112-512: (Redirected from Modern European Literature ) Modern literature may refer to: Modernist literature , the literary form of modernism Xiandai wenxue , a Taiwanese literature journal in publication from 1960 to 1973 See also [ edit ] Contemporary literature , literature with its setting generally after World War II Postmodern literature , post World War II literature characterized by techniques such as fragmentation, paradox, and
224-587: A chargé d'affaires in Paris, writing "despatches to the British Secretary of State ". He wrote of his Paris life, "I really wish often for the plain roughness of The Poker Club of Edinburgh... to correct and qualify so much lusciousness." Upon returning to Britain in 1766, Hume wrote a letter to Lord Hertford after being asked to by George Colebrooke ; the letter informed Lord Hertford that he had an opportunity to invest in one of Colebrooke's slave plantations in
336-468: A normative conclusion of what ought to be done. Hume denied that humans have an actual conception of the self, positing that we experience only a bundle of sensations , and that the self is nothing more than this bundle of perceptions connected by an association of ideas. Hume's compatibilist theory of free will takes causal determinism as fully compatible with human freedom. His philosophy of religion , including his rejection of miracles, and of
448-504: A "simple Roman tomb", requesting in his will that it be inscribed only with his name and the year of his birth and death, "leaving it to Posterity to add the Rest". David Hume died at the southwest corner of St. Andrew's Square in Edinburgh's New Town , at what is now 21 Saint David Street. A popular story, consistent with some historical evidence and with the help of coincidence, suggests that
560-513: A coldness—which he attributed to a "Laziness of Temper"—that lasted about nine months. Scurvy spots later broke out on his fingers, persuading Hume's physician to diagnose him with the "Disease of the Learned". Hume wrote that he "went under a Course of Bitters and Anti-Hysteric Pills", taken along with a pint of claret every day. He also decided to have a more active life to better continue his learning. His health improved somewhat, but in 1731, he
672-493: A complex response across continents and disciplines to a changing world". Literary modernism is often summed up in a line from W. B. Yeats : "Things fall apart; the centre cannot hold" (in ' The Second Coming '). Modernists often search for a metaphysical 'centre' but experience its collapse. ( Postmodernism , by way of contrast, celebrates that collapse, exposing the failure of metaphysics, such as Jacques Derrida 's deconstruction of metaphysical claims.) Philosophically,
784-511: A forerunner of Albert Einstein 's theory of relativity . Many prior theories about epistemology argued that external and absolute reality could impress itself, as it were, on an individual—for example, John Locke 's (1632–1704) empiricism , which saw the mind beginning as a tabula rasa , a blank slate ( An Essay Concerning Human Understanding , 1690). Freud's description of subjective states, involving an unconscious mind full of primal impulses and counterbalancing self-imposed restrictions,
896-537: A great influence on twentieth-century novelists," especially those modernists who used the stream of consciousness technique, such as Dorothy Richardson for the book Pointed Roofs (1915), James Joyce for Ulysses (1922) and Virginia Woolf (1882–1941) for Mrs Dalloway (1925) and To the Lighthouse (1927). Also important in Bergson's philosophy was the idea of élan vital , the life force, which "brings about
1008-417: A hot pan's handle is more forceful than simply thinking about touching a hot pan. According to Hume, impressions are meant to be the original form of all our ideas. From this, Don Garrett (2002) has coined the term copy principle, referring to Hume's doctrine that all ideas are ultimately copied from some original impression, whether it be a passion or sensation, from which they derive. After establishing
1120-414: A moment ... but the sheer agreeableness of animal faith will protect us from excessive caution and sterile suspension of belief. Others, such as Charles Sanders Peirce , have demurred from Hume's solution, while some, such as Kant and Karl Popper , have thought that Hume's analysis has "posed a most fundamental challenge to all human knowledge claims". The notion of causation is closely linked to
1232-718: A parody or dismissal of realism and the concept of the " well-made play ". Playwrights commonly associated with the Theatre of the Absurd include Samuel Beckett (1906–1989), Eugène Ionesco (1909–1994), Jean Genet (1910–1986), Harold Pinter (1930–2008), Tom Stoppard (b. 1937), Alexander Vvedensky (1904–1941), Daniil Kharms (1905–1942), Friedrich Dürrenmatt (1921–1990), Alejandro Jodorowsky (b. 1929), Fernando Arrabal (b. 1932), Václav Havel (1936–2011) and Edward Albee (1928–2016). David Hume David Hume ( / h juː m / ; born David Home ; 7 May 1711 – 25 August 1776)
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#17328632856521344-606: A person experiences a variety of taste-sensations, tactile-sensations, and smell-sensations when biting into an apple, with the overall sensation—again, a complex impression. Thinking about an apple allows a person to form complex ideas, which are made of similar parts as the complex impressions they were developed from, but which are also less forceful. Hume believes that complex perceptions can be broken down into smaller and smaller parts until perceptions are reached that have no parts of their own, and these perceptions are thus referred to as simple. Regardless of how boundless it may seem;
1456-422: A person's imagination is confined to the mind's ability to recombine the information it has already acquired from the body's sensory experience (the ideas that have been derived from impressions). In addition, "as our imagination takes our most basic ideas and leads us to form new ones, it is directed by three principles of association, namely, resemblance, contiguity, and cause and effect": Hume elaborates more on
1568-697: A personal level, the Marquess found Hume's dietary tendencies to be bizarre. Hume then started his great historical work, The History of England , which took fifteen years and ran to over a million words. During this time, he was also involved with the Canongate Theatre through his friend John Home , a preacher. In this context, he associated with Lord Monboddo and other thinkers of the Scottish Enlightenment in Edinburgh. From 1746, Hume served for three years as secretary to General James St Clair , who
