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123-556: As well as being spiritual gestures employed in the iconography and spiritual practice of Indian religions , mudras have meaning in many forms of Indian dance , and yoga . The range of mudras used in each field (and religion) differs, but with some overlap. In addition, many of the Buddhist mudras are used outside South Asia , and have developed different local forms elsewhere. In hatha yoga , mudras are used in conjunction with pranayama (yogic breathing exercises), generally while in

246-606: A white elephant with six white tusks entered her right side, and ten months later Siddhartha was born. As was the Shakya tradition, when his mother Queen Maya became pregnant, she left Kapilavastu for her father's kingdom to give birth. Her son is said to have been born on the way, at Lumbini, in a garden beneath a sal tree . The earliest Buddhist sources state that the Buddha was born to an aristocratic Kshatriya (Pali: khattiya ) family called Gotama (Sanskrit: Gautama), who were part of

369-578: A Buddha that appealed to them, by eliding one that did not". The dates of Gautama's birth and death are uncertain. Within the Eastern Buddhist tradition of China, Vietnam, Korea and Japan, the traditional date for Buddha's death was 949 BCE, but according to the Ka-tan system of the Kalachakra tradition, Buddha's death was about 833 BCE. Buddhist texts present two chronologies which have been used to date

492-488: A claim to being omniscient, instead he claimed to have the "higher knowledges" ( abhijñā ). The earliest biographical material from the Pali Nikayas focuses on the Buddha's life as a śramaṇa, his search for enlightenment under various teachers such as Alara Kalama and his forty-five-year career as a teacher. Traditional biographies of Gautama often include numerous miracles, omens, and supernatural events. The character of

615-626: A clearer picture of what Gautama may have taught than of the dates of the events in his life. These texts contain descriptions of the culture and daily life of ancient India which can be corroborated from the Jain scriptures , and make the Buddha's time the earliest period in Indian history for which significant accounts exist. British author Karen Armstrong writes that although there is very little information that can be considered historically sound, we can be reasonably confident that Siddhārtha Gautama did exist as

738-507: A dramatic narrative about the life of the young Gotama as a prince and his existential troubles. They depict his father Śuddhodana as a hereditary monarch of the Suryavansha (Solar dynasty) of Ikṣvāku (Pāli: Okkāka). This is unlikely, as many scholars think that Śuddhodana was merely a Shakya aristocrat ( khattiya ), and that the Shakya republic was not a hereditary monarchy. The more egalitarian gaṇasaṅgha form of government, as

861-428: A flower)", "one who has awakened from the deep sleep of ignorance and opened his consciousness to encompass all objects of knowledge". It is not a personal name, but a title for those who have attained bodhi (awakening, enlightenment). Buddhi , the power to "form and retain concepts, reason, discern, judge, comprehend, understand", is the faculty which discerns truth ( satya ) from falsehood. The name of his clan

984-593: A historical figure. Michael Carrithers goes further, stating that the most general outline of "birth, maturity, renunciation, search, awakening and liberation, teaching, death" must be true. Legendary biographies like the Pali Buddhavaṃsa and the Sanskrit Jātakamālā depict the Buddha's (referred to as " bodhisattva " before his awakening) career as spanning hundreds of lifetimes before his last birth as Gautama. Many of these previous lives are narrated in

1107-752: A more scientific manner than the popular aesthetic approach of the time. These early contributions paved the way for encyclopedias , manuals, and other publications useful in identifying the content of art. Mâle's l'Art religieux du XIIIe siècle en France (originally 1899, with revised editions) translated into English as The Gothic Image, Religious Art in France of the Thirteenth Century has remained continuously in print. In early twentieth-century Germany , Aby Warburg (1866–1929) and his followers Fritz Saxl (1890–1948) and Erwin Panofsky (1892–1968) elaborated

1230-474: A particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics , media studies , and archaeology, and in general usage, for the content of images, the typical depiction in images of a subject, and related senses. Sometimes distinctions have been made between iconology and iconography , although

1353-523: A political alternative to Indian monarchies, may have influenced the development of the śramanic Jain and Buddhist sanghas , where monarchies tended toward Vedic Brahmanism . The day of the Buddha's birth, enlightenment and death is widely celebrated in Theravada countries as Vesak and the day he got conceived as Poson . Buddha's Birthday is called Buddha Purnima in Nepal, Bangladesh, and India as he

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1476-496: A sample of N=1,437 child sexual abuse (CSA) online press articles that included 419 stock photos, a CSA iconography (i.e. a set of typical image motifs for a topic) was revealed that relate to criminal reporting: The CSA iconography visualizes 1. crime contexts, 2. course of the crime and people involved, and 3. consequences of the crime for the people involved (e.g., image motif: perpetrator in handcuffs). Gautama Buddha Siddhartha Gautama , most commonly referred to as

1599-563: A seated posture, to stimulate different parts of the body involved with breathing and to affect the flow of prana . It is also associated with bindu , bodhicitta , amrita , or consciousness in the body. Unlike older tantric mudras, hatha yogic mudras are generally internal actions, involving the pelvic floor, diaphragm, throat, eyes, tongue, anus, genitals, abdomen, and other parts of the body. Examples of this diversity of mudras are Mula Bandha , Mahamudra , Viparita Karani , Khecarī mudrā , and Vajroli mudra . These expanded in number from 3 in

1722-460: A specialist on early medieval churches and another German émigré, extended iconographical analysis to architectural forms . The period from 1940 can be seen as one where iconography was especially prominent in art history. Whereas most iconographical scholarship remains highly dense and specialized, some analyses began to attract a much wider audience, for example Panofsky 's theory (now generally out of favour with specialists of that picture) that

1845-503: A thousand years ago, though development, and some shifts in meaning, have occurred – for example, the old man wearing a fleece in conversation with Saint Joseph usually seen in Orthodox Nativities seems to have begun as one of the shepherds, or the prophet Isaiah , but is now usually understood as the "Tempter" ( Satan ). In both East and West, numerous iconic types of Christ , Mary and saints and other subjects were developed;

