72-570: Little Hans Andersen is a musical fairy pantomime in two acts and seven scenes for children with lyrics by Basil Hood and music by Walter Slaughter . It was a revised version of Hood and Slaughter's pantomime Hans Andersen's Fairytales , based on the fairy tales of Hans Christian Andersen which had opened at Terry's Theatre in December 1897. After the last performance of the Savoy Opera A Princess of Kensington , produced by William Greet ,
144-590: A British expatriate audience and later adapted by Maltese producers for Maltese audiences. While in many former territories of the British empire, pantomime declined in popularity after independence, as it was seen as a symbol of colonial rule, studies have shown that this genre remains strong in Malta. Pantomime was brought to Switzerland by British immigrants and is performed regularly in Geneva since 1972 and Basel since 1994, in
216-572: A comic "night scene". Tavern Bilkers , by John Weaver , the dancing master at Drury Lane, is cited as the first pantomime produced on the English stage. This production was not a success, and Weaver waited until 1716 to produce his next pantomimes, including The Loves of Mars and Venus – a new Entertainment in Dancing after the manner of the Antient Pantomimes . The same year he produced a pantomime on
288-800: A consequence, Americans commonly understand the word "pantomime" to refer to the art of mime as it is practised by mime artists . According to Russell A. Peck of the University of Rochester , the earliest pantomime productions in the US were Cinderella pantomime productions in New York in March 1808, New York again in August 1808, Philadelphia in 1824, and Baltimore in 1839. A production at Olympic Theatre in New York of Humpty Dumpty ran for at least 943 performances between 1868 and 1873, (one source says 1,200 performances), becoming
360-518: A dance form, has been adopted by various theatre practitioners as well. Before the work of Étienne Decroux there was no major treatise on the art of mime, and so any recreation of mime as performed prior to the twentieth century is largely conjecture, based on interpretation of diverse sources. However, the twentieth century also brought a new medium into widespread usage: the motion picture. The restrictions of early motion picture technology meant that stories had to be told with minimal dialogue, which
432-514: A dancer who acted all the roles or all the story. The Roman pantomime drew upon the Greek tragedy and other Greek genres from its inception, although the art was instituted in Ancient Rome and little is known of it in pre-Roman Greece. The English word came to be applied to the performance itself. According to a lost oration by Aelius Aristides , the pantomime was known for its erotic content and
504-607: A form of entertainment that spread throughout the empire where, because of its wordless nature, it did more than any other art to foster knowledge of the myths and Roman legends that formed its subject-matter – tales such as those of the love of Venus and Mars and of Dido and Aeneas – while in Italy its chief exponents were celebrities, often the protegés of influential citizens, whose followers wore badges proclaiming their allegiance and engaged in street-fights with rival groups, while its accompanying songs became widely known. Yet, because of
576-456: A good lick', McKellen adopts a suitable look of mock-outrage. ... At least we can tell our grandchildren that we saw McKellen's Twankey and it was huge." The main roles within pantomime are usually as follows: Pantomime is performed in the United Kingdom, Ireland, Switzerland, Australasia, Canada, Jamaica, South Africa, Malta and Andorra, among other places. It is performed mostly during
648-402: A hand-language (cheironomy) so complex and expressive that the pantomime's hands were commonly compared to an eloquent mouth. Pantomime differed from mime by its more artistic nature and relative lack of farce and coarse humour, though these were not absent from some productions. Roman pantomime was immensely popular from the end of the first century BC until the end of the sixth century AD,
720-628: A hangar at Basel Airport . The Geneva Amateur Operatic Society has performed pantomimes annually since 1972. since 2009 the Basel English Panto Group has performed at the Scala Basel each December. Annual pantomimes have been running at Christmas in the UAE (and elsewhere in the GCC) since 2007. They are mainly performed by Dubai Panto (a trade name of h2 Productions.ae ) in conjunction with Outside
