96-601: Millicent Dolly May Small CD (6 October 1947 – 5 May 2020) was a Jamaican singer who is best known for her international hit " My Boy Lollipop " (1964). The song reached number two in both the UK and US charts and sold over seven million copies worldwide. It was also the first major hit for Island Records and helped to achieve the label its mainstream success. She was the Caribbean's first international recording star and its most successful female performer. Millicent Dolly May Small
192-537: A Little Tenderness ". Redding was born in Dawson, Georgia , the fourth of six children, and the first son of Otis Redding Sr. and Fannie Roseman. Redding Sr. was a sharecropper and then worked at Robins Air Force Base , near Macon , and occasionally preached in local churches. When Redding was three, the family moved to Tindall Heights, a predominantly African-American public housing project in Macon. At an early age, he sang in
288-604: A Ska Spectacular show at the 1964 New York World's Fair . Her first album, More Millie , contained a varied selection of songs arranged by Ranglin. In the US it was issued as My Boy Lollipop , with a slightly different selection of tracks. Her early Jamaican recordings were also reissued to take advantage of her popularity. She appeared on the 1964 Beatles TV special Around the Beatles . On 28 December 1964 she also appeared in ITV's Play of
384-590: A brawnier delivery" and later suggested he "could testify like a hell-bent preacher , croon like a tender lover or get down and dirty with a bluesy yawp". Redding received advice from Rufus Thomas about his clumsy stage appearance. Jerry Wexler said Redding "didn't know how to move ", and stood still, moving only his upper body, although he acknowledged that Redding was well received by audiences for his strong message. Guralnick described Redding's painful vulnerability in Sweet Soul Music , as an attractive one for
480-517: A country other than Jamaica. The former are made Members of the Order, and the latter are made Honorary Members. The Order has two ranks: the higher class of Commander, and the lower class of Officer. Commanders take place and precedence immediately after Members and Honorary Members of the Order of Jamaica . A Member or Honorary Member may be promoted from the rank of Officer to that of Commander. Commanders of
576-554: A gasoline station attendant, and occasionally as a musician. Pianist Gladys Williams, a locally well-known musician in Macon and another who inspired Redding, often performed at the Hillview Springs Social Club, and Redding sometimes played piano with her band there. Williams hosted Sunday talent shows, which Redding attended with two friends, singers Little Willie Jones and Eddie Ross. Redding's breakthrough came in 1958 on disc jockey Hamp Swain 's "The Teenage Party",
672-551: A listen. There was something different about [the ballad]. He really poured his soul into it." Stewart signed Redding and released "These Arms of Mine", with "Hey Hey Baby" on the B-side . The single was released by Volt in October 1962 and charted in March the following year. It became one of his most successful songs, selling more than 800,000 copies. "These Arms of Mine" and other songs from
768-518: A live album for Atlantic Records. Redding and his band were paid $ 400 per week (US$ 3,981 in 2023 dollars) but had to pay $ 450 (US$ 4,478 in 2023 dollars) for sheet music for the house band, led by King Curtis , which left them in financial difficulty. The trio asked Walden for money. Huckaby's description of their circumstances living in the "big old raggedy" Hotel Theresa is quoted by Peter Guralnick in his 1999 book Sweet Soul Music . He noted meeting Muhammad Ali and other celebrities. Ben E. King , who
864-469: A million dollars in 1967 alone. That year, one columnist said, "he sold more records than Frank Sinatra and Dean Martin combined." After the release of Otis Blue , Redding became a "catalogue" artist, meaning his albums were not immediate blockbusters, but rather sold steadily over time. By 1967, the band was traveling to performances in Redding's Beechcraft H18 airplane. On December 9, they appeared on
960-640: A rare public appearance in Jamaica to receive the Medal of Appreciation from Prime Minister Edward Seaga . In 2006, she was said to be making new recordings after some years spent writing, painting, and raising her daughter. On 6 August 2011, the 49th anniversary of Jamaica's independence, the Governor-General made Small a Commander in the Order of Distinction for her contribution to the Jamaican music industry. The award
1056-458: A run of local hits, including "We'll Meet". They had further successes working with Dodd, as well with producer Lindon Pottinger , including the local hit "Marie" in 1963; and then with Prince Buster . Her popularity brought her to the attention of Anglo-Jamaican entrepreneur Chris Blackwell , who was convinced of her wider international potential, and became her manager and legal guardian. In late 1963 he took her to Forest Hill , London, where she
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#17329169605761152-675: A single in 1961, under the title "Shout Bamalama"). A member of Pat T. Cake and the Mighty Panthers, Redding toured the Southern United States on the Chitlin' Circuit , a string of venues that were hospitable to African-American entertainers during the era of racial segregation , which lasted into the early 1960s. Johnny Jenkins left the band to become the featured artist with the Pinetoppers. Around this time, Redding met Phil Walden ,
