212-467: Florence Lois Weber (June 13, 1879 – November 13, 1939) was an American silent film director, screenwriter, producer and actress. She is identified in some historical references as among "the most important and prolific film directors in the era of silent films". Film historian Anthony Slide has also asserted, "Along with D. W. Griffith , Weber was the American cinema's first genuine auteur ,
424-418: A Christian fundamentalist , but she was more of a libertarian , opposing censorship and the death penalty and championing birth control. The need for a strong, loving and nurturing home was clearly promoted as well and if there was a single maxim that underlay each film it was that selfishness and egocentricity erode the individual and community". Although not a practicing Christian Scientist , Weber attended
636-561: A grand piano , the frame and strings are horizontal, with the strings extending away from the keyboard. The action lies beneath the strings and uses gravity as its means of return to a state of rest. Grand pianos range in length from approximately 1.5–3 m (4 ft 11 in – 9 ft 10 in). Some of the lengths have been given more-or-less customary names, which vary from time to time and place to place, but might include: All else being equal, longer pianos with longer strings have larger, richer sound and lower inharmonicity of
848-580: A loudspeaker . The electric pianos that became most popular in pop and rock music in the 1960s and 1970s, such as the Fender Rhodes use metal tines in place of strings and use electromagnetic pickups similar to those on an electric guitar . The resulting electrical, analogue signal can then be amplified with a keyboard amplifier or electronically manipulated with effects units . In classical music, electric pianos are mainly used as inexpensive rehearsal or practice instruments. Electric pianos, particularly
1060-410: A pedal keyboard at the base, designed to be played by the feet. The pedals may play the existing bass strings on the piano, or rarely, the pedals may have their own set of bass strings and hammer mechanisms. While the typical intended use for pedal pianos is to enable a keyboardist to practice pipe organ music at home, a few players of pedal piano use it as a performance instrument. Wadia Sabra had
1272-445: A 16 fps projection of the same reel would take 16 minutes and 40 seconds, or 304 millimetres (12.0 in) per second. In the 1950s, many telecine conversions of silent films at grossly incorrect frame rates for broadcast television may have alienated viewers. Film speed is often a vexed issue among scholars and film buffs in the presentation of silents today, especially when it comes to DVD releases of restored films , such as
1484-415: A 1914 interview Weber declared: "In moving pictures I have found my life's work. I find at once an outlet for my emotions and my ideals. I can preach to my heart's content, and with the opportunity to write the play, act the leading role, and direct the entire production, if my message fails to reach someone, I can blame only myself." As many of Weber's films focused on a moral topic, she "was often mistaken as
1696-408: A Dutchman, Americus Backers , to design a piano in the harpsichord case—the origin of the "grand". This was achieved by about 1777. They quickly gained a reputation for the splendour and powerful tone of their instruments, with Broadwood constructing pianos that were progressively larger, louder, and more robustly constructed. They sent pianos to both Joseph Haydn and Ludwig van Beethoven , and were
1908-503: A brief acquaintance, just before her 25th birthday, Weber and Smalley, aged 38, married on April 29, 1904, in Chicago, Illinois. After initially touring separately from her husband, and then accompanying him on his tours, about 1906 Weber left her career in the theater and became a homemaker in New York. During this period Weber wrote freelance moving picture scenarios. In 1908, Weber
2120-414: A built-in amp and speaker). Alternatively, a person can play an electronic piano with headphones in quieter settings. Digital pianos are also non-acoustic and do not have strings or hammers. They use digital audio sampling technology to reproduce the acoustic sound of each piano note accurately. They also must be connected to a power amplifier and speaker to produce sound (however, most digital pianos have
2332-437: A built-in amp and speaker). Alternatively, a person can practise with headphones to avoid disturbing others. Digital pianos can include sustain pedals, weighted or semi-weighted keys, multiple voice options (e.g., sampled or synthesized imitations of electric piano, Hammond organ , violin , etc.), and MIDI interfaces. MIDI inputs and outputs connect a digital piano to other electronic instruments or musical devices. For example,
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#17330929866572544-400: A controversial version of Hypocrites , a four-reel allegorical drama shot at Universal City which she wrote, directed and produced, addressing social themes and moral lessons considered daring for the time. Hypocrites included the first film full-frontal female nudity , inspired by Jules Joseph Lefebvre 's 1870 allegorical painting La Vérité , with truth portrayed in the ghostly figure of
2756-527: A daughter, Phoebe (named after Smalley's mother), who was born on October 29, 1910, but died in infancy. By 1911, Weber and Smalley were working for William Swanson 's Rex Motion Picture Company , based at 573–579 11th Avenue, New York City. While at Rex, Weber gained her reputation as "a serious social uplifter and as the leading partner in the Weber-Smalley unit." In 1911, Weber acted in and directed her first silent short film, A Heroine of '76 , sharing
2968-420: A devout middle class Christian family of Pennsylvania German ancestry. Weber was considered a child prodigy and an excellent pianist. As a girl, music was her passion, and her most treasured possession was a baby grand piano . Weber left home and lived in poverty while working as a street corner evangelist and social activist for two years with the evangelical Church Army Workers, an organization similar to
3180-475: A digital piano's MIDI out signal could be connected by a patch cord to a synth module , which would allow the performer to use the keyboard of the digital piano to play modern synthesizer sounds. Early digital pianos tended to lack a full set of pedals, but the synthesis software of later models such as the Yamaha Clavinova series synthesised the sympathetic vibration of the other strings (such as when
3392-471: A familiar instrument in the Western world. The piano was based on earlier technological innovations in keyboard instruments . Pipe organs had been used since antiquity, and as such the development of pipe organs enabled instrument builders to learn about creating keyboard mechanisms for sounding pitches . The first string instruments with struck strings were the hammered dulcimers , which were introduced in
3604-406: A family member play a simplified version . The piano is widely employed in classical , jazz , traditional and popular music for solo and ensemble performances, accompaniment, and for composing , songwriting and rehearsals. Despite its weight and cost, the piano's versatility, the extensive training of musicians, and its availability in venues, schools, and rehearsal spaces have made it
3816-622: A few decades of use. Beginning in 1961, the New York branch of the Steinway firm incorporated Teflon , a synthetic material developed by DuPont , for some parts of its Permafree grand action in place of cloth bushings, but abandoned the experiment in 1982 due to excessive friction and a "clicking" that developed over time; Teflon is "humidity stable" whereas the wood adjacent to the Teflon swells and shrinks with humidity changes, causing problems. More recently,
4028-498: A filmmaker involved in all aspects of production and one who utilized the motion picture to put across her own ideas and philosophies". Weber produced a body of work which has been compared to Griffith's in both quantity and quality and brought to the screen her concerns for humanity and social justice in an estimated 200 to 400 films, of which as few as twenty have been preserved. She has been credited by IMDb with directing 135 films, writing 114, and acting in 100. Weber
4240-613: A form of piano wire made from cast steel ; it was "so superior to the iron wire that the English firm soon had a monopoly." A better steel wire was developed in 1840 by the Viennese firm Martin Miller, and a period of innovation and intense competition ensued, with rival brands of piano wire being tested against one another at international competitions, leading ultimately to the modern form of piano wire. Several important advances included changes to
4452-684: A grandson of Oliver Wendell Holmes , and the elder son of New York Tribune war and foreign correspondent George Washburn Smalley (1833-1916) and Phoebe Garnaut Phillips (1841-1923), the adopted daughter of abolitionist Wendell Phillips . Smalley, who had attended Balliol College, Oxford and was a graduate of Harvard University , had been a lawyer in New York for seven years, and as a stage actor made his professional stage debut in August 1901 in Manhattan. He appeared in productions of Harrison Grey Fiske , Minnie Maddern Fiske , and Raymond Hitchcock . After
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#17330929866574664-525: A harmonic produced from three octaves below. This lets close and widespread octaves sound pure, and produces virtually beatless perfect fifths . This gives the concert grand a brilliant, singing and sustaining tone quality—one of the principal reasons that full-size grands are used in the concert hall. Smaller grands satisfy the space and cost needs of domestic use; as well, they are used in some small teaching studios and smaller performance venues. Upright pianos, also called vertical pianos, are more compact with
4876-413: A key professional in silent film and was often separate from the scenario writer who created the story. Inter-titles (or titles as they were generally called at the time) "often were graphic elements themselves, featuring illustrations or abstract decorations that commented on the action". Showings of silent films almost always featured live music starting with the first public projection of movies by
5088-465: A low budget salute to sentimental silent comedies, particularly Charlie Chaplin 's The Kid . The German film Tuvalu (1999) is mostly silent; the small amount of dialog is an odd mix of European languages, increasing the film's universality. Guy Maddin won awards for his homage to Soviet-era silent films with his short The Heart of the World after which he made a feature-length silent, Brand Upon
5300-478: A lower octave's corresponding sharp overtone rather than to a theoretically correct octave. If octaves are not stretched, single octaves sound in tune, but double—and notably triple—octaves are unacceptably narrow. Stretching a small piano's octaves to match its inherent inharmonicity level creates an imbalance among all the instrument's intervallic relationships. In a concert grand, however, the octave "stretch" retains harmonic balance, even when aligning treble notes to
5512-454: A major role in cinema as Cecil B. DeMille's favorite screenwriter. A "prominent rabbi in Chicago strongly objected on the grounds that the play 'more than any other book, more than any other influence in the history of the world, is responsible for the world-wide prejudice against the Jews'", but the film was praised at the time as "a supreme adaptation of Shakespeare". Robert Hamilton Ball considered
5724-609: A massive, strong, cast iron frame. Also called the "plate", the iron frame sits atop the soundboard , and serves as the primary bulwark against the force of string tension that can exceed 20 tons (180 kilonewtons) in total for a modern grand piano. The single piece cast iron frame for square piano was patented in 1825 in Boston by Alpheus Babcock , combining the metal hitch pin plate (1821, claimed by Broadwood on behalf of Samuel Hervé) and resisting bars (Thom and Allen, 1820, but also claimed by Broadwood and Érard). Babcock later worked for
