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101-623: The London Sinfonietta is an English contemporary chamber orchestra founded in 1968 and based in London . The ensemble has headquarters at Kings Place and is Resident Orchestra at the Southbank Centre . Since its inaugural concert in 1968—giving the world premiere of Sir John Tavener ’s The Whale —the London Sinfonietta's commitment to making new music has seen it commission over 300 works, and premiere many hundreds more. The core of

202-678: A US-born writer. This second marriage ended in 2004, and in 2008 Rattle married the Czech mezzo-soprano Magdalena Kožená . The couple live in Berlin and have two sons and a daughter. Rattle is a member of the Incorporated Society of Musicians and a fan of Liverpool Football Club . Rattle announced in January 2021 that he had applied for German citizenship , describing it as "an absolute necessity" for him in order to continue to work freely around

303-401: A conversation, often truly beautiful, often oddly and turbidly woven, among four people." Their awareness is exemplified by composer and virtuoso violinist Louis Spohr . Spohr divided his 36 string quartets into two types: the quatuor brillant , essentially a violin concerto with string trio accompaniment; and quatuor dialogue , in the conversational tradition. During the 19th century, with

404-585: A film project with Mark-Anthony Turnage 's Blood on the Floor . He has also continued to champion contemporary music in Berlin. The orchestra has established its first education department during Rattle's tenure. Criticism of Rattle's tenure with the Berlin Philharmonic began to appear after their first season together, and continued in their second season. Rattle himself stated in 2005 that his relationship with

505-410: A full orchestral section. J. S. Bach: Trio sonata on YouTube from The Musical Offering , played by Ensemble Brillante Baroque chamber music was often contrapuntal ; that is, each instrument played the same melodic materials at different times, creating a complex, interwoven fabric of sound. Because each instrument was playing essentially the same melodies, all the instruments were equal. In

606-567: A giant of Western music. Beethoven transformed chamber music, raising it to a new plane, both in terms of content and in terms of the technical demands on performers and audiences. His works, in the words of Maynard Solomon , were "...the models against which nineteenth-century romanticism measured its achievements and failures." His late quartets , in particular, were considered so daunting an accomplishment that many composers after him were afraid to try composing quartets; Johannes Brahms composed and tore up 20 string quartets before he dared publish

707-423: A hall and collecting the receipts from the performance. Increasingly, they wrote chamber music not only for rich patrons, but for professional musicians playing for a paying audience. At the beginning of the 19th century, luthiers developed new methods of constructing the violin , viola and cello that gave these instruments a richer tone, more volume, and more carrying power. Also at this time, bowmakers made

808-454: A hundred string quartets, and more than one hundred quintets for two violins, viola and two cellos. In this innovative ensemble, later used by Schubert , Boccherini gives flashy, virtuosic solos to the principal cello, as a showcase for his own playing. Violinist Carl Ditters von Dittersdorf and cellist Johann Baptist Wanhal , who both played pickup quartets with Haydn on second violin and Mozart on viola, were popular chamber music composers of

909-609: A keyboard instrument (harpsichord or organ) or by a string quartet or a string orchestra . The instrumentation of trio sonatas was also often flexibly specified; some of Handel's sonatas are scored for " German flute , Hoboy [oboe] or Violin" Bass lines could be played by violone , cello , theorbo , or bassoon , and sometimes three or four instruments would join in the bass line in unison. Sometimes composers mixed movements for chamber ensembles with orchestral movements. Telemann's 'Tafelmusik' (1733), for example, has five sets of movements for various combinations of instruments, ending with

1010-462: A movement that contended that "pure music" had run its course with Beethoven, and that new, programmatic forms of music –in which music created "images" with its melodies–were the future of the art. The composers of this school had no use for chamber music. Opposing this view was Johannes Brahms and his associates, especially the powerful music critic Eduard Hanslick . This War of the Romantics shook

1111-630: A music lover and amateur baryton player, for whom Haydn wrote many of his string trios. Mozart wrote three string quartets for the King of Prussia, Frederick William II , a cellist. Many of Beethoven's quartets were first performed with patron Count Andrey Razumovsky on second violin. Boccherini composed for the king of Spain. With the decline of the aristocracy and the rise of new social orders throughout Europe, composers increasingly had to make money by selling their compositions and performing concerts. They often gave subscription concerts, which involved renting

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1212-428: A performance of Gustav Mahler 's Symphony No. 6 . In 1999, Rattle was appointed as successor to Claudio Abbado as the orchestra's principal conductor. The appointment was decided on in a 23 June vote by the orchestra's members. At the time the vote was considered somewhat controversial, as several members of the orchestra were earlier reported to have preferred Daniel Barenboim for the post. Nevertheless, Rattle won

1313-416: A range of conductors, not least its past music directors David Atherton, Markus Stenz and Oliver Knussen. It has had long-standing relationships with Sir Simon Rattle (in his early career), Elgar Howarth , Diego Masson , George Benjamin and Martyn Brabbins . It now appears regularly with Thierry Fischer , Sian Edwards , Baldur Bronnimann and André de Ridder . The Sinfonietta is a resident ensemble of

