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Loveleen Tandan

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An audience is a group of people who participate in a show or encounter a work of art , literature (in which they are called "readers"), theatre, music (in which they are called "listeners"), video games (in which they are called "players"), or academics in any medium. Audience members participate in different ways in different kinds of art. Some events invite overt audience participation and others allow only modest clapping and criticism and reception.

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69-554: Loveleen Tandan is an Indian film and casting director . She is the co-director (India) of Slumdog Millionaire along with Danny Boyle . She has also been the casting director for several other films, including Monsoon Wedding (2001) and Brick Lane (2007). She has been a casting consultant for The Namesake (2007). Loveleen has featured in the "Annual Women's Big Impact Report", an initiative of Hollywood's Variety magazine, which profiles women that have made pathbreaking contributions in world entertainment. Loveleen Tandan

138-474: A Broadway theatre musical based on Charles Dickens 's last, unfinished work, the audience must vote for whom they think the murderer is, as well as the real identity of the detective and the couple who end up together. The 1984 Summer Olympics included card stunts at the Olympic Stadium. Tony n' Tina's Wedding engages the entire audience at once, staging a narrative set during a wedding in which

207-399: A casting director or "CD" is in charge of most of the daily work involved in this process during pre-production . A casting director is often assisted by a casting associate; productions with large numbers of extras may have their own extras casting director as well. However, in all aspects of a film or television production's budget, they are all a part of the above-the-line , answering to

276-492: A character for a production, is called a cast list , which is incorporated into a production company 's daily call sheet , and reflected in the projects title sequence especially with film and television. A common practice of many casting directors and casting associates in the United States have been casting director workshops. The types of workshop practices vary, but typically aspiring actors pay to perform in front of

345-590: A casting director is on this panel as well. In the early stages of this process performers often may present, or are presented with prepared audition pieces such as monologues , songs , choreography, scripts or sides. These audition pieces are usually videotaped, typically in the form of screen tests and then attached with resumes, as well as head shots or viewed online via websites such as IMDb , then shared with film producers, film directors or studio executives . Later stages may involve groups of actors—both union ( SAG-AFTRA ) and non-union, depending on

414-500: A casting professional who provides feedback on the performance. Actors and industry professionals against workshops argue that casting directors are paid to find talent, not have talent pay to be seen by them. Supporters of the workshops argue that the workshops have classroom like settings and are a good source of feedback and networking. Because of their mixed reception, casting director workshops have not been met without controversy. Former Criminal Minds casting director Scott David

483-415: A compelling character, that they are self-evident, and possess an absolute and timeless validity". The concept of the universal audience has received criticism for being idealistic because it can be considered as an impediment in achieving persuasive effect with particular audiences. Yet, it still may be useful as an ethical guide for a speaker and a critical tool for a reader or audience. An ideal audience

552-572: A full-fledged Casting Director. Equity in representation has been of much discussion in Hollywood for many years. Productions do not always have a certain race or gender in mind for their starring role, but reports show disproportionate underrepresentation for women, people of color, people with disabilities, and LGBTQ+ actors in most media. UCLA's Hollywood Diversity Report and the Geena Davis Institute publish frequent and extensive research on

621-598: A line of Simon's literally into Hindi, a seven-year-old is just going to go… So, they had to be given a line that was the equivalent in Hindi." Tandan herself has stated that she was given the co-director credit after she "suggested to Danny and Simon Beaufoy, the writer of Slumdog, that it was important to do some of it in Hindi to bring the film alive (20% of the film is in Hindi). They asked me to come up with Hindi dialogues which I, of course, instantly agreed to do. And as we drew closer to

690-435: A main cast, there is often a male or female lead who plays the largest role, that of the protagonist in a production. When there is no singular lead, the main roles are referred to collectively as an ensemble cast , which comprises several principal actors and performers who are typically assigned roughly equal screen time. A supporting actor is one with a role that is important to a play or film, but less so than that of

