Misplaced Pages

#354645

117-542: The original founder was the Norwegian zine editor Jon " Metalion " Kristiansen . The following artists released albums through Head Not Found: This article about a Norwegian record label is a stub . You can help Misplaced Pages by expanding it . Zine A zine ( / z iː n / ZEEN ; short for magazine or fanzine ) is a small-circulation self-published work of original or appropriated texts and images, usually reproduced via

234-422: A copy machine . Zines are the product of either a single person or of a very small group, and are popularly photocopied into physical prints for circulation. A fanzine ( blend of fan and magazine ) is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon (such as a literary or musical genre) for the pleasure of others who share their interest. The term

351-439: A webzine though with more focus on the anti-authoritarian movement than its original title. Artcore Fanzine (established in 1986) continues to this day, recently publishing a number of 30-year anniversary issues. Mira Bellwether 's zine Fucking Trans Women , published in 2010 online and 2013 in print, proved influential in the field of transgender sexuality , receiving both scholarly and popular-culture attention. It

468-560: A Pennsylvania hospital and The Dial (1840–44) by Margaret Fuller and Ralph Waldo Emerson . Zines were given a pop culture revival in March 2021 with the release of the Amy Poehler -directed film Moxie , released by Netflix , about a 16-year old high school student who starts a feminist zine to empower the young women at her school. In the 1920s during the Harlem Renaissance ,

585-498: A better life. Uniting most of them was their convergence in Harlem. During the early portion of the 20th century, Harlem was the destination for migrants from around the country, attracting both people from the South seeking work and an educated class who made the area a center of culture, as well as a growing "Negro" middle class. These people were looking for a fresh start in life and this was

702-514: A collapsing of time as he merges the past, present, and future of American-American history. Fragmentation of the picture plane, geometry, and hard-edge abstraction are present in most of his paintings during the Harlem Renaissance. Douglas drew inspiration from both ancient Egyptian and Native American motifs. Augusta Savage , born in Florida in 1892, was a culture, advocate, and teacher during

819-563: A fad for leopard-skin coats, indicating the power of the African animal. While performing in Paris during the height of the Renaissance, the extraordinarily successful black dancer Josephine Baker was a major fashion trendsetter for black and white women alike. Her gowns from the couturier Jean Patou were copied, especially her stage costumes, which Vogue magazine called "startling". Josephine Baker

936-534: A good place to go. The district had originally been developed in the 19th century as an exclusive suburb for the white middle and upper middle classes; its affluent beginnings led to the development of stately houses, grand avenues, and world-class amenities such as the Polo Grounds and the Harlem Opera House . During the enormous influx of European immigrants in the late 19th century, the once exclusive district

1053-485: A great amount of attention from the nation at large. Among authors who became nationally known were Jean Toomer , Jessie Fauset , Claude McKay , Zora Neale Hurston , James Weldon Johnson , Alain Locke , Omar Al Amiri , Eric D. Walrond and Langston Hughes . Richard Bruce Nugent (1906–1987), who wrote "Smoke, Lilies, and Jade", made an important contribution, especially in relation to experimental form and LGBT themes in

1170-478: A group of Black creatives in Harlem began a literary magazine "the better to express ourselves freely and independently – without interference from old heads, white or [black]." This led to the creation of a " little magazine " entitled Fire!! . Only one issue of Fire!! was released, but this inspired the creation of other "little magazines" by Black authors. Contributions by Black writers, artists, and activists to

1287-605: A larger audience. This has been reflected in the creation of zine archives and related programming in such mainstream institutions as the Tate museum and the British Library . Written in a variety of formats from desktop-published text to comics , collages and stories, zines cover broad topics including fanfiction , politics, poetry, art & design, ephemera , personal journals, social theory, intersectional feminism , single-topic obsession, or sexual content far enough outside

SECTION 10

#1732868892355

1404-458: A mailing list or sold at conventions. Many had high production values and some were sold at convention auctions for hundreds of dollars. Janus , later called Aurora , was a science fiction feminist zine created by Janice Bogstad and Jeanne Gomoll in 1975. It contained short stories, essays, and film reviews. Among its contributors were authors such as Octavia Butler , Joanna Russ , Samuel R. Delany , and Suzette Hayden Elgin . Janus/Aurora

1521-556: A major role in the Harlem Renaissance. Many of the writers and social critics discussed the role of Christianity in African-American lives. For example, a famous poem by Langston Hughes , "Madam and the Minister", reflects the temperature and mood towards religion in the Harlem Renaissance. The cover story for The Crisis magazine's publication in May 1936 explains how important Christianity

1638-657: A new mass culture. Contributing factors leading to the Harlem Renaissance were the Great Migration of African Americans to Northern cities, which concentrated ambitious people in places where they could encourage each other, and the First World War, which had created new industrial work opportunities for tens of thousands of people. Factors leading to the decline of this era include the Great Depression . In 1917, Hubert Harrison , "The Father of Harlem Radicalism", founded

1755-458: A niche skill or art, or developing a story, as opposed to seeking profit. Zines have served as a significant medium of communication in various subcultures , and frequently draw inspiration from a "do-it-yourself" philosophy that disregards the traditional conventions of professional design and publishing houses, proposing an alternative, confident, and self-aware contribution. Handwritten zines, or carbon zines, are individually made, emphasizing

1872-662: A number of other punk zines have appeared, such as Dagger , Profane Existence , Punk Planet , Razorcake , Slug and Lettuce , Sobriquet and Tail Spins . The early American punk zine Search and Destroy eventually became the influential fringe-cultural magazine Re/Search . "In the post-punk era several well-written fanzines emerged that cast an almost academic look at earlier, neglected musical forms, including Mike Stax' Ugly Things , Billy Miller and Miriam Linna 's Kicks , Jake Austen's Roctober , Kim Cooper's Scram , P. Edwin Letcher's Garage & Beat , and

