136-659: Jagannatha ( Odia : ଜଗନ୍ନାଥ , romanized: Jagannātha , lit. 'Lord of the Universe';; formerly English: Juggernaut ) is a deity worshipped in regional Hindu traditions in India as part of a triad along with his ( Krishna 's) brother Balabhadra , and sister, Subhadra . Jagannath, within Odia Hinduism, is the supreme god, Purushottama , and the Para Brahman . To most Vaishnava Hindus, particularly
272-553: A chakra in other Vishnu temples. Jagannath iconography, when he is depicted without companions, shows only his face, neither arms nor torso. This form is sometimes called Patita Pavana, or Dadhi Vaman . The murtis of Jagannath, Balabhadra, Subhadra and Sudarshana Chakra are made of neem wood. Neem wood is chosen because the Bhavishya Purana declares it to be the most auspicious wood from which to make Vishnu murtis . The idol of Jagannatha, Balabhadra, Subhadra and Sudarshana
408-509: A later 12th century addition to the Skanda Purana) of the Skanda Purana , the deity Yama requested Vishnu to disappear from the region of Purushottama Kshetra, dissatisfied with the direct salvation of those who lived in the region. Vishnu agreed to do so. Indradyumna , the king of Avanti , grew interested in venerating the deity Nilamadhava , made of sapphire. He is described to have sent
544-426: A positive lifestyle. Distinguished prose writers of the modern period include Baidyanath Misra , Fakir Mohan Senapati , Madhusudan Das , Godabarisha Mohapatra, Kalindi Charan Panigrahi, Surendra Mohanty , Manoj Das , Kishori Charan Das , Gopinath Mohanty, Rabi Patnaik, Chandrasekhar Rath, Binapani Mohanty, Bhikari Rath, Jagadish Mohanty , Sarojini Sahoo , Yashodhara Mishra , Ramchandra Behera, Padmaja Pal. But it
680-426: A positive lifestyle. Distinguished prose writers of the modern period include Baidyanath Misra , Fakir Mohan Senapati , Madhusudan Das , Godabarisha Mohapatra, Kalindi Charan Panigrahi, Surendra Mohanty , Manoj Das , Kishori Charan Das , Gopinath Mohanty, Rabi Patnaik, Chandrasekhar Rath, Binapani Mohanty, Bhikari Rath, Jagadish Mohanty , Sarojini Sahoo , Yashodhara Mishra , Ramchandra Behera, Padmaja Pal. But it
816-698: A rich literary heritage dating back to the thirteenth century. Sarala Dasa who lived in the fourteenth century is known as the Vyasa of Odisha. He wrote the Mahabharata into Odia. In fact, the language was initially standardised through a process of translating or transcreating classical Sanskrit texts such as the Mahabharata, Ramayana and the Bhagavad Gita . The translation of the Bhagavatam by Atibadi Jagannatha Dasa
952-437: A rich literary heritage dating back to the thirteenth century. Sarala Dasa who lived in the fourteenth century is known as the Vyasa of Odisha. He wrote the Mahabharata into Odia. In fact, the language was initially standardised through a process of translating or transcreating classical Sanskrit texts such as the Mahabharata, Ramayana and the Bhagavad Gita . The translation of the Bhagavatam by Atibadi Jagannatha Dasa
1088-481: A significant Odia speaking population. Additionally, due to economic pursuits, significant numbers of Odia speakers can be found in Indian cities such as Vishakhapatnam , Hyderabad , Pondicherry , Bangalore , Chennai , Goa , Mumbai , Raipur , Jamshedpur , Vadodara , Ahmedabad , New Delhi , Guwahati , Shillong , Pune , Gurgaon , Jammu and Silvassa . The Odia diaspora is sizeable in several countries around
1224-432: A significant Odia speaking population. Additionally, due to economic pursuits, significant numbers of Odia speakers can be found in Indian cities such as Vishakhapatnam , Hyderabad , Pondicherry , Bangalore , Chennai , Goa , Mumbai , Raipur , Jamshedpur , Vadodara , Ahmedabad , New Delhi , Guwahati , Shillong , Pune , Gurgaon , Jammu and Silvassa . The Odia diaspora is sizeable in several countries around
1360-500: A sizeable Odia-speaking population, particularly in Sonitpur , Tinsukia , Udalguri , Sivasagar , Golaghat , Dibrugarh , Cachar , Nagaon , Karimganj , Karbi Anglong , Jorhat , Lakhimpur , Baksa , Kamrup Metropolitan , Hailakandi district of Assam and West Tripura , Dhalai , North Tripura district of Tripura. Similarly, due to increasing worker migration in modern India, the western states Gujarat and Maharashtra also have
1496-451: A sizeable Odia-speaking population, particularly in Sonitpur , Tinsukia , Udalguri , Sivasagar , Golaghat , Dibrugarh , Cachar , Nagaon , Karimganj , Karbi Anglong , Jorhat , Lakhimpur , Baksa , Kamrup Metropolitan , Hailakandi district of Assam and West Tripura , Dhalai , North Tripura district of Tripura. Similarly, due to increasing worker migration in modern India, the western states Gujarat and Maharashtra also have
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#17330848891241632-618: A syncretic absorption of the Saura ( Surya -centric) tradition of Hinduism. The conglomerate of Jagannath, Balabhadra, Subhadra, and Sudarshana Chakra worshipped together on a common platform are called the Chaturdhamurti or the "four-fold form". O.M. Starza states that the Jagannath Ratha Yatra may have evolved from the syncretism of procession rituals for Shiva lingas, Vaishnava pillars, and tribal folk festivities. The Shaiva element in
1768-496: A translator of a fictive Odia short story writer. The novella contains a discussion of the perils of translating works composed in regional Indian languages into English. Four writers in Odia – Gopinath Mohanty , Sachidananda Routray , Sitakant Mahapatra and Pratibha Ray – have been awarded the Jnanpith , an Indian literary award. The following is a sample text in Odia of Article 1 of
1904-399: A translator of a fictive Odia short story writer. The novella contains a discussion of the perils of translating works composed in regional Indian languages into English. Four writers in Odia – Gopinath Mohanty , Sachidananda Routray , Sitakant Mahapatra and Pratibha Ray – have been awarded the Jnanpith , an Indian literary award. The following is a sample text in Odia of Article 1 of
2040-417: A tribal practice that continued when Hindus adopted prior practices and merged them with their Vedic abstractions. The practice of using wood for making murti is unusual, as Hindu texts on the design and construction of images recommend stone or metal. The Daitas are Hindu, but believed to have been the ancient tribe of Sabaras (also spelled Soras ). They continue to have special privileges such as being
2176-421: A vowel. Some speakers distinguish between single and geminate consonants . Odia retains most of the cases of Sanskrit , though the nominative and vocative have merged (both without a separate marker), as have the accusative and dative. There are three genders (masculine, feminine and neuter) and two grammatical numbers (singular and plural). However, there are no grammatical genders . The usage of gender
2312-421: A vowel. Some speakers distinguish between single and geminate consonants . Odia retains most of the cases of Sanskrit , though the nominative and vocative have merged (both without a separate marker), as have the accusative and dative. There are three genders (masculine, feminine and neuter) and two grammatical numbers (singular and plural). However, there are no grammatical genders . The usage of gender
2448-618: A wooden pillar. It is therefore believed that Jagannath is worshipped as a wooden murti or Daru Brahma with the Shri Narasimha hymn dedicated to the Narasimha Avatar. Every year in the month of Bhadra , Jagannath is dressed and decorated in the form of the Vamana avatar of Vishnu. Jagannath appeared in the form of Rama , another avatar of Vishnu, to Tulsidas , who worshipped him as Rama and called him Raghunath during his visit to Puri in