759-414: A movie but the official shoot dates and details are not yet known, a Letter of Intent or "LOI" is drafted, to indicate, if and when the project is "green lit" or begins active production, the actor is already hired to portray that particular role. After the attachment phase is complete (which depends on many factors, including financial backers, studio heads, availability of other above-the-line personnel),

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828-448: A project for their intent to be cast in a role. The well-known actor or actress often negotiates producer credit as well as very lucrative monetary compensation. For some major productions, the process of selecting actors for sometimes hundreds of speaking parts and roles often requires specialized staff. While the last word remains with the people in charge such as the director, producer, artistic departments and overall production team,

897-404: A rhetor to formulate appeals that will grant success in engaging with the future particular audience. In considering an ideal audience, a rhetor can imagine future conditions of mediation, size, demographics, and shared beliefs among the audience to be persuaded. An implied audience is an imaginary audience determined by an auditor or reader as the text's constructed audience. The implied audience

966-425: A series of auditions before a casting panel, composed of individuals within a theatrical production such as theatrical producer , and theater director . However, within a given television production a casting panel can consist of a television producer , or within film production a casting panel could contain a film producer , film director or choreographer . Usually, in nearly all areas of show business ,

1035-430: A speaker presents text. Audiences who consume texts or speeches through television, radio and internet are considered mediated audiences because those mediums separate the rhetor and the audience. Such audiences are physically away from the audience and the message is controlled. Understanding the size and composition of mediated audiences can be difficult because mediums such as television, radio, and Internet can displace

1104-580: A staple of late-night cinema, even slowly morphing into an audience-participation show in its regular screenings at the Valhalla Cinema , in Melbourne , Australia. John Landis acknowledged the support of the cinema and the fans by a phone call he made to the cinema at the 10th-anniversary screening, and later invited regular attendees to make cameo appearances in Blues Brothers 2000 (1998). The fans act as

1173-410: Is a rhetor's imagined, intended audience. In creating a rhetorical text, a rhetor imagines is the target audience , a group of individuals that will be addressed, persuaded, or affected by the speech or rhetorical text. This type of audience is not necessarily imagined as the most receptive audience, but as the future particular audience that the rhetor will engage with. Imagining such an audience allows

1242-401: Is called a "pass." If they accept the offer, the talent representative engages the casting director and a deal memo is sent from casting to the representative. It is at this time when negotiations between agency and production happen to finalize any deal points before the entertainment lawyers step in and draw up the attachment contracts. If this process happens very early on in the development of

1311-428: Is called an "offer". The offer, usually contains a letter to the actor's representative explaining the role in question, a copy of the script, why the actor has been selected, the length of time commitment, the approximate start date of filming, the filming location, and the proposed salary offering. If the actor does not respond to the material or for whatever reason cannot accept the job, they respond to casting with what

1380-602: Is commonly found in performances which break the fourth wall . Examples include the traditional British pantomimes , stand-up comedy , and creative stage shows such as Blue Man Group . Audience participation can be uncomfortable for certain people, but is growing and evolving as a new tool of brand activation and brand engagement . In a bid to create and reinforce a special bond between brands and their consumers, companies are increasingly looking towards events that involve active audience participation. Often, organizations provide branded objects to event attendees that will involve

1449-455: Is not the actual audience, but the one that can be inferred by reading or analyzing the text. Communications scholar Edwin Black , in his essay, The Second Persona, presents the theoretical concept of the implied audience using the idea of two personae. The first persona is the implied rhetoric (the idea of the speaker formed by the audience) and the second persona is the implied audience (the idea of

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1518-529: Is optional. Casting directors organized in 2005 and became members of a collective bargaining unit, the Hollywood Teamsters Local 399 and New York Teamsters Local 817. Audience Media audience studies have become a recognized part of the curriculum. Audience theory offers scholarly insight into audiences in general. These insights shape our knowledge of just how audiences affect and are affected by different forms of art. The biggest art form

1587-429: Is the mass media . Films, video games, radio shows, software (and hardware), and other formats are affected by the audience and its reviews and recommendations. In the age of easy internet participation and citizen journalism , professional creators share space, and sometimes attention with the public. American journalist Jeff Jarvis said, "Give the people control of media, they will use it. The corollary: Don't give