1968-685: A well-educated contemporary. The subtle layers of meaning uncovered by modern iconographical research in works of Robert Campin such as the Mérode Altarpiece , and of Jan van Eyck such as the Madonna of Chancellor Rolin and the Washington Annunciation lie in small details of what are on first viewing very conventional representations. When Italian painting developed a taste for enigma, considerably later, it most often showed in secular compositions influenced by Renaissance Neo-Platonism . From

2091-619: A wrathful deity but in few contexts is depicted in pacified mood. Although iconic depictions of, or concentrating on, a single figure are the dominant type of Buddhist image, large stone relief or fresco narrative cycles of the Life of the Buddha , or tales of his previous lives, are found at major sites like Sarnath , Ajanta , and Borobudor , especially in earlier periods. Conversely, in Hindu art, narrative scenes have become rather more common in recent centuries, especially in miniature paintings of

2214-434: Is a concern of other academic disciplines including Semiotics , Anthropology , Sociology , Media Studies , Communication Studies , and Cultural Studies . These analyses in turn have affected conventional art history, especially concepts such as signs in semiotics . Discussing imagery as iconography in this way implies a critical "reading" of imagery that often attempts to explore social and cultural values. Iconography

2337-415: Is also used within film studies to describe the visual language of cinema, particularly within the field of genre criticism . In the age of Internet, the new global history of the visual production of Humanity (Histiconologia ) includes History of Art and history of all kind of images or medias. Contemporary iconography research often draws on theories of visual framing to address such diverse issues as

2460-586: Is associated with the Walking Buddha , sometime also shown having both hands making a double abhaya mudra that is uniform. This mudra was probably used before the onset of Buddhism as a symbol of good intentions proposing friendship when approaching strangers. In Gandharan art , it is seen when showing the action of preaching. It was also used in China during the Wei and Sui eras of the 4th and 7th centuries. This gesture

2583-443: Is believed to have been born on a full moon day. According to later biographical legends, during the birth celebrations, the hermit seer Asita journeyed from his mountain abode, analyzed the child for the "32 marks of a great man" and then announced that he would either become a great king ( chakravartin ) or a great religious leader. Suddhodana held a naming ceremony on the fifth day and invited eight Brahmin scholars to read

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2706-506: Is commonly seen together in canonical texts and depicts some of his perfected qualities: The Pali Canon also contains numerous other titles and epithets for the Buddha, including: All-seeing, All-transcending sage, Bull among men, The Caravan leader, Dispeller of darkness, The Eye, Foremost of charioteers, Foremost of those who can cross, King of the Dharma ( Dharmaraja ), Kinsman of the Sun, Helper of

2829-417: Is extensively used in the statues of Southeast Asia . The Vajra mudrā "thunder gesture" is the gesture of knowledge. The Vitarka mudrā "mudra of discussion" is the gesture of discussion and transmission of Buddhist teaching. It is done by joining the tips of the thumb and the index together, and keeping the other fingers straight very much like the abhaya and varada mudrās but with the thumbs touching

2952-609: Is more prominent in Southeast and East Asia. According to Donald Lopez Jr., "... he tended to be known as either Buddha or Sakyamuni in China, Korea, Japan, and Tibet, and as either Gotama Buddha or Samana Gotama ('the ascetic Gotama') in Sri Lanka and Southeast Asia." Buddha , "Awakened One" or "Enlightened One", is the masculine form of budh (बुध् ), "to wake, be awake, observe, heed, attend, learn, become aware of, to know, be conscious again", "to awaken" " 'to open up' (as does

3075-573: Is now Bihar (the location of Pataliputra )". The Ganges basin was densely forested, and the population grew when new areas were deforestated and cultivated. The society of the middle Ganges basin lay on "the outer fringe of Aryan cultural influence", and differed significantly from the Aryan society of the western Ganges basin. According to Stein and Burton, "[t]he gods of the brahmanical sacrificial cult were not rejected so much as ignored by Buddhists and their contemporaries." Jainism and Buddhism opposed

3198-532: Is now India . The Buddha then wandered through the lower Indo-Gangetic Plain , teaching and building a monastic order . Buddhist tradition holds he died in Kushinagar and reached parinirvana ("final release from conditioned existence"). According to Buddhist tradition, the Buddha taught a Middle Way between sensual indulgence and severe asceticism, leading to freedom from ignorance , craving , rebirth, and suffering . His core teachings are summarized in

3321-431: Is subtly concealed in some Koryu kata, and in Buddhist statues, representing the sword of enlightenment. Iconography Iconography , as a branch of art history , studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style . The word iconography comes from

3444-573: Is the mudra which expels demons and removes obstacles such as sickness or negative thoughts. It is made by raising the index and the little finger, and folding the other fingers. It is nearly the same as the Western " sign of the horns ", the difference is that in the Karana mudra the thumb does not hold down the middle and ring finger. This mudra is also known as tarjanī mudrā. In Indian classical dance and derived dances (such as Khmer , Thai or Balinese ),

3567-506: Is unknown. It may have been either Piprahwa , Uttar Pradesh, in present-day India, or Tilaurakot , in present-day Nepal. Both places belonged to the Sakya territory, and are located only 24 kilometres (15 mi) apart. In the mid-3rd century BCE the Emperor Ashoka determined that Lumbini was Gautama's birthplace and thus installed a pillar there with the inscription: "...this is where

3690-617: The Amritasiddhi , to 25 in the Gheranda Samhita , with a classical set of ten arising in the Hatha Yoga Pradipika . Mudra is used in the iconography of Hindu and Buddhist art of the Indian subcontinent and described in the scriptures, such as Nātyaśāstra , which lists 24 asaṁyuta ("separated", meaning "one-hand") and 13 saṁyuta ("joined", meaning "two-hand") mudras. Mudra positions are usually formed by both

3813-467: The Abhiniṣkramaṇa Sūtra , and various Chinese translations of this date between the 3rd and 6th century CE. The Nidānakathā is from the Theravada tradition in Sri Lanka and was composed in the 5th century by Buddhaghoṣa . Scholars are hesitant to make claims about the historical facts of the Buddha's life. Most of them accept that the Buddha lived, taught, and founded a monastic order during