1248-411: A slow tempo. Disc jockey A. C. Moohah Williams accordingly labeled him "Mr. Pitiful", and subsequently, Cropper and Redding wrote the eponymous song . That and top 100 singles " Chained and Bound", "Come to Me" and "That's How Strong My Love Is" were included on Redding's second studio album, The Great Otis Redding Sings Soul Ballads , released in March 1965. Jenkins began working independently from
1344-520: A stroke, aged 72. News of her death was first announced to the Jamaica Observer by Island Records founder Chris Blackwell, who last met Small some 12 years before her death. He remembered her as "a very special sweet person" with a "great sense of humour". Blackwell also credited her for popularising ska on an international level from 1964 as "it was her first hit record". Source: Order of Distinction The Order of Distinction ( OD )
1440-556: A talent contest at the local Roxy and Douglass Theatres . Johnny Jenkins , a locally prominent guitarist, was in the audience and, finding Redding's backing band lacking in musical skills, offered to accompany him. Redding sang Little Richard's "Heebie Jeebies". The combination enabled Redding to win Swain's talent contest for fifteen consecutive weeks; the cash prize was $ 5 (US$ 53 in 2023 dollars). Jenkins later worked as lead guitarist and played with Redding during several later gigs. Redding
1536-600: A version of the Rolling Stones ' " Satisfaction ". Redding and his backing band (Booker T. & the M.G.'s with the Mar-Keys horn section ) opened with Cooke's " Shake ", after which he delivered an impromptu speech, asking the audience if they were the "love crowd" and looking for a big response . The ballad "I've Been Loving You" followed. The last song was "Try a Little Tenderness", including an additional chorus. "I got to go, y'all, I don't wanna go," said Redding, and left
1632-597: A wider American pop music audience. Along with his group, he first played small shows in the American South. Redding later performed at the popular Los Angeles night club Whisky a Go Go and toured Europe, performing in London , Paris and other major cities. In 1967, he performed at the Monterey Pop Festival . Shortly before his death in a plane crash , Redding wrote and recorded his iconic " (Sittin' On) The Dock of
1728-544: Is a national order in the Jamaican honours system . It is the sixth in order of precedence of the Orders of Societies of Honour, which were instituted by an Act of Parliament ( The National Honours and Awards Act ) in 1968. The motto of the Order is "Distinction Through Service". The Order of Distinction is conferred upon citizens of Jamaica who have rendered outstanding and important services to Jamaica, or to distinguished citizens of
1824-583: Is more than impassioned speech but less than singing with precise pitch." According to the book, "Redding finds a rough midpoint between impassioned oratory and conventional singing. His delivery overflows with emotion" in his song "I Can't Turn You Loose". Booker T. Jones described Redding's singing as energetic and emotional but said that his vocal range was limited, reaching neither low nor high notes. Peter Buckley, in The Rough Guide to Rock , describes his "gruff voice, which combined Sam Cooke's phrasing with
1920-462: Is regarded as one of the greatest singer-songwriters in the history of American popular music and a seminal artist in soul music and rhythm and blues . Nicknamed the " King of Soul ", Redding's style of singing gained inspiration from the gospel music that preceded the genre. His vocal style influenced many other soul artists of the 1960s. Redding was born in Dawson, Georgia , and his family soon moved to Macon . He dropped out of high school at
2016-500: Is the formula that makes "soul music" successful. When any music form becomes cluttered and/or complicated you lose the average listener's ear. There is nothing more beautiful than a simple blues tune. There is beauty in simplicity whether you are talking about architecture, art or music. Redding also authored his (sometimes difficult) recordings' horn arrangements, humming to show the players what he had in mind. The recording of "Fa-Fa-Fa-Fa-Fa (Sad Song)" captures his habit of humming with
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#17329169605762112-572: The Los Angeles Times , and he penetrated mainstream popular culture. Bob Dylan attended the performance and offered Redding an altered version of one of his songs, " Just Like a Woman ". In late 1966, Redding returned to the Stax studio and recorded several tracks, including " Try a Little Tenderness ", written by Jimmy Campbell, Reg Connelly and Harry M. Woods in 1932. This song had previously been recorded by Bing Crosby and Frank Sinatra , and
2208-621: The Upbeat television show produced in Cleveland . They played three concerts in two nights at a club called Leo's Casino. After a phone call with his wife and children, Redding's next stop was Madison, Wisconsin ; the next day, Sunday, December 10, they were to play at the Factory nightclub, near the University of Wisconsin . Although the weather was poor, with heavy rain and fog, and despite warnings,
2304-644: The Billboard Hot 100 and the first posthumous number-one single in U.S. chart history. It sold approximately four million copies worldwide and received more than eight million airplays. The album The Dock of the Bay was the first posthumous album to reach the top spot on the UK Albums Chart . Shortly after Redding's death, Atlantic Records, distributor of the Stax/Volt releases, was purchased by Warner Bros. Stax