5936-417: A microtone piano manufactured by Pleyel in 1920. Abdallah Chahine later constructed his quartertone "Oriental piano" with the help of Austrian Hofmann . With technological advances , amplified electric pianos (1929), electronic pianos (1970s), and digital pianos (1980s) have been developed. The first electric pianos from the late 1920s used metal strings with a magnetic pickup , an amplifier and
6148-645: A much longer time for color to be adopted by the industry and an effective process to be developed. Blue represented night scenes, yellow or amber meant day. Red represented fire and green represented a mysterious atmosphere. Similarly, toning of film (such as the common silent film generalization of sepia -toning) with special solutions replaced the silver particles in the film stock with salts or dyes of various colors. A combination of tinting and toning could be used as an effect that could be striking. Some films were hand-tinted, such as Annabelle Serpentine Dance (1894), from Edison Studios . In it, Annabelle Whitford ,
6360-400: A musical device exploited by Liszt. When the invention became public, as revised by Henri Herz , the double escapement action gradually became standard in grand pianos and is still incorporated into all grand pianos currently produced in the 2000s. Other improvements of the mechanism included the use of firm felt hammer coverings instead of layered leather or cotton. Felt, which Jean-Henri Pape
6572-441: A piano are made of a steel core wrapped with one or two layers of copper wire, to increase their mass whilst retaining flexibility. If all strings throughout the piano's compass were individual (monochord), the massive bass strings would overpower the upper ranges. Makers compensate for this with the use of double (bichord) strings in the tenor and triple (trichord) strings throughout the treble. The plate (harp), or metal frame, of
Lois Weber - Misplaced Pages Continue
6784-439: A piano are made of materials selected for strength and longevity. This is especially true of the outer rim, which is most commonly made of hardwood , typically hard maple or beech , and its massiveness serves as an essentially immobile object from which the flexible soundboard can best vibrate. According to Harold A. Conklin, the purpose of a sturdy rim is so that, "... the vibrational energy will stay as much as possible in
6996-468: A piano can be played acoustically, or the keyboard can be used as a MIDI controller, which can trigger a synthesizer module or music sampler . Some electronic feature-equipped pianos such as the Yamaha Disklavier electronic player piano, introduced in 1987, are outfitted with electronic sensors for recording and electromechanical solenoids for player piano-style playback. Sensors record the movements of
7208-419: A piano is usually made of cast iron. A massive plate is advantageous. Since the strings vibrate from the plate at both ends, an insufficiently massive plate would absorb too much of the vibrational energy that should go through the bridge to the soundboard. While some manufacturers use cast steel in their plates, most prefer cast iron. Cast iron is easy to cast and machine, has flexibility sufficient for piano use,
7420-467: A piano. An inventory made by his employers, the Medici family, indicates the existence of a piano by 1700. The three Cristofori pianos that survive today date from the 1720s. Cristofori named the instrument un cimbalo di cipresso di piano e forte ("a keyboard of cypress with soft and loud"), abbreviated over time as pianoforte , fortepiano , and later reduced to only piano . Cristofori's great success
7632-434: A position in which it is ready to play again almost immediately after its key is depressed, so the player can repeat the same note rapidly when desired. Cristofori's piano action was a model for the many approaches to piano actions that followed in the next century. Cristofori's early instruments were made with thin strings and were much quieter than the modern piano, though they were louder and had more sustain compared to
7844-469: A rabbi in an American film", The Jew's Christmas told the story of an orthodox rabbi (Smalley) who ostracizes his daughter (Weber) for marrying a gentile , but is reconciled twelve years later on Christmas Eve when he meets an impoverished small child, who turns out to be his granddaughter. Endeavoring to combat racial discrimination and antisemitism , the film aims to show that love is stronger than any religious ties, and that "the tie of blood overbears
8056-498: A race to design, implement, and market several rival sound-on-disc and sound-on-film sound formats, such as Photokinema (1921), Phonofilm (1923), Vitaphone (1926), Fox Movietone (1927) and RCA Photophone (1928). Warner Bros. was the first studio to accept sound as an element in film production and utilize the Vitaphone, a sound-on-disc technology, to do so. The studio then released The Jazz Singer in 1927, which marked
8268-590: A recurring motif , every time a character becomes pregnant, a child's face is double exposed over their shoulder. In March 1916, the National Board of Review expressed disapproval of the film for showings to mixed audiences, but later approved it for adult showings. It was banned in Pennsylvania on the grounds that it "tended to debase or corrupt morals", but Universal won a case in Brooklyn, New York , in 1916 to show
8480-404: A setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of inter- title cards . The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era, which existed from the mid-1890s to the late 1920s, a pianist , theater organist —or even, in larger cities, an orchestra —would play music to accompany
8692-596: A small number of acoustic pianos in the 2010s are produced with MIDI recording and digital sound module -triggering capabilities, the 19th century was the era of the most dramatic innovations and modifications of the instrument. Modern pianos have two basic configurations, the grand piano and the upright piano, with various styles of each. There are also specialized and novelty pianos, electric pianos based on electromechanical designs, electronic pianos that synthesize piano-like tones using oscillators, and digital pianos using digital samples of acoustic piano sounds. In
Lois Weber - Misplaced Pages Continue
8904-492: A special effect in many of his films. His 1915 epic The Birth of a Nation used a number of colors, including amber, blue, lavender, and a striking red tint for scenes such as the "burning of Atlanta" and the ride of the Ku Klux Klan at the climax of the picture. Griffith later invented a color system in which colored lights flashed on areas of the screen to achieve a color. With the development of sound-on-film technology and
9116-656: A vertical structure of the frame and strings. The mechanical action structure of the upright piano was invented in London in 1826 by Robert Wornum, and upright models became the most popular model for domestic use. Upright pianos take up less space than a grand piano and as such are a better size for use in private homes for domestic music-making and practice. The hammers move horizontally and return to their resting position via springs, which are susceptible to degradation. Upright pianos with unusually tall frames and long strings were sometimes marketed as upright grand pianos, but that label
9328-408: A wall or screen. After the advent of photography in the 19th century, still photographs were sometimes used. Narration of the showman was important in spectacular entertainment screenings and vital in the lecturing circuit. The principle of stroboscopic animation was well-known since the introduction of the phenakistiscope in 1833, a popular optical toy , but the development of cinematography
9540-427: A week. In fact, by 1915 Weber was as famous as D.W. Griffith and Cecil B. de Mille . While at Bosworth, Weber and Smalley made six features and one short, The Traitor . "Energized by evangelistic zeal and social conscience", from early in her career Weber saw movies as "a vehicle for evangelism", and "an opportunity to preach to the masses", and to encourage her audience to be involved in progressive causes . In
9752-494: A young dancer from Broadway, is dressed in white veils that appear to change colors as she dances. This technique was designed to capture the effect of the live performances of Loie Fuller , beginning in 1891, in which stage lights with colored gels turned her white flowing dresses and sleeves into artistic movement. Hand coloring was often used in the early "trick" and fantasy films of Europe, especially those by Georges Méliès . Méliès began hand-tinting his work as early as 1897 and
9964-463: Is a keyboard instrument that produces sound when its keys are depressed, activating an action mechanism where hammers strike strings . Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament . A musician who specializes in piano is called a pianist . There are two main types of piano: the grand piano and the upright piano . The grand piano offers better sound and more precise key control, making it
10176-492: Is a slap at hypocrites, and its effectiveness is shown by the outcry amongst those it hits hardest, to have the film stopped". "Lois Weber had worked with her own [production] unit at Universal City , and had rapidly achieved prominence as the top director on that enormous lot. Her films tackled such controversial issues as birth control, divorce, and abortion, and while raising storms of controversy and censorship, pulled millions of dollars into Universal’s coffers. By 1917 she had
10388-465: Is misleading. Some authors classify modern pianos according to their height and to modifications of the action that are necessary to accommodate the height. Upright pianos are generally less expensive than grand pianos. Upright pianos are widely used in churches, community centers, schools, music conservatories and university music programs as rehearsal and practice instruments, and they are popular models for in-home purchase. The toy piano , introduced in
10600-580: Is much more resistant to deformation than steel, and is especially tolerant of compression. Plate casting is an art, since dimensions are crucial and the iron shrinks about one percent during cooling. Including an extremely large piece of metal in a piano is potentially an aesthetic handicap. Piano makers overcome this by polishing, painting, and decorating the plate. Plates often include the manufacturer's ornamental medallion. In an effort to make pianos lighter, Alcoa worked with Winter and Company piano manufacturers to make pianos using an aluminum plate during
10812-448: Is silent during its middle third, complete with intertitles; Stanley Tucci 's The Impostors has an opening silent sequence in the style of early silent comedies. Brazilian filmmaker Renato Falcão's Margarette's Feast (2003) is silent. Writer/director Michael Pleckaitis puts his own twist on the genre with Silent (2007). While not silent, the Mr. Bean television series and movies have used
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#173309298665711024-535: The benshi , a live narrator who provided commentary and character voices. The benshi became a central element in Japanese film, as well as providing translation for foreign (mostly American) movies. The popularity of the benshi was one reason why silent films persisted well into the 1930s in Japan. Conversely, as benshi -narrated films often lacked intertitles, modern-day audiences may sometimes find it difficult to follow
11236-438: The "talkies", "sound films", or "talking pictures" . The idea of combining motion pictures with recorded sound is older than film (it was suggested almost immediately after Edison introduced the phonograph in 1877), and some early experiments had the projectionist manually adjusting the frame rate to fit the sound, but because of the technical challenges involved, the introduction of synchronized dialogue became practical only in