1414-500: A recording of Mahler's Second Symphony winning several awards on its release. He has also championed much contemporary music , an example of this being the 1996 TV series Leaving Home , where he presents a 7-part survey of musical styles and conductors with excerpts recorded by the CBSO. Other recordings in Berlin have included Dvořák tone poems, Mahler's Symphony No. 9 and Claude Debussy 's La Mer . The Gramophone Magazine praised

1515-492: A recording of Mahler's unfinished Symphony No. 10 in 2000. The French Government awarded him the honour of Chevalier de la Légion d'honneur in 2010. Rattle was elected to the inaugural Gramophone Hall of Fame in 2012. Rattle's first marriage was to Elise Ross, an American soprano, with whom he had two sons: Sacha, who is a clarinettist, and Eliot, who is a painter. They were divorced in 1995 after 15 years of marriage. In 1996, he married his second wife, Candace Allen ,

1616-424: A strong connection with the community. Composers were in high favor with orchestral works and solo virtuosi works, which made up the largest part of the public concert repertoire. Early French composers including Camille Saint-Saëns and César Franck . Apart from the "central" Austro-Germanic countries, there was an occurrence of the subculture of chamber music in other regions such as Britain. There chamber music

1717-475: A type of music to be played as much as performed. Amateur quartet societies sprang up throughout Europe, and no middling-sized city in Germany or France was without one. These societies sponsored house concerts , compiled music libraries, and encouraged the playing of quartets and other ensembles. In European countries, in particular Germany and France, like minded musicians were brought together and started to develop

1818-635: A wealthy Jewish family in Hamburg, Mendelssohn proved himself a child prodigy. By the age of 16, he had written his first major chamber work, the String Octet, Op. 20 . Already in this work, Mendelssohn showed some of the unique style that was to characterize his later works; notably, the gossamer light texture of his scherzo movements, exemplified also by the Canzonetta movement of the String Quartet, Op. 12 , and

1919-434: A work that he felt was worthy of the "giant marching behind". Beethoven made his formal debut as a composer with three Piano Trios, Op. 1 . Even these early works, written when Beethoven was only 22, while adhering to a strictly classical mold, showed signs of the new paths that Beethoven was to forge in the coming years. When he showed the manuscript of the trios to Haydn, his teacher, prior to publication, Haydn approved of

2020-614: Is a British conductor with German citizenship. He rose to international prominence during the 1980s and 1990s, while music director of the City of Birmingham Symphony Orchestra (1980–1998). Rattle was principal conductor of the Berlin Philharmonic from 2002 to 2018, and music director of the London Symphony Orchestra from 2017 to 2023. He has been chief conductor of Bavarian Radio Symphony Orchestra since September 2023. Among

2121-432: Is a long, lyrical solo for cello in the second movement, giving the cello a new type of voice in the quartet conversation. And the last movement of Op. 18, No. 6, "La Malincolia", creates a new type of formal structure, interleaving a slow, melancholic section with a manic dance. Beethoven was to use this form in later quartets, and Brahms and others adopted it as well. Beethoven: Quartet, Op. 59, No. 3 , played by

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2222-605: The BBC Proms . Its concerts in London are complemented by a national and international touring schedule. International visits include the Time of Music festival in Finland , 2023. The Sinfonietta's acclaimed discography includes seminal recordings of many 20th-century classics, including the premiere recording of Hans Werner Henze 's song cycle Voices under the baton of the composer. The ensemble

2323-636: The Baroque – two treble instruments and a bass instrument , often with a keyboard or other chording instrument ( harpsichord , organ , harp or lute , for example) filling in the harmony. Both the bass instrument and the chordal instrument would play the basso continuo part. During the Baroque period, chamber music as a genre was not clearly defined. Often, works could be played on any variety of instruments, in orchestral or chamber ensembles. The Art of Fugue by Johann Sebastian Bach , for example, can be played on

2424-406: The Baroque era , the harpsichord was one of the main instruments used in chamber music. The harpsichord used quills to pluck strings, and it had a delicate sound. Due to the design of the harpsichord, the attack or weight with which the performer played the keyboard did not change the volume or tone. Between about 1750 and the late 1700s, the harpsichord gradually fell out of use. By the late 1700s,

2525-535: The Britart movement, together with the state funding of culture in the UK. Since his appointment, Rattle has reorganised the Berlin Philharmonic into a foundation, meaning its activities are more under the control of the members rather than politicians. He has also ensured that orchestra members' wages have increased quite dramatically, after falling over the previous few years. He gave his first concert as principal conductor of

2626-653: The Classic Brit Awards . Simon Rattle was born in Liverpool , England, the son of Pauline Lila Violet (née Greening) and Denis Guttridge Rattle, a lieutenant in the Royal Naval Volunteer Reserve during World War II . He was educated at Liverpool College . Although Rattle studied piano and violin, his early work with orchestras was as a percussionist for the Merseyside Youth Orchestra (now