792-508: A kind of harlequinade, very different from that which is seen at the Opéra-Comique in Paris, where harlequin and all the characters speak." The majority of these early pantomimes were re-tellings of a story from ancient Greek or Roman literature, with a break between the two acts during which the harlequinade's zany comic business was performed. The theatre historian David Mayer explains the use of
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#1733086086169864-478: A mime, and his later films had only minimal dialogue, relying instead on many subtle expertly choreographed visual gags. Tati, like Chaplin before him, would mime out the movements of every single character in his films and ask his actors to repeat them. Mime has been performed on stage, with Marcel Marceau and his character "Bip" being the most famous. Mime is also a popular art form in street theatre and busking . Traditionally, these sorts of performances involve
936-406: A more romantic and stylised way. Grimaldi's performances elevated the role by "acute observation upon the foibles and absurdities of society, and his happy talent of holding them up to ridicule. He is the finest practical satyrist [ sic ] that ever existed. ... He was so extravagantly natural, that the most saturnine looker-on acknowledged his sway; and neither the wise, the proud, or
1008-403: A popular form of theatre, incorporating song, dance, buffoonery, slapstick , cross-dressing , in-jokes, topical references, audience participation, and mild sexual innuendo . Scottish comedian Craig Ferguson , in his 2020 memoir, summarizes contemporary pantomime as classic folklore and fairy tales loosely retold in a slapstick theatrical comedy-musical, writing: "Think Mamma Mia! featuring
1080-448: A singer or chorus (though Lucian states that originally the pantomime himself was the singer). Music was supplied by flute and the pulse of an iron-shod shoe called a scabellum . Performances might be in a private household, with minimal personnel, or else lavish theatrical productions involving a large orchestra and chorus and sometimes an ancillary actor. The dancer danced all the roles, relying on masks, stock poses and gestures and
1152-620: A story more or less based on a well-known fairy tale, fable or folk tale . Pantomime is a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. Pantomime has a long theatrical history in Western culture dating back to the era of classical theatre . It developed partly from the 16th century commedia dell'arte tradition of Italy and other European and British stage traditions, such as 17th-century masques and music hall . An important part of
1224-512: Is a person who uses mime (also called pantomime outside of Britain), the acting out of a story through body motions without the use of speech , as a theatrical medium or as a performance art . In earlier times, in English, such a performer would typically be referred to as a mummer . Miming is distinguished from silent comedy , in which the artist is a character in a film or skit without sound. Jacques Copeau , strongly influenced by Commedia dell'arte and Japanese Noh theatre, used masks in
1296-524: Is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking countries, especially during the Christmas and New Year season. Modern pantomime includes songs, gags, slapstick comedy and dancing. It generally combines gender-crossing actors and topical humour with
1368-430: Is being slowed down in his pursuit of them by his servant, Clown, and by a bumbling policeman. After the time of Grimaldi, Clown became the principal schemer trying to thwart the lovers, and Pantaloon was merely his assistant. The opening "fairy story" was often blended with a story about a love triangle: a "cross-grained" old father who owns a business and whose pretty daughter is pursued by two suitors. The one she loves
1440-540: Is poor but worthy, while the father prefers the other, a wealthy fop. Another character is a servant in the father's establishment. Just as the daughter is to be forcibly wed to the fop, or just as she was about to elope with her lover, the good fairy arrives. This was followed by what was often the most spectacular part of the production, the magical transformation scene. In early pantomimes, Harlequin possessed magical powers that he used to help himself and his love interest escape. He would tap his wooden sword (a derivative of
1512-506: Is saved from rocks and axe, I think he should pay the powder-tax. His guyish plots blown up – nay, do not frown; You've always been a guy – now be a Clown. This passage is from a pantomime adaptation of the Guy Fawkes story. The fairy creates the characters of the harlequinade in the most typical fashion of simply telling the characters what they will change into. The principal male and female characters from
