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75-674: The stated twin objective for the festival is to facilitate cultural integration in India and providing a forum for exchange of notes among theatre workers from different parts of the country. However, the festival was initially a part of Nandikar's silver jubilee, but due to the good reception the group decided to turn it into an annual event. The festival display productions by leading and avant-garde theatre troupes from all over India and, occasionally, from countries like United States, Sweden, Switzerland, Pakistan , Nepal and Bangladesh . Exhibitions and workshops are also arranged in connection with

150-460: A dialectical approach to such political stances by avant-garde artists and the avant-garde genre of art. Sociologically, as a stratum of the intelligentsia of a society, avant-garde artists, writers, architects, et al. produce artefacts — works of art, books, buildings — that intellectually and ideologically oppose the conformist value system of mainstream society. In the essay " Avant-Garde and Kitsch " (1939), Clement Greenberg said that

225-496: A bourgeois was a character flaw inherent to the masculine mystique; therefore, the ideology of Italian fascism scornfully defined the bourgeois man as "spiritually castrated". Karl Marx said that the culture of a society is dominated by the mores of the ruling-class , wherein their superimposed value system is abided by each social class (the upper, the middle, the lower) regardless of the socio-economic results it yields to them. In that sense, contemporary societies are bourgeois to

300-431: A hip-hop group Migos produced a song Bad and Boujee , featuring an intentional misspelling of the word as "boujee" – a term which has particularly been used by African Americans in reference to African Americans. The term refers to a person of lower or middle class doing pretentious activities or virtue signalling as an affectation of the upper-class. The bourgeoisie emerged as a historical and political phenomenon in

375-413: A love affair with a pretty widow) come to naught because he is existentially afraid. Yet, George F. Babbitt sublimates his desire for self-respect, and encourages his son to rebel against the conformity that results from bourgeois prosperity, by recommending that he be true to himself: Don't be scared of the family. No, nor all of zenith. Nor of yourself, the way I've been. Many of the satirical films by

450-463: A misunderstanding which has occurred in other languages as well. The bourgeoisie in France and many French-speaking countries consists of five evolving social layers: petite bourgeoisie , moyenne bourgeoisie , grande bourgeoisie , haute bourgeoisie and ancienne bourgeoisie . The petite bourgeoisie is the equivalent of the modern-day middle class, or refers to "a social class between

525-597: A party leader in 1934, "The economic system of our day is the creation of the Jews." Hitler said to Benito Mussolini that capitalism had "run its course". Hitler also said that the business bourgeoisie "know nothing except their profit. 'Fatherland' is only a word for them." Hitler was personally disgusted with the ruling bourgeois elites of Germany during the period of the Weimar Republic, whom he referred to as "cowardly shits". Because of their ascribed cultural excellence as

600-541: A post-modern time when the modernist ways of thought and action and the production of art have become redundant in a capitalist economy. Parting from the claims of Greenberg in the late 1930s and the insights of Poggioli in the early 1960s, in The De-Definition of Art: Action Art to Pop to Earthworks (1983), the critic Harold Rosenberg said that since the middle of the 1960s the politically progressive avant-garde ceased being adversaries to artistic commercialism and

675-523: A pretentious manner; describing his philistinism in Bonifica antiborghese (1939), Roberto Paravese comments on the: Middle class, middle man, incapable of great virtue or great vice: and there would be nothing wrong with that, if only he would be willing to remain as such; but, when his child-like or feminine tendency to camouflage pushes him to dream of grandeur, honours, and thus riches, which he cannot achieve honestly with his own "second-rate" powers, then

750-501: A psychologically constricted worldview , regarding the rearing of children, contemporary sociologists claim to have identified "progressive" middle-class values, such as respect for non-conformity, self-direction, autonomy , gender equality , and the encouragement of innovation; as in the Victorian Era, the transposition to the US of the bourgeois system of social values has been identified as

825-549: A requisite for employment success in the professions. Bourgeois values are dependent on rationalism , which began with the economic sphere and moves into every sphere of life which is formulated by Max Weber. The beginning of rationalism is commonly called the Age of Reason . Much like the Marxist critics of that period, Weber was concerned with the growing ability of large corporations and nations to increase their power and reach throughout