2727-463: The Große Fuge , of the late quartets, as, "...this absolutely contemporary piece of music that will be contemporary forever." The string quartets 1–6, Op. 18 , were written in the classical style, in the same year that Haydn wrote his Op. 76 string quartets . Even here, Beethoven stretched the formal structures pioneered by Haydn and Mozart. In the quartet Op. 18, No. 1, in F major, for example, there

2828-619: The Joachim Quartet , led by Joseph Joachim , debuted many of the new string quartets by Brahms and other composers. Another famous quartet player was Vilemina Norman Neruda , also known as Lady Hallé. Indeed, during the last third of the century, women performers began taking their place on the concert stage: an all-women string quartet led by Emily Shinner , and the Lucas quartet, also all women, were two notable examples. Sir Simon Rattle Sir Simon Denis Rattle (born 19 January 1955)

2929-691: The Liverpool Philharmonic Youth Orchestra ). He entered the Royal Academy of Music (now part of the University of London ) in 1971. There, his teachers included John Carewe . In 1974, his graduation year, Rattle won the John Player International Conducting Competition. After organising and conducting a performance of Mahler's Second Symphony while he was still at the academy, he was talent-spotted by

3030-652: The Modigliani Quartet Piano Trio, Op. 70, No. 1, "Ghost" , played by the Claremont Trio In the years 1805 to 1806, Beethoven composed the three Op. 59 quartets on a commission from Count Razumovsky, who played second violin in their first performance. These quartets, from Beethoven's middle period, were pioneers in the romantic style. Besides introducing many structural and stylistic innovations, these quartets were much more difficult technically to perform – so much so that they were, and remain, beyond

3131-538: The Philadelphia Orchestra . He returned for guest conducting engagements in 1999 and 2000. The musical relationship between Rattle and the Philadelphia Orchestra was reported to be such that Philadelphia wanted to hire Rattle as its next music director after Wolfgang Sawallisch , but Rattle declined. Rattle has continued to guest-conduct the Philadelphia Orchestra, including appearances in 2006 and

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3232-585: The Royal Academy of Music presented him with an honorary doctorate. He was appointed member of the Order of Merit (OM) in the 2014 New Year Honours . Rattle conducted the London Symphony Orchestra at the Opening of the London Olympics 2012 , performing " Chariots of Fire " with guest Rowan Atkinson playing his Mr. Bean character. Rattle made his conducting debut with the Berlin Philharmonic (BPO) in 1987, in

3333-662: The Royal Albert Hall , conducting the London Sinfonietta , was, according to the BBC Proms Archive website, on 9 August 1976. The programme included Harrison Birtwistle 's Meridian and Arnold Schoenberg 's First Chamber Symphony . In 1977, he became assistant conductor of the Royal Liverpool Philharmonic . His time with the City of Birmingham Symphony Orchestra (CBSO) from 1980 to 1998 drew him to

3434-707: The Southbank Centre , where it performs much of its London season producing events in the Royal Festival and Queen Elizabeth Halls and the Purcell Room. Since August 2008 the ensemble's headquarters have been at the new Kings Place complex in Kings Cross, London , also home to the Orchestra of the Age of Enlightenment and The Guardian newspaper. It has performed concerts at the venue since October 2008; it also regularly performs at

3535-485: The contrabass . Beethoven: Septet, Op. 20 , first movement, played by the Ensemble Mediterrain In his 17 string quartets, composed over the course of 37 of his 56 years, Beethoven goes from classical composer par excellence to creator of musical Romanticism, and finally, with his late string quartets, he transcends classicism and romanticism to create a genre that defies categorization. Stravinsky referred to

3636-446: The pianoforte became more popular as an instrument for performance. Even though the pianoforte was invented by Bartolomeo Cristofori at the beginning of the 1700s, it did not become widely used until the end of that century, when technical improvements in its construction made it a more effective instrument. Unlike the harpsichord, the pianoforte could play soft or loud dynamics and sharp sforzando attacks depending on how hard or soft

3737-669: The 18th century, tastes began to change: many composers preferred a new, lighter Galant style, with "thinner texture, ... and clearly defined melody and bass" to the complexities of counterpoint. Now a new custom arose that gave birth to a new form of chamber music: the serenade . Patrons invited street musicians to play evening concerts below the balconies of their homes, their friends and their lovers. Patrons and musicians commissioned composers to write suitable suites of dances and tunes, for groups of two to five or six players. These works were called serenades, nocturnes, divertimenti, or cassations (from gasse=street). The young Joseph Haydn

3838-616: The 2023–2024 season, with an initial contract of five years. His inaugurual concert as the orchestra's chief conductor took place on 21 September 2023, with a performance of Haydn's The Creation at the Herkulessaal , Munich Residenz . In 2019, Rattle first guest-conducted the Czech Philharmonic . In February 2024, the Czech Philharmonic announced the appointment of Rattle as its next principal guest conductor, effective with

