162-452: Murder Junkies is the seventh studio album released by American punk rock musician GG Allin , recorded with Antiseen as his backing band. The album consists of spoken word by Allin, interspersed with musical tracks featuring Allin on vocals backed by Antiseen. The title of the album was appropriated from the name of an obscure Texas band (formed entirely independently of Allin) – which performed as his backing band for several live dates in
324-475: A DIY ethic ; many bands self-produce recordings and distribute them through independent labels . The term "punk rock" was previously used by American rock critics in the early 1970s to describe the mid-1960s garage bands. Certain late 1960s and early 1970s Detroit acts, such as MC5 and Iggy and the Stooges , and other bands from elsewhere created out-of-the-mainstream music that became highly influential on what
486-676: A "dirty bastard", a "dirty fucker", and a "fucking rotter", triggering a media controversy. The episode had a major impact on the history of the scene and the punk term became a household name in 24 hours thanks to the press coverage, and several front covers of newspapers. Two days later, the Sex Pistols, the Clash, the Damned, and the Heartbreakers set out on the Anarchy Tour, a series of gigs throughout
648-465: A "national scandal". Jamie Reid 's "anarchy flag" poster and his other design work for the Sex Pistols helped establish a distinctive punk visual aesthetic . On December 1, 1976, an incident took place that sealed punk rock's notorious reputation, when the Sex Pistols and several members of the Bromley Contingent , including Siouxsie Sioux and Steven Severin , filled a vacancy for Queen on
810-596: A "punk mass" for the next couple of years. In the March 1971 issue of Creem, critic Greg Shaw wrote about the Shadows of Knight 's "hard-edge punk sound". In an April 1971 issue of Rolling Stone , he referred to a track by the Guess Who as "good, not too imaginative, punk rock and roll". The same month John Medelsohn described Alice Cooper 's album Love It to Death as "nicely wrought mainstream punk raunch". Dave Marsh used
972-409: A "style of adornment calculated to disturb and outrage". Among the other facets of the punk rock scene, a punk's hair is an important way of showing their freedom of expression. The typical male punk haircut was originally short and choppy; the mohawk later emerged as a characteristic style. Along with the mohawk, long spikes have been associated with the punk rock genre. Between the late 16th and
1134-530: A 1974 interview for his fanzine Heavy Metal Digest , Danny Sugerman told Iggy Pop "You went on record as saying you never were a punk" and Iggy replied "...well I ain't. I never was a punk." By 1975, punk was being used to describe acts as diverse as the Patti Smith Group , the Bay City Rollers , and Bruce Springsteen . As the scene at New York's CBGB club attracted notice, a name was sought for
1296-602: A band which, apart from Bad Brains , has arguably had the biggest influence on the hardcore punk genre, and whose contributions to the music, ethics, aesthetic, and ethos are still widely acknowledged by hardcore bands of the 2020s. The band used faster rhythms and more aggressive, less melodic riffs than was common at the time. Minor Threat popularized the straight edge movement with its song " Straight Edge ", which spoke out against alcohol, drugs and promiscuity. MacKaye and Nelson ran their own record label, Dischord Records , which released records by D.C. hardcore bands, including
1458-535: A band who can lay claim to influencing the movement, "the seeds of punk remain blatant in the howling ultimatum Erickson transferred from his previous teen combo to the Elevators" as well as describing other bands in the Houston , Texas psychedelic rock scene as "a prime example of the opaque proto-punk undertow at the heart of the best psychedelia ". Hippie proto-punk David Peel of New York City 's Lower East Side
1620-519: A characteristic sound described by Christgau as a "buzzsaw drone". Some punk rock bands take a surf rock approach with a lighter, twangier guitar tone. Others, such as Robert Quine , lead guitarist of the Voidoids , have employed a wild, " gonzo " attack, a style that stretches back through the Velvet Underground to the 1950s recordings of Ike Turner . Bass guitar lines are often uncomplicated;
1782-603: A distinct musical style. Even where they diverged most clearly, in lyrical approach – the Ramones' apparent guilelessness at one extreme, Hell's conscious craft at the other – there was an abrasive attitude in common. Their shared attributes of minimalism and speed, however, had not yet come to define punk rock. After a brief period unofficially managing the New York Dolls, Briton Malcolm McLaren returned to London in May 1975, inspired by
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#17330853710981944-557: A former member of New York's experimental rock group the Velvet Underground , who inspired many of those involved in the creation of punk rock. The New York Dolls updated 1950s' rock 'n' roll in a fashion that later became known as glam punk . The New York duo Suicide played spare, experimental music with a confrontational stage act inspired by that of the Stooges. In Boston, the Modern Lovers , led by Jonathan Richman , gained attention for their minimalistic style. In 1974, as well,
2106-518: A giant red mohawk and the band continued to wear swastikas , an approach influenced by the wearing of this symbol by 1970s punks such as Sid Vicious . Because of this, the Exploited were labeled by others in the scene as "cartoon punks". Other influential UK hardcore bands from this period included GBH , Anti-Establishment , Antisect , Broken Bones , Chaos UK , Conflict , Dogsflesh , English Dogs , and grindcore innovators Napalm Death . There
2268-486: A hardcore scene known as "nardcore" developed with bands like Agression , Ill Repute , Dr. Know , and Rich Kids on LSD . Whilst popular traditional punk bands such as the Clash , Ramones, and Sex Pistols were signed to major record labels, the hardcore punk bands were generally not. Black Flag, however, was briefly signed to MCA subsidiary Unicorn Records but were dropped because an executive considered their music to be "anti-parent". Instead of trying to be courted by
2430-673: A hardcore style (shaved head and boots) as being based on needing more functional clothing. Skateboard culture, streetwear, and workwear are also major influences on clothing worn by participants in both past and present eras of hardcore. Music writer Barney Hoskyns attributed hardcore being younger, faster and angrier than punk rock, to adolescents who were sick of their life in a "bland Republican " America. Hardcore punk lyrics often express antiestablishment , antimilitarist , antiauthoritarian , antiviolence , and pro- environmentalist sentiments, in addition to other typically left-wing , anarchist , or egalitarian political views. During
2592-422: A lot of 1960s stuff was innovative and exciting. Unfortunately, what happens is that people who could not hold a candle to the likes of Hendrix started noodling away. Soon you had endless solos that went nowhere. By 1973, I knew that what was needed was some pure, stripped down, no bullshit rock 'n' roll." John Holmstrom , founding editor of Punk magazine, recalls feeling "punk rock had to come along because
2754-525: A movement and cultural fad confined to western world in the 1970’s and 1980’s. The early punk bands emulated the minimal musical arrangements of 1960s garage rock . Typical punk rock instrumentation is stripped down to one or two guitars, bass, drums and vocals. Songs tend to be shorter than those of other rock genres and played at fast tempos. Most early punk rock songs retained a traditional rock 'n' roll verse-chorus form and 4/4 time signature . However, later bands often broke from this format. Punk music
2916-518: A musical and a cultural "Year Zero". As nostalgia was discarded, many in the scene adopted a nihilistic attitude summed up by the Sex Pistols ' slogan "No Future"; in the later words of one observer, amid the unemployment and social unrest in 1977, "punk's nihilistic swagger was the most thrilling thing in England." While "self-imposed alienation " was common among "drunk punks" and "gutter punks", there
3078-417: A parody of conservative bands. Another act from Massachusetts, Vile, were known to insult women, minorities and gay people in their lyrics and would even go as far as putting their albums on the windshields of people's cars. On the other hand, Tim Yohannan and the influential punk rock fanzine Maximumrocknroll were criticized by some punks for acting as the "politically correct scene police", having what
3240-568: A radio show featuring hardcore called Capital Radio, hosted by Brad Morrison, beginning in February 1979 and continuing weekly until late 1983. In New York City , Tim Sommer hosted Noise The Show on WNYU . By 1984, the Ramones , one of the original New York punk bands, were experimenting with hardcore, with two songs, "Wart Hog" and "Endless Vacation" on their album Too Tough To Die . Minneapolis hardcore consisted of bands such as Hüsker Dü and