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3936-840: The Ariyapariyesana Sutta ( MN 26), the Mahāparinibbāṇa Sutta ( DN 16), the Mahāsaccaka-sutta (MN 36), the Mahapadana Sutta (DN 14), and the Achariyabhuta Sutta (MN 123), which include selective accounts that may be older, but are not full biographies. The Jātaka tales retell previous lives of Gautama as a bodhisattva , and the first collection of these can be dated among the earliest Buddhist texts. The Mahāpadāna Sutta and Achariyabhuta Sutta both recount miraculous events surrounding Gautama's birth, such as

4059-676: The Bodhi tree , with the inscription Bhagavato Sakamunino Bodho ("The illumination of the Blessed Sakamuni"). The oldest surviving Buddhist manuscripts are the Gandhāran Buddhist texts , found in Gandhara (corresponding to modern northwestern Pakistan and eastern Afghanistan) and written in Gāndhārī , they date from the first century BCE to the third century CE. Early canonical sources include

4182-587: The Catacombs of Rome show orans figures, portraits of Christ and some saints, and a limited number of "abbreviated representations" of biblical episodes emphasizing deliverance. From the Constantinian period monumental art borrowed motifs from Roman Imperial imagery, classical Greek and Roman religion and popular art – the motif of Christ in Majesty owes something to both Imperial portraits and depictions of Zeus . In

4305-718: The Four Noble Truths and the Noble Eightfold Path , a training of the mind that includes ethical training and kindness toward others , and meditative practices such as sense restraint , mindfulness , dhyana (meditation proper). Another key element of his teachings are the concepts of the five skandhas and dependent origination , describing how all dharmas (both mental states and concrete 'things') come into being, and cease to be, depending on other dharmas , lacking an existence on their own svabhava ). A couple of centuries after his death, he came to be known by

4428-530: The Franciscans , as were many other developments. Most painters remained content to copy and slightly modify the works of others, and it is clear that the clergy, by whom or for whose churches most art was commissioned, often specified what they wanted shown in great detail. The theory of typology , by which the meaning of most events of the Old Testament was understood as a "type" or pre-figuring of an event in

4551-629: The Greek εἰκών ("image") and γράφειν ("to write" or to draw ). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called " icons ", in the Byzantine and Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history , "an iconography" may also mean

4674-721: The Jatakas , which consists of 547 stories. The format of a Jataka typically begins by telling a story in the present which is then explained by a story of someone's previous life. Besides imbuing the pre-Buddhist past with a deep karmic history, the Jatakas also serve to explain the bodhisattva's (the Buddha-to-be) path to Buddhahood. In biographies like the Buddhavaṃsa , this path is described as long and arduous, taking "four incalculable ages" ( asamkheyyas ). In these legendary biographies,

4797-581: The Late Antique period iconography began to be standardized, and to relate more closely to Biblical texts, although many gaps in the canonical Gospel narratives were plugged with matter from the apocryphal gospels . Eventually, the Church would succeed in weeding most of these out, but some remain, like the ox and ass in the Nativity of Christ . After the period of Byzantine iconoclasm iconographical innovation

4920-613: The Mahajanapada , and during the reign of Bimbisara (his friend, protector, and ruler of the Magadha empire); and died during the early years of the reign of Ajatashatru (who was the successor of Bimbisara), thus making him a younger contemporary of Mahavira , the Jain tirthankara . There is less consensus on the veracity of many details contained in traditional biographies, as "Buddhist scholars [...] have mostly given up trying to understand

5043-630: The Northern Wei . It is heavily used in Southeast Asia in Theravada Buddhism ; however, the thumbs are placed against the palms. Dhyāna mudrā is also known as " samādhi mudrā" or "yoga mudrā", Chinese : 禅定印 ; pinyin : [Chán]dìng yìn ; Japanese pronunciation : jōin, jōkai jōin . The mida no jōin (弥陀定印) is the Japanese name of a variation of the dhyāna mudra, where

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5166-580: The Pāli Canon . The exact meaning of the term is unknown, but it is often thought to mean either "one who has thus gone" ( tathā-gata ), "one who has thus come" ( tathā-āgata ), or sometimes "one who has thus not gone" ( tathā-agata ). This is interpreted as signifying that the Tathāgata is beyond all coming and going—beyond all transitory phenomena . A tathāgata is "immeasurable", "inscrutable", "hard to fathom", and "not apprehended". A list of other epithets

5289-515: The Shakyas , a tribe of rice-farmers living near the modern border of India and Nepal. His father Śuddhodana was "an elected chief of the Shakya clan ", whose capital was Kapilavastu, and who were later annexed by the growing Kingdom of Kosala during the Buddha's lifetime. The early Buddhist texts contain very little information about the birth and youth of Gotama Buddha. Later biographies developed

5412-629: The perineum , forcing the prana to enter the central sushumna channel. Mahamudra, the Great Seal, similarly has one heel pressed into the perineum; the chin is pressed down to the chest in Jalandhara Bandha , the Throat Lock, and the breath is held with the body's upper and lower openings both sealed, again to force the prana into the sushumna channel. Viparita Karani, the Inverter, is a posture with

5535-423: The urethra from the vagina of "a woman devoted to the practice of yoga". Some Asian martial arts forms contain positions (Japanese: in ) identical to these mudras. Tendai and Shingon Buddhism derived the supposedly powerful gestures from Mikkyo Buddhism, still to be found in many Ko-ryū ("old") martial arts Ryū (schools) founded before the 17th century. For example the "knife hand" or shuto gesture

5658-445: The 15th century religious painting gradually freed itself from the habit of following earlier compositional models, and by the 16th century ambitious artists were expected to find novel compositions for each subject, and direct borrowings from earlier artists are more often of the poses of individual figures than of whole compositions. The Reformation soon restricted most Protestant religious painting to Biblical scenes conceived along

5781-598: The Buddha ( lit.   ' the awakened one ' ), was a wandering ascetic and religious teacher who lived in South Asia , during the 6th or 5th century BCE and founded Buddhism . According to Buddhist legends, he was born in Lumbini , in what is now Nepal , to royal parents of the Shakya clan, but renounced his home life to live as a wandering ascetic. After leading a life of mendicancy , asceticism , and meditation, he attained nirvana at Bodh Gaya in what