3939-456: The 2024-2025 season, for a period of five years, with the title of 'Rafael Kubelík Conducting Chair'. Rattle has conducted a wide variety of music, including some with period instruments (either actual surviving historical musical instruments or modernly made ones informed by commonly used designs and material of the time), but he is best known for his interpretations of late 19th- and early 20th-century composers such as Gustav Mahler , with

4040-610: The BPO have also released recordings of Anton Bruckner 's Fourth Symphony ( Romantic ), and Joseph Haydn 's Symphonies Nos. 88 , 89 , 90 , 91 , 92 and Sinfonia Concertante . Rattle's recording of Brahms's Ein deutsches Requiem with the BPO received the Choral Performance Grammy Award in 2008. He has won two other Grammy Awards, one Choral Performance Award for a recording of Stravinsky 's Symphony of Psalms in 2007, and another for Best Orchestral Performance for

4141-599: The BPO musicians could sometimes be "turbulent", but also "never destructively so". In 2006, a new controversy began in the German press as to the quality of Rattle's concerts with the Berlin Philharmonic, with criticism from the German critic Manuel Brug in Die Welt . One musician who wrote to the press to defend Rattle was the pianist Alfred Brendel . In 2007, the BPO/Rattle recording of Brahms 's Ein deutsches Requiem received

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4242-494: The BPO on 7 September 2002, leading performances of Thomas Adès ' Asyla and Mahler's Symphony No. 5 , performances which received rave reviews from the press worldwide and were recorded for CD and DVD release by EMI. Early collaborative projects in the Berlin community with Rattle and the BPO involved a choreographed performance of Stravinsky's The Rite of Spring danced by school children, documented in Rhythm Is It! , and

4343-472: The CBSO from its former venue, Birmingham Town Hall , to a newly built concert hall, Symphony Hall , in 1991. The BBC commissioned film director Jaine Green to follow him in his final year with the CBSO to make Simon Rattle—Moving On . Rattle was appointed a CBE in 1987 and made a Knight Bachelor in 1994. In 1992, Rattle was named a principal guest conductor of the Orchestra of the Age of Enlightenment (OAE), along with Frans Brüggen . Rattle now has

4444-773: The Chief Executive. The ensemble has commissioned and performed many works by both emerging and established composers. In its first concert on 24 January 1968 conducted by its co-founder David Atherton , the ensemble premiered John Tavener 's The Whale . In 1970 it recorded that work for The Beatles ' label Apple Records . Since then, its list of over 300 commissions reaches from its early support of Sir Harrison Birtwistle , Iannis Xenakis and Luciano Berio to pieces from Magnus Lindberg , Thomas Adès , George Benjamin , Steve Reich , Tansy Davies , Dai Fujikura , Jonny Greenwood , Django Bates , Roberto Carnevale , Kenneth Hesketh and Mark-Anthony Turnage . In more recent years

4545-603: The Classic FM Gramophone best choral disc award. Rattle was originally contracted to lead the BPO until 2012, but in April 2008 the BPO musicians voted to extend his contract as chief conductor for an additional ten years past the next season, to 2018. In January 2013, he announced his scheduled departure from the Berlin Philharmonic at the close of the 2017–2018 season. His final Berlin Philharmonic concert as chief conductor

4646-534: The Fredonia Quartet Program, July 2008 Schubert's music, as his life, exemplified the contrasts and contradictions of his time. On the one hand, he was the darling of Viennese society: he starred in soirées that became known as Schubertiaden , where he played his light, mannered compositions that expressed the gemütlichkeit of Vienna of the 1820s. On the other hand, his own short life was shrouded in tragedy, wracked by poverty and ill health. Chamber music

4747-578: The LSO at the close of the 2022–2023 season, and now has the title of Conductor Emeritus with the LSO for life. His last LSO performance came on 27 August at the BBC Proms , conducting Mahler's Symphony No. 9 . In 2010, Rattle first guest-conducted the Bavarian Radio Symphony Orchestra (BRSO). In January 2021, the BRSO announced the appointment of Rattle as its next chief conductor, effective with

4848-678: The London Sinfonietta Label—in conjunction with the Jerwood Foundation and NMC Recordings —released the Jerwood Series of six CDs featuring London Sinfonietta players' performances of new compositions by young composers, which include Richard Causton , Dai Fujikura, Ian Vine and Larry Goves . In 2006 a collaboration with Warp Records, featuring recordings of the music of Warp Records artists such as Aphex Twin , as well as modern classical music composers such as John Cage ,

4949-452: The London Sinfonietta is its 18 Principal Players. In September 2013 the ensemble launched its Emerging Artists Programme. The London Sinfonietta's recordings comprise a catalogue of 20th-century classics, on numerous labels as well as the ensemble's own London Sinfonietta Label . David Atherton and Nicholas Snowman founded the orchestra in 1968. Atherton was its first music director, from 1968 to 1973 and again from 1989 to 1991. Snowman

