The Mendelssohn Scholarship (German: Mendelssohn-Stipendium ) refers to two scholarships awarded in Germany and in the United Kingdom. Both commemorate the composer Felix Mendelssohn , and are awarded to promising young musicians to enable them to continue their development.
117-559: Shortly after Mendelssohn 's death in 1847, a group of his friends and admirers formed a committee in London to establish a scholarship to enable musicians to study at the Leipzig Conservatoire , which Mendelssohn had founded in 1843. Their fundraising included a performance of Mendelssohn's Elijah in 1848, featuring Jenny Lind . The link between London and Leipzig fell through, resulting in two Mendelssohn Scholarships. In Germany,
234-449: A republic , may be the most congenial to the national genius—so individuals may need different religions. The test of religion is its effect on conduct. This is the moral of Lessing's Nathan the Wise ( Nathan der Weise ), the hero of which is undoubtedly Mendelssohn, and in which the parable of the three rings is the epitome of the pragmatic position. To Mendelssohn his theory represented
351-472: A Latin dictionary. He then made the acquaintance of Aaron Solomon Gumperz , who taught him basic French and English. In 1750, a wealthy Jewish silk -merchant, Isaac Bernhard, appointed him to teach his children. Mendelssohn soon won the confidence of Bernhard, who made the young student successively his bookkeeper and his partner. It was possibly Gumperz who introduced Mendelssohn to Gotthold Ephraim Lessing in 1754, who became one of his greatest friends. It
468-518: A bastion of this anti-radical outlook. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality has been re-evaluated. He is now among the most popular composers of the Romantic era. Felix Mendelssohn was born on 3 February 1809, in Hamburg , at the time an independent city-state , in the same house where,
585-544: A call to Berlin , and a few months later Moses followed him. Moses, age 14, "entered Berlin at the Rosenthaler Tor, the only gate in the city wall through which Jews (and cattle) were allowed to pass." "Mendelssohn enrolled in Frankel's exacting seminary, where the program consisted of unending rote repetitions of early medieval texts, interpretations thereof, elaborations of Talmudic law, and copious commentary accumulated over
702-591: A close personal friend, Ignaz Moscheles, was of an older generation and equally conservative in outlook. Moscheles preserved this conservative attitude at the Leipzig Conservatory until his own death in 1870. Mendelssohn married Cécile Charlotte Sophie Jeanrenaud (10 October 1817 – 25 September 1853), the daughter of a French Reformed Church clergyman, on 28 March 1837. The couple had five children: Carl, Marie, Paul, Lili and Felix August. The second youngest child, Felix August, contracted measles in 1844 and
819-611: A composer, who both greatly admired his music. Mendelssohn's oratorio Elijah was commissioned by the Birmingham Triennial Music Festival and premiered on 26 August 1846, at the Town Hall, Birmingham . It was composed to a German text translated into English by William Bartholomew , who authored and translated many of Mendelssohn's works during his time in England. On his last visit to Britain in 1847, Mendelssohn
936-577: A few days before his death. Mendelssohn's complete works have been published in 19 volumes (in the original languages) (Stuttgart, 1971 ff., ed. A. Altmann and others) Mendelssohn had six children , of whom only his second-oldest daughter, Recha, and his eldest son, Joseph, retained the Jewish faith. His sons were: Joseph (founder of the Mendelssohn banking house and a friend and benefactor of Alexander von Humboldt ), Abraham (who married Lea Salomon and
1053-686: A group of works of his early maturity: the String Octet (1825), the Overture A Midsummer Night's Dream (1826), which in its finished form also owes much to the influence of Adolf Bernhard Marx , at the time a close friend of Mendelssohn, and the two early string quartets : Op. 12 (1829) and Op. 13 (1827), which both show a remarkable grasp of the techniques and ideas of Beethoven's last quartets that Mendelssohn had been closely studying. These four works show an intuitive command of form, harmony, counterpoint , colour, and compositional technique, which in
1170-449: A leading cultural figure of his time by both Christian and Jewish inhabitants of German-speaking Europe and beyond. His involvement in the Berlin textile industry formed the foundation of his family's wealth. His descendants include the composers Fanny and Felix Mendelssohn ; Felix's son, chemist Paul Mendelssohn Bartholdy ; Fanny's grandsons, Paul and Kurt Hensel ; and the founders of
1287-466: A letter to a stranger, as a place "where it is to be hoped there is still music, but no more sorrow or partings." While Mendelssohn was often presented as equable, happy, and placid in temperament, particularly in the detailed family memoirs published by his nephew Sebastian Hensel after the composer's death, this was misleading. The music historian R. Larry Todd notes "the remarkable process of idealization" of Mendelssohn's character "that crystallized in
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#17330858450721404-496: A mild form of familial dysautonomia , a hereditary disease of Ashkenazi Jews, which often brings with it a curvature of the spine and epilepsy -like symptoms in times of stress. Mendelssohn was treated with China bark , blood lettings on the foot, leeches applied to the ears, enemas , foot baths, lemonade and mainly vegetarian food. “No mental stress whatsoever” was ordered. However, although he remained subject to periods of setback, he eventually recovered sufficiently to write
1521-459: A musical career until it became clear that he was seriously dedicated. Mendelssohn grew up in an intellectual environment. Frequent visitors to the salon organised by his parents at their home in Berlin included artists, musicians and scientists, among them Wilhelm and Alexander von Humboldt , and the mathematician Peter Gustav Lejeune Dirichlet (whom Mendelssohn's sister Rebecka would later marry). The musician Sarah Rothenburg has written of
1638-461: A number of chamber works. His first work, a piano quartet, was published when he was 13. It was probably Abraham Mendelssohn who procured the publication of this quartet by the house of Schlesinger . In 1824 the 15-year-old wrote his first symphony for full orchestra (in C minor, Op. 11). At age 16 Mendelssohn wrote his String Octet in E-flat major , a work which has been regarded as "mark[ing]
