67-640: Maria Lynn Schneider (born November 27, 1960) is an American composer and jazz orchestra leader who has won multiple Grammy Awards. Born in Windom, Minnesota , Schneider studied music theory and composition at the University of Minnesota , graduating in 1983, then earned a master's degree in Music in 1985 from the Eastman School of Music , studying for one year as well at the University of Miami . After leaving Eastman, she
134-509: A rhythm section . Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands. Big bands started as accompaniment for dancing the Lindy Hop . In contrast to the typical jazz emphasis on improvisation, big bands relied on written compositions and arrangements. They gave
201-517: A Hollywood Boulevard bronze star. The founding committee members included Jesse Kaye, MGM Records; Lloyd Dunn and Richard Jones, Capitol Records; Sonny Burke and Milt Gabler , Decca Records; Dennis Farnon , RCA Records; and Axel Stordahl , Paul Weston , and Doris Day from Columbia Records. This was the start of the academy and also of the Grammy Awards . The Recording Academy was formally established in 1957. The 1st Annual Grammy Awards
268-468: A career in the music industry. It offers forms of networking, interactive educational experiences and programs, advice from music professionals, and internship opportunities. The Recording Academy supports the MusiCares Foundation, a philanthropic organization which provides money and services to musicians in an emergency or crisis. The academy has twelve chapters in various locations throughout
335-636: A century as a result of their broadcasts on the NBC and CBS networks of the annual New Year's Eve celebrations from the Roosevelt Grill at New York's Roosevelt Hotel (1929-1959) and the Ballroom at the Waldorf Astoria Hotel (1959-1976) . Gloria Parker had a radio program on which she conducted the largest all-girl orchestra led by a female. She led her Swingphony while playing marimba. Phil Spitalny ,
402-400: A greater role to bandleaders, arrangers, and sections of instruments rather than soloists. Big bands generally have four sections: trumpets, trombones, saxophones, and a rhythm section of guitar, piano, double bass, drums and sometimes vibraphone. The division in early big bands, from the 1920s to 1930s, was typically two or three trumpets, one or two trombones, three or four saxophones, and
469-431: A menace. After 1935, big bands rose to prominence playing swing music and held a major role in defining swing as a distinctive style. Western swing musicians also formed popular big bands during the same period. A considerable range of styles evolved among the hundreds of popular bands. Many of the better known bands reflected the individuality of the bandleader, the lead arranger, and the personnel. Count Basie played
536-420: A native of Ukraine, led a 22-piece female orchestra known as Phil Spitalny and His Hour of Charm Orchestra , named for his radio show, The Hour of Charm , during the 1930s and 1940s. Other female bands were led by trumpeter B. A. Rolfe , Anna Mae Winburn , and Ina Ray Hutton . Big Bands began to appear in movies in the 1930s through the 1960s, though cameos by bandleaders were often stiff and incidental to
603-413: A relaxed, propulsive swing, Bob Crosby (brother of Bing ), more of a dixieland style, Benny Goodman a hard driving swing, and Duke Ellington's compositions were varied and sophisticated. Many bands featured strong instrumentalists whose sounds dominated, such as the clarinets of Benny Goodman and Artie Shaw , the trombone of Jack Teagarden , the trumpet of Harry James , the drums of Gene Krupa , and
670-419: A rhythm section of four instruments. In the 1940s, Stan Kenton 's band used up to five trumpets, five trombones (three tenor and two bass trombones ), five saxophones (two alto saxophones , two tenor saxophones , one baritone saxophone ), and a rhythm section. Duke Ellington at one time used six trumpets. While most big bands dropped the previously common jazz clarinet from their arrangements (other than
737-548: A young Bob Hope as the announcer. Big band remotes on the major radio networks spread the music from ballrooms and clubs across the country during the 1930s and 1940s, with remote broadcasts from jazz clubs continuing into the 1950s on NBC's Monitor . Radio increased the fame of Benny Goodman , the "Pied Piper of Swing". Others challenged him, and battle of the bands became a regular feature of theater performances. Similarly, Guy Lombardo and his Royal Canadians Orchestra also achieved widespread notoriety for nearly half
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#1732876573821804-601: Is an avid birdwatcher and enlisted band members to contribute bird calls to "Cerulean Skies" on her album Sky Blue . Other bird-related songs on her albums include "Waxwing" on Coming About , "Bird Count" on Days of Wine and Roses - Live at the Jazz Standard , and "Arbiters of Evolution" on The Thompson Fields . Jazz orchestra A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones , trumpets , trombones , and