5904-475: The Buddha in these traditional biographies is often that of a fully transcendent (Skt. lokottara ) and perfected being who is unencumbered by the mundane world. In the Mahāvastu , over the course of many lives, Gautama is said to have developed supramundane abilities including: a painless birth conceived without intercourse; no need for sleep, food, medicine, or bathing, although engaging in such "in conformity with

6027-543: The Buddha's birthplace, calling him the Buddha Shakyamuni ‍ ( Brahmi script : 𑀩𑀼𑀥 𑀲𑀓𑁆𑀬𑀫𑀼𑀦𑀻 Bu-dha Sa-kya-mu-nī , "Buddha, Sage of the Shakyas"). Śākyamuni, Sakyamuni, or Shakyamuni ( Sanskrit : शाक्यमुनि , [ɕaːkjɐmʊnɪ] ) means "Sage of the Shakyas ". Tathāgata ( Pali ; Pali: [tɐˈtʰaːɡɐtɐ] ) is a term the Buddha commonly used when referring to himself or other Buddhas in

6150-411: The Buddha's lifespan even later as 448–368 BCE. Most historians in the early 20th century use the earlier dates of 563–483 BCE, differing from the long chronology based on Greek evidence by just three years. More recently, there are attempts to put his death midway between the long chronology's 480s BCE and the short chronology's 360s BCE, so circa 410 BCE. At a symposium on this question held in 1988,

6273-632: The Buddha's lifetime is accepted (but he also points out that such a text was originally intended more as hagiography than as an exact historical record of events). John S. Strong sees certain biographical fragments in the canonical texts preserved in Pāli, as well as Chinese, Tibetan and Sanskrit as the earliest material. These include texts such as the "Discourse on the Noble Quest" ( Ariyapariyesanā-sutta ) and its parallels in other languages. No written records about Gautama were found from his lifetime or from

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6396-601: The Buddha's omniscience (along with an increasing tendency to deify him and his biography) are found only later, in the Mahayana sutras and later Pali commentaries or texts such as the Mahāvastu . In the Sandaka Sutta , the Buddha's disciple Ananda outlines an argument against the claims of teachers who say they are all knowing while in the Tevijjavacchagotta Sutta the Buddha himself states that he has never made

6519-494: The Buddha's teachings were "also a response to the historical changes of the time, among which were the emergence of the state and the growth of urban centres". While the Buddhist mendicants renounced society, they lived close to the villages and cities, depending for alms-givings on lay supporters. According to Dyson, the Ganges basin was settled from the north-west and the south-east, as well as from within, "[coming] together in what

6642-519: The Buddha, collections of stories about his past lives known as Jataka tales , and additional discourses, i.e., the Mahayana sutras . Buddhism spread beyond the Indian subcontinent, evolving into a variety of traditions and practices, represented by Theravada and Mahayana. While Buddhism declined in India, and mostly disappeared after the 8th century CE due to a lack of popular and economic support, Buddhism

6765-621: The Buddha, sage of the Śākyas ( Śākyamuni ), was born." According to later biographies such as the Mahavastu and the Lalitavistara , his mother, Maya (Māyādevī), Suddhodana's wife, was a princess from Devdaha , the ancient capital of the Koliya Kingdom (what is now the Rupandehi District of Nepal ). Legend has it that, on the night Siddhartha was conceived, Queen Maya dreamt that

6888-593: The Index of Medieval Art (formerly Index of Christian Art) at Princeton (which has made a specialism of iconography since its early days in America). These are now being digitised and made available online, usually on a restricted basis. With the arrival of computing, the Iconclass system, a highly complex system for the classification of the content of images, with 40,000+ classification types, and 84,000 (14,000 unique) keywords,

7011-509: The Pali Jataka Commentary ( Jātakaṭṭhakathā ) and the Sanskrit Jātakamālā is how the Buddha-to-be had to practice several "perfections" ( pāramitā ) to reach Buddhahood. The Jatakas also sometimes depict negative actions done in previous lives by the bodhisattva, which explain difficulties he experienced in his final life as Gautama. According to the Buddhist tradition, Gautama was born in Lumbini , now in modern-day Nepal, and raised in Kapilavastu . The exact site of ancient Kapilavastu

7134-422: The Pāli suttas have retained very archaic place-names, syntax, and historical data from close to the Buddha's lifetime, including the Mahāparinibbāṇa Sutta which contains a detailed account of the Buddha's final days. Hinüber proposes a composition date of no later than 350–320 BCE for this text, which would allow for a "true historical memory" of the events approximately 60 years prior if the Short Chronology for

7257-461: The Shakyas"). Another one of his edicts ( Minor Rock Edict No. 3 ) mentions the titles of several Dhamma texts (in Buddhism, "dhamma" is another word for "dharma"), establishing the existence of a written Buddhist tradition at least by the time of the Maurya era . These texts may be the precursor of the Pāli Canon . "Sakamuni" is also mentioned in a relief of Bharhut , dated to c.  100 BCE , in relation with his illumination and

7380-452: The Virgin , parts of the Old Testament, and, increasingly, the lives of popular saints . Especially in the West, a system of attributes developed for identifying individual figures of saints by a standard appearance and symbolic objects held by them; in the East, they were more likely to identified by text labels. From the Romanesque period sculpture on churches became increasingly important in Western art, and probably partly because of

7503-447: The World ( Lokanatha ), Lion ( Siha ), Lord of the Dhamma, Of excellent wisdom ( Varapañña ), Radiant One, Torchbearer of mankind, Unsurpassed doctor and surgeon, Victor in battle, and Wielder of power. Another epithet, used at inscriptions throughout South and Southeast Asia, is Maha sramana , "great sramana " (ascetic, renunciate). On the basis of philological evidence, Indologist and Pāli expert Oskar von Hinüber says that some of

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7626-406: The arm crooked and the palm offered slightly turned up or in the case of the arm facing down the palm presented with the fingers upright or slightly bent. The Varada mudrā is rarely seen without another mudra used by the right hand, typically abhaya mudrā. It is often confused with vitarka mudrā, which it closely resembles. In China and Japan during the Northern Wei and Asuka periods , respectively,