1989-552: A pen, or an instrument, or get anything done, we are creating the revolution. We ARE the revolution." Erika Reinstein, Fantastic Fanzine No. 2 Women use this grassroots medium to discuss their personal lived experiences, and themes including body image, sexuality, gender norms, and violence to express anger, and reclaim/refigure femininity. Scholar and zinester Mimi Thi Nguyen notes that these norms unequally burdened riot grrrls of color with allowing white riot grrrls access to their personal experiences, an act which in itself

2106-553: A personal connection between creator and reader, turning imagined communities into embodied ones. Historically, zines have provided community for socially isolated individuals or groups through the ability to express and pursue common ideas and subjects. For this reason, zines have cultural and academic value as tangible traces of marginal communities, many of which are otherwise little-documented. Zines present groups that have been dismissed with an opportunity to voice their opinion, both with other members of their own communities or with

2223-576: A reciprocal relationship where women could also be seen as creators rather than consumers. Starting in this decade, multinational companies started appropriating and commodifying zines and DIY culture. Their faux zines created a commercialized hipster lifestyle. By late in the decade, independent zinesters were accused of "selling out" to make a profit. Zines are sold, traded or given as gifts at symposiums, publishing fairs, record and book stores and concerts, via independent media outlets, zine 'distros', mail order or through direct correspondence with

2340-458: A similar do-it-yourself publication model. In the UK Fracture and Reason To Believe were significant fanzines in the early 2000s, both ending in late 2003. Rancid News filled the gap left by these two zines for a short while. On its tenth issue Rancid News changed its name to Last Hours with 7 issues published under this title before going on hiatus. Last Hours still operates as

2457-604: A small number of African Americans were able to acquire land shortly after the Civil War, most were exploited as sharecroppers. Whether sharecropping or on their own acreage, most of the black population was closely financially dependent on agriculture. This added another impetus for the Migration: the arrival of the boll weevil . The beetle eventually came to waste 8% of the country's cotton yield annually and thus disproportionately impacted this part of America's citizenry. As life in

SECTION 20

#1732868892355

2574-525: A sociologist, historian and civil rights activist who was a leading figure in the African-American community in the early 20th century; Langston Hughes , a poet, novelist and playwright who was one of the most important writers of the Harlem Renaissance; and Madam C.J. Walker , an entrepreneur and philanthropist who was one of the first African-American women to become a self-made millionaire, as well as her daughter, Dorthy Waring , an artist and author of 12 novels. Van Der Zee's work gained renewed attention in

2691-538: A specific focus (e.g. women's studies) or those that are relevant to a local region. Libraries and institutions with notable zine collections include: The Indie Photobook Library, an independent archive in the Washington, D.C., area, is a large collection of photobooks and photo zines dating from 2008 to 2016 which the Beinecke Rare Book and Manuscript Library at Yale University acquired in 2016. In California,

2808-678: A student, and he toured with the Fisk Jubilee Singers in 1911. According to James Vernon Hatch and Leo Hamalian, all-black review, Run, Little Chillun , is considered one of the most successful musical dramas of the Harlem Renaissance. During the Harlem Renaissance, the African-American clothing scene took a dramatic turn from the prim and proper many young women preferred, from short skirts and silk stockings to drop-waisted dresses and cloche hats . Women wore loose-fitted garments and accessorized with long strand pearl bead necklaces, feather boas , and cigarette holders . The fashion of

2925-483: A table to sell or barter their work. Over time, zinesters have added posters, stickers, buttons and patches to these events. In many libraries, schools and community centers around the world, zinesters hold meetings to create, share, and pass down the art of making zines. With the rise of the Internet in the mid-1990s, zines initially faded from public awareness possibly due to the ability of private web-pages to fulfill much

3042-562: A webzine. Richard Klemensen's Little Shoppe of Horrors , having a particular focus on " Hammer Horrors ", began in 1972 and is still publishing as of 2017. The Baltimore -based Black Oracle (1969–1978) from writer-turned- John Waters repertory member George Stover was a diminutive zine that evolved into the larger-format Cinemacabre. Stover's Black Oracle partner Bill George published his own short-lived zine The Late Show (1974–1976; with co-editor Martin Falck), and later became editor of

3159-399: A wide variety of cultural elements and styles, including a Pan-African perspective, "high-culture" and "low-culture" or "low-life", from the traditional form of music to the blues and jazz, traditional and new experimental forms in literature such as modernism and the new form of jazz poetry . This duality meant that numerous African-American artists came into conflict with conservatives in

3276-863: Is Microcosm Publishing in Portland, Oregon . Some other longstanding operations include Great Worm Express Distribution in Toronto , CornDog Publishing in Ipswich in the UK, Café Royal Books in Southport in the UK, AK Press in Oakland, California , Missing Link Records in Melbourne . and Wasted Ink Zine Distro in Phoenix, AZ. A number of major public and academic libraries and museums carry zines and other small press publications, often with

3393-436: Is also credited for highlighting the "art deco" fashion era after she performed the "Danse Sauvage". During this Paris performance, she adorned a skirt made of string and artificial bananas. Ethel Moses was another popular black performer. Moses starred in silent films in the 1920s and 1930s and was recognizable by her signature bob hairstyle. James Van Der Zee 's photography played an important role in shaping and documenting

3510-428: Is that I can read it without translating it from the consensual, public world, which is sexist, and unconcerned with women per se, and managing to make it make sense to me and my condition." Russ observed that while science fiction fans looked down on Star Trek fans, Star Trek fans looked down on K/S writers. Kirk/Spock zines contained fanfiction , artwork, and poetry created by fans. Zines were then sent to fans on

3627-587: The Back to Africa movement led by Jamaican Marcus Garvey . At the same time, a different expression of ethnic pride, promoted by W. E. B. Du Bois , introduced the notion of the " talented tenth ". Du Bois wrote of the Talented Tenth: The Negro race, like all races, is going to be saved by its exceptional men. The problem of education, then, among Negroes must first of all deal with the Talented Tenth; it