871-415: Is generally configured so lead parts are seated in the middle of their sections and solo parts are seated closest to the rhythm section. The fourth trombone part is generally played by a bass trombone. In some pieces the trumpets may double on flugelhorn or cornet , and saxophone players frequently double on other woodwinds such as flute , piccolo , clarinet , bass clarinet , or soprano saxophone . It
938-524: Is useful to distinguish between the roles of composer, arranger and leader. The composer writes original music that will be performed by individuals or groups of various sizes, while the arranger adapts the work of composers in a creative way for a performance or recording. Arrangers frequently notate all or most of the score of a given number, usually referred to as a "chart". Bandleaders are typically performers who assemble musicians to form an ensemble of various sizes, select or create material for them, shape
1005-663: The Cotton Club in Harlem. Fletcher Henderson 's career started when he was persuaded to audition for a job at Club Alabam in New York City, which eventually turned into a job as bandleader at the Roseland Ballroom . At these venues, which themselves gained notoriety, bandleaders and arrangers played a greater role than they had before. Hickman relied on Ferde Grofé, Whiteman on Bill Challis . Henderson and arranger Don Redman followed
1072-768: The Global Music Diplomacy Initiative in partnership with U.S. Secretary of State Antony Blinken at the State Department . The Grammy Awards are awards presented by the Recording Academy to recognize achievements in the music industry . According to the Recording Academy, the Producers and Engineers Wing (P&E Wing) is a part of the academy made up of producers, engineers, mixers, and other technically involved professionals. The producers and engineers wing addresses various aspects of issues facing
1139-640: The Jazz Standard in New York City . The orchestra has also performed at jazz festivals and concert halls in Europe, South America, and Asia. Schneider has performed with over 80 groups in over 30 countries and has taught at universities worldwide. In 2013, she received an honorary doctorate from the University of Minnesota. Although three of the orchestra's albums had been previously nominated, Schneider's Concert in
1206-507: The Library of Congress film collection. National Academy of Recording Arts %26 Sciences The Recording Academy (formally the National Academy of Recording Arts and Sciences ; abbreviated NARAS ) is an American learned academy of musicians, producers, recording engineers, and other musical professionals. It is widely known for its Grammy Awards , which recognize achievements in
1273-585: The United States Copyright Office . Schneider has been outspoken against YouTube and so-called " freemium " streaming models. She has published several open letters and white papers on these topics. Schneider has been a board member of the National Academy of Recording Arts & Sciences for the New York local chapter and has been involved in many of the NARAS advocacy initiatives, including Grammys on
1340-519: The music industry of songs and music which are popular worldwide. The Recording Academy is a founding partner of the Grammy Museum , a non-profit organization whose stated mission is preserving and educating about music history and significance. The Recording Academy also founded MusiCares , a charity with the stated goal of impacting the health and welfare of the music community. The Recording Academy's advocacy team lobbies for music creators' rights at
1407-610: The 1930s, Earl Hines and his band broadcast from the Grand Terrace in Chicago every night across America. In Kansas City and across the Southwest, an earthier, bluesier style was developed by such bandleaders as Bennie Moten and, later, by Jay McShann and Jesse Stone . By 1937, the "sweet jazz band" saxophonist Shep Fields was also featured over the airways on the NBC radio network in his Rippling Rhythm Revue, which also showcased
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#17328765738211474-667: The 1960s and '70s, Sun Ra and his Arketstra took big bands further out. Ra's eclectic music was played by a roster of musicians from ten to thirty and was presented as theater, with costumes, dancers, and special effects. As jazz was expanded during the 1950s through the 1970s, the Basie and Ellington bands were still around, as were bands led by Buddy Rich , Gene Krupa , Lionel Hampton , Earl Hines , Les Brown , Clark Terry , and Doc Severinsen . Progressive bands were led by Dizzy Gillespie , Gil Evans , Carla Bley , Toshiko Akiyoshi and Lew Tabackin , Don Ellis , and Anthony Braxton . In
1541-401: The 1960s and 1970s, big band rock became popular by integrating such musical ingredients as progressive rock experimentation , jazz fusion , and the horn choirs often used in blues and soul music , with some of the most prominent groups including Chicago ; Blood, Sweat and Tears ; Tower of Power ; and, from Canada, Lighthouse . The genre was gradually absorbed into mainstream pop rock and