11448-527: The Chickering & Mackays firm who patented the first full iron frame for grand pianos in 1843. Composite forged metal frames were preferred by many European makers until the American system was fully adopted by the early 20th century. The increased structural integrity of the iron frame allowed the use of thicker, tenser, and more numerous strings. In 1834, the Webster & Horsfal firm of Birmingham brought out
11660-449: The Kawai firm built pianos with action parts made of more modern materials such as carbon fiber reinforced plastic , and the piano parts manufacturer Wessell, Nickel and Gross has launched a new line of carefully engineered composite parts. Thus far these parts have performed reasonably, but it will take decades to know if they equal the longevity of wood. In all but the lowest quality pianos,
11872-732: The Library of Congress Motion Picture Conservation Center copyrighted a preservation print reconstructed from several incomplete prints. Shoes , a "sociological" film released in June 1916 that Weber directed for the Bluebird Photoplays , was based on Stella Wynne Herron 's short story of the same name, which had been published in Collier's magazine earlier that year. Herron took inspiration from noted social reformer Jane Addams 's 1912 book A New Conscience and an Ancient Evil . The nonfiction book depicts
12084-572: The Middle Ages in Europe. During the Middle Ages, there were several attempts at creating stringed keyboard instruments with struck strings. By the 17th century, the mechanisms of keyboard instruments such as the clavichord and the harpsichord were well developed. In a clavichord the strings are struck by tangents, while in a harpsichord they are mechanically plucked by quills when the performer depresses
12296-578: The Salvation Army , preaching and singing hymns on street corners and singing and playing the organ in rescue missions in red-light districts in Pittsburgh and New York, until the Church Army Workers disbanded in 1900. In June 1900, Weber was almost 21 and living with her parents and two sisters at 1717 Fremont Street, Allegheny, Pennsylvania , where she was a music student. By April 1903, Weber
12508-780: The Steinway concert grand (Model D) weighs 480 kg (1,060 lb). The largest piano available on the general market, the Fazioli F308, weighs 570 kg (1,260 lb). The pinblock, which holds the tuning pins in place, is another area where toughness is important. It is made of hardwood (typically hard maple or beech) and is laminated for strength, stability and longevity. Piano strings (also called piano wire ), which must endure years of extreme tension and hard blows, are made of high carbon steel. They are manufactured to vary as little as possible in diameter, since all deviations from uniformity introduce tonal distortion. The bass strings of
12720-464: The acoustic energy to the air. When the key is released, a damper stops the string's vibration, ending the sound. Most notes have three strings, except for the bass, which graduates from one to two. Notes can be sustained when the keys are released by the use of pedals at the base of the instrument, which lift the dampers off the strings. The sustain pedal allows pianists to connect and overlay sound, and achieve expressive and colorful sonority. In
12932-421: The audience could better understand what an actor was feeling and portraying on screen. Much silent film acting is apt to strike modern-day audiences as simplistic or campy . The melodramatic acting style was in some cases a habit actors transferred from their former stage experience. Vaudeville was an especially popular origin for many American silent film actors. The pervading presence of stage actors in film
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#173309298665713144-553: The nitrate filmstock used in that era was extremely unstable and flammable. Additionally, many films were deliberately destroyed, because they had negligible remaining immediate financial value in that era. It has often been claimed that around 75 percent of silent films produced in the US have been lost, though these estimates are inaccurate due to a lack of numerical data. Film projection mostly evolved from magic lantern shows, in which images from handpainted glass slides were projected onto
13356-537: The transposing piano in 1801. This rare instrument has a lever under the keyboard to move the keyboard relative to the strings, so a pianist can play in a familiar key while the music sounds in a different key. The minipiano is an instrument patented by the Brasted brothers of the Eavestaff Ltd. piano company in 1934. This instrument has a braceless back and a soundboard positioned below the keys—long metal rods pull on
13568-410: The "aliquot" throughout much of the upper range of the piano, always in locations that caused them to vibrate sympathetically in conformity with their respective overtones—typically in doubled octaves and twelfths. Some early pianos had shapes and designs that are no longer in use. The square piano (not truly square, but rectangular) was cross strung at an extremely acute angle above the hammers, with
13780-557: The "burning social and moral issues of the day", among them such controversial themes as abortion, eugenics , and birth control in Where Are My Children? (1916), influenced by the trial of Charles Stielow, an innocent man who was almost executed, opposition to capital punishment based on circumstantial evidence in The People vs. John Doe ; and alcoholism and opium addiction in Hop,
13992-433: The "deterioration of the race" and the "proliferation of the lower classes", and makes "an indirect case for birth control or perhaps even for legalized, and safe, abortions". The film starred Tyrone Power Sr. and his then-wife Helen Riaume; future star Mary MacLaren made her debut. It also makes use of several trick photography scenes, with an emphasis on multiple exposures to convey information or emotions visually. As
14204-518: The 1820s, the center of piano innovation had shifted to Paris, where the Pleyel firm manufactured pianos used by Frédéric Chopin , and the Érard firm manufactured those used by Franz Liszt . In 1821, Sébastien Érard invented the double escapement action, which incorporated a repetition lever (also called the balancier ) that permitted repeating a note even if the key had not return to its resting position. This facilitated rapid playing of repeated notes,
14416-522: The 1899 Cendrillion (Cinderella) and 1900 Jeanne d'Arc (Joan of Arc) provide early examples of hand-tinted films in which the color was a critical part of the scenography or mise-en-scène ; such precise tinting used the workshop of Elisabeth Thuillier in Paris, with teams of female artists adding layers of color to each frame by hand rather than using a more common (and less expensive) process of stenciling. A newly restored version of Méliès' A Trip to
14628-778: The 1916 film Where Are My Children? , which discussed abortion and birth control and was added to the National Film Registry in 1993; her adaptation of Edgar Rice Burrough 's Tarzan of the Apes novel for the very first Tarzan of the Apes film , in 1918; The Blot (1921) is also generally considered one of her finest works. Weber is credited with discovering, mentoring, or making stars of several women actors, including Mary MacLaren , Mildred Harris , Claire Windsor , Esther Ralston , Billie Dove , Ella Hall , Cleo Ridgely , and Anita Stewart , and with discovering and inspiring screenwriter Frances Marion . For her contribution to
14840-473: The 1940s. Aluminum piano plates were not widely accepted and were discontinued. Prior to this, a piano made almost entirely of aluminum was placed aboard the airship Hindenburg . The numerous parts of a piano action are generally made from hardwood, such as maple, beech, or hornbeam ; however, since World War II, makers have also incorporated plastics. Early plastics used in some pianos in the late 1940s and 1950s, proved problematic when they lost strength after
15052-412: The 19th century, influenced by Romantic music trends, the fortepiano underwent changes such as the use of a cast iron frame (which allowed much greater string tensions) and aliquot stringing which gave grand pianos a more powerful sound, a longer sustain, and a richer tone. Later in the century, as the piano became more common it allowed families to listen to a newly published musical piece by having
15264-430: The 19th century, is a small piano-like instrument that generally uses round metal rods to produce sound, rather than strings. The US Library of Congress recognizes the toy piano as a unique instrument with the subject designation, Toy Piano Scores: M175 T69. In 1863, Henri Fourneaux invented the player piano , which plays itself from a piano roll . A machine perforates a performance recording into rolls of paper, and
15476-510: The Brain! (2006), incorporating live Foley artists , narration and orchestra at select showings. Shadow of the Vampire (2000) is a highly fictionalized depiction of the filming of Friedrich Wilhelm Murnau 's classic silent vampire movie Nosferatu (1922). Werner Herzog honored the same film in his own version, Nosferatu: Phantom der Nacht (1979). Some films draw a direct contrast between
15688-537: The Christian Science church regularly, according to Adela Rogers St. Johns , and, in at least two of her films, Jewel (1915) and its remake, A Chapter in Her Life (1923), Christian Science plays a prominent role. Weber's impeccable reputation and "impressive middle-class credentials" allowed her considerable artistic freedom in her presentation of controversial issues. In 1914, Weber made her first major feature,
15900-663: The Danish "The White Slave Trade" films ( Den hvide slavehandel ) (1910), and for telephone conversations." According to Tom Gunning, Professor Emeritus in the Department of Cinema and Media at the University of Chicago, and author of D. W. Griffith and the Origins of American Narrative Film , "No film made before WWI shows a stronger command of film style than Suspense [which] outdoes even Griffith for emotionally involved filmmaking". Suspense
16112-642: The Devil (1927). Israel has worked mainly in silent comedy, scoring the films of Harold Lloyd , Buster Keaton , Charley Chase , and others. Timothy Brock has restored many of Charlie Chaplin 's scores, in addition to composing new scores. Contemporary music ensembles are helping to introduce classic silent films to a wider audience through a broad range of musical styles and approaches. Some performers create new compositions using traditional musical instruments, while others add electronic sounds, modern harmonies, rhythms, improvisation, and sound design elements to enhance
16324-463: The Devil's Brew , which were all successful at the box office, but, while embraced by reformers in the film industry, "drew the ire of the conservatives". Despite the predominance of strong women in her films, in 1916 Weber disassociated herself from the women's suffrage movement . In Where Are My Children? ( working title : The Illborn ), which was released on April 16, 1916, Weber advocates social purity, birth control , and eugenics to prevent
16536-529: The Fender Rhodes, became important instruments in 1970s funk and jazz fusion and in some rock music genres. Electronic pianos are non-acoustic; they do not have strings, tines or hammers, but are a type of analog synthesizer that simulates or imitates piano sounds using oscillators and filters that synthesize the sound of an acoustic piano. They must be connected to a keyboard amplifier and speaker to produce sound (however, some electronic keyboards have
16748-930: The Gaumont Studio in Flushing, New York . In 1910, Weber and Smalley decided to pursue a career in the infant motion picture industry . For the next five years, they worked and were credited as The Smalleys (but typically Weber received sole writing credit) on dozens of shorts and features for small production companies like Gaumont, the New York Motion Picture Co., Reliance Studio, the Rex Motion Picture Company , and Bosworth , where Weber wrote scenarios and subtitles , acted, directed, designed sets and costumes , edited films, and even developed negatives . Weber took two years off her birth date when she signed her first movie contract. Weber and Smalley had