5050-570: The Op. 59 quartets, Beethoven wrote two more quartets during his middle period – Op. 74 , the "Harp" quartet, named for the unusual harp-like effect Beethoven creates with pizzicato passages in the first movement, and Op. 95 , the "Serioso". The Serioso is a transitional work that ushers in Beethoven's late period – a period of compositions of great introspection. "The particular kind of inwardness of Beethoven's last style period", writes Joseph Kerman, gives one

5151-594: The Philadelphia Orchestra's first performances of Robert Schumann 's cantata Das Paradies und die Peri in November 2007. In March 2015, the London Symphony Orchestra (LSO) announced the appointment of Rattle as its next music director, effective with the 2017–2018 season, with an initial contract of five seasons. He has recorded commercially for the LSO Live label. In January 2021 the LSO announced an extension of his contract to 2023. Rattle stood down as music director of

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5252-405: The artistic world of the period, with vituperative exchanges between the two camps, concert boycotts, and petitions. Although amateur playing thrived throughout the 19th century, this was also a period of increasing professionalization of chamber music performance. Professional quartets began to dominate the chamber music concert stage. The Hellmesberger Quartet , led by Joseph Hellmesberger , and

5353-457: The attention of critics and the public. In 1980, Rattle became the CBSO's principal conductor and artistic adviser, and in 1990, music director. Rattle increased both his profile and that of the orchestra over his tenure. One of his long-term concert projects was the series of concerts of 20th-century music titled "Towards the Millennium". One other major achievement during his time was the move of

5454-438: The chamber music instruments. Many of Schumann's chamber works, including all three of his string quartets and his piano quartet have contrapuntal sections interwoven seamlessly into the overall compositional texture. The composers of the first half of the 19th century were acutely aware of the conversational paradigm established by Haydn and Mozart. Schumann wrote that in a true quartet "everyone has something to say ...

5555-520: The development of cyclic structure. In his Piano Quintet in E ;flat, Op. 44 , Schumann wrote a double fugue in the finale, using the theme of the first movement and the theme of the last movement. Both Schumann and Mendelssohn, following the example set by Beethoven, revived the fugue, which had fallen out of favor since the Baroque period. However, rather than writing strict, full-length fugues , they used counterpoint as another mode of conversation between

5656-440: The elder composer to say to Mozart's father, "I tell you before God as an honest man that your son is the greatest composer known to me either in person or by reputation. He has taste, and, what is more, the most profound knowledge of composition." Many other composers wrote chamber compositions during this period that were popular at the time and are still played today. Luigi Boccherini , Italian composer and cellist, wrote nearly

5757-633: The emerging romantic style. In his 31 years, Schubert devoted much of his life to chamber music , composing 15 string quartets, two piano trios, string trios, a piano quintet commonly known as the Trout Quintet , an octet for strings and winds , and his famous quintet for two violins, viola, and two cellos. Franz Schubert , Trout Quintet , D. 667, performed by the Chamber Music Society of Lincoln Center Schubert on YouTube : String Quintet in C, D. 956, first movement, recorded at

5858-587: The ensemble has continued its commissioning relationship with a diverse range of composers including Birtwistle, Colin Matthews and Steve Reich, while giving numerous opportunities to early career composers such as Martin Suckling , Luke Bedford , Edmund Finnis and Elspeth Brooke through concert commissions and cross-art form development programmes. In its early years, the ensemble also included classical music in its programming, before its focus moved mainly to music of

5959-562: The ethereal, dreamlike effect of open intervals between the high E string and the open A string in the second movement of quartet Op. 132; the use of sul ponticello (playing on the bridge of the violin) for a brittle, scratchy sound in the Presto movement of Op. 131; the use of the Lydian mode , rarely heard in Western music for 200 years, in Op. 132; a cello melody played high above all the other strings in

6060-416: The feeling that "the music is sounding only for the composer and for one other auditor, an awestruck eavesdropper: you." In the late quartets, the quartet conversation is often disjointed, proceeding like a stream of consciousness. Melodies are broken off, or passed in the middle of the melodic line from instrument to instrument. Beethoven uses new effects, never before essayed in the string quartet literature:

6161-481: The final, vigorous Presto movement, he returns to the opening adagio to conclude the piece. This string quartet is also Mendelssohn's homage to Beethoven; the work is studded with quotes from Beethoven's middle and late quartets. During his adult life, Mendelssohn wrote two piano trios, seven works for string quartet, two string quintets, the octet, a sextet for piano and strings, and numerous sonatas for piano with violin, cello, and clarinet. Robert Schumann continued

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6262-463: The finale of Op. 132. Yet for all this disjointedness, each quartet is tightly designed, with an overarching structure that ties the work together. Beethoven wrote eight piano trios, five string trios, two string quintets, and numerous pieces for wind ensemble. He also wrote ten sonatas for violin and piano and five sonatas for cello and piano. As Beethoven, in his last quartets, went off in his own direction, Franz Schubert carried on and established