2400-907: The Otis Blue session. "Respect" and "I've Been Loving You" were later recut in stereo. The album, titled Otis Blue: Otis Redding Sings Soul , was released in September 1965. Otis Blue also includes Redding's much-loved cover of "A Change Is Gonna Come" in 1965. Redding's success allowed him to buy a 300-acre (1.2 km ) ranch in Georgia, which he called the "Big O Ranch". Stax was also doing well. Walden signed more musicians, including Percy Sledge , Johnnie Taylor , Clarence Carter and Eddie Floyd , and together with Redding, they founded two production companies. "Jotis Records" (derived from J oe Galkin and Otis ) released four recordings, two by Arthur Conley and one by Billy Young and Loretta Williams. The other
2496-714: The United States Post Office issued a 29-cent commemorative postage stamp in his honor. Redding was inducted into the Songwriters Hall of Fame in 1994, and in 1999 he received the Grammy Lifetime Achievement Award . The Rock and Roll Hall of Fame included three Redding recordings, "Shake", "(Sittin' On) The Dock of the Bay", and "Try a Little Tenderness", on its list of "The 500 Songs That Shaped Rock and Roll". American music magazine Rolling Stone ranked Redding at number 21 on their list of
2592-583: The Vineville Baptist Church choir and learned guitar and piano. From age 10, Redding took drum and singing lessons. At Ballard-Hudson High School , he sang in the school band. Every Sunday he earned $ 6 by performing gospel songs for Macon radio station WIBB , and he won the $ 5 prize in a teen talent show for 15 consecutive weeks. His passion was singing, and he often cited Little Richard and Sam Cooke as influences. Redding said that he "would not be here" without Little Richard and that he "entered
2688-587: The album era , in which the LP would overtake singles in commercial and artistic importance. Along with soul and R&B, Redding's contributions to rock music have been noted by music scholars, particularly the " black rock " performed by his contemporaries Wilson Pickett and Sly and the Family Stone . "His musical palette, a cosmic alloy of gospel and blues, hammered into a gritty but elegant template by both black and white musicians, remodeled soul and rock and anchored
2784-565: The 1960s duo Peter & Gordon . In her August 2016 interview with U.S. journalist Tom Graves she said the relationship had been platonic . She lived in Singapore from 1971 to 1973 before returning to the United Kingdom, where she lived for the remainder of her life. In 1984, she had a daughter, Jaelee, who studied art and music and is a singer-songwriter. Small died on 5 May 2020 in London, from
2880-539: The 1962–1963 sessions were included on Redding's debut album, Pain in My Heart . "That's What My Heart Needs" and "Mary's Little Lamb" were recorded in June 1963. The latter is the only Redding track with both background singing and brass. It became his worst-selling single. The title track, recorded in September 1963, sparked copyright issues, as it sounded like Irma Thomas 's "Ruler of My Heart". Despite this, Pain in My Heart
2976-703: The Australian television programme Bandstand . This was as part of a concert at the Sidney Myer Music Bowl in Kings Domain, Melbourne, part of the Moomba Festival . She performed "My Boy Lollipop", " What Am I Living For ", and " See You Later, Alligator ". She recorded several duets with Jackie Edwards in 1965, as well as solo material, but sales were disappointing. She also released her second LP record , Millie Sings Fats Domino , but it failed to reach
Millie Small - Misplaced Pages Continue
3072-569: The Bay " with Steve Cropper . The song became the first posthumous number-one record on both the Billboard Hot 100 and R&B charts. The album The Dock of the Bay was the first posthumous album to reach number one on the UK Albums Chart . Redding's premature death devastated Stax. Already on the verge of bankruptcy, the label soon discovered that the Atco division of Atlantic Records owned
3168-518: The Bay" at the 11th Annual Grammy Awards in 1969. The Rock and Roll Hall of Fame inducted Redding in 1989, declaring his name to be "synonymous with the term soul music that arose out of the black experience in America through the transmutation of gospel and rhythm and blues into a form of funky, secular testifying." In 1988, he was inducted into the Georgia Music Hall of Fame . Five years later,
3264-673: The Doors , and virtually every soul and R&B musician from the early years, such as Al Green , Etta James , William Bell, Aretha Franklin , Marvin Gaye and Conley. Janis Joplin was influenced by his singing style, according to Sam Andrew , a guitarist in her band Big Brother and the Holding Company . She stated that she learned "to push a song instead of just sliding over it" after hearing Redding. The Bee Gees ' Barry Gibb and Robin Gibb wrote
3360-416: The M.G.'s , was unproductive and ended early; Redding was allowed to perform two songs. The first was "Hey Hey Baby", which studio chief Jim Stewart thought sounded too much like Little Richard. The second was "These Arms of Mine", featuring Jenkins on guitar and Steve Cropper on piano. Stewart later praised Redding's performance, saying, "Everybody was fixin' to go home, but Joe Galkin insisted we give Otis