1680-440: A puppet controlled or menaced by invisible outside forces. Though the term is applied to a wide range of plays, some characteristics coincide in many of the plays: broad comedy, often similar to Vaudeville , mixed with horrific or tragic images; characters caught in hopeless situations forced to do repetitive or meaningless actions; dialogue full of clichés, wordplay, and nonsense; plots that are cyclical or absurdly expansive; either
1792-561: A scholar of 18th-century literature, judged it a "remarkable autobiography, even though it may lack the usual attractions of that genre. Anyone hankering for startling revelations or amusing anecdotes had better look elsewhere." Despite condemning vanity as a dangerous passion, in his autobiography Hume confesses his belief that the "love of literary fame" had served as his "ruling passion" in life, and claims that this desire "never soured my temper, notwithstanding my frequent disappointments". One such disappointment Hume discusses in this account
1904-409: A single compound image'. This avoids the limitations of a single, privileged viewer, and points towards a more objective realism. Similarly, it has been argued that Wallace Stevens's realism "serves a truth that is revealing—not the truth that prevails. It also is a “realism” that recognizes multiple perspectives, multiple truths. Perhaps the snow is not just white; it is also turning black, attuned to
2016-407: A struggle with the sense of nature's significance, falling under two headings: poems in which the speaker denies that nature has meaning, only for nature to loom up by the end of the poem; and poems in which the speaker claims nature has meaning, only for that meaning to collapse by the end of the poem. Modernism often rejects nineteenth century realism , if the latter is understood as focusing on
2128-422: A variety of speculations. One prominent interpretation among contemporary Humean scholarship is that this new "scene of thought" was Hume's realisation that Francis Hutcheson 's theory of moral sense could be applied to the understanding of morality as well. From this inspiration, Hume set out to spend a minimum of 10 years reading and writing. He soon came to the verge of a mental breakdown, first starting with
2240-459: A very usual indiscretion, in going to the press too early." Hume also provides an unambiguous self-assessment of the relative value of his works: that "my Enquiry concerning the Principles of Morals; which, in my own opinion (who ought not to judge on that subject) is of all my writings, historical, philosophical, or literary, incomparably the best." He also wrote of his social relations: "My company
2352-445: Is "a way of controlling, of ordering, of giving a shape and a significance to the immense panorama of futility and anarchy which is contemporary history.... Instead of narrative method, we may now use the mythical method. It is, I seriously believe, a step toward making the modern world possible for art." Eliot's own modernist poem The Waste Land (1922) mirrors "the futility and anarchy" in its own way, in its fragmented structure, and
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#17328632856522464-516: Is in the initial literary reception of the Treatise , which he claims to have overcome by means of the success of the Essays : "the work was favourably received, and soon made me entirely forget my former disappointment". Hume, in his own retrospective judgment, argues that his philosophical debut's apparent failure "had proceeded more from the manner than the matter". He thus suggests that "I had been guilty of
2576-476: Is known as an early work of modernism for its plain-spoken prose style and emphasis on psychological insight into characters. James Joyce was a major modernist writer whose strategies employed in his novel Ulysses (1922) for depicting the events during a twenty-four-hour period in the life of his protagonist, Leopold Bloom , have come to epitomize modernism's approach to fiction. The poet T. S. Eliot described these qualities in 1923, noting that Joyce's technique
2688-402: Is our knowledge, and not our ability to conceive, that is restricted to what can be experienced. Hume thought that we can form beliefs about that which extends beyond any possible experience, through the operation of faculties such as custom and the imagination, but he was sceptical about claims to knowledge on this basis. A central doctrine of Hume's philosophy, stated in the very first lines of
2800-451: Is something in the cause that necessarily produces its effect is because our past experiences have habituated us to think in this way. Continuing this idea, Hume argues that "only in the pure realm of ideas, logic, and mathematics, not contingent on the direct sense awareness of reality, [can] causation safely…be applied—all other sciences are reduced to probability". He uses this scepticism to reject metaphysics and many theological views on
2912-660: Is the atonal ending of Arnold Schoenberg 's Second String Quartet in 1908, the Expressionist paintings of Wassily Kandinsky starting in 1903 and culminating with his first abstract painting and the founding of the Expressionist Blue Rider group in Munich in 1911, the rise of fauvism , and the introduction of cubism from the studios of Henri Matisse , Pablo Picasso , Georges Braque and others between 1900 and 1910. Sherwood Anderson 's Winesburg, Ohio (1919)
3024-438: Is to argue that, rather than reason, natural instinct explains the human practice of making inductive inferences. He asserts that "Nature, by an absolute and uncontroulable [ sic ] necessity has determin'd us to judge as well as to breathe and feel." In 1985, and in agreement with Hume, John D. Kenyon writes: Reason might manage to raise a doubt about the truth of a conclusion of natural inductive inference just for
3136-495: The Treatise of Human Nature , is that the mind consists of perceptions, or the mental objects which are present to it, and which divide into two categories: "All the perceptions of the human mind resolve themselves into two distinct kinds, which I shall call impressions and ideas ." Hume believed that it would "not be very necessary to employ many words in explaining this distinction", which commentators have generally taken to mean
