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Olivier Assayas

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A historical drama (also period drama , period piece or just period ) is a dramatic work set in a past time period, usually used in the context of film and television, which presents historical events and characters with varying degrees of fictional elements such as creative dialogue or fictional scenes which aim to compress separate events or illustrate a broader factual narrative. The biographical film is a type of historical drama which generally focuses on a single individual or well-defined group. Historical dramas can include romances , adventure films , and swashbucklers .

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53-432: Olivier Assayas ( French: [ɔlivje asajas] ; born 25 January 1955) is a French film director, screenwriter and film critic. Assayas is known for his eclectic filmography, consisting of slow-burning period pieces , psychological thrillers , neo-noirs , and comedies. He has directed French, Spanish, and English-language films with international casts. The son of filmmaker Jacques Rémy , Assayas began his career as

106-858: A Popular Front for the Liberation of Palestine (PFLP) fighter, and ends with his capture in Sudan , in 1994. In between, Carlos and his fellow terrorists wreak havoc on the Left Bank in Paris, storm OPEC's headquarters in Vienna , and carry out other devastating acts of politically motivated violence. Ramírez Sánchez, who has fought alongside the Palestinians in Jordan, carries out a series of attacks in London in 1973. He moves to Paris where

159-508: A breakout performance by Edgar Ramirez." Metacritic gave the film a weighted score of 94/100, based on 21 critics, which it ranks as "universal acclaim". IndieWire 's Todd McCarthy found the film to be "a dynamic, convincing and revelatory account of a notorious revolutionary terrorist's career that rivets the attention during every one of its 321 minutes" and praised Assayas' "ever-propulsive style that creates an extraordinary you-are-there sense of verisimilitude, while Edgar Ramirez inhabits

212-440: A contemporary dimension". Actor Edgar Ramirez said, "What we're trying to do is demystify him. This guy who supposedly had everything figured out was not as keen as he was said to be. The public and historical image was as history's big manipulator but in many moments of his life, he was being manipulated". Initially, Assayas was worried about finding the right actor to play Carlos because they needed one who had "the shoulders and

265-721: A critic for Cahiers du Cinéma . There he wrote about world cinema and its film auteurs , who later influenced his work. Assayas made several short films, and made his feature debut with Disorder in 1986. He continued directing feature films, with Cold Water (1994) considered a breakthrough film in his career. It was his first film to screen at the Cannes Film Festival in the Un Certain Regard section. His followup film, Irma Vep (1996), also screened at Cannes, while Sentimental Destinies (2000), Demonlover (2002), and Clean (2004) all officially competed for

318-541: A genre directed towards women. Historical dramas have also been described as a conservative genre, glorifying an imagined past that never existed. Historical drama may include mostly fictionalized narratives based on actual people or historical events, such as the history plays of Shakespeare , Apollo 13 , The Tudors , Braveheart , Chernobyl , Enemy at the Gates , Les Misérables , and Titanic . Works may include references to real-life people or events from

371-407: A three-part mini-series and a feature film of various lengths between 319 and 338 minutes, as well as in several abridged versions, ranging from 187 minutes (German cinema version) to 166 minutes (US video-on-demand version). Classified as a theatrical film and as a TV film/TV mini-series, Carlos has been awarded both theatrical awards and TV awards; among them the 2010 Golden Globe award for

424-434: A very high standard". His lawyer tried to block the film's release, arguing that Carlos had a right to see it beforehand, but the judge dismissed the complaint on the grounds that it violated Assayas's freedom of expression. His lawyer plans to bring two more lawsuits, one that argues the film breaches pre-trial judicial secrecy laws and a second that demands Carlos be paid royalties for his life's role in providing material for

477-610: Is by now retired and tracked by the secret services of several countries, abandoned by his closest allies, a long way from the center stage of international politics. His role as a player is over; he is left to observe the shifts in global power from a distance. With the complicity of the Sudanese authorities, and due to immobility from a testicular condition, he is captured on August 14, 1994 and brought back to Paris to stand trial for crimes that have not been forgotten in France. Initially, Carlos

530-517: Is trafficking arms, handling huge sums of cash and leading the life of the "Godfather of European terrorism", is soon to come to an end. His decline is closely linked to the changes in the world order. With the fall of the Berlin Wall in November 1989, he loses several of his backers, is told to leave Syria, and his arena of operation is drastically reduced. The last place offering refuge is Sudan : Carlos