3456-455: The M.G.'s, while staff producer Isaac Hayes worked on the arrangement. "Try a Little Tenderness" was included on Redding's next album, Complete & Unbelievable: The Otis Redding Dictionary of Soul . The song and the album were critically and commercially successful—the former peaked at number 25 on the Billboard Hot 100 chart and at number 4 on the R&;B chart. The spring of 1966 marked
3552-580: The Monterey International Pop Festival , a Reprise Records release featuring some of the live performances at the festival by the Jimi Hendrix Experience on side one and Redding on side two. Redding had at least two television appearances booked for 1968; one on The Ed Sullivan Show and the other on The Smothers Brothers Comedy Hour . In September 2007, the first official DVD anthology of Redding's live performances
3648-428: The Order of Distinction are entitled to use the post-nominal letters CD in the case of Members, or CD (Hon.) in the case of Honorary Members. Officers of the Order of Distinction are entitled to use the post-nominal letters OD in the case of Members, or OD (Hon.) in the case of Honorary Members. Otis Redding Otis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer and songwriter. He
3744-547: The Truth (1970)—all issued on its Atco Records label. A number of successful singles emerged from these LPs, among them " Amen " (1968), " Hard to Handle " (1968), "I've Got Dreams to Remember" (1968), "Love Man" (1969), and "Look at That Girl" (1969). Singles were also lifted from two live Atlantic-issued Redding albums, In Person at the Whisky a Go Go , recorded in 1966 and issued in 1968 on Atco, and Historic Performances Recorded at
3840-708: The US by teenager Barbie Gaye in late 1956, became immediately successful. Released in March 1964, Small's version (on which she was credited simply as "Millie") was a massive hit. She appeared on British TV shows including Top of the Pops , and the single reached number two in the UK Singles Chart , in the US Billboard Hot 100 , and in Canada. It also topped the chart in Australia . Initially it sold over 600,000 copies in
3936-532: The US, the record appeared on the Smash Records subsidiary of Mercury Records ). Small was the first artist to have a hit that was recorded in the bluebeat style, a music genre that was a direct ancestor of reggae . She was billed as "The Blue Beat Girl" on the single's label in the US. She toured in Britain and appeared frequently on British television, before collapsing from exhaustion and food poisoning; she
Millie Small - Misplaced Pages Continue
4032-579: The United Kingdom. Including singles sales, album usage, and compilation inclusions, the song has since sold more than seven million copies worldwide and made Small an international star at the age of 17. "My Boy Lollipop" was doubly significant in British pop history. It was the first major hit for Island Records (although it was actually released on the Fontana label because Chris Blackwell, Island's owner, did not want to overextend its then-meagre resources; in
4128-554: The Week episode "The Rise and Fall of Nellie Brown", playing the role of Selina Brown. The play features a number of songs composed by Dolores Claman and performed by Small. In early 1965, she featured in a Ready, Steady, Go! special, Millie in Jamaica , and soon afterwards she embarked on a world tour, with concerts in New Zealand, Australia, Hong Kong, Singapore, Japan, the US, Brazil and Argentina. On 6 March 1965, Small appeared on
4224-693: The age of 15 to support his family, working with Little Richard 's backing band, the Upsetters , and performing in talent shows at Macon's historic Douglass Theatre . In 1958, Redding joined Johnny Jenkins 's band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax Records recording session led to a contract and his first hit single, " These Arms of Mine ", in 1962. Stax released Redding's debut album, Pain in My Heart , two years later. Initially popular mainly with African Americans, Redding later reached
4320-837: The album: " Tramp " was released in April, followed by " Knock on Wood " and "Lovey Dovey". All three reached at least the top 60 on both the R&B and Pop charts. The album charted at number 5 and 36 on the Billboard Pop and R&B charts, respectively. Redding returned to Europe to perform at the Paris Olympia . The live album Otis Redding: Live in Europe was released three months later, featuring this and other live performances in London and Stockholm , Sweden. His decision to take his protege Conley (whom Redding and Walden had contracted directly to Atco/Atlantic Records rather than to Stax/Volt) on
4416-579: The audience, but not for his friends and partners. His early shyness was well known. In his early career, Redding mostly covered songs from popular artists, such as Richard, Cooke and Solomon Burke . Around the mid-1960s, Redding began writing his own songs—always taking along his cheap red acoustic guitar—and sometimes asked for Stax members' opinion of his lyrics. He often worked on lyrics with other musicians, such as Simms, Rodgers, Huckaby, Phil Walden, and Cropper. During his recovery from his throat operation, Redding wrote about 30 songs in two weeks. Redding
4512-586: The award include Aretha Franklin, Ike & Tina Turner , and Curtis Mayfield . In 1968, the National Association of Television and Radio Announcers (NATRA) created the Otis Redding Award in his honor. Readers of the British music newspaper Melody Maker voted Redding the top vocalist of 1967, superseding Elvis Presley , who had topped the list for the prior 10 years. Redding posthumously won two Grammy Awards for "(Sittin' On) The Dock of