1608-439: The 2020 album Data Lords . On July 2, 2020, Maria Schneider filed a class action lawsuit with Pirate Monitor Ltd. against YouTube arguing that smaller copyright holders are unable to access YouTube's Content ID system which would allow them to publish, monetize, and block infringing material. Schneider and Pirate Monitor claimed that they and other small copyright rights holders were denied access to Content ID, leaving them only
1675-488: The Garden (2004) was the first to win a Grammy Award . It was also the first such award-winning album produced by ArtistShare , a fan funded platform that has (as of 2017) received 30 Grammy Award nominations and 10 Grammy Award wins. The orchestra has since won additional Grammy Awards for the large-ensemble jazz albums The Thompson Fields and Data Lords , while Schneider receive Grammy Awards for individual compositions on
1742-661: The Hill. In April 2014, on behalf of NARAS, Schneider testified on Section 512 of Section 17 before the House Subcommittee on Courts, Intellectual Property and the Internet . Schneider's advocacy against big data companies and their impact on music, culture and privacy is reflected in some of her compositions of the late 2010s, including pieces entitled "Data Lords", commissioned by the U.S. Library of Congress (2016); "Don't Be Evil"; and "Sputnik". Several of these compositions appeared on
1809-513: The Second Herd emphasized the saxophone section of three tenors and one baritone. In the 1950s, Stan Kenton referred to his band's music as "progressive jazz", "modern", and "new music". He created his band as a vehicle for his compositions. Kenton pushed the boundaries of big bands by combining clashing elements and by hiring arrangers whose ideas about music conflicted. This expansive eclecticism characterized much of jazz after World War II. During
1876-551: The United States, and the personnel often had to perform having had little sleep and food. Apart from the star soloists, many musicians received low wages and would abandon the tour if bookings disappeared. Sometimes bandstands were too small, public address systems inadequate, pianos out of tune. Bandleaders dealt with these obstacles through rigid discipline (Glenn Miller) and canny psychology ( Duke Ellington ). Big bands raised morale during World War II . Many musicians served in
1943-570: The United States. The twelve chapters are in Atlanta , Chicago , Florida , Los Angeles , Memphis , Nashville , New York City , the Pacific Northwest , Philadelphia , San Francisco , Texas , and Washington D.C. Tammy Susan Hurt is the first LGBT Chapter President to have served on the board of the Atlanta Chapter since 2005. The Washington branch organized the 2018 event Grammys on
2010-482: The absence of their original leaders. Although big bands are identified with the swing era, they continued to exist after those decades, though the music they played was often different from swing. Bandleader Charlie Barnet 's recording of " Cherokee " in 1942 and "The Moose" in 1943 have been called the beginning of the bop era. Woody Herman 's first band, nicknamed the First Herd, borrowed from progressive jazz, while
2077-667: The albums Sky Blue and Data Lords . The orchestra performed a 30th anniversary concert in November 2024 at The Town Hall in New York City , marking 30 years since the release of their first album, Evanescence . Aside from her jazz orchestral works, Schneider's Winter Morning Walks (2013) album featured soprano Dawn Upshaw , the Saint Paul and Australian Chamber Orchestras , bassist Jay Anderson, pianist Frank Kimbrough , and multi-instrumentalist Scott Robinson . The album accompanied poetry written by U.S. Poet Laureate Ted Kooser and
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2144-606: The bands of Guy Lombardo and Paul Whiteman. A distinction is often made between so-called "hard bands", such as those of Count Basie and Tommy Dorsey, which emphasized quick hard-driving jump tunes, and "sweet bands", such as the Glenn Miller Orchestra and the Shep Fields Rippling Rhythm Orchestra who specialized in less improvised tunes with more emphasis on sentimentality, featuring somewhat slower-paced, often heart-felt songs. By this time
2211-403: The big band was such a dominant force in jazz that the older generation found they either had to adapt to it or simply retire. With no market for small-group recordings (made worse by a Depression-era industry reluctant to take risks), musicians such as Louis Armstrong and Earl Hines led their own bands, while others, like Jelly Roll Morton and King Oliver, lapsed into obscurity. Even so, many of
2278-464: The ceremony was not aired live until the 13th Annual Grammy Awards in 1971. In 1997, the Recording Academy under Michael Greene launched The Latin Recording Academy , which produces the Latin Grammy Awards . Neil Portnow later served as president and CEO of the academy from 2002 to 2019. Deborah Dugan was his replacement, taking over on August 1, 2019. and is the first woman to lead