3402-579: A radio show in 1977, but branched out into a fanzine in 1982. While not as large as the scene in Los Angeles, the hardcore scene of the early 1980s included a number of noteworthy bands originating from the San Francisco Bay Area , including Bl'ast , Crucifix , the Faction , Fang , Flipper , and Whipping Boy . Additionally, during this time, seminal Texas -based bands Dirty Rotten Imbeciles ,
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#17330853710983564-471: A reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington, D.C. , and New York punk rock and early proto-punk . Hardcore punk generally disavows commercialism , the established music industry and "anything similar to the characteristics of mainstream rock " and often addresses social and political topics with "confrontational, politically charged lyrics". Hardcore sprouted underground scenes across
3726-571: A requisite item for punk fans. The BBC banned "Oh Bondage Up Yours!" due to its controversial lyrics. In October, the Sex Pistols hit number eight with " Holidays in the Sun ", followed by the release of their first and only "official" album, Never Mind the Bollocks, Here's the Sex Pistols . Inspiring yet another round of controversy, it topped the British charts. In December, one of the first books about punk rock
3888-511: A shift into hardcore. Similar to Black Flag and Youth Brigade, Dead Kennedys released their albums on their own label, which in DK's case was Alternative Tentacles . The scene was helped in particular by the San Francisco club Mabuhay Gardens , whose promoter, Dirk Dirksen , became known as "The Pope of Punk". Another important local institution was Tim Yohannan 's Maximumrocknroll , which started as
4050-401: A single, "Little Johnny Jewel". In the words of John Walker, the record was "a turning point for the whole New York scene" if not quite for the punk rock sound itself – Hell's departure had left the band "significantly reduced in fringe aggression". Early in 1976, Hell left the Heartbreakers to form the Voidoids , described as "one of the most harshly uncompromising [punk] bands". That April,
4212-459: A style of dance in which participants push or slam into each other, and stage diving . Moshing works as a vehicle for expressing anger by "represent[ing] a way of playing at violence or roughness that allowed participants to mark their difference from the banal niceties of middle-class culture". Moshing is in another way a " parody of violence", that nevertheless leaves participants bruised and sometimes bleeding. The term mosh came into use in
4374-405: A two-month-long weekend residency at CBGB that significantly raised the club's profile. The Television sets included Richard Hell's "Blank Generation", which became the scene's emblematic anthem. Soon after, Hell left Television and founded a band featuring a more stripped-down sound, the Heartbreakers , with former New York Dolls Johnny Thunders and Jerry Nolan . In August, Television recorded
4536-514: A vehement, straight-ahead punk rock style with a committed anarchist mission, and played a major role in the emerging anarcho-punk movement. Sham 69, London's Menace, and the Angelic Upstarts from South Shields in the Northeast combined a similarly stripped-down sound with populist lyrics, a style that became known as street punk . These expressly working-class bands contrasted with others in
4698-438: A wide range of local scenes that often rejected affiliation with the mainstream. In the late 1970s, punk experienced a second wave, when new acts that had not been active during its formative years adopted the style. By the early 1980s, faster and more aggressive subgenres, such as hardcore punk (e.g., Minor Threat ), Oi! (e.g., Sham 69 ), street punk (e.g., the Exploited ), and anarcho-punk (e.g., Crass ), became some of
4860-408: Is "usually associated with the further evolution of California's L.A. Punk Rock scene", which included young skateboarders. A September 1981 article by Tim Sommer shows the author applying the term to the "15 or so" punk bands gigging around the city at that time, which he considered a belated development relative to Los Angeles, San Francisco, and Washington, D.C. Blush said that the term "hardcore"
5022-556: Is also a reference to the sense of being "fed up" with the existing punk and new wave music . Blush also states that the term refers to "an extreme: the absolute most Punk". Kelefa Sanneh states that the term "hardcore" referred to an attitude of "turning inwards" towards the scene and "ignoring broader society", all with the goal of achieving a sense of "shared purpose" and being part of a community. Sanneh cites Agnostic Front 's band member selection approach as an example of hardcore's emphasis on "scene citizenship"; prospective members of
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5184-399: Is applied to those who adopt its stylistic attributes but do not actually share or understand its underlying values and philosophy. Scholar Daniel S. Traber argues that "attaining authenticity in the punk identity can be difficult"; as the punk scene matured, he observes, eventually "everyone got called a poseur". Cultural scholars and music journalists have often attributed ‘true’ punk rock as
5346-469: Is important in hardcore. Noisey magazine describes one hardcore band as "an all-encompassing, full-volume assault" in which "[e]very instrument sounds like it's competing for the most power and highest volume". Scott Wilson states that the hardcore of the Bad Brains emphasized two elements: "off-the-charts" loudness which reached a level of threatening, powerful "uncompromising noise" and rhythm, in place of
5508-481: Is much less the rule. Hardcore drumming tends to be especially fast. Production tends to be minimalistic, with tracks sometimes laid down on home tape recorders or four-track portastudios. Punk rock lyrics are typically blunt and confrontational; compared to the lyrics of other popular music genres, they often focus on social and political issues. Trend-setting songs such as the Clash's " Career Opportunities " and Chelsea 's "Right to Work" deal with unemployment and
5670-573: Is our condition. As symbols of protest, swastikas are no less fatuous than flowers. Technical accessibility and a do it yourself (DIY) spirit are prized in punk rock. UK pub rock from 1972 to 1975 contributed to the emergence of punk rock by developing a network of small venues, such as pubs, where non-mainstream bands could play. Pub rock also introduced the idea of independent record labels , such as Stiff Records , which put out basic, low-cost records. Pub rock bands organized their own small venue tours and put out small pressings of their records. In
5832-434: Is supposed to be. It's its own form." According to AllMusic , the overall blueprint for hardcore was playing louder, harder and faster. Hardcore was a reaction to the "cosmopolitan art-school" style of new wave music . Hardcore "eschew[ed] nuance, technique, [and] the avant-garde ", and instead emphasized "speed and rhythmic intensity" using unpredictable song forms and abrupt tempo changes. The impact of powerful volume
5994-804: Is the true spirit of punk, because "all the poseurs and fashionistas fucked off to the next trend of skinny pink ties with New Romantic haircuts, singing wimpy lyrics" and the punk scene now consisted of people like Minor Threat, Bad Brains , Black Flag , and Circle Jerks , dedicated to the DIY ethics. Other writers have also attributed hardcore to a reaction against artsy and mellower sub-genres that punk grew into, such as post-punk and new wave . Hardcore punk additionally broke with original punk rock song patterns and visuals, favoring lower-key aesthetics. According to Eli Enis of Billboard magazine , hardcore shows are known to be violent. In 2002, during an interview with Nardwuar , Dead Kennedys singer Jello Biafra
6156-577: The Los Angeles Times , reviewing the debut album by a hard rock band, Aerosmith , declared that it "achieves all that punk-rock bands strive for but most miss." A March 1973 review of an Iggy and the Stooges show in the Detroit Free Press dismissively referred to Pop as "the apotheosis of Detroit punk music". In May 1973, Billy Altman launched the short-lived punk magazine in Buffalo, NY which
6318-602: The Buzzcocks in Manchester. By late 1976, punk had become a major cultural phenomenon in the UK. It gave rise to a punk subculture that expressed youthful rebellion through distinctive styles of clothing , such as T-shirts with deliberately offensive graphics, leather jackets, studded or spiked bands and jewelry, safety pins, and bondage and S&M clothes. In 1977, the influence of the music and subculture spread worldwide. It took root in
6480-517: The CBGB club, also in Lower Manhattan . At its core was Television , described by critic John Walker as "the ultimate garage band with pretensions". Their influences ranged from The Velvet Underground to the staccato guitar work of Dr. Feelgood 's Wilko Johnson . The band's bassist/singer, Richard Hell , created a look with cropped, ragged hair, ripped T-shirts, and black leather jackets credited as