4608-660: The band Symarip . She then recorded for the Trojan label, her first single combining a version of Nick Drake 's "Mayfair" with her own song, the politically-inspired and defiant "Enoch Power", which faced a radio ban but re-established her profile among the British Caribbean community . However, after a short period with President Records , she ended her recording career soon afterwards. Small continued to tour and perform in Jamaica, but in 1971 decided to move to Singapore to live. She returned to Britain in 1973, to coincide with
4704-557: The charts. Her eighth single in Britain, a version of Wynonie Harris ' "Bloodshot Eyes", was her last UK chart success, reaching number 48 in late 1965, but she continued to tour successfully in Australia and Africa. After returning to Britain she made further recordings with Jackie Edwards, including the album Pledging My Love , and also appeared on the compilation album Ska at the Jamaica Playboy Club , singing on one track with
4800-526: The eulogy. Redding died just three days after re-recording "(Sittin' On) The Dock of the Bay", and was survived by Zelma and four children, Otis III, Dexter, Demetria, and Karla. In August 1997, a memorial plaque was placed on the lakeside deck of the Madison convention center, Monona Terrace . " (Sittin' On) The Dock of the Bay " was released in January 1968. It became Redding's only single to reach number one on
4896-402: The first time that Stax booked concerts for its artists. The majority of the group arrived in London on March 13, but Redding had flown in days earlier for interviews, such as at The Eamonn Andrews Show . When the crew arrived in London, the Beatles sent a limousine to pick them up. Booking agent Bill Graham proposed that Redding play at the Fillmore Auditorium in late 1966. The gig
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#17329169605764992-413: The future founder of the recording company Phil Walden and Associates, and later Bobby Smith, who ran the small label Confederate Records. He signed with Confederate and recorded a single, "Shout Bamalama" (a rewrite of "Gamma Lamma") and "Fat Girl", together with his band Otis and the Shooters. Around this time he and the Pinetoppers attended a "Battle of the Bands" show in Lakeside Park. Wayne Cochran ,
5088-517: The group out of fear Galkin, Walden and Cropper would plagiarize his playing style, and so Cropper became Redding's leading guitarist. Around 1965, Redding co-wrote " I've Been Loving You Too Long " with Jerry Butler , formerly the lead singer of the Impressions . That summer, Redding and the studio crew arranged new songs for his next album. Ten of the eleven songs were recorded in a 24-hour period on July 9 and 10 in Memphis. Two songs, " Ole Man Trouble " and " Respect ", had been finished earlier, during
5184-401: The heavens." Before Monterey, Redding wanted to record with Conley, but Stax was against the idea. The two moved from Memphis to Macon to continue writing. The result was " Sweet Soul Music " (based on Cooke's "Yeah Man"), which peaked at number 2 on the Billboard Hot 100. By that time, Redding had developed polyps on his larynx , which he tried to treat with tea and lemon or honey. He
5280-415: The horn section. Redding has been called the "King of Soul", an honorific also given to Brown and Cooke. He remains one of the genre's most recognized artists. His lean and powerful style exemplified the Stax sound; he was said to be "the heart and soul of Stax", while artists such as Al Jackson , Dunn and Cropper helped to expand its structure. His open-throated singing, the tremolo / vibrato ,
5376-428: The interview she discusses fully her early career and the full impact of "My Boy Lollipop". She also insisted, against the denials of Rod Stewart , that it was Stewart who played harmonica on "My Boy Lollipop". She said she remembered the sessions well and recalls Stewart being asked to play. Small also said in 2016 that she had not received any royalties for the single. She had a brief relationship with Peter Asher of
5472-449: The janitorial service Maids Over Macon, several nightclubs, and booking agencies. Redding's music made him wealthy. According to several advertisements, he had around 200 suits and 400 pairs of shoes, and he earned about $ 35,000 per week for his concerts. He spent about $ 125,000 in the "Big O Ranch". As the owner of Otis Redding Enterprises, his performances, music publishing ventures and royalties from record sales earned him more than
5568-482: The last thing he remembered before the crash was unbuckling his seat belt. He then found himself in frigid water, grasping a seat cushion to keep afloat. As a non-swimmer, he was unable to rescue the others. The cause of the crash was never determined. Besides Redding, the other victims of the crash were four members of the Bar-Kays—guitarist Jimmy King, tenor saxophonist Phalon Jones, organist Ronnie Caldwell , and drummer Carl Cunningham; their valet, Matthew Kelly; and
5664-531: The manic, electrifying stage performances and perceived honesty were particular hallmarks , along with the use of interjections (such as "gotta, gotta, gotta"), some of which came from Cooke. Producer Stewart thought the "begging singing" was stress-induced and enhanced by Redding's shyness. His LP releases earned him recognition from music critic Robert Christgau as "one of soul's few reliable long-form artists"; Christgau deems Otis Blue his "first great album", and Mat Snow regards it as an early indication of