2584-545: Is Purna Brahman from whom other Avataras like Rama , Krishna, etc., took their birth for lilas in this universe and at the end would merge in the self of Purna Brahman. In the Jagannath tradition, he has the attributes of all the avatars of Krishna/Vishnu. This belief is celebrated by dressing him and worshipping him as different avatars on special occasions. The Puranas relate that the Narasimha Avatar of Vishnu appeared from
2720-452: Is a classical Indo-Aryan language spoken in the Indian state of Odisha . It is the official language in Odisha (formerly rendered as Orissa), where native speakers make up 82% of the population, and it is also spoken in parts of West Bengal , Jharkhand , Andhra Pradesh and Chhattisgarh . Odia is one of the many official languages of India ; it is the official language of Odisha and
2856-404: Is a classical Indo-Aryan language spoken in the Indian state of Odisha . It is the official language in Odisha (formerly rendered as Orissa), where native speakers make up 82% of the population, and it is also spoken in parts of West Bengal , Jharkhand , Andhra Pradesh and Chhattisgarh . Odia is one of the many official languages of India ; it is the official language of Odisha and
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#17330848891242992-407: Is a brightly painted, rough-hewn log of neem wood. The image consists of a square flat head, a pillar that represents his face merging with the chest. The icon lacks a neck, ears, and limbs, is identified by a large circular face symbolizing someone who is anadi (without beginning) and ananta (without end). Within this face are two big symmetric circular eyes with no eyelids, one eye symbolizing
3128-460: Is a carved and decorated wooden stump with large round eyes and a symmetric face, and the idol has a conspicuous absence of hands or legs. The worship procedures, sacraments and rituals associated with Jagannath are syncretic and include rites that are uncommon in Hinduism. Unusually, the icon is made of wood and replaced with a new one at regular intervals. The origin and evolution of Jagannath worship
3264-677: Is a member of the Executive Committee of Utkal Sahitya Samaj. Another illustrious writer of the 20th century was Chintamani Das. A noted academician, he was written more than 40 books including fiction, short stories, biographies and storybooks for children. Born in 1903 in Sriramachandrapur village under Satyabadi block, Chintamani Das is the only writer who has written biographies on all the five 'Pancha Sakhas' of Satyabadi namely Pandit Gopabandhu Das, Acharya Harihara, Nilakantha Das, Krupasindhu Mishra and Pandit Godabarisha. Having served as
3400-555: Is a member of the Executive Committee of Utkal Sahitya Samaj. Another illustrious writer of the 20th century was Chintamani Das. A noted academician, he was written more than 40 books including fiction, short stories, biographies and storybooks for children. Born in 1903 in Sriramachandrapur village under Satyabadi block, Chintamani Das is the only writer who has written biographies on all the five 'Pancha Sakhas' of Satyabadi namely Pandit Gopabandhu Das, Acharya Harihara, Nilakantha Das, Krupasindhu Mishra and Pandit Godabarisha. Having served as
3536-470: Is a thriving tradition. The existence of these legends, state some scholars such as Stevenson, suggests that Jagannath may have a Buddhist origin. Another evidence that links Jagannath deity to Buddhism is the Ratha-Yatra festival for Jagannath, the stupa-like shape of the temple and a dharmachakra-like discus ( chakra ) at the top of the spire. The major annual procession festival has many features found in
3672-673: Is considered a non-sectarian deity. He is significant regionally in the Indian states of Odisha , Chhattisgarh , West Bengal , Jharkhand , Bihar , Gujarat , Assam , Manipur and Tripura . He is also significant to the Hindus of Bangladesh . The Jagannath temple in Puri, Odisha is particularly significant in Vaishnavism, and is regarded as one of the Char Dham pilgrimage sites in India. The Jagannath temple
3808-664: Is considered as equivalent to the Hindu metaphysical concepts of Brahman / Para Brahman and Purushottama /Shunya Purusha, wherein he then is the Avatarī, i.e., the cause and equivalence of all avatars and the infinite existence in space and time. According to author Dipti Ray in Prataparudra Deva , the Suryavamsi King of Odisha: In Prataparudradeva's time Odia poets accepted Sarala Dasa 's idea and expressed in their literary works as all
3944-529: Is considered the epitome of Tantric worship. The symmetry in iconography, the use of mandalas and geometric patterns in its rites support the tantric connection proposal. Jagannath is venerated as Bhairava or Shiva , the consort of the goddess Vimala , by Shaivites and Shakta sects. The priests of Jagannath Temple at Puri belong to the Shakta sect, although the Vaishnava sect's influence predominates. As part of
4080-518: Is dedicated to Jagannath. His image, along with the other two associated deities, is ceremoniously brought out of the sacrosanctum ( Garbhagruha ) of his chief temple in Puri ( ଶ୍ରୀ ମନ୍ଦିର , Śrī Mandira ). They are placed in a temple car which is then pulled by numerous volunteers to the Gundicha Temple (located at a distance of nearly 3 km or 1.9 mi). They stay there for eight days, and on
4216-406: Is given phonemic status in some analyses, as it also occurs as a terminal sound, e.g. ଏବଂ- ebaṅ /ebɔŋ/ Nasals assimilate for place in nasal–stop clusters. /ɖ ɖʱ/ have the near-allophonic intervocalic flaps [ɽ ɽʱ] in intervocalic position and in final position (but not at morpheme boundaries). Stops are sometimes deaspirated between /s/ and a vowel or an open syllable /s/ +vowel and
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4352-406: Is given phonemic status in some analyses, as it also occurs as a terminal sound, e.g. ଏବଂ- ebaṅ /ebɔŋ/ Nasals assimilate for place in nasal–stop clusters. /ɖ ɖʱ/ have the near-allophonic intervocalic flaps [ɽ ɽʱ] in intervocalic position and in final position (but not at morpheme boundaries). Stops are sometimes deaspirated between /s/ and a vowel or an open syllable /s/ +vowel and
4488-451: Is inextricably tied to music, and most of it was written for singing, set to traditional Odissi ragas and talas. These compositions form the core of the system of Odissi music , the classical music of the state. Three great poets and prose writers, Kabibar Radhanath Ray (1849–1908), Fakir Mohan Senapati (1843–1918) and Madhusudan Rao (1853–1912) made Odia their own. They brought in a modern outlook and spirit into Odia literature. Around
4624-451: Is inextricably tied to music, and most of it was written for singing, set to traditional Odissi ragas and talas. These compositions form the core of the system of Odissi music , the classical music of the state. Three great poets and prose writers, Kabibar Radhanath Ray (1849–1908), Fakir Mohan Senapati (1843–1918) and Madhusudan Rao (1853–1912) made Odia their own. They brought in a modern outlook and spirit into Odia literature. Around
4760-553: Is massive, over 61 metres (200 ft) high in the Nagara architecture style of Hindu temple architecture , and one of the best surviving specimens of Kalinga architecture , namely Odisha art and architecture. It has been one of the major pilgrimage destinations for Hindus since about 800 CE. The annual festival called the Ratha yatra celebrated in June or July every year in eastern states of India
4896-465: Is most known for his composition, the epic poem Gita Govinda , which depicts the divine love of the Hindu deity Krishna and his consort, Radha, and is considered an important text in the Bhakti movement of Hinduism. About the end of the 13th century and the beginning of the 14th, the influence of Jayadeva's literary contribution changed the pattern of versification in Odia. Distribution of Odia language in
