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Mitridate, re di Ponto

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Mitridate, re di Ponto ( Mithridates , King of Pontus ), K. 87 (74a) , is an opera seria in three acts by the young Wolfgang Amadeus Mozart . The libretto is by Vittorio Amedeo Cigna-Santi  [ it ] , after Giuseppe Parini 's Italian translation of Jean Racine 's play Mithridate .

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46-602: Mozart wrote Mitridate while touring Italy in 1770. The musicologist Daniel E. Freeman has demonstrated that it was composed with close reference to the opera La Nitteti by Josef Mysliveček . The latter was the opera being prepared for production in Bologna when Mozart met Mysliveček for the first time with his father in March 1770. Mysliveček visited the Mozarts frequently in Bologna during

92-426: A BMus or a BA in music (or a related field such as history) and in many cases an MA in musicology. Some individuals apply directly from a bachelor's degree to a PhD, and in these cases, they may not receive an MA. In the 2010s, given the increasingly interdisciplinary nature of university graduate programs, some applicants for musicology PhD programs may have academic training both in music and outside of music (e.g.,

138-506: A graduate school , supervising MA and PhD students, giving them guidance on the preparation of their theses and dissertations. Some musicology professors may take on senior administrative positions in their institution, such as Dean or Chair of the School of Music. The vast majority of major musicologists and music historians from past generations have been men, as in the 19th century and early 20th century; women's involvement in teaching music

184-435: A PhD from Harvard University . One of her best known works is Feminine Endings (1991), which covers musical constructions of gender and sexuality, gendered aspects of traditional music theory, gendered sexuality in musical narrative, music as a gendered discourse and issues affecting women musicians. Other notable women scholars include: A list of open-access European journals in the domains of music theory and/or analysis

230-413: A close focus, as in the case of scholars who examine the relationship between words and music for a given composer's art songs . On the other hand, some scholars take a broader view and assess the place of a given type of music, such as the symphony in society using techniques drawn from other fields, such as economics, sociology or philosophy. New musicology is a term applied since the late 1980s to

276-776: A heavy defeat in battle, is presumed dead. This incorrect news is passed by Arbate, the Governor, to Aspasia (Mitridate's fiancée) and to Farnace and Sifare (Mitridate's sons). Scene 1 Arbate, the governor of Nymphæum, welcomes Sifare. We learn that Sifare resents his brother, Farnace, because of his brother’s strong ties with their enemies, the Romans. Arbate pledges his loyalty to Sifare. Aspasia pleads for Sifare to help her against advances by Farnace. He accepts her plea and reveals his love for her. Scene 2 Farnace makes his advances to Aspasia. She refuses, supported by Sifare, who protects her from his forceful brother. News arrives that Mitridate

322-532: A historical instrument is usually part of conservatory or other performance training. However, many top researchers in performance practice are also excellent musicians. Music performance research (or music performance science) is strongly associated with music psychology. It aims to document and explain the psychological, physiological, sociological and cultural details of how music is actually performed (rather than how it should be performed). The approach to research tends to be systematic and empirical and to involve

368-521: A soprano aria from the opera Mitridate, re di Ponto , written at age 14. It was performed that year in Paris by Camille Fourrier. List of operas by Mozart Notes Sources Daniel E. Freeman Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and

414-731: A strong record of publishing in peer-reviewed journals. Some PhD-holding musicologists are only able to find insecure positions as sessional lecturers . The job tasks of a musicologist are the same as those of a professor in any other humanities discipline: teaching undergraduate and/or graduate classes in their area of specialization and, in many cases some general courses (such as Music Appreciation or Introduction to Music History); conducting research in their area of expertise, publishing articles about their research in peer-reviewed journals, authors book chapters, books or textbooks; traveling to conferences to give talks on their research and learn about research in their field; and, if their program includes

460-442: A student may apply with a BMus and an MA in psychology). In music education, individuals may hold an M.Ed and an Ed.D . Most musicologists work as instructors, lecturers or professors in colleges, [universities or conservatories. The job market for tenure track professor positions is very competitive. Entry-level applicants must hold a completed PhD or the equivalent degree and applicants to more senior professor positions must have

506-681: A substantial, intensive fieldwork component, often involving long-term residence within the community studied. Closely related to ethnomusicology is the emerging branch of sociomusicology . For instance, Ko (2011) proposed the hypothesis of "Biliterate and Trimusical" in Hong Kong sociomusicology. Popular music studies, known, "misleadingly", as popular musicology , emerged in the 1980s as an increasing number of musicologists, ethnomusicologists and other varieties of historians of American and European culture began to write about popular music past and present. The first journal focusing on popular music studies