3248-632: The Philosophical Essays , which were decidedly anti-religious. This represented a turning point in his career and the various opportunities made available to him. Even Adam Smith , his personal friend who had vacated the Glasgow philosophy chair, was against his appointment out of concern that public opinion would be against it. In 1761, all his works were banned on the Index Librorum Prohibitorum . Hume returned to Edinburgh in 1751. In
3360-534: The Treatise to be Hume's most important work and one of the most important books in Western philosophy, critics in Great Britain at the time described it as "abstract and unintelligible". As Hume had spent most of his savings during those four years, he resolved "to make a very rigid frugality supply [his] deficiency of fortune, to maintain unimpaired [his] independency, and to regard every object as contemptible except
3472-478: The Treatise . Though he was only 23 years old when starting this work, it is now regarded as one of the most important in the history of Western philosophy . Hume worked for four years on his first major work, A Treatise of Human Nature , subtitled "Being an Attempt to Introduce the Experimental Method of Reasoning into Moral Subjects", completing it in 1738 at age 28. Although many scholars today consider
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3584-490: The University of Edinburgh at an unusually early age—either 12 or possibly as young as 10—at a time when 14 was the typical age. Initially, Hume considered a career in law , because of his family. However, in his words, he came to have: ...an insurmountable aversion to everything but the pursuits of Philosophy and general Learning; and while [my family] fanceyed I was poring over Voet and Vinnius , Cicero and Virgil were
3696-557: The West Indies , though Hertford ultimately decided not to do so. In June of that year, Hume facilitated the purchase of a slave plantation in Martinique on behalf of his friend, the wine merchant John Stewart, by writing to the colony's governor Victor-Thérèse Charpentier . According to Felix Waldmann, a former Hume Fellow at the University of Edinburgh, Hume's "puckish scepticism about
3808-401: The argument from design for God's existence, were especially controversial for their time. Hume left a legacy that affected utilitarianism , logical positivism , the philosophy of science , early analytic philosophy , cognitive science , theology , and many other fields and thinkers. Immanuel Kant credited Hume as the inspiration that had awakened him from his "dogmatic slumbers." Hume
3920-455: The " constant conjunction " of events. This problem of induction means that to draw any causal inferences from past experience, it is necessary to presuppose that the future will resemble the past; this metaphysical presupposition cannot itself be grounded in prior experience. An opponent of philosophical rationalists , Hume held that passions rather than reason govern human behaviour, famously proclaiming that " Reason is, and ought only to be
4032-464: The 1750s, it was necessary for his friends to avert a trial against him on the charge of heresy , specifically in an ecclesiastical court. However, he "would not have come and could not be forced to attend if he said he was not a member of the Established Church". Hume failed to gain the chair of philosophy at the University of Glasgow due to his religious views. By this time, he had published
4144-472: The 1920s and 1930s, including further novels by Marcel Proust , Virginia Woolf , Robert Musil ( The Man Without Qualities ), and Dorothy Richardson . The American modernist dramatist Eugene O'Neill 's career began in 1914, but his major works appeared in the 1920s and 1930s and early 1940s. Two other significant modernist dramatists writing in the 1920s and 1930s were Bertolt Brecht and Federico García Lorca . D. H. Lawrence 's Lady Chatterley's Lover
4256-526: The 1930s, in addition to further major works by William Faulkner ( As I Lay Dying , Light in August ), Samuel Beckett published his first major work, the novel Murphy (1938), while in 1932 John Cowper Powys published A Glastonbury Romance , the same year as Hermann Broch 's The Sleepwalkers . In 1935 E. du Perron published his Country of Origin , the seminal work of Dutch modernist prose. Djuna Barnes published her novel Nightwood in 1936,
4368-553: The 20th century, and were characterized by a poetry that favoured a precision of imagery , brevity and free verse . This idealism, however, ended with the outbreak of World War I , and writers created more cynical works that reflected a prevailing sense of disillusionment. Many modernist writers also shared a mistrust of institutions of power such as government and religion, and rejected the notion of absolute truths. Modernist works such as T. S. Eliot 's The Waste Land (1922) were increasingly self-aware, introspective, and explored
4480-404: The Absurd is applied to plays written by primarily European playwrights, that express the belief that human existence has no meaning or purpose and therefore all communication breaks down. Logical construction and argument gives way to irrational and illogical speech and to its ultimate conclusion, silence. While there are significant precursors, including Alfred Jarry (1873–1907), the Theatre of
4592-491: The Absurd is generally seen as beginning in the 1950s with the plays of Samuel Beckett . Critic Martin Esslin coined the term in his 1960 essay, "Theatre of the Absurd." He related these plays based on a broad theme of the Absurd, similar to the way Albert Camus uses the term in his 1942 essay, " The Myth of Sisyphus ". The Absurd in these plays takes the form of man's reaction to a world apparently without meaning, and/or man as
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4704-605: The Authors which I was secretly devouring. He had little respect for the professors of his time, telling a friend in 1735 that "there is nothing to be learnt from a Professor, which is not to be met with in Books". He did not graduate. At around age 18, Hume made a philosophical discovery that opened up to him "a new Scene of Thought", inspiring him "to throw up every other Pleasure or Business to apply entirely to it". As he did not recount what this scene exactly was, commentators have offered
4816-864: The Cathedral . While modernist poetry in English is often viewed as an American phenomenon, with leading exponents including Ezra Pound , Hart Crane , Marianne Moore , William Carlos Williams , H.D. , and Louis Zukofsky , there were important British modernist poets, including T. S. Eliot, David Jones , Hugh MacDiarmid , Basil Bunting , and W. H. Auden . European modernist poets include Federico García Lorca , Fernando Pessoa , Anna Akhmatova , Constantine Cavafy , and Paul Valéry . Though The Oxford Encyclopedia of British Literature sees Modernism ending by c. 1939 , with regard to British and American literature, "When (if) Modernism petered out and postmodernism began has been contested almost as hotly as when