2345-413: The clarinet-led orchestras of Artie Shaw and Benny Goodman), many Duke Ellington songs had clarinet parts, often replacing or doubling one of the tenor saxophone parts; more rarely, Ellington would substitute baritone sax for bass clarinet, such as in "Ase's Death" from Swinging Suites . Boyd Raeburn drew from symphony orchestras by adding flute , French horn , strings, and timpani to his band. In
2412-594: The distinction between these roles can become blurred. Billy Strayhorn , for example, was a prolific composer and arranger, frequently collaborating with Duke Ellington , but rarely took on the role of bandleader, which was assumed by Ellington, who himself was a composer and arranger. Typical big band arrangements from the swing era were written in strophic form with the same phrase and chord structure repeated several times. Each iteration, or chorus, commonly follows twelve bar blues form or thirty-two-bar (AABA) song form . The first chorus of an arrangement introduces
2479-503: The entire band then memorizing the way they are going to perform the piece, without writing it on sheet music. During the 1930s, Count Basie 's band often used head arrangements, as Basie said, "we just sort of start it off and the others fall in." Head arrangements were more common during the period of the 1930s because there was less turnover in personnel, giving the band members more time to rehearse. Before 1910, social dance in America
2546-467: The first bands to accompany the new rhythms was led by a drummer, Art Hickman , in San Francisco in 1916. Hickman's arranger, Ferde Grofé , wrote arrangements in which he divided the jazz orchestra into sections that combined in various ways. This intermingling of sections became a defining characteristic of big bands. In 1919, Paul Whiteman hired Grofé to use similar techniques for his band. Whiteman
2613-455: The form include modulations and cadential extensions. Some big ensembles, like King Oliver 's, played music that was half-arranged, half-improvised, often relying on head arrangements. A head arrangement is a piece of music that is formed by band members during rehearsal. They experiment, often with one player coming up with a simple musical figure leading to development within the same section and then further expansion by other sections, with
2680-468: The form of the "rhythm sextet ". These ensembles typically featured three or more accordions accompanied by piano, guitar, bass, cello, percussion, and marimba with vibes and were popularized by recording artists such as Charles Magnante , Joe Biviano and John Serry . Twenty-first century big bands can be considerably larger than their predecessors, exceeding 20 players, with some European bands using 29 instruments and some reaching 50. In
2747-625: The instrumentation of the big bands. Examples include the Vienna Art Orchestra , founded in 1977, and the Italian Instabile Orchestra , active in the 1990s. In the late 1990s, there was a swing revival in the U.S. The Lindy Hop became popular again and young people took an interest in big band styles again. Big bands maintained a presence on American television, particularly through the late-night talk show, which has historically used big bands as house accompaniment . Typically
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2814-497: The jazz rock sector. Other bandleaders used Brazilian and Afro-Cuban music with big band instrumentation, and big bands led by arranger Gil Evans, saxophonist John Coltrane (on the album Ascension from 1965) and bass guitarist Jaco Pastorius introduced cool jazz , free jazz and jazz fusion, respectively, to the big band domain. Modern big bands can be found playing all styles of jazz music. Some large contemporary European jazz ensembles play mostly avant-garde jazz using
2881-419: The late 1930s, Shep Fields incorporated a solo accordion, temple blocks , piccolo , violins and a viola into his Rippling Rhythm Orchestra. Paul Whiteman also featured a solo accordion in his ensemble. Jazz ensembles numbering eight ( octet ), nine ( nonet ) or ten ( tentet ) voices are sometimes called "little big bands". During the 1940s, somewhat smaller configurations of the big band emerged in
2948-518: The local, state, and federal levels. The origin of the academy dates back to the beginning of the 1950s Hollywood Walk of Fame project. The Hollywood Chamber of Commerce asked the help of major recording industry executives in compiling a list of people in the music business who should be honored by Walk of Fame stars. The music committee, made up of these executives, compiled a list, but as they worked, they realized there were many more talented industry people who would not qualify to be recognized with
3015-466: The melody and is followed by choruses of development. This development may take the form of improvised solos, written solo sections, and " shout choruses ". An arrangement's first chorus is sometimes preceded by an introduction, which may be as short as a few measures or may extend to a chorus of its own. Many arrangements contain an interlude, often similar in content to the introduction, inserted between some or all choruses. Other methods of embellishing