6363-502: The first two, but warned against publishing the third trio, in C minor, as too radical, warning it would not "...be understood and favorably received by the public." Haydn was wrong—the third trio was the most popular of the set, and Haydn's criticisms caused a falling-out between him and the sensitive Beethoven. The trio is, indeed, a departure from the mold that Haydn and Mozart had formed. Beethoven makes dramatic deviations of tempo within phrases and within movements. He greatly increases

6464-515: The independence of the strings, especially the cello, allowing it to range above the piano and occasionally even the violin. If his Op. 1 trios introduced Beethoven's works to the public, his Septet, Op. 20 , established him as one of Europe's most popular composers. The septet, scored for violin, viola, cello, contrabass, clarinet, horn, and bassoon, was a huge hit. It was played in concerts again and again. It appeared in transcriptions for many combinations – one of which, for clarinet, cello and piano,

6565-763: The latter 20th century. In the early 2000s the ensemble's programming embraced collaborations with pop and electronica artists as it sought to connect the sound-worlds across different genres of contemporary music. Most recently, the ensemble has again updated its focus, placing a priority on music of the 21st century and its connections with other art forms. In recent years its commissions have included works by Gerald Barry , Bryn Harrison and Michel van der Aa ; it has worked and recorded with experimental musicians such as Mica Levi and Matthew Herbert , and produced collaborations with contemporary artists such as Martin Creed and Christian Marclay . The London Sinfonietta has worked with

6666-601: The latter as a "magnificent disc" and drew favourable comparisons with interpretations of the piece by Rattle's immediate predecessors, Claudio Abbado and Herbert von Karajan . He has also worked with the Toronto Children's Chorus . Rattle and the BPO also recorded Gustav Holst 's The Planets (EMI), which was the BBC Music Magazine Orchestra Choice. In addition, Rattle's acclaimed complete 1989 recording of George Gershwin 's opera Porgy and Bess

6767-658: The middle of the 19th century, with the rise of the feminist movement, women also started to receive acceptability to be participated in chamber music. Thousands of quartets were published by hundreds of composers; between 1770 and 1800, more than 2000 quartets were published, and the pace did not decline in the next century. Throughout the 19th century, composers published string quartets now long neglected: George Onslow wrote 36 quartets and 35 quintets; Gaetano Donizetti wrote dozens of quartets, Antonio Bazzini , Anton Reicha , Carl Reissiger , Joseph Suk and others wrote to fill an insatiable demand for quartets. In addition, there

6868-512: The music agent Martin Campbell-White, of Harold Holt Ltd (now Askonas Holt Ltd), who has since managed Rattle's career. He spent the academic year 1980–81 at St Anne's College, Oxford studying English Language and Literature. He had been attracted to the college by the reputation of Dorothy Bednarowska, fellow and tutor in English. He was elected an Honorary Fellow of St Anne's in 1991. He

6969-412: The origin of classical instrumental ensembles to be the sonata da camera (chamber sonata) and the sonata da chiesa (church sonata). These were compositions for one to five or more instruments. The sonata da camera was a suite of slow and fast movements, interspersed with dance tunes; the sonata da chiesa was the same, but the dances were omitted. These forms gradually developed into the trio sonata of

7070-459: The performer played the keys. The improved pianoforte was adopted by Mozart and other composers, who began composing chamber ensembles with the piano playing a leading role. The piano was to become more and more dominant through the 19th century, so much so that many composers, such as Franz Liszt and Frédéric Chopin , wrote almost exclusively for solo piano (or solo piano with orchestra ). Ludwig van Beethoven straddled this period of change as

7171-404: The period would consist of Haydn was by no means the only composer developing new modes of chamber music. Even before Haydn, many composers were already experimenting with new forms. Giovanni Battista Sammartini , Ignaz Holzbauer , and Franz Xaver Richter wrote precursors of the string quartet. Franz Ignaz von Beecke (1733-1803), with his Piano Quintet in A minor (1770) and 17 string quartets

7272-439: The period. The turn of the 19th century saw dramatic changes in society and in music technology which had far-reaching effects on the way chamber music was composed and played. Throughout the 18th century, the composer was normally an employee of an aristocrat, and the chamber music he or she composed was for the pleasure of aristocratic players and listeners. Haydn, for example, was an employee of Nikolaus I, Prince Esterházy ,

7373-633: The piano, and of symphonic composition, was not merely a matter of preference; it was also a matter of ideology . In the 1860s, a schism grew among romantic musicians over the direction of music. Many composers tend to express their romantic persona through their works. By the time, these chamber works are not necessarily dedicated for any specific dedicatee. Famous chamber works such as Fanny Mendelssohn D minor Piano Trio, Ludwig van Beethoven's Trio in E-flat major, and Franz Schubert's Piano Quintet in A major are all highly personal. Liszt and Richard Wagner led

7474-506: The post and proceeded to win over his detractors by refusing to sign the contract until he had ensured that every member of the orchestra was paid fairly, and also that the orchestra would gain artistic independence from the Berlin Senate . Before leaving for Germany and on his arrival, Rattle controversially attacked the British attitude to culture in general, and in particular the artists of