Head Not Found - Misplaced Pages Continue

3744-531: The Cinefantastique prozine spinoff Femme Fatales . In the mid-1970s, North Carolina teenager Sam Irvin published the horror/science-fiction fanzine Bizarre which included his original interviews with UK actors and filmmakers; Irvin would later become a producer-director in his own right. Japanese Fantasy Film Journal (JFFJ) (1968–1983) from Greg Shoemaker covered Toho 's Godzilla and his Asian brethren. Japanese Giants (JG) appeared in 1974 and

3861-615: The Long Beach Public Library began to be the first public library in the state to start circulating zines for three weeks at a time in 2015. In 2017 the Los Angeles Public Library started to circulate zines publicly to its patrons as well. Both projects have been credited to librarian Ziba Zehdar who has been an advocate in promoting circulating zines publicly at libraries in California. It has been suggested that

3978-566: The Lunarians . Some of the earliest examples of academic fandom were written on Star Trek zines, specifically K/S ( Kirk / Spock ) slash zines, which featured a gay relationship between the two. Author Joanna Russ wrote in her 1985 analysis of K/S zines that slash fandom at the time consisted of around 500 core fans and was 100% female. "K/S not only speaks to my condition. It is written in Female. I don't mean that literally, of course. What I mean

4095-646: The Moorish Science Temple of America , which was established in 1913 in New Jersey. Various forms of Judaism were practiced, including Orthodox , Conservative and Reform Judaism , but it was Black Hebrew Israelites that founded their religious belief system during the early 20th century in the Harlem Renaissance. Traditional forms of religion acquired from various parts of Africa were inherited and practiced during this era. Some common examples were Voodoo and Santeria . Religious critique during this era

4212-480: The New Negro , who through intellect and production of literature, art and music could challenge the pervading racism and stereotypes to promote progressive or socialist politics, and racial and social integration . The creation of art and literature would serve to "uplift" the race. There would be no uniting form singularly characterizing the art that emerged from the Harlem Renaissance. Rather, it encompassed

4329-720: The South . During the Reconstruction Era , the emancipated African Americans began to strive for civic participation, political equality, and economic and cultural self-determination. Soon after the end of the Civil War, the Ku Klux Klan Act of 1871 gave rise to speeches by African-American congressmen addressing this bill. By 1875, sixteen African Americans had been elected and served in Congress and gave numerous speeches with their newfound civil empowerment. The Ku Klux Klan Act of 1871

4446-630: The amateur press movement of the late 19th and early 20th century, which would in turn intersect with Black literary magazines during the Harlem Renaissance , and the subculture of science fiction fandom in the 1930s. The popular graphic-style associated with zines is influenced artistically and politically by the subcultures of Dada , Fluxus , Surrealism , and Situationism . Many trace zines' lineage from as far back as Thomas Paine 's exceptionally popular 1776 pamphlet Common Sense , Benjamin Franklin 's literary magazine for psychiatric patients at

4563-565: The mainstream to be prohibitive of inclusion in more traditional media. (An example of the latter is Boyd McDonald 's Straight to Hell , which reached a circulation of 20,000. ) Although there are a few eras associated with zine-making, this "wave" narrative proposes a limited view of the vast range of topics, styles and environments zines occupied. Dissidents, under-represented, and marginalized groups have published their own opinions in leaflet and pamphlet form for as long as such technology has been available. The concept of zines can be traced to

4680-404: The punk subculture in the late 1970s, along with the increasing accessibility to copy machines, publishing software, and home printing technologies. Punk became a genre for the working class because of the economic necessity to use creative DIY methods, which were echoed in both zine and Punk music creation. Zines became vital to the popularization and spread of punk spreading to countries outside

4797-545: The 1920s and 1930s. At the time, it was known as the " New Negro Movement ", named after The New Negro , a 1925 anthology edited by Alain Locke . The movement also included the new African-American cultural expressions across the urban areas in the Northeast and Midwest United States affected by a renewed militancy in the general struggle for civil rights, combined with the Great Migration of African-American workers fleeing

Head Not Found - Misplaced Pages Continue

4914-462: The 1960s and 1970s, when interest in the Harlem Renaissance was revived. Van Der Zee's photographs have been featured in numerous exhibitions over the years. One notable exhibition was "Harlem on My Mind: Cultural Capital of Black America, 1900–1968," which was organized by the Metropolitan Museum of Art in 1969. The exhibit included over 300 photographs, many of which were by Van Der Zee, and

5031-449: The 1980s, with the rise of stadium superstars, many home-grown rock fanzines emerged. At the peak of Bruce Springsteen 's megastardom following the Born in the U.S.A. album and Born in the U.S.A. Tour in the mid-1980s, there were no less than five Springsteen fanzines circulating at the same time in the UK alone, and many others elsewhere. Gary Desmond's Candy's Room , coming from Liverpool,

5148-931: The Bomp (1970), are among the most popular early rock fanzines. Crawdaddy! (1966) quickly moved from its fanzine roots to become one of the first rock music "prozines" with paid advertisers and newsstand distribution. Bomp remained a fanzine, featuring many writers who would later become prominent music journalists, including Lester Bangs , Greil Marcus , Ken Barnes, Ed Ward , Dave Marsh , Mike Saunders and R. Meltzer as well as cover art by Jay Kinney and Bill Rotsler (both veterans of science fiction and Comics fandom). Other rock fanzines of this period include denim delinquent (1971) edited by Jymn Parrett, Flash (1972) edited by Mark Shipper, Eurock Magazine (1973–1993) edited by Archie Patterson and Bam Balam written and published by Brian Hogg in East Lothian, Scotland (1974). In