4928-632: The Chair of Pneumatics and Moral Philosophy at the University of Edinburgh. However, the position was given to William Cleghorn after Edinburgh ministers petitioned the town council not to appoint Hume because he was seen as an atheist. In 1745, during the Jacobite risings , Hume tutored the Marquess of Annandale , an engagement that ended in disarray after about a year. The Marquess could not follow with Hume's lectures, his father saw little need for philosophy, and on
5040-416: The absence of an obvious central, unifying narrative. This is in fact a rhetorical technique to convey the poem's theme: "The decay and fragmentation of Western Culture". The poem, despite the absence of a linear narrative, does have a structure: this is provided by both fertility symbolism derived from anthropology, and other elements such as the use of quotations and juxtaposition. In Italian literature ,
5152-534: The artist as "hero" seeks to embrace complexity and locate new meanings. Regarding technique, modernist works sought to obfuscate the boundaries between genres. Thus, prose works tended to be poetical and poetry prose-like. T. S. Eliot's poetry sacrified lyrical grace for the sake of fragmented narrative while Virginia Woolf's novels (such as Mrs Dalloway and The Waves ) have been described as poetical. Other early modernist writers and selected works include: Significant modernist works continued to be created in
5264-541: The basis that they are not grounded in fact and observations, and are therefore beyond the reach of human understanding. The cornerstone of Hume's epistemology is the problem of induction . This may be the area of Hume's thought where his scepticism about human powers of reason is most pronounced. The problem revolves around the plausibility of inductive reasoning , that is, reasoning from the observed behaviour of objects to their behaviour when unobserved. As Hume wrote, induction concerns how things behave when they go "beyond
5376-401: The beginning and quote novelist Virginia Woolf , who declared that human nature underwent a fundamental change "on or about December 1910". But modernism was already stirring by 1902, with works such as Joseph Conrad 's (1857–1924) Heart of Darkness , while Alfred Jarry 's (1873–1907) absurdist play Ubu Roi appeared even earlier, in 1896. Among early modernist non-literary landmarks
5488-463: The boat this instant." A Treatise of Human Nature begins with the introduction: "'Tis evident, that all the sciences have a relation, more or less, to human nature.… Even Mathematics, Natural Philosophy, and Natural Religion, are in some measure dependent on the science of Man." The science of man , as Hume explains, is the "only solid foundation for the other sciences" and that the method for this science requires both experience and observation as
5600-658: The collapse of metaphysics can be traced back to the Scottish philosopher David Hume (1711–1776), who argued that we never actually perceive one event causing another. We only experience the ' constant conjunction ' of events, and do not perceive a metaphysical 'cause'. Similarly, Hume argued that we never know the self as object, only the self as subject, and we are thus blind to our true natures. Moreover, if we only 'know' through sensory experience—such as sight, touch and feeling—then we cannot 'know' and neither can we make metaphysical claims. Thus, modernism can be driven emotionally by
5712-405: The cornerstones of human thought. Matters of Fact are dependent on the observer and experience. They are often not universally held to be true among multiple persons. Hume was an Empiricist, meaning he believed "causes and effects are discoverable not by reason, but by experience". He goes on to say that, even with the perspective of the past, humanity cannot dictate future events because thoughts of
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#17328632856525824-983: The creative evolution of everything". His philosophy also placed a high value on intuition, though without rejecting the importance of the intellect. These various thinkers were united by a distrust of Victorian positivism and certainty. Modernism as a literary movement can also be seen as a reaction to industrialisation, urbanisation and new technologies. Important literary precursors of modernism were Fyodor Dostoyevsky (1821–81) ( Crime and Punishment (1866), The Brothers Karamazov (1880)); Walt Whitman (1819–92) ( Leaves of Grass ) (1855–91); Gustave Flaubert (1821–1880) ( Madame Bovary (1856–57), Sentimental Education (1869), The Temptation of Saint Anthony (1874), Three Tales (1877), Bouvard et Pécuchet (1881)); Charles Baudelaire (1821–67) ( Les Fleurs du mal ), Rimbaud (1854–91) ( Illuminations , 1874); Knut Hamsun (1859–1952) ( Hunger , 1890); August Strindberg (1849–1912), especially his later plays, including
5936-640: The damage to his reputation from the quarrel with Rousseau that he would author an account of the dispute, titling it "A concise and genuine account of the dispute between Mr. Hume and Mr. Rousseau ". In 1767, Hume was appointed Under Secretary of State for the Northern Department . Here, he wrote that he was given "all the secrets of the Kingdom". In 1769 he returned to James' Court in Edinburgh, where he would live from 1771 until his death in 1776. Hume's nephew and namesake, David Hume of Ninewells (1757–1838),
6048-426: The darker aspects of human nature. The term modernism covers a number of related, and overlapping, artistic and literary movements, including Imagism , Symbolism , Futurism , Vorticism , Cubism , Surrealism , Expressionism , and Dada . Early modernist writers, especially those writing after World War I and the disillusionment that followed, broke the implicit contract with the general public that artists were
6160-557: The decline of the traditional role of the poet as foreseer, teacher, prophet. In a world that has absorbed Friedrich Nietzsche 's lesson, these poets want to renew literature according to the new cultural world of the 20th century. For example, Montale uses epiphany to reconstruct meaning, while Saba incorporates Freudian concepts of psychoanalysis . Modernist literature addressed similar aesthetic problems as contemporary modernist art. Gertrude Stein 's abstract writings, such as Tender Buttons (1914), for example, have been compared to