7749-429: The bodhisattva goes through many different births (animal and human), is inspired by his meeting of past Buddhas , and then makes a series of resolves or vows ( pranidhana ) to become a Buddha himself. Then he begins to receive predictions by past Buddhas. One of the most popular of these stories is his meeting with Dipankara Buddha , who gives the bodhisattva a prediction of future Buddhahood. Another theme found in

7872-441: The bodhisattva's descent from the Tuṣita Heaven into his mother's womb. The sources which present a complete picture of the life of Siddhārtha Gautama are a variety of different, and sometimes conflicting, traditional biographies from a later date. These include the Buddhacarita , Lalitavistara Sūtra , Mahāvastu , and the Nidānakathā . Of these, the Buddhacarita is the earliest full biography, an epic poem written by

7995-419: The chest in vitarka with the right palm forward and the left palm upwards, sometimes facing the chest. There are several variants such as in the Ajanta Caves frescoes, where the two hands are separated and the fingers do not touch. In the Indo-Greek style of Gandhara , the clenched fist of the right hand seemingly overlies the fingers joined to the thumb on the left hand. In pictorials of Hōryū-ji in Japan

8118-511: The collections of the Gemäldegalerie, Berlin and the German Marburger Index . These are available, usually on-line or on DVD . The system can also be used outside pure art history, for example on sites like Flickr . Religious images are used to some extent by all major religions, including both Indian and Abrahamic faiths, and often contain highly complex iconography, which reflects centuries of accumulated tradition. Secular Western iconography later drew upon these themes. Central to

8241-643: The definitions, and so the distinction made, varies. When referring to movies, genres are immediately recognizable through their iconography, motifs that become associated with a specific genre through repetition. Early Western writers who took special note of the content of images include Giorgio Vasari , whose Ragionamenti interpreted the paintings in the Palazzo Vecchio in Florence . Ragionamenti reassuringly demonstrates that such works were difficult to understand even for well-informed contemporaries. Lesser known, though it had informed poets, painters and sculptors for over two centuries after its 1593 publication,

8364-404: The earth goddess, appeared to be the witnesses for the Buddha's enlightenment. In East Asia, this mudra (also called the Maravijaya attitude ) may show Buddha's fingers not reaching as far as the ground, as is usual in Burmese or Indian depictions. The Bodhyangi mudrā , the "mudrā of the six elements," or the "fist of wisdom," is a gesture entailing the left-hand index finger being grasped with

8487-416: The entrance of Brahma's door [at the base of the spine] should be constantly aroused with all effort, by performing mudra thoroughly." In the 20th and 21st centuries, the yoga teacher Satyananda Saraswati , founder of the Bihar School of Yoga , continued to emphasize the importance of mudras in his instructional text Asana, Pranayama, Mudrā, Bandha . There are numerous hand gesture mudras in yoga. Each of

8610-455: The fingers are stiff and then gradually begin to loosen as it developed over time, eventually leading to the Tang dynasty standard where the fingers are naturally curved. In India , varada mudra is used by both seated and standing figures, of Buddha and boddhisattvas and other figures, and in Hindu art is especially associated with Vishnu . It was used in images of Avalokiteśvara from Gupta art (4th and 5th centuries) onwards. Varada mudrā

8733-419: The flourish of Brahminism, as Greater Magadha . The Buddha's tribe of origin, the Shakyas, seems to have had non-Vedic religious practices which persist in Buddhism, such as the veneration of trees and sacred groves, and the worship of tree spirits (yakkhas) and serpent beings (nagas). They also seem to have built burial mounds called stupas. Tree veneration remains important in Buddhism today, particularly in

8856-408: The greatest number of combinations, the vocabulary adds up to c. 900. Sanyukta mudras use both hands and asanyukta mudras use one hand. In Thai dances, there are 9 mudras. The classical sources for the yogic seals are the Gheranda Samhita and the Hatha Yoga Pradipika . The Hatha Yoga Pradipika states the importance of mudras in yoga practice: "Therefore the [ Kundalini ] goddess sleeping at

8979-566: The hand and the fingers. Along with āsanas ("seated postures"), they are employed statically in the meditation and dynamically in the Nāṭya practice of Hinduism. Hindu and Buddhist iconography share some mudras. In some regions, for example in Laos and Thailand , these are distinct but share related iconographic conventions. According to Jamgön Kongtrül in his commentary on the Hevajra Tantra ,

9102-520: The hand gestures is based on the concept of the five elements as they relate to one's fingers. The yoga mudras are diverse in the parts of the body involved and in the procedures required, as in Mula Bandha , Mahamudra , Viparita Karani , Khecarī mudrā , and Vajroli mudra . Mula Bandha, the Root Lock, consists of pressing one heel into the anus, generally in a cross-legged seated asana, and contracting

9225-513: The hands and fingers form the shape of a triangle, which is symbolic of the spiritual fire or the Three Jewels . This mudra is used in representations of Gautama Buddha and Amitābha . Sometimes the dhyāna mudrā is used in certain representations of Bhaiṣajyaguru as the "Medicine Buddha", with a medicine bowl placed on the hands. It originated in India most likely in Gandhāra and in China during

9348-460: The head and being lost, even when the yogi "embraces a passionate woman". To make the tongue long and flexible enough to be folded back in this way, the Khecharividya exhorts the yogi to make a cut a hair's breadth deep in the frenulum of the tongue once a week. Six months of this treatment destroys the frenulum, leaving the tongue able to fold back; then the yogi is advised to practise stretching

9471-566: The head down and the feet up, using gravity to retain the prana. Gradually the time spent in the posture is increased until it can be held for "three hours". The practice is claimed by the Dattatreyayogashastra to destroy all diseases and to banish grey hair and wrinkles. Khecarī mudrā, the Khechari Seal, consists of turning back the tongue "into the hollow of the skull", sealing in the bindu fluid so that it stops dripping down from