5265-565: The Church. Various forms of religious worship existed during this time of African-American intellectual reawakening. Although there were racist attitudes within the current Abrahamic religious arenas, many African Americans continued to push towards the practice of a more inclusive doctrine. For example, George Joseph MacWilliam presents various experiences of rejection on the basis of his color and race during his pursuit towards priesthood, yet he shares his frustration in attempts to incite action on

5382-551: The DIY Punk subculture in tandem with the American era of third-wave feminism , and used the consciousness-raising method of organizing and communication. As feminist documents, they follow a longer legacy of feminist and women's self-publication that includes scrapbooking , periodicals and health publications, allowing women to circulate ideas that would not otherwise be published. The American publication Bikini Kill (1990) introduced

5499-494: The Harlem Renaissance started in the late 1910s. In 1917, the premiere of Granny Maumee, The Rider of Dreams, and Simon the Cyrenian: Plays for a Negro Theater took place. These plays, written by white playwright Ridgely Torrence , featured African-American actors conveying complex human emotions and yearnings. They rejected the stereotypes of the blackface and minstrel show traditions. In 1917, James Weldon Johnson called

5616-579: The Harlem Renaissance was used to convey elegance and flamboyancy and needed to be created with the vibrant dance style of the 1920s in mind. Popular by the 1930s was a trendy, egret-trimmed beret. Men wore loose suits that led to the later style known as the " Zoot ", which consisted of wide-legged, high-waisted, peg-top trousers, and a long coat with padded shoulders and wide lapels. Men also wore wide-brimmed hats, colored socks, white gloves and velvet-collared Chesterfield coats . During this period, African Americans expressed respect for their heritage through

5733-425: The Harlem Renaissance were inspired to tie threads of African-American culture into their poems; as a result, jazz poetry was heavily developed during this time. " The Weary Blues " was a notable jazz poem written by Langston Hughes. Through their works of literature, black authors were able to give a voice to the African-American identity, and strived for a community of support and acceptance. Christianity played

5850-632: The Harlem Renaissance were part of the early 20th century Great Migration out of the South into the African-American neighborhoods of the Northeast and Midwest . African Americans sought a better standard of living and relief from the institutionalized racism in the South. Others were people of African descent from racially stratified communities in the Caribbean who came to the United States hoping for

5967-484: The Harlem Renaissance who put black everyday people at the forefront of her works. In 1932, Savage founded the Savage Studio of Arts and Crafts, providing free art classes in painting, printmaking, and sculpting. She secured government funding for the school to train youths and adults. Known as a leading light within the Harlem community, Savage encouraged artists to seek financial compensation for their works, which led to

SECTION 50

#1732868892355

6084-508: The Harlem Renaissance, took place between 1924—when Opportunity: A Journal of Negro Life hosted a party for black writers where many white publishers were in attendance—and 1929, the year of the stock-market crash and the beginning of the Great Depression . The Harlem Renaissance is considered to have been a rebirth of the African-American arts. Until the end of the Civil War , the majority of African Americans had been enslaved and lived in

6201-491: The Harlem Renaissance." His portraits of writers, musicians, artists and other cultural figures helped to promote their work and bring attention to the vibrant creative scene known as Harlem. Aaron Douglas , born in Kansas in 1899 and often referred to as the "Father of African-American Art", is one of the most affluential painters of the Harlem Renaissance. Through his paintings that utilize color, shape, and line, Douglas creates

6318-711: The Liberty League and The Voice , the first organization and the first newspaper, respectively, of the "New Negro Movement". Harrison's organization and newspaper were political but also emphasized the arts (his newspaper had "Poetry for the People" and book review sections). In 1927, in the Pittsburgh Courier , Harrison challenged the notion of the Renaissance. He argued that the "Negro Literary Renaissance" notion overlooked "the stream of literary and artistic products which had flowed uninterruptedly from Negro writers from 1850 to

6435-542: The Los Angeles Zine Fest started in 2012 with only a handful of exhibitors, now hosting over 200 exhibitors. These are considered to be some of the biggest zine fests in the United States, Other big zine fests across the globe include, San Francisco Zine Fest, Brooklyn Zine Fest, Chicago Zine Fest, Feminist Zine Fest, Amsterdam Zine Jam, and Sticky Zine Fair. At each zine fest, the zinester can be their own independent distributor and publisher simply by standing behind

6552-627: The North. After the end of World War I, many African-American soldiers—who fought in segregated units such as the Harlem Hellfighters —came home to a nation whose citizens often did not respect their accomplishments. Race riots and other civil uprisings occurred throughout the United States during the Red Summer of 1919 , reflecting economic competition over jobs and housing in many cities, as well as tensions over social territories. The first stage of

6669-616: The Ottawa hardcore scene. The Bay Area zine Cometbus was first created at Berkeley by the zinester and musician Aaron Cometbus . Gearhead Nation was a monthly punk freesheet that lasted from the early 1990s to 1997 in Dublin, Ireland. Some hardcore punk zines became available online such as the e-zine chronicling the Australian hardcore scene, RestAssured. In Italy, Mazquerade ran from 1979 to 1981 and Raw Art Fanzine ran from 1995 to 2000. In

6786-847: The Riot Grrrl Manifesto in their second issue as a way of establishing space. Zinesters Erika Reinstein and May Summer founded the Riot Grrrl Press to serve as a zine distribution network that would allow riot grrrls to "express themselves and reach large audiences without having to rely on the mainstream press". "BECAUSE we girls want to create mediums that speak to US. We are tired of boy band after boy band, boy zine after boy zine, boy punk after boy punk after boy . . . BECAUSE in every form of media I see us/myself slapped, decapitated, laughed at, trivialized, pushed, ignored, stereotyped, kicked, scorned, molested, silenced, invalidated, knifed, shot, choked, and killed ... BECAUSE every time we pick up