6642-675: The Kensington Market neighbourhood of Toronto , Ontario , formed in November 1983 as a response to "a local war with glue huffing Nazi skinheads". In Montreal , The Asexuals helped fertilize a scene that became a necessary tour stop for punk and hardcore bands headed to the Northeast. In the United Kingdom , a fertile hardcore scene took root early on. Referred to under a number of names including "U.K. Hardcore", " UK 82 ", "second wave punk", "real punk", and "No Future punk", it took
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6804-529: The Krautrock tradition of groups such as Can . In Japan, the anti-establishment Zunō Keisatsu (Brain Police) mixed garage-psych and folk . The combo regularly faced censorship challenges, their live act at least once including onstage masturbation. A new generation of Australian garage rock bands, inspired mainly by the Stooges and MC5 , was coming closer to the sound that would soon be called "punk": In Brisbane ,
6966-673: The Minutemen , with whom they shared a practice space until both bands were evicted, as well as the Circle Jerks (which featured Black Flag's original singer, Keith Morris ). From Hollywood , two other bands playing hardcore punk, Fear and the Germs , were featured with Black Flag and the Circle Jerks in Penelope Spheeris ' 1981 documentary The Decline of Western Civilization . By the time
7128-481: The Outpatients , both of whom would come to Boston to play shows. From nearby Manchester , New Hampshire, was G.G. Allin , a solo singer who, contrary to straight edge, used large amounts of drugs and alcohol, eventually dying of a heroin overdose. Allin's stage show included defecating on stage and then throwing his feces at the audience. The New York City hardcore scene emerged in 1981 when Bad Brains moved to
7290-457: The far-right Proud Boys during their sedition trial for their role in attacking the U.S. Capitol on January 6, 2021. While the early hardcore scene was mostly young white males, both onstage and in the audience, there are notable exceptions. Black musicians include Bad Brains, Fred "Freak" Smith of Beefeater , Dead Kennedys drummer D.H. Peligro , and Scream bassist Skeeter Thompson . Numerous Black and Latino members have been in
7452-428: The safety-pin aesthetic —was a major influence on Sex Pistols impresario Malcolm McLaren and, in turn, British punk style. ( John D Morton of Cleveland's Electric Eels may have been the first rock musician to wear a safety-pin-covered jacket.) McLaren's partner, fashion designer Vivienne Westwood , credits Johnny Rotten as the first British punk musician to rip his shirt, and Sex Pistols bassist Sid Vicious as
7614-578: The 18th centuries, punk was a common, coarse synonym for prostitute; William Shakespeare used it with that meaning in The Merry Wives of Windsor (1602) and Measure for Measure (1603–4). The term eventually came to describe "a young male hustler, a gangster, a hoodlum, or a ruffian". The first known use of the phrase "punk rock" appeared in the Chicago Tribune on March 22, 1970, when Ed Sanders , co-founder of New York's anarcho-prankster band
7776-554: The 1980s, the subculture often rejected what was perceived to be " yuppie " materialism and interventionist American foreign policy. Numerous hardcore punk bands have taken far-left political stances, such as anarchism or other varieties of socialism , and in the 1980s expressed opposition to political leaders such as then US president Ronald Reagan and British prime minister Margaret Thatcher . Reagan's economic policies, sometimes dubbed Reaganomics , and social conservatism were common subjects for criticism by hardcore bands of
7938-476: The Alex Harvey Band — their influence was enormous. And they try to write that all off and wrap it around Patti Smith. It's so wrong!". In October 1976, the Damned released the first UK punk rock band single, " New Rose ". The Vibrators followed the next month with "We Vibrate". On November 26, 1976, the Sex Pistols' released their debut single " Anarchy in the U.K. ", which succeeded in its goal of becoming
8100-411: The Circle Jerks were so far from that. We looked like the kid who worked at the gas station or sub. shop." Henry Rollins stated that for him, getting dressed up meant putting on a black shirt and some dark pants; taking an interest in fashion as being a distraction. Jimmy Gestapo from Murphy's Law describes his own transition from dressing in a punk style (spiked hair and a bondage belt) to adopting
8262-403: The Clash , which was joined by Joe Strummer . On June 4, 1976, the Sex Pistols played Manchester's Lesser Free Trade Hall in what became one of the most influential rock shows ever. Among the approximately forty audience members were the two locals who organised the gig—they had formed Buzzcocks after seeing the Sex Pistols in February. Others in the small crowd went on to form Joy Division ,
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#17330853710988424-569: The Clash's debut had included a cover of the recent Jamaican reggae hit " Police and Thieves ". Other first wave bands such as the Slits and new entrants to the scene like the Ruts and the Police interacted with the reggae and ska subcultures, incorporating their rhythms and production styles. The punk rock phenomenon helped spark a full-fledged ska revival movement known as 2 Tone , centered on bands such as
8586-453: The Dead Boys. They were soon playing regularly at Max's Kansas City and CBGB. At this early stage, the term punk applied to the scene in general, not necessarily a particular stylistic approach as it would later—the early New York punk bands represented a broad variety of influences. Among them, the Ramones, the Heartbreakers, Richard Hell and the Voidoids, and the Dead Boys were establishing
8748-645: The Detroit band Death —made up of three African-American brothers—recorded "scorching blasts of feral ur-punk", but could not arrange a release deal. In Ohio, a small but influential underground rock scene emerged, led by Devo in Akron and Kent and by Cleveland's Electric Eels , Mirrors and Rocket from the Tombs . Bands anticipating the forthcoming movement were appearing as far afield as Düsseldorf , West Germany, where "punk before punk" band Neu! formed in 1971, building on
8910-797: The Dicks , Dirty Rotten Imbeciles (D.R.I.), Really Red , Verbal Abuse and MDC were from Texas . Portland , Oregon, hardcore punk bands included Poison Idea and Final Warning , while north of there, Washington state included the Accüsed , Melvins , the Fartz , and 10 Minute Warning (the latter two included future Guns N' Roses member Duff McKagan ). Other prominent hardcore bands from this time that came from areas without large scenes include Raleigh , North Carolina's Corrosion of Conformity . D.O.A. formed in Vancouver , British Columbia in 1978 and were one of
9072-682: The Dicks , MDC , Rhythm Pigs , and Verbal Abuse all relocated to San Francisco. Further out of the Bay Area, Sacramento 's Tales of Terror were cited by many, including Mark Arm , as a key inspiration for the grunge movement. The first hardcore punk band to form on the East Coast of the United States was Washington, D.C.'s Bad Brains . Initially formed in 1977 as a jazz fusion ensemble called Mind Power, and consisting of all African-American members, their early foray into hardcore featured some of
9234-527: The Electric Lady in New York City. Underground and pub rock scenes became filled with cacophonous sounds, haziness brought by drugs and alcohol, and unassuming fashion. American punk represented a new generation that combined bohemian atmosphere with an aggressive guitar distortion. The Dead Boys' debut LP, Young, Loud and Snotty , was released at the end of August. October saw two more debut albums from
9396-594: The English fanzine Sideburns published a now-famous illustration of three chords, captioned "This is a chord, this is another, this is a third. Now form a band". British punk rejected contemporary mainstream rock, the broader culture it represented, and their musical predecessors: "No Elvis , Beatles or the Rolling Stones in 1977", declared the Clash song "1977". 1976, when the punk revolution began in Britain, became
9558-584: The F.U.'s , the Freeze , Gang Green , Jerry's Kids , Siege , DYS , Negative FX , and SS Decontrol . Members of the latter three bands were influenced by D.C.'s straight edge scene, and were part of "the Boston Crew", a mostly straight edge group of friends known to physically fight people who used alcohol or drugs. Members of the Boston Crew would later go on to form the band Slapshot , and also included future Mighty Mighty Bosstones singer Dicky Barrett , who
9720-704: The Faith , Iron Cross , Scream , State of Alert , Government Issue , Void , and D.C.'s Youth Brigade . The Flex Your Head compilation was a seminal document of the early 1980s D.C. hardcore scene. The record label was run out of the Dischord House, a Washington, D.C., punk house . Henry Rollins , who would come to prominence as the lead singer of the California-based Black Flag, as well as his own later Rollins Band , grew up in Washington, D.C., singing for
9882-546: The Fall , and – in the 1980s — the Smiths . In July, the Ramones played two London shows that helped spark the nascent UK punk scene. Over the next several months, many new punk rock bands formed, often directly inspired by the Sex Pistols. In London, women were near the center of the scene—among the initial wave of bands were the female-fronted Siouxsie and the Banshees , X-Ray Spex , and