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#17330860861691584-665: The Grimm Brothers . Some of the most popular pantomime stories include Cinderella , Aladdin , Dick Whittington and His Cat and Snow White and the Seven Dwarfs , as well as Jack and the Beanstalk , Peter Pan , Puss in Boots and Sleeping Beauty . Other traditional stories include Mother Goose , Beauty and the Beast , Robinson Crusoe , The Wizard of Oz , Babes in
1656-665: The Inventory of the Intangible Cultural Heritage in France [ fr ] since 2017. The performance of mime originates at its earliest in Ancient Greece ; the name is taken from a single masked dancer called Pantomimus , although performances were not necessarily silent. The first recorded mime was Telestēs in the play Seven Against Thebes by Aeschylus . Tragic mime was developed by Puladēs of Kilikia; comic mime
1728-629: The Little Theatre Movement in Jamaica. Among the first players was Louise Bennett-Coverley . Other notable players have included Oliver Samuels , Charles Hyatt , Willard White , Rita Marley and Dawn Penn . The annual pantomime opens on Boxing Day at the Little Theatre in Kingston and is strongly influenced by aspects of Jamaican culture, folklore and history. Pantomime was imported for
1800-497: The Three Stooges but with everyone's back catalogue, not just ABBA 's", and furthermore including audience participation reminiscent of showings of the film The Rocky Horror Picture Show . Pantomime story lines and scripts usually make no direct reference to Christmas and are almost always based on traditional children's stories, particularly the fairy tales of Charles Perrault , Joseph Jacobs , Hans Christian Andersen and
1872-501: The masque , which grew in pomp and spectacle from the 15th to the 17th centuries. The development of English pantomime was also strongly influenced by the continental commedia dell'arte , a form of popular theatre that arose in Italy in the Early Modern Period . This was a "comedy of professional artists" travelling from province to province in Italy and then France, who improvised and told comic stories that held lessons for
1944-747: The "batte" or slapstick and the transformation scene that led to the harlequinade: Rich gave his Harlequin the power to create stage magic in league with offstage craftsmen who operated trick scenery. Armed with a magic sword or bat (actually a slapstick), Rich's Harlequin treated his weapon as a wand, striking the scenery to sustain the illusion of changing the setting from one locale to another. Objects, too, were transformed by Harlequin's magic bat. Pantomime gradually became more topical and comic, often involving spectacular and elaborate theatrical effects as far as possible. Colley Cibber , David Garrick and others competed with Rich and produced their own pantomimes, and pantomime continued to grow in popularity. By
2016-422: The 17th century, adaptations of the commedia characters became familiar in English entertainments. From these, the standard English harlequinade developed, depicting the eloping lovers Harlequin and Columbine , pursued by the girl's father Pantaloon and his comic servants Clown and Pierrot . In English versions, by the 18th century, Harlequin became the central figure and romantic lead. The basic plot of
2088-621: The 1980s. The White Rock Players Club in White Rock, BC have presented an annual pantomime in the Christmas season since 1954. The Royal Canadian Theatre Company produces pantomimes in British Columbia, written by Ellie King. Since 2013, Theatre Replacement has been producing East Van Panto in partnership with The Cultch in Vancouver. The National Pantomime of Jamaica was started in 1941 by educators Henry Fowler and Greta Fowler, pioneers of
2160-826: The Box Events LLC. They increased to three pantomimes at Christmas since 2021 – 2 in Dubai and 1 in Abu Dhabi. One of the locations for Dubai Pantomimes is at the theatre on the Queen Elizabeth 2 cruise ship The other is in the theatre at the Erth Hotel, Abu Dhabi (formerly the Armed Forces Officers Club and Hotel). Pantomime as described in this article was seldom performed in the United States until recent decades. As
2232-454: The Christmas and New Year season. Many theatres in cities and towns throughout the United Kingdom and Ireland continue to present an annual professional pantomime. Pantomime is also popular with amateur dramatics societies throughout the UK and Ireland, and during the pantomime season (roughly speaking, late November to February) productions are staged in many village halls and similar venues across