1656-604: Is traditional for the audience to clap along with the beat of the second (louder) repetitions of the chorus. This is particularly notable at the Neujahrskonzert . Bloggers , YouTubers , and live streamers often allow their viewers moderated or unmoderated comments sections. Some musical groups often heavily incorporate audience participation into their live shows. The superhero -themed comedy rock band The Aquabats typically do so within their theatrical stage shows through such antics as "pool floatie races", where members of

1725-578: The BAFTA Award for Best Casting . The highest honor a casting director can receive in the United States is the Primetime Emmy Award for Outstanding Casting. As of 2024, Junie Lowry-Johnson has won the most casting Emmys as an individual, all in the drama category . She has six awards for her work on NYPD Blue , Six Feet Under , True Blood and Homeland . The only shows to win casting Emmys three times were 30 Rock and Veep , both in

1794-572: The comedy category . In 2017, at the 69th Primetime Emmy Awards , the Academy of Television Arts & Sciences introduced the Primetime Emmy Award for Outstanding Casting for a Reality Program . The Casting Society of America members award their peers with the Artios Award , typically held mid-January annually with ceremonies in New York, Los Angeles, and (beginning in 2018) London. Artios comes from

1863-654: The performing arts industry such as theatre , film , or television , casting , or a casting call , is a pre-production process for selecting a certain type of actor , dancer , singer , or extra to land the role of a character in a script, screenplay , or teleplay . This process may be used for a motion picture , television program , documentary film , music video , play , or advertisement , intended for an audience . Actors are selected to play various types of roles. A main cast comprises several actors whose appearances are significant in film, theatre, or television. Their roles are often called starring roles. Within

1932-407: The "Co-Director: India" by Danny Boyle in recognition of her significant contributions in the making of the film. Boyle explained his reasoning behind the credit by stating it was "because I had her there every day, and I kind of relied on her enormously to make sure I didn't make any big mistakes, and obviously, translation for the kids. And translation of the text because obviously, if you translate

2001-514: The Greek word meaning "perfectly fitted". The Artios Awards recognize excellence in casting for all genres of casting except commercials. At their incarnation in 1985, they were held in November but were moved in the 2013–2014 season to align with the rest of the film and television industry's awards season. The Artios is awarded to those CSA members who receive primary screen (or program) credit for casting on

2070-425: The actor who is currently auditioning. A good reader is someone who has acting skills, but who has no interest in booking a role through that casting director's office at that time. For their audition sessions, casting offices will either bring in trusted actors as readers or will have one of the casting staff read with the actors. A reader will know how to give and take and play with other actors without ever outshining

2139-520: The audience formed by and utilized for persuasion in the speech situation). A critic could also determine what the text wants that audience to become or do after the rhetorical situation. Through the Internet, every person is given the opportunity to participate in different ways. The Internet gives people a platform to write and reach the people who are interested in what they are writing about. When writers write online, they are able to form communities with

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2208-453: The audience from the time and circumstance of a rhetorical text or speech. In measuring mediated audience reception and feedback (a practice called audience measurement ), one can depend on opinion polls and ratings, as well as comments and forums that may be featured on a website. This applies to many fields such as movies, songs and much more. There are companies that specialize in audience measurement. Theoretical audiences are imagined for

2277-593: The audience in the show as well as act as souvenirs of the event, creating a lasting link with the brand. For example, during Super Bowl XLVIII , the audience was incorporated in the Super Bowl XLVIII Halftime Show as part of the lighting effects. Pepsi involved the spectators by giving them "video ski hats" that produced visual effects across the crowd. By appealing more directly to people and emotions, brands can obtain feedback from their consumers. Companies that provide or seek such experiences refer to

2346-415: The audience performs the role of "guests". The British panel game QI often allows the audience to try to answer questions. Currently, the audience have won one show, and have come last in another. Magic shows often rely on some audience participation. Psychological illusionist Derren Brown relies heavily on audience participation in his live shows. During performances of the " Radetzky March ", it