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#173308537109810044-537: The Fugs described his first solo album as "punk rock – redneck sentimentality". In 1969 Sanders recorded a song for an album called "Street Punk" but it was only released in 2008. In the December 1970 issue of Creem , Lester Bangs , mocking more mainstream rock musicians, ironically referred to Iggy Pop as "that Stooge punk". Suicide 's Alan Vega credits this usage with inspiring his duo to bill its gigs as "punk music" or
10206-471: The Heartbreakers' 1976 and 1977 tours of Britain, Thunders played a central role in popularizing heroin among the punk crowd there, as well.) The Ramones' third album, Rocket to Russia , appeared in November 1977. The Sex Pistols ' live TV skirmish with Bill Grundy on December 1, 1976, was the signal moment in British punk 's transformation into a major media phenomenon, even as some stores refused to stock
10368-515: The Jerks led what became known as no wave . The Misfits formed in nearby New Jersey. Still developing what would become their signature B movie –inspired style, later dubbed horror punk , they made their first appearance at CBGB in April 1977. The American youth were searching for authenticity and newcomers like The Ramone, The Clash and The Stooges. They brought their unique sound to venues like CBGB and
10530-462: The Los Angeles scene from 1981 to 1984, and it included show reviews and band interviews with groups including D.O.A., the Misfits, Black Flag, Suicidal Tendencies and the Circle Jerks. Shortly after Black Flag debuted in Los Angeles, Dead Kennedys were formed in San Francisco. While the band's early releases were played in a style closer to traditional punk rock, In God We Trust, Inc. (1981) marked
10692-553: The Misfits "crucial to the rise of hardcore." New York hardcore had more emphasis on rhythm, in part due to the use of palm-muted guitar chords, an approach called the NY hardcore "chug". The New York scene was known for its tough ethos, its "thuggery", and club shows that were a chaotic "proving ground" or even a "battleground". In the early 1980s, the New York hardcore scene centered around squats and clubhouses. After these were closed down,
10854-482: The Ramones via the eight-to-the-bar rhythms most characteristic of the Vibrators and Clash [...] It became essential to sound one particular way to be recognized as a 'punk band' now." In February 1979, former Sex Pistols bassist Sid Vicious died of a heroin overdose in New York. If the Sex Pistols' breakup the previous year had marked the end of the original UK punk scene and its promise of cultural transformation, for many
11016-739: The Ramones", when nothing could have been further from the truth. In Perth , the Cheap Nasties formed in August. In September 1976, the Saints became the first punk rock band outside the U.S. to release a recording, the single " (I'm) Stranded ". The band self-financed, packaged, and distributed the single. "(I'm) Stranded" had limited impact at home, but the British music press recognized it as groundbreaking. A second wave of punk rock emerged in 1977. These bands often sounded very different from each other. While punk remained largely an underground phenomenon in
11178-460: The Ramones' debut album was released by Sire Records ; the first single was " Blitzkrieg Bop ", opening with the rallying cry "Hey! Ho! Let's go!" According to a later description, "Like all cultural watersheds, Ramones was embraced by a discerning few and slagged off as a bad joke by the uncomprehending majority." The Cramps , whose core members were from Sacramento, California and Akron, Ohio , had debuted at CBGB in November 1976, opening for
11340-612: The Replacements , while Chicago had Articles of Faith , Big Black and Naked Raygun . The Detroit area was home to Crucifucks , Degenerates , the Meatmen , Negative Approach , Spite and Violent Apathy . From Ohio was Maumee 's Necros and Dayton 's Toxic Reasons . The zine Touch and Go covered this Midwest hardcore scene from 1979 to 1983. JFA and Meat Puppets were both from Phoenix , Arizona; 7 Seconds were from Reno , Nevada; and Butthole Surfers , Big Boys ,
11502-427: The Saints evoked the live sound of the British Pretty Things , who had toured Australia and New Zealand in 1975. The origins of New York's punk rock scene can be traced back to such sources as the late 1960s trash culture and an early 1970s underground rock movement centered on the Mercer Arts Center in Greenwich Village , where the New York Dolls performed. In early 1974, a new scene began to develop around
11664-405: The Sex Pistols as central players in a new youth movement, "hard and tough". As described by critic Jon Savage , the band members "embodied an attitude into which McLaren fed a new set of references: late-sixties radical politics, sexual fetish material, pop history, [...] youth sociology". Bernard Rhodes , an associate of McLaren, similarly aimed to make stars of the band London SS , who became
11826-556: The Specials , the Beat , Madness , and the Selecter . In July, the Sex Pistols' third single, " Pretty Vacant ", reached number six and Australia's the Saints had a top-forty hit with " This Perfect Day ". In September, Generation X and the Clash reached the top forty with, respectively, "Your Generation" and " Complete Control ". X-Ray Spex's " Oh Bondage Up Yours! " did not chart, but it became
11988-472: The State of Alert, and was influenced by the music of Bad Brains and the bands of his childhood friend Ian MacKaye. The tradition of holding all-ages shows at small DIY spaces, has roots in the early Washington, D.C., straight edge movement. It emerged from the idea that people of all ages should have access to music, regardless of if they're old enough to drink alcohol. Seminal Boston-area hardcore bands included
12150-449: The T-shirt, motorcycle jacket, and jeans ensemble favored by American greasers of the 1950s associated with the rockabilly scene and by British rockers of the 1960s. In addition to the T-shirt, and leather jackets they wore ripped jeans and boots, typically Doc Martens . The punk look was inspired to shock people. Richard Hell 's more androgynous, ragamuffin look—and reputed invention of
12312-670: The Teenage Wasteland" in his review of the Stooges July 1972 performance at King's Cross Cinema in London for a British magazine called Cream (no relation to the more famous US publication). In the January 1973 Rolling Stone review of Nuggets , Greg Shaw commented "Punk rock is a fascinating genre... Punk rock at its best is the closest we came in the '60s to the original rockabilly spirit of Rock 'n Roll." In February 1973, Terry Atkinson of
12474-725: The UK. Many of the shows were cancelled by venue owners in response to the media outrage following the Grundy interview. A punk subculture began in Australia around the same time, centered around Radio Birdman and the Oxford Tavern in Sydney's Darlinghurst suburb. By 1976, the Saints were hiring Brisbane local halls to use as venues, or playing in "Club 76", their shared house in the inner suburb of Petrie Terrace . The band soon discovered that musicians were exploring similar paths in other parts of
12636-752: The US, in the UK it had become a major sensation. During this period punk music also spread beyond the English speaking world, inspiring local scenes in other countries. The California punk scene was fully developed by early 1977. In Los Angeles, there were: the Weirdos , The Dils , the Zeros , the Bags , Black Randy and the Metrosquad , the Germs , Fear , The Go-Go's , X , the Dickies , and
12798-785: The United States in the early 1980s, particularly in Los Angeles , San Francisco , Washington, D.C. , Boston , and New York , as well as in Canada and the United Kingdom. Hardcore has spawned the straight edge movement and its associated sub-movements, hardline and youth crew . Hardcore was heavily involved in the rise of the independent record labels in the 1980s and with the DIY ethics in underground music scenes. It has also influenced various music genres that have experienced widespread commercial success, including grunge and thrash metal . Although
12960-567: The album Radios Appear on its own Trafalgar label. By 1979, the hardcore punk movement was emerging in Southern California . A rivalry developed between adherents of the new sound and the older punk rock crowd. Hardcore, appealing to a younger, more suburban audience, was perceived by some as anti-intellectual, overly violent, and musically limited. In Los Angeles, the opposing factions were often described as "Hollywood punks" and "beach punks", referring to Hollywood's central position in
13122-651: The album (entitled Murder Junkies/Live ) was also released during the 1990s by the label Baloney Shrapnel, minus the spoken word pieces and with added live tracks. Punk rock Punk rock (also known as simply punk ) is a music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock , punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Lyricism in punk typically revolves around anti-establishment and anti-authoritarian themes. Punk embraces