9594-479: The historical person." The earliest versions of Buddhist biographical texts that we have already contain many supernatural, mythical, or legendary elements. In the 19th century, some scholars simply omitted these from their accounts of the life, so that "the image projected was of a Buddha who was a rational, socratic teacher—a great person perhaps, but a more or less ordinary human being". More recent scholars tend to see such demythologisers as remythologisers, "creating

9717-635: The iconography and hagiography of Indian religions are mudra or gestures with specific meanings. Other features include the aureola and halo , also found in Christian and Islamic art, and divine qualities and attributes represented by asana and ritual tools such as the dharmachakra , vajra , chhatra , sauwastika , phurba and danda . The symbolic use of colour to denote the Classical Elements or Mahabhuta and letters and bija syllables from sacred alphabetic scripts are other features. Under

9840-421: The iconography of climate change created by different stakeholders, the iconography that international organizations create about natural disasters, the iconography of epidemics disseminated in the press, and the iconography of suffering found in social media. An iconography study in communication science analyzed stock photos used in press reporting to depict the social issue of child sexual abuse. Based on

9963-523: The identification of visual content) and "iconology" (the analysis of the meaning of that content), has not been generally accepted, though it is still used by some writers. In the United States , to which Panofsky immigrated in 1931, students such as Frederick Hartt , and Meyer Schapiro continued under his influence in the discipline. In an influential article of 1942, Introduction to an "Iconography of Mediaeval Architecture" , Richard Krautheimer ,

10086-584: The index fingers are brought together with the thumbs. This was predominantly used in Japan in an effort to distinguish Amitābha (hence "mida" from Amida) from the Vairocana Buddha, and was rarely used elsewhere. The Varadamudrā "generosity gesture" signifies offering, welcome, charity, giving, compassion and sincerity. It is nearly always shown made with the left hand by a revered figure devoted to human salvation from greed, anger and delusion. It can be made with

10209-520: The index fingers. This mudra has a great number of variants in Mahayana Buddhism . In Tibetan Buddhism , it is the mystic gesture of Tārās and bodhisattvas with some differences by the deities in Yab-Yum . Vitarka mudrā is also known as Vyākhyāna mudrā ("mudra of explanation"). This is also called as chin-mudra. The Jñāna mudrā ("mudra of wisdom") is done by touching the tips of the thumb and

10332-467: The index together, forming a circle, and the hand is held with the palm inward towards the heart. The mudra represents spiritual enlightenment in the indian-origin religions . Sometimes sadhus chose to be buried alive in this samadhi position. A 2700 old skeleton arranged like this was found at Balathal in Rajasthan, suggesting that something like yoga may have existed at that time. The karana mudrā

10455-509: The influence of tantra art developed esoteric meanings, accessible only to initiates; this is an especially strong feature of Tibetan art . The art of Indian Religions esp. Hindus in its numerous sectoral divisions is governed by sacred texts called the Aagama which describes the ratio and proportion of the icon, called taalmaana as well as mood of the central figure in a context. For example, Narasimha an incarnation of Vishnu though considered

10578-582: The lack of Byzantine models, became the location of much iconographic innovation, along with the illuminated manuscript , which had already taken a decisively different direction from Byzantine equivalents, under the influence of Insular art and other factors. Developments in theology and devotional practice produced innovations like the subject of the Coronation of the Virgin and the Assumption , Both associated with

10701-477: The life of the Buddha , and are shorthand depictions of these. The Abhayamudra "gesture of fearlessness" represents protection, peace, benevolence and the dispelling of fear. In Theravada Buddhism it is usually made while standing with the right arm bent and raised to shoulder height, the palm facing forward, the fingers closed, pointing upright and the left hand resting by the side. In Thailand and Laos, this mudra

10824-613: The life of, or aspect of, Christ or Mary was often reflected in art, and in the later Middle Ages came to dominate the choice of Old Testament scenes in Western Christian art. Whereas in the Romanesque and Gothic periods the great majority of religious art was intended to convey often complex religious messages as clearly as possible, with the arrival of Early Netherlandish painting iconography became highly sophisticated, and in many cases appears to be deliberately enigmatic, even for

10947-436: The lifetime of the Buddha. The "long chronology", from Sri Lankese chronicles, states the Buddha was born 298 years before Asoka 's coronation and died 218 years before the coronation, thus a lifespan of about 80 years. According to these chronicles, Asoka was crowned in 326 BCE, which gives Buddha's lifespan as 624–544 BCE, and are the accepted dates in Sri Lanka and South-East Asia. Alternatively, most scholars who also accept

11070-687: The lines of history painting , and after some decades the Catholic Council of Trent reined in somewhat the freedom of Catholic artists. Secular painting became far more common in the West from the Renaissance, and developed its own traditions and conventions of iconography, in history painting , which includes mythologies , portraits , genre scenes , and even landscapes , not to mention modern media and genres like photography , cinema , political cartoons , comic books . Renaissance mythological painting

11193-455: The lives of Krishna and Rama . Christian art features Christian iconography, prominently developed in the medieval era and renaissance , and is a prominent aspect of Christian media . Aniconism was rejected within Christian theology from the outset, and the development of early Christian art and architecture occurred within the first seven centuries after Jesus . Small images in

11316-438: The long chronology but date Asoka's coronation around 268 BCE (based on Greek evidence) put the Buddha's lifespan later at 566–486 BCE. However, the "short chronology", from Indian sources and their Chinese and Tibetan translations, place the Buddha's birth at 180 years before Asoka's coronation and death 100 years before the coronation, still about 80 years. Following the Greek sources of Asoka's coronation as 268 BCE, this dates

11439-473: The majority of those who presented gave dates within 20 years either side of 400 BCE for the Buddha's death. These alternative chronologies, however, have not been accepted by all historians. The dating of Bimbisara and Ajatashatru also depends on the long or short chronology. In the long chrononology, Bimbisara reigned c.  558  – c.  492 BCE , and died 492 BCE, while Ajatashatru reigned c.  492  – c.  460 BCE . In

11562-459: The meaning of Christian images and architecture is closely linked to the content of biblical , liturgical and theological texts, which were usually considered authoritative by most patrons, artists and viewers. Technological advances allowed the building-up of huge collections of photographs, with an iconographic arrangement or index, which include those of the Warburg Institute and