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552-525: A wide body of work emphasizing cultural study, analysis and criticism of music. Such work may be based on feminist , gender studies , queer theory or postcolonial theory, or the work of Theodor W. Adorno . Although New Musicology emerged from within historical musicology, the emphasis on cultural study within the Western art music tradition places New Musicology at the junction between historical, ethnological and sociological research in music. New musicology

598-425: Is a field of study that describes the elements of music and includes the development and application of methods for composing and for analyzing music through both notation and, on occasion, musical sound itself. Broadly, theory may include any statement, belief or conception of or about music ( Boretz , 1995) . A person who studies or practices music theory is a music theorist. Some music theorists attempt to explain

644-486: Is alive and is approaching the city. Arbate urges the brothers to conceal their differences and greet their father. The brothers agree to hide their feelings for Aspasia. Farnace conspires with Marzio, Roman legionary officer, against Mitridate. Scene 3 Mitridate arrives on the shores of Nymphæaum with Princess Ismene, daughter of his ally the King of Parthia . Mitridate wants Farnace to marry Ismene, his promised bride. Ismene

690-494: Is concerned with the composition, performance, reception and criticism of music over time. Historical studies of music are for example concerned with a composer's life and works, the developments of styles and genres (such as baroque concertos), the social function of music for a particular group of people, (such as court music), or modes of performance at a particular place and time (such as Johann Sebastian Bach's choir in Leipzig). Like

736-409: Is in love with Farnace but senses problems and is worried about her future. Arbate tells Mitridate that Farnace is pursuing Aspasia, not mentioning Sifare. The jealous Mitridate swears revenge on Farnace. Scene 1 Farnace scorns and threatens Ismene. She tells Mitridate, who suggests that she should marry Sifare. Mitridate asks Aspasia for immediate marriage but she hesitates, proving to him that she

782-470: Is often a part of music history, though pure analysis or the development of new tools of music analysis is more likely to be seen in the field of music theory. Music historians create a number of written products, ranging from journal articles describing their current research, new editions of musical works, biographies of composers and other musicians, book-length studies or university textbook chapters or entire textbooks. Music historians may examine issues in

828-486: Is sometimes considered more closely affiliated with health fields, and other times regarded as part of musicology proper. The 19th-century philosophical trends that led to the re-establishment of formal musicology education in German and Austrian universities had combined methods of systematization with evolution. These models were established not only in the field of physical anthropology , but also cultural anthropology . This

874-445: Is traditionally divided into three branches: music history , systematic musicology , and ethnomusicology . Historical musicologists study the history of musical traditions, the origins of works, and the biographies of composers. Ethnomusicologists draw from anthropology (particularly field research ) to understand how and why people make music. Systematic musicology includes music theory , aesthetics , pedagogy , musical acoustics ,

920-495: Is typically assumed to imply Western Art music of the European tradition. The methods of historical musicology include source studies (especially manuscript studies), palaeography , philology (especially textual criticism ), style criticism, historiography (the choice of historical method ), musical analysis (analysis of music to find "inner coherence") and iconography . The application of musical analysis to further these goals

966-820: Is unfaithful. Aspasia confesses love to Sifare but they both agree to part to save their honour. Sifare plans to leave and Aspasia is troubled by the conflict between love and duty. Scene 2 Mitridate is aware of Farnace's plot against him with the Romans; he plans his revenge, despite Marzio’s offer of peace, and arrests Farnace to execute him. Ismene rescues the prince, who admits his treachery but implicates Sifare. Mitridate tricks Aspasia into admitting her love for Sifare and swears revenge. Aspasia and Sifare wish to die together, in fear of Mitridate’s threats. Scene 1 Ismene, still in love with Farnace, tries to convince Mitridate to forgive Aspasia. The Romans attack and Mitridate leaves for battle. Aspasia contemplates suicide by poison. Sifare also wants to die, and joins his father in

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1012-706: The American Council of Learned Societies , the Newberry Library , and the National Endowment for the Humanities . Besides his monographs, Freeman has published essays on Italian opera of the seventeenth and eighteenth centuries, eighteenth-century keyboard music, and the music of Wolfgang Amadeus Mozart , Johann Sebastian Bach , the Bach sons, Antonio Vivaldi , and Josquin des Prez . He has also published editions of