2415-445: The audience. Sometimes these audiences are subject to persuasion and engage with the ideas of the speaker. Ranging in size and composition, this audience may come together and form a "composite" of multiple groups. An immediate audience is a type of audience that is composed of individuals who are face-to-face subjects with a speaker and a speaker's rhetorical text or speech. This audience directly listens to, engages with, and consumes

2484-479: The auditioning actors. Interns: Interns are more common to commercial casting offices, which host as many as a dozen different casting directors holding different auditions per day. While some commercial casting offices hold permanent casting space, many rent out studios on a project to project basis. A key intern will work with many busy casting directors sorting mail, copying sides and transcribing them onto "cue cards" or large boards to be read off of as prompts in

2553-412: The band encourage the audience to follow along with. The television series Mystery Science Theater 3000 features a man and his robots held as imprisoned audience members and tortured by being forced to view "bad" movies; to retain their sanity, they talk throughout and heckled each one. In a similar vein, the online site Television Without Pity has a stable of reviewers and recappers who speak

2622-425: The band race across the venue on inflatable rafts via crowd surfing , or providing the audience with projectiles (such as plastic balls or beach balls ) to throw at costumed "bad guys" who come out on stage. Koo Koo Kanga Roo , a comedy dance-pop duo, write their music solely for audience participation, utilizing call and response style sing-along songs which are usually accompanied by a simple dance move that

2691-742: The casting room making sure the recording software is running smoothly so the Casting Director can focus on each actor's performance. Casting Associates: Associate is the second chain of command in a casting office. After a casting associate has worked for two years in the field of casting, they can apply for membership in Casting Society of America . Typically, they work under a Casting Director running pre-read sessions, prepping deal memos, cutting audition sides, and making calls to talent agents. Many associates begin to take on smaller scale projects so they can amass enough credits to move up in rank to

2760-500: The casting room, help actors sign in, and keep the flow of actors going in and out of the casting room as smooth as possible. Casting Assistants: This is the entry-level position in the field of casting, but they act as much more than a typical office assistant. They cover the office phones, handle copying and filing, and set up audition (aka "session") equipment like lights, the camera, sound equipment, etc. They often assist in relaying audition appointments, checking actor avails, or in

2829-446: The director as part of his or her staff. Most films use either a casting agency or a casting director to find actors to match the roles in the film, apart from the lead actors, who are often chosen by directors and producers. The job of a casting director is to know a lot about a lot of actors, so that they can advise and present to the director the best of the available talent. Casting directors are highly influential and are usually on

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2898-427: The director. During this time known as the "attachment phase" of a film, the casting director's job is to send out copies of the current script to agents for what is known as "coverage", a one-page summary of the script with a brief set of character descriptions. At this time, if a talent agency agrees to give coverage to a film, they will submit a list of ideas to the casting directors of actors available, capable, and in

2967-457: The early stages of casting and extras casting, the process may be decentralized geographically, often in conjunction with actual shooting planned in different locations. Another reason may be tapping into each home market in the case of an international co-production . However, for the top roles, the choice of one or more actors, whose presence is of enormous commercial importance, may rather follow strictly personal channels, e.g. direct contact with

3036-503: The following: The casting director remains as a liaison between director, actors and their agents/managers and the studio/network to get the characters in the script cast. Some casting directors build an impressive career working on numerous Hollywood productions, such as Marion Dougherty , Mary Jo Slater , Mary Selway , Lynn Stalmaster , April Webster , Robert J. Ulrich , Tammara Billik , Marci Liroff , Avy Kaufman , Mindy Marin , Robi Reed , and Allison Jones . At least in

3105-509: The general public at large, sometimes referred to as a " cattle call " (a U.S. term ), or open audition, in which hundreds or even thousands of performers compete for a number of roles. Casting character breakdowns, not to be confused with script breakdowns , are often provided by production agents who submit their clients to casting, which provides a brief summary of character (age, gender, race or ethnicity, situations they may be involved in). These agents and managers are positioned all over