11685-552: The names of their house priests. While the term Buddha is used in the Agamas and the Pali Canon, the oldest surviving written records of the term Buddha is from the middle of the 3rd century BCE, when several Edicts of Ashoka (reigned c.  269 –232 BCE) mention the Buddha and Buddhism. Ashoka 's Lumbini pillar inscription commemorates the Emperor's pilgrimage to Lumbini as

11808-606: The nineteenth century in the works of scholars such as Adolphe Napoleon Didron (1806–1867), Anton Heinrich Springer (1825–1891), and Émile Mâle (1862–1954) all specialists in Christian religious art, which was the main focus of study in this period, in which French scholars were especially prominent. They looked back to earlier attempts to classify and organise subjects encyclopedically like Cesare Ripa and Anne Claude Philippe de Caylus 's Recueil d'antiquités égyptiennes, étrusques, grècques, romaines et gauloises as guides to understanding works of art, both religious and profane, in

11931-549: The number of named types of icons of Mary, with or without the infant Christ, was especially large in the East, whereas Christ Pantocrator was much the commonest image of Christ. Especially important depictions of Mary include the Hodegetria and Panagia types. Traditional models evolved for narrative paintings, including large cycles covering the events of the Life of Christ , the Life of

12054-424: The one or two centuries thereafter. But from the middle of the 3rd century BCE, several Edicts of Ashoka (reigned c. 268 to 232 BCE) mention the Buddha and Buddhism. Particularly, Ashoka 's Lumbini pillar inscription commemorates the Emperor's pilgrimage to Lumbini as the Buddha's birthplace, calling him the Buddha Shakyamuni ( Brahmi script : 𑀩𑀼𑀥 𑀲𑀓𑁆𑀬𑀫𑀼𑀦𑀻 Bu-dha Sa-kya-mu-nī , "Buddha, Sage of

12177-450: The ornaments of wrathful deities and witches made of human bones (Skt: aṣṭhimudrā ; Wylie : rus pa'i rgyan phyag rgya ) are also known as mudra "seals". The word mudrā has Sanskrit roots. According to scholar Sir Monier Monier-Williams it means "seal" or "any other instrument used for sealing". A Buddha image can have one of several common mudras, combined with different asanas. The main mudras used represent specific moments in

12300-477: The poet Aśvaghoṣa in the first century CE. The Lalitavistara Sūtra is the next oldest biography, a Mahāyāna / Sarvāstivāda biography dating to the 3rd century CE. The Mahāvastu from the Mahāsāṃghika Lokottaravāda tradition is another major biography, composed incrementally until perhaps the 4th century CE. The Dharmaguptaka biography of the Buddha is the most exhaustive, and is entitled

12423-539: The practice of identification and classification of motifs in images to using iconography as a means to understanding meaning. Panofsky codified an influential approach to iconography in his 1939 Studies in Iconology , where he defined it as "the branch of the history of art which concerns itself with the subject matter or meaning of works of art, as opposed to form," although the distinction he and other scholars drew between particular definitions of "iconography" (put simply,

12546-490: The practice of venerating Bodhi trees. Likewise, yakkas and nagas have remained important figures in Buddhist religious practices and mythology. The Buddha's lifetime coincided with the flourishing of influential śramaṇa schools of thought like Ājīvika , Cārvāka , Jainism , and Ajñana . The Brahmajala Sutta records sixty-two such schools of thought. In this context, a śramaṇa refers to one who labours, toils or exerts themselves (for some higher or religious purpose). It

12669-446: The publications of Erwin Panofsky, has been critically discussed since the mid-1950s, in part also strongly ( Otto Pächt , Svetlana Alpers ). However, among the critics, no one has found a model of interpretation that could completely replace that of Panofsky. As regards the interpretation of Christian art , that Panofsky researched throughout his life, the iconographic interest in texts as possible sources remains important, because

12792-534: The right hand is superimposed on the left. Certain figures of Amitābha are seen using this mudra before the 9th century in Japan. The dhyāna mudrā ("meditation mudra") is the gesture of meditation, of the concentration of the Good Law and the sangha . The two hands are placed on the lap, right hand on left with fingers fully stretched (four fingers resting on each other and the thumbs facing upwards towards one another diagonally), palms facing upwards; in this manner,

12915-619: The right hand. It is commonly seen on statues of the Vairocana Buddha. The Buddha preached his first sermon after his Enlightenment in Deer Park in Sarnath . The dharmachakra Pravartana or "turning of the wheel" mudrā represents that moment. In general, only Gautama Buddha is shown making this mudrā except Maitreya as the dispenser of the Law. Dharmachakra mudrā is two hands close together in front of

13038-441: The sceptic. The Pāli canon frequently depicts Buddha engaging in debate with the adherents of rival schools of thought. There is philological evidence to suggest that the two masters, Alara Kalama and Uddaka Rāmaputta , were historical figures and they most probably taught Buddha two different forms of meditative techniques. Thus, Buddha was just one of the many śramaṇa philosophers of that time. In an era where holiness of person

13161-482: The short chronology Bimbisara reigned c.  400 BCE , while Ajatashatru died between c.  380 BCE and 330 BCE. According to historian K. T. S. Sarao , a proponent of the Short Chronology wherein the Buddha's lifespan was c.477–397 BCE, it can be estimated that Bimbisara was reigning c.457–405 BCE, and Ajatashatru was reigning c.405–373 BCE. According to the Buddhist tradition, Shakyamuni Buddha

13284-495: The social stratification of Brahmanism, and their egalitarism prevailed in the cities of the middle Ganges basin. This "allowed Jains and Buddhists to engage in trade more easily than Brahmans, who were forced to follow strict caste prohibitions." In the earliest Buddhist texts, the nikāyas and āgamas , the Buddha is not depicted as possessing omniscience ( sabbaññu ) nor is he depicted as being an eternal transcendent ( lokottara ) being. According to Bhikkhu Analayo , ideas of

13407-405: The story from Buddhist legend of the moment when Buddha attained complete enlightenment , with Buddha sitting in meditation with his left hand, palm upright, in his lap, and his right hand touching the earth. In the legend, Buddha was challenged by the evil one, Mara , who argue for a witness to attest his right to achieve it. In response to Mara, Buddha touched the ground, and Phra Mae Thorani ,