5760-416: The most infectious native music America had heard since the big bands ", wrote biographer Mark Ribowsky. Artists from many genres have named Redding as a musical influence. George Harrison called "Respect" an inspiration for " Drive My Car ". The Rolling Stones also mentioned Redding as a major influence. Other artists influenced by Redding include Led Zeppelin , the Grateful Dead , Lynyrd Skynyrd ,
5856-401: The music business because of Richard – he is my inspiration. I used to sing like Little Richard, his rock 'n' roll stuff ... My present music has a lot of him in it." At age 15, Redding left school to help financially support his family; his father had contracted tuberculosis and was often hospitalized, leaving his mother as the family's primary income earner. He worked as a well digger, as
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#17329169605765952-465: The new sound; Stewart thought that it was not R&B, while bassist Donald "Duck" Dunn feared it would damage Stax's reputation. However, Redding wanted to expand his musical style and thought it was his best song, correctly believing it would top the charts. He whistled at the end, either forgetting Cropper's "fadeout rap" or paraphrasing it intentionally. Redding, who was 6 feet 1 inch (1.85 m) tall and weighed 220 pounds (100 kg),
6048-401: The only solo artist signed to Confederate, became the Pinetoppers' bassist. When Walden started to look for a record label for Jenkins, Atlantic Records representative Joe Galkin showed interest and around 1962 sent him to the Stax studio in Memphis . Redding drove Jenkins to the session, as the latter did not have a driver's license. The session with Jenkins, backed by Booker T. &
6144-450: The pilot Fraser. Redding's body was recovered the next day when the lake was searched. The family postponed the funeral from December 15, to December 18, so that more could attend, and the service took place at the City Auditorium in Macon . More than 4,500 people came to the funeral, overflowing the 3,000-seat hall. Redding was entombed at his ranch in Round Oak , about twenty miles (30 km) north of Macon. Jerry Wexler delivered
6240-425: The plane took off. Four miles (6.5 km) from their destination at Truax Field in Madison, pilot Richard Fraser radioed for permission to land. Shortly thereafter, the plane crashed into Lake Monona . Bar-Kays member Ben Cauley , the accident's only survivor, was sleeping shortly before the accident. He woke just before impact to see bandmate Phalon Jones look out a window and exclaim, "Oh, no!" Cauley said
6336-428: The publishers unsuccessfully tried to stop Redding from recording the song from a "negro perspective". Today often considered his signature song , Jim Stewart reckoned: "If there's one song, one performance that really sort of sums up Otis and what he's about, it's 'Try a Little Tenderness'. That one performance is so special and so unique that it expresses who he is." On this version Redding was backed by Booker T. &
6432-442: The release of another compilation album, Lollipop Reggae . Thereafter, she largely stayed out of the public eye, even when "My Boy Lollipop" was reissued and re-charted in the UK in 1987 at no. 46 to celebrate Island Records' 25th anniversary. In 1987, during a rare interview with Thames News , it was revealed that Small was penniless and had taken to living in a hostel with her toddler daughter Jaelee. In November 1987, she made
6528-515: The rights to his entire song catalog. Redding received many posthumous accolades, including two Grammy Awards , the Grammy Lifetime Achievement Award and induction into the Rock and Roll Hall of Fame , the Black Music & Entertainment Walk of Fame , and the Songwriters Hall of Fame . In addition to "(Sittin' On) The Dock of the Bay", some of his best-known songs include his self-penned " Respect ", which later became more widely associated with Aretha Franklin 's cover, and his rendition of " Try
6624-462: The song " To Love Somebody " for Redding to record. He loved it, and he was going to "cut it", as Barry put it, on his return from his final concert. They dedicated the song to his memory. After Redding's death, the Académie du Jazz in France named an award after him. The Prix Otis Redding is given to the best record release in the field of R&B. Redding was the first recipient of the award for The Otis Redding Story on Stax; following winners of
6720-577: The stage of his last major concert. According to Booker T. Jones , "I think we did one of our best shows, Otis and the MG's. That we were included in that was also something of a phenomenon. ... They were accepting us and that was one of the things that really moved Otis. He was happy to be included and it brought him a new audience. It was greatly expanded in Monterey." According to Sweet Soul Music , musicians such as Brian Jones and Jimi Hendrix were captivated by his performance; Robert Christgau wrote in Esquire , "The Love Crowd screamed one's mind to
6816-423: The summer of 1960 and married Redding in August 1961. In mid-1960, Otis moved to Los Angeles with his sister, Deborah, while Zelma and the children stayed in Macon, Georgia. Redding and his wife had four children: Dexter, Demetria, Karla, and Otis III (December 17, 1964 – April 18, 2023). Otis, Dexter, and cousin Mark Lockett later founded the Reddings , a band managed by Zelma. She also maintained or worked at
6912-405: The then-unknown Jimmy Cliff . However, her popularity in Britain appeared to dwindle as she spent more time touring abroad. In 1968, after two albums of The Best of Jackie & Millie , her recording contracts with Island and Fontana ended. The emergence of reggae in the United Kingdom in 1969 prompted a return to recording for Small, with the single "My Love and I", on which she was backed by