6272-540: The desire for metaphysical truths, while understanding their impossibility. Some modernist novels, for instance, feature characters like Marlow in Heart of Darkness or Nick Carraway in The Great Gatsby who believe that they have encountered some great truth about nature or character, truths that the novels themselves treat ironically while offering more mundane explanations. Similarly, many poems of Wallace Stevens convey
6384-415: The distinction between feeling and thinking . Controversially, Hume, in some sense, may regard the distinction as a matter of degree, as he takes impressions to be distinguished from ideas on the basis of their force, liveliness, and vivacity—what Henry E. Allison (2008) calls the "FLV criterion." Ideas are therefore "faint" impressions. For example, experiencing the painful sensation of touching
6496-495: The embodiment of meaning within a naturalistic representation. At the same time, some modernists aim at a more 'real' realism, one that is uncentered. Picasso's proto-cubist painting, 'The Poet' of 1911 is decentred, presenting the body from multiple points of view. As the Peggy Guggenheim Collection website puts it, 'Picasso presents multiple views of each object, as if he had moved around it, and synthesizes them into
6608-456: The end of this period Hume had attained his well-known corpulent stature; "the good table of the General and the prolonged inactive life had done their work", leaving him "a man of tremendous bulk". In 1749 he went to live with his brother in the countryside, although he continued to associate with the aforementioned Scottish Enlightenment figures. Hume's religious views were often suspect and, in
6720-483: The essay with a frank admission: I cannot say there is no vanity in making this funeral oration of myself, but I hope it is not a misplaced one; and this is a matter of fact which is easily cleared and ascertained. Diarist and biographer James Boswell saw Hume a few weeks before his death from a form of abdominal cancer . Hume told him that he sincerely believed it a "most unreasonable fancy" that there might be life after death. Hume asked that his body be interred in
6832-428: The existence of religious miracles played a significant part in defining the critical outlook which underpins the practice of modern science." Waldmann also argued that Hume's views "served to reinforce the institution of racialised slavery in the later 18th century." In 1766, Hume left Paris to accompany Jean-Jacques Rousseau to England. Once there, he and Rousseau fell out , leaving Hume sufficiently worried about
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#17328632856526944-571: The fame that he coveted. The volumes traced events from the Invasion of Julius Caesar to the Revolution of 1688 and was a bestseller in its day. Hume was also a longtime friend of bookseller Andrew Millar , who sold Hume's History (after acquiring the rights from Scottish bookseller Gavin Hamilton ), although the relationship was sometimes complicated. Letters between them illuminate both men's interest in
7056-448: The following year, the Faculty of Advocates hired him to be their Librarian, a job in which he would receive little to no pay, but which nonetheless gave him "the command of a large library". This resource enabled him to continue historical research for The History of England . Hume's volume of Political Discourses , written in 1749 and published by Kincaid & Donaldson in 1752, was
7168-431: The forcefulness of impressions and ideas, these two categories are further broken down into simple and complex : "simple perceptions or impressions and ideas are such as admit of no distinction nor separation", whereas "the complex are the contrary to these, and may be distinguished into parts". When looking at an apple, a person experiences a variety of colour-sensations—what Hume notes as a complex impression. Similarly,
7280-425: The foundations of a logical argument. In regards to this, philosophical historian Frederick Copleston (1999) suggests that it was Hume's aim to apply to the science of man the method of experimental philosophy (the term that was current at the time to imply natural philosophy ), and that "Hume's plan is to extend to philosophy in general the methodological limitations of Newtonian physics ." Until recently, Hume
7392-557: The fragmentary and multi-perspective Cubist paintings of her friend Pablo Picasso . The questioning spirit of modernism, as part of a necessary search for ways to make sense of a broken world, can also be seen in a different form in the Scottish poet Hugh MacDiarmid 's A Drunk Man Looks at the Thistle (1928). In this poem, MacDiarmid applies Eliot's techniques to respond to the question of nationalism, using comedic parody, in an optimistic (though no less hopeless) form of modernism in which
7504-426: The future, a similar train of events with those which have appeared in the past". However, even though custom can serve as a guide in life, it still only represents an expectation. In other words: Experience cannot establish a necessary connection between cause and effect, because we can imagine without contradiction a case where the cause does not produce its usual effect…the reason why we mistakenly infer that there
7616-405: The generation of poets represented by Eugenio Montale (with his Ossi di seppia ), Giuseppe Ungaretti (with his Allegria di naufragi ), and Umberto Saba (with his Canzoniere ) embodies modernism. This new generation broke with the tradition of Giosuè Carducci , Giovanni Pascoli , and Gabriele D'Annunzio in terms of style, language and tone. They were aware of the crisis deriving from
7728-410: The human animal. Another major precursor of modernism was Friedrich Nietzsche , especially his idea that psychological drives, specifically the " will to power ", were more important than facts, or things. Henri Bergson (1859–1941), on the other hand, emphasised the difference between scientific clock time and the direct, subjective, human experience of time. His work on time and consciousness "had
7840-545: The image’. This was extended in modernist theory which, drawing on its symbolist precursors, often emphasizes the inscrutability and failure of symbol and metaphor. For example, Wallace Stevens seeks and fails to find meaning in nature, even if he at times seems to sense such a meaning. As such, symbolists and modernists at times adopt a mystical approach to suggest a non-rational sense of meaning. For these reasons, modernist metaphors may be unnatural, as for instance in T.S. Eliot's description of an evening 'spread out against