16960-679: The Lumière brothers on December 28, 1895, in Paris. This was furthered in 1896 by the first motion-picture exhibition in the United States at Koster and Bial's Music Hall in New York City. At this event, Edison set the precedent that all exhibitions should be accompanied by an orchestra. From the beginning, music was recognized as essential, contributing atmosphere, and giving the audience vital emotional cues. Musicians sometimes played on film sets during shooting for similar reasons. However, depending on
17172-536: The Moon , originally released in 1902, shows an exuberant use of color designed to add texture and interest to the image. Comments by an American distributor in a 1908 film-supply catalog further underscore France's continuing dominance in the field of hand-coloring films during the early silent era. The distributor offers for sale at varying prices "High-Class" motion pictures by Pathé , Urban-Eclipse , Gaumont , Kalem , Itala Film , Ambrosio Film , and Selig . Several of
17384-626: The Naked Truth, literally shown by an unidentified nude woman (Margaret Edwards). Margaret Sinclair Edwards (born 1877, New York City – died January 14, 1929, New York City), known on the stage as "Daisy Sinclair", appeared with the theatrical companies of Edward Harrigan , Eddie Foy , and Gus Edwards , among others. Her husband, John Edwards, an invalid, died the same year she did (1929). She appeared as Marguerite Edwards in A Physical Culture Romance in 1914, and in Weber's Sunshine Molly in 1915. Although
17596-505: The Sahara desert and a British cricket pitch. War scenes were shot on the plains of Grasmere, Staten Island . The Perils of Pauline and its even more popular sequel The Exploits of Elaine were filmed largely on the island. So was the 1906 blockbuster Life of a Cowboy , by Edwin S. Porter Company , and filming moved to the West Coast around 1912. The following are American films from
17808-451: The United States. In view of the enormous amount of labor involved which calls for individual hand painting of every one of sixteen pictures to the foot or 16,000 separate pictures for each 1,000 feet of film very few American colorists will undertake the work at any price. As film coloring has progressed much more rapidly in France than in any other country, all of our coloring is done for us by
18020-462: The United States. She was also the first American woman to direct a full-length feature film when she and Smalley directed The Merchant of Venice in 1914, and in 1917 the first American woman director to own her own film studio. During the war years , Weber "achieved tremendous success by combining a canny commercial sense with a rare vision of cinema as a moral tool". At her zenith, "few men, before or since, have retained such absolute control over
18232-547: The action—particularly for comedies and action films. Slow projection of a cellulose nitrate base film carried a risk of fire, as each frame was exposed for a longer time to the intense heat of the projection lamp; but there were other reasons to project a film at a greater pace. Often projectionists received general instructions from the distributors on the musical director's cue sheet as to how fast particular reels or scenes should be projected. In rare instances, usually for larger productions, cue sheets produced specifically for
18444-674: The actual song being performed. Films in this category include Griffith's Lady of the Pavements with Lupe Vélez , Edwin Carewe 's Evangeline with Dolores del Río , and Rupert Julian 's The Phantom of the Opera with Mary Philbin and Virginia Pearson . The Silent Film Sound and Music Archive digitizes music and cue sheets written for silent films and makes them available for use by performers, scholars, and enthusiasts. Silent-film actors emphasized body language and facial expression so that
18656-412: The adoption of sound-on-film technology. Traditional film colorization, all of which involved the use of dyes in some form, interfered with the high resolution required for built-in recorded sound, and were therefore abandoned. The innovative three-strip technicolor process introduced in the mid-1930s was costly and fraught with limitations, and color would not have the same prevalence in film as it did in
18868-562: The beginning of film and 1928. The following list includes only films produced in the sound era with the specific artistic intention of being silent. Several filmmakers have paid homage to the comedies of the silent era, including Charlie Chaplin , with Modern Times (1936), Orson Welles with Too Much Johnson (1938), Jacques Tati with Les Vacances de Monsieur Hulot (1953), Pierre Etaix with The Suitor (1962), and Mel Brooks with Silent Movie (1976). Taiwanese director Hou Hsiao-hsien 's acclaimed drama Three Times (2005)
19080-458: The best coloring establishment in Paris and we have found that we obtain better quality, cheaper prices and quicker deliveries, even in coloring American made films, than if the work were done elsewhere. By the beginning of the 1910s, with the onset of feature-length films, tinting was used as another mood setter, just as commonplace as music. The director D. W. Griffith displayed a constant interest and concern about color, and used tinting as
19292-418: The best of both of the older instruments, combining the ability to play at least as loudly as a harpsichord with the ability to continuously vary dynamics by touch. Cristofori's new instrument remained relatively unknown until an Italian writer, Scipione Maffei , wrote an enthusiastic article about it in 1711, including a diagram of the mechanism, that was translated into German and widely distributed. Most of
19504-472: The biggest-budgeted films to arrive at the exhibiting theater with original, specially composed scores. However, the first designated full-blown scores had in fact been composed in 1908, by Camille Saint-Saëns for The Assassination of the Duke of Guise , and by Mikhail Ippolitov-Ivanov for Stenka Razin . When organists or pianists used sheet music, they still might add improvisational flourishes to heighten
19716-461: The case of the 2002 restoration of Metropolis . With the lack of natural color processing available, films of the silent era were frequently dipped in dyestuffs and dyed various shades and hues to signal a mood or represent a time of day. Hand tinting dates back to 1895 in the United States with Edison's release of selected hand-tinted prints of Butterfly Dance . Additionally, experiments in color film started as early as in 1909, although it took
19928-511: The clavichord—the only previous keyboard instrument capable of dynamic nuance responding to the player's touch, the velocity with which the keys are pressed. While the clavichord allows expressive control of volume and sustain, it is relatively quiet even at its loudest. The harpsichord produces a sufficiently loud sound, especially when a coupler joins each key to both manuals of a two-manual harpsichord, but it offers no dynamic or expressive control over individual notes. The piano in some sense offers
20140-498: The crucial differences between stage and screen acting. Directors such as Albert Capellani and Maurice Tourneur began to insist on naturalism in their films. By the mid-1920s many American silent films had adopted a more naturalistic acting style, though not all actors and directors accepted naturalistic, low-key acting straight away; as late as 1927, films featuring expressionistic acting styles, such as Metropolis , were still being released. Greta Garbo , whose first American film
20352-459: The development of motion picture cameras, projectors and transparent celluloid film. Although Thomas Edison was keen to develop a film system that would be synchronised with his phonograph , he eventually introduced the kinetoscope as a silent motion picture viewer in 1893 and later "kinetophone" versions remained unsuccessful. The art of motion pictures grew into full maturity in the "silent era" ( 1894 in film – 1929 in film ). The height of
20564-581: The directorial duties with Smalley and Edwin S. Porter . At the time of Rex's merger with five other studios to form the Universal Film Manufacturing Company on April 30, 1912, Weber and Smalley were the " prima facie heads of Rex", and had relocated to Los Angeles. Rex continued as a subsidiary of Universal, with Weber and Smalley running it, making one two-reel film each week, until they left Rex in September 1912. Carl Laemmle startled
20776-572: The dominant filmmaker, at the expense of Smalley, after 1916, and Weber increasingly took credit for her contributions after 1917. However, as early as 1913, some saw Weber as the "fertile brain" in the partnership, with Smalley seen as an indolent womanizer "who chased every woman on the lot", which resulted in arguments and shouting matches. Silent film A silent film is a film without synchronized recorded sound (or more generally, no audible dialogue ). Though silent films convey narrative and emotion visually, various plot elements (such as
20988-401: The drama on screen. Even when special effects were not indicated in the score, if an organist was playing a theater organ capable of an unusual sound effect such as "galloping horses", it would be used during scenes of dramatic horseback chases. At the height of the silent era, movies were the single largest source of employment for instrumental musicians, at least in the United States. However,
21200-555: The famous " Mighty Wurlitzer " could simulate some orchestral sounds along with a number of percussion effects such as bass drums and cymbals, and sound effects ranging from "train and boat whistles [to] car horns and bird whistles; ... some could even simulate pistol shots, ringing phones, the sound of surf, horses' hooves, smashing pottery, [and] thunder and rain". Musical scores for early silent films were either improvised or compiled of classical or theatrical repertory music. Once full features became commonplace, however, music
21412-406: The film "careful, respectful, dignified, but lacking in passion and poetry", which he attributes to the difficulty it had satisfying the censor, and because the film was a special release rather than a release on the regular programme, exhibitors had to pay extra for it, which may have contributed to its swift demise. The Merchant of Venice is now considered a lost film . One film that illustrates
21624-954: The film after the district attorney filed suit against the theater manager and the Universal exchange president. Controversy, the threat of censorship, and the banning of Where Are My Children? in some locations helped fuel the box office success of the film, estimated to have grossed in excess of $ 3 million, in an era where ticket prices were less than 50c each, and "rocketed Weber's name to larger audiences, bigger box-office returns, and an even higher annual income". The film spread Weber's fame internationally. For example, Kevin Brownlow indicates that this film attracted 30,000 in Preston, Lancashire , 40,000 in Bradford, Yorkshire , and 100,000 in two weeks in Sydney. In 2000,
21836-422: The film industry with his use of and advocacy for women directors and producers, including Weber, Ida May Park and Cleo Madison . In the autumn of 1913, shortly after the incorporation of Universal City , Weber was elected its first mayor in a close contest that required a recount, and Laura Oakley as police chief. At the time, Universal's publicity department claimed Universal City was "the only municipality in
22048-462: The films they have directed—and certainly no women directors have achieved the all-embracing, powerful status once held by Lois Weber". By 1920, Weber was considered the "premier woman director of the screen and author and producer of the biggest money making features in the history of the film business". Among Weber's notable films are: the controversial Hypocrites , which featured the first non- pornography full-frontal female nude scene , in 1915;