13284-474: The all-Latino punk band Manic Hispanic , which also featured Efrem Schulz from Death By Stereo . There are also notable women such as Crass singers Joy de Vivre and Eve Libertine , Black Flag bassist Kira Roessler , and Germs bassist Lorna Doom . Several documentaries, including 2003's Afro-Punk and 2016's Los Punks , chronicle these subcultures within American punk and hardcore. As of 2019,
13446-625: The all-female the Slits . There were female bassists Gaye Advert in the Adverts and Shanne Bradley in the Nipple Erectors , while Sex store frontwoman Jordan not only managed Adam and the Ants but also performed screaming vocals on their song "Lou". Other groups included Subway Sect , Alternative TV , Wire , the Stranglers , Eater and Generation X . Farther afield, Sham 69 began practicing in
13608-493: The anti-Bush political activist group PunkVoter. A minority of hardcore musicians have expressed right-wing views, such as the band Antiseen , whose guitarist Joe Young ran for public office as a North Carolina Libertarian . Former Misfits singer Michale Graves appeared on an episode of The Daily Show , voicing support for George W. Bush, on behalf of the Conservative Punk website, and in 2023 testified on behalf of
13770-581: The band Suicidal Tendencies , including Mike Muir , Rocky George , R.J. Herrera, Louiche Mayorga, Robert Trujillo , Thundercat , Dean Pleasants , Ra Díaz, Dave Lombardo , Eric Moore, Tim "Rawbiz" Williams, David Hidalgo Jr. , and Ronald Bruner Jr. Other Latinos in early hardcore bands include Black Flag members Ron Reyes , Dez Cadena , Robo , and Anthony Martinez, Agnostic Front singer Roger Miret , his brother Madball singer Freddy Cricien , Adolescents guitarist Steve Soto , and Wasted Youth drummer Joey Castillo . Soto would later form
13932-492: The band were chosen based on being part of the local hardcore scene and being regularly in the moshing pit at shows, rather than based on a musical audition . Michael Azerrad states that "[by] 1979 the original punk scene [in Southern California] had almost completely died out" and was replaced by punk music boiled down to its essence, but with faster tempos, which became known as "hardcore". Steven Blush states that
14094-415: The basis for punk rock visual style. In April 1974, Patti Smith came to CBGB for the first time to see the band perform. A veteran of independent theater and performance poetry, Smith was developing an intellectual, feminist take on rock 'n' roll. On June 5, she recorded the single " Hey Joe "/" Piss Factory ", featuring Television guitarist Tom Verlaine ; released on her own Mer Records label, it heralded
14256-548: The city from Washington, D.C. Starting in 1981, there was an influx of new hardcore bands in the city including Agnostic Front , Beastie Boys , Cro-Mags , Cause for Alarm, the Mob , Murphy's Law , Reagan Youth , and Warzone . A number of other bands associated with New York hardcore scene came from New Jersey , including the Misfits , Adrenalin OD and Hogan's Heroes . Steven Blush calls
14418-409: The community. Largely inspired by early labels like Dischord Records , Alternative Tentacles , Epitaph Records , SST Records , Revelation Records , and Touch & Go Records , record labels are usually run on DIY ethic, collaboration, financial trust, and an emphasis on creative control. Labels within hardcore are seldom large, profit-making operations, but rather collaborative music partners with
14580-541: The crowd was singing the lyrics so loud they could be heard over the PA system. Hardcore vocal lines are often based on minor scales and songs may include shouted background vocals from the other band members. Hardcore lyrics expressed the "frustration and political disillusionment" of youth who were against 1980s-era affluence , consumerism , greed, Reagan politics and authority. The polarizing sociopolitical messages in hardcore lyrics (and outrageous on-stage behaviour) meant that
14742-485: The death of Vicious signified that it had been doomed from the start. Hardcore punk Hardcore punk (commonly abbreviated to hardcore or hXc ) is a punk rock subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as
14904-435: The developing sound. Club owner Hilly Kristal called the movement "Street rock" ; John Holmstrom credits Aquarian magazine with using punk "to describe what was going on at CBGBs". Holmstrom, Legs McNeil , and Ged Dunn's magazine Punk , which debuted at the end of 1975, was crucial in codifying the term. "It was pretty obvious that the word was getting very popular", Holmstrom later remarked. "We figured we'd take
15066-446: The dream is now 35 years old, so they can go fuck themselves." Steven Blush states that the Vancouver -based band D.O.A. 's 1981 album, Hardcore '81 , "was where the genre got its name". This album also helped to make people aware of the term "hardcore". Konstantin Butz states that while the origin of the expression "hardcore" "cannot be ascribed to a specific place or time", the term
15228-421: The drummer should have listened to a lot of hardcore, so that they can understand the "raw emotions" it expresses. Lucky Lehrer , the drummer and co-founder of the Circle Jerks in 1979, was an early developer of hardcore drumming; he has been called the "Godfather of hardcore drumming" and Flipside zine calls him the best punk drummer. According to Tobias Hurwitz, "[h]ardcore drumming falls somewhere between
15390-486: The early Who , the British punks also reflected the influence of glam rock and related artists and bands such as David Bowie , Slade , T.Rex , and Roxy Music . However, Sex Pistols frontman Johnny Rotten (real name John Lydon) insisted that the influences of the UK punk scene were not from the US and NY. "I've heard an awful lot of American journalists pretending that the whole punk influence came out of New York." He argued: "T. Rex, David Bowie, Slade, Mott The Hoople ,
15552-514: The early 1970s to refer to mid-1960s garage acts. In the liner notes of the 1972 anthology LP, Nuggets , musician and rock journalist Lenny Kaye , later a member of the Patti Smith Group, used the term "punk rock" to describe the genre of 1960s garage bands and "garage-punk", to describe a song recorded in 1966 by the Shadows of Knight. Nick Kent referred to Iggy Pop as the "Punk Messiah of
15714-485: The early 1980s American hardcore scene in Washington, D.C. A performance by Fear on the 1981 Halloween episode of Saturday Night Live was cut short when moshers, including John Belushi and members of a few hardcore punk bands, invaded the stage, damaged studio equipment and used profanity. Many North American hardcore punk fans adopted a dressed-down style of T-shirts , jeans or work chinos , combat boots or sneakers , and crew cut -style haircuts. Women in
15876-742: The early Los Angeles hardcore scene increasingly became sites of violent battles between police and concertgoers. Another source of violence in L.A. was tension created by what one writer calls the invasion of "antagonistic suburban poseurs " into hardcore venues. Violence at hardcore concerts was portrayed in episodes of the popular television shows CHiPs and Quincy, M.E. . In the pre-Internet era, fanzines, commonly called zines , enabled hardcore scene members to learn about bands, clubs, and record labels. Zines typically included reviews of shows and records, interviews with bands, letters, ads for records and labels, and were DIY products, "proudly amateur, usually handmade. A zine called We Got Power described
16038-443: The early days of punk rock, this DIY ethic stood in marked contrast to what those in the scene regarded as the ostentatious musical effects and technological demands of many mainstream rock bands. Musical virtuosity was often looked on with suspicion. According to Holmstrom, punk rock was "rock and roll by people who didn't have very many skills as musicians but still felt the need to express themselves through music". In December 1976,
16200-483: The early evening Thames Television London television show Today to be interviewed by host Bill Grundy . When Grundy asked Siouxsie how she was doing, she made fun of him saying, "I've always wanted to meet you, Bill". Grundy who was drunk, told her on the air; "we shall meet afterwards then". This instantly generated a reaction from Sex Pistols guitarist Steve Jones who pronounced a series of terms inappropriate for prime-time television. Jones proceeded to call Grundy
16362-431: The fastest tempos in rock music . The band released its debut single, " Pay to Cum ", in 1980, and were influential in establishing the D.C. hardcore scene. Hardcore historian Steven Blush calls the single the first East Coast hardcore record. Ian MacKaye and Jeff Nelson , influenced by Bad Brains , formed the band Teen Idles in 1979. The group broke up in 1980, and MacKaye and Nelson went on to form Minor Threat ,
16524-520: The film was released, other hardcore bands from Los Angeles County were also making a name for themselves including Bad Religion , Descendents , Red Kross , Rhino 39 , Suicidal Tendencies , Wasted Youth , Youth Brigade , and Youth Gone Mad . Neighboring Orange County had the Adolescents , Agent Orange , China White , Social Distortion , Shattered Faith , T.S.O.L. , and Uniform Choice , while north of Los Angeles, around Oxnard , California,