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900-410: A social class oriented to economic materialism and hedonism , and to upholding the political and economic interests of the capitalist ruling-class . Historically, the medieval French word bourgeois denoted the inhabitants of the bourgs (walled market-towns), the craftsmen , artisans , merchants , and others, who constituted "the bourgeoisie". They were the socio-economic class between

975-584: A social class, the Italian fascist régime (1922–45) of Prime Minister Benito Mussolini regarded the bourgeoisie as an obstacle to modernism . Nonetheless, the Fascist State ideologically exploited the Italian bourgeoisie and their materialistic, middle-class spirit, for the more efficient cultural manipulation of the upper (aristocratic) and the lower (working) classes of Italy. In 1938, Prime Minister Mussolini gave

1050-574: A social identity famously mocked in Molière 's comedy Le Bourgeois gentilhomme (1670), which satirizes buying the trappings of a noble-birth identity as the means of climbing the social ladder. The 18th century saw a partial rehabilitation of bourgeois values in genres such as the drame bourgeois (bourgeois drama) and " bourgeois tragedy ". Emerging in the 1970s, the shortened term "bougie" became slang , referring to things or attitudes which are middle class, pretentious and suburban . In 2016,

1125-402: A speech wherein he established a clear ideological distinction between capitalism (the social function of the bourgeoisie) and the bourgeoisie (as a social class), whom he dehumanized by reducing them into high-level abstractions: a moral category and a state of mind. Culturally and philosophically, Mussolini isolated the bourgeoisie from Italian society by portraying them as social parasites upon

1200-621: A strong appeal to the middle class . The financial collapse of the white collar middle-class of the 1920s figures much in their strong support of Nazism. In the poor country that was the Weimar Republic of the early 1930s, the Nazi Party realised their social policies with food and shelter for the unemployed and the homeless—who were later recruited into the Brownshirt Sturmabteilung (SA – Storm Detachments). Adolf Hitler

1275-461: Is a comedy-ballet that satirises Monsieur Jourdain, the prototypical nouveau riche man who buys his way up the social-class scale, to realise his aspirations of becoming a gentleman, to which end he studies dancing, fencing, and philosophy, the trappings and accomplishments of a gentleman, to be able to pose as a man of noble birth , someone who, in 17th-century France, was a man to the manor born; Jourdain's self-transformation also requires managing

1350-402: Is a reasonable man of solid character. Yet, in the children of Buddenbrook Jr., the materially comfortable style of life provided by the dedication to solid, middle-class values elicits decadence: The fickle daughter, Toni, lacks and does not seek a purpose in life; son Christian is honestly decadent, and lives the life of a ne'er-do-well; and the businessman son, Thomas, who assumes command of

1425-525: Is another definition of "Avant-gardism" that distinguishes it from "modernism": Peter Bürger, for example, says avant-gardism rejects the "institution of art" and challenges social and artistic values, and so necessarily involves political, social, and cultural factors. According to the composer and musicologist Larry Sitsky , modernist composers from the early 20th century who do not qualify as avant-gardists include Arnold Schoenberg, Anton Webern, and Igor Stravinsky; later modernist composers who do not fall into

1500-633: Is facilitated by mechanically produced art-products of mediocre quality displacing art of quality workmanship; thus, the profitability of art-as-commodity determines its artistic value. In The Society of the Spectacle (1967), Guy Debord said that the financial, commercial, and economic co-optation of the avant-garde into a commodity produced by neoliberal capitalism makes doubtful that avant-garde artists will remain culturally and intellectually relevant to their societies for preferring profit to cultural change and political progress. In The Theory-Death of

1575-426: Is labor; and the bourgeois control of the means of coercion suppressed the sociopolitical challenges by the lower classes, and so preserved the economic status quo; workers remained workers, and employers remained employers. In the 19th century, Marx distinguished two types of bourgeois capitalist: In the course of economic relations, the working class and the bourgeoisie continually engage in class struggle , where