7575-504: The present, chamber music has been a reflection of the changes in the technology and the society that produced it. During the Middle Ages and the early Renaissance , instruments were used primarily as accompaniment for singers. String players would play along with the melody line sung by the singer. There were also purely instrumental ensembles, often of stringed precursors of the violin family , called consorts . Some analysts consider

7676-474: The quintet for violin, two violas, cello, and horn, K. 407, quartets for flute and strings, and various wind instrument combinations. He wrote six string quintets for two violins, two violas and cello, which explore the rich tenor tones of the violas, adding a new dimension to the string quartet conversation. Mozart's string quartets are considered the pinnacle of the classical art. The six string quartets that he dedicated to Haydn , his friend and mentor, inspired

7777-436: The reach of many amateur string players. When first violinist Ignaz Schuppanzigh complained of their difficulty, Beethoven retorted, "Do you think I care about your wretched violin when the spirit moves me?" Among the difficulties are complex syncopations and cross-rhythms; synchronized runs of sixteenth, thirty-second, and sixty-fourth notes; and sudden modulations requiring special attention to intonation . In addition to

7878-690: The record held at nearly 4,000 musicians until it was broken in 2000 by a group in Vancouver. In 2000, Rattle was presented with the Gold Medal of the Royal Philharmonic Society . From 29 April to 17 May 2002, he conducted the Vienna Philharmonic orchestra, making live recordings of the complete Beethoven symphonies . In May 2006, he was made an Honorary Fellow of the Society of Arts . In 2011,

7979-518: The rise of new technology driven by the Industrial Revolution , printed music became cheaper and thus more accessible while domestic music making gained widespread popularity. Composers began to incorporate new elements and techniques into their works to appeal to this open market, since there was an increased consumer desire for chamber music. While improvements in instruments led to more public performances of chamber music, it remained very much

8080-473: The scherzo of the Piano Trio No. 1 in D minor, Op. 49 . Another characteristic that Mendelssohn pioneered is the cyclic form in overall structure. This means the reuse of thematic material from one movement to the next, to give the total piece coherence. In his second string quartet , he opens the piece with a peaceful adagio section in A major, that contrasts with the stormy first movement in A minor. After

8181-517: The second theme, a lilting duet in the lower voices. The alternating Sturm und Drang and relaxation continue throughout the movement. These contending forces are expressed in some of Schubert's other works: in the quartet Death and the Maiden , the Rosamunde quartet and in the stormy, one-movement Quartettsatz, D. 703 . Unlike Schubert, Felix Mendelssohn had a life of peace and prosperity. Born into

8282-518: The title of Principal Artist with the OAE. In 2001, he conducted the OAE at Glyndebourne in their first production of Fidelio with a period-instrument orchestra . Rattle strongly supported youth music. He led two attempts at gaining the record for the World's Largest Orchestra, both designed to raise awareness of youth music in schools. The first, in 1996, was unsuccessful. The second, in 1998, did succeed and

8383-567: The treble and bass lines of the piano score. But Mozart gives the strings an independent role, using them as a counter to the piano, and adding their individual voices to the chamber music conversation. Mozart introduced the newly invented clarinet into the chamber music arsenal, with the Kegelstatt Trio for viola, clarinet and piano, K. 498, and the Quintet for Clarinet and String Quartet , K. 581. He also tried other innovative ensembles, including

8484-399: The trio sonata, there is often no ascendent or solo instrument, but all three instruments share equal importance. The harmonic role played by the keyboard or other chording instrument was subsidiary, and usually the keyboard part was not even written out; rather, the chordal structure of the piece was specified by numeric codes over the bass line, called figured bass . In the second half of

8585-468: The violin bow longer, with a thicker ribbon of hair under higher tension. This improved projection, and also made possible new bowing techniques. In 1820, Louis Spohr invented the chinrest, which gave violinists more freedom of movement in their left hands, for a more nimble technique. These changes contributed to the effectiveness of public performances in large halls, and expanded the repertoire of techniques available to chamber music composers. Throughout

8686-450: The way one instrument introduces a melody or motif and then other instruments subsequently "respond" with a similar motif – has been a thread woven through the history of chamber music composition from the end of the 18th century to the present. The analogy to conversation recurs in descriptions and analyses of chamber music compositions. From its earliest beginnings in the Medieval period to

8787-489: The world's leading conductors, in a 2015 Bachtrack poll, he was ranked by music critics as one of the world's best living conductors. Rattle is also the patron of Birmingham Schools' Symphony Orchestra, arranged during his tenure with CBSO in the mid-1990s. The Youth Orchestra is now under the auspices of charitable business Services for Education. He received the Brit Award for Outstanding Contribution to Music in 2001 at

8888-486: Was a lively market for string quartet arrangements of popular and folk tunes , piano works, symphonies, and opera arias . But opposing forces were at work. The middle of the 19th century saw the rise of superstar virtuosi, who drew attention away from chamber music toward solo performance. The piano, which could be mass-produced, became an instrument of preference, and many composers, like Chopin and Liszt, composed primarily if not exclusively for piano. The ascendance of