5032-416: Is most known for his composition, the epic poem Gita Govinda , which depicts the divine love of the Hindu deity Krishna and his consort, Radha, and is considered an important text in the Bhakti movement of Hinduism. About the end of the 13th century and the beginning of the 14th, the influence of Jayadeva's literary contribution changed the pattern of versification in Odia. Distribution of Odia language in
5168-665: Is no distinction of caste inside the Jagganath temple, many day-to-day services (Vidhis) of Lord Jagannatha owe their origin either to Jainism or to Buddhism or the combination of both, the local legends link the idols with aborginal tribes and the daitapatis (servitors) claim to be descendants of the aboriginals. Majority of rituals are based on Oddiyana Tantras which are the refined versions of Mahayana Tantras as well as Shabari Tantras which are evolved from Tantric Buddhism and tribal believes respectively. According to Starza, these practices are also connected to Tantric practices. Buddha
5304-495: Is not contrastive. The vowel [ ɛ ] can also be heard as an allophone of / e / , or as an allophone of the coalescence of the sequences /j + a/ or /j + ɔ/ . Final vowels are pronounced in the standard language, e.g. Odia [pʰulɔ] contrasts Bengali [pʰul] "flower". Odia retains the voiced retroflex lateral approximant [ ɭ ] , among the Eastern Indo-Aryan languages. The velar nasal [ ŋ ]
5440-434: Is not contrastive. The vowel [ ɛ ] can also be heard as an allophone of / e / , or as an allophone of the coalescence of the sequences /j + a/ or /j + ɔ/ . Final vowels are pronounced in the standard language, e.g. Odia [pʰulɔ] contrasts Bengali [pʰul] "flower". Odia retains the voiced retroflex lateral approximant [ ɭ ] , among the Eastern Indo-Aryan languages. The velar nasal [ ŋ ]
5576-411: Is poetry that makes modern Odia literature a force to reckon with. Poets like Kabibar Radhanath Ray , Sachidananda Routray, Guruprasad Mohanty, Soubhagya Misra, Ramakanta Rath , Sitakanta Mohapatra, Rajendra Kishore Panda, Pratibha Satpathy have made significant contributions towards Indian poetry. Anita Desai 's novella, Translator Translated , from her collection The Art of Disappearance , features
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5712-411: Is poetry that makes modern Odia literature a force to reckon with. Poets like Kabibar Radhanath Ray , Sachidananda Routray, Guruprasad Mohanty, Soubhagya Misra, Ramakanta Rath , Sitakanta Mohapatra, Rajendra Kishore Panda, Pratibha Satpathy have made significant contributions towards Indian poetry. Anita Desai 's novella, Translator Translated , from her collection The Art of Disappearance , features
5848-470: Is re-painted every week in the Jagannatha Temple, Puri. It is replaced with a newly carved image every 12 or 19 years approximately, or more precisely according to the luni-solar Hindu calendar when its month of Asadha occurs twice in the same year. In the Jagannath tradition (Odia Vaishnavism), Jagannath is most frequently identified with an abstract form of Krishna as the supreme deity. Jagannath
5984-506: Is semantic, i.e. to differentiate male members of a class from female members. There are three tenses coded via affixes (i.e., present, past and future), others being expressed via auxiliaries. The Odia language uses the Odia script (also known as the Kalinga script). It is a Brahmic script used to write primarily the Odia language and others like Sanskrit and several minor regional languages. The script has developed over nearly 1000 years, with
6120-456: Is semantic, i.e. to differentiate male members of a class from female members. There are three tenses coded via affixes (i.e., present, past and future), others being expressed via auxiliaries. The Odia language uses the Odia script (also known as the Kalinga script). It is a Brahmic script used to write primarily the Odia language and others like Sanskrit and several minor regional languages. The script has developed over nearly 1000 years, with
6256-415: Is shown "fully anthropomorphised" but with the traditional abstract mask face. The typical icon of Jagannath is unlike other deities found in Hinduism who are predominantly anthropomorphic. However, aniconic forms of Hindu deities are not uncommon. For example, Shiva is often represented in the form of a Shiva linga . In most Jagannath temples in the eastern states of India, and all his major temples such as
6392-417: Is the elder brother Balarama , Jagannath is the younger brother Krishna , and Subhadra is the youngest sister. Balabhadra considered the elder brother of Jagannath is sometimes identified with and worshipped as Shiva . Subhadra now considered Jagannath's sister has also been considered as a deity who used to be Brahma . Finally the fourth deity, Sudarshana Chakra symbolizes the wheel of the sun's chariot,
6528-416: Is the great introducer of the ultra-modern style in modern Odia poetry. Others who took up this form were Godabarisha Mohapatra, Mayadhar Mansingh , Nityananda Mahapatra and Kunjabihari Dasa. Prabhasa Chandra Satpathi is known for his translations of some western classics apart from Udayanatha Shadangi, Sunanda Kara and Surendranatha Dwivedi. Criticism, essays and history also became major lines of writing in
6664-416: Is the great introducer of the ultra-modern style in modern Odia poetry. Others who took up this form were Godabarisha Mohapatra, Mayadhar Mansingh , Nityananda Mahapatra and Kunjabihari Dasa. Prabhasa Chandra Satpathi is known for his translations of some western classics apart from Udayanatha Shadangi, Sunanda Kara and Surendranatha Dwivedi. Criticism, essays and history also became major lines of writing in
6800-402: Is through the medieval era cult of Lakshmi- Narasimha . This hypothesis relies on the unusual flat head, curved mouth and large eyes of Jagannath, which may be an attempt to abstract an image of a lion's head ready to attack. While the tribal Narasimha theory is attractive states Starza, a weakness of this proposal is that the abstract Narasimha representation in the form does not appear similar to
6936-461: Is unclear. Some scholars interpret hymn 10.155.3 of the Rigveda as a possible origin, but others disagree and state that it is a syncretic/synthetic deity with tribal roots. The English word juggernaut was the rendition into English of "Jagannath" by early British in India, and came to mean a very large and unstoppable force from accounts of the famous Ratha Yatra processions in Puri . Jagannath
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#17330848891247072-538: Is worshipped in the bijamantra 'klim', which is also the bijamantra of Kali or Shakti. The representation of Balarama as Sheshanaga or Sankarsana bears testimony to the influence of Shaivism on the cult of Jagannath. The third deity, Devi Subhadra, who represents the Sakti element is still worshipped with the Bhuvaneshvari Mantra. The Tantric texts claim Jagannath to their own, to be Bhairava, and his companion to be
7208-504: The Avataras of Vishnu (Jagannath) manifest from him and after their cosmic play dissolute (bilaya) in him (Jagannath). According to them Jagannath is Sunnya Purusa, Nirakar and Niranjan who is ever present in Nilachala to do cosmic play ... The five Vaishnavite Sakhas ["Comrades"] of Orissa during Prataparudradeva's time expounded in their works the idea that Jagannath ( Purushottama )