1755-493: A preface where he publicly challenged Mendelssohn to refute Bonnet or if he could not then to "do what wisdom, the love of truth and honesty must bid him, what a Socrates would have done if he had read the book and found it unanswerable." Mendelssohn answered in an open letter in December 1769: "Suppose there were living among my contemporaries a Confucius or a Solon , I could, according to the principles of my faith, love and admire
1872-489: A result of his correspondence with Abbt, Mendelssohn resolved to write on the immortality of the soul. Materialistic views were at the time rampant and fashionable, and faith in immortality was at a low ebb. At this favourable juncture appeared Phädon oder über die Unsterblichkeit der Seele ( Phaedo or On the Immortality of Souls ; 1767). Modelled on Plato 's dialogue of the same name , Mendelssohn's work possessed some of
1989-450: A series of lectures to his oldest son, his son-in-law and a young friend, usually held "in the morning hours", in which he explained his personal philosophical world-view, his own understanding of Spinoza and Lessing's "purified" ( geläutert ) pantheism. But almost simultaneously with the publication of this book in 1785, Jacobi published extracts of his and Mendelssohn's letters as Briefe über die Lehre Spinozas , stating publicly that Lessing
2106-643: A series of strokes. His grandfather Moses, Fanny, and both his parents had all died from similar apoplexies . Although he had been generally meticulous in the management of his affairs, he died intestate . Mendelssohn's funeral was held at the Paulinerkirche , Leipzig, and he was buried at the Dreifaltigkeitsfriedhof I in Berlin- Kreuzberg . The pallbearers included Moscheles, Schumann and Niels Gade . Mendelssohn had once described death, in
2223-545: A short and restless sleep one evening, Mendelssohn found himself incapable of moving and had the feeling of something lashing his neck with fiery rods, his heart was palpitating and he was in an extreme anxiety, yet fully conscious. This spell was then broken suddenly by some external stimulation. Attacks of this kind recurred. The cause of his disease was ascribed to the mental stress due to his theological controversy with Lavater. However, this sort of attack, in milder form, had presumably occurred many years earlier. Bloch diagnosed
2340-400: A staged performance but to evoke a literary theme in performance on a concert platform; this was a genre which became a popular form in musical Romanticism . In 1824 Mendelssohn studied under the composer and piano virtuoso Ignaz Moscheles , who confessed in his diaries that he had little to teach him. Moscheles and Mendelssohn became close colleagues and lifelong friends. The year 1827 saw
2457-514: A strengthening bond to Judaism. But in the first part of the 19th century, the criticism of Jewish dogmas and traditions was associated with a firm adhesion to the older Jewish mode of living. Reason was applied to beliefs, the historic consciousness to life. Modern reform in Judaism has parted to some extent from this conception. In the view of the German writer Heinrich Heine , "as Luther had overthrown
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#17330858450722574-548: A strong following, which enabled him to make a good impression on British musical life. He composed and performed, and also edited for British publishers the first critical editions of oratorios of Handel and of the organ music of J. S. Bach. Scotland inspired two of his most famous works: the overture The Hebrides (also known as Fingal's Cave ); and the Scottish Symphony (Symphony No. 3). An English Heritage blue plaque commemorating Mendelssohn's residence in London
2691-425: A variety of works by great composers in chronological order, and must explain to him how they contributed to the advance of music." Secondly, it highlights that Mendelssohn was more concerned to reinvigorate the musical legacy which he inherited, rather than to replace it with new forms and styles, or with the use of more exotic orchestration . In these ways he differed significantly from many of his contemporaries in
2808-565: A year later, the dedicatee and first performer of his Violin Concerto, Ferdinand David , would be born. Mendelssohn's father, the banker Abraham Mendelssohn , was the son of the German Jewish philosopher Moses Mendelssohn , whose family was prominent in the German Jewish community. Until his baptism at age seven, Mendelssohn was brought up largely without religion. His mother, Lea Salomon ,
2925-426: Is a forcible plea for freedom of conscience, described by Kant as "an irrefutable book". Mendelssohn wrote: Brothers, if you care for true piety, let us not feign agreement, where diversity is evidently the plan and purpose of Providence. None of us thinks and feels exactly like his fellow man: why do we wish to deceive each other with delusive words? Its basic thrust is that the state has no right to interfere with
3042-760: Is an incomplete chronological list of recipients of the British Mendelssohn Scholarship. Official website of the UK Mendelssohn Scholarship Foundation Felix Mendelssohn Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 – 4 November 1847), widely known as Felix Mendelssohn , was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies , concertos, piano music, organ music and chamber music . His best-known works include
3159-611: Is an incomplete chronological list of recipients of the German Mendelssohn Scholarship. The funds raised at the 1848 concert were invested and allowed to accumulate until 1856, when Arthur Sullivan was elected as the first scholar. Since then it has been awarded from time to time, administered by the Mendelssohn Scholarship Foundation, which is linked to the Royal Academy of Music . The foundation
3276-510: Is conveyed in his comments to a correspondent who suggested converting some of the Songs Without Words into lieder by adding texts: "What [the] music I love expresses to me, are not thoughts that are too indefinite for me to put into words, but on the contrary, too definite ." Schumann wrote of Mendelssohn that he was "the Mozart of the nineteenth century, the most brilliant musician,
3393-623: Is kept in such a distance, that one might well despair of ever overcoming it". One of the means of doing this was by "giving them a better translation of the holy books than they previously had". To this end Mendelssohn undertook his German translation of the Pentateuch and other parts of the Bible. This work was called the Bi'ur ( the explanation ) (1783) and also contained a commentary, only that on Exodus having been written by Mendelssohn himself. The translation
3510-580: Is said that the first time Mendelssohn met Lessing, they played chess . In Lessing's play Nathan the Wise Nathan and the character Saladin first meet during a game of chess. Lessing had recently produced the drama Die Juden , whose moral was that a Jew can possess nobility of character. This notion was, in the contemporary Berlin of Frederick the Great , generally ridiculed as untrue. Lessing found in Mendelssohn