7952-456: The improvements of [his] talents in literature". Despite the disappointment, Hume later wrote: "Being naturally of a cheerful and sanguine temper, I soon recovered from the blow and prosecuted with great ardour my studies in the country." There, in an attempt to make his larger work better known and more intelligible, he published the An Abstract of a Book lately Published as a summary of
8064-428: The last principle, explaining that, when somebody observes that one object or event consistently produces the same object or event, that results in "an expectation that a particular event (a 'cause') will be followed by another event (an 'effect') previously and constantly associated with it". Hume calls this principle custom , or habit , saying that "custom...renders our experience useful to us, and makes us expect, for
8176-400: The late 19th and early 20th centuries, and is characterised by a self-conscious separation from traditional ways of writing in both poetry and prose fiction writing. Modernism experimented with literary form and expression, as exemplified by Ezra Pound 's maxim to "Make it new". This literary movement was driven by a conscious desire to overturn traditional modes of representation and express
8288-440: The main doctrines of the Treatise , without revealing its authorship. This work contained the same ideas, but with a shorter and clearer explanation. Although there has been some academic speculation as to the pamphlet's true author, it is generally regarded as Hume's creation. After the publication of Essays Moral and Political in 1741—included in the later edition as Essays, Moral, Political, and Literary —Hume applied for
8400-519: The many writers after 1945 who resist easy inclusion into the category 'postmodern' and yet, heavily influenced by (say) American and/or European modernism, continued to manifest significant neo-modernist works, for instance Roy Fisher , Mario Petrucci and Jorge Amado . Another example of post-1945 modernism, then, would be the first modernist work of Reunionnais literature entitled Sortilèges créoles: Eudora ou l'île enchantée ( fr ), published 1952 by Marguerite-Hélène Mahé . The term Theatre of
8512-618: The menacing storm in the sky—or it is perhaps purple, surrounding a man with a monarch’s boundless ego." Modernism, with its sense that 'things fall apart,' can be seen as the apotheosis of romanticism , if romanticism is the (often frustrated) quest for metaphysical truths about character, nature, a higher power and meaning in the world. Modernism often yearns for a romantic or metaphysical centre, but later finds its collapse. This distinction between modernism and romanticism extends to their respective treatments of 'symbol'. The romantics at times see an essential relation (the 'ground') between
8624-450: The merits of the later texts alone, rather than on the more radical formulations of his early, youthful work, dismissing his philosophical debut as juvenilia : "A work which the Author had projected before he left College." Despite Hume's protestations, a consensus exists today that his most important arguments and philosophically distinctive doctrines are found in the original form they take in
8736-487: The new sensibilities of the time. The immense human costs of the First World War saw the prevailing assumptions about society reassessed, and much modernist writing engages with the technological advances and societal changes of modernity moving into the 20th century. In Modernist Literature , Mary Ann Gillies notes that these literary themes share the "centrality of a conscious break with the past", one that "emerges as
8848-582: The only work he considered successful on first publication. In 1753, Hume moved from his house on Riddles Court on the Lawnmarket to a house on the Canongate at the other end of the Royal Mile . Here he lived in a tenement known as Jack's Land, immediately west of the still surviving Shoemakers Land. Eventually, with the publication of his six-volume The History of England between 1754 and 1762, Hume achieved
8960-555: The present testimony of the senses, or the records of our memory". Hume argues that we tend to believe that things behave in a regular manner, meaning that patterns in the behaviour of objects seem to persist into the future, and throughout the unobserved present. Hume's argument is that we cannot rationally justify the claim that nature will continue to be uniform, as justification comes in only two varieties—demonstrative reasoning and probable reasoning —and both of these are inadequate. With regard to demonstrative reasoning, Hume argues that
9072-493: The press." However, he found literary success in his lifetime as an essayist, and a career as a librarian at the University of Edinburgh . These successes provided him much needed income at the time. His tenure there, and the access to research materials it provided, resulted in Hume's writing the massive six-volume The History of England , which became a bestseller and the standard history of England in its day. For over 60 years, Hume
9184-470: The problem of induction. According to Hume, we reason inductively by associating constantly conjoined events. It is the mental act of association that is the basis of our concept of causation. At least three interpretations of Hume's theory of causation are represented in the literature: Hume acknowledged that there are events constantly unfolding, and humanity cannot guarantee that these events are caused by prior events or are independent instances. He opposed
9296-504: The reliable interpreters and representatives of mainstream ("bourgeois") culture and ideas, and, instead, developed unreliable narrators , exposing the irrationality at the roots of a supposedly rational world. They also attempted to address the changing ideas about reality developed by Charles Darwin , Ernst Mach , Freud , Albert Einstein , Nietzsche , Bergson and others. From this developed innovative literary techniques such as stream-of-consciousness, interior monologue , as well as
9408-483: The same year as Miroslav Krleža 's Ballads of Petrica Kerempuh . Then in 1939 James Joyce 's Finnegans Wake appeared. It was in this year that another Irish modernist, W. B. Yeats , died. In poetry, E. E. Cummings , and Wallace Stevens continued writing into the 1950s. It was in this period when T. S. Eliot began writing what would become his final major poetic work, Four Quartets . Eliot shifted focus in this period, writing several plays, including Murder in
