion instruments. With the recording era beginning, the standards of performance were pushed to a new level, because a recorded symphony could be listened to closely and even minor errors in intonation or ensemble, which might not be noticeable in
10701-413: The middle class. Composers before this period lived under the patronage of the aristocracy. Many times their audience was small, composed mostly of the upper class and individuals who were knowledgeable about music. The Romantic composers, on the other hand, often wrote for public concerts and festivals, with large audiences of paying customers, who had not necessarily had any music lessons. Composers of
10824-445: The most technically challenging parts and solos from the orchestral literature. Orchestral auditions are typically held in front of a panel that includes the conductor, the concertmaster , the principal player of the section for which the auditionee is applying, and possibly other principal players. The most promising candidates from the first round of auditions are invited to return for a second or third round of auditions, which allows
10947-757: The national poet in Poland. ... Examples of musical nationalism abound in the output of the romantic era. The folk idiom is prominent in the Mazurkas of Chopin". His mazurkas and polonaises are particularly notable for their use of nationalistic rhythms. Moreover, "During World War II the Nazis forbade the playing of ... Chopin's Polonaises in Warsaw because of the powerful symbolism residing in these works". Other composers, such as Bedřich Smetana , wrote pieces that musically described their homelands. In particular, Smetana's Vltava
11070-528: The nerves with a German variant of verism. Erotic symbolism can be found in the stage works of Alexander von Zemlinsky and Franz Schreker . Richard Strauss went even further to the limits of tonality with Salome and Elektra before he took more traditional paths with the Rosenkavalier. In the style related to the works of Strauss, the compositions Emil Nikolaus von Rezniceks and Paul Graeners are shown. In Italy, opera still dominated during this time. This
11193-464: The one hand, the light Opéra comique developed, its representatives are François-Adrien Boieldieu , Daniel-François-Esprit Auber , and Adolphe Adam , the latter also known for his ballets . One can also quote the famous eccentric composer and harpist Robert Nicolas-Charles Bochsa (seven operas). In addition, the Grand opéra came up with pompous stage sets, ballets and large choirs. Her first representative
11316-588: The operas of Mikhail Glinka and Alexander Dargomyschski . The second phase of high romanticism runs in parallel with the style of realism in literature and the visual arts. In the second half of his creation, Wagner now developed his leitmotif technique , with which he holds together the four-part ring of the Nibelungen , composed without arias ; the orchestra is treated symphonically, the chromaticism reaches its extreme in Tristan and Isolde . A whole crowd of disciples
11439-400: The operas, ballets and orchestral works of Manuel de Falla , influenced by Impressionism. Finally, the first important representatives of the United States also appeared with Edward MacDowell and Amy Beach . But even the work of Charles Ives belonged only partly to late Romanticism - much of it was already radically modern and pointed far into the 20th century. The New German School was
11562-436: The orchestra accompanies the singers and dancers, respectively, and plays overtures and interludes where the melodies played by the orchestra take centre stage. In the Baroque era, orchestras performed in a range of venues, including at the fine houses of aristocrats, in opera halls and in churches. Some wealthy aristocrats had an orchestra in residence at their estate, to entertain them and their guests with performances. During
11685-509: The orchestra can be analysed in five eras: the Baroque era , the Classical era , early/mid- Romantic music era, late-Romantic era and combined Modern/Postmodern eras . The first is a Baroque orchestra (i.e., J.S. Bach , Handel , Vivaldi ), which generally had a smaller number of performers, and in which one or more chord-playing instruments, the basso continuo group (e.g., harpsichord or pipe organ and assorted bass instruments to perform
11808-464: The orchestra gathered [on 28 February 1997] in an extraordinary meeting on the eve of their departure and agreed to admit a woman, Anna Lelkes, as harpist." As of 2013, the orchestra has six female members; one of them, violinist Albena Danailova, became one of the orchestra's concertmasters in 2008, the first woman to hold that position in that orchestra. In 2012, women made up 6% of the orchestra's membership. VPO president Clemens Hellsberg said
11931-470: The orchestra has made commercial recordings of music of Wolfgang Amadeus Mozart , Felix Mendelssohn , Josef Rheinberger and Ralph Vaughan Williams . The orchestra has made other commercial recordings with Holliger, and other conductors such as Werner Andreas Albert. This article on a classical orchestra is a stub . You can help Misplaced Pages by expanding it . Symphony orchestra An orchestra ( / ˈ ɔːr k ɪ s t r ə / ; OR -ki-strə )
12054-457: The orchestra since the 2013–2014 season, as its next principal conductor, effective with the 2021–2022 season, with an initial contract of 4 years. In May 2020, the orchestra announced the appointment of Dominik Deuber as its next managing director, effective August 2020. In the modern repertoire, the orchestra has often worked with Heinz Holliger , and in the Baroque repertoire with Maurice Steger and Nicholas Kraemer . With Boyd as conductor,