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2304-459: The Commedia dell'arte slapstick or "batte") on the floor or scenery to make a grand transition of the world around him take place. The scene would switch from being inside some house or castle to, generally speaking, the streets of the town with storefronts as the backdrop. The transformation sequence was presided over by a Fairy Queen or Fairy Godmother character. The good fairy magically transformed
2376-687: The Teatre de les Fontetes in the parish of La Massana. Now it is produced by English and English-speaking international volunteers as part of the Advent celebrations supported by the Comú de La Massana, the local businesses the Club International d'Andorra and Vallnord ski station to raise money, most recently, for the less privileged children of Andorra. Pantomimes in Australia at Christmas were once very popular, but
2448-729: The Wood (combined with elements of Robin Hood ), Little Red Riding Hood , Goldilocks and the Three Bears , Sinbad , St. George and the Dragon , Bluebeard , The Little Mermaid and Thumbelina . Prior to about 1870, many other stories were made into pantomimes. While the familiarity of the audience with the original children's story is generally assumed, plot lines are almost always adapted for comic or satirical effect, and characters and situations from other stories are often interpolated into
2520-442: The actor/actress wearing tight black and white clothing with white facial makeup. However, contemporary mimes often perform without whiteface. Similarly, while traditional mimes have been completely silent, contemporary mimes, while refraining from speaking, sometimes employ vocal sounds when they perform. Mime acts are often comical, but some can be very serious. Canadian author Michael Jacot's first novel, The Last Butterfly , tells
2592-557: The beginning plotline, often both played by young women, became the lovers Columbine and Harlequin, the mother or father of Columbine became Pantaloon, and the servant or other comic character became Clown. They would transition into the new characters as the scenery around them changed and would proceed in the "zany fun" section of the performance. From the time of Grimaldi, Clown would see the transformed setting and cry: "Here We Are Again!" The harlequinade began with various chase scenes, in which Harlequin and Columbine manage to escape from
2664-653: The capability of dance to render complex stories and express human emotion. In the Middle Ages, the Mummers Play was a traditional English folk play, based loosely on the Saint George and the Dragon legend, usually performed during Christmas gatherings, which contained the origin of many of the archetypal elements of the pantomime, such as stage fights, coarse humour and fantastic creatures, gender role reversal, and good defeating evil. Precursors of pantomime also included
2736-739: The cast of the D'Oyly Carte Opera Company dispersed and many of them moved to the Adelphi Theatre to appear in the new musical comedy The Earl and the Girl (1903), also produced by Greet; there they next appeared in Little Hans Andersen from 23 December 1903 to 16 January 1904 for 23 matinee performances. Greet followed this with other productions at the Adelphi in which many of the same cast members appeared. Pantomime Pantomime ( / ˈ p æ n t ə ˌ m aɪ m / ; informally panto )
2808-418: The clutches of Clown and Pantaloon, despite the acrobatic leaps of the former through windows, atop ladders, often because of well-meaning but misguided actions of the policeman. Eventually, there was a "dark scene", such as a cave or forest, in which the lovers were caught, and Harlequin's magic wand was seized from his grasp by Clown, who would flourish it in triumph. The good fairy would then reappear, and once
2880-516: The country. Kitty Gurnos-Davies states in her doctoral dissertation that pantomime is responsible for 20% of all live performances in the UK in any one year. The 2018–2019 season saw pantomime performances generating over £60m for the first time in recorded British history. It was first produced annually in Andorra by the English-speaking Mums' group, from the British expatriate community, in
2952-570: The craft of mime in the theatre, but, through film, they had a profound influence on mimes working in live theatre decades after their deaths. Indeed, Chaplin may be the best-documented mime in history. Harpo Marx , of the Marx Brothers comedy team, continued the mime tradition in the sound film era, his silent persona working in counterpoint to the verbal comedy of his brothers Groucho and Chico . The famous French comedian, writer, and director Jacques Tati achieved his initial popularity working as