9520-452: The sky / Like a patient etherized upon a table'. In the 1880s, increased attention was given to the idea that it was necessary to push aside previous norms entirely, instead of merely revising past knowledge in light of contemporary techniques. The theories of Sigmund Freud (1856–1939) and Ernst Mach (1838–1916) influenced early Modernist literature. Ernst Mach argued that the mind had a fundamental structure, and that subjective experience
9632-421: The slave of the passions ." Hume was also a sentimentalist who held that ethics are based on emotion or sentiment rather than abstract moral principle. He maintained an early commitment to naturalistic explanations of moral phenomena and is usually accepted by historians of European philosophy to have first clearly expounded the is–ought problem , or the idea that a statement of fact alone can never give rise to
9744-528: The street was named after Hume. His tomb stands, as he wished it, on the southwestern slope of Calton Hill , in the Old Calton Cemetery . Adam Smith later recounted Hume's amusing speculation that he might ask Charon , Hades ' ferryman, to allow him a few more years of life in order to see "the downfall of some of the prevailing systems of superstition". The ferryman replied, "You loitering rogue, that will not happen these many hundred years.… Get into
9856-618: The success of the History . In 1762 Hume moved from Jack's Land on the Canongate to James Court on the Lawnmarket . He sold the house to James Boswell in 1766. From 1763 to 1765, Hume was invited to attend Lord Hertford in Paris , where he became secretary to the British embassy in France . Hume was well received among Parisian society, and while there he met with Isaac de Pinto . In 1765, Hume served as
9968-506: The symbol (or the 'vehicle', in I.A. Richards 's terms) and its 'tenor' (its meaning)—for example in Coleridge's description of nature as 'that eternal language which thy God / Utters'. But while some romantics may have perceived nature and its symbols as God's language, for other romantic theorists it remains inscrutable. As Goethe (not himself a romantic) said, ‘the idea [or meaning] remains eternally and infinitely active and inaccessible in
10080-479: The term late modernism has been redefined by at least one critic and used to refer to works written after 1945, rather than 1930. With this usage goes the idea that the ideology of modernism was significantly re-shaped by the events of World War II , especially the Holocaust and the dropping of the atom bomb. Taking this further, instead of attempting to impose some arbitrary 'end-date' on modernism, one may acknowledge
10192-552: The title Modern literature . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Modern_literature&oldid=1058196012 " Categories : Disambiguation pages Literature of the late modern period Hidden categories: Short description is different from Wikidata All article disambiguation pages All disambiguation pages Literary modernism Modernist literature originated in
10304-768: The transition from Victorianism to Modernism occurred". Clement Greenberg sees Modernism ending in the 1930s, with the exception of the visual and performing arts. In fact, many literary modernists lived into the 1950s and 1960s, though generally speaking they were no longer producing major works. The term late modernism is sometimes applied to modernist works published after 1930. Among modernists (or late modernists) still publishing after 1945 were Wallace Stevens , Gottfried Benn , T. S. Eliot , Anna Akhmatova , William Faulkner , Dorothy Richardson , John Cowper Powys , and Ezra Pound . Basil Bunting , born in 1901, published his most important modernist poem Briggflatts in 1965. In addition Hermann Broch 's The Death of Virgil
10416-452: The trilogy To Damascus 1898–1901, A Dream Play (1902), and The Ghost Sonata (1907). Initially, some modernists fostered a utopian spirit, stimulated by innovations in anthropology , psychology , philosophy , political theory , physics and psychoanalysis . The poets of the Imagist movement , founded by Ezra Pound in 1912 as a new poetic style, gave modernism its early start in
10528-566: The two brothers and their sister on her own. Hume changed his family name's spelling in 1734, as the surname 'Home' (pronounced as 'Hume') was not well-known in England. Hume never married and lived partly at his Chirnside family home in Berwickshire, which had belonged to the family since the 16th century. His finances as a young man were very "slender", as his family was not rich; as a younger son he had little patrimony to live on. Hume attended
10640-491: The uniformity principle cannot be demonstrated, as it is "consistent and conceivable" that nature might stop being regular. Turning to probable reasoning, Hume argues that we cannot hold that nature will continue to be uniform because it has been in the past. As this is using the very sort of reasoning (induction) that is under question, it would be circular reasoning . Thus, no form of justification will rationally warrant our inductive inferences. Hume's solution to this problem
10752-564: The unreliable narrator Modern Kannada literature , in the Kannada language, spoken mainly in the Indian state of Karnataka Modern African literature Modern Arabic literature Modern Greek literature , in common Modern Greek, from the late Byzantine era in the 11th century AD Modern Tajik literature Modern world literature Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with
10864-418: The use of multiple points-of-view. This can reflect doubts about the philosophical basis of realism , or alternatively an expansion of our understanding of what is meant by realism. For example, the use of stream-of-consciousness or interior monologue reflects the need for greater psychological realism. It is debatable when the modernist literary movement began, though some have chosen 1910 as roughly marking
10976-410: The ways in which ordinary propositions about objects, causal relations, the self, and so on, are semantically equivalent to propositions about one's experiences. Many commentators have since rejected this understanding of Humean empiricism, stressing an epistemological (rather than a semantic ) reading of his project. According to this opposing view, Hume's empiricism consisted in the idea that it
11088-455: The widely accepted theory of causation that 'all events have a specific course or reason'. Therefore, Hume crafted his own theory of causation, formed through his empiricist and sceptic beliefs. He split causation into two realms: "All the objects of human reason or enquiry may naturally be divided into two kinds, to wit, Relations of Ideas, and Matters of Fact." Relations of Ideas are a priori and represent universal bonds between ideas that mark