3627-505: Is such a frightful muddle [...] that one ought to wash one's hands after handling one of his scores"; and of Meyerbeer's opera Robert le diable "I consider it ignoble", calling its villain Bertram "a poor devil". When his friend the composer Ferdinand Hiller suggested in conversation to Mendelssohn that he looked rather like Meyerbeer – they were actually distant cousins, both descendants of Rabbi Moses Isserles – Mendelssohn
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3744-697: The Journal of the Royal Musical Association that "The Committee of the Mendelssohn Scholarship Foundation possesses material indicating that Mendelssohn wrote passionate love letters to Jenny Lind entreating her to join him in an adulterous relationship and threatening suicide as a means of exerting pressure upon her, and that these letters were destroyed on being discovered after her death." Mendelssohn met and worked with Lind many times, and started an opera, Lorelei , for her, based on
3861-468: The Hebrew inscription on his gravestone (see picture to the right) reads: "H[ere] r[ests] / the wise R[eb] Moses of Dessau / born on the 12th of Elul 5489 [6 September 1729] / died on Wednesday the 5th of Shevat [4 January] / and buried the next morning on Thursday 6th/ 5546 [5 January 1786] / M[ay] H[is] S[oul be] B[ound up in the] B[ond of eternal] L[ife]". Although the cemetery was largely destroyed during
3978-623: The Jerusalem Church , at which time Felix was given the additional names Jakob Ludwig. Abraham and his wife Lea were baptised in 1822, and formally adopted the surname Mendelssohn Bartholdy (which they had used since 1812) for themselves and for their children. The name Bartholdy was added at the suggestion of Lea's brother, Jakob Salomon Bartholdy, who had inherited a property of this name in Luisenstadt and adopted it as his own surname. In an 1829 letter to Felix, Abraham explained that adopting
4095-554: The Mendelssohn & Co. banking house. Moses Mendelssohn was born in Dessau . His father's name was Mendel, but Moses and his brother Saul were the first to adopt the surname Mendelssohn ("Mendel's son"). Moses's son Abraham Mendelssohn wrote in 1829 (to Felix), "My father felt that the name Moses Ben Mendel Dessau would handicap him in gaining the needed access to those who had the better education at their disposal. Without any fear that his own father would take offense, my father assumed
4212-588: The St. Matthew Passion . Mendelssohn worked with the dramatist Karl Immermann to improve local theatre standards, and made his first appearance as an opera conductor in Immermann's production of Mozart's Don Giovanni at the end of 1833, where he took umbrage at the audience's protests about the cost of tickets. His frustration at his everyday duties in Düsseldorf, and the city's provincialism, led him to resign his position at
4329-597: The overture and incidental music for A Midsummer Night's Dream (which includes his " Wedding March "), the Italian Symphony , the Scottish Symphony , the oratorio St. Paul , the oratorio Elijah , the overture The Hebrides , the mature Violin Concerto , the String Octet , and the melody used in the Christmas carol " Hark! The Herald Angels Sing ". Mendelssohn's Songs Without Words are his most famous solo piano compositions. Mendelssohn's grandfather
4446-425: The 13 early string symphonies . These were written from 1821 to 1823, when he was between the ages of 12 and 14, principally for performance in the Mendelssohn household, and not published or publicly performed until long after his death. His first published works were his three piano quartets (1822–1825; Op. 1 in C minor, Op. 2 in F minor and Op. 3 in B minor); but his capacities are especially revealed in
4563-477: The Bartholdy name was meant to demonstrate a decisive break with the traditions of his father Moses: "There can no more be a Christian Mendelssohn than there can be a Jewish Confucius ". (Letter to Felix of 8 July 1829). On embarking on his musical career, Felix did not entirely drop the name Mendelssohn as Abraham had requested, but in deference to his father signed his letters and had his visiting cards printed using
4680-586: The Condition of the Jews , which played a significant part in the rise of tolerance. Mendelssohn himself published a German translation of the Vindiciae Judaeorum by Menasseh Ben Israel . The interest caused by these actions led Mendelssohn to publish his most important contribution to the problems connected with the position of Judaism in a Gentile world. This was Jerusalem (1783; Eng. trans. 1838 and 1852). It
4797-663: The Jewish Mendelssohn family, the award was discontinued by the Nazis in 1934. It was revived by the Ministry of Culture of the former East Germany in 1963, in the form of two annual prizes for composition and for performance. It is now awarded by the Prussian Cultural Heritage Foundation . As well as Humperdinck, famous recipients include the pianist Wilhelm Kempff and the composer Kurt Weill . The following
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4914-520: The Jewish religion and identity were a central element in the development of the Haskalah , or 'Jewish Enlightenment' of the eighteenth and nineteenth centuries. Born to a poor Jewish family in Dessau , Principality of Anhalt , and originally destined for a rabbinical career, Mendelssohn educated himself in German thought and literature. Through his writings on philosophy and religion he came to be regarded as
5031-463: The King's request, music for productions of Sophocles 's Antigone (1841 – an overture and seven pieces ) and Oedipus at Colonus (1845), A Midsummer Night's Dream (1843) and Racine 's Athalie (1845). But the funds for the school never materialised, and many of the court's promises to Mendelssohn regarding finances, title, and concert programming were broken. He was therefore not displeased to have
5148-608: The Mendelssohn Scholarship was established in the 1870s as two awards of 1500 Marks, one for composition and one for performance, for any student of a music school in Germany, and was funded by the Prussian state as part of an arrangement under which the Mendelssohn family donated the composer's manuscripts to the state. The first recipient was the composer, Engelbert Humperdinck , who used it to travel to Italy in 1879. Funded by
5265-467: The Nazi era, after German reunification , in 2007-2008, it was reestablished with monuments to its past, including a recreation of Mendelssohn's gravestone. It was after the breakdown of his health that Mendelssohn decided to "dedicate the remains of my strength for the benefit of my children or a goodly portion of my nation"—which he did by trying to bring the Jews closer to "culture, from which my nation, alas!