7344-581: The Bhanja Age (also known as the Age of Riti Yuga) beginning with turn of the 18th century, verbally tricky Odia became the order of the day. Verbal jugglery and eroticism characterise the period between 1700 and 1850, particularly in the works of the era's eponymous poet Upendra Bhanja (1670–1720). Bhanja's work inspired many imitators, of which the most notable is Arakshita Das. Family chronicles in prose relating religious festivals and rituals are also characteristic of
7480-483: The Bhanja Age (also known as the Age of Riti Yuga) beginning with turn of the 18th century, verbally tricky Odia became the order of the day. Verbal jugglery and eroticism characterise the period between 1700 and 1850, particularly in the works of the era's eponymous poet Upendra Bhanja (1670–1720). Bhanja's work inspired many imitators, of which the most notable is Arakshita Das. Family chronicles in prose relating religious festivals and rituals are also characteristic of
7616-623: The Krishnaites , Jagannath is a form of Krishna , sometimes as the avatar of Vishnu. To some Shaiva and Shakta Hindus, he is a symmetry-filled tantric form of Bhairava , a fierce manifestation of Shiva associated with annihilation. The Jagannathism ( a.k.a. Odia Vaishnavism) — the particular sector of Jagannath as a major deity — emerged in the Early Middle Ages and later became an independent state regional temple-centered tradition of Krishnaism /Vaishnavism. The idol of Jagannath
7752-550: The Mahayana Buddhism traditions. Faxian (c. 400 CE), the ancient Chinese pilgrim and visitor to India wrote about a Buddhist procession in his memoir, and this has very close resemblances with the Jagannath festivities. Further the season in which the Ratha-Yatra festival is observed is about the same time when the historic public processions welcomed Buddhist monks for their temporary, annual monsoon-season retirement. There
7888-688: The Universal Declaration of Human Rights ( ମାନବିକ ଅଧିକାରର ସାର୍ବଜନୀନ ଘୋଷଣା ): Odia in the Odia script Odia in IAST Odia in the IPA Gloss Translation Google introduced the first automated translator for Odia in 2020. Microsoft too incorporated Odia in its automated translator later that year. Odia language Odia ( / ə ˈ d iː ə / ; ଓଡ଼ିଆ , ISO : Oṛiā , pronounced [oˈɽia] ; formerly rendered as Oriya )
8024-497: The relic worship associated with Jagannatha, a concept integral to Buddhism but alien to Hinduism. For example, there exists an unexamined relic in the Jagannath shrine in Puri, and the local legends state that the shrine relic contains a tooth of Gautama Buddha – a feature common to many cherished Theravada Buddhist shrines in and outside India. According to Datha-dhatu-vamsa , as mentioned in Culavamsa , Buddha's left canine tooth
8160-744: The 14th century, the poet Sarala Das wrote the Sarala Mahabharata, Chandi Purana, and Vilanka Ramayana, in praise of the goddess Durga . Rama-Bibaha, written by Arjuna Dasa, was the first long poem written in the Odia language. The following era is termed the Panchasakha Age and stretches until the year 1700. Notable religious works of the Panchasakha Age include those of Balarama Dasa , Jagannatha Dasa , Yasovanta, Ananta and Acyutananda . The authors of this period mainly translated, adapted, or imitated Sanskrit literature. Other prominent works of
8296-568: The 14th century, the poet Sarala Das wrote the Sarala Mahabharata, Chandi Purana, and Vilanka Ramayana, in praise of the goddess Durga . Rama-Bibaha, written by Arjuna Dasa, was the first long poem written in the Odia language. The following era is termed the Panchasakha Age and stretches until the year 1700. Notable religious works of the Panchasakha Age include those of Balarama Dasa , Jagannatha Dasa , Yasovanta, Ananta and Acyutananda . The authors of this period mainly translated, adapted, or imitated Sanskrit literature. Other prominent works of
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#17330848891248432-483: The 16th century. Sometimes one regards him as one of the avatars (incarnations) of Krishna (i.e., Buddha-Jagannath) or Vishnu (i.e., Vamana). His name does not appear in the traditional Dashavatara (ten avatars) of Vishnu, though in certain Odia literature , Jagannath has been treated as the avatar of Krishna, as a substitute for or the equivalent of the avatar Buddha from Dashavatara. Outside Vaishnava tradition, Jagannath
8568-513: The 9th day they are returned to the main temple. Coinciding with the Ratha Yatra festival at Puri, similar processions are organized at Jagannath temples throughout the world. During the festive public procession of Jagannath in Puri, hundreds of thousands of devotees visit Puri to see Jagganath in chariot. Jagannath is a Sanskrit word, compounded of jagat meaning "universe" and nātha meaning "Master" or "Lord". Thus, Jagannath means "lord of
8704-630: The Buddhist remains still existing. The idols of Jagannatha is believed to contain the bones of Krishna even though it forms no part of the Brahmanical religion to collect and adore dead men's bones while it is a most meritorious act among the Buddhists to collect and preserve the relics of departed saints, and the places that contain them are esteemed peculiarly holy. In Buddhism, preserving cetiya or skeletal parts such as "Buddha's tooth" or relics of dead saints
8840-839: The Head of the Odia department of Khallikote College, Berhampur, Chintamani Das was felicitated with the Sahitya Akademi Samman in 1970 for his outstanding contribution to Odia literature in general and Satyabadi Yuga literature in particular. Some of his well-known literary creations are 'Bhala Manisha Hua', 'Manishi Nilakantha', 'Kabi Godabarisha', 'Byasakabi Fakiramohan', 'Usha', 'Barabati'. 20th century writers in Odia include Pallikabi Nanda Kishore Bal , Gangadhar Meher , Chintamani Mahanti and Kuntala Kumari Sabat , besides Niladri Dasa and Gopabandhu Das . The most notable novelists were Umesa Sarakara, Divyasimha Panigrahi, Gopala Chandra Praharaj and Kalindi Charan Panigrahi . Sachi Kanta Rauta Ray
8976-727: The Head of the Odia department of Khallikote College, Berhampur, Chintamani Das was felicitated with the Sahitya Akademi Samman in 1970 for his outstanding contribution to Odia literature in general and Satyabadi Yuga literature in particular. Some of his well-known literary creations are 'Bhala Manisha Hua', 'Manishi Nilakantha', 'Kabi Godabarisha', 'Byasakabi Fakiramohan', 'Usha', 'Barabati'. 20th century writers in Odia include Pallikabi Nanda Kishore Bal , Gangadhar Meher , Chintamani Mahanti and Kuntala Kumari Sabat , besides Niladri Dasa and Gopabandhu Das . The most notable novelists were Umesa Sarakara, Divyasimha Panigrahi, Gopala Chandra Praharaj and Kalindi Charan Panigrahi . Sachi Kanta Rauta Ray
9112-597: The Hindu goddess Kali with it. However, states Starza, this theory is weak because the Anga pen features a bird or snake like attached head along with other details that make the tribal deity unlike the Jagannath. Some scholars such as Kulke and Tripathi have proposed tribal deities such as Stambhesveri or Kambhesvari to be a possible contributor to the Jagannath triad. However, according to Starza, these are not really tribal deities, but Shaiva deities adopted by tribes in eastern states of India. Yet another proposal for tribal origins
9248-449: The Hindus. According to Starza, the Jain influence on the Jagannath tradition is difficult to assess given the sketchy uncertain evidence, but nothing establishes that the Jagannath tradition has a Jain origin. The Vaishnava origin theories rely on the iconographic details and the typical presence of the triad of deities, based on original scriptures of Hinduism. The colors, state the scholars of
9384-469: The Jagannath cult, such as the supposed tooth relic of Buddha, the Ratha-Yatra , the absence of caste rules in the temple and the identification of Jagannath with Buddha avatar are not sufficient to establish a Buddhist origin of the worship of Jagannath. Indrabhuti , the ancient Buddhist king of Oddiyana , describes Jagannath as a Buddhist deity in Jñānasiddhi . This is the oldest known direct mention of