6903-784: The South and one-party block voting behind Southern Democrats . Democratic Party politicians (many having been former slaveowners and political and military leaders of the Confederacy ) conspired to deny African Americans their exercise of civil and political rights by terrorizing black communities with lynch mobs and other forms of vigilante violence as well as by instituting a convict labor system that forced many thousands of African Americans back into unpaid labor in mines, plantations and on public works projects such as roads and levees. Convict laborers were typically subject to brutal forms of corporal punishment, overwork and disease from unsanitary conditions. Death rates were extraordinarily high. While

7020-518: The South became increasingly difficult, African Americans began to migrate north in great numbers. Most of the future leading lights of what was to become known as the "Harlem Renaissance" movement arose from a generation that had memories of the gains and losses of Reconstruction after the Civil War. Sometimes their parents, grandparents – or they themselves – had been slaves. Their ancestors had sometimes benefited by paternal investment in cultural capital, including better-than-average education. Many in

7137-615: The Toronto suburbs. The episodes are narrated and presented in the form of zine issues that she creates, inheriting her father's storytelling passion. The show won titles from the Canadian Comedy Awards and Gemini Awards during its development. Harlem Renaissance The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem , Manhattan , New York City, spanning

SECTION 60

#1732868892355

7254-520: The UK and America, such as Ireland, Indonesia, and more by 1977. Amateur, fan-created zines played an important role in spreading information about different scenes (city or regional-based subcultures) and bands (e.g. British fanzines like Mark Perry's Sniffin Glue and Shane MacGowan's Bondage ) in the pre-Internet era. They typically included reviews of shows and records, interviews with bands, letters, and ads for records and labels. The punk subculture in

7371-491: The UK's Shindig! and Italy's Misty Lane ." Mark Wilkins, the promotion director for 1982 onwards US punk/thrash label Mystic Records , had over 450 US fanzines and 150 foreign fanzines he promoted to regularly. He and Mystic Records owner Doug Moody edited The Mystic News Newsletter which was published quarterly and went into every promo package to fanzines. Wilkins also published the highly successful Los Angeles punk humor zine Wild Times and when he ran out of funding for

7488-605: The US an in Effect, launched in 1988 described the New York City punk scene. Among later titles, Maximum RocknRoll is a major punk zine, with over 300 issues published. As a result, in part, of the popular and commercial resurgence of punk in the late 1980s, and after, with the growing popularity of such bands as Sonic Youth , Nirvana , Fugazi , Bikini Kill , Green Day and the Offspring ,

7605-544: The US, Flipside (created by Al Kowalewski, Pooch (Patrick DiPuccio), Larry Lash (Steven Shoemaker), Tory, X-8 (Sam Diaz)) and Slash (created by Steve Samioff and Claude Bessy) were important punk zines for the Los Angeles scene, both debuting in 1977. In 1977 in Australia, Bruce Milne and Clinton Walker fused their respective punk zines Plastered Press and Suicide Alley to launch Pulp ; Milne later went on to invent

7722-970: The United Kingdom spearheaded a surge of interest in fanzines as a countercultural alternative to established print media. The first and still best known UK 'punk zine' was Sniffin' Glue , produced by Deptford punk fan Mark Perry which ran for 12 photocopied issues; the first issue produced by Perry immediately following (and in response to) the London debut of the Ramones on 4 July 1976. Other UK fanzines included Blam! , Bombsite , Burnt Offering , Chainsaw , New Crimes , Vague , Jamming , Artcore Fanzine , Love and Molotov Cocktails , To Hell With Poverty , New Youth , Peroxide , ENZK , Juniper beri-beri , No Cure , Communication Blur , Rox , Grim Humour , Spuno , Cool Notes and Fumes . By 1990, Maximum Rocknroll "had become

7839-460: The adoption of zine culture by powerful and prestigious institutions contradicts their function as declarations of agency by marginalized groups. There has been a resurgence in the alternative publication culture beginning in the 2010s, in tandem with the influx of zine libraries and as a result of the digital age, which has sparked zine festivals across the globe. The San Francisco Zine Fest started in 2001 and features up to 200+ exhibitors, while

7956-957: The author. They are also sold online on distro websites, Etsy shops, blogs, or social networking profiles and are available for download. While zines are generally self-published, there are a few independent publishers who specialize in art zines such as Nieves Books in Zurich , founded by Benjamin Sommerhalder, and Café Royal Books founded by Craig Atkinson in 2005. In recent years a number of photocopied zines have risen to prominence or professional status and have found wide bookstore and online distribution. Notable among these are Giant Robot , Dazed & Confused , Bust , Bitch , Cometbus , Doris , Brainscan , The Miscreant, and Maximum RocknRoll . Live map of zine distributors worldwide There are many catalogued and online based mail-order distros for zines. The longest running distribution operation

8073-403: The black intelligentsia, who took issue with certain depictions of black life. Some common themes represented during the Harlem Renaissance were the influence of the experience of slavery and emerging African-American folk traditions on black identity, the effects of institutional racism , the dilemmas inherent in performing and writing for elite white audiences, and the question of how to convey

8190-439: The cassette zine with Fast Forward , in 1980. In the American Midwest, a zine called Touch and Go described the area's hardcore scene from 1979 to 1983. We Got Power described the LA scene from 1981 to 1984, and included show reviews and band interviews with groups including DOA , the Misfits , Black Flag , Suicidal Tendencies , and the Circle Jerks . My Rules was a photo zine that included photos of hardcore shows from across

8307-569: The choral conductor Eva Jessye was part of the creative team. Her choir was featured in Four Saints . The music world also found white band leaders defying racist attitudes to include the best and the brightest African-American stars of music and song in their productions. The African Americans used art to prove their humanity and demand for equality . The Harlem Renaissance led to more opportunities for blacks to be published by mainstream houses. Many authors began to publish novels, magazines and newspapers during this time. The new fiction attracted