22260-407: The films. Pianists and organists would play either from sheet music , or improvisation . Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema prior to
22472-475: The first film serial , The Million Dollar Mystery , released in 1914. The first westerns were filmed at Fred Scott 's Movie Ranch in South Beach, Staten Island. Actors costumed as cowboys and Native Americans galloped across Scott's movie ranch set, which had a frontier main street, a wide selection of stagecoaches and a 56-foot stockade. The island provided a serviceable stand-in for locations as varied as
22684-480: The first American female director to establish and run her own movie studio when she formed her own production company , Lois Weber Productions, with the financial assistance of Universal. She leased a self-contained estate, and had offices, dressing rooms, scenic and property rooms, and a 12,000 square feet (1,100 m) shooting stage constructed. Smalley was made studio manager , and the Smalleys made their home on
22896-453: The first American woman to direct a feature-length film in the United States, and the first person who "directed the first feature-length Shakespearean comedy". In February 1914, Universal released the four-reel Rex silent film which was also adapted by Weber and Smalley, and was also produced, directed, and starred Weber as Portia, and Smalley as Shylock. The film featured Douglas Gerrard , Rupert Julian , and Jeanie MacPherson , who would play
23108-411: The first commercially successful sound film , but silent films were still the majority of features released in both 1927 and 1928, along with so-called goat-glanded films: silents with a subsection of sound film inserted. Thus the modern sound film era may be regarded as coming to dominance beginning in 1929. For a listing of notable silent era films, see List of years in film for the years between
23320-418: The first firm to build pianos with a range of more than five octaves: five octaves and a fifth during the 1790s, six octaves by 1810 (Beethoven used the extra notes in his later works), and seven octaves by 1820. The Viennese makers similarly followed these trends; however the two schools used different piano actions: Broadwoods used a more robust action, whereas Viennese instruments were more sensitive. By
23532-458: The floor, behind the keyboard and very large sticker action . The short cottage upright or pianino with vertical stringing—made popular by Robert Wornum around 1815—was built into the 20th century. They are informally called birdcage pianos because of their prominent damper mechanism. The oblique upright, popularized in France by Roller & Blanchet during the late 1820s, was diagonally strung throughout its compass. The tiny spinet upright
23744-540: The form of upright, baby grand, and grand piano styles (including a nine-foot concert grand). Reproducing systems have ranged from relatively simple, playback-only models to professional models that can record performance data at resolutions that exceed the limits of normal MIDI data. The unit mounted under the keyboard of the piano can play MIDI or audio software on its CD. Pianos can have over 12,000 individual parts, supporting six functional features: keyboard, hammers, dampers, bridge, soundboard, and strings. Many parts of
23956-622: The formation of the Motion Picture Patents Company in an attempt to control the industry and shut out smaller producers. The "Edison Trust", as it was nicknamed, was made up of Edison , Biograph , Essanay Studios , Kalem Company , George Kleine Productions , Lubin Studios , Georges Méliès , Pathé , Selig Studios , and Vitagraph Studios , and dominated distribution through the General Film Company . This company dominated
24168-448: The framework to resonate more freely with the soundboard, creating additional coloration and complexity of the overall sound. The thick wooden posts on the underside (grands) or back (uprights) of the piano stabilize the rim structure and are made of softwood for stability. The requirement of structural strength, fulfilled by stout hardwood and thick metal, makes a piano heavy. Even a small upright can weigh 136 kg (300 lb), and
24380-425: The general public does not want serious entertainment rather than frivolous", and "A real director should be absolute. He (or she in this case) alone knows the effects he wants to produce, and he alone should have authority in the arrangement, cutting, titling or anything else that may seem necessary to do to the finished product. What other artist has his work interfered with by someone else?... We ought to realize that
24592-415: The higher notes were too soft to allow a full dynamic range. Although this earned him some animosity from Silbermann, the criticism was apparently heeded. Bach did approve of a later instrument he saw in 1747 and even served as an agent in selling Silbermann's pianos. "Instrument: piano et forte genandt"—a reference to the instrument's ability to play soft and loud—was an expression that Bach used to help sell
24804-459: The image to flicker , and images with low rates of flicker are very unpleasant to watch. Early studies by Thomas Edison for his Kinetoscope machine determined that any rate below 46 images per second "will strain the eye". and this holds true for projected images under normal cinema conditions also. The solution adopted for the Kinetoscope was to run the film at over 40 frames/sec, but this
25016-691: The industry as both a vertical and horizontal monopoly and is a contributing factor in studios' migration to the West Coast. The Motion Picture Patents Co. and the General Film Co. were found guilty of antitrust violation in October 1915, and were dissolved. The Thanhouser film studio was founded in New Rochelle, New York , in 1909 by American theatrical impresario Edwin Thanhouser . The company produced and released 1,086 films between 1910 and 1917, including
25228-828: The industry's acceptance of it, tinting was abandoned altogether, because the dyes used in the tinting process interfered with the soundtracks present on film strips. The early studios were located in the New York City area . Edison Studios were first in West Orange, New Jersey (1892), they were moved to the Bronx, New York (1907). Fox (1909) and Biograph (1906) started in Manhattan , with studios in St George, Staten Island . Other films were shot in Fort Lee, New Jersey . In December 1908, Edison led
25440-542: The instrument when he was acting as Silbermann's agent in 1749. Piano making flourished during the late 18th century in the Viennese school , which included Johann Andreas Stein (who worked in Augsburg , Germany) and the Viennese makers Nannette Streicher (daughter of Stein) and Anton Walter . Viennese-style pianos were built with wood frames, two strings per note, and leather-covered hammers. Some of these Viennese pianos had
25652-458: The interest of morality, decency, and public safety and welfare". Sensitive to the opinions of local communities, and hoping to avoid powerful censorship boards in the northeast and midwest, The Hand That Rocks the Cradle was distributed primarily in the southern and western regions of the United States, with the result that it did not attain the record-breaking attendance set by Where Are My Children?
25864-532: The introduction of sound with its 24 frame/sec standard speed 2-bladed shutters have become the norm for 35 mm cinema projectors, though three-bladed shutters have remained standard on 16 mm and 8 mm projectors, which are frequently used to project amateur footage shot at 16 or 18 frames/sec. A 35 mm film frame rate of 24 fps translates to a film speed of 456 millimetres (18.0 in) per second. One 1,000-foot (300 m) reel requires 11 minutes and 7 seconds to be projected at 24 fps, while
26076-470: The introduction of talkies, coupled with the roughly simultaneous onset of the Great Depression , was devastating to many musicians. A number of countries devised other ways of bringing sound to silent films. The early cinema of Brazil , for example, featured fitas cantatas (singing films), filmed operettas with singers performing behind the screen. In Japan , films had not only live music but also
26288-421: The invention of synchronized sound, but it also applies to such sound-era films as City Lights , Modern Times and Silent Movie which are accompanied by a music-only soundtrack in place of dialogue. The term silent film is a retronym —a term created to retroactively distinguish something from later developments. Early sound films, starting with The Jazz Singer in 1927, were variously referred to as
26500-519: The key. Centuries of work on the mechanism of the harpsichord in particular had shown instrument builders the most effective ways to construct the case, soundboard, bridge, and mechanical action for a keyboard intended to sound strings. The English word piano is a shortened form of the Italian pianoforte , derived from gravecembalo col piano e forte ("harpsichord with soft and loud"). Variations in volume ( loudness ) are produced in response to
26712-522: The keyboard set along the long side. This design is attributed to Christian Ernst Friderici (a pupil of Gottfried Silbermann) in Germany and Johannes Zumpe in England, and it was improved by changes first introduced by Guillaume-Lebrecht Petzold in France and Alpheus Babcock in the United States. Square pianos were built in great numbers through the 1840s in Europe and the 1890s in the United States, and saw
26924-605: The keys, hammers, and pedals during a performance, and the system saves the performance data as a Standard MIDI File (SMF). On playback, the solenoids move the keys and pedals and thus reproduce the original performance. Modern Disklaviers typically include an array of electronic features, such as a built-in tone generator for playing back MIDI accompaniment tracks, speakers, MIDI connectivity that supports communication with computing devices and external MIDI instruments, additional ports for audio and SMPTE input/output (I/O), and Internet connectivity. Disklaviers have been manufactured in
27136-559: The late 1920s with the perfection of the Audion amplifier tube and the advent of the Vitaphone system. Within a decade, the widespread production of silent films for popular entertainment had ceased, and the industry had moved fully into the sound era , in which movies were accompanied by synchronized sound recordings of spoken dialogue, music and sound effects . Most early motion pictures are considered lost owing to their physical decay, as
27348-505: The levers to make the hammers strike the strings. The first model, known as the Pianette , was unique in that the tuning pins extended through the instrument, so it could be tuned at the front. The prepared piano , present in some contemporary art music from the 20th and 21st century is a piano which has objects placed inside it to alter its sound, or has had its mechanism changed in some other way. The scores for music for prepared piano specify
27560-426: The longer, more prestigious films in the catalog are offered in both standard black-and-white "plain stock" as well as in "hand-painted" color. A plain-stock copy, for example, of the 1907 release Ben Hur is offered for $ 120 ($ 4,069 USD today), while a colored version of the same 1000-foot, 15-minute film costs $ 270 ($ 9,156) including the extra $ 150 coloring charge, which amounted to 15 cents more per foot. Although
27772-401: The mid-1910s, as the differences between stage and screen became apparent. Due to the work of directors such as D. W. Griffith , cinematography became less stage-like, and the development of the close up allowed for understated and realistic acting. Lillian Gish has been called film's "first true actress" for her work in the period, as she pioneered new film performing techniques, recognizing
27984-408: The modifications, for example, instructing the pianist to insert pieces of rubber, paper, metal screws, or washers in between the strings. These objects mute the strings or alter their timbre. Some Viennese fortepianos incorporated percussion effects, brought into action by levers. These would be used in pieces such as Mozart's Rondo alla Turca . The pedal piano is a rare type of piano that has