5382-638: The Papacy, so Mendelssohn overthrew the Talmud ; and he did so after the same fashion, namely, by rejecting tradition, by declaring the Bible to be the source of religion, and by translating the most important part of it. By these means he shattered Judaic, as Luther had shattered Christian, catholicism ; for the Talmud is, in fact, the catholicism of the Jews." Mendelssohn grew ever more famous, and counted among his friends many of
5499-554: The Prussian throne in 1840 with ambitions to develop Berlin as a cultural centre (including the establishment of a music school, and reform of music for the church), the obvious choice to head these reforms was Mendelssohn. He was reluctant to undertake the task, especially in the light of his existing strong position in Leipzig. Mendelssohn nonetheless spent some time in Berlin, writing some church music such as Die Deutsche Liturgie , and, at
5616-604: The Singakademie; Zelter, whose tastes in music were conservative, was also an admirer of the Bach tradition. This undoubtedly played a significant part in forming Felix Mendelssohn's musical tastes, as his works reflect this study of Baroque and early classical music. His fugues and chorales especially reflect a tonal clarity and use of counterpoint reminiscent of Johann Sebastian Bach , whose music influenced him deeply. Mendelssohn probably made his first public concert appearance at
5733-458: The Singakademie; but at a vote in January 1833 he was defeated for the post by Carl Friedrich Rungenhagen . This may have been because of Mendelssohn's youth, and fear of possible innovations; it was also suspected by some to be attributable to his Jewish ancestry. Following this rebuff, Mendelssohn divided most of his professional time over the next few years between Britain and Düsseldorf , where he
5850-402: The age of nine, when he participated in a chamber music concert accompanying a horn duo. He was a prolific composer from an early age. As an adolescent, his works were often performed at home with a private orchestra for the associates of his wealthy parents amongst the intellectual elite of Berlin. Between the ages of 12 and 14, Mendelssohn wrote 13 string symphonies for such concerts, and
5967-553: The age of seven years, Mendelssohn was baptised with his brother and sisters in a private domestic ceremony by Johann Jakob Stegemann, Minister of the Evangelical congregation of Berlin's Jerusalem Church and New Church . Although Mendelssohn was a conforming Christian as a member of the Reformed Church, he was both conscious and proud of his Jewish ancestry and notably of his connection with his grandfather, Moses Mendelssohn. He
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#17330858450726084-525: The already famous Jewish philosopher with some companions. They insisted on Mendelssohn telling them his views on Jesus and managed to get from him the statement, that, provided the historical Jesus had kept himself and his theology strictly within limits of orthodox Judaism, Mendelssohn "respected the morality of Jesus' character." Six years later, in October 1769, Lavater sent Mendelssohn his German translation of Charles Bonnet 's essay on Christian Evidences, with
6201-498: The backing of Zelter and the assistance of the actor Eduard Devrient , Mendelssohn arranged and conducted a performance in Berlin of Bach's St Matthew Passion . Four years previously his grandmother, Bella Salomon , had given him a copy of the manuscript of this (by then all-but-forgotten) masterpiece. The orchestra and choir for the performance were provided by the Berlin Singakademie. The success of this performance, one of
6318-582: The basis of the extensive collection of Mendelssohn manuscripts, including the so-called "Green Books" of his correspondence, now in the Bodleian Library at Oxford University. Cécile Mendelssohn Bartholdy died less than six years after her husband, on 25 September 1853. Mendelssohn became close to the Swedish soprano Jenny Lind , whom he met in October 1844. Papers confirming their relationship had not been made public. In 2013, George Biddlecombe confirmed in
6435-438: The beginning of his maturity as a composer." This Octet and his Overture to Shakespeare 's A Midsummer Night's Dream , which he wrote a year later in 1826, are the best-known of his early works. (Later, in 1843, he also wrote incidental music for the play, including the famous " Wedding March ".) The Overture is perhaps the earliest example of a concert overture – that is, a piece not written deliberately to accompany
6552-410: The best education possible. Fanny became a pianist well known in Berlin musical circles as a composer; originally Abraham had thought that she, rather than Felix, would be the more musical. But it was not considered proper, by either Abraham or Felix, for a woman to pursue a career in music, so she remained an active but non-professional musician. Abraham was initially disinclined to allow Felix to follow
6669-777: The body of an Aesop [who was traditionally considered ugly]—a man of keen insight, exquisite taste and wide erudition [...] frank and open-hearted" —ending his public praise with the wish of Mendelssohn recognizing, "together with Plato and Moses... the crucified glory of Christ." When, in 1775 the Swiss-German Jews, faced with the threat of expulsion, turned to Mendelssohn and asked him to intervene on their behalf with "his friend" Lavater, Lavater, after receiving Mendelssohn's letter, promptly and effectively secured their stay. In March 1771 Mendelssohn's health deteriorated so badly that Marcus Elieser Bloch , his doctor, decided his patient had to give up philosophy, at least temporarily. After
6786-409: The centuries." A refugee Polish Jew, Israel Zamosz , taught him mathematics, and a young Jewish physician taught him Latin . He was, however, mainly self-taught. He learned to spell and to philosophize at the same time (according to the historian Graetz ). With his scanty earnings he bought a Latin copy of John Locke 's An Essay Concerning Human Understanding , and mastered it with the aid of
6903-435: The charm of its Greek exemplar and impressed the German world with its beauty and lucidity of style. Phaedo was an immediate success, and besides being one of the most widely read books of its time in German was speedily translated into several European languages, including English . The author was hailed as the "German Plato", or the "German Socrates"; royal and other aristocratic friends showered attentions on him, and it