7008-493: The time, he "had not been considered a commercially viable player in the mainstream white American market." But after delivering one of the most electric performances of the night, and having been the act to most involve the audience, "his performance at Monterey Pop was therefore a natural progression from local to national acclaim,...the decisive turning-point in Otis Redding's career." His act included his own song "Respect" and
7104-413: The tour, instead of more established Stax/Volt artists such as Rufus Thomas and William Bell , produced negative reactions. In 1967, Redding performed at the influential Monterey Pop Festival as the closing act on Saturday night, the second day of the festival. He was invited through the efforts of promoter Jerry Wexler . Until that point, Redding was still performing mainly for black audiences. At
7200-511: The venue were released as Live at the Whisky a Go Go: The Complete Recordings in 2016, a 6-CD box set that won a Grammy Award for Best Album Notes . Carla Thomas claimed that the pair had planned to record another duet album in December the same year, but Phil Walden denied this. Redding had proposed to record an album featuring cut and rearranged songs in different tempos; for example, ballads would be uptempo and vice versa. Another suggestion
7296-475: Was Jim Stewart's idea to produce a duet album, as he expected that "[Redding's] rawness and [Thomas's] sophistication would work". The album was recorded in January 1967, while Thomas was earning her M.A. in English at Howard University . Six out of ten songs were cut during their joint session; the rest were overdubbed by Redding in the days following, because of his concert obligations. Three singles were lifted from
7392-504: Was accepted on her behalf by Seaga. In July 2012, she again stated that she had been recording again and planned to perform in Jamaica for the first time in over 40 years. After nearly forty years away from the limelight and refusing most interview requests, Small granted U.S. journalist Tom Graves the first ever in-depth interview in the August 2016 edition of Goldmine . Previous interviews were typically short and based on press releases. In
7488-519: Was also influenced by soul musicians such as Sam Cooke , in particular, the live album Sam Cooke at the Copa , later exploring other popular genres. He studied the recordings of the Beatles and Bob Dylan . His song " Hard to Handle " has elements of rock and roll and influences of Eric Clapton and Jimi Hendrix . Most of Redding's songs were categorized as Southern soul and Memphis soul . His hallmark
7584-587: Was also involved in a traffic accident. Although her next single, "Sweet William", was less successful, reaching number 30 in the UK, number 40 in the US, and number 22 in Canada, she had become an international celebrity. She was given a gold disc in New York, and was driven in an open-top car on her return to Kingston where she performed in several major shows, on one occasion topping the bill over Otis Redding , Patti LaBelle , and Inez and Charlie Foxx . She also performed in
7680-524: Was an apt description of Otis Redding's songwriting and singing style." Booker T. Jones compared Redding with Leonard Bernstein , stating: "He was the same type person. He was a leader. He'd just lead with his arms and his body and his fingers." Redding favored short and simple lyrics; when asked whether he intended to cover Dylan's "Just Like a Woman", he responded that the lyrics contained "too much text". Furthermore, he stated in an interview: Basically, I like any music that remains simple and I feel this
7776-400: Was an athletic family man who loved American football and hunting. He was active in philanthropic projects. He had a keen interest in supporting Black youth and, at the time of his death, had plans to construct a summer camp for disadvantaged children. At age 18, Redding met 17-year-old Zelma Atwood at "The Teenage Party". Approximately one year later, she gave birth to their son Dexter in
7872-698: Was born on 6 October 1947 in Clarendon , Jamaica , the daughter of a sugar plantation overseer. She was one of 13 siblings, with seven brothers and five sisters. Like many Jamaican singers of the era, her career began by winning the Vere Johns Opportunity Hour talent contest at the age of twelve. Wishing to pursue a career as a singer, she moved to live with relatives in Love Lane in Kingston . She auditioned for Studio One record producer Coxsone Dodd , who
7968-413: Was commercially and critically successful, paying Redding around $ 800 to $ 1000 (US$ 9,391 in 2023 dollars) a night. It prompted Graham to remark afterwards: "That was the best gig I ever put on in my entire life." Redding began touring Europe six months later. In March 1967, Stax released King & Queen , an album of duets between Redding and Carla Thomas , which became a certified gold record. It
8064-488: Was exultant and joyful." According to journalist Ruth Robinson, author of the liner notes for the 1993 box set, "It is currently a revisionist theory to equate soul with the darker side of man's musical expression, blues. That fanner of the flame of 'Trouble's got a hold on me' music, might well be the father of the form if it is, the glorified exaltation found in church on any Sunday morning is its mother." The Songwriters Hall of Fame website adds that "glorified exaltation indeed