13530-745: The term "Hasta Mudra" is used (although, there are terms used for mudras in derived dances). The Natya Shastra describes 24 mudras, while the Abhinaya Darpana of Nandikeshvara gives 28. In all their forms of Indian classical dance, the mudras are similar, though the names and uses vary. There are 28 (or 32) root mudras in Bharatanatyam , 24 in Kathakali and 20 in Odissi . These root mudras are combined in different ways, like one hand, two hands, arm movements, body and facial expressions. In Kathakali , which has

13653-610: The title Buddha , which means 'Awakened One' or 'Enlightened One'. His teachings were compiled by the Buddhist community in the Vinaya , his codes for monastic practice, and the Sutta Piṭaka , a compilation of teachings based on his discourses. These were passed down in Middle Indo-Aryan dialects through an oral tradition . Later generations composed additional texts, such as systematic treatises known as Abhidharma , biographies of

13776-467: The tongue out, holding it with a cloth, to lengthen it, and to learn to touch each ear in turn, and the base of the chin. After six years of practice, which cannot be hurried, the tongue is said to become able to close the top end of the sushumna channel. Vajroli mudra, the Vajroli Seal, requires the yogi to preserve the semen , either by learning not to release it, or if released by drawing it up through

13899-469: The world"; omniscience, and the ability to "suppress karma". As noted by Andrew Skilton, the Buddha was often described as being superhuman, including descriptions of him having the 32 major and 80 minor marks of a "great man", and the idea that the Buddha could live for as long as an aeon if he wished (see DN 16). The ancient Indians were generally unconcerned with chronologies, being more focused on philosophy. Buddhist texts reflect this tendency, providing

14022-521: The writing on the rear wall in the Arnolfini Portrait by Jan van Eyck turned the painting into the record of a marriage contract. Holbein 's The Ambassadors has been the subject of books for a general market with new theories as to its iconography, and the best-sellers of Dan Brown include theories, disowned by most art historians, on the iconography of works by Leonardo da Vinci . The method of iconology , which had developed following

14145-462: Was Cesare Ripa 's emblem book Iconologia . Gian Pietro Bellori , a 17th-century biographer of artists of his own time, describes and analyses, not always correctly, many works. Lessing 's study (1796) of the classical figure Amor with an inverted torch was an early attempt to use a study of a type of image to explain the culture it originated in, rather than the other way round. Iconography as an academic art historical discipline developed in

14268-660: Was Gautama (Pali: Gotama). His given name, "Siddhārtha" (the Sanskrit form; the Pali rendering is "Siddhattha"; in Tibetan it is "Don grub"; in Chinese "Xidaduo"; in Japanese "Shiddatta/Shittatta"; in Korean "Siltalta") means "He Who Achieves His Goal". The clan name of Gautama means "descendant of Gotama", "Gotama" meaning "one who has the most light", and comes from the fact that Kshatriya clans adopted

14391-665: Was a Shakya , a sub-Himalayan ethnicity and clan of north-eastern region of the Indian subcontinent. The Shakya community was on the periphery, both geographically and culturally, of the eastern Indian subcontinent in the 5th century BCE. The community, though describable as a small republic, was probably an oligarchy , with his father as the elected chieftain or oligarch. The Shakyas were widely considered to be non- Vedic (and, hence impure) in Brahminic texts; their origins remain speculative and debated. Bronkhorst terms this culture, which grew alongside Aryavarta without being affected by

14514-466: Was also the age of influential thinkers like Mahavira , Pūraṇa Kassapa , Makkhali Gosāla , Ajita Kesakambalī , Pakudha Kaccāyana , and Sañjaya Belaṭṭhaputta , as recorded in Samaññaphala Sutta , with whose viewpoints the Buddha must have been acquainted. Śāriputra and Moggallāna , two of the foremost disciples of the Buddha, were formerly the foremost disciples of Sañjaya Belaṭṭhaputta,

14637-652: Was developed in the Netherlands as a standard classification for recording collections, with the idea of assembling huge databases that will allow the retrieval of images featuring particular details, subjects or other common factors. For example, the Iconclass code "71H7131" is for the subject of " Bathsheba (alone) with David's letter", whereas "71" is the whole " Old Testament " and "71H" the "story of David ". A number of collections of different types have been classified using Iconclass, notably many types of old master print ,

14760-603: Was in theory reviving the iconography of its Classical Antiquity , but in practice themes like Leda and the Swan developed on largely original lines, and for different purposes. Personal iconographies, where works appear to have significant meanings individual to, and perhaps only accessible by, the artist, go back at least as far as Hieronymous Bosch , but have become increasingly significant with artists like Goya , William Blake , Gauguin , Picasso , Frida Kahlo , and Joseph Beuys . Iconography, often of aspects of popular culture ,

14883-574: Was judged by their level of asceticism, Buddha was a reformist within the śramaṇa movement, rather than a reactionary against Vedic Brahminism. Coningham and Young note that both Jains and Buddhists used stupas, while tree shrines can be found in both Buddhism and Hinduism. The rise of Buddhism coincided with the Second Urbanisation , in which the Ganges Basin was settled and cities grew, in which egalitarianism prevailed. According to Thapar,

15006-589: Was regarded as unhealthy, if not heretical, in the Eastern Church, though it still continued at a glacial pace. More than in the West, traditional depictions were often considered to have authentic or miraculous origins , and the job of the artist was to copy them with as little deviation as possible. The Eastern church also never accepted the use of monumental high relief or free-standing sculpture, which it found too reminiscent of paganism. Most modern Eastern Orthodox icons are very close to their predecessors of

15129-499: Was used by the Buddha when attacked by an elephant, subduing it as shown in several frescoes and scripts. In Mahayana Buddhism , the deities are often portrayed as pairing the Abhaya Mudrā with another Mudrā using the other hand. The bhūmisparśa or "earth witness" mudra of Gautama Buddha is one of the most common iconic images of Buddhism. Other names include "Buddha calling the earth to witness", and "earth-touching". It depicts

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