9520-466: The Jain context and was derived from Jinanath . Evidence of the Jain terminology such as of Kaivalya , which means moksha or salvation, is found in the Jagannath tradition. Similarly, the twenty two steps leading to the temple, called the Baisi Pahacha , have been proposed as symbolic reverence for the first 22 of the 24 Tirthankaras of Jainism. According to Annirudh Das, the original Jagannath deity
9656-510: The Odia language. Odia is the sixth Indian language to be designated a classical language , on the basis of having a long literary history and not having borrowed extensively from other languages. The earliest known inscription in Odia dates back to the 10th century CE. Odia is an Eastern Indo-Aryan language belonging to the Indo-Aryan language family. It descends from Odra Prakrit which itself evolved from Magadhi Prakrit . The latter
9792-457: The Odia language. Odia is the sixth Indian language to be designated a classical language , on the basis of having a long literary history and not having borrowed extensively from other languages. The earliest known inscription in Odia dates back to the 10th century CE. Odia is an Eastern Indo-Aryan language belonging to the Indo-Aryan language family. It descends from Odra Prakrit which itself evolved from Magadhi Prakrit . The latter
9928-442: The Odia language. Esteemed writers in this field were Professor Girija Shankar Ray, Pandit Vinayaka Misra, Professor Gauri Kumara Brahma, Jagabandhu Simha and Harekrushna Mahatab . Odia literature mirrors the industrious, peaceful and artistic image of the Odia people who have offered and gifted much to the Indian civilisation in the field of art and literature. Now Writers Manoj Das 's creations motivated and inspired people towards
10064-442: The Odia language. Esteemed writers in this field were Professor Girija Shankar Ray, Pandit Vinayaka Misra, Professor Gauri Kumara Brahma, Jagabandhu Simha and Harekrushna Mahatab . Odia literature mirrors the industrious, peaceful and artistic image of the Odia people who have offered and gifted much to the Indian civilisation in the field of art and literature. Now Writers Manoj Das 's creations motivated and inspired people towards
10200-405: The Puri, Odisha, Jagannath is included with his brother Balabhadra and sister Subhadra . Apart from the principal companion deities, the Jagannath icon shows a Sudarshana Chakra and sometimes under the umbrella cover of multiheaded Sesha Naga, both linking him to Vishnu . When shown with Balabhadra and Subhadra, he is identifiable from his circular eyes compared to the oval or almond shape of
10336-463: The Vaishnava origin theory, link to black-colored Krishna and white-colored Balarama. They add that the goddess originally was Ekanamsa (Durga of Shaiva-Shakti tradition, sister of Krishna through his foster family). She was later renamed to Shubhadra (Lakshmi) per Vaishnava terminology for the divine feminine. It is certainly true that the Vaishnava Hindus in the eastern region of India worshipped
10472-566: The Vaisnava mythic hierarchy. But in the opening chapter of his Gita Govinda , the poet Jayadeva claims that Vishnu reincarnated as the Buddha to condemn the animal sacrifices prevalent in Vedic times. In the Jagannath cult, Jagannath is sometimes represented as the ninth avatar of Vishnu substituting Buddha, when it could have been substituted for any other avatar. According to Starza, these manifestation of
10608-823: The belief that Indrabhuti was the king of Odisha which is same as Oddiyana or Odra- pitha , of which the main deities are Jagganath and Viraja. Some scholars argue that evidences of Jagannatha's Buddhist nature are found from Medieval Odia Literature. Many medieval Odia poets suggest to their readers, that they wrote their books on the commands of a formless god-like personality, identifying the Buddhist principles of Sunya (The great void) and Alekha (The formless one) with Jagannath himself. The idols of Jagannath triad are not anthropomorphic like hindu idols, but instead are stumps of wood with crude symbolic facial features and stumpy obtrusions for limbs. Odia poet Sarala Dasa of 15th century in his Mahabharata describes Jagannatha as Buddha but not as any other avatar of Vishnu: He remains in
10744-409: The book form. Brajabandhu Mishra's Basanta Malati, which came out from Bamanda, depicts the conflict between a poor but highly educated young man and a wealthy and highly egoistic young woman whose conjugal life is seriously affected by ego clashes. Through a story of union, separation and reunion, the novelist delineates the psychological state of a young woman in separation from her husband and examines
10880-409: The book form. Brajabandhu Mishra's Basanta Malati, which came out from Bamanda, depicts the conflict between a poor but highly educated young man and a wealthy and highly egoistic young woman whose conjugal life is seriously affected by ego clashes. Through a story of union, separation and reunion, the novelist delineates the psychological state of a young woman in separation from her husband and examines
11016-439: The chieftain would leave the house every evening, and only return the following noon. At his urging, Lalita revealed to him that these were her father's visits to the shrine of Nilamadhava, whose location was held secret within the community. Vidyapati persuaded his wife to ask Vishvavasu to take him along to see the image of the deity. The chieftain agreed to take Vidyapati with him, but on the condition that he be blindfolded during
11152-535: The correct context of the hymn is "Alaxmi Stava" of Arayi. According to Bijoy Misra, Puri natives do call Jagannatha as Purushottama, consider driftwood a savior symbol, and later Hindu texts of the region describe the Supreme Being as ever present in everything, pervasive in all animate and inanimate things. Therefore, while the Vedic connection is subject to interpretation, the overlap in the ideas exist. Theories suggesting Buddhist origins of Jagannatha stems from
11288-591: The deity. This is not unique to the coastal state of Odisha, but possibly also influenced Buddhism in Nepal and Tibet . Shakyamuni Buddha is also worshipped as Jagannath in Nepal. Abhinav Patra argues that it has not been historically ascertained whether the deity Jagannath as worshipped by Indrabhuti was just a coincidental homonym with the present Jagannath or referred to the same deity. The 10th century era text Kubjikāmatatantra , mentions Viraja (ancient capital of Utkala ) as
11424-473: The earliest trace of the script being dated to 1051 AD. Odia is a syllabic alphabet, or an abugida, wherein all consonants have an inherent vowel. Diacritics (which can appear above, below, before, or after the consonant they belong to) are used to change the form of the inherent vowel. When vowels appear at the beginning of a syllable, they are written as independent letters. Also, when certain consonants occur together, special conjunct symbols are used to combine
11560-473: The earliest trace of the script being dated to 1051 AD. Odia is a syllabic alphabet, or an abugida, wherein all consonants have an inherent vowel. Diacritics (which can appear above, below, before, or after the consonant they belong to) are used to change the form of the inherent vowel. When vowels appear at the beginning of a syllable, they are written as independent letters. Also, when certain consonants occur together, special conjunct symbols are used to combine