16686-511: The fingers, some bassists use a pick. Some bassists play fuzz bass by overdriving their bass tone. Hardcore drumming, typically played fast and aggressively, has been called the "engine" and most essential element of the genre's aggressive sound of "unrelenting anger". Two other key elements for hardcore drummers are playing "tight" with the other musicians, especially the bassist (this does not mean metronomic time; indeed, coordinated tempo shifts are used in many important hardcore albums) and
16848-599: The first bands to refer to its style as "hardcore", with the release of their album Hardcore '81 . Other early hardcore bands from British Columbia included Dayglo Abortions who formed in 1979, the Subhumans and the Skulls . Nomeansno is a hardcore band originally from Victoria , British Columbia , and now located in Vancouver . SNFU formed in Edmonton in 1981 and also later relocated to Vancouver . Bunchofuckingoofs , from
17010-530: The first hardcore record to come out of the West Coast was Out of Vogue by the Santa Ana band Middle Class . The band pioneered a shouted, fast version of punk rock which would shape the hardcore sound that would soon emerge. In terms of impact upon the hardcore scene, Black Flag has been deemed the most influential group. Azerrad calls Black Flag the "godfathers" of hardcore punk and states that even "...more than
17172-812: The first to use safety pins, although few of those following punk could afford to buy McLaren and Westwood's designs so famously worn by the Pistols, so they made their own, diversifying the 'look' with various different styles based on these designs. Young women in punk demolished the typical female types in rock of either "coy sex kittens or wronged blues belters" in their fashion. Early female punk musicians displayed styles ranging from Siouxsie Sioux 's bondage gear to Patti Smith 's "straight-from-the-gutter androgyny". The former proved much more influential on female fan styles. Over time, tattoos, piercings , and metal-studded and -spiked accessories became increasingly common elements of punk fashion among both musicians and fans,
17334-561: The flagship band of American hardcore", they were "...required listening for anyone who was interested in underground music." Blush states that Black Flag were to hardcore what the Sex Pistols and Ramones were to punk. Formed in Hermosa Beach , California by guitarist and primary songwriter Greg Ginn , they played their first show in December 1977. Originally called Panic, they changed their name to Black Flag in 1978. By 1979, Black Flag were joined by another South Bay hardcore band,
17496-591: The garage phenomenon gathered momentum around the US. By 1965, the harder-edged sound of British acts, such as the Rolling Stones , the Kinks , and the Who , became increasingly influential with American garage bands. The raw sound of U.S. groups such as the Sonics and the Seeds predicted the style of later acts. In the early 1970s some rock critics used the term "punk rock" to refer to
17658-515: The genre garnered no mainstream popularity. In hardcore, guitarists frequently play fast power chords with a heavily distorted and amplified tone, creating what has been called a "buzzsaw" sound. Guitar parts can sometimes be complex, technically versatile, and rhythmically challenging. Guitar melody lines usually use the same minor scales used by vocalists (although some solos use pentatonic scales). Hardcore guitarists sometimes play solos , octave leads and grooves , as well as tapping into
17820-511: The genre is still overwhelmingly represented by white males. However, as sonic diversity has increased in the genre, so too has its fanbase. This has helped bring greater attention to inclusivity within the scene. Bands like War On Women , Limp Wrist , Gouge Away , and G.L.O.S.S. have helped bring attention to subjects like women's rights, transphobia, rape, mental health, queer rights, and misogyny. Record labels in hardcore are often DIY endeavors, run by musicians or participants within
17982-561: The grim realities of urban life. Especially in early British punk, a central goal was to outrage and shock the mainstream. The Sex Pistols' " Anarchy in the U.K. " and " God Save the Queen " openly disparaged the British political system and social mores. Anti-sentimental depictions of relationships and sex are common, as in "Love Comes in Spurts", recorded by the Voidoids . Anomie , variously expressed in
18144-427: The hardcore scene typically wore army pants, band T-shirts and hooded sweatshirts. The clothing style was a reflection of hardcore ideology, which included dissatisfaction with suburban America and the hypocrisy of American culture. It was essentially a deconstruction of American fashion staples—ripped jeans, holey T-shirts, torn stockings for women, and work boots. The style of the 1980s hardcore scene contrasted with
18306-422: The intent to document and release music for the underground community. Ian Mackaye , co-founder of Dischord Records claimed, "We don't use contracts, lawyers, any of those kinds of things. We are partners – they make the music, and we make the records. From the beginning of this label, people have said that the way we do things is unsustainable, unrealistic, idealistic, and we were just dreaming", he said. "Well,
18468-523: The job. Adopting a new name, the group played its first gig as the Sex Pistols on November 6, 1975, at Saint Martin's School of Art , and soon attracted a small but dedicated following. In February 1976, the band received its first significant press coverage; guitarist Steve Jones declared that the Sex Pistols were not so much into music as they were "chaos". The band often provoked its crowds into near-riots. Rotten announced to one audience, "Bet you don't hate us as much as we hate you!" McLaren envisioned
18630-459: The kind of "cerebral mix of musical ferocity and rebellious posture" that would characterize much of the later British punk rock of the 1970s. The garage/beat phenomenon extended beyond North America and Britain. In America, the psychedelic rock movement birthed an array of garage bands that would later become influences on punk, the Austin Chronicle described the 13th Floor Elevators as
18792-599: The late 1980s, a name in turn appropriated by Allin for the name of the studio band (including Allin's friend Mark Sheehan on guitar) which recorded the GG Allin and the Murder Junkies Watch Me Kill 6-track EP, released on Fuckin' A/Stomach Ache Records in 1991. The third GG Allin-related band calling itself The Murder Junkies was formed in the same year, around the time that the Allin and ANTiSEEN Murder Junkies album
18954-461: The look that was common in the San Francisco hardcore scene as consisting of biker-style leather jackets, chains, studded wristbands, multiple piercings, painted or tattooed statements (e.g., an anarchy symbol) and hairstyles ranging from military-style haircuts dyed black or blonde to mohawks and shaved heads. Circle Jerks frontman Keith Morris wrote: "[Punk] was basically based on English fashion. But we had nothing to do with that. Black Flag and
19116-450: The major labels, hardcore bands started their own independent record labels and distributed their records themselves. Ginn started SST Records , which released Black Flag's debut EP Nervous Breakdown in 1979. SST went on to release a number of albums by other hardcore artists, and was described by Azerrad as "easily the most influential and popular underground indie of the Eighties." SST
19278-489: The mid-1960s garage genre, as well as for subsequent acts perceived to be in that stylistic tradition, such as the Stooges. In Britain, largely under the influence of the mod movement and beat groups, the Kinks' 1964 hit singles " You Really Got Me " and " All Day and All of the Night ", were both influenced by "Louie, Louie". In 1965, the Who released the mod anthem " My Generation ", which according to John Reed, anticipated
19440-602: The more provocative fashion styles of late 1970s punk rockers. Siri C. Brockmeier writes that "hardcore kids do not look like punks", since hardcore scene members wore basic clothing and short haircuts, in contrast to the "embellished leather jackets and pants" worn in the punk scene. Lauraine Leblanc, however, claims that the standard hardcore punk clothing and styles included torn jeans, leather jackets, spiked armbands, dog collars, mohawk hairstyles , DIY ornamentation of clothes with studs, painted band names, political statements, and patches. Tiffini A. Travis and Perry Hardy describe
19602-519: The movement: the Vibrators , formed as a pub rock–style act in February 1976, soon adopted a punk look and sound. A few even longer-active bands including Surrey neo-mods the Jam and pub rockers Eddie and the Hot Rods , the Stranglers , and Cock Sparrer also became associated with the punk rock scene. Alongside the musical roots shared with their American counterparts and the calculated confrontationalism of
19764-651: The music genre started in English-speaking Western countries, notable hardcore scenes have existed in Italy , Japan and Brazil . Hardcore historian Steven Blush credits Minor Threat 's Ian MacKaye with starting a "die-hard mindset that begat almost everything we now call Hardcore", which was virulently anti-music industry and anti- rock star . An article in Drowned in Sound argues that late 1970s/early 1980s-era hardcore