8160-426: Was given intensive training in dancing and diction . Her first recording in London, "Don't You Know", made little impact when released by Fontana Records in late 1963, but for her next recording Blackwell recruited guitarist and arranger Ernest Ranglin to oversee the session. Ranglin and his musicians adopted the newly-popular ska style, and his rearrangement of " My Boy Lollipop ", a song originally released in
8256-413: Was his raw voice and ability to convey strong emotion. Richie Unterberger of AllMusic noted his "hoarse, gritty vocals, brassy arrangements, an emotional way with both party tunes and aching ballads." In the book Rock and Roll: An Introduction , authors Michael Campbell and James Brody suggested that "Redding's singing calls to mind a fervent black preacher. Especially in up-tempo numbers, his singing
8352-475: Was hospitalized in September 1967 at Mount Sinai Hospital in New York to undergo surgery. In early December 1967, Redding again recorded at Stax. One new song was " (Sittin' On) The Dock of the Bay ", which was written with Cropper. Redding was inspired by the Beatles album Sgt. Pepper's Lonely Hearts Club Band and tried to create a similar sound, against the label's wishes. His wife Zelma disliked its atypical melody. The Stax crew were also dissatisfied with
8448-528: Was named Redwal Music (derived from Red ding and Wal den), which was shut down shortly after its creation. Since Afro-Americans still formed the majority of fans, Redding chose to perform at Whisky a Go Go on the Sunset Strip in Los Angeles. Redding was one of the first soul artists to perform for rock audiences in the western United States. His performance received critical acclaim, including positive press in
8544-400: Was released by Concord Music Group , then owners of the Stax catalog. Dreams to Remember: The Legacy of Otis Redding featured 16 full-length performances and 40 minutes of new interviews documenting his life and career. On May 18, 2010, Stax Records released a two-disc recording of three complete sets from his Whisky a Go Go date in April 1966. All seven sets from his three-day residency at
8640-512: Was released in March 1964, with the single peaking at number 11 on the R&B chart, number 61 on the Billboard Hot 100, and the album at number 103 on the Billboard 200. In November 1963, Redding, accompanied by his brother Rodgers and an associate, former boxer Sylvester Huckaby (a childhood friend of Redding's), traveled to New York to perform at the Apollo Theater for the recording of
8736-412: Was required to renegotiate its distribution deal and was surprised to learn that Atlantic actually owned the entire Stax/Volt catalog. Stax was unable to regain the rights to its recordings and severed its Atlantic relationship. Atlantic also held the rights to all unreleased Otis Redding masters. It had enough material for three studio albums— The Immortal Otis Redding (1968), Love Man (1969), and Tell
8832-708: Was soon invited to replace Willie Jones as frontman of Pat T. Cake and the Mighty Panthers, featuring Johnny Jenkins. Redding was then hired by the Upsetters when Little Richard abandoned rock and roll in favor of gospel music . Redding was well paid, making about $ 25 per gig (US$ 264 in 2023 dollars), but did not stay long. In mid-1960, Otis moved to Los Angeles with his sister, Deborah, while his wife, Zelma, and their children stayed in Macon, Georgia. In Los Angeles, Redding recorded his first songs, including "Tuff Enuff" written by James McEachin, "She's All Right", written with McEachin, and two Redding wrote alone, called "I'm Gettin' Hip" and "Gamma Lamma" (which he recorded as
8928-467: Was struck by the similarity of her voice to that of Shirley Goodman of the American duo Shirley and Lee. He paired her with singer Owen Gray , and they made several records together, including "Sugar Plum", which became a local hit. When Gray resumed his solo career, Small began recording with another singer, Samuel Augustus "Roy" Panton. Working with producer Roy Robinson, the duo of Roy & Millie had
9024-670: Was the headliner at the Apollo when Redding performed there, gave him $ 100 (US$ 995 in 2023 dollars) when he learned about Redding's financial situation. The resulting album featured King, the Coasters , Doris Troy , Rufus Thomas , the Falcons and Redding. Around this time Walden and Rodgers were drafted by the army; Walden's younger brother Alan joined Redding on tour, while Earl "Speedo" Simms replaced Rodgers as Redding's road manager. Most of Redding's songs after "Security", from his first album, had
9120-505: Was the sole copyright holder on all of his songs. In "(Sittin' On) The Dock of the Bay" he abandoned familiar romantic themes for "sad, wistful introspections, amplified by unforgettable descending guitar riffs by Cropper". The website of the Songwriters Hall of Fame noted that the song "was a kind of brooding, dark voicing of despair, ('I've got nothin' to live for/Look like nothin's gonna come my way')" although "his music, in general,
9216-493: Was to record an album entirely consisting of country standards. In 2011, Kanye West and Jay-Z released " Otis " as a single off of their collaborative album, Watch the Throne . Redding was credited as a feature on the song. The song was produced by West who built it off of a sample of Redding's version of " Try a Little Tenderness ". Early on, Redding copied the rock and soul style of his role model Little Richard . Redding
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