11696-598: The essential parts of each consonant symbol. The curved appearance of the Odia script is a result of the practice of writing on palm leaves, which have a tendency to tear if too many straight lines are used. The earliest literature in Odia can be traced to the Charyapadas, composed in the 7th to 9th centuries. Before Sarala Das, the most important works in Odia literature are the Shishu Veda, Saptanga, Amara Kosha, Rudrasudhanidhi , Kesaba Koili , Kalasa Chautisa, etc. In
11832-490: The essential parts of each consonant symbol. The curved appearance of the Odia script is a result of the practice of writing on palm leaves, which have a tendency to tear if too many straight lines are used. The earliest literature in Odia can be traced to the Charyapadas, composed in the 7th to 9th centuries. Before Sarala Das, the most important works in Odia literature are the Shishu Veda, Saptanga, Amara Kosha, Rudrasudhanidhi , Kesaba Koili , Kalasa Chautisa, etc. In
11968-448: The first to view the new replacement images of Jagannath carved from wood approximately every 12 years. Further, this group is traditionally accepted to have the exclusive privilege of serving the principal meals and offerings to Jagannath and his associate deities. According to Verrier Elwin , a convert to Hinduism, Jagannatha in a local legend was a tribal deity who was coopted by a Brahmin priest. The original tribal deity, states Elwin,
12104-483: The goddess of Oddiyana, with which Indrabhuti's son Padmasambhava is associated with. The Saddharmapundarika records a prophecy in which the Lord assures Śāriputra , that he would be in a distant future time a Buddha under the name of Padmaprabha, and that his place of enlightenment would be Viraja. Padmasambhava and Tārā, along with other deities are invoked in an inscription of 25 lines incised in nail-headed characters of
12240-477: The great writers in the 20th century was Pandit Krushna Chandra Kar (1907–1995) from Cuttack, who wrote many books for children like Pari Raija, Kuhuka Raija, Panchatantra, Adi Jugara Galpa Mala , etc. He was last felicitated by the Sahitya Academy in 1971–72 for his contributions to Odia literature, development of children's fiction, and biographies. One of the prominent writers of the 20th and 21st centuries
12376-419: The great writers in the 20th century was Pandit Krushna Chandra Kar (1907–1995) from Cuttack, who wrote many books for children like Pari Raija, Kuhuka Raija, Panchatantra, Adi Jugara Galpa Mala , etc. He was last felicitated by the Sahitya Academy in 1971–72 for his contributions to Odia literature, development of children's fiction, and biographies. One of the prominent writers of the 20th and 21st centuries
12512-528: The images of Narasimha in nearby Konark and Kalinga temple artworks. In contemporary Odisha, there are many Dadhivaman temples with a wooden pillar god, and this may be same as Jagannath. According to H.S. Patnaik and others, Jagannath is a syncretic/synthetic deity that combined aspects of major faiths like Shaivism , Shaktism , Vaishnavism , Jainism , and Buddhism . Krishnaite sampradayas, as example, Gaudiya Vaishnavas, have identified him strongly with Krishna. In Gaudiya Vaishnava tradition, Balabhadra
12648-443: The journey so that the shrine's location remained undisclosed. Lalita helped her husband devise a plan: Vidyapati brought a bag of mustard seeds with him, scattering them all along the path to the shrine present in a cave, bearing witness to the deep blue image of Nilamadhava. Returning to Avanti, he reported his discovery of the shrine to Indradyumna. After a few months, following the mustards seeds that had since germinated into plants,
12784-419: The king and his retinue travelled to the shrine, unable to locate the image. After praying to Vishnu for three days and nights, they heard the deity's voice thunder from the heavens, rebuking them for their scheme and informing them of his omnipresence. He announced that he would manifest as a dāru (wooden image) floating by the sea. He instructed them to construct a new temple upon a mountain that stood beside
12920-539: The late 8th-9th century on the back of an image of Lokeśvara / Mahākaruṇā at Udaygiri not far from Jajpur, which states that a stupa with a relic inside and dwelt in by the Tathāgata was set up on that very spot. The stupa is believed to have contained the relics of Padmasambhava. Though the site is only partially excavated, at least one stupa has been unearthed. According to Nabin Kumar Sahu, this mass of evidence, supports
13056-522: The other two abstract icons. Further, his icon is dark, while Balabhadra's face is white, and Subhadra's icon is yellow. The third difference is the flat head of Jagannath icon, compared to semi-circular carved heads of the other two. They are accompanied by the Sudarshana Chakra, the iconic weapon of Vishnu. It is approximately the same height as Balabhadra, is red in colour, carved from a wooden pillar and clothed, unlike its traditional representation as
13192-423: The palace of Sri Ram. The tribal origin theories rely on circumstantial evidence and inferences such as the Jagannath icon is non-anthropomorphic and non-zoomorphic. The hereditary priests in the Jagannath tradition of Hinduism include non-Brahmin servitors, called Daitas , which may be an adopted grandfathered practice with tribal roots. The use of wood as a construction material for the Jagannath icons may also be
13328-650: The period include the Usabhilasa of Sisu Sankara Dasa, the Rahasya Manjari of Debadurlabha Dasa and the Rukmini Bibha of Kartika Dasa. A new form of novels in verse evolved during the beginning of the 17th century when Ramachandra Pattanayaka wrote Harabali . Other poets, like Madhusudana, Bhima Dhibara, Sadasiba and Sisu Iswara Dasa composed another form called kavyas (long poems) based on themes from Puranas, with an emphasis on plain, simple language. However, during
13464-486: The period include the Usabhilasa of Sisu Sankara Dasa, the Rahasya Manjari of Debadurlabha Dasa and the Rukmini Bibha of Kartika Dasa. A new form of novels in verse evolved during the beginning of the 17th century when Ramachandra Pattanayaka wrote Harabali . Other poets, like Madhusudana, Bhima Dhibara, Sadasiba and Sisu Iswara Dasa composed another form called kavyas (long poems) based on themes from Puranas, with an emphasis on plain, simple language. However, during
13600-554: The period. The first Odia printing typeset was cast in 1836 by Christian missionaries. Although the handwritten Odia script of the time closely resembled the Bengali and Assamese scripts , the one adopted for the printed typesets was significantly different, leaning more towards the Tamil script and Telugu script . Amos Sutton produced an Oriya Bible (1840), Oriya Dictionary (1841–43) and An Introductory Grammar of Oriya (1844). Odia has
13736-458: The period. The first Odia printing typeset was cast in 1836 by Christian missionaries. Although the handwritten Odia script of the time closely resembled the Bengali and Assamese scripts , the one adopted for the printed typesets was significantly different, leaning more towards the Tamil script and Telugu script . Amos Sutton produced an Oriya Bible (1840), Oriya Dictionary (1841–43) and An Introductory Grammar of Oriya (1844). Odia has
13872-462: The physical appearance of the deity, names like Kalia (କାଳିଆ) ("The Black-coloured Lord", but which can also mean "the Timely One"), Darubrahman (ଦାରୁବ୍ରହ୍ମ) ("The Sacred Wood-Riddle"), Dāruēdebatā ( ଦାରୁ ଦେବତା "The wooden god"), Chakā ākhi ( ଚକା ଆଖି ) or Chakānayan ( ଚକା ନୟନ "With round eyes"), Cakāḍōḷā ( ଚକା ଡୋଳା "with round pupils") are also in vogue. According to Dina Krishna Joshi,