3082-532: The middle of the decade. Bridging the gap to white audiences in the mid-1930s was the Casa Loma Orchestra and Benny Goodman's early band. The contrast in commercial popularity between "black" and "white" bands was striking: between 1935 and 1945 the top four "white" bands had 292 top ten records, of which 65 were number one hits, while the top four "black" bands had only 32 top ten hits, with only three reaching number one. White teenagers and young adults were
3149-402: The military and toured with USO troupes at the front, with Glenn Miller losing his life while traveling between shows. Many bands suffered from loss of personnel during the war years, and, as a result, women replaced men who had been inducted, while all-female bands began to appear. The 1942–44 musicians' strike worsened the situation. Vocalists began to strike out on their own. By the end of
3216-419: The more literal 4 of early jazz. Walter Page is often credited with developing the walking bass , although earlier examples exist, such as Wellman Braud on Ellington's Washington Wabble (1927). This type of music flourished through the early 1930s, although there was little mass audience for it until around 1936. Up until that time, it was viewed with ridicule and sometimes looked upon as
3283-411: The most common seating for a 17-piece big band, each section is carefully set-up in a way to optimize the bands sound. For the wind players, there are 3 different types of parts: lead parts (including first trumpet, first trombone, and first alto sax), solo parts (including second or fourth trumpet, second trombone, and the first tenor sax), and section members (which include the rest of the band). The band
3350-755: The most popular big bands of the swing era cultivated small groups within the larger ensemble: e.g. Benny Goodman developed both a trio and a quartet, Artie Shaw formed the Gramercy Five, Count Basie developed the Kansas City Six and Tommy Dorsey the Clambake Seven. The major "black" bands of the 1930s included, apart from Ellington's, Hines's, and Calloway's, those of Jimmie Lunceford , Chick Webb , and Count Basie. The "white" bands of Benny Goodman, Artie Shaw, Tommy Dorsey, Shep Fields and, later, Glenn Miller were more popular than their "black" counterparts from
3417-402: The most prominent shows with the earliest time slots and largest audiences have bigger bands with horn sections while those in later time slots go with smaller, leaner ensembles. Many college and university music departments offer jazz programs and feature big band courses in improvisation, composition, arranging, and studio recording, featuring performances by 18 to 20 piece big bands. During
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#17328765738213484-714: The music's dynamics, phrasing, and expression in rehearsals, and lead the group in performance often while playing alongside them. One of the first prominent big band arrangers was Ferde Grofé , who was hired by Paul Whiteman to write for his “symphonic jazz orchestra”. A number of bandleaders established long-term relationships with certain arrangers, such as the collaboration between leader Count Basie and arranger Neil Hefti . Some bandleaders, such as Guy Lombardo , performed works composed by others (in Lombardo's case, often by his brother Carmen ), while others, such as Maria Schneider , take on all three roles. In many cases, however,
3551-468: The options of self-policing or ignoring infringement of their own property. They also argued that Content ID's weak punishments encourage repeat infringement and that YouTube did not qualify for DMCA safe harbor. Pirate Monitor Ltd voluntarily withdrew from the class action lawsuit on March 8, 2021, while Maria Schneider continued with the case. The case was dismissed in June 2023 before going to trial. Schneider
3618-554: The organization from 2020 to 2021. He was named CEO in June 2021. Since Mason's tenure, the Recording Academy has established the following initiatives: In June 2021, the Recording Academy named Valeisha Butterfield Jones and Panos A. Panay as Co-Presidents, the first time the Academy has had multiple leaders in its history. In 2022, the academy endorsed the bipartisan Promoting Peace, Education, and Cultural Exchange (PEACE) Through Music Diplomacy Act. In September 2023, it co-launched
3685-402: The organization. Dugan was removed from her position on January 16, 2020 after organizational claims of misconduct against her assistant, though she claimed she was ousted while experiencing conflicts in trying to reform the organization and other matters were revealed to her, including a sexual assault claim from an artist against Portnow. Harvey Mason Jr. held interim president/CEO duties for
3752-509: The plot. Shep Fields appeared with his Rippling Rhythm Orchestra in a playful and integrated animated performance of "This Little Ripple Had Rhythm" in the musical extravaganza The Big Broadcast of 1938 . Fictionalized biographical films of Glenn Miller , Gene Krupa , and Benny Goodman were made in the 1950s. The bands led by Helen Lewis, Ben Bernie , and Roger Wolfe Kahn's band were filmed by Lee de Forest in his Phonofilm sound-on-film process in 1925, in three short films which are in