7020-420: The classical tradition had tended to be at the transition from the development section of the movement to the recapitulation; whereas Berlioz and other "modernists" sought to have the emotional climax at the end of a movement, if necessary by adding an extended coda to follow the recapitulation proper. Mendelssohn's solution to this problem was less sensational than Berlioz's approach, but was rooted in changing
7137-414: The contradictions between classical forms and the sentiments of Romanticism. The expressiveness of Romantic music presented a problem in adherence to sonata form ; the final ( recapitulation ) section of a movement could seem, in the context of Romantic style, a bland element without passion or soul. Furthermore, it could be seen as a pedantic delay before reaching the emotional climax of a movement, which in
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#17330858450727254-422: The cry "Love truth, love peace!"—in a quote from Zacharias 8:19. Kant called this "the proclamation of a great reform, which, however, will be slow in manifestation and in progress, and which will affect not only your people but others as well." Mendelssohn asserted the pragmatic principle of the possible plurality of truths: that just as various nations need different constitutions—to one a monarchy , to another
7371-435: The disease as due to 'congestion of blood in the brain' (a meaningless diagnosis in modern medical practice as such congestion is anatomically impossible), and after some controversy this diagnosis was also accepted by the famous Hanoverian court physician, Johann Georg Ritter von Zimmermann , an admirer of Mendelssohn. In retrospect, his illness might be diagnosed as a heart-rhythm-problem (such as atrial fibrillation ) and/or
7488-435: The early Romantic period, such as Wagner, Berlioz and Franz Liszt . Whilst Mendelssohn admired Liszt's virtuosity at the keyboard, he found his music jejune. Berlioz said of Mendelssohn that he had "perhaps studied the music of the dead too closely." The musicologist Greg Vitercik considers that, while "Mendelssohn's music only rarely aspires to provoke", the stylistic innovations evident from his earliest works solve some of
7605-496: The effect as "to assimilate the dynamic trajectory of 'external form' to the 'logical' unfolding of the story of the theme". Richard Taruskin wrote that, although Mendelssohn produced works of extraordinary mastery at a very early age, he never outgrew his precocious youthful style. [...] He remained stylistically conservative [...] feeling no need to attract attention with a display of "revolutionary" novelty. Throughout his short career he remained comfortably faithful to
7722-581: The end of 1834. He had offers from both Munich and Leipzig for important musical posts, namely, direction of the Munich Opera , the editorship of the prestigious Leipzig music journal the Allgemeine musikalische Zeitung , and direction of the Leipzig Gewandhaus Orchestra ; he accepted the latter in 1835. In Leipzig, Mendelssohn concentrated on developing the town's musical life by working with
7839-548: The excuse to return to Leipzig. In 1843 Mendelssohn founded a major music school – the Leipzig Conservatory, now the Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" . where he persuaded Ignaz Moscheles and Robert Schumann to join him. Other prominent musicians, including the string players Ferdinand David and Joseph Joachim and the music theorist Moritz Hauptmann , also became staff members. After Mendelssohn's death in 1847, his musically conservative tradition
7956-673: The family was assembled ... he began to talk incoherently in English. The stern voice of his father at last checked the wild torrent of words; they took him to bed, and a profound sleep of twelve hours restored him to his normal state". Such fits may be related to his early death. Mendelssohn was an enthusiastic visual artist who worked in pencil and watercolour , a skill which he enjoyed throughout his life. His correspondence indicates that he could write with considerable wit in German and English – his letters were sometimes accompanied by humorous sketches and cartoons. On 21 March 1816, at
8073-469: The first modern public school for Jewish boys, "Freyschule für Knaben", in Berlin in 1778 by one of his most ardent pupils, David Friedländer , where both religious and worldly subjects were taught. Mendelssohn also tried to better the Jews' situation in general by furthering their rights and acceptance. He induced Christian Wilhelm von Dohm to publish in 1781 his work, On the Civil Amelioration of
8190-598: The form 'Mendelssohn Bartholdy'. In 1829, his sister Fanny wrote to him of "Bartholdy [...] this name that we all dislike". Mendelssohn began taking piano lessons from his mother when he was six, and at seven was tutored by Marie Bigot in Paris. Later in Berlin, all four Mendelssohn children studied piano with Ludwig Berger , who was himself a former student of Muzio Clementi . From at least May 1819 Mendelssohn (initially with his sister Fanny) studied counterpoint and composition with Carl Friedrich Zelter in Berlin. This
8307-430: The great figures of his time. But his final years were overshadowed and saddened by the so-called pantheism controversy . Ever since his friend Lessing had died, he had wanted to write an essay or a book about his character. When Friedrich Heinrich Jacobi , an acquaintance of both men, heard of Mendelssohn's project, he stated that he had confidential information about Lessing being a " Spinozist ", which, in these years,
8424-401: The great man without falling into the ridiculous idea that I must convert a Solon or a Confucius." The ongoing public controversy cost Mendelssohn much time, energy and strength. Lavater later described Mendelssohn in his book on physiognomy , Physiognomische Fragmente zur Beförderung der Menschenkenntnis und Menschenliebe (1775–1778), as "a companionable, brilliant soul, with piercing eyes,
8541-465: The household that "Europe came to their living room". Abraham Mendelssohn renounced the Jewish religion prior to Felix's birth and he and his wife decided against having Felix circumcised . Felix and his siblings were at first brought up without religious education; on 21 March 1816, they were baptized in a private ceremony in the family's Berlin apartment by the Reformed Protestant minister of
8658-503: The legend of the Lorelei Rhine maidens; the opera was unfinished at his death. He is said to have tailored the aria "Hear Ye Israel", in his oratorio Elijah , to Lind's voice, although she did not sing the part until after his death, at a concert in December 1848. In 1847, Mendelssohn attended a London performance of Meyerbeer's Robert le diable – an opera that musically he despised – in order to hear Lind's British debut, in