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3024-537: The craziness of the harlequinade chase scene. It was the most exciting part of the "panto", because it was fast-paced and included spectacular scenic magic as well as slapstick comedy, dancing and acrobatics. The presence of slapstick in this part of the show evolved from the characters found in Italian commedia dell'arte. The plot of the harlequinade was relatively simple; the star-crossed lovers, Harlequin and Columbine, run away from Columbine's foolish father, Pantaloon, who
3096-476: The crowd, changing the main character depending on where they were performing. Each "scenario" used some of the same stock characters. These included the innamorati (young lovers); the vecchi (old men) such as Pantalone ; and zanni (servants) such as Arlecchino , Colombina , Scaramouche and Pierrot . Italian masque performances in the 17th century sometimes included the Harlequin character. In
3168-415: The early 1800s, the pantomime's classical stories were often supplanted by stories adapted from European fairy tales , fables , folk tales , classic English literature or nursery rhymes . Also, the harlequinade grew in importance until it often was the longest and most important part of the entertainment. Pantomimes usually had dual titles that gave an often humorous idea of both the pantomime story and
3240-483: The effeminacy of its dancing; Aristides's work was responded to by Libanius , in his oration "On Behalf of the Dancers", written probably around 361 AD. Roman pantomime was a production, usually based upon myth or legend, for a solo male dancer—clad in a long silk tunic and a short mantle ( pallium ) that was often used as a "prop" —accompanied by a sung libretto (called the fabula saltica or "dance-story") rendered by
3312-488: The entertainment, he or she likely adds to its overall effect, while if it becomes a "showcase for a star" who "stands outside the action", the celebrity's presence likely detracts, notwithstanding the marketing advantage that the star brings to the piece. Billington said that Ian McKellen in a 2004 Aladdin "lets down his hair and lifts up his skirt to reveal a nifty pair of legs and an appetite for double entendre : when told by decorators that 'your front porch could do with
3384-414: The fair, the young nor the old, were ashamed to laugh till tears coursed down their cheeks at Joe and his comicalities." Grimaldi's performances were important in expanding the importance of the harlequinade until it dominated the pantomime entertainment. By the 1800s, therefore, children went to the theatre around the Christmas and New Year holiday (and often at Easter or other times) primarily to witness
3456-416: The father agreed to the marriage of the young lovers, she would transport the whole company to a grand final scene. Despite its visible decline by 1836, the pantomime still fought to stay alive. After 1843, when theatres other than the original patent theatres were permitted to perform spoken dialogue, the importance of the silent harlequinade began to decrease, while the importance of the fairy-tale part of
3528-479: The following century received technical advances at the hands of Publius Syrus and Decimus Laberius . Under the Empire mime became the predominant Roman drama, if with mixed fortunes under different emperors. Trajan banished mime artists; Caligula favored them; Marcus Aurelius made them priests of Apollo . Nero himself acted as a mime. The mime was distinguished from other dramas by its absence of masks, and by
3600-648: The genre has declined greatly since the middle of the 20th century. Several later professional productions did not recover their costs. Christmas pantomimes are performed yearly at the Hudson Village Theatre in Quebec. Since 1996, Ross Petty Productions has staged pantomimes at Toronto's Elgin Theatre each Christmas season. Pantomimes imported from England were produced at the Royal Alexandra Theatre in
3672-475: The harlequinade remained essentially the same for more than 150 years, except that a bumbling policeman was added to the chase. In the first two decades of the 18th century, two rival London theatres, Lincoln's Inn Fields Theatre and the Theatre Royal, Drury Lane (the patent theatres ) presented productions that began seriously with classical stories that contained elements of opera and ballet and ended with
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#17330860861693744-717: The harlequinade. "Harlequin and ________", or "Harlequin _______; or, the ________". In the second case, harlequin was used as an adjective, followed by words that described the pantomime "opening", for example: Harlequin Cock Robin and Jenny Wren; or, Fortunatus and the Water of Life, the Three Bears, the Three Gifts, the Three Wishes, and the Little Man who Woo'd the Little Maid . Harlequin