28196-402: The most forceful films ever made in support of legalizing birth control", a follow-up to the previous year's top money-maker for Universal, Where Are My Children? Directed by Weber and Smalley based on their original script, it starred Smalley and Weber, in her last screen appearance, as a doctor's wife arrested and imprisoned for illegally disseminating family planning information. Influenced by
28408-500: The most visible change of any type of piano: the iron-framed, over-strung squares manufactured by Steinway & Sons were more than two-and-a-half times the size of Zumpe's wood-framed instruments from a century before. Their overwhelming popularity was the result of inexpensive construction and price, although their tone and performance were limited by narrow soundboards, simple actions and string spacing that made proper hammer alignment difficult. The tall, vertically strung upright grand
28620-672: The motion picture industry, Weber was awarded a star on the Hollywood Walk of Fame on February 8, 1960. Florence Lois Weber was born on June 13, 1879, in Allegheny City, Pennsylvania , the second of three children of Mary Matilda Snaman and George Weber, an upholster and decorator who had spent several years in missionary street work. She was the younger sister of Elizabeth Snaman Weber Jay and older sister of Ethel Weber Howland, who later appeared in two of Weber's films in 1916 and married assistant director Louis A. Howland. The Webers were
28832-520: The new "talkies" around the mid-1930s. The visual quality of silent movies—especially those produced in the 1920s—was often high, but there remains a widely held misconception that these films were primitive, or are barely watchable by modern standards. This misconception comes from the general public's unfamiliarity with the medium, as well as from carelessness on the part of the industry. Most silent films are poorly preserved, leading to their deterioration, and well-preserved films are often played back at
29044-410: The next generation of piano builders started their work based on reading this article. One of these builders was Gottfried Silbermann , better known as an organ builder. Silbermann's pianos were virtual copies of Cristofori's, with one important addition: Silbermann invented the forerunner of the modern sustain pedal , which lifts all the dampers from the strings simultaneously. This innovation allows
29256-531: The nudity was tastefully done (it was passed by the National Board of Review of Motion Pictures after a two-month delay), it was still banned in Ohio; caused riots in New York; and James Michael Curley , the mayor of Boston, demanded that every frame displaying the naked figure of Truth be hand-painted to clothe the then unidentified actress. Hypocrites was released finally by Bosworth on January 15, 1915, and premiered at Manhattan's prestigious Longacre Theatre , and
29468-545: The opposite coloring of modern-day pianos; the natural keys were black and the accidental keys white. It was for such instruments that Wolfgang Amadeus Mozart composed his concertos and sonatas , and replicas of them are built in the 21st century for use in authentic-instrument performance of his music. The pianos of Mozart's day had a softer tone than 21st century pianos or English pianos, with less sustaining power. The term fortepiano now distinguishes these early instruments (and modern re-creations) from later pianos. In
29680-401: The paradoxical nature of Weber's role and films was her 1914 film The Spider and Her Web , where she advocates both modesty and maternalism. In this film, Weber plays "The Spider", a vamp living the "ultra-modern high life" who seduces and ruins intellectual men until frightened into adopting an orphan baby, which results in the salvation of the lead character through motherhood. As Universal
29892-462: The period from about 1790 to 1860, the Mozart-era piano underwent significant changes that led to the modern structure of the instrument. This revolution was in response to a preference by composers and pianists for a more powerful, sustained piano sound, which was made possible by the ongoing Industrial Revolution with resources such as high-quality piano wire for strings and precision casting for
30104-437: The pianist to sustain the notes that they have depressed even after their fingers are no longer pressing down the keys. As such, by holding a chord with the sustain pedal, pianists can relocate their hands to a different register of the keyboard in preparation for a subsequent section. Silbermann showed Johann Sebastian Bach one of his early instruments in the 1730s, but Bach did not like the instrument at that time, saying that
30316-439: The pianist's touch (pressure on the keys): the greater the pressure, the greater the force of the hammer hitting the strings and the louder the sound produced and the stronger the attack . Invented in 1700, the fortepiano was the first keyboard instrument to allow gradations of volume and tone according to how forcefully or softly the player presses or strikes the keys, unlike the pipe organ and harpsichord. The invention of
30528-537: The piano is credited to Bartolomeo Cristofori of Padua , Italy, who was employed by Ferdinando de' Medici, Grand Prince of Tuscany , as the Keeper of the Instruments. Cristofori was an expert harpsichord maker and was well acquainted with the body of knowledge on stringed keyboard instruments. This knowledge of keyboard mechanisms and actions helped him to develop the first pianos. It is not known when Cristofori first built
30740-431: The play Au Telephone by André de Lorde , which had been filmed in 1908 as Heard over the 'Phone by Edwin S. Porter. Adapted by Weber, it used multiple images and mirror shots to tell of a woman (Weber) threatened by a burglar ( Sam Kaufman ). Weber is credited with pioneering the use of the split screen technique to show simultaneous action in this film, but the "oft-mentioned triptych shots had already been used in
30952-515: The player piano replays the performance using pneumatic devices. Modern equivalents of the player piano include the Bösendorfer CEUS, Yamaha Disklavier and QRS Pianomation, using solenoids and MIDI rather than pneumatics and rolls. A silent piano is an acoustic piano having an option to silence the strings by means of an interposing hammer bar. They are designed for private silent practice, to avoid disturbing others. Edward Ryley invented
31164-450: The plots without specialised subtitling or additional commentary. Few film scores survived intact from the silent period, and musicologists are still confronted by questions when they attempt to precisely reconstruct those that remain. Scores used in current reissues or screenings of silent films may be complete reconstructions of compositions, newly composed for the occasion, assembled from already existing music libraries, or improvised on
31376-583: The power to demand that the company sponsor a private studio for her—Sunset Boulevard Studio—Weber controlled every aspect of production herself, even acting in them when the time allowed..."—Film historian Richard Koszarski in Hollywood Directors: 1914-1940 (1976) In April 1915, Weber and Smalley left Bosworth when the founder left the company due to ill health. After being promised they could make feature-length films by Carl Laemmle , they returned to Universal Pictures . Weber's first movie for Universal
31588-410: The preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano is more commonly used because of its smaller size and lower cost. When a key is depressed, the strings inside are struck by felt-coated wooden hammers. The vibrations are transmitted through a bridge to a soundboard that amplifies the sound by coupling
31800-485: The previous year. When The Hand That Rocks the Cradle opened at Clune's Auditorium in Los Angeles in June 1917, Weber appeared on stage, bitterly denouncing attempts to alter or suppress her film. While The Hand That Rocks the Cradle is now lost, the surviving script and accompanying marketing materials make it clear that Weber mounted an unstinting argument in favor of "voluntary motherhood". In June 1917 Weber became
32012-515: The pride and prejudice of religion". In its assertion of "Melting-pot idealism" by its approval of intermarriage between people of different religions, the film was considered controversial at the time of its release on December 18, 1913. In 1914, a year in which she directed 27 movies, Weber became "one of the first directors to come to the attention of the censors". That year, Weber co-directed an adaptation of Shakespeare's The Merchant of Venice with Smalley, who also played Shylock. making her
32224-418: The production of massive iron frames that could withstand the tremendous tension of the strings. Over time, the tonal range of the piano was also increased from the five octaves of Mozart's day to the seven octave (or more) range found on today's pianos. Early technological progress in the late 18th century owed much to the firm of Broadwood . John Broadwood joined with another Scot, Robert Stodart, and
32436-438: The projectionist provided a detailed guide to presenting the film. Theaters also—to maximize profit—sometimes varied projection speeds depending on the time of day or popularity of a film, or to fit a film into a prescribed time slot. All motion-picture film projectors require a moving shutter to block the light whilst the film is moving, otherwise the image is smeared in the direction of the movement. However this shutter causes
32648-424: The reasons for the cited extra charge were likely obvious to customers, the distributor explains why his catalog's colored films command such significantly higher prices and require more time for delivery. His explanation also provides insight into the general state of film-coloring services in the United States by 1908: The coloring of moving picture films is a line of work which cannot be satisfactorily performed in
32860-565: The recent trial and imprisonment of pioneer birth control advocate Margaret Sanger , the film drew explicitly on her headline-generating activism. The film was released only weeks after Sanger's own film, Birth Control , was banned under a 1915 ruling of the United States Supreme Court that films "did not constitute free speech", and the ruling of the New York Court of Appeals that a film on family planning may be censored "in
33072-486: The release of D. W. Griffith 's epic The Birth of a Nation (1915). In 1999, the Finnish filmmaker Aki Kaurismäki produced Juha in black and white, which captures the style of a silent film, using intertitles in place of spoken dialogue. Special release prints with titles in several different languages were produced for international distribution. In India, the film Pushpak (1988), starring Kamal Haasan ,
33284-478: The restored "Shoes" showing architect John B. Parkinson 's 1910 design for Pershing Square in Downtown Los Angeles has been used by the grassroots Pershing Square Restoration Society in promoting their campaign to restore the historic park. After another significant censorship battle, and a vigorous publicity campaign by Universal, on May 13, 1917, Universal released The Hand That Rocks the Cradle , "one of
33496-450: The rim was constructed from several pieces of solid wood, joined and veneered, and European makers used this method well into the 20th century. A modern exception, Bösendorfer (an Austrian manufacturer of high-quality pianos) constructs their inner rims from solid spruce, the same wood that the soundboard is made from, which is notched to allow it to bend; rather than isolating the rim from vibration, their "resonance case principle" allows
33708-405: The road company of "Why Girls Leave Home", where she became "a musical comedy prima donna and melodrama heroine". Weber received "promising reviews" for her performance; for example, The Boston Globe wrote in September 1904 that she "sang two very pretty songs very effectively and won considerable applause". The troupe's leading man and manager was Wendell Phillips Smalley (1865–1939),