3819-431: The principal fans of the big bands in the late 1930s and early 1940s. They danced to recordings and the radio and attended live concerts. They were knowledgeable and often biased toward their favorite bands and songs, and sometimes worshipful of famous soloists and vocalists. Many bands toured the country in grueling one-night stands. Traveling conditions and lodging were difficult, in part due to segregation in most parts of
3886-457: The recording profession. The P&E Wing also advocates for the use of professional usage of recording technology as well as the preservation of recordings. The members of this division make up a large portion of those who vote on the Grammy Awards each year. According to the Recording Academy, The Grammy University Network (Grammy U) is an organization for college students who are pursuing
3953-469: The template of King Oliver , but as the 1920s progressed they moved away from the New Orleans format and transformed jazz. They were assisted by a band full of talent: Coleman Hawkins on tenor saxophone, Louis Armstrong on cornet, and multi-instrumentalist Benny Carter , whose career lasted into the 1990s. Swing music began appearing in the early 1930s and was distinguished by a more supple feel than
4020-672: The time, and that group appeared at Visiones in Greenwich Village . Both that group and her marriage would dissolve, but Schneider followed up in 1992 by forming the Maria Schneider Jazz Orchestra, which would appear weekly at Visiones from 1993 until the venue closed in 1998. Albums by the group have been released as by the Maria Schneider Orchestra since 2000. From 2005 through 2019, the Maria Schneider Orchestra performed an annual Thanksgiving week-long gig at
4087-699: The vibes of Lionel Hampton . The popularity of many of the major bands was amplified by star vocalists, such as Frank Sinatra and Connie Haines with Tommy Dorsey , Helen O'Connell and Bob Eberly with Jimmy Dorsey , Ella Fitzgerald with Chick Webb , Billie Holiday and Jimmy Rushing with Count Basie , Kay Starr with Charlie Barnet , Bea Wain with Larry Clinton , Dick Haymes , Kitty Kallen and Helen Forrest with Harry James , Fran Warren with Claude Thornhill , Doris Day with Les Brown , and Peggy Lee and Martha Tilton with Benny Goodman . Some bands were "society bands" which relied on strong ensembles but little on soloists or vocalists, such as
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#17328765738214154-421: The war, swing was giving way to less danceable music, such as bebop . Many of the great swing bands broke up, as the times and tastes changed. Many bands from the swing era continued for decades after the death or departure of their founders and namesakes, and some are still active in the 21st century, often referred to as " ghost bands ", a term attributed to Woody Herman, referring to orchestras that persist in
4221-499: Was dominated by steps such as the waltz and polka . As jazz migrated from its New Orleans origin to Chicago and New York City , energetic, suggestive dances traveled with it. During the next decades, ballrooms filled with people doing the jitterbug and Lindy Hop . The dance duo Vernon and Irene Castle popularized the foxtrot while accompanied by the Europe Society Orchestra led by James Reese Europe . One of
4288-510: Was educated in classical music, and he called his new band's music symphonic jazz. The methods of dance bands marked a step away from New Orleans jazz. With the exception of Jelly Roll Morton , who continued playing in the New Orleans style, bandleaders paid attention to the demand for dance music and created their own big bands. They incorporated elements of Broadway , Tin Pan Alley , ragtime , and vaudeville . Duke Ellington led his band at
4355-520: Was funded by ArtistShare. It won Schneider a Grammy Award for Best Classical Contemporary Composition . Dawn Upshaw also won a Grammy for her vocal performance, while the Grammy Award for Best Engineered Album, Classical award went to David Frost, Tim Martyn, and Brian Losch. Schneider has been a strong advocate for musicians' rights and copyright. She has testified before Congress, and has been asked to participate in several round tables conducted by
4422-467: Was held simultaneously in two locations on May 4, 1959 – Beverly Hilton Hotel in Beverly Hills California, and Park Sheraton Hotel in New York City, and 28 Grammys were awarded. The number of awards given grew and fluctuated over the years with categories added and removed, at one time reaching over 100. The second Grammy Awards , also held in 1959, was the first ceremony to be televised, but
4489-513: Was hired by Gil Evans as his copyist and assistant. She collaborated with Evans for the next few years, working with him on music for a tour with Sting and assisting him as he scored the film The Color of Money . Before she became one of the most acclaimed composers and bandleaders of her generation, Schneider received an NEA Apprenticeship Grant to study with Bob Brookmeyer in 1985. In 1988, Schneider formed her first band in collaboration with jazz trombonist John Fedchock , her husband at
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