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1650-546: Is not reducible to a kitsch style or reactionary orientation, but can instead be used to refer to artists who engage with the legacy of the avant-garde while maintaining an awareness that doing so is in some sense anachronistic. The critic Charles Altieri argues that avant-garde and arrière-garde are interdependent: "where there is an avant-garde, there must be an arrière-garde ." Avant-garde in music can refer to any form of music working within traditional structures while seeking to breach boundaries in some manner. The term

1725-451: Is thought to be opposed to substantive forms of freedom; "bourgeois independence"; "bourgeois personal individuality"; the "bourgeois family"; et cetera, all derived from owning capital and property (see The Communist Manifesto , 1848). In English, the term bourgeoisie is often used to denote the middle classes. In fact, the French term encompasses both the upper and middle economic classes,

1800-615: Is used loosely to describe the work of any musicians who radically depart from tradition altogether. By this definition, some avant-garde composers of the 20th century include Arnold Schoenberg , Richard Strauss (in his earliest work), Charles Ives , Igor Stravinsky , Anton Webern , Edgard Varèse , Alban Berg , George Antheil (in his earliest works only), Henry Cowell (in his earliest works), Harry Partch , John Cage , Iannis Xenakis , Morton Feldman , Karlheinz Stockhausen , Pauline Oliveros , Philip Glass , Meredith Monk , Laurie Anderson , and Diamanda Galás . There

1875-407: The haute bourgeoisie (bankers and industrialists) and the petite bourgeoisie ( tradesmen and white-collar workers ). Moreover, by the end of the 19th century, the capitalists (the original bourgeoisie) had ascended to the upper class, while the developments of technology and technical occupations allowed the rise of working-class men and women to the lower strata of the bourgeoisie; yet

1950-610: The Late Middle Ages , originally as a " middle class " between peasantry and aristocracy . They are traditionally contrasted with the proletariat by their wealth, political power, and education, as well as their access to and control of cultural , social , and financial capital . The bourgeoisie in its original sense is intimately linked to the political ideology of liberalism and its existence within cities, recognised as such by their urban charters (e.g., municipal charters , town privileges , German town law ), so there

2025-836: The Old French borgeis or borjois ('town dweller'), which derived from bourg (' market town '), from the Old Frankish burg ('town'); in other European languages, the etymologic derivations include the Middle English burgeis , the Middle Dutch burgher , the German Bürger , the Modern English burgess , the Spanish burgués , the Portuguese burguês , and

2100-526: The absolute monarchy of the Bourbon King Louis XVI (r. 1774–1791), his clergy, and his aristocrats in the French Revolution of 1789–1799. Hence, since the 19th century, the term "bourgeoisie" usually is politically and sociologically synonymous with the ruling upper class of a capitalist society. In English, the word "bourgeoisie", as a term referring to French history, refers to

2175-428: The artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an advance guard identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus,

2250-457: The left nor the right , but preserved "pure" elements from both "camps", stating: "From the camp of bourgeois tradition, it takes national resolve, and from the materialism of the Marxist dogma, living, creative Socialism." Hitler distrusted capitalism for being unreliable due to its egotism , and he preferred a state-directed economy that is subordinated to the interests of the Volk . Hitler told

2325-458: The moral obligation of artists to "serve as [the] avant-garde" of the people, because "the power of the arts is, indeed, the most immediate and fastest way" to realise social, political, and economic reforms. In the realm of culture, the artistic experiments of the avant-garde push the aesthetic boundaries of societal norms , such as the disruptions of modernism in poetry, fiction, and drama, painting, music, and architecture, that occurred in

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2400-458: The 11th century when the bourgs of Central and Western Europe developed into cities dedicated to commerce and crafts. This urban expansion was possible thanks to economic concentration due to the appearance of protective self-organization into guilds . Guilds arose when individual businessmen (such as craftsmen, artisans and merchants) conflicted with their rent-seeking feudal landlords who demanded greater rents than previously agreed. In