19926-519: The name before anyone else claimed it. We wanted to get rid of the bullshit, strip it down to rock 'n' roll. We wanted the fun and liveliness back." The early to mid-1960s garage rock bands in the United States and elsewhere are often recognized as punk rock's progenitors. the Kingsmen 's " Louie, Louie " is often cited as punk rock's defining " ur-text ". After the success of the British Invasion ,
20088-450: The new scene he had witnessed at CBGB. The King's Road clothing store he co-owned, recently renamed Sex , was building a reputation with its outrageous "anti-fashion". Among those who frequented the shop were members of a band called the Strand, which McLaren had also been managing. In August, the group was seeking a new lead singer. Another Sex habitué, Johnny Rotten , auditioned for and won
20250-662: The original L.A. punk rock scene and to hardcore's popularity in the shoreline communities of South Bay and Orange County . In contrast to North America, more of the bands from the original British punk movement remained active, sustaining extended careers even as their styles evolved and diverged. Meanwhile, the Oi! and anarcho-punk movements were emerging. Musically in the same aggressive vein as American hardcore, they addressed different constituencies with overlapping but distinct anti-establishment messages. As described by Dave Laing, "The model for self-proclaimed punk after 1978 derived from
20412-490: The poetic terms of Richard Hell's " Blank Generation " and the bluntness of the Ramones' " Now I Wanna Sniff Some Glue ", is a common theme. The controversial content of punk lyrics has frequently led to certain punk records being banned by radio stations and refused shelf space in major chain stores. Christgau said that "Punk is so tied up with the disillusions of growing up that punks do often age poorly." The classic punk rock look among male American musicians harkens back to
20574-545: The predominant modes of punk rock, while bands more similar in form to the first wave (e.g., X , the Adicts ) also flourished. Many musicians who identified with punk or were inspired by it went on to pursue other musical directions, giving rise to movements such as post-punk , new wave , thrash metal , and alternative rock . Following alternative rock's mainstream breakthrough in the 1990s with Nirvana , punk rock saw renewed major-label interest and mainstream appeal exemplified by
20736-473: The previous punk sound and added the incessant, heavy drumbeats and heavily distorted guitar sound of new wave of British heavy metal bands, especially Motörhead . Formed in 1977 in Stoke-on-Trent , Discharge played a large role in influencing other European hardcore bands. AllMusic calls the band's sound a "high-speed noise overload" characterized by "ferocious noise blasts." Their style of hardcore punk
20898-471: The quintessential approach is a relentless, repetitive "forced rhythm", although some punk rock bass players—such as Mike Watt of the Minutemen and Firehose —emphasize more technical bass lines. Bassists often use a pick due to the rapid succession of notes, making fingerpicking impractical. Drums typically sound heavy and dry, and often have a minimal set-up. Compared to other forms of rock, syncopation
21060-521: The records and radio airplay was hard to come by. Press coverage of punk misbehavior grew intense: On January 4, 1977, The Evening News of London ran a front-page story on how the Sex Pistols "vomited and spat their way to an Amsterdam flight". In February 1977, the first album by a British punk band appeared: Damned Damned Damned (by the Damned) reached number thirty-six on the UK chart. The EP Spiral Scratch , self-released by Manchester's Buzzcocks ,
21222-698: The relocated Tupperwares, now dubbed the Screamers . Black Flag formed in Hermosa Beach in 1976 under the name Panic. They developed a hardcore punk sound and played their debut public performance in a garage in Redondo Beach in December 1977. San Francisco's second wave included the Avengers , The Nuns , Negative Trend , the Mutants , and the Sleepers. By mid-1977 in downtown New York, bands such as Teenage Jesus and
21384-615: The rise of the California bands Green Day , Social Distortion , Rancid , the Offspring , Bad Religion , and NOFX . The anti-government stance and nihilistic impression of the future provided by capitalism united the punk scene in the 1970’s in the United Kingdom as other bands emerged in the 70’s and 80’s like X-Ray Spex and Steel Pulse. The first wave of punk rock was "aggressively modern" and differed from what came before. According to Ramones drummer Tommy Ramone , "In its initial form,
21546-539: The rock scene had become so tame that [acts] like Billy Joel and Simon and Garfunkel were being called rock and roll, when to me and other fans, rock and roll meant this wild and rebellious music." According to Robert Christgau , punk "scornfully rejected the political idealism and Californian flower-power silliness of hippie myth." Hippies were rainbow extremists; punks are romantics of black-and-white. Hippies forced warmth; punks cultivate cool . Hippies kidded themselves about free love ; punks pretend that s&m
21708-545: The scene was emanating in a small after-hours bar, A7 , on the Lower East Side of Manhattan, and later around the famous bar CBGB . For several years, CBGB held weekly hardcore matinées on Sundays, but they stopped in 1990 when violence led Kristal to ban hardcore shows at the club. Early radio support in New York's surrounding Tri-State area came from Pat Duncan, who had hosted live punk and hardcore bands weekly on WFMU since 1979. Bridgeport , Connecticut's WPKN had
21870-530: The scene's DIY ethic and has often been cited as the first punk rock record. By August, Smith and Television were gigging together at Max's Kansas City . In Forest Hills, Queens , the Ramones drew on sources ranging from the Stooges to the Beatles and the Beach Boys to Herman's Hermits and 1960s girl groups, and condensed rock 'n' roll to its primal level: " '1–2–3–4!' bass-player Dee Dee Ramone shouted at
22032-409: The scene: Richard Hell and the Voidoids' first full-length, Blank Generation , and the Heartbreakers' L.A.M.F. One track on the latter exemplified both the scene's close-knit character and the popularity of heroin within it: " Chinese Rocks " — the title refers to a strong form of the drug – was written by Dee Dee Ramone and Hell, both users, as were the Heartbreakers' Thunders and Nolan. (During
22194-467: The second wave that presaged the post-punk phenomenon. Liverpool's first punk group, Big in Japan , moved in a glam, theatrical direction. The band did not survive long, but it spun off several well-known post-punk acts. The songs of London's Wire were characterized by sophisticated lyrics, minimalist arrangements, and extreme brevity. Alongside thirteen original songs that would define classic punk rock,
22356-411: The southeastern town of Hersham . In Durham , there was Penetration , with lead singer Pauline Murray . On September 20–21, the 100 Club Punk Festival in London featured the Sex Pistols, Clash, Damned, and Buzzcocks, as well as Paris's female-lead Stinky Toys . Siouxsie and the Banshees and Subway Sect debuted on the festival's first night. On the festival's second night, audience member Sid Vicious
22518-429: The start of every song as if the group could barely master the rudiments of rhythm." The band played its first show at CBGB in August 1974. By the end of the year, the Ramones had performed seventy-four shows, each about seventeen minutes long. "When I first saw the Ramones", critic Mary Harron later remembered, "I couldn't believe people were doing this. The dumb brattiness." That spring, Smith and Television shared
22680-430: The starting point. In the vein of earlier punk rock, most hardcore punk bands have followed the traditional singer/guitar/bass/drum format. The song-writing has more emphasis on rhythm rather than melody . Blush writes "The Sex Pistols were still rock'n'roll...like the craziest version of Chuck Berry . Hardcore was a radical departure from that. It wasn't verse-chorus rock. It dispelled any notion of what songwriting
22842-470: The straight-ahead rock styles of old-school punk and the frantic, warp-speed bashing of thrash." Some hardcore punk drummers play fast D-beat one moment and then drop tempo into elaborate musical breakdowns in the next. Drummers typically play eighth notes on the cymbals, because at the tempos used in hardcore, it would be difficult to play a smaller subdivision of the beat. The early 1980s hardcore punk scene developed slam dancing (also called moshing),
23004-517: The term in the May 1971 issue of Creem , where he described ? and the Mysterians as giving a "landmark exposition of punk rock". Later in 1971, in his fanzine Who Put the Bomp , Greg Shaw wrote about "what I have chosen to call "punkrock" bands—white teenage hard rock of '64–66 ( Standells , Kingsmen, Shadows of Knight , etc.)". Lester Bangs used the term "punk rock" in several articles written in
