64-490: Lights Go Down may refer to: " The Lights Go Down ", a 1981 song by Electric Light Orchestra from Time "Lights Go Down", a 2018 song by Matoma from One in a Million "Lights Go Down", a 2020 song by I Dont Know How But They Found Me from Razzmatazz See also [ edit ] " As the Lights Go Down ", a concert video by Duran Duran Topics referred to by
128-697: A Klingon battle cruiser, the moon ship from H. G. Wells ' First Men in the Moon , the Millennium Falcon , Lord Jaxom and the Thunderbirds . Once back on land, the girl jumps off the Stormbringer and it splits into seven parts, which fly through the sky spewing smoke in seven colors. A sequence of famous spaceships crashing into each other is shown. Then, suddenly, "what could only be described as an atomic bomb" explodes over an unpopulated city, leaving behind
192-543: A TIE fighter , and Martian fighting machines from the film The War of the Worlds (1953) cross the background. Reaching into her backpack, the girl pulls out a bamboo ruler, which magically becomes a lightsaber . After slicing an Alien Baltan in half, the girl launches a number of miniature missiles from her backpack. Hit by one of the missiles, a Maser Tank from the Godzilla series catches fire. The Atragon breaks in two as
256-469: A case of the grandiosities. You'll find great sweeps of melody and plenty of high and low and loud and soft sounds for your expensive hi-fi equipment to chew on." Coppage remarked of the album's concept: "Ironically, all he [the narrator] does the whole time is whine about how he misses good old 1981 and the girl he left back there. You want to shake him by the shoulders and say, 'Man, have you no sense of adventure?'" Deborah Frost of Rolling Stone called
320-499: A cliff. The Stormbringer suddenly appears in the sky, and the girl jumps on it, riding it like a surfboard. A few scenes unconnected to the main plot are shown, such as Yoda as Yū Ida given a Japanese comedy routine with various characters in the audience. The girl is still riding the Stormbringer when she runs into a formation of Ultrahawk 1's. Then the Yamato , the Arcadia attached to
384-499: A concept but as far as pop sensibilities are concerned, ELO has no worries. Its brand of rock doesn't only sway. It soars." In his retrospective review for PopMatters , Kevin Mathews says that, despite Lynne's decision to embrace a new, synth-pop sound, "In essence … Time remained a quintessential ELO album." Mathews adds: "Once again, Lynne’s melodic craft, technical expertise, production skills and encyclopaedic pop authority made Time
448-635: A flurry of sakura petals. Successive upheavals of the Earth give birth to new worlds. As a beam launched by the Daicon traverses the sky, lush greenery sprouts and grows. The camera then pans over a massive crowd of fictional characters, the sun rises, the camera zooms out to the solar system, and the film ends with an image of the Daicon logo. Afterwards, a short behind the scenes clip is presented (with another Electric Light Orchestra song playing, " Hold On Tight ") showing
512-483: A longing for past romance. The record topped the UK Albums Chart for two weeks, though it attracted mixed reviews for its heavy use of synthesizers and stylistic shift away from the orchestral rock of previous ELO albums. It has since gained a cult following , particularly among retrofuturist enthusiasts. Time is a work of synth-pop that combines elements from 1950s music, new wave , reggae , rockabilly ,
576-415: A textile union. Takeda defined it as a literal anime sweatshop, the building was shut down at 9:00 pm and a majority of the staff would be locked inside and working through the night without air conditioning. Later, in 1984, Daicon Film made a tokusatsu film called Yamata no Orochi no Gyakushū using 16mm film, which was rare for an independent film at the time. This film was sold by Bandai in 1985. At
640-572: A theme that focused on time travel and civilisation in the year 2095. The album's musical style draws from the 1950s , new wave , reggae , rockabilly and the work of artists such as the Beatles , Phil Spector and the Shadows . Writing for PopMatters , Kevin Mathews says that the album reflects Lynne's absorption in the UK synth-pop sound popularised by contemporary artists such as Gary Numan , OMD and
704-465: A time machine, "but with all their great inventions and all their good intentions, here I stay" ("Rain Is Falling"). Following his final attempt to return to the past, the protagonist is invited to "hold on" (" Hold On Tight "). Author Adam Roberts calls Time a "future-set rock opera". According to music journalist Mark Beaumont , it is a concept album about a man who is abducted forward in time to