2475-527: The Avant-Garde ( Theorie der Avantgarde , 1974), the literary critic Peter Bürger looks at The Establishment 's embrace of socially critical works of art as capitalist co-optation of the artists and the genre of avant-garde art, because "art as an institution neutralizes the political content of the individual work [of art]". In Neo-avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (2000), Benjamin H. D. Buchloh argues for

2550-673: The Avant-Garde (1991), Paul Mann said that the avant-garde are economically integral to the contemporary institutions of the Establishment, specifically as part of the culture industry . Noting the conceptual shift, theoreticians, such as Matei Calinescu , in Five Faces of Modernity: Modernism, Avant-garde, Decadence, Kitsch, Postmodernism (1987), and Hans Bertens in The Idea of the Postmodern: A History (1995), said that Western culture entered

2625-515: The Buddenbrook family fortune, occasionally falters from middle-class solidity by being interested in art and philosophy, the impractical life of the mind , which, to the bourgeoisie, is the epitome of social, moral, and material decadence. Babbitt (1922), by Sinclair Lewis (1885–1951), satirizes the American bourgeois George Follansbee Babbitt, a middle-aged realtor , booster , and joiner in

2700-497: The Marxist use of the term "bourgeois" also describes the consumerist style of life derived from the ownership of capital and real property . Marx acknowledged the bourgeois industriousness that created wealth, but criticised the moral hypocrisy of the bourgeoisie when they ignored the alleged origins of their wealth: the exploitation of the proletariat, the urban and rural workers. Further sense denotations of "bourgeois" describe ideological concepts such as "bourgeois freedom", which

2775-511: The Midwestern city of Zenith, who – despite being unimaginative, self-important, and hopelessly conformist and middle-class – is aware that there must be more to life than money and the consumption of the best things that money can buy. Nevertheless, he fears being excluded from the mainstream of society more than he does living for himself, by being true to himself – his heart-felt flirtations with independence (dabbling in liberal politics and

2850-524: The Mussolini fascist régime transcended ideology to merge the political and financial interests of Prime Minister Benito Mussolini with the political and financial interests of the bourgeoisie, the Catholic social circles who constituted the ruling class of Italy. Philosophically, as a materialist creature, the bourgeois man was stereotyped as irreligious; thus, to establish an existential distinction between

2925-537: The Polish burżuazja , which occasionally is synonymous with the intelligentsia . In the 18th century, before the French Revolution (1789–1799), in the French Ancien Régime , the masculine and feminine terms bourgeois and bourgeoise identified the relatively rich men and women who were members of the urban and rural Third Estate – the common people of the French realm , who violently deposed

3000-410: The army. In 19th-century French politics, the term avant-garde (vanguard) identified Left-wing political reformists who agitated for radical political change in French society. In the mid-19th century, as a cultural term, avant-garde identified a genre of art that advocated art-as-politics, art as an aesthetic and political means for realising social change in a society. Since the 20th century,

3075-477: The art term avant-garde identifies a stratum of the Intelligentsia that comprises novelists and writers, artists and architects et al. whose creative perspectives, ideas, and experimental artworks challenge the cultural values of contemporary bourgeois society . In the U.S. of the 1960s, the post–WWII changes to American culture and society allowed avant-garde artists to produce works of art that addressed

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3150-458: The artistic vanguard oppose high culture and reject the artifice of mass culture , because the avant-garde functionally oppose the dumbing down of society — be it with low culture or with high culture . That in a capitalist society each medium of mass communication is a factory producing artworks, and is not a legitimate artistic medium; therefore, the products of mass culture are kitsch , simulations and simulacra of Art. Walter Benjamin in

3225-573: The artists who created the anti-novel and Surrealism were ahead of their times. As a stratum of the intelligentsia of a society, avant-garde artists promote progressive and radical politics and advocate for societal reform with and through works of art. In the essay "The Artist, the Scientist, and the Industrialist" (1825), Benjamin Olinde Rodrigues 's political usage of vanguard identified