3816-459: The late 19th century, when Augustus Harris was proprietor of the Theatre Royal, Drury Lane, and hired well-known variety artists for his pantomimes. Contemporary pantomime productions are often adapted to allow the star to showcase their well-known act, even when such a spot has little relation to the pantomime's plot. Critic Michael Billington has argued that if the star enters into the spirit of
3888-410: The leads from the opening fairy story into their new identities as the harlequinade characters. Following is an example of the speech that the fairy would give during this transformation: Lovers stand forth. With you we shall begin. You will be fair Columbine – you Harlequin. King Jamie there, the bonnie Scottish loon, Will be a famous cheild for Pantaloon. Though Guy Fawkes now
3960-547: The limits imposed upon Roman citizens' dance, the populism of its song-texts and other factors, the art was as much despised as adored, and its practitioners were usually slaves or freedmen. Because of the low status and the disappearance of its libretti , the Roman pantomime received little modern scholarly attention until the late 20th century, despite its great influence upon Roman culture as perceived in Roman art, in statues of famous dancers, graffiti, objects and literature. After
4032-836: The longest-running pantomime in history. In 1993, there was a production of Cinderella at the UCLA Freud Theatre, starring Zsa Zsa Gabor . Since 2004, People's Light and Theatre Company , in Malvern , Pennsylvania, has been presenting an annual Christmas pantomime season. Stages Repertory Theatre in Houston, Texas, has been performing original pantomime-style musicals during the Christmas holidays since 2008. Lythgoe Family Productions has produced Christmas pantomimes since 2010 in California. Mime A mime artist , or simply mime (from Greek μῖμος , mimos , "imitator, actor"),
4104-410: The pantomime increased. Two writers who helped to elevate the importance and popularity of the fairy-tale portion of the pantomime were James Planché and Henry James Byron . They emphasized puns and humorous word play, a tradition that continues in pantomime today. As manager of Drury Lane in the 1870s, Augustus Harris produced and co-wrote a series of extraordinarily popular pantomimes, focusing on
4176-525: The pantomime stories. The last harlequinade was played at the Lyceum Theatre in 1939. Well-known pantomime artists of this era included William Payne , his sons, the Payne Brothers , Vesta Tilley , Dan Leno , Herbert Campbell , Little Tich , Clarice Mayne , Dorothy Ward and Cullen and Carthy . Traditionally performed around Christmas with family audiences, British pantomime continues as
4248-534: The pantomime, until the late 19th century, was the harlequinade . Outside of the British Isles, the word "pantomime" is often understood to mean miming , rather than the theatrical form described here. The word pantomime was adopted from the Latin word pantomimus , which in turn derives from the Greek word παντόμιμος ( pantomimos ), consisting of παντο- ( panto- ) meaning "all", and μῖμος ( mimos ), meaning
4320-668: The performance. The Natya Shastra , an ancient treatise on theatre by Bharata Muni , mentions silent performance, or mukabhinaya . In Kathakali , stories from Indian epics are told with facial expressions, hand signals and body motions. Performances are accompanied by songs narrating the story while the actors act out the scene, followed by actor detailing without background support of narrative song. The Japanese Noh tradition has greatly influenced many contemporary mime and theatre practitioners including Jacques Copeau and Jacques Lecoq because of its use of mask work and highly physical performance style. Butoh , though often referred to as
4392-420: The plot is common. Straight retellings of the original stories are rare. The form has a number of conventions, some of which have changed or weakened a little over the years, and by no means all of which are obligatory. Some of these conventions were once common to other genres of popular theatre such as melodrama . Another pantomime tradition is to engage celebrity guest stars, a practice that dates back to
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#17330860861694464-474: The plot. For instance "panto" versions of Aladdin may include elements from Ali Baba and the Forty Thieves or other Arabian Nights tales; while Jack and the Beanstalk might include references to nursery rhymes and other children's stories involving characters called "Jack", such as Jack and Jill . Certain familiar scenes tend to recur, regardless of plot relevance, and highly unlikely resolution of