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#1732869518301768-538: A treasure for all true connoisseurs of classic pop music. Surprisingly, this re-issue reveals an artist ahead of his time as Time stands head-and-shoulders above the hip electro-pop records of the day." The Quietus ' Joseph Stannard said that Time is a "very good album indeed", highlighting "Twilight" as "the most exciting song ever recorded ... Pulsating, momentous, charged with purpose and overstuffed with hooks, counter-hooks, sub-hooks and semi-hooks, 'Twilight' makes being abducted by time travellers sound like
832-407: Is a "revival of DAICON FILM" and includes the release of several goods inspired by the original films from the eighties. The project's official site has started accepting pre-orders for the first lineup of memorial goods. A new illustration of the "Daicon Bunny Girl" has been drawn by Takami Akai , the original character designer of the opening animation films and one of the founders of Gainax. The art
896-553: Is considered rare and highly valuable among collectors, easily fetching prices over a thousand dollars on online auctions. Since its release the animations have been referenced several times in Japanese media productions, especially those focused on otaku culture. Clips and characters from the animations appear in the 1991 Gainax OVA Otaku no Video . The opening sequence of the Train Man Japanese TV drama series from 2005
960-482: Is different from Wikidata All article disambiguation pages All disambiguation pages The Lights Go Down Time is the ninth studio album by English rock band Electric Light Orchestra (credited as ELO), released in July 1981 on Jet Records . It is a concept album about a man from the 1980s who is taken to the year 2095, where he is confronted by the dichotomy between technological advancement and
1024-479: Is one of her five favourite albums. In 1983, the tracks "Prologue" and "Twilight" were used as the soundtrack for the Daicon IV opening animation , an animated music video created for the 1983 Nihon SF Taikai convention. According to academic Mark W. MacWilliams, the convention would go down as "one of the most famous otaku events of all time". "Hold On Tight" was also used in a post-feature short that showcased
1088-661: Is then in a lightsaber duel with Darth Vader , with Stormtroopers sitting in the background and the Death Star enshrined in one corner. From atop a cliff, a xenomorph with artificial legs, a reference to Dai Sentai Goggle V's monsters who when grown giant, have the same metallic legs, wielding the Discovery One , knocks the girl down with an energy burst and the Dynaman robot (Dyna Robo) attempts to crush her. The girl lifts Dyna Robo off her with superhuman strength and smashes it against
1152-414: Is what I'd like to know, because it's baffled me since I wrote it, if he has actually gone [to the future], or if he's just thinking about it. ... It could be real, or it could be a dream... I'm not sure. I'd rather not say, because I don't know either. I'm supposed to, but I don't." Mathews writes: "Like Eldorado , Time contained a prologue and an epilogue ... Although there is hardly any plot to thread
1216-457: The Yamato , the USS Enterprise , an X-wing fighter and Daimajin explode in complete chaos. The girl pours her cup of water on a shriveled daikon buried in the ground. As the daikon absorbs the water, it turns into the spaceship Daicon . Bathed in light, and now wearing a naval uniform, the girl boards the ship, where the film's producers, Toshio Okada and Yasuhiro Takeda , sit at
1280-405: The Daicon animations as the 35th of the "Top 100" anime of all time. In August 2023, Wonder Festival Summer convention featured a special exhibition to commemorate the 40th anniversary of Daicon IV . Gainax revealed the details of a new campaign to celebrate Daicon Film's 33rd anniversary. The new project is named "DAICON FILM 33" and was announced on January 8, 2014. The basis of the project
1344-529: The Daicon IV animation. According to Toshio Okada, the theme of water in the opening represented "opportunity" and Lawrence Eng, an otaku researcher, describes the theme as, "... making the best use of one's opportunities while fighting against those who would seek to steal such opportunity away." The team behind the animation that gathered for the SF convention was supposed to disband and cease its activities at