3300-519: The avant-garde traditions in both the United States and Europe. Among these are Fluxus , Happenings , and Neo-Dada . Brutalist architecture was greatly influenced by an avant-garde movement. Bourgeoisie The bourgeoisie ( / ˌ b ʊər ʒ w ɑː ˈ z iː / BOOR -zhwah- ZEE , French: [buʁʒwazi] ) are a class of business owners , merchants and wealthy people, in general, which emerged in

3375-414: The average man compensates with cunning, schemes, and mischief; he kicks out ethics, and becomes a bourgeois. The bourgeois is the average man who does not accept to remain such, and who, lacking the strength sufficient for the conquest of essential values—those of the spirit—opts for material ones, for appearances. The economic security, financial freedom , and social mobility of the bourgeoisie threatened

3450-563: The bourgeois mentality by the German intellectual Walter Benjamin (1892–1940) indicated that the shop culture of the petite bourgeoisie established the sitting room as the center of personal and family life; as such, the English bourgeois culture is, he alleges, a sitting-room culture of prestige through conspicuous consumption . The material culture of the bourgeoisie concentrated on mass-produced luxury goods of high quality; between generations,

3525-526: The bourgeois mentality: (i) the shop-window display, and (ii) the sitting room. In English, the term "sitting-room culture" is synonymous for "bourgeois mentality", a " philistine " cultural perspective from the Victorian Era (1837–1901), especially characterized by the repression of emotion and of sexual desire; and by the construction of a regulated social-space where " propriety " is the key personality trait desired in men and women. Nonetheless, from such

3600-411: The bourgeoisie had become the economic ruling class who owned the means of production (capital and land), and who controlled the means of coercion (armed forces and legal system, police forces and prison system). In such a society, the bourgeoisie's ownership of the means of production allowed them to employ and exploit the wage-earning working class (urban and rural), people whose only economic means

3675-402: The capitalists exploit the workers, while the workers resist their economic exploitation, which occurs because the worker owns no means of production, and, to earn a living, seeks employment from the bourgeois capitalist; the worker produces goods and services that are property of the employer, who sells them for a price. Besides describing the social class who owns the means of production ,

3750-416: The category of avant-gardists include Elliott Carter , Milton Babbitt , György Ligeti , Witold Lutosławski , and Luciano Berio , since "their modernism was not conceived for the purpose of goading an audience." The 1960s saw a wave of free and avant-garde music in jazz genre, embodied by artists such as Ornette Coleman , Sun Ra , Albert Ayler , Archie Shepp , John Coltrane and Miles Davis . In

3825-462: The claims of rule by divine right that the nobles and prelates had autonomously exercised during the feudal order. The English Civil War (1642–1651), the American War of Independence (1775–1783), and French Revolution (1789–1799) were partly motivated by the desire of the bourgeoisie to rid themselves of the feudal and royal encroachments on their personal liberty, commercial prospects, and

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3900-546: The continual striving for prestige . This being the case, the cultures of the world describe the philistinism of the middle-class personality, produced by the excessively rich life of the bourgeoisie, is examined and analyzed in comedic and dramatic plays, novels, and films (see Authenticity ). The term bourgeoisie has been used as a pejorative and a term of abuse since the 19th century, particularly by intellectuals and artists. Le Bourgeois gentilhomme (The Would-be Gentleman, 1670) by Molière (Jean-Baptiste Poquelin),

3975-432: The degree that they practice the mores of the small-business "shop culture" of early modern France; which the writer Émile Zola (1840–1902) naturalistically presented, analyzed, and ridiculed in the twenty-two-novel series (1871–1893) about Les Rougon-Macquart family; the thematic thrust is the necessity for social progress, by subordinating the economic sphere to the social sphere of life. The critical analyses of

4050-460: The development of the bourgs into cities. Contemporarily, the terms "bourgeoisie" and "bourgeois" (noun) identify the "ruling class" in capitalist societies, as a social stratum; while "bourgeois" (adjective / noun modifier) describes the Weltanschauung ( worldview ) of men and women whose way of thinking is socially and culturally determined by their economic materialism and philistinism ,