1058-922: The Bohemian lands . He is also active as a pianist and music editor . He was born in Everett, Washington , but raised in Merrill, Wisconsin , from early childhood. He earned a B.Mus. degree in piano performance at the University of Wisconsin–Madison in 1981 and also studied piano as a non-degree candidate at Indiana University with James Tocco . He studied musicology at the University of Illinois at Urbana-Champaign ( M.Mus , 1983, Ph.D. , 1987), where his teachers included Bruno Nettl , John Walter Hill, Nicholas Temperley , and Herbert Kellman. His dissertation "The Opera Theater of Count Franz Anton von Sporck in Prague (1724–1735)"

1104-582: The University of Illinois, the University of Southern California , and the University of Minnesota , where he is a lecturer and has also served as a ballet accompanist for the dance department. Between 2002 and 2023, he appeared frequently as a resident associate of the Smithsonian Institution . His research has been supported by grants from the International Research & Exchanges Board ,

1150-504: The battle. Scene 2 Marzio liberates Farnace and promises him the rule of Nymphæum. Farnace changes his mind, deciding to side with Mitridate. Scene 3 Defeated, Mitridate commits suicide, avoiding captivity. Before he dies he gives his blessing to Sifare and Aspasia and forgives Farnace, who now agrees to marry Ismene. All four pledge to free the world from Rome. Act 1 Act 2 Act 3 In 1901, Charles Malherbe located previously uncatalogued works of Mozart, including

1196-567: The collection and analysis of both quantitative and qualitative data. The findings of music performance research can often be applied in music education. Musicologists in tenure track professor positions typically hold a PhD in musicology. In the 1960s and 1970s, some musicologists obtained professor positions with an MA as their highest degree, but in the 2010s, the PhD is the standard minimum credential for tenure track professor positions. As part of their initial training, musicologists typically complete

1242-505: The comparable field of art history , different branches and schools of historical musicology emphasize different types of musical works and approaches to music. There are also national differences in various definitions of historical musicology. In theory, "music history" could refer to the study of the history of any type or genre of music, such as the music of India or rock music . In practice, these research topics are more often considered within ethnomusicology and "historical musicology"

1288-419: The creation of melody . Music psychology applies the content and methods of psychology to understand how music is created, perceived, responded to, and incorporated into individuals' and societies' daily lives. Its primary branches include cognitive musicology , which emphasizes the use of computational models for human musical abilities and cognition, and the cognitive neuroscience of music , which studies

1334-590: The music of Josef Mysliveček and Giovanni Benedetto Platti and was a contributor to the New Grove Dictionary of Opera (1992) and the revised New Grove Dictionary of Music and Musicians (2001). Freeman's essay "An 18th-Century Singer’s Commission of ‘Baggage’ Arias," originally published in the journal Early Music in 1992, was re-printed as a classic study about baroque opera in Opera Remade, 1700–1750 (Farnham: Ashgate, 2010). In October 2022, Freeman

1380-485: The same subject matter. Freeman's biography of Josef Mysliveček is partially the basis (along with material from the 2015 documentary film Zpověď zapomenutého ) of the screenplay for the film Il Boemo (2022), written by Czech film director Petr Václav . The film was selected by the Czech Republic as its entry for Best International Feature Film at the 95th Academy Awards . Freeman has taught music history at

1426-417: The scholarly concerns once associated with new musicology already were mainstream in musicology, so that the term "new" no longer applies. Ethnomusicology , formerly comparative musicology, is the study of music in its cultural context. It is often considered the anthropology or ethnography of music. Jeff Todd Titon has called it the study of "people making music". Although it is most often concerned with

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1472-434: The science and technology of musical instruments , and the musical implications of physiology, psychology, sociology, philosophy and computing. Cognitive musicology is the set of phenomena surrounding the cognitive modeling of music. When musicologists carry out research using computers, their research often falls under the field of computational musicology . Music therapy is a specialized form of applied musicology which

1518-413: The structural relationships in the (nearly always notated) music. Composers study music theory to understand how to produce effects and structure their own works. Composers may study music theory to guide their precompositional and compositional decisions. Broadly speaking, music theory in the Western tradition focuses on harmony and counterpoint , and then uses these to explain large scale structure and

1564-519: The study of non-Western music, it also includes the study of Western music from an anthropological or sociological perspective, cultural studies and sociology as well as other disciplines in the social sciences and humanities. Some ethnomusicologists primarily conduct historical studies, but the majority are involved in long-term participant observation or combine ethnographic, musicological, and historical approaches in their fieldwork. Therefore, ethnomusicological scholarship can be characterized as featuring