583-796: The Village Voice , J. Hoberman wrote, " Carlos is gripping stuff, despite its incongruously fashionable rock soundtrack and a grossly over-played final section. The extended account of the OPEC caper includes the festival's best hour of filmmaking this side of Godard 's Film Socialisme and would make a terrific movie in its own right". However, Entertainment Weekly magazine's Owen Gleiberman wrote, "But as electrifying as some of it is, I wish that Assayas had made Carlos at once shorter and richer. I wish it were more than an episodic series of galvanizingly staged plots and executions and mishaps". In his review for The Boston Globe , Wesley Morris felt that

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636-626: The nom de guerre "Carlos." To escape arrest, Carlos shoots three policemen. He then joins the head of the PFLP, Wadie Haddad , in South Yemen . Haddad entrusts him with a daring mission—taking hostage the oil ministers of the OPEC countries at their forthcoming conference in Vienna . Most of the second episode is devoted to a detailed account of the operation that remains one of the most spectacular terrorist acts of

689-655: The César Award for Most Promising Actor in 2011 for his performance as Carlos. In April 2011, it was announced that Assayas would be a member of the jury for the main competition at the 2011 Cannes Film Festival . Assayas's 2012 film Something in the Air was selected to compete for the Golden Lion at the 69th Venice International Film Festival . Assayas won the Osella for Best Screenplay at Venice. His 2014 film Clouds of Sils Maria

742-773: The Iron Curtain , moving between Budapest and East Berlin under the protection of the East German Stasi . He works with the remnants of the Revolutionary Cells, in particular Johannes Weinrich and his wife Magdalena Kopp , who soon leaves Weinrich for Carlos. Carlos's band, based in Budapest and protected by Syria, fosters links with various clients interested in their particular capabilities, among them Libya and Nicolae Ceaușescu 's Romania . This intense activity of geopolitical destabilization, orchestrated by Carlos who

795-532: The Palme d'Or . In 2006, he contributed a short film to the anthology film Paris, je t'aime (2006). Assayas gained acclaim for his dramas Summer Hours (2008), Clouds of Sils Maria (2014), and Personal Shopper (2016); the latter won him the Cannes Film Festival Award for Best Director . He also directed the comedy Non-Fiction (2018) and the spy thriller Wasp Network (2019). Assayas

848-481: The São Paulo International Film Festival , and Édgar Ramírez won the 2010 César Award for Most Promising Actor . In a 2016 international critics' poll conducted by BBC the film version of Carlos, Toni Erdmann , and Requiem for a Dream were tied for 100th place in a list of the 100 greatest motion pictures since 2000. Ilich Ramírez Sánchez—who adopts the code name of "Carlos" early in

901-595: The Best Miniseries or Motion Picture Made for Television, the 2010 Los Angeles Film Critics Association Award for Best Foreign Language Film and for Best Director , the National Society of Film Critics 2010 award for Best Director , the New York Film Critics Circle 2010 award for Best Foreign Language Film , the 2010 European Film Award for Best Editor , the 2010 Critics Award for Best Film at

954-559: The Game , The Tree of Life , and Van Gogh . As a writer only Period Piece Films Historical drama can be differentiated from historical fiction , which generally present fictional characters and events against a backdrop of historical events. A period piece may be set in a vague or general era such as the Middle Ages , or a specific period such as the Roaring Twenties , or

1007-452: The Jackal , is a 2010 French-German biographical film and television miniseries about the life of Venezuelan terrorist Ilich Ramírez Sánchez, nicknamed Carlos the Jackal , covering his first series of attacks in 1973 until his arrest in 1994. It premiered as a three-part TV mini-series on French pay channel Canal+ , with the three parts airing on May 19, May 26, and June 2, 2010. On

1060-625: The PFLP puts him in charge of its European branch under the command of a Lebanese militant, Michel Moukharbal, alias "André". He coordinates several operations, in particular the hostage taking in the French Embassy in The Hague by militants of the Japanese Red Army . When André is arrested, French agents of the domestic intelligence service, the DST , want to know more about Ilich, who has by now adopted