12177-644: The orchestra's press secretary wrote that "compensating for the expected leaves of absence" of maternity leave would be a problem. In 1997, the Vienna Philharmonic was "facing protests during a [US] tour" by the National Organization for Women and the International Alliance for Women in Music . Finally, "after being held up to increasing ridicule even in socially conservative Austria, members of
12300-525: The parties in composition. Verdi also reached the way to a well-composed musical drama , albeit in a different way than Wagner. His immense charisma made all other composers fade in Italy, including Amilcare Ponchielli and Arrigo Boito , who was also the librettist of his late operas Otello and Falstaff. In France, on the other hand, the light muse triumphed first in the form of the socio-critical operettas of Jacques Offenbach . Lyrical opera found its climax in
12423-446: The piston and rotary valve by Heinrich Stölzel and Friedrich Blühmel , both Silesians , in 1815, was the first in a series of innovations which impacted the orchestra, including the development of modern keywork for the flute by Theobald Boehm and the innovations of Adolphe Sax in the woodwinds, notably the invention of the saxophone. These advances would lead Hector Berlioz to write a landmark book on instrumentation , which were
12546-419: The pre-concert tuning and handles musical aspects of orchestra management, such as determining the bowings for the violins or the entire string section. The concertmaster usually sits to the conductor's left, closest to the audience. There is also a principal second violin, a principal viola, a principal cello, and a principal bass. The principal trombone is considered the leader of the low brass section, while
12669-528: The principal trumpet is generally considered the leader of the entire brass section. While the oboe often provides the tuning note for the orchestra (due to a 300-year-old convention), there is generally no designated principal of the woodwind section (though in woodwind ensembles, the flute is often the presumptive leader). Instead, each principal confers with the others as equals in the case of musical differences of opinion. Most sections also have an assistant principal (or co-principal or associate principal), or in
12792-587: The saxophone is included in other works, such as Ravel's Boléro , Sergei Prokofiev 's Romeo and Juliet Suites 1 and 2 , Vaughan Williams ' Symphonies No. 6 and No. 9 , and William Walton 's Belshazzar's Feast , and many other works as a member of the orchestral ensemble. The euphonium is featured in a few late Romantic and 20th century works , usually playing parts marked "tenor tuba", including Gustav Holst 's The Planets , and Richard Strauss 's Ein Heldenleben . The Wagner tuba ,
12915-510: The scene, among whom Anton Bruckner particularly stands out. Although a Wagner supporter, his clear-form style differs significantly from that of that composer. For example, the block-based instrumentation of Bruckner's symphonies is derived from the registers of the organ. In the ideological struggle against Wagner's adversaries, he was portrayed by his followers as a counterpart of Brahms. Felix Draeseke , who originally wrote "future music in classical form" starting from Liszt, also stands between
13038-413: The second violins playing in lower registers than the first violins, playing an accompaniment part, or harmonizing the melody played by the first violins. The principal first violin is called the concertmaster (or orchestra "leader" in the U.K.) and is not only considered the leader of the string section, but the second-in-command of the entire orchestra, behind only the conductor. The concertmaster leads
13161-399: The spirit: the most daring of them being Hector Berlioz . Finally, some will also tell a story throughout their symphonies; like Franz Liszt , they will create the symphonic poem , a new musical genre, usually composed of a single movement and inspired by a theme, character or literary text. Since the symphonic poem is articulated around a leitmotiv (musical motif to identify a character,
13284-500: The symphonies of Franz Schmidt and Richard Wetz , while Max Reger resorted to Bach's polyphony in his numerous instrumental works, but developed it harmoniously extremely boldly. Among the numerous composers of the Reger successor, Julius Weismann and Joseph Haas stand out. Among the outstanding late romantic sound creators is also the idiosyncratic Hans Pfitzner . Although a traditionalist and decisive opponent of modern currents, quite
13407-411: The time-honored season-subscription system became increasingly anachronistic, as more and more listeners would buy tickets on an ad-hoc basis for individual events. Orchestral endowments and — more centrally to the daily operation of American orchestras — orchestral donors have seen investment portfolios shrink, or produce lower yields, reducing the ability of donors to contribute; further, there has been
13530-406: The top orchestras, occasionally fake certain passages. One reason that musicians fake is because there are not enough rehearsals. Another factor is the extreme challenges in 20th century and 21st century contemporary pieces; some professionals said "faking" was "necessary in anything from ten to almost ninety per cent of some modern works". Professional players who were interviewed were of
13653-626: The various European regions. The Baroque orchestra ranged from smaller orchestras (or ensembles) with one player per part, to larger-scale orchestras with many players per part. Examples of the smaller variety were Bach's orchestras, for example in Koethen, where he had access to an ensemble of up to 18 players. Examples of large-scale Baroque orchestras would include Corelli's orchestra in Rome which ranged between 35 and 80 players for day-to-day performances, being enlarged to 150 players for special occasions. In