8775-473: The major works of his later career. Mendelssohn died on 4 January 1786 as the result (it was thought at the time) of a cold contracted while carrying a manuscript (his reply to Jacobi, titled To Lessing's Friends (An die Freunde Lessings) ) to his publishers on New Year's Eve; Jacobi was held by some to have been responsible for his death. He was buried in the Jewish Cemetery of Berlin. The translation of
8892-429: The memoirs of the composer's circle", including Hensel's. The nickname "discontented Polish count" was given to Mendelssohn on account of his aloofness, and he referred to the epithet in his letters. He was frequently given to fits of temper which occasionally led to collapse. Devrient mentions that on one occasion in the 1830s, when his wishes had been crossed, "his excitement was increased so fearfully ... that when
9009-485: The musical status quo – that is, the "classical" forms, as they were already thought of by his time. His version of romanticism, already evident in his earliest works, consisted in musical "pictorialism" of a fairly conventional, objective nature (though exquisitely wrought). The young Mendelssohn was greatly influenced in his childhood by the music of both J. S. Bach and C. P. E. Bach , and of Beethoven, Joseph Haydn and Mozart; traces of these composers can be seen in
9126-422: The name Mendelssohn. The change, though a small one, was decisive." Mendel was an impoverished scribe —a writer of Torah scrolls—and his son Moses in his boyhood developed curvature of the spine . Moses' early education was provided by his father and by the local rabbi, David Fränkel , who, besides teaching him the Bible and Talmud , introduced to him the philosophy of Maimonides . In 1743 Fränkel received
9243-423: The one who most clearly sees through the contradictions of the age and for the first time reconciles them." This appreciation brings to the fore two features that characterized Mendelssohn's compositions and his compositional process. First, that his inspiration for musical style was rooted in his technical mastery and his interpretation of the style of previous masters, although he certainly recognized and developed
9360-573: The only person who brought fulfillment to my spirit, and almost as soon as I found him I lost him again." In 1849, she established the Mendelssohn Scholarship Foundation, which makes an award to a young resident British composer every two years in Mendelssohn's memory. The first winner of the scholarship, in 1856, was Arthur Sullivan , then aged 14. In 1869, Lind erected a plaque in Mendelssohn's memory at his birthplace in Hamburg. Something of Mendelssohn's intense attachment to his personal vision of music
9477-527: The opinion of R. Larry Todd justifies claims frequently made that Mendelssohn's precocity exceeded even that of Mozart in its intellectual grasp. A 2009 survey by the BBC of 16 music critics opined that Mendelssohn was the greatest composing prodigy in the history of Western classical music. Moses Mendelssohn Moses Mendelssohn (6 September 1729 – 4 January 1786) was a German-Jewish philosopher and theologian . His writings and ideas on Jews and
9594-475: The orchestra, the opera house, the Thomanerchor (of which Bach had been a director), and the city's other choral and musical institutions. Mendelssohn's concerts included, in addition to many of his own works, three series of "historical concerts" featuring music of the eighteenth century, and a number of works by his contemporaries. He was deluged by offers of music from rising and would-be composers; among these
9711-425: The premiere – and sole performance in his lifetime – of Mendelssohn's opera Die Hochzeit des Camacho . The failure of this production left him disinclined to venture into the genre again. Besides music, Mendelssohn's education included art, literature, languages, and philosophy. He had a particular interest in classical literature and translated Terence 's Andria for his tutor Heyse in 1825; Heyse
9828-475: The realization of his dream. Within a few months, the two became closely intellectually allied. Lessing also brought Mendelssohn to public attention for the first time: Mendelssohn had written an essay attacking Germans' neglect of their native philosophers (principally Gottfried Leibniz ), and lent the manuscript to Lessing. Without consulting the author, Lessing published Mendelssohn's Philosophical Conversations ( Philosophische Gespräche ) anonymously in 1755. In
9945-458: The religion of its citizens, Jews included. While it proclaims the mandatory character of Jewish law for all Jews (including, based on Mendelssohn's understanding of the New Testament , those converted to Christianity), it does not grant the rabbinate the right to punish Jews for deviating from it. He maintained that Judaism was less a "divine need, than a revealed life". Jerusalem concludes with
10062-421: The role of Alice. The music critic Henry Chorley , who was with him, wrote: "I see as I write the smile with which Mendelssohn, whose enjoyment of Mdlle. Lind's talent was unlimited, turned round and looked at me, as if a load of anxiety had been taken off his mind. His attachment to Mdlle. Lind's genius as a singer was unbounded, as was his desire for her success." Upon Mendelssohn's death, Lind wrote: "[He was]
10179-460: The same relation to the Mozart of that time that the cultivated talk of a grown-up person bears to the prattle of a child." Mendelssohn was invited to meet Goethe on several later occasions, and set a number of Goethe's poems to music. His other compositions inspired by Goethe include the overture Calm Sea and Prosperous Voyage (Op. 27, 1828), and the cantata Die erste Walpurgisnacht ( The First Walpurgis Night , Op. 60, 1832). In 1829, with
10296-760: The same year there appeared in Danzig (now Gdańsk , Poland) an anonymous satire, Pope a Metaphysician ( Pope ein Metaphysiker ), which turned out to be the joint work of Lessing and Mendelssohn. Mendelssohn became the leading spirit of Friedrich Nicolai 's important literary undertakings, the Bibliothek and the Literaturbriefe , and ran some risk by criticizing the poems of Frederick II, King of Prussia; Frederick’s good nature kept him out of trouble. In 1762 he married Fromet Guggenheim, who survived him by twenty-six years. In
10413-419: The slightest and most humorous allusions". Thus for example in a letter to his sister Rebecka, Mendelssohn rebukes her complaint about an unpleasant relative: "What do you mean by saying you are not hostile to Jews? I hope this was a joke [...] It is really sweet of you that you do not despise your family, isn't it?" Some modern scholars have devoted considerable energy to demonstrate either that Mendelssohn