1113-468: The U.S. The first petition argued that the detention would undermine the tradition of film festivals as a place for works to be shown "freely and safely". It said that arresting filmmakers traveling to neutral countries could open the door "for actions of which no-one can know the effects". Assayas directed and co-wrote the 2010 French television miniseries Carlos , about the life of the terrorist Ilich Ramírez Sánchez . Venezuelan actor Édgar Ramírez won

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1166-402: The charisma to carry this kind of movie on his back". He cast Ramirez who, like the real Carlos, is a Venezuelan and his family came from the same small Western Andean state. The actor described Carlos as, "a bit of a monster, a bit of a dreamer, a bit of an idealist, a bit of an assassin, a mixture of everything, full of contradictions, and that's what made him interesting to me". The production

1219-616: The film version of the TV series, the César Award for Most Promising Actor . He was also nominated for the Primetime Emmy Award for Outstanding Lead Actor in a Miniseries or Movie , for his portrait of Carlos. Initially, Assayas planned to use several songs by The Feelies on the soundtrack but shortly before post-production was completed he was informed that members of the band did not want their music associated with terrorism. The director remembers, "We ended up managing to keep one song for

1272-597: The film was, "hardly dumb. But it peaks early and never returns to the sharper ideas and sharper filmmaking of the second of its three sections". Time magazine's Richard Corliss wrote, "And Carlos , while matching the Coppola and Lean films in length and breadth, misses out on depth ... No masterpiece, Assayas' movie is a fast-paced, knowing trip through two decades of violence on two continents". In her review for The New York Times , Manohla Dargis wrote, "Played by Mr. Ramirez with jolts of charisma and, smartly, little of

1325-500: The film—is a grim and elusive Venezuelan Marxist terrorist whose life is tracked as he executes dozens of assassination plots, abductions, and bombings across Europe and the Middle East in the cause of Palestinian liberation . For two decades, he is one of the world's most wanted terrorists. The film begins in Paris in 1973, where the young Ramírez Sánchez is endeavoring to prove himself as

1378-430: The fleet way with narrative, camera movement and cutting that are characteristic of Assayas at his best and has a sense of scale, depth and seriousness of purpose that is essentially cinematic", but felt that "the third and final part runs out of steam a little". Sight and Sound magazine's Nick James called the film, "a breathtaking political epic", and felt that there were, "brilliant scenes aplenty". In his review for

1431-499: The former East Germany . Made with a budget of $ 18 million, Carlos was Assayas's first foray into television. Originally, he was not interested in the project because it seemed "too crazy and too complicated". He was drawn to the project because it allowed him to make a film dealing with recent history and real people. He said, "not long ago, the idea of making a film about Carlos would have scared French producers, but nowadays I sense that we're being encouraged to make films that have

1484-572: The historical players portrayed in Carlos must have worked in foreign diplomacy back when the rest of us were busy watching the Fonz ". In her review for The 1960s , Christina Gerhardt wrote, "Carlos makes two contributions to films about 1970s terrorism that stand out. First, the film shows terrorism's international relays ... Second, [it shows] Carlos as charismatic and enticing, as well as utterly selfish and abusive". Carlos earned high placements in all of

1537-416: The influence of Guy Debord —basically, you know, it's been Debord–Bresson, Bresson–Debord, the things that've always defined my framework, the way I look at the world. In the 2012 Sight & Sound directors' poll , Assayas listed his ten favorite films as 2001: A Space Odyssey , The Gospel According to St. Matthew , Ludwig , A Man Escaped , Mirror , Napoléon , Playtime , The Rules of

1590-586: The major critics' polls in 2010. It was voted Best Film of the Year in Film Comment ' s annual critics' poll, while both the film and Assayas placed second for best picture and best director in separate polls conducted by IndieWire and The Village Voice . Édgar Ramírez also won for best lead performance in the same IndieWire poll while placing second in The Village Voice for best lead actor. Carlos

1643-416: The man underneath. It also brings a searing insight into the early days of the guerrilla-warfare-writ-large style of attack that would evolve into the sort of terrorism we fear most today". However, in his review for The Washington Post , Hank Stuever wrote, "The result is a beautiful film that requires a hardy and determined viewer. I assume that anyone who will recognize and follow each and every event and