4536-472: The presence of female as well as male performers. Stock characters included the lead (or archymimus[a] ), the stooge or stupidus, and the gigolo , or cultus adulter. In Medieval Europe, early forms of mime such as mummer plays and later dumbshows evolved. In early nineteenth-century Paris, Jean-Gaspard Deburau solidified the many attributes that have come to be known in modern times—the silent figure in whiteface. Analogous performances are evident in
4608-526: The renaissance of classical culture, Roman pantomime was a decisive influence upon modern European concert dance , helping to transform ballet from a mere entertainment, a display of technical virtuosity, into the dramatic ballet d'action . It became an antecedent which, through writers and ballet-masters of the 17th and 18th centuries such as Claude-François Ménestrier (1631–1705), John Weaver (1673–1760), Jean-Georges Noverre (1727–1810) and Gasparo Angiolini (1731–1803), earned it respectability and attested to
4680-429: The spectacle of the productions, that pushed this transition by emphasizing comic business in the pantomime opening and grand processionals. By the end of the 19th century, the harlequinade had become merely a brief epilogue to the pantomime, dwindling into a brief display of dancing and acrobatics. It lingered for a few decades longer but finally disappeared, although a few of its comic elements had been incorporated into
4752-516: The subject of Perseus and Andromeda . After this, pantomime was regular feature at Drury Lane. In 1717 at Lincoln's Inn, actor and manager John Rich introduced Harlequin into the theatres' pantomimes under the name of "Lun" (for "lunatic"). He gained great popularity for his pantomimes, especially beginning with his 1724 production of The Necromancer; or, History of Dr. Faustus . These early pantomimes were silent, or "dumb show", performances consisting of only dancing and gestures. Spoken drama
4824-399: The theatrical traditions of other civilizations. Classical Indian musical theatre , although often erroneously labeled a "dance," is a group of theatrical forms in which the performer presents a narrative via stylized gesture, an array of hand positions, and mime illusions to play different characters, actions, and landscapes. Recitation, music, and even percussive footwork sometimes accompany
4896-435: The training of his actors. His pupil Étienne Decroux was highly influenced by this, started exploring and developing the possibilities of mime, and developed corporeal mime into a highly sculptural form, taking it outside the realms of naturalism. Jacques Lecoq contributed significantly to the development of mime and physical theatre with his training methods. As a result of this, the practice of mime has been included in
4968-480: Was allowed in London only in the two (later three) patent theatres until Parliament changed this restriction in 1843. A large number of French performers played in London following the suppression of unlicensed theatres in Paris. Although this constraint was only temporary, English pantomimes remained primarily visual for some decades before dialogue was introduced. An 18th-century author wrote of David Garrick : "He formed
5040-421: Was developed by Bathullos of Alexandria. Mime ( mimius ) was an aspect of Roman theatre from its earliest times, paralleling the Atellan farce in its improvisation (if without the latter's stock characters). It gradually began to replace the Atellanae as interludes [embolium] or postscripts [exodium] on the main theatre stages; became the sole dramatic event at the Floralia in the second century BC; and in
5112-420: Was largely restricted to intertitles . This often demanded a highly stylized form of physical acting largely derived from the stage. Thus, mime played an important role in films prior to advent of talkies (films with sound or speech). The mimetic style of film acting was used to great effect in German Expressionist film . Silent film comedians like Charlie Chaplin , Harold Lloyd , and Buster Keaton learned
5184-425: Was the first word (or the first word after the "or") because Harlequin was initially the most important character. The titles continued to include the word Harlequin even after the first decade of the 1800s, when Joseph Grimaldi came to dominate London pantomime and made the character, Clown, a colourful agent of chaos, as important in the entertainment as Harlequin. At the same time, Harlequin began to be portrayed in
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