8424-627: The classical world of musical composition . The first African-American male to gain wide recognition as a concert artist in both his region and internationally was Roland Hayes . He trained with Arthur Calhoun in Chattanooga , and at Fisk University in Nashville . Later, he studied with Arthur Hubbard in Boston and with George Henschel and Amanda Ira Aldridge in London, England . Hayes began singing in public as

8541-424: The courage "to express our individual dark-skinned selves without fear or shame". Alain Locke's anthology The New Negro was considered the cornerstone of this cultural revolution. The anthology featured several African-American writers and poets, from the well-known, such as Zora Neale Hurston and communists Langston Hughes and Claude McKay , to the lesser known, like the poet Anne Spencer . Many poets of

8658-428: The cultural and social life of Harlem during the Harlem Renaissance. His photographs were instrumental in shaping the image and identity of the African-American community during the Harlem Renaissance. His work documented the achievements of cultural figures and helped to challenge stereotypes and racist attitudes, which in turn promoted pride and dignity among African Americans in Harlem and beyond. Van Der Zee's studio

8775-475: The de facto bible of the scene, presenting a "passionate yet dogmatic view" of what hardcore was supposed to be." HeartattaCk and Profane Existence took the DIY lifestyle to a religious level for emo and post-hardcore and crust punk culture. Slug and Lettuce started at the state college of PA and became an international 10,000 copy production – all for free. In Canada, the zine Standard Issue chronicles

8892-531: The earliest incarnations of the zine and influenced subsequent publications. "Zinesters" like Lisa Ben and Jim Kepner honed their talents in the science fiction fandom before tackling gay rights, creating zines such as "Vice Versa" and "ONE" that drew networking and distribution ideas from their science fiction roots. A number of leading science fiction and fantasy authors rose through the ranks of fandom, creating "pro-zines" such as Frederik Pohl and Isaac Asimov . The first science fiction fanzine, The Comet ,

9009-445: The experience of modern black life in the urban North. The Harlem Renaissance was one of primarily African-American involvement. It rested on a support system of black patrons and black-owned businesses and publications. However, it also depended on the patronage of white Americans, such as Carl Van Vechten and Charlotte Osgood Mason , who provided various forms of assistance, opening doors which otherwise might have remained closed to

9126-509: The first science fiction magazine , Amazing Stories in 1926. In January 1927, Gernsback introduced a large letter column which printed reader's addresses. allowing them to write to each other; it was out of this mailing list that fans' own science fiction fanzines began. Fans also began writing to each other not only about science fiction but about fandom itself, leading to perzines . Science fiction fanzines vary in content, from short stories to convention reports to fanfiction were one of

9243-444: The first horror fanzines created as more serious alternatives to the popular Forrest J Ackerman 1958 magazine Famous Monsters of Filmland . Garden Ghouls Gazette – a 1960s horror title under the editorship of Dave Keil, then Gary Collins—was later headed by Frederick S. Clarke and in 1967 became the respected journal Cinefantastique . It later became a prozine under journalist-screenwriter Mark A. Altman and has continued as

9360-478: The foundations for future musicians of their genre. Duke Ellington gained popularity during the Harlem Renaissance. According to Charles Garrett, "The resulting portrait of Ellington reveals him to be not only the gifted composer, bandleader, and musician we have come to know, but also an earthly person with basic desires, weaknesses, and eccentricities." Ellington did not let his popularity get to him. He remained calm and focused on his music. During this period,

9477-685: The history of comics. Through the 1960s, and 1970s, comic fanzines followed general formats, such as the industry news and information magazine ( The Comic Reader was one example), interview, history and review-based fanzines, and the fanzines which basically represented independent comic book-format exercises. In 1936, David Kyle published The Fantasy World , possibly the first comics fanzine. Malcolm Willits and Jim Bradley started The Comic Collector's News in October 1947. In 1953, Bhob Stewart published The EC Fan Bulletin , which launched EC fandom of imitative Entertaining Comic fanzines. Among

9594-448: The hobby, but also served as a common form for the organisation of play-by-mail games . Several fans active in science fiction and comics fandom recognized a shared interest in rock music, and the rock fanzine was born. Paul Williams and Greg Shaw were two such science fiction fans turned rock zine editors. Williams' Crawdaddy! (1966) and Shaw's two California-based zines, Mojo Navigator Rock and Roll News (1966) and Who Put

9711-582: The leader of the Universal Negro Improvement Association (UNIA) , a black nationalist organization that promoted Pan-Africanism and economic independence for African Americans. Other notable black persons he photographed are Countee Cullen , a poet and writer who was associated with the Harlem Renaissance; Josephine Baker , a dancer and entertainer who became famous in France and was known for her provocative performances; W. E. B. Du Bois ,

9828-419: The mid-1990s, zines were also published on the Internet as e-zines . Websites such as Gurl.com and ChickClick were created out of dissatisfaction of media available to women and parodied content found in mainstream teen and women's magazines. Both Gurl.com and ChickClick had a message board and free web hosting services, where users could also create and contribute their own content, which in turn created

9945-553: The musical style of blacks was becoming more and more attractive to whites. White novelists, dramatists and composers started to exploit the musical tendencies and themes of African Americans in their works. Composers (including William Grant Still , William L. Dawson and Florence Price ) used poems written by African-American poets in their songs, and would implement the rhythms, harmonies and melodies of African-American music—such as blues , spirituals and jazz—into their concert pieces. African Americans began to merge with whites into

10062-520: The part of The Crisis magazine community. There were other forms of spiritualism practiced among African Americans during the Harlem Renaissance. Some of these religions and philosophies were inherited from African ancestry. For example, the religion of Islam was present in Africa as early as the 8th century through the Trans-Saharan trade . Islam came to Harlem likely through the migration of members of