33920-440: The silent era (from the early 1910s in film to the late 1920s) was a particularly fruitful period, full of artistic innovation. The film movements of Classical Hollywood as well as French Impressionism , German Expressionism , and Soviet Montage began in this period. Silent filmmakers pioneered the art form to the extent that virtually every style and genre of film-making of the 20th and 21st centuries has its artistic roots in
34132-470: The silent era. The silent era was also a pioneering one from a technical point of view. Three-point lighting, the close-up , long shot , panning , and continuity editing all became prevalent long before silent films were replaced by " talking pictures " or "talkies" in the late 1920s. Some scholars claim that the artistic quality of cinema decreased for several years, during the early 1930s, until film directors , actors, and production staff adapted fully to
34344-515: The silent film era and the era of talkies. Sunset Boulevard shows the disconnect between the two eras in the character of Norma Desmond , played by silent film star Gloria Swanson , and Singin' in the Rain deals with Hollywood artists adjusting to the talkies. Peter Bogdanovich 's 1976 film Nickelodeon deals with the turmoil of silent filmmaking in Hollywood during the early 1910s, leading up to
34556-479: The silent film era that had earned the highest gross income as of 1932. The amounts given are gross rentals (the distributor's share of the box-office) as opposed to exhibition gross. Although attempts to create sync-sound motion pictures go back to the Edison lab in 1896, only from the early 1920s were the basic technologies such as vacuum tube amplifiers and high-quality loudspeakers available. The next few years saw
34768-427: The silents for nearly four decades. As motion pictures gradually increased in running time, a replacement was needed for the in-house interpreter who would explain parts of the film to the audience. Because silent films had no synchronized sound for dialogue, onscreen inter-titles were used to narrate story points, present key dialogue and sometimes even comment on the action for the audience. The title writer became
34980-415: The silver screen. The animated film Fantasia (1940), which is eight different animation sequences set to music, can be considered a silent film, with only one short scene involving dialogue. The espionage film The Thief (1952) has music and sound effects, but no dialogue, as do Thierry Zéno 's 1974 Vase de Noces and Patrick Bokanowski 's 1982 The Angel . Baby grand piano A piano
35192-438: The size of the exhibition site, musical accompaniment could drastically change in scale. Small-town and neighborhood movie theatres usually had a pianist . Beginning in the mid-1910s, large city theaters tended to have organists or ensembles of musicians. Massive theatre organs , which were designed to fill a gap between a simple piano soloist and a larger orchestra, had a wide range of special effects. Theatrical organs such as
35404-403: The soundboard instead of dissipating uselessly in the case parts, which are inefficient radiators of sound." Hardwood rims are commonly made by laminating thin (hence flexible) strips of hardwood, bending them to the desired shape immediately after the application of glue. The bent plywood system was developed by C.F. Theodore Steinway in 1880 to reduce manufacturing time and costs. Previously,
35616-402: The soundboard is made of spruce boards glued together along the side grain. Spruce's high ratio of strength to weight minimizes acoustic impedance while offering strength sufficient to withstand the downward force of the strings. The best piano makers use quarter-sawn , defect-free spruce of close annular grain, carefully seasoning it over a long period before fabricating the soundboards. This
35828-438: The spot in the manner of the silent-era theater musician. Interest in the scoring of silent films fell somewhat out of fashion during the 1960s and 1970s. There was a belief in many college film programs and repertory cinemas that audiences should experience silent film as a pure visual medium, undistracted by music. This belief may have been encouraged by the poor quality of the music tracks found on many silent film reprints of
36040-462: The standardization of the projection speed of 24 frames per second (fps) for sound films between 1926 and 1930, silent films were shot at variable speeds (or " frame rates ") anywhere from 12 to 40 fps, depending on the year and studio. "Standard silent film speed" is often said to be 16 fps as a result of the Lumière brothers' Cinématographe , but industry practice varied considerably; there
36252-417: The string, such as rust on plain strings and dirt in the windings of bass strings. The higher the partial, the further sharp it runs. Pianos with shorter and thicker string (i.e., small pianos with short string scales) have more inharmonicity. The greater the inharmonicity, the more the ear perceives it as harshness of tone. The inharmonicity of piano strings requires that octaves be stretched , or tuned to
36464-418: The strings are placed in two separate planes, each with its own bridge height, allowed greater length to the bass strings and optimized the transition from unwound tenor strings to the iron or copper-wound bass strings. Over-stringing was invented by Pape during the 1820s and first patented for use in grand pianos in the United States by Henry Steinway Jr. in 1859. Some piano makers added variations to enhance
36676-448: The strings when the sustain pedal is depressed, key release, the drop of the dampers, and simulations of techniques such as re-pedalling. Digital, MIDI-equipped pianos can output a stream of MIDI data, or record and play MIDI format files on digital storage media, similar in concept to a pianola. The MIDI file records the physics of a note rather than its resulting sound and recreates the sounds from its physical properties (e.g., which note
36888-464: The strings. Inharmonicity is the degree to which the frequencies of overtones (known as partials or harmonics ) sound sharp relative to whole multiples of the fundamental frequency. This results from the piano's considerable string stiffness; as a struck string decays, its harmonics vibrate from a point very slightly from its termination toward the center (or more flexible part) of the string. The inharmonicity may also result from imperfections within
37100-665: The struggles of working-class women for consumer goods and upward mobility and their dubious sexual activities, including prostitution. Starring Mary Maclaren as Eva Meyer, a poverty-stricken shopgirl who supports her family of five, who needs to replace her only pair of shoes, and is so desperate that she sells her virginity for a new pair, it proved to be the most booked Bluebird production of 1916. A version restored digitally from three extant fragments by EYE Film Institute Netherlands , made its debut in North America in July 2011. A scene from
37312-446: The studio lot at 1550 N. Sierra Bonita Avenue. According to film historian Shelley Stamp, while Weber and Smalley were often co-credited as directors, it was "the wife who clearly had the artistic vision to drive the business partnership forward". By this time, Weber's "idealized collaborative marriage" with Smalley had begun to show signs of deterioration, which was accelerated by the increased focus of critics and journalists on Weber as
37524-437: The sustain pedal is depressed) and full pedal sets can now be replicated. The processing power of digital pianos has enabled highly realistic pianos using multi-gigabyte piano sample sets with as many as ninety recordings, each lasting many seconds, for each key under different conditions (e.g., there are samples of each note being struck softly, loudly, with a sharp attack, etc.). Additional samples emulate sympathetic resonance of
37736-433: The time. Since around 1980, there has been a revival of interest in presenting silent films with quality musical scores (either reworkings of period scores or cue sheets, or the composition of appropriate original scores). An early effort of this kind was Kevin Brownlow 's 1980 restoration of Abel Gance 's Napoléon (1927), featuring a score by Carl Davis . A slightly re-edited and sped-up version of Brownlow's restoration
37948-547: The title character's non-talkative nature to create a similar style of humor. A lesser-known example is Jérôme Savary 's La fille du garde-barrière (1975), an homage to silent-era films that uses intertitles and blends comedy, drama, and explicit sex scenes (which led to it being refused a cinema certificate by the British Board of Film Classification ). In 1990, Charles Lane directed and starred in Sidewalk Stories ,
38160-415: The tone of each note, such as Pascal Taskin (1788), Collard & Collard (1821), and Julius Blüthner , who developed Aliquot stringing in 1893. These systems were used to strengthen the tone of the highest register of notes on the piano, which up until this time were viewed as being too weak-sounding. Each used more distinctly ringing, undamped vibrations of sympathetically vibrating strings to add to
38372-542: The tone, except the Blüthner Aliquot stringing , which uses an additional fourth string in the upper two treble sections. While the hitchpins of these separately suspended Aliquot strings are raised slightly above the level of the usual tri-choir strings, they are not struck by the hammers but rather are damped by attachments of the usual dampers. Eager to copy these effects, Theodore Steinway invented duplex scaling , which used short lengths of non-speaking wire bridged by
38584-629: The traditional approach include organists such as Dennis James and pianists such as Neil Brand , Günter Buchwald, Philip C. Carli, Ben Model , and William P. Perry . Other contemporary pianists, such as Stephen Horne and Gabriel Thibaudeau, have often taken a more modern approach to scoring. Orchestral conductors such as Carl Davis and Robert Israel have written and compiled scores for numerous silent films; many of these have been featured in showings on Turner Classic Movies or have been released on DVD. Davis has composed new scores for classic silent dramas such as The Big Parade (1925) and Flesh and
38796-468: The viewing experience. Among the contemporary ensembles in this category are Un Drame Musical Instantané , Alloy Orchestra , Club Foot Orchestra , Silent Orchestra , Mont Alto Motion Picture Orchestra, Minima and the Caspervek Trio, RPM Orchestra . Donald Sosin and his wife Joanna Seaton specialize in adding vocals to silent films, particularly where there is onscreen singing that benefits from hearing
39008-408: The way the piano was strung. There are one string for each note in the bass, two for each note in the tenor, and three for each note in the tenor. The use of a Capo d’Astro bar instead of agraffes in the uppermost treble allowed the hammers to strike the strings in their optimal position, greatly increasing that area's power. The implementation of over-stringing (also called cross-stringing ), in which
39220-399: The work of a picture director, worthy of a name, is creative". In February 1916, Weber and Smalley were transferred to Universal's Bluebird Photoplays brand, where they made a dozen features, including The Dumb Girl of Portici (also known as Pavlowa ), adapted by Weber from Daniel Auber 's 1828 opera La muette de Portici , Russian ballerina Anna Pavlova 's only screen appearance, which
39432-433: The world that possesses an entire outfit of women officials". In March 1913, Weber starred in the first English language version of Oscar Wilde 's The Picture of Dorian Gray , which was produced for the New York Motion Picture Co., directed by Smalley from an adaptation by Weber, and featuring Wallace Reid as Dorian Gray. In 1913, Weber and Smalley collaborated in directing a ten-minute thriller, Suspense , based on