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#17328695183011408-483: The 1981 Daicon III and 1983 Daicon IV Nihon SF Taikai conventions. They were produced by a group of amateur animators known as Daicon Film, who would later go on to form the animation studio Gainax . The films are known for their unusually high production values for amateur works and for including numerous references to otaku culture, as well as its unauthorized appropriations of the Playboy Bunny costume. Usage of
1472-450: The 20th Nihon SF Taikai (nicknamed "Daicon III" because it was held for the third time in Osaka ), an 8 mm animation was shown. Nihon SF conventions are usually organized by university students in the vicinity of the host city, and Daicon III was also organized by university students in the vicinity of Osaka, including Toshio Okada and Yasuhiro Takeda . At the request of Okada and Takeda,
1536-552: The Alan Parsons Project and Wings rather than Lynne's "fascination with Pepper -era Beatles". The Independent ranked Time as 17th on their list of 20 most underrated albums, with Beaumont writing that "its sonics would more quickly become a blueprint for Eighties synthpop and inspire the likes of Daft Punk , Grandaddy and Ladyhawke ." According to Beaumont, Time is the most influential album of ELO's catalogue. The book The Time Traveler's Almanac cites it as
1600-421: The Beatles , Phil Spector and the Shadows . The album signalled a departure from the band's sound by emphasising electronics over its usual orchestra. It is also the band's second concept album, the first being Eldorado in 1974. The music video created for its lead single , " Hold On Tight ", was the most expensive ever made to that point, with a budget of approximately £40,000. Four more singles followed
1664-635: The Human League . ELO recorded Time mainly at Musicland Studios in Munich , West Germany , with some sessions taking place at Polar Studios in Stockholm , Sweden. Three additional songs written in the album's context were recorded, but left off the release: "The Bouncer", "When Time Stood Still" and "Julie Don’t Live Here". These songs were originally going to be on a double album of Time , but they were instead issued as B-sides of later singles after Time
1728-467: The LP. Time followed the albums Discovery , on which ELO had dispensed with their three-man string section (although orchestration was used on the album), and Xanadu , the soundtrack to the 1980 musical film of the same name , which was met with a mixed reception. On Time , bandleader Jeff Lynne chose to emphasise electronics over the band's orchestral sound. He wrote a collection of songs with
1792-511: The album's release: " Twilight ", " Ticket to the Moon " (backed with " Here Is the News "), " Rain Is Falling " and " The Way Life's Meant to Be ". The record is considered the first major concept album devoted to time travel as well as ELO's most influential album. The "Prologue" and "Twilight" tracks were used in the 1983 anime opening animation Daicon IV . In 2001, a CD reissue of Time included three additional tracks that were originally left off
1856-498: The animation production company Artland , including Ichiro Itano , Toshiki Hirano , Narumi Kakinouchi , Sadami Morikawa, and Kazutaka Miyatake, also collaborated. Anno and Yamaga were invited to Tokyo by Studio Nue, a science fiction planning group that had taken notice of the quality of Daicon III's opening animation, and introduced them to Artland, which led them to join the staff of the TV animation Super Dimension Fortress Macross that
1920-578: The animation was actually produced by Hideaki Anno , Hiroyuki Yamaga and Takami Akai , all of whom were students at Osaka University of Arts at the time and would later become professionals. Anno and his team were not so enthusiastic, but Yamaga took the initiative to promote the project. Takeda explains in Notenki Memoirs that Anno had experience in paper animation, but never worked with animation cels. Since they had no professional skills or know-how, they went to professional animation studios to learn
1984-573: The animations has proven impossible. For the American release of the film, the rights to use of the Playboy bunny costume was denied and the rights to Bill Conti as well as Electric Light Orchestra 's music was consequently not sought. However, a LaserDisc featuring Daicon III & IV Opening Animation was unofficially released in Japan as bonus material to a ¥16,000 art book of the animations. This LaserDisc
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2048-402: The character designs, storyboards, early rough animation, backgrounds, effects animation, and the finished cut. The film ends proper with the girl bowing to the audience as "The End" is displayed on the screen. Originally, the productions were intended to be shot in 16mm film, but both were shot in 8 mm film instead and were completed only the morning before their debut. In order to pay off