4125-506: The essay " The Work of Art in the Age of Mechanical Reproduction " (1939) and Theodor Adorno and Max Horkheimer in the Dialectic of Enlightenment (1947) said that the artifice of mass culture voids the artistic value (the aura ) of a work of art. That the capitalist culture industry (publishing and music, radio and cinema, etc.) continually produces artificial culture for mass consumption, which

4200-508: The event, by the end of the Middle Ages ( c.  AD 1500 ), under regimes of the early national monarchies of Western Europe, the bourgeoisie acted in self-interest, and politically supported the king or queen against legal and financial disorder caused by the greed of the feudal lords. In the late-16th and early 17th centuries, the bourgeoisies of England and the Netherlands had become

4275-478: The fascist Italian state and "The People"; as a social class who drained the human potential of Italian society, in general, and of the working class, in particular; as exploiters who victimized the Italian nation with an approach to life characterized by hedonism and materialism . Nevertheless, despite the slogan The Fascist Man Disdains the "Comfortable" Life , which epitomized the anti-bourgeois principle, in its final years of power, for mutual benefit and profit,

4350-536: The festival. This article related to an Indian festival or holiday is a stub . You can help Misplaced Pages by expanding it . This article about a theatre festival is a stub . You can help Misplaced Pages by expanding it . This Indian theatre-related article is a stub . You can help Misplaced Pages by expanding it . Avant-garde In the arts and literature , the term avant-garde (from French meaning ' advance guard ' or ' vanguard ' ) identifies an experimental genre or work of art , and

4425-452: The financial – thus political – forces that deposed the feudal order; economic power had vanquished military power in the realm of politics. According to the Marxist view of history, during the 17th and 18th centuries, the bourgeoisie were the politically progressive social class who supported the principles of constitutional government and of natural right , against the Law of Privilege and

4500-540: The late 19th and in the early 20th centuries. In art history the socio-cultural functions of avant-garde art trace from Dada (1915–1920s) through the Situationist International (1957–1972) to the postmodernism of the American Language poets (1960s–1970s). The French military term avant-garde (advanced guard) identified a reconnaissance unit who scouted the terrain ahead of the main force of

4575-464: The latter part of the 19th century, the bourgeois house contained a home that had been remodeled by conspicuous consumption. Here, Benjamin argues, the goods were bought to display wealth ( discretionary income ), rather than for their practical utility. The bourgeoisie had transposed the wares of the shop window to the sitting room, where the clutter of display signaled bourgeois success (see Culture and Anarchy , 1869). Two spatial constructs manifest

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4650-646: The matters of the day, usually in political and sociologic opposition to the cultural conformity inherent to popular culture and to consumerism as a way of life and as a worldview . In The Theory of the Avant-Garde ( Teoria dell'arte d'avanguardia , 1962), the academic Renato Poggioli provides an early analysis of the avant-garde as art and as artistic movement. Surveying the historical and social, psychological and philosophical aspects of artistic vanguardism, Poggioli's examples of avant-garde art, poetry, and music, show that avant-garde artists share some values and ideals as contemporary bohemians . In Theory of

4725-535: The mediocrity of mass culture , which political disconnection transformed being an artist into "a profession, one of whose aspects is the pretense of overthrowing [the profession of being an artist]." Avant-garde is frequently defined in contrast to arrière-garde , which in its original military sense refers to a rearguard force that protects the advance-guard. The term was less frequently used than "avant-garde" in 20th-century art criticism. The art historians Natalie Adamson and Toby Norris argue that arrière-garde

4800-485: The middle class and the lower class: the lower middle class". Nazism rejected the Marxist concept of proletarian internationalism and class struggle , and supported the "class struggle between nations", and sought to resolve internal class struggle in the nation while it identified Germany as a proletariat nation fighting against plutocratic nations. The Nazi Party had many working-class supporters and members, and

4875-408: The only variance was the materials with which the goods were manufactured. In the early part of the 19th century, the bourgeois house contained a home that first was stocked and decorated with hand-painted porcelain , machine-printed cotton fabrics, machine-printed wallpaper , and Sheffield steel ( crucible and stainless ). The utility of these things was inherent in their practical functions. By