11200-833: Was a Scottish philosopher, historian, economist, and essayist who was best known for his highly influential system of empiricism , philosophical scepticism and metaphysical naturalism . Beginning with A Treatise of Human Nature (1739–40), Hume strove to create a naturalistic science of man that examined the psychological basis of human nature. Hume followed John Locke in rejecting the existence of innate ideas , concluding that all human knowledge derives solely from experience. This places him with Francis Bacon , Thomas Hobbes , John Locke, and George Berkeley as an empiricist. Hume argued that inductive reasoning and belief in causality cannot be justified rationally; instead, they result from custom and mental habit. We never actually perceive that one event causes another but only experience
11312-794: Was a co-founder of the Royal Society of Edinburgh in 1783. He was a Professor of Scots Law at Edinburgh University and rose to be Principal Clerk of Session in the Scottish High Court and Baron of the Exchequer. He is buried with his uncle in Old Calton Cemetery. In the last year of his life, Hume wrote an extremely brief autobiographical essay titled "My Own Life", summing up his entire life in "fewer than 5 pages"; it contains many interesting judgments that have been of enduring interest to subsequent readers of Hume. Donald Seibert (1984),
11424-454: Was afflicted with a ravenous appetite and palpitations . After eating well for a time, he went from being "tall, lean and raw-bon'd" to being "sturdy, robust [and] healthful-like." Indeed, Hume would become well known for being obese and having a fondness for good port and cheese, often using them as philosophical metaphors for his conjectures. Despite having noble ancestry, Hume had no source of income and no learned profession by age 25. As
11536-496: Was based on the interplay of parts of the mind in The Science of Mechanics (1883). Freud's first major work was Studies on Hysteria (with Josef Breuer ; 1895). According to Freud, all subjective reality was based on the play of basic drives and instincts, through which the outside world was perceived. As a philosopher of science, Ernst Mach was a major influence on logical positivism , and through his criticism of Isaac Newton ,
11648-501: Was born on 26 April 1711, as David Home, in a tenement on the north side of Edinburgh 's Lawnmarket . He was the second of two sons born to Catherine Home ( née Falconer ), daughter of Sir David Falconer of Newton, Midlothian and his wife Mary Falconer (née Norvell), and Joseph Home of Chirnside in the County of Berwick , an advocate of Ninewells . Joseph died just after David's second birthday. Catherine, who never remarried, raised
11760-460: Was combined by Carl Jung (1875–1961) with the idea of the collective unconscious , which the conscious mind either fought or embraced. While Charles Darwin 's work remade the Aristotelian concept of "man, the animal" in the public mind, Jung suggested that human impulses toward breaking social norms were not the product of childishness or ignorance, but rather derived from the essential nature of
11872-596: Was common at his time, he became a merchant 's assistant, despite having to leave his native Scotland. He travelled via Bristol to La Flèche in Anjou , France. There he had frequent discourse with the Jesuits of the College of La Flèche . Hume was derailed in his attempts to start a university career by protests over his alleged " atheism ", also lamenting that his literary debut, A Treatise of Human Nature , "fell dead-born from
11984-469: Was envoy to the courts of Turin and Vienna . At that time Hume wrote Philosophical Essays Concerning Human Understanding , later published as An Enquiry Concerning Human Understanding . Often called the First Enquiry , it proved little more successful than the Treatise , perhaps because of the publication of his short autobiography My Own Life , which "made friends difficult for the first Enquiry". By
12096-460: Was not unacceptable to the young and careless, as well as to the studious and literary", noting of his complex relation to religion, as well as to the state, that "though I wantonly exposed myself to the rage of both civil and religious factions, they seemed to be disarmed in my behalf of their wonted fury". He goes on to profess of his character: "My friends never had occasion to vindicate any one circumstance of my character and conduct." Hume concludes
12208-446: Was published in 1928, while another important landmark for the history of the modern novel came with the publication of William Faulkner 's The Sound and the Fury in 1929. The 1920s would prove to be watershed years in modernist poetry. In this period, T. S. Eliot published some of his most notable poetic works, including The Waste Land , The Hollow Men , and Ash Wednesday . In
12320-774: Was published in 1945 and Thomas Mann 's Doctor Faustus in 1947 (early works by Thomas Mann , The Magic Mountain (1924), and Death in Venice (1912) are sometimes considered modernist). Samuel Beckett , who died in 1989, has been described as a "later modernist". Beckett is a writer with roots in the expressionist tradition of modernism, who produced works from the 1930s until the 1980s, including Molloy (1951), En attendant Godot (1953), Happy Days (1961) and Rockaby (1981). The terms minimalist and post-modernist have also been applied to his later works. The poets Charles Olson (1910–1970) and J. H. Prynne (b. 1936) have been described as late modernists. More recently
12432-447: Was seen as a forerunner of logical positivism , a form of anti- metaphysical empiricism. According to the logical positivists (in summary of their verification principle ), unless a statement could be verified by experience, or else was true or false by definition (i.e., either tautological or contradictory ), then it was meaningless. Hume, on this view, was a protopositivist, who, in his philosophical writings, attempted to demonstrate
12544-405: Was the dominant interpreter of English history. He described his "love for literary fame" as his "ruling passion" and judged his two late works, the so-called "first" and "second" enquiries, An Enquiry Concerning Human Understanding and An Enquiry Concerning the Principles of Morals , as his greatest literary and philosophical achievements. He would ask of his contemporaries to judge him on
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