14008-678: The same as goddess Vimala is the Shakti. The offerings of Jagannath becomes mahaprasad only after it is re-offered to goddess Vimala. Similarly, different Tantric features of yantras have been engraved on the Ratna vedi, where Jagannath, Balabhadra, and Subhadra are set up. The Kalika Purana depicts Jagannath as a Tantric deity. According to Avinash Patra, the rituals and special place accepted for non-Brahmin Daitas priests in Jagannath tradition, who co-exist and work together with Brahmin priests suggests that there
14144-413: The same time the modern drama took birth in the works of Rama Sankara Ray beginning with Kanci-Kaveri (1880). Among the contemporaries of Fakir Mohan, four novelists deserve special mention: Aparna Panda, Mrutyunjay Rath, Ram Chandra Acharya and Brajabandhu Mishra. Aparna Panda's Kalavati and Brajabandhu Mishra's Basanta Malati were both published in 1902, the year in which Chha Mana Atha Guntha came out in
14280-413: The same time the modern drama took birth in the works of Rama Sankara Ray beginning with Kanci-Kaveri (1880). Among the contemporaries of Fakir Mohan, four novelists deserve special mention: Aparna Panda, Mrutyunjay Rath, Ram Chandra Acharya and Brajabandhu Mishra. Aparna Panda's Kalavati and Brajabandhu Mishra's Basanta Malati were both published in 1902, the year in which Chha Mana Atha Guntha came out in
14416-455: The seashore for his worship. In the Skanda Purana , by the time Vidyapati returned to inform the king of the site of the shrine, a great storm had buried the image of Nilamadhava under the sand. Despite his best attempts, the king was unable to locate the image. Upon the counsel of the sage divinity Narada , Indradyumna constructed a new temple, and performed a thousand ashvamedha yajnas at
14552-504: The second official language of Jharkhand. The Odia language has various dialects varieties, including the Baleswari Odia (Northern dialect), Kataki (central dialect), Ganjami Odia (Southern dialect), Sundargadi Odia (Northwestern dialect), Sambalpuri (Western dialect), Desia (South-western dialect) and Tribal Community dialects who spoken by the tribals groups in Odisha who adopted
14688-399: The second official language of Jharkhand. The Odia language has various dialects varieties, including the Baleswari Odia (Northern dialect), Kataki (central dialect), Ganjami Odia (Southern dialect), Sundargadi Odia (Northwestern dialect), Sambalpuri (Western dialect), Desia (South-western dialect) and Tribal Community dialects who spoken by the tribals groups in Odisha who adopted
14824-467: The significance of marriage as a social institution in traditional Indian society. Ram Chandra Acharya wrote about seven novels during 1924–1936. All his novels are historical romances based on the historical events in Rajasthan, Maharashtra and Odisha. Mrutyunjay Rath's novel, Adbhuta Parinama, published in 1915, centres round a young Hindu who gets converted to Christianity to marry a Christian girl. One of
14960-415: The significance of marriage as a social institution in traditional Indian society. Ram Chandra Acharya wrote about seven novels during 1924–1936. All his novels are historical romances based on the historical events in Rajasthan, Maharashtra and Odisha. Mrutyunjay Rath's novel, Adbhuta Parinama, published in 1915, centres round a young Hindu who gets converted to Christianity to marry a Christian girl. One of
15096-482: The site. Receiving guidance in the form of a divine dream, a great tree floating in the sea was felled and used to create the three wooden images of the temple, those of Jagannatha, Balarama , and Subhadra . The king travelled to Brahmaloka to invite Brahma to inaugurate the temple. With the passage of time, a king named Gala claimed to have been the temple's real architect, but with the return of Indradyumna to earth, he withdrew this claim. After Brahma had inaugurated
15232-456: The state of India According to the 2011 census, there are 37.52 million Odia speakers in India , making up 3.1% of the country's population. Among these, 93% reside in Odisha. Odia is also spoken in neighbouring states such as Chhattisgarh (913,581), Jharkhand (531,077), Andhra Pradesh (361,471), and West Bengal (162,142). Due to worker migration as tea garden workers in colonial India, northeastern states Assam and Tripura have
15368-456: The state of India According to the 2011 census, there are 37.52 million Odia speakers in India , making up 3.1% of the country's population. Among these, 93% reside in Odisha. Odia is also spoken in neighbouring states such as Chhattisgarh (913,581), Jharkhand (531,077), Andhra Pradesh (361,471), and West Bengal (162,142). Due to worker migration as tea garden workers in colonial India, northeastern states Assam and Tripura have
15504-628: The sun and the other the moon, features traceable in 17th-century paintings. He is shown with an Urdhva Pundra , the Vaishnava U-shaped mark on his forehead. His dark color and other facial features are an abstraction of the cosmic form of the Hindu god Krishna, states Starza. In some contemporary Jagannath temples, two stumps pointing forward in an embracing position represent his hands. In some exceptional medieval and modern era paintings in museums outside India, such as in Berlin states Starza, Jagannath
15640-457: The temple, Indradyumna returned to Brahmaloka, entrusting the upkeep of the site to Gala. In hymn 10.155 of the Rigveda , there is mention of a Daru (wooden log) floating in the ocean as apurusham . Acharya Sayana interpreted the term apurusham as same as Purushottama and this Dara wood log being an inspiration for Jagannath, thus placing the origin of Jagannath in 2nd millennium BCE. Other scholars refute this interpretation stating that
15776-610: The throne inside the temple, holding the Conch and Discus in the form of Buddha. Salute thee Sri Jagannath the revered One whose domain is the Blue Hills, he sits pretty as Sri Buddha there in the Blue Cavern. Pandit Nilakantha Das suggested that Jagannath was a deity of Jain origin because of the appending of Nath to many Jain Tirthankars . He felt Jagannath meant the 'World personified' in
15912-558: The tradition of Jagannath overlap with the rites and doctrines of Tantrism and Shaktism . According to the Shaivas, Jagannath is Bhairava. The Shiva Purana mentions Jagannatha as one of the 108 names of Shiva. The Tantric literary texts identify Jagannath with Mahabhairava. Another evidence that supports syncretism thesis is the fact that Jagannath sits on the abstract tantric symbols of the Shri Yantra . Further, his Shri Chakra ("holy wheel")
16048-539: The triad of Balarama, Ekanamsa and Krishna. There are many scriptural references to support the same. Further, in many Jagannath temples of central and eastern regions of India, the Shiva icons such as the Linga-yoni are reverentially incorporated, since Lord Shiva is a Vaishnav according to the conclusion of Srimad Bhagavatam, he protects Sri Jagannath Temple from external calamities, just like he does so in his form of Hanuman for
16184-555: The triad, Balabhadra is also considered to be Shiva and Subhadra , a manifestation of Durga . In the Markandeya Purana the sage Markandeya declared that Purushottama Jagannath and Shiva are one. Jagannath in his Hathi Besha or Gaja Besha (elephant form) has been venerated by devotees like Ganapati Bappa of Maharashtra as Ganesha . According to the Purushottama Kshetra Mahatmya (part of Vaiṣṇava Khaṇḍa ,
16320-456: The universe". Jagannatha, according to them is a generic term, not unique, as much as Lokanatha or Avalokiteswara. ln fact, the name Jagannatha could be applied to any Deity which is considered supreme. In the Odia language , Jagannath is linked to other names, such as Jagā (ଜଗା) or Jagabandhu (ଜଗବନ୍ଧୁ) ("Friend of the Universe"). Both names derive from Jagannath . Further, on the basis of