8989-614: Was admitted to the degree of Doctor of Music honoris causa of the University of Oxford in 1999. In 1974, he was made assistant conductor of the Bournemouth Symphony Orchestra . He joined the Glyndebourne Festival Opera music staff at the age of 20 in 1975. He went on to conduct over 200 performances of 13 different operas at Glyndebourne and on tour during the subsequent 28 years. His first Prom at

9090-462: Was also one of the pioneers of chamber music of the Classical period. Another renowned composer of chamber music of the period was Wolfgang Amadeus Mozart . Mozart's seven piano trios and two piano quartets were the first to apply the conversational principle to chamber music with piano. Haydn's piano trios are essentially piano sonatas with the violin and cello playing mostly supporting roles, doubling

9191-735: Was at the Waldbühne on 24 June 2018. UNICEF appointed Rattle and the BPO as Goodwill Ambassadors in November 2007. He is a patron of the Elton John AIDS Foundation . Rattle made his North American debut in 1976, conducting the London Schools Symphony Orchestra at the Hollywood Bowl . He first conducted the Los Angeles Philharmonic in 1979 during the music directorship of Carlo Maria Giulini , and

9292-401: Was commissioned to write several of these. Joseph Haydn is generally credited with creating the modern form of chamber music as we know it, although scholars today such as Roger Hickman argue "the idea that Haydn invented the string quartet and single-handedly advanced the genre is based on only a vague notion of the true history of the eighteenth-century genre." A typical string quartet of

9393-588: Was featured on EMI 's 1988 3-CD authentic recording of Kern and Hammerstein's Show Boat . It made a 1991 recording of Górecki's Third Symphony for Nonesuch which sold over 700,000 copies in its first two years of release. The ensemble's discography has recently been expanded by releases on the London Sinfonietta Label , focussing on live performances of otherwise unavailable repertoire. These CDs include 50th birthday tributes to Oliver Knussen, and Toru Takemitsu ’s Arc and Green . Between 2006 and 2009,

9494-454: Was its general manager from 1968 to 1972. Michael Vyner served as the artistic director from 1973 to 1989. Paul Crossley took over and served from 1989 until 1994. Markus Stenz served as music director from 1994 to 1998; he was succeeded by Oliver Knussen from 1998 to 2002. Following 10 years as the ensemble's Education Officer, Gillian Moore became artistic director of the ensemble from 1998 until 2006. Since 2007, Andrew Burke has been

9595-431: Was often performed by upper- and middle-class men with less advanced musical skills in an unexpected setting such as informal ensembles in private residence with few audience members. In Britain, the most common form of chamber music compositions are the string quartets , sentimental songs and piano chamber works like the piano trio , in a way depicts the standard conception of the conventional "Victorian music making". In

9696-568: Was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. Johann Wolfgang von Goethe described chamber music (specifically, string quartet music) as "four rational people conversing". This conversational paradigm – which refers to

9797-535: Was released as Warp Works & Twentieth Century Masters . The ensemble now releases recordings in partnership with different labels, which recently have included Thomas Adès' In Seven Days and Louis Andriessen 's Anais Nin (on Signum), music by Pelle Gudmundsen-Holmgreen (on Da Capo) and a collaboration with Mica Levi, Chopped and Screwed (on Rough Trade ). Chamber music Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music

9898-453: Was the ideal medium to express this conflict, "to reconcile his essentially lyric themes with his feeling for dramatic utterance within a form that provided the possibility of extreme color contrasts." The String Quintet in C, D.956 , is an example of how this conflict is expressed in music. After a slow introduction, the first theme of the first movement, fiery and dramatic, leads to a bridge of rising tension, peaking suddenly and breaking into

9999-606: Was their principal guest conductor from 1981 to 1994. He has also guest-conducted the Cleveland Orchestra , Chicago Symphony Orchestra , San Francisco Symphony , Toronto Symphony Orchestra and Boston Symphony Orchestra . His New York City debut was with the Los Angeles Philharmonic in 1985. In 2000, Rattle was the music director of the Ojai Music Festival . In 1993, Rattle made his conducting debut with

10100-525: Was used as the soundtrack for the equally acclaimed 1993 television production of the work. It was the first made-for-television production of Porgy and Bess ever presented. Rattle's 2007 recording of Johannes Brahms 's Ein deutsches Requiem received praise from BBC Music Magazine , as "Disc of the Month" for April 2007, "as probably the best new version of the Requiem I've heard in quite some years". Rattle and

10201-451: Was written by Beethoven himself – and was so popular that Beethoven feared it would eclipse his other works. So much so that by 1815, Carl Czerny wrote that Beethoven "could not endure his septet and grew angry because of the universal applause which it has received." The septet is written as a classical divertimento in six movements, including two minuets, and a set of variations. It is full of catchy tunes, with solos for everyone, including

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