4950-618: The ownership of property . In the 19th century, the bourgeoisie propounded liberalism , and gained political rights, religious rights, and civil liberties for themselves and the lower social classes; thus the bourgeoisie was a progressive philosophic and political force in Western societies. After the Industrial Revolution (1750–1850), by the mid-19th century the great expansion of the bourgeoisie social class caused its stratification – by business activity and by economic function – into

5025-424: The peasants and the landlords, between the workers and the owners of the means of production , the feudal nobility . As the economic managers of the (raw) materials, the goods, and the services, and thus the capital (money) produced by the feudal economy, the term "bourgeoisie" evolved to also denote the middle class – the businessmen who accumulated, administered, and controlled the capital that made possible

5100-402: The philosophic integrity of Italian fascism, the ideological monolith that was the régime of Prime Minister Benito Mussolini. Any assumption of legitimate political power (government and rule) by the bourgeoisie represented a fascist loss of totalitarian state power for social control through political unity—one people, one nation, and one leader. Sociologically, to the fascist man, to become

5175-451: The private life of his daughter, so that her marriage can also assist his social ascent. Buddenbrooks (1901), by Thomas Mann (1875–1955), chronicles the moral , intellectual, and physical decay of a rich family through its declines, material and spiritual, in the course of four generations, beginning with the patriarch Johann Buddenbrook Sr. and his son, Johann Buddenbrook Jr., who are typically successful German businessmen; each

5250-593: The rock music of the 1970s, the "art" descriptor was generally understood to mean "aggressively avant-garde" or "pretentiously progressive". Post-punk artists from the late 1970s rejected traditional rock sensibilities in favor of an avant-garde aesthetic. Whereas the avant-garde has a significant history in 20th-century music, it is more pronounced in theatre and performance art, and often in conjunction with music and sound design innovations, as well as developments in visual media design. There are movements in theatre history that are characterized by their contributions to

5325-509: The social progress was incidental. According to Karl Marx , the bourgeois during the Middle Ages usually was a self-employed businessman – such as a merchant, banker, or entrepreneur – whose economic role in society was being the financial intermediary to the feudal landlord and the peasant who worked the fief , the land of the lord. Yet, by the 18th century, the time of the Industrial Revolution (1750–1850) and of industrial capitalism,

5400-546: The supernatural faith of the Roman Catholic Church and the materialist faith of temporal religion; in The Autarchy of Culture: Intellectuals and Fascism in the 1930s , the priest Giuseppe Marino said that: Christianity is essentially anti-bourgeois. ... A Christian, a true Christian, and thus a Catholic, is the opposite of a bourgeois. Culturally, the bourgeois man may be considered effeminate, infantile, or acting in

5475-479: The world. Beyond the intellectual realms of political economy , history, and political science that discuss, describe, and analyze the bourgeoisie as a social class, the colloquial usage of the sociological terms bourgeois and bourgeoise describe the social stereotypes of the old money and of the nouveau riche , who is a politically timid conformist satisfied with a wealthy, consumerist style of life characterized by conspicuous consumption and

5550-411: Was impressed by the populist antisemitism and the anti-liberal bourgeois agitation of Karl Lueger , who as the mayor of Vienna during Hitler's time in the city, used a rabble-rousing style of oratory that appealed to the wider masses. When asked whether he supported the "bourgeois right-wing", Hitler claimed that Nazism was not exclusively for any class , and he also indicated that it favored neither

5625-647: Was no bourgeoisie apart from the citizenry of the cities. Rural peasants came under a different legal system. In communist philosophy , the bourgeoisie is the social class that came to own the means of production during modern industrialisation and whose societal concerns are the value of private property and the preservation of capital to ensure the perpetuation of their economic dominance in society. The Modern French word bourgeois ( / ˈ b ʊər ʒ w ɑː / BOORZH -wah or / b ʊər ˈ ʒ w ɑː / boorzh- WAH , French: [buʁʒwa] ) derived from

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