2112-476: The controls. As the landing gear retracts, Daicon departs for the far reaches of the universe. The Daicon IV Opening Animation begins with an abridged, 90-second retelling of the Daicon III Opening Animation set to "Noah's Ark" by Kitarō from the album, Silver Cloud . After this, "Prologue" by Electric Light Orchestra is heard, while the lyrics appear against a starfield and an outline of
2176-477: The debts of the productions, video copies of the animation were sold. Lawrence Eng declares this as the first example of original video animation (OVA) predating Dallos . Kazutaka Miyatake of Studio Nue originally designed the mecha that appears in the Daicon III clip chasing the little girl for a Japanese edition of the military science fiction novel Starship Troopers in the early 1980s. In 1981, at
2240-482: The earth. Using a booster concealed in her backpack, the girl flies up into the sky and evades Gomora's blast, with the mecha flying after her. They continue their battle in mid-air. A blow from the mecha sends the girl falling, imperiling her cup of water. At the last moment, she has a vision of the Science Patrol and regains consciousness. She snatches the cup before it crashes to the ground. Resuming her battle with
2304-463: The end of 1984, with the project of Royal Space Force: The Wings of Honnêamise , Daicon Film was dissolved and established as an animation production company Gainax. The process from Daicon Film to the establishment of Gainax can be seen in detail in the Wings of Honnêamise production progress series that was exclusively serialized in the monthly magazine Model Graphix at the time. The Daicon III film
2368-588: The end of Daicon III. However, they regretted the loss of the experience, skills, and teamwork they had cultivated in running the event, and started an independent film project to cultivate a well-trained staff with the goal of holding another Nihon SF convention, Daicon IV, in Osaka two years later in 1983. Daicon Film was formed at that time. Okada sold Daicon Film's video and goods at his science fiction goods store "General Products", and sold more than 3000 videos that cost more than 10,000 yen. The profits were used to pay for
2432-502: The first major concept album devoted entirely to time travel. Rockol states that while Time is not one of the most celebrated ELO albums, it has attracted a cult following from those interested in retrofuturism . Among the album's "unexpected" fans are the Flaming Lips and Daft Punk. In an early 1980s Rolling Stone magazine interview, Steve Winwood said that ELO's Time had influenced him. Ladyhawke has stated that ELO's Time
2496-491: The mecha, she catches one of its missiles and hurls it back at it, causing a huge explosion. The destroyed mecha launches a rocket, summoning Godzilla with the Ideon symbol. The song "Runaway" by Bill Conti (from the soundtrack to the 1981 James Bond film For Your Eyes Only ) emphasizes the action as King Ghidorah and Gamera chase the girl while she flies through the air with her jet-propelled backpack. A Star Destroyer ,
2560-465: The most fun you can have." Writing in The Guardian , Beaumont listed "Twilight" as the 10th best song of ELO's career "for its space-age cathedral sizzle, warp-speed pacing and the sort of brazen futuristic hooklines that proved they gave that Flash Gordon gig to the wrong band". AllMusic 's James Chrispell assessed the album as less-than-great formulaic work by ELO, noting a resemblance to work by
2624-489: The organizing body of Daicon IV, were practically the same organization. Originally, Daicon IV was supposed to be fifteen minutes long, but the difficult production resulted in the cut time. The film officially credits a production crew of twelve people. Yamaga directed the production, with Anno and Akai as animation directors. Tōru Saegusa did the artwork and the animations were done with Yoshiyuki Sadamoto , Mahiro Maeda , and Norifumi Kiyozumi. Professional animators from
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2688-533: The plastic flowers and ivory towers which have grown on top of it (" The Way Life's Meant to Be "). As he remains in this future period, he looks out his window depressed, watching the world go by (" Rain Is Falling "). He attempts to send a letter in the form of a dream to his girlfriend in the past, but fails ("From the End of the World"). When asked whether the man's experiences had been a dream all along, Lynne responded: "This