16456-546: The word may have origins in the tribal word Kittung of the Sora people (Savaras). This hypothesis states that the Vedic people as they settled into tribal regions adopted the tribal words and called the deity Jagannath. According to O.M. Starza, this is unlikely because Kittung is phonetically unrelated, and the Kittung tribal deity is produced from burnt wood and looks very different from Jagannath. The icon of Jagannath in his temples
16592-747: The world, bringing the number of Odia speakers worldwide to 50 million. It has a significant presence in eastern countries, such as Thailand and Indonesia , mainly brought by the sadhaba , ancient traders from Odisha who carried the language along with the culture during the old-day trading , and in western countries such as the United States , Canada , Australia and England . The language has also spread to Burma , Malaysia , Fiji , Mauritius , Bangladesh , Sri Lanka and Middle East countries. Minor regional dialects Minor sociolects Odia minor dialects include: Odia has 30 consonant phonemes, 2 semivowel phonemes and 6 vowel phonemes. Length
16728-692: The world, bringing the number of Odia speakers worldwide to 50 million. It has a significant presence in eastern countries, such as Thailand and Indonesia , mainly brought by the sadhaba , ancient traders from Odisha who carried the language along with the culture during the old-day trading , and in western countries such as the United States , Canada , Australia and England . The language has also spread to Burma , Malaysia , Fiji , Mauritius , Bangladesh , Sri Lanka and Middle East countries. Minor regional dialects Minor sociolects Odia minor dialects include: Odia has 30 consonant phonemes, 2 semivowel phonemes and 6 vowel phonemes. Length
16864-529: The younger brother of his royal priest, or sometimes a minister, Vidyapati, to locate the site of the deity's image in the Nilagiri region. Regional folklore states that the priest was welcomed by Vishvavasu, the chieftain of the Savara people. During the duration of his stay in the chieftain's house, the latter's daughter, Lalita, fell in love with him. Upon the chieftain's request, Vidyapati married her. He noticed that
17000-516: Was Kittung which too is made from wood. According to the Polish Indologist Olgierd M. Starza, this is an interesting parallel but a flawed one because the Kittung deity is produced by burning a piece of wood and too different in its specifics to be the origin of Jagannath. According to another proposal by Stella Kramrisch , log as a symbol of Anga pen deity is found in central Indian tribes and they have used it to represent features of
17136-459: Was Muralidhar Mallick (1927–2002). His contribution to Historical novels is beyond words. He was last felicitated by the Sahitya Academy in the year 1998 for his contributions to Odia literature. His son Khagendranath Mallick (born 1951) is also a writer. His contribution towards poetry, criticism, essays, story and novels is commendable. He was the former President of Utkal Kala Parishad and also former President of Odisha Geeti Kabi Samaj. Presently he
17272-459: Was Muralidhar Mallick (1927–2002). His contribution to Historical novels is beyond words. He was last felicitated by the Sahitya Academy in the year 1998 for his contributions to Odia literature. His son Khagendranath Mallick (born 1951) is also a writer. His contribution towards poetry, criticism, essays, story and novels is commendable. He was the former President of Utkal Kala Parishad and also former President of Odisha Geeti Kabi Samaj. Presently he
17408-696: Was a synthesis of tribal and Brahmanical traditions. According to the Jain version, the image of Jagannath (black colour) represents sunya, Subhadra symbolises creative energy and Balabhadra (white colour) represents the phenomenal universe. All these images have evolved from the Nila Madhava, the ancient Kalinga Jina. The "Sudarshana Chakra" is contended to be the Hindu name of the Dharma Chakra of Jaina symbol. Odia language Odia ( / ə ˈ d iː ə / ; ଓଡ଼ିଆ , ISO : Oṛiā , pronounced [oˈɽia] ; formerly rendered as Oriya )
17544-633: Was assimilated as Vishnu's ninth avatar in Vishnu Puran as a divinely incarnated purveyor of illusion. It states that Vishnu's "descent" as the Buddhavatara was accomplished so that the wicked and demonic could be only further misled away from the truth in kali yuga . This assimilation and the consequent disingenuous interpretation or rationale for his inclusion aptly articulate the considerable ambivalence characteristic of Hindu attitudes towards Buddhism, undermining his historicity, to make him an appendage of
17680-555: Was handed over to Brahmadatta by a disciple, which eventually gave rise to dissensions between the kings of Kalinga and Pataliputra in 3rd century CE, and the tooth relic was shifted to Sri Lanka by weighing anchor in Tamralipta . According to Ganguly, it is absurd to imagine that the prince chose the farthest harbor from the capital even though there were intermediate harbors from which it would have been easier to set out on his voyage. Buddhism anciently prevailed in Odisha as appears from
17816-627: Was influenced by Jainism and is none other than the Jina of Kalinga taken to Magadha by Mahapadma Nanda . The theory of Jain origins is supported by the Jain Hathigumpha inscription . It mentions the worship of a relic memorial in Khandagiri-Udayagiri, on the Kumara hill. This location is stated to be same as the Jagannath temple site. However, states Starza, a Jain text mentions the Jagannath shrine
17952-555: Was particularly influential on the written form of the language. Another of the Panchasakha, Matta Balarama Dasa transcreated the Ramayana in Odia, titled Jagamohana Ramayana . Odia has had a strong tradition of poetry, especially devotional poetry. Other eminent Odia poets include Kabi Samrat Upendra Bhanja , Kabisurjya Baladeba Ratha , Banamali Dasa , Dinakrusna Dasa and Gopalakrusna Pattanayaka . Classical Odia literature
18088-450: Was particularly influential on the written form of the language. Another of the Panchasakha, Matta Balarama Dasa transcreated the Ramayana in Odia, titled Jagamohana Ramayana . Odia has had a strong tradition of poetry, especially devotional poetry. Other eminent Odia poets include Kabi Samrat Upendra Bhanja , Kabisurjya Baladeba Ratha , Banamali Dasa , Dinakrusna Dasa and Gopalakrusna Pattanayaka . Classical Odia literature
18224-456: Was restored by Jains, but the authenticity and date of this text is unclear. Another circumstantial evidence supporting the Jain origins proposal is the discovery of Jain images inside as well as near the massive Puri temple complex, including those carved into the walls. However, this could also be a later addition, or suggestive of tolerance, mutual support or close relationship between the Jains and
18360-407: Was spoken in east India over 1,500 years ago, and is the primary language used in early Jain and Buddhist texts. Odia appears to have had relatively little influence from Persian and Arabic , compared to other major Indo-Aryan languages. The history of the Odia language is divided into eras: Jayadeva was a Sanskrit poet. He was born in an Utkala Brahmin family of Puri around 1200 CE. He
18496-407: Was spoken in east India over 1,500 years ago, and is the primary language used in early Jain and Buddhist texts. Odia appears to have had relatively little influence from Persian and Arabic , compared to other major Indo-Aryan languages. The history of the Odia language is divided into eras: Jayadeva was a Sanskrit poet. He was born in an Utkala Brahmin family of Puri around 1200 CE. He
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