3174-487: The leading actors. A supporting role is more important than a bit part , which involves direct interaction with the principal actors but no more than five lines of dialogue, often referred to as a "five-or-less" or " under-five " in the United States, or "under-sixes" in British television . When a well-known actor or other celebrity appears in a bit part, it is sometimes called a cameo appearance . The casting process involves

3243-514: The members of the crowd during the performance of " Ghost Riders in the Sky ". In British pantomime performances, the audience is a crucial aspect of the show and is expected to perform certain tasks such as: The Complete Works of William Shakespeare (Abridged) divides the audience into groups assigned to call out the concerns of three components of a character's psyche. In The Mystery of Edwin Drood ,

3312-467: The most important part of the picture, to the extent that the audio options on the DVD version include the option. In the audience participation for The Rocky Horror Picture Show (1975), the audience will make "call backs", and yell at the screen at certain parts of the movie. Also, a number of props are thrown and used by the audience during certain parts of the film. The Blues Brothers (1980) has become

3381-470: The people control of media, and you will lose. Whenever citizens can exercise control, they will." Tom Curley, President of the Associated Press, similarly said, "The users are deciding what the point of their engagement will be — what application, what device, what time, what place." In rhetoric , some audiences depend on circumstance and situation and are characterized by the individuals that make up

3450-407: The people they share common interests with. The audiences that people are trying to reach can be general or specific, all depending on what the writer is discussing in their online posts. Audiences have to go and check into what the writers are writing to stay on top of the latest information. Writers have to find their niche and try hard to work their way into an already formed community. The audience

3519-404: The physical auditions begin for all of the remaining roles. During this time, depending on the budget of the film, they could have what is called "pre-reads" where the actor auditions only for a casting director (or associate) to see if they are right for the material. After pre-reads would be a "callback" or "director/producer session". During this time the actor comes in and auditions (usually with

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3588-536: The portrayal of diverse populations. The national Canadian Screen Awards has presented an annual award for Best Casting in a Television Series since 2006. A new award for Best Casting in a Film is slated to be introduced in 2021. The Prix Iris , the regional Canadian film awards for Quebec , introduced the Prix Iris for Best Casting in 2017. In 2020, the British Academy Film Awards introduced

3657-434: The price range of the film. Casting directors also create their own idea lists and can "check avails" or call the actor representation to see if they are available and interested in taking on potential projects. If an idea that is generated from a casting director and a subsequent avail check or from an agent's recommendation is "approved" by the director, producers, and financiers (or studio), the casting director sends out what

3726-406: The producer selects one or more actors, the casting professionals negotiate contracts and fees. Casting professionals have to get to know many performers and assess their level of skill, and use a selection process to cut a large number down to a small group to bring to the producer for consideration. They may also represent actors, but not necessarily. The role of the casting director may include

3795-532: The project because the director trusts their judgement; they are also the ones who decide who the director does see. Casting companies are independent organizations which liaise between performers and directors or producers. They need to have detailed knowledge of actors on their books, as they are responsible for putting forward suitable candidates to match specific roles described by producers and directors. The company draws up lists, and interviews are conducted, after which selected candidates attend an audition. If

3864-450: The purpose of helping a speaker compose, practice, or a critic to understand, a rhetorical text or speech. When a rhetor deeply considers, questions, and deliberates over the content of the ideas they are conveying, it can be said that these individuals are addressing the audience of self, or self-deliberating. Scholars Chaïm Perelman and Lucie Olbrechts-Tyteca , in their book The New Rhetoric: A Treatise on Argumentation , argue that

3933-452: The rhetor "is in a better position than anyone else to test the value of his own arguments." The audience of self, while not serving as the ends to all rhetorical purpose or circumstance, nevertheless acts as a type of audience that not only operates as a function of self-help, but as instrument used to discover the available means of persuasion. The universal audience is an imagined audience that serves as an ethical and argumentative test for

4002-412: The rhetor. This also requires the speaker to imagine a composite audience that contains individuals from diverse backgrounds and to discern whether or not the content of the rhetorical text or speech would appeal to individuals within that audience. Scholars Perelman and Olbrechts-Tyteca ascertain that the content addressed to a universal audience "must convince the reader that the reasons adduced are of