10179-499: The period. The Harlem Renaissance helped lay the foundation for the post-World War II protest movement of the Civil Rights movement . Moreover, many black artists who rose to creative maturity afterward were inspired by this literary movement. The Renaissance was more than a literary or artistic movement, as it possessed a certain sociological development—particularly through a new racial consciousness—through ethnic pride, as seen in

10296-470: The piano called the Harlem Stride style was created during the Harlem Renaissance helping to blur the lines between the poor African Americans and socially elite African Americans. The traditional jazz band was composed primarily of brass instruments and was considered a symbol of the South, but the piano was considered an instrument of the wealthy. With this instrumental modification to the existing genre,

10413-555: The premieres of these plays "the most important single event in the entire history of the Negro in the American Theater". Another landmark came in 1919, when the communist poet Claude McKay published his militant sonnet " If We Must Die ", which introduced a dramatically political dimension to the themes of African cultural inheritance and modern urban experience featured in his 1917 poems "Invocation" and "Harlem Dancer". Published under

10530-499: The present," and said the so-called "Renaissance" was largely a white invention. Alternatively, a writer like the Chicago-based author, Fenton Johnson , who began publishing in the early 1900s, is called a "forerunner" of the Harlem Renaissance, "one of the first negro revolutionary poets". Nevertheless, with the Harlem Renaissance came a sense of acceptance for African-American writers; as Langston Hughes put it, with Harlem came

10647-427: The pseudonym Eli Edwards, these were his first appearance in print in the United States after immigrating from Jamaica. Although "If We Must Die" never alluded to race, African-American readers heard its note of defiance in the face of racism and the nationwide race riots and lynchings then taking place. By the end of the First World War, the fiction of James Weldon Johnson and the poetry of Claude McKay were describing

10764-495: The publication of work outside the black American community. This support often took the form of patronage or publication . Carl Van Vechten was one of the most noteworthy white Americans involved with the Harlem Renaissance. He allowed for assistance to the black American community because he wanted racial sameness. There were other whites interested in so-called " primitive " cultures, as many whites viewed black American culture at that time, and wanted to see such "primitivism" in

10881-580: The racist conditions of the Jim Crow Deep South , as Harlem was the final destination of the largest number of those who migrated north. Though it was centered in the Harlem neighborhood, many francophone black writers from African and Caribbean colonies who lived in Paris , France, were also influenced by the movement. Many of its ideas lived on much longer. The zenith of this "flowering of Negro literature", as James Weldon Johnson preferred to call

10998-507: The reality of contemporary African-American life in America. The Harlem Renaissance grew out of the changes that had taken place in the African-American community since the abolition of slavery, as the expansion of communities in the North. These accelerated as a consequence of World War I and the great social and cultural changes in the early 20th-century United States. Industrialization attracted people from rural areas to cities and gave rise to

11115-552: The rebellious twist of an African influence. Countee Cullen 's poem "Heritage" expresses the inner struggle of an African American between his past African heritage and the new Christian culture . A more severe criticism of the Christian religion can be found in Langston Hughes 's poem "Merry Christmas", where he exposes the irony of religion as a symbol for good and yet a force for oppression and injustice. A new way of playing

11232-504: The same people). The concept of zine as an art form distinct from fanzine , and of the "zinesters" as member of their own subculture, had emerged. Zines of this era ranged from perzines of all varieties to those that covered an assortment of different and obscure topics. Genres reviewed by Factsheet Five included quirky, medley, fringe, music, punk, grrrlz, personal, science fiction, food, humour, spirituality, politics, queer, arts & letters, comix. The riot grrrl movement emerged from

11349-470: The same role of personal expression. Indeed, many zines were transformed into Webzines , such as Boing Boing or monochrom . The metadata standard for cataloging zines is xZineCorex , which maps to Dublin Core . E-zine creators were originally referred to as "adopters" because of their use of pre-made type and layouts, making the process less ambiguous. Since, social media, blogging and vlogging have adopted

11466-512: The start of the Harlem Artist Guild in 1935. Augusta Savage was the only African American commissioned to create an exhibit for the 1939 World Fair in New York, where she showcased her piece Lift Every Voice and Sing , which quickly became one of the most popular pieces within the fair. Characterizing the Harlem Renaissance was an overt racial pride that came to be represented in the idea of

11583-405: The war effort resulted in a massive demand for unskilled industrial labor. The Great Migration brought hundreds of thousands of African Americans to cities such as Chicago, Philadelphia, Detroit, Washington, D.C., and New York. Despite the increasing popularity of Negro culture, virulent white racism, often by more recent ethnic immigrants, continued to affect African-American communities, even in

11700-422: The wave of EC fanzines that followed, the best-known was Ron Parker 's Hoo-Hah! In 1960, Richard and Pat Lupoff launched their science fiction and comics fanzine Xero and in 1961, Jerry Bails ' Alter Ego , devoted to costumed heroes , became a focal point for superhero comics fandom. Calvin T. Beck 's Journal of Frankenstein (later Castle of Frankenstein ) and Gary Svehla's Gore Creatures were

11817-671: The wealthy African Americans now had more access to jazz music. Its popularity soon spread throughout the country and was consequently at an all-time high. Innovation and liveliness were important characteristics of performers in the beginnings of jazz. Jazz performers and composers at the time such as Eubie Blake , Noble Sissle , Jelly Roll Morton , Luckey Roberts , James P. Johnson , Willie "The Lion" Smith , Andy Razaf , Fats Waller , Ethel Waters , Adelaide Hall , Florence Mills and bandleaders Duke Ellington , Louis Armstrong and Fletcher Henderson were extremely talented, skillful, competitive and inspirational. They laid great parts of

11934-456: The work coming out of the Harlem Renaissance. As with most fads, some people may have been exploited in the rush for publicity. Interest in African-American lives also generated experimental but lasting collaborative work, such as the all-black productions of George Gershwin 's opera Porgy and Bess , and Virgil Thomson and Gertrude Stein 's Four Saints in Three Acts . In both productions