2752-419: The production lacked timing sheets. Osamu Tezuka did not see the opening film at Daicon III, but was shown the film by Akai and Yamaga later that night. After watching the film, Tezuka remarked "Well, there certainly were a lot of characters in the film. ... [T]here were also some that weren't in the film". Akai and Yamaga later realized the omission of Tezuka's characters; they were subsequently used in
2816-498: The production of the next film. Daicon Film went on to produce the 8 mm tokusatsu films Aikoku Sentai Dai Nippon , Kaiketsu Noutenki , and Kaettekita Ultraman . These films, as well as Daicon III Opening Animation , were widely featured in the anime magazine Animec , and Daicon Film gradually gained recognition. In 1983, Nihon SF Taikai was to be held in Osaka again, and it was the fourth SF convention in Osaka overall, Daicon IV. Daicon IV Executive Committee and Daicon Film,
2880-682: The production work of Daicon IV . The song was later featured in " Join the Coffee Achievers ", a 2008 Honda Accord car ad campaign, and included in the 2011 Tom Hanks and Julia Roberts film Larry Crowne . The 2010 Apples In Stereo album Travellers In Space and Time was heavily influenced by Time . All tracks are written by Jeff Lynne ELO Additional personnel Shipments figures based on certification alone. Daicon III and IV Opening Animations The Daicon III and IV Opening Animations are two 8 mm film anime short films that were produced for
2944-440: The production, the direction was not professional, but Takeda attributed Okada as the producer, with Yamaga directing, Akai doing character animation and Anno as the mecha animator. Takeda also said other individuals were involved and were used to trace cels or paint cels as needed, but still credits Yamaga, Akai and Anno with the production itself. Filming was done by a camera on a tripod and frames were called out by Anno because
3008-421: The questionable legal status of the works, the production of Daicon III resulted in debts that were repaid by selling video tapes and 8 mm reels of the production, the profits of which went to the production of Daicon IV . In 2001, the anime magazine Animage ranked the Daicon animations as the 35th of the "Top 100" anime of all time. The Jet VTOL ship from Ultraman 's Science Patrol descends out of
3072-425: The same term [REDACTED] This disambiguation page lists articles associated with the title Lights Go Down . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Lights_Go_Down&oldid=1212377543 " Category : Disambiguation pages Hidden categories: Short description
3136-426: The sky toward Earth, as a school girl, carrying her randoseru , observes from behind a tree. The Science Patrol offer the girl a cup of water and ask her to deliver it to "DAICON". The girl salutes and races away, but she quickly experiences trouble as Punk Dragon blocks her path. He summons a mecha from Starship Troopers , and it and the girl begin battling. The girl tosses the mecha aside and Gomora rises from
3200-436: The sole exception of the 2017 iteration). At Fanimecon, Yamaga said, "[The openings are] a source of pride and something you want to strangle." Akai, who wants to produce better films, stated, "I don't want to see them for a long time. Just thinking about them sends shivers down my spine." Lawrence Eng stated that without the Daicon animations, Gainax might never have existed. In 2001, the anime magazine Animage ranked
3264-435: The songs "Runaway" by Bill Conti (from the soundtrack to the 1981 James Bond film For Your Eyes Only ) as well as " Twilight " and " Hold On Tight " by English rock band Electric Light Orchestra were also unauthorized. Daicon III was made by Hideaki Anno , Hiroyuki Yamaga and Takami Akai and Daicon IV credits twelve people, including Yamaga as the director and Anno and Akai as animation supervisors. Despite
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#17328695183013328-400: The spaceship Daicon passes in the background. The film proper begins as "Prologue" segues into " Twilight ", the song which follows it on the album Time . The girl from the previous animation is now an adult, wearing a bunny costume . She fights off a multitude of Ultra Series monsters and aliens and mobile suits then jumps into a throng of Alien Metron and tosses them aside. She
3392-571: The storytelling a "superfluous ... thematic conceit" and said that, with the reliance on synthesised sounds, "If ELO's not careful, they're going to end up becoming the kind of cheese that squirts out of an aerosol can." She described the album as a cross between the Beatles' Sgt. Pepper's Lonely Hearts Club Band and the 1960s science fiction television show Star Trek , "yet as long as Jeff Lynne's future-vision Beatlemania comes in near-perfect Top Forty spurts, why moan?" Frank Conte of The Boston Globe opined: " Time doesn't stick together well as