23166-862: The time. Jimmy Gestapo of Murphy's Law , however, endorsed Reagan and even went as far to call then former president Jimmy Carter a "pussy" in a 1986 New York Magazine cover story. Shortly after Reagan's death in 2004, the Maximumrocknroll radio show aired an episode composed of anti-Reagan songs by early hardcore punk bands. Certain hardcore punk bands have conveyed messages sometimes deemed " politically incorrect " by placing offensive content in their lyrics and relying on stage antics to shock listeners and people in their audience. Boston band The F.U.'s generated controversy with their 1983 album, My America , whose lyrics contained what appeared to be conservative and patriotic views. Its messages were sometimes taken literally, when they were actually intended as
23328-467: The typically focused-on elements in mainstream rock music, harmony and pitch (i.e., melody ). Hardcore vocalists often shout, scream or chant along with the music, using "vocal intensity" and an abrasive tone. The shouting of hardcore vocalists is often accompanied by audience members who are singing along, making the hardcore vocalist like the "leader of a mob" commonly known as "gang vocals". Steven Blush describes one early Minor Threat show where
23490-488: The various feedback and harmonic noises available to them. There are generally fewer guitar solos in hardcore than in mainstream rock, because solos were viewed as representing the "excess and superficiality" of mainstream commercial rock. Hardcore bassists use varied rhythms in their basslines , ranging from longer held notes (whole notes and half notes) to quarter notes, to rapid eighth note or sixteenth note runs. To play rapid bass lines that would be hard to play with
23652-435: The world. Ed Kuepper , co-founder of the Saints, later recalled: One thing I remember having had a really depressing effect on me was the first Ramones album. When I heard it [in 1976], I mean it was a great record [...] but I hated it because I knew we'd been doing this sort of stuff for years. There was even a chord progression on that album that we used [...] and I thought, "Fuck. We're going to be labeled as influenced by
23814-421: Was a benchmark for both the DIY ethic and regionalism in the country's punk movement. The Clash 's self-titled debut album came out two months later and rose to number twelve; the single " White Riot " entered the top forty. In May, the Sex Pistols achieved new heights of controversy (and number two on the singles chart) with " God Save the Queen ". The band had recently acquired a new bassist, Sid Vicious , who
23976-424: Was always a tension between their nihilistic outlook and the "radical leftist utopianism" of bands such as Crass , who found positive, liberating meaning in the movement. As a Clash associate describes singer Joe Strummer 's outlook, "Punk rock is meant to be our freedom. We're meant to be able to do what we want to do." Authenticity has always been important in the punk subculture—the pejorative term " poseur "
24138-504: Was arrested for having thrown a glass at the Damned that shattered and destroyed a girl's eye. Press coverage of the incident reinforced punk's reputation as a social menace. Some new bands, such as London's Ultravox !, Edinburgh's Rezillos , Manchester's the Fall, and Leamington 's the Shapes , identified with the scene even as they pursued more experimental music. Others of a comparatively traditional rock 'n' roll bent were also swept up by
24300-481: Was asked what he believed to be the first hardcore record, he remarked: "Sound Of Imker Train of Doomsday single in the late '60s in Holland. The only true '60s hardcore record I know." One definition of the genre is "a form of exceptionally harsh punk rock". Hardcore has been called a faster, meaner genre of punk rock, that was a stern refutation against it, being more primal and immediate, with speed and aggression as
24462-548: Was coined as D-beat , a term referring to a distinctive drum beat that a number of 1980s imitators of Discharge are associated with. Another UK band, the Varukers , were one of the original D-beat bands, Scottish band the Exploited were also influential, with the term "UK 82" (used to refer to UK hardcore in the early 1980s) being taken from one of their songs. They contrasted with early American hardcore bands by placing an emphasis on appearance. Frontman Walter "Wattie" Buchan had
24624-607: Was followed by a number of other successful artist-run labels—including BYO Records (started by Shawn and Mark Stern of Youth Brigade), Epitaph Records (started by Brett Gurewitz of Bad Religion), New Alliance Records (started by the Minutemen's D. Boon and Mike Watt ), as well as fan-run labels like Frontier Records and Slash Records . Bands also funded and organized their own tours. Black Flag's tours in 1980 and 1981 brought them in contact with developing hardcore scenes in many parts of North America, and blazed trails that were followed by other touring bands. Concerts in
24786-463: Was largely devoted to discussion of 1960s garage and psychedelic acts. In May 1974, Los Angeles Times critic Robert Hilburn reviewed the second New York Dolls album, Too Much Too Soon . "I told ya the New York Dolls were the real thing," he wrote, describing the album as "perhaps the best example of raw, thumb-your-nose-at-the-world, punk rock since the Rolling Stones ' Exile on Main Street ." In
24948-483: Was not a standalone movement in the 70’s and 80’s. Major punk communities gather across the globe as punk perseveres among contemporary musicians and listeners today. The vocals are sometimes nasal, and the lyrics often shouted in an "arrogant snarl", rather than conventionally sung. Complicated guitar solos were considered self-indulgent, although basic guitar breaks were common. Guitar parts tend to include highly distorted power chords or barre chords , creating
25110-410: Was perceived to be "a very narrow definition of what fits into Punk", apparently being "authoritarian and trying to dominate the scene" with their views. During the 2001–2009 United States presidency of George W. Bush , it was not uncommon for hardcore bands to express anti-Bush messages. During the 2004 United States presidential election , several hardcore punk artists and bands were involved with
25272-464: Was published: The Boy Looked at Johnny , by Julie Burchill and Tony Parsons . In February 1977, EMI released the Saints ' debut album, (I'm) Stranded , which the band recorded in two days. The Saints had relocated to Sydney; in April, they and Radio Birdman united for a major gig at Paddington Town Hall . Last Words had also formed in the city. The following month, the Saints relocated again, to Great Britain. In June, Radio Birdman released
25434-401: Was recorded. This final outfit calling itself The Murder Junkies became what would prove to be Allin's last backing band. Jeff Clayton, lead singer of ANTiSEEN, has described this album as a mixed blessing. Although he is very happy with the way it turned out, he thinks that a lot of people got the impression that they are nothing more than a backing band for Allin. Clayton has stated that Allin
25596-505: Was seen as exemplifying the punk persona. The swearing during the Grundy interview and the controversy over "God Save the Queen" led to a moral panic . Scores of new punk groups formed around the United Kingdom, as far from London as Belfast 's Stiff Little Fingers and Dunfermline , Scotland's the Skids . Though most survived only briefly, perhaps recording a small-label single or two, others set off new trends. Crass , from Essex , merged
25758-401: Was the first person to use the word " motherfucker " in a song title and also directly influenced the Clash . In August 1969, the Stooges , from Ann Arbor , premiered with a self-titled album . According to critic Greil Marcus , the band, led by singer Iggy Pop , created "the sound of Chuck Berry 's Airmobile —after thieves stripped it for parts". The album was produced by John Cale ,
25920-603: Was then a member of the band Impact Unit, and drew the artwork for the DYS album Brotherhood . In 1982, Modern Method Records released This Is Boston, Not L.A. , a compilation album of the Boston hardcore scene. In addition to Modern Method was Taang! Records , who released material by a number of the aforementioned Boston hardcore bands. Further outside of Boston were Western Massachusetts bands Deep Wound (which featured future Dinosaur Jr. members J Mascis and Lou Barlow ) and
26082-457: Was to come. Glam rock in the UK and the New York Dolls from New York have also been cited as key influences. Between 1974 and 1976, when the genre that became known as punk was developing, prominent acts included Television , Patti Smith , Richard Hell and the Voidoids , and the Ramones in New York City; the Saints in Brisbane ; the Sex Pistols , the Clash , and the Damned in London, and
26244-493: Was very professional during the recording of the album, and he wonders how much of Allin's stage act was real and how much of it was "for the marks." In 2003, a second CD version of the album was released by TKO Records. This version omitted Allin's spoken word material in favor of the GG Allin and Antiseen "Violence Now" 7-inch, and the GG Allin and the Carolina Shitkickers "Layin' Up With Linda" 7-inch EP. A version of
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