12051-474: The zine movement are often overlooked, in part "because they had such short runs and were spearheaded by a single or small group of individuals." During and after the Great Depression , editors of "pulp" science fiction magazines became increasingly frustrated with letters detailing the impossibilities of their science fiction stories. Over time they began to publish these overly-scrutinizing letters, complete with their return addresses. Hugo Gernsback published

12168-452: The zine syndicated some of the humorous material to over 100 US fanzines under the name of Mystic Mark. During the 1980s and onwards, Factsheet Five (the name came from a short story by John Brunner ), originally published by Mike Gunderloy and now defunct, catalogued and reviewed any zine or small press creation sent to it, along with their mailing addresses. In doing so, it formed a networking point for zine creators and readers (often

12285-463: Was abandoned by the white middle class, who moved farther north. Harlem became an African-American neighborhood in the early 1900s. In 1910, a large block along 135th Street and Fifth Avenue was bought by various African-American realtors and a church group. Many more African Americans arrived during the First World War . Due to the war, the migration of laborers from Europe virtually ceased, while

12402-472: Was coined in an October 1940 science fiction fanzine by Russ Chauvenet and popularized within science fiction fandom , entering the Oxford English Dictionary in 1949. Popularly defined within a circulation of 1,000 or fewer copies, in practice many zines are produced in editions of fewer than 100. Among the various intentions for creation and publication are developing one's identity, sharing

12519-576: Was described in Sexuality & Culture as "a comprehensive guide to trans women's sexuality" and The Mary Sue as "the gold standard in transfeminine sex and masturbation". In the early 2000s, zines with comics in them had a "thriving" fandom . Two popular kids shows in the late 1990s and early 2000s featured zine-making: Our Hero (2000–02) and Rocket Power (1999–2004). The main character in Our Hero , Kale Stiglic, writes about her life in

12636-641: Was followed by the passage of the Civil Rights Act of 1875 , part of Reconstruction legislation by Republicans . During the mid-to-late 1870s, racist whites organized in the Democratic Party launched a murderous campaign of racist terrorism to regain political power throughout the South. From 1890 to 1908, they proceeded to pass legislation that disenfranchised most African Americans and many poor whites, trapping them without representation. They established white supremacist regimes of Jim Crow segregation in

12753-488: Was found in music, literature, art, theater and poetry. The Harlem Renaissance encouraged analytic dialogue that included the open critique and the adjustment of current religious ideas. One of the major contributors to the discussion of African-American renaissance culture was Aaron Douglas , who, with his artwork, also reflected the revisions African Americans were making to the Christian dogma. Douglas uses biblical imagery as inspiration to various pieces of artwork, but with

12870-476: Was nominated for the Hugo Award for "Best Fanzine" in 1978, 1979, and 1980. Janus/Aurora was the most prominent science fiction feminist zine during its run, as well as one of the only zines that dealt with such content. Comics were mentioned and discussed as early as the late 1930s in the fanzines of science fiction fandom . They often included fan artwork based on existing characters as well as discussion of

12987-496: Was not just a place for taking photographs; it was also a social and cultural hub for Harlem residents. People would come to his studio not only to have their portraits taken, but also to socialize and to participate in the community events that he hosted. Van Der Zee's studio played an important role in the cultural life of Harlem during the early 20th century, and helped to foster a sense of community and pride among its residents. Some notable persons photographed are Marcus Garvey ,

13104-406: Was one of the first major exhibitions to focus on the cultural achievements of African Americans in Harlem. Van Der Zee's work was the eyes of Harlem. His photographs are recognized as important documents of African-American life and culture during the early 20th century. They serve as a visual record of the achievements of the Harlem Renaissance. Kelli Jones called him "the official chronicler of

13221-479: Was published for 30 years. In 1993, G-FAN was published, and reached its 100th regularly published issue in Fall 2012. FXRH ( Special effects by Ray Harryhausen ) (1971–1976) was a specialized zine co-created by future Hollywood FX artist Ernest D. Farino . Board game-focused zines, especially those focused on the board game Diplomacy , took off in the 1960s. These not only contained news and articles about

13338-577: Was published in 1930 by the Science Correspondence Club in Chicago and edited by Raymond A. Palmer and Walter Dennis. The first version of Superman (a bald-headed villain) appeared in the third issue of Jerry Siegel and Joe Shuster 's 1933 fanzine Science Fiction . The first media fanzine was a Star Trek fan publication called Spockanalia , published in September 1967 by members of

13455-634: Was regarding the proposed union of the three largest Methodist churches of 1936. This article shows the controversial question of unification for these churches. The article "The Catholic Church and the Negro Priest", also published in The Crisis , January 1920, demonstrates the obstacles that African-American priests faced in the Catholic Church. The article confronts what it saw as policies based on race that excluded African Americans from higher positions in

13572-551: Was supposed to address systemic racism. BUST - "The voice of the new world order" was created by Debbie Stoller, Laurie Hanzel and Marcelle Karp in 1993 to propose an alternate to the popular mainstream magazines Cosmopolitan and Glamour . Additional zines following this path are Shocking Pink (1981–82, 1987–92), Jigsaw (1988– ), Not Your Bitch 1989–1992 (Gypsy X, ed.) Bikini Kill (1990), Girl Germs (1990), Bamboo Girl (1995– ), BITCH Magazine (1996– ), Hip Mama (1997– ), Kitten Scratches (1999) and ROCKRGRL (1995–2005). In

13689-521: Was the first in 1980. This was quickly followed by Dan French's Point Blank , Dave Percival's The Fever , Jeff Matthews' Rendezvous , and Paul Limbrick's Jackson Cage . In the US, Backstreets Magazine started in Seattle in 1980 and still continues today as a glossy publication, now in communication with Springsteen's management and official website. Crème Brûlée documented post-rock genre and experimental music (1990s). Punk zines emerged as part of

#354645