10530-450: The strains of early Romanticism in the music of Beethoven and Weber. The historian James Garratt writes that from his early career, "the view emerged that Mendelssohn's engagement with early music was a defining aspect of his creativity." This approach was recognized by Mendelssohn himself, who wrote that, in his meetings with Goethe, he gave the poet "historical exhibitions" at the keyboard; "every morning, for about an hour, I have to play
10647-401: The structural balance of the formal components of the movement. Thus typically in a Mendelssohnian movement, the development-recapitulation transition might not be strongly marked, and the recapitulation section would be harmonically or melodically varied so as not to be a direct copy of the opening, exposition , section; this allowed a logical movement towards a final climax. Vitercik summarizes
10764-553: The summer of 1844, he conducted five of the Philharmonic concerts in London, and wrote: "[N]ever before was anything like this season – we never went to bed before half-past one, every hour of every day was filled with engagements three weeks beforehand, and I got through more music in two months than in all the rest of the year." (Letter to Rebecka Mendelssohn Bartholdy, Soden, 22 July 1844). On subsequent visits Mendelssohn met Queen Victoria and her husband Prince Albert , himself
10881-413: The very few since Bach's death and the first ever outside of Leipzig , was the central event in the revival of Bach's music in Germany and, eventually, throughout Europe. It earned Mendelssohn widespread acclaim at the age of 20. It also led to one of the few explicit references which Mendelssohn made to his origins: "To think that it took an actor and a Jew's son to revive the greatest Christian music for
10998-622: The world!" Over the next few years Mendelssohn travelled widely. His first visit to England was in 1829; other places visited during the 1830s included Vienna, Florence, Milan, Rome and Naples, in all of which he met with local and visiting musicians and artists. These years proved to be the germination for some of his most famous works, including the Hebrides Overture and the Scottish and Italian symphonies. On Zelter's death in 1832, Mendelssohn had hopes of succeeding him as conductor of
11115-603: The writer Johann Wolfgang von Goethe (then in his seventies), who was greatly impressed by the child, leading to perhaps the earliest confirmed comparison with Mozart in the following conversation between Goethe and Zelter: "Musical prodigies ... are probably no longer so rare; but what this little man can do in extemporizing and playing at sight borders the miraculous, and I could not have believed it possible at so early an age." "And yet you heard Mozart in his seventh year at Frankfurt?" said Zelter. "Yes", answered Goethe, "... but what your pupil already accomplishes, bears
11232-600: The year following his marriage Mendelssohn won the prize offered by the Berlin Academy for an essay on the application of mathematical proofs to metaphysics , On Evidence in the Metaphysical Sciences ; among the competitors were Thomas Abbt and Immanuel Kant , who came second. In October 1763 the king granted Mendelssohn, but not his wife or children, the privilege of Protected Jew ( Schutzjude ), which assured his right to undisturbed residence in Berlin. As
11349-452: Was Richard Wagner , who submitted his early Symphony , the score of which, to Wagner's disgust, Mendelssohn lost or mislaid. Mendelssohn also revived interest in the music of Franz Schubert . Robert Schumann discovered the manuscript of Schubert's Ninth Symphony and sent it to Mendelssohn, who promptly premiered it in Leipzig on 21 March 1839, more than a decade after Schubert's death. A landmark event during Mendelssohn's Leipzig years
11466-545: Was a member of the Itzig family and a sister of Jakob Salomon Bartholdy . Mendelssohn was the second of four children; his older sister Fanny also displayed exceptional and precocious musical talent. The family moved to Berlin in 1811, leaving Hamburg in disguise in fear of French reprisal for the Mendelssohn bank 's role in breaking Napoleon 's Continental System blockade. Abraham and Lea Mendelssohn sought to give their children – Fanny, Felix, Paul and Rebecka –
11583-404: Was a self-confessed "pantheist" in the sense of "atheist". Mendelssohn was thus drawn into a poisonous literary controversy, and found himself attacked from all sides, including former friends or acquaintances such as Johann Gottfried von Herder and Johann Georg Hamann . Mendelssohn's contribution to this debate, To Lessing's Friends (An die Freunde Lessings) (1786), was his last work, completed
11700-549: Was an important influence on his future career. Zelter had almost certainly been recommended as a teacher by his aunt Sarah Levy , who had been a pupil of W. F. Bach and a patron of C. P. E. Bach . Sarah Levy displayed some talent as a keyboard player, and often played with Zelter's orchestra at the Berliner Singakademie ; she and the Mendelssohn family were among its leading patrons. Sarah had formed an important collection of Bach family manuscripts, which she bequeathed to
11817-571: Was appointed musical director (his first paid post as a musician) in 1833. In the spring of that year Mendelssohn directed the Lower Rhenish Music Festival in Düsseldorf, beginning with a performance of George Frideric Handel 's oratorio Israel in Egypt prepared from the original score, which he had found in London. This precipitated a Handel revival in Germany, similar to the reawakened interest in J. S. Bach following his performance of
11934-528: Was carried on when Moscheles succeeded him as head of the Conservatory. Mendelssohn first visited Britain in 1829, where Moscheles, who had already settled in London, introduced him to influential musical circles. In the summer he visited Edinburgh , where he met among others the composer John Thomson , whom he later recommended for the post of professor of music at Edinburgh University . He made ten visits to Britain, lasting altogether about 20 months; he won
12051-555: Was created by a trust deed in 1871. Its trustees include the composers Anthony Payne and Justin Connolly , and the principal of the Royal Academy of Music, Jonathan Freeman-Attwood ; and its charitable objects are "For the education of musical students of both sexes in pursuance of the intentions of the founders". Recipients include the composers Frederick Corder , George Dyson , Malcolm Arnold and Kenneth Leighton . The following