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1696-453: The period. It is December 21, 1975. Leading a group of six militants—leftists from German Revolutionary Cells and Palestinian militants including Anis Naccache —Carlos seizes control of the OPEC headquarters, taking ministers and accompanying delegates hostage. He is at the height of his notoriety in the media. However, he and his group are unable to find asylum in the countries of Algeria, Tunisia and Libya and are unable to fly to Iraq because

1749-453: The plane they requested, a DC-9 , does not possess the range to fly the thousands of miles necessary. By finally releasing the ministers at Algiers airport in exchange for a large ransom, he fails in the mission that Haddad had given him. This marks the end of relations between the two men. From now on, Carlos becomes a mercenary for hire to whichever country offers the most, including first Iraq , then Syria . He switches operations to behind

1802-539: The recent past. In different eras different subgenres have risen to popularity, such as the westerns and sword and sandal films that dominated North American cinema in the 1950s. The costume drama is often separated as a genre of historical dramas. Early critics defined them as films focusing on romance and relationships in sumptuous surroundings, contrasting them with other historical dramas believed to have more serious themes. Other critics have defended costume dramas, and argued that they are disparaged because they are

1855-569: The relevant time period or contain factually accurate representations of the time period. Works that focus on accurately portraying specific historical events or persons are instead known as docudrama , such as The Report . Where a person's life is central to the story, such a work is known as biographical drama , with notable examples being films such as Alexander , Frida , House of Saddam , Lincoln , Lust for Life , Raging Bull , Stalin , and Oppenheimer . Carlos (miniseries) Carlos , also known as Carlos

1908-469: The same day it premiered on Canal+, the full 5½-hour version was also shown out of competition at the 2010 Cannes Film Festival . Produced by Daniel Leconte, of French production company Film En Stock, and Jens Meuer, of German production company Egoli Tossell Film, in association with Canal+ and French Arte , it was directed by Olivier Assayas from a screenplay by Leconte, Assayas and Dan Franck, and stars Édgar Ramírez as Carlos. The film exists both as

1961-433: The screenplay and criticized it for its "deliberate falsifications of history, and lies". He was specifically unhappy with a sequence depicting a hostage-taking by his gang at the 1975 OPEC conference in Vienna and how his methods were depicted: "Showing hysterical men waving submachine guns and threatening people is completely ridiculous," he insisted. "Things didn't happen like that. These were professionals, commandos of

2014-404: The scriptwriters. Carlos has received widespread critical acclaim with Ramirez's performance being praised. Review aggregation website Rotten Tomatoes gives the film a score of 93% based on reviews from 69 critics, with an average score of 8/10. The website's critics consensus reads: "Despite its hefty running time, Carlos moves along briskly, thanks to an engaging story, exotic locales, and

2067-450: The specific history of Carlos". Former foreign correspondent and Le Monde editor Stephen Smith compiled the film's research, some of which came from the files of intelligence agencies that became available after the fall of the Berlin Wall when files from former Soviet Bloc countries surfaced. Some of the film's dialogue came from tape recordings made by the Stasi , the secret police of

2120-467: The station of international guerrilla leader and terrorist celebrity". In his review for USA Today , Anthony Breznican wrote, "The closest cousin to Carlos , cinematically speaking, might be There Will Be Blood —another epic view inside a mind of twisted humanity". In his review for Time Out London , Geoff Andrew wrote, "Certainly, the film doesn't feel anything like television. It's shot in Scope, boasts

2173-759: The time of his capture. The final two hours of the film were shot in sequence. Already in November 2009, IFC Films acquired the US rights to both the mini-series and the theatrical version. The mini-series premiered on the Sundance Channel on October 11, 2010, where it was shown over three nights, while both long and short versions received a theatrical release. Ilich Ramírez Sánchez, the real-life "Carlos", saw extracts of Assayas's film and his lawyer threatened legal action to prevent its general release, arguing that it could prejudice future trial hearings for Carlos who faces trial for at least four more attacks in France. He read

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2226-582: The time, starred in Assayas's 1998 feature Late August, Early September . He has said they "didn't get together until [she] was 20". They separated in 2017. In 2009 and 2010, Assayas signed two petitions in support of director Roman Polanski , who had been detained in Switzerland while traveling to a film festival in relation to his 1977 sexual abuse charges in the United States and had long been in exile from