1610-525: The summer of 1770 while Wolfgang was working on Mitridate . Mozart gained expertise in composition from his older friend and also incorporated some of his musical motifs into his own operatic setting. The opera was first performed at the Teatro Regio Ducale , Milan, on 26 December 1770 (at the Milan Carnival). It was a success, performed 21 times despite doubts because of Mozart's extreme youth – he

1656-648: The techniques composers use by establishing rules and patterns. Others model the experience of listening to or performing music. Though extremely diverse in their interests and commitments, many Western music theorists are united in their belief that the acts of composing, performing and listening to music may be explicated to a high degree of detail (this, as opposed to a conception of musical expression as fundamentally ineffable except in musical sounds). Generally, works of music theory are both descriptive and prescriptive, attempting both to define practice and to influence later practice. Musicians study music theory to understand

1702-501: The theory, analysis and composition of music. The disciplinary neighbors of musicology address other forms of art, performance, ritual, and communication, including the history and theory of the visual and plastic arts and architecture; linguistics , literature and theater ; religion and theology ; and sport. Musical knowledge is applied within medicine, education and music therapy—which, effectively, are parent disciplines of applied musicology. Music history or historical musicology

1748-433: The way that music perception and production manifests in the brain using the methodologies of cognitive neuroscience . While aspects of the field can be highly theoretical, much of modern music psychology seeks to optimize the practices and professions of music performance, composition, education and therapy. Performance practice draws on many of the tools of historical musicology to answer the specific question of how music

1794-559: Was Popular Music which began publication in 1981. The same year an academic society solely devoted to the topic was formed, the International Association for the Study of Popular Music . The association's founding was partly motivated by the interdisciplinary agenda of popular musicology though the group has been characterized by a polarized 'musicological' and 'sociological' approach also typical of popular musicology. Music theory

1840-426: Was 14 at the time. No revival took place until the 20th century. The opera features virtuoso arias for the principal roles, but only two ensemble numbers: the act 2 ending duet between Aspasia and Sifare ("Se viver non degg’io"), and the brief quintet that ends the opera in a manner characteristic of standard baroque opera seria where the opera ends with a short coro or tutti number. Mitridate, having suffered

1886-539: Was a reaction against traditional historical musicology, which according to Susan McClary , "fastidiously declares issues of musical signification off-limits to those engaged in legitimate scholarship." Charles Rosen , however, retorts that McClary, "sets up, like so many of the 'new musicologists', a straw man to knock down, the dogma that music has no meaning, and no political or social significance." Today, many musicologists no longer distinguish between musicology and new musicology since it has been recognized that many of

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1932-639: Was awarded a silver medal from the Faculty of Arts of Charles University in Prague for his efforts in promoting the music of Czech composers outside of the Czech homelands. Musicologist Musicology (from Greek μουσική mousikē 'music' and -λογια -logia , 'domain of study') is the scholarly study of music . Musicology research combines and intersects with many fields, including psychology , sociology , acoustics , neurology , natural sciences , formal sciences and computer science . Musicology

1978-594: Was influenced by Hegel 's ideas on ordering "phenomena" which can be understood & distinguished from simple to complex stages of evolution. They are further classified into primitive & developed sections; whereas the particular stages of history are understood & distinguished as ancient to modern . Comparative methods became more widespread in musicology beginning around 1880. The parent disciplines of musicology include: Musicology also has two central, practically oriented sub-disciplines with no parent discipline: performance practice and research, and

2024-571: Was mainly in elementary and secondary music teaching . Nevertheless, some women musicologists have reached the top ranks of the profession. Carolyn Abbate (born 1956) is an American musicologist who did her PhD at Princeton University . She has been described by the Harvard Gazette as "one of the world's most accomplished and admired music historians". Susan McClary (born 1946) is a musicologist associated with new musicology who incorporates feminist music criticism in her work. McClary holds

2070-566: Was performed in various places at various times in the past. Although previously confined to early music, recent research in performance practice has embraced questions such as how the early history of recording affected the use of vibrato in classical music or instruments in Klezmer . Within the rubric of musicology, performance practice tends to emphasize the collection and synthesis of evidence about how music should be performed. The important other side, learning how to sing authentically or perform

2116-541: Was revised and published in 1992 as the first monograph devoted to the musical cultural of eighteenth-century Prague or the Bohemian lands ever written in English. This work has been followed by two other books concerned with music-making in eighteenth-century Prague: Josef Mysliveček, "Il Boemo" (2009) and Mozart in Prague (2013). No other musicologist of any nationality has succeeded in completing three separate monographs on

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