12168-634: Was deeply sympathetic to his ancestors' Jewish beliefs, or that he was hostile to this and sincere in his Christian beliefs. Throughout his life Mendelssohn was wary of the more radical musical developments undertaken by some of his contemporaries. He was generally on friendly, if sometimes somewhat cool, terms with Hector Berlioz , Franz Liszt , and Giacomo Meyerbeer , but in his letters expresses his frank disapproval of their works, for example writing of Liszt that his compositions were "inferior to his playing, and […] only calculated for virtuosos"; of Berlioz's overture Les francs-juges "[T]he orchestration
12285-853: Was for a time mistakenly attributed to him after being lost and rediscovered in the 1970s. Mendelssohn enjoyed early success in Germany, and revived interest in the music of Johann Sebastian Bach , notably with his performance of the St Matthew Passion in 1829. He became well received in his travels throughout Europe as a composer, conductor and soloist; his ten visits to Britain – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes set him apart from more adventurous musical contemporaries, such as Franz Liszt , Richard Wagner , Charles-Valentin Alkan and Hector Berlioz . The Leipzig Conservatory , which he founded, became
12402-502: Was impressed and had it published in 1826 as a work of "his pupil, F****" [i.e. "Felix" (asterisks as provided in original text)]. This translation also qualified Mendelssohn to study at the University of Berlin , where from 1826 to 1829 he attended lectures on aesthetics by Georg Wilhelm Friedrich Hegel , on history by Eduard Gans , and on geography by Carl Ritter . In 1821 Zelter introduced Mendelssohn to his friend and correspondent,
12519-519: Was in an elegant High German, designed to allow Jews to learn the language faster. Most of the German Jews in that period spoke Yiddish and many were literate in Hebrew (the language of Jewish scripture, liturgy, and scholarship). The commentary was also thoroughly rabbinic, quoting mainly from medieval exegetes but also from Talmud-era midrashim . Mendelssohn is also believed to be behind the foundation of
12636-631: Was left with impaired health; he died in 1851. The eldest, Carl Mendelssohn Bartholdy (7 February 1838 – 23 February 1897), became a historian, and professor of history at Heidelberg and Freiburg universities; he died in a psychiatric institution in Freiburg aged 59. Paul Mendelssohn Bartholdy (1841–1880) was a noted chemist and pioneered the manufacture of aniline dye. Marie married Victor Benecke and lived in London. Lili married Adolf Wach , later professor of law at Leipzig University . The family papers inherited by Marie's and Lili's children form
12753-514: Was placed at 4 Hobart Place in Belgravia , London, in 2013. His protégé, the British composer and pianist William Sterndale Bennett , worked closely with Mendelssohn during this period, both in London and Leipzig. He first heard Bennett perform in London in 1833 aged 17. Bennett appeared with Mendelssohn in concerts in Leipzig throughout the 1836/1837 season. On Mendelssohn's eighth British visit in
12870-452: Was regarded as being more or less synonymous with " atheist "—something which Lessing was accused of being anyway by religious circles. This led to an exchange of letters between Jacobi and Mendelssohn which showed they had hardly any common ground. Mendelssohn then published his Morgenstunden oder Vorlesungen über das Dasein Gottes ( Morning hours or lectures about God's existence ), seemingly
12987-466: Was said that "no stranger who came to Berlin failed to pay his personal respects to the German Socrates." So far, Mendelssohn had devoted his talents to philosophy and criticism ; now, however, an incident turned the current of his life in the direction of the cause of Judaism . In April 1763, Johann Kaspar Lavater , then a young theology-student from Zurich, made a trip to Berlin, where he visited
13104-458: Was so upset that he immediately went to get a haircut to differentiate himself. In particular, Mendelssohn seems to have regarded Paris and its music with the greatest of suspicion and an almost puritanical distaste. Attempts made during his visit there to interest him in Saint-Simonianism ended in embarrassing scenes. It is significant that the only musician with whom Mendelssohn remained
13221-411: Was the father of Fanny and Felix Mendelssohn ), and Nathan (a mechanical engineer of considerable repute). His daughters were Brendel (later Dorothea; the wife of Simon Veit and mother of Philipp Veit , subsequently the mistress, and then wife, of Friedrich von Schlegel ), Recha and Henriette, all gifted women. Recha's only grandson (son of Heinrich Beer, brother of the composer Giacomo Meyerbeer ),
13338-576: Was the premiere of his oratorio Paulus , (the English version of this is known as St. Paul ), given at the Lower Rhenish Festival in Düsseldorf in 1836, shortly after the death of the composer's father, which affected him greatly; Felix wrote that he would "never cease to endeavour to gain his approval ... although I can no longer enjoy it". St. Paul seemed to many of Mendelssohn's contemporaries to be his finest work, and sealed his European reputation. When Friedrich Wilhelm IV came to
13455-457: Was the prime mover in proposing to the publisher Heinrich Brockhaus a complete edition of Moses' works, which continued with the support of his uncle, Joseph Mendelssohn . Felix was notably reluctant, either in his letters or conversation, to comment on his innermost beliefs; his friend Devrient wrote that "[his] deep convictions were never uttered in intercourse with the world; only in rare and intimate moments did they ever appear, and then only in
13572-573: Was the renowned Jewish philosopher Moses Mendelssohn , but Felix was initially raised without religion until he was baptised aged seven into the Reformed Christian church. He was recognised early as a musical prodigy , but his parents were cautious and did not seek to capitalise on his talent. His sister Fanny Mendelssohn received a similar musical education and was a talented composer and pianist in her own right; some of her early songs were published under her brother's name and her Easter Sonata
13689-675: Was the soloist in Beethoven 's Piano Concerto No. 4 and conducted his own Scottish Symphony with the Philharmonic Orchestra before the Queen and Prince Albert. Mendelssohn suffered from poor health in the final years of his life, probably aggravated by nervous problems and overwork. A final tour of England left him exhausted and ill, and the death of his sister, Fanny, on 14 May 1847, caused him further distress. Less than six months later, on 4 November, aged 38, Mendelssohn died in Leipzig after
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