4071-414: The rhetorical text in an unmediated fashion. In measuring immediate audience reception and feedback, (audience measurement), one can depend on personal interviews, applause, and verbal comments made during and after a rhetorical speech. In contrast to immediate audiences, mediated audiences are composed of individuals who consume rhetorical texts in a manner that is different from the time or place in which

4140-487: The same material) and performs for the casting director, the film director, and anyone else who has decision-making power. In television, this phase is referred to as a "screen test" and network executives would also be in attendance. Once actors are selected from the pool of available actors, the same booking process that happens in the attachment phase takes place for any actor; extras casting has its own separate process. The resulting list of actors who were selected to play

4209-482: The shoot date, Danny asked me to step in as the co-director." The film won eight Academy Awards, five Critics' Choice Awards , four Golden Globes and seven BAFTA Awards . Tandan's work as co-director of the film was recognised by the New York Film Critics Online Awards (NYFCCO Awards), which awarded "Best Director" to "Danny Boyle with Loveleen Tandan". Casting (performing arts) In

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4278-419: The size and scope of the production—attempting to read material from the work under consideration, paired off in various combinations of two, three or more. With each of the actor's overall motivational choices evaluated, the casting panel considers both the individual actor, and the "chemistry" created from either one of the combinations set forth within the read-through . Casting calls may go out into

4347-445: The term "crowd activation". For example, Tangible Interaction named one of its branches Crowd Activation and PixMob refers to itself as a crowd activation company on its website. One of the most well-known examples of popular audience participation accompanies the motion picture and music The Rocky Horror Picture Show and its earlier stage incarnation The Rocky Horror Show . The audience participation elements are often seen as

4416-476: The winning project. Location casting directors, casting executives and department heads who are CSA members and who receive credit on winning projects also receive an Artios Award. CSA Associates on those projects are recognized in the press and with a certificate. The significant organization of professional screen, television, reality, and theater casting in the US is the Casting Society of America (CSA), but membership

4485-447: The world, and subscribe to this service that literally has an entire suite of services for just about every aspect of the breakdown, for a monthly service subscription fee. An actor may go through several casting calls before receiving a part, and even though well-known actors or actresses often still go through this very necessary process, some are privileged enough to have well-known writers, screenwriters , directors or producers pitch

4554-481: The writer is reaching is able to respond to the writers posts and can give feedback. The Internet allows these connections to be formed and fostered. In the Here Comes Everybody book by Clay Shirky , there are various examples of how audience is not only receiving content but actually creating it. The Internet creates a chance of being part of an audience and a creator at the same time. Audience participation

4623-401: Was also the casting director (alongside Shaheen Baig) for Brick Lane (2007), directed by Sarah Gavron and adapted from Monica Ali 's novel of the same name. Tandan's most major credit is Slumdog Millionaire (2008), where she initially began as one of the film's casting directors (with Gail Stevens co-ordinating casting from London) but was, during production on the film, designated as

4692-804: Was born and raised in New Delhi, India. She did her schooling from Mater Dei School. Loveleen studied Sociology Honors at the Hindu College, University of Delhi . She was active in college politics and was nominated as the Finance Minister of the college. She pursued a Master's degree with top honors in Mass Communication from MCRC , Jamia Millia Islamia University. Loveleen Tandan has worked with Deepa Mehta on Earth (1998), and later worked with Mira Nair on three films: Monsoon Wedding (2001), Vanity Fair (2004) and The Namesake (2006). She

4761-712: Was fired after The Hollywood Reporter published a story about his casting director workshops. In February 2017, five casting director workshops were charged with criminal charges for charging actors to audition for projects. In January 2018, Lindsay Chag, the casting director of films like Robin Hood: Men in Tights and Dracula: Dead and Loving It , was convicted guilty of violating the Talent Scam Prevention Act for her role in casting director workshops. Readers: This person reads all other character's lines opposite

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