2279-525: The title role with arrogant charisma of Brando in his prime. It's an astonishing film". In his review for the Los Angeles Times , Steven Zeitchik wrote, "How good is Olivier Assayas' Carlos ? Think of The Bourne Identity with more substance, or Munich with more of a pulse, and you begin to have a sense of what the French filmmaker accomplished with this globetrotting and epic look at one man's rise to

2332-403: The usual movie-star charm—if not much depth or nuance—Carlos is a difficult character on which to hang such an ambitious, inherently cumbersome tale". In his review for New York magazine, David Edelstein wrote, "In retrospect, it's a bit of a blur, and you might opt to see Assayas' condensed version (alternating in some theaters), which clocks in at a trim two and a half hours. I say go for

2385-402: The whole shebang. Shot by shot, scene by scene, it's a fluid and enthralling piece of work. I wasn't bored for a millisecond". In her review for the Los Angeles Times , Betsy Sharkey wrote, "In the end the collaboration between Ramirez and Assayas creates a fiercely astute portrait of a terrorist that neither romanticizes nor demonizes him, but rather dismantles the myth to take some measure of

2438-403: Was announced that Assayas would preside over the 2017 Locarno Film Festival . In an interview with Nick Pinkerton of Reverse Shot , Assayas talked about his influences: That radicality in cinema involved just being outside of the world of modern images, and the key to it was the work of Robert Bresson , who has been by far the most important influence in my work, and intellectually it's been

2491-452: Was born in Paris , France, the son of French director/screenwriter Raymond Assayas , alias Jacques Rémy, and Catherine de Károlyi , a fashion designer. His father was of Turkish-Jewish origin and had settled in Italy before France. His mother was Protestant and of Hungarian origin. Assayas started his career in the industry by helping his father. He ghostwrote episodes for TV shows his father

2544-525: Was later nominated for two Golden Globe Awards , one for Best Miniseries or TV Film and Ramírez for Best Actor in a Miniseries . It won the 2011 Golden Globe Award for Best Miniseries or Television Film. However, because it was released on French television before theatrical distribution, it was ineligible for the Academy Awards . At the French César Awards 2011 , Édgar Ramírez was awarded, for

2597-638: Was on the side of the black element." Assayas's biggest hit to date is Irma Vep , starring Maggie Cheung . It is a tribute to both French director Louis Feuillade and Hong Kong cinema . While working at Cahiers du cinéma , Assayas wrote lovingly about both European and Asian film directors he admired. He has made a documentary, HHH: A Portrait of Hou Hsiao-hsien , about Taiwanese filmmaker Hou Hsiao-hsien . Assayas married Cheung in 1998. They divorced in 2001, but their relationship remained amicable. In 2004, she starred in his film Clean . He met actress-director Mia Hansen-Løve when Hansen-Løve, 17 at

2650-536: Was selected to compete for the Palme d'Or in the main competition section at the 2014 Cannes Film Festival . Sils Maria won the Louis Delluc Prize and garnered six César Award nominations, including Best Film, Best Director, and Best Original Screenplay. Kristen Stewart won a César Award for Best Supporting Actress . In 2016, Assayas won Best Director Award (Cannes Film Festival) for Personal Shopper , which also starred Stewart. In June 2017, it

2703-449: Was shot in seven months across three continents in countries such as Austria , France , Germany , Hungary , Lebanon , and Morocco . The film was shot mostly in English with passages in French, Spanish, Hungarian, Italian, Arabic, German, Russian, Dutch, and Japanese. As filming continued, Ramirez put on 35 pounds (16 kg) in order to resemble Carlos's overweight physical condition at

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2756-464: Was to focus on the terrorist's capture in Sudan in 1994 and run only 90 minutes. However, once director Olivier Assayas agreed to make the film and he conducted extensive research, he realized that there was much more to explore with the man and his times: "I felt it was the fate of one man and, in a certain way, the story of one generation, plus a meditation on time, history, fate and issues more universal than

2809-432: Was working on when his health failed. In a 2010 interview, Assayas said his main political influences when growing up were Guy Debord and George Orwell . Of the 1968 May uprising to overthrow Charles de Gaulle , Assayas said: "I was defined by the politics of May '68, but for me May '68 was an anti-totalitarian uprising. People seemed to forget that at the occupied Odéon theater, you had crossed flags-black and red, and I

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