13776-680: The works of Claude Debussy , the structures dissolved into the finest nuances of rhythm, dynamics and timbre. This development was prepared in the work of Vincent d'Indy , Ernest Chausson and above all in the songs and chamber music of Gabriel Fauré . All subsequent French composers were more or less influenced by Impressionism. The most important among them was Maurice Ravel , a brilliant orchestral virtuoso. Albert Roussel first processed exotic topics before he anticipated Neoclassical tendencies like Ravel. Gabriel Pierné , Paul Dukas , Charles Koechlin , and Florent Schmitt also dealt with symbolic and exotic-oriental substances. The loner Erik Satie
13899-508: The works of Jules Massenet , while in the Carmen by Georges Bizet , realism came for the first time. Louis Théodore Gouvy built a stylistic bridge to German music. The operas, symphonies and chamber music works of the extremely versatile Camille Saint-Saëns were, as were the ballets of Léo Delibes , more tradition-oriented. New orchestra colors were found in the compositions of Édouard Lalo and Emmanuel Chabrier . The Belgian-born César Franck
14022-470: The world's top five by Gramophone in 2008). The last major orchestra to appoint a woman to a permanent position was the Berlin Philharmonic . In February 1996, the Vienna Philharmonic's principal flute, Dieter Flury , told Westdeutscher Rundfunk that accepting women would be "gambling with the emotional unity ( emotionelle Geschlossenheit ) that this organism currently has". In April 1996,
14145-724: Was Gaspare Spontini , her most important Giacomo Meyerbeer . Music development has now also taken an upswing in other European countries. The Irishman John Field composed the first Nocturnes for piano , Friedrich Kuhlau worked in Denmark and the Swede Franz Berwald wrote four very idiosyncratic symphonies . The high romanticism can be divided into two phases. In the first phase, the actual romantic music reaches its peak. The Polish composer Frédéric Chopin explored previously unknown depths of emotion in his character pieces and dances for piano. Robert Schumann , mentally immersed at
14268-670: Was accompanied by a revival of organ music, which was continued by Charles-Marie Widor , later Louis Vierne and Charles Tournemire . A specific national romanticism had by now emerged in almost all European countries. The national Russian current started by Glinka was continued in Russia by the " Group of Five ": Mily Balakirev , Alexander Borodin , Modest Mussorgsky , Nikolai Rimsky-Korsakov , and César Cui . More western oriented were Anton Rubinstein and Pyotr Tchaikovsky , whose ballets and symphonies gained great popularity. Bedřich Smetana founded Czech national music with his operas and
14391-676: Was also often accused of sentimentality. Despite some veristic works, Ermanno Wolf-Ferrari was mainly considered a revival of the Opera buffa. Ferruccio Busoni , a temporarily defender of modern classicity living in Germany, left behind a rather conventional, little played work. Thus, instrumental music actually only found its place in Italian music again with Ottorino Respighi , who was influenced by Impressionism. The term Impressionism comes from painting, and like there, it also developed in music in France. In
14514-521: Was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in Europe and strengthened in reaction to the Industrial Revolution . In part, it was a revolt against social and political norms of the Age of Enlightenment and a reaction against the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, literature, and education, and
14637-515: Was founded in 1629. From 2002 to 2008, Jac van Steen was principal conductor of the orchestra. The orchestra and van Steen made several commercial recordings for the MDG label, including music of the composers of the Second Viennese School and of Frank Martin . In April 2008, the orchestra announced the appointment of Douglas Boyd as its next principal conductor, effective with the 2009–2010 season. Boyd concluded his tenure as principal conductor after
14760-531: Was in turn influenced by developments in natural history. One of the first significant applications of the term to music was in 1789, in the Mémoires by the Frenchman André Grétry , but it was E. T. A. Hoffmann who established the principles of musical romanticism, in a lengthy review of Ludwig van Beethoven 's Fifth Symphony published in 1810, and an 1813 article on Beethoven's instrumental music. In
14883-465: Was individualistic, emotional, dramatic, and often programmatic ; reflecting broader trends within the movements of Romantic literature , poetry , art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements, or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. The Romantic movement
15006-549: Was one of the first to cultivate. Immersed in the climate of the night, an atmosphere privileged by romantics, it is often of ABA structure, with a very flexible and ornate melody , accompanied by a left hand with undulating arpeggios . The tempo is usually slow, and the central part is often more agitated. Frédéric Chopin has set the most famous form of the nocturnes. He wrote 21, from 1827 to 1846. First published in series of three (opus 9 and 15), they are then grouped in pairs (opus 27, 32, 37, 48, 55, 62). The Romantic ballet
15129-752: Was the creator of spun piano pieces and idol of the next generation. Nevertheless, Impressionism is often attributed to the epoch of modernity, if not seen as its own epoch. Hubert Parry and the Irishman Charles Villiers Stanford initiated late Romanticism in England, which had its first important representative in Edward Elgar . While he revived the oratorio and wrote symphonies and concerts, Frederick Delius devoted himself to particularly small orchestral images with his own variant of Impressionism. Ethel Smyth wrote mainly operas and chamber music in
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