39644-409: The wrong speed or suffer from censorship cuts and missing frames and scenes, giving the appearance of poor editing. Many silent films exist only in second- or third-generation copies, often made from already damaged and neglected film stock. Many early screening were plagued by flicker on the screen, when the stroboscopic interruptions between frames lay below the critical flicker frequency . This
39856-527: Was Scandal , in which both Weber and Smalley starred, that featured the consequences of gossip mongering. In 1916, Weber directed 10 feature-length films for release by Universal, nine of which she also wrote, and she also became Universal Studios ' highest-paid director, earning $ 5,000 a week. She "enjoyed complete freedom in overseeing most stages of the film-making process – choice of stories and actors, writing of scripts (which she invariably did herself), as well as direction". Universal head Carl Laemmle, "who
40068-419: Was "celebrated as a cultural, artistic, and moral landmark for the film industry", and "praised for its use of multiple exposures and complex film editing". While its negative cost was $ 18,000, it earned $ 119,000 in sales in the United States alone and made Weber "a household name". In a 1917 interview, Weber denied the film was indecent and defended the film: "Hypocrites is not a slap at any church or creed – it
40280-407: Was "one of the first directors to come to the attention of the censors in Hollywood's early years". Weber has been credited with pioneering the use of the split screen technique to show simultaneous action in her 1913 film Suspense . In collaboration with her first husband, Phillips Smalley , in 1913 Weber was "one of the first directors to experiment with sound", making the first sound films in
40492-680: Was a black comedy entirely devoid of dialog. The Australian film Doctor Plonk (2007), was a silent comedy directed by Rolf de Heer . Stage plays have drawn upon silent film styles and sources. Actor/writers Billy Van Zandt and Jane Milmore staged their Off-Broadway slapstick comedy Silent Laughter as a live action tribute to the silent screen era. Geoff Sobelle and Trey Lyford created and starred in All Wear Bowlers (2004), which started as an homage to Laurel and Hardy then evolved to incorporate life-sized silent film sequences of Sobelle and Lyford who jump back and forth between live action and
40704-424: Was arranged like a grand set on end, with the soundboard and bridges above the keys and tuning pins below them. " Giraffe pianos ", " pyramid pianos " and " lyre pianos " were arranged in a somewhat similar fashion, using evocatively shaped cases. The very tall cabinet piano was introduced about 1805 and was built through the 1840s. It had strings arranged vertically on a continuous frame with bridges extended nearly to
40916-415: Was compiled from photoplay music by the pianist, organist, orchestra conductor or the movie studio itself, which included a cue sheet with the film. These sheets were often lengthy, with detailed notes about effects and moods to watch for. Starting with the mostly original score composed by Joseph Carl Breil for D. W. Griffith 's epic The Birth of a Nation (1915), it became relatively common for
41128-478: Was controversial, the door had been opened for a new approach to the presentation of classic silent films. Today, a large number of soloists, music ensembles, and orchestras perform traditional and contemporary scores for silent films internationally. The legendary theater organist Gaylord Carter continued to perform and record his original silent film scores until shortly before his death in 2000; some of those scores are available on DVD reissues. Other purveyors of
41340-468: Was convinced the theatrical profession needed a missionary, he suggested that the best way to reach them was to become one of them so I went on the stage filled with a great desire to convert my fellowman". For five years Weber was a repertory and stock actress . After a short stint as a soubrette in the farce comedy "Zig-Zag" for a Chicago-based touring company, Weber resigned as it "proved too superficial for her altruistic aims". In 1904, Weber joined
41552-537: Was designing a stringed keyboard instrument in which the notes are struck by a hammer. The hammer must strike the string but not remain in contact with it, because continued contact would damp the sound and stop the string from vibrating and making sound. This means that after striking the string, the hammer must quickly fall from (or rebound from) the strings. Moreover, the hammer must return to its rest position without bouncing violently (thus preventing notes from being re-played by accidental rebound), and it must return to
41764-546: Was directed to Pavlova's satisfaction by Weber. The film also starred Rupert Julian as Masaniello . Released to popular acclaim, it premiered on April 3, 1916, at the Globe Theatre in Manhattan. Hoping to "become the editorial page of the studio", and to "provoke a middle-class sense of responsibility for those less fortunate than themselves, and to stimulate moral reforms", Weber specialized in making films that stressed both high quality and moral rectitude, including films of
41976-451: Was expensive for film. However, by using projectors with dual- and triple-blade shutters the flicker rate is multiplied two or three times higher than the number of film frames — each frame being flashed two or three times on screen. A three-blade shutter projecting a 16 fps film will slightly surpass Edison's figure, giving the audience 48 images per second. During the silent era projectors were commonly fitted with 3-bladed shutters. Since
42188-410: Was hampered by long exposure times for photographic emulsions , until Eadweard Muybridge managed to record a chronophotographic sequence in 1878. After others had animated his pictures in zoetropes , Muybridge started lecturing with his own zoopraxiscope animation projector in 1880. The work of other pioneering chronophotographers, including Étienne-Jules Marey and Ottomar Anschütz , furthered
42400-433: Was hired by American Gaumont Chronophones , which produced phonoscènes , initially as a singer of songs recorded for the chronophone . Both Herbert Blaché and his wife, Alice Guy , later claimed to have given Weber her start in the movie industry. At the end of the 1908 theatrical season, Smalley joined Weber at Gaumont. Soon Weber was writing scripts, and in 1908 Weber began directing English language phonoscènes at
42612-530: Was known more for his frugality and cunning business sense than philanthropy", said of Weber: "I would trust Miss Weber with any sum of money that she needed to make any picture that she wanted to make. I would be sure that she would bring it back." Also in 1916, Weber became the first and only woman inducted into the Motion Picture Directors Association . In 1916, Weber explained her philosophy of directing films: "I'll never be convinced that
42824-403: Was later distributed in the United States by Francis Ford Coppola , with a live orchestral score composed by his father Carmine Coppola . In 1984, an edited restoration of Metropolis (1927) was released with a new rock music score by producer-composer Giorgio Moroder . Although the contemporary score, which included pop songs by Freddie Mercury , Pat Benatar , and Jon Anderson of Yes ,
43036-411: Was manufactured from the mid-1930s until recent times. The low position of the hammers required the use of a "drop action" to preserve a reasonable keyboard height. Modern upright and grand pianos attained their present, 2000-era forms by the end of the 19th century. While improvements have been made in manufacturing processes, and many individual details of the instrument continue to receive attention, and
43248-514: Was no actual standard. William Kennedy Laury Dickson , an Edison employee, settled on the astonishingly fast 40 frames per second. Additionally, cameramen of the era insisted that their cranking technique was exactly 16 fps, but modern examination of the films shows this to be in error, and that they often cranked faster. Unless carefully shown at their intended speeds silent films can appear unnaturally fast or slow. However, some scenes were intentionally undercranked during shooting to accelerate
43460-603: Was performing as a soprano singer and pianist. She toured the United States as a concert pianist until her final performance in Charleston, South Carolina , a year later. After a piano key broke during a recital, Weber retired from the concert stage, having lost her nerve to play in public. Frustrated by the futility of one-on-one conversions, and following the advice of an uncle in Chicago, Weber decided to take up acting about 1904, and moved to New York City, where she took some singing lessons. Weber later explained her motivation: "As I
43672-616: Was released in 1926, would become known for her naturalistic acting. According to Anton Kaes, a silent film scholar from the University of California, Berkeley, American silent cinema began to see a shift in acting techniques between 1913 and 1921, influenced by techniques found in German silent film. This is mainly attributed to the influx of emigrants from the Weimar Republic , "including film directors, producers, cameramen, lighting and stage technicians, as well as actors and actresses". Until
43884-449: Was released on July 6, 1913. In late 1913, Weber and Smalley made The Jew's Christmas , a three-reel silent film that dramatizes the conflict between traditional Jewish values and American customs and values, illustrating the challenges of cultural assimilation , especially the generational conflict over interfaith marriage and the second generation's abandonment of the faith and customs of their ancestors. In "the earliest portrayal of
44096-528: Was reluctant to make feature-length films, in the summer of 1914 Weber was persuaded to move to the Bosworth company by Julia Crawford Ivers , the first woman general manager of a film studio, to take over the production duties from Hobart Bosworth on a $ 50,000 a year contract, making her "the best known, most respected and highest-paid" of the dozen or so women directors in Hollywood at that time. In 1914, Bertha Smith estimated Weber's audience at five to six million
44308-575: Was solved with the introduction of a three-bladed shutter (since 1902), causing two more interruptions per frame. Another widely held misconception is that silent films lacked color. In fact, color was far more prevalent in silent films than in the first few decades of sound films. By the early 1920s, 80 percent of movies could be seen in some sort of color, usually in the form of film tinting or toning or even hand coloring, but also with fairly natural two-color processes such as Kinemacolor and Technicolor . Traditional colorization processes ceased with
44520-490: Was struck and with what velocity). Computer based software, such as Modartt's 2006 Pianoteq , can be used to manipulate the MIDI stream in real time or subsequently to edit it. This type of software may use no samples but synthesize a sound based on aspects of the physics that went into the creation of a played note. By the 2000s, some pianos included an acoustic grand piano or upright piano combined with MIDI electronic features. Such
44732-454: Was the cause of this outburst from director Marshall Neilan in 1917: "The sooner the stage people who have come into pictures get out, the better for the pictures." In other cases, directors such as John Griffith Wray required their actors to deliver larger-than-life expressions for emphasis. As early as 1914, American viewers had begun to make known their preference for greater naturalness on screen. Silent films became less vaudevillian in
44944-403: Was the first to use in pianos in 1826, was a more consistent material, permitting wider dynamic ranges as hammer weights and string tension increased. The sostenuto pedal ( see below ), invented in 1844 by Jean-Louis Boisselot and copied by the Steinway firm in 1874, allowed for a wider range of effects. One innovation that helped create the powerful sound of the modern piano was the use of
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