3456-409: The techniques, and in order to reduce costs, they tried to use inexpensive industrial celluloid , which is not normally used. They were referred to Animepolis Pero, an anime hobby store chain, but they found that the cost of the cels were too expensive, so a single cel was purchased and taken to a vinyl manufacturer in east Osaka , where they purchased a roll for 2000 yen. After cutting and preparing
3520-475: The transformed SDF-1 Macross appear, along with an exploding VF-1 Valkyrie variable fighter from Macross armed with a Gundam -style beam saber. An air battle unfolds in an otaku coffee shop. The girl is then seen in a world filled with American comic superheroes. A host of machines and characters (from The Lord of the Rings , Conan , Narnia , Pern , and others) fly past her into space, including
3584-469: The various songs together, the theme remains largely intact ... they embellish, rather than engage." A recurring line that appears in the album's epilogue is: "though you ride on the wheels of tomorrow, you still wander the fields of your sorrow". Rockol 's writer says that the protagonist revisits the place he once lived only to find that it has become unrecognisable ("The Way Life's Meant to Be"). Afterwards, he hopes that he may be able to return home with
3648-485: The vinyl cels, they discovered that the painted cels would stick together when stacked and dry paint would peel off the cels. To keep costs low, they made their own tap to punch holes in the B5 animation paper used in the production. The work was carried out in an empty room of Okada's house where their business was also operated. While other people were present, the work was shared and Anno, Akai and Yamaga worked full-time on
3712-465: The year 2095 – moon tourism! Hovercars! Smartphone spouses! – is still giving Elon Musk bad ideas." Time reached number 1 in the UK Albums Chart , maintaining the position for two weeks. The change in the band's sound, particularly the lack of orchestral strings, came as a considerable shock to some ELO fans. Noel Coppage of Stereo Review found the band "has slimmed down some and grown out of its twin- electric-cello phase, but it can still give you
3776-409: The year 2095, while the web publication Rockol and Stereo Review magazine both recognise Time as being about a man who becomes trapped in the future. The News & Advance ' s Ben Cates says it "tells the story of a man living in the year 2095 who glimpses enough of the future to know that he wants to get back to the 1980s". Beaumont, however, joked that the album's "lyrical vision of
3840-502: Was being produced by them. Their activities in Tokyo became a stepping stone to their later professional careers. In addition, Akai's hometown friend Maeda, and Sadamoto, Maeda's senior at university, joined Daicon Film, and the core members of Gainax came together here. The production facility for Daicon IV was in a dedicated studio in a building called the Hosei Kaikan that was owned by
3904-409: Was displayed on the top page of Gainax's official site. In 2021, Daicon Film regrouped to produce a remaster of Daicon III , featuring involvement from an unspecified member of the short's original staff. The announcement was first published on Twitter by Kineko Video (then known as FemboyFilms), a fan group who had previously received a cease and desist notice for their own restoration attempt of
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#17328695183013968-486: Was inspired by and uses the Electric Light Orchestra theme and the lead character from the Daicon IV film. In episode 5 of Gainax's FLCL , titled "Brittle Bullet", Haruko, wearing a red bunny suit, flies in on a bass guitar and yells "Daicon V!" before attacking a giant robot with a slingshot. Since 2008, Otakon 's AMV contest opened with a video inspired by and using clips from the Daicon IV film (with
4032-410: Was reduced to a single album. Lynne's comments on the album's concept are as follows: in 1981, a man drifts into a state of twilight (" Twilight "), where he appears to have entered the year 2095, meets a Gynoid ("Yours Truly, 2095"), and reflects on the 1980s, "back when things were so uncomplicated" (" Ticket to the Moon "). Walking down the same street from a hundred years before, he is dismayed by
4096-488: Was reported on in Animec magazine which resulted in requests for the film to be released publicly. In order to pay off the debts from producing the film, the decision was made to sell 8 mm reels of the film and videos. Additional original artwork and the storyboards were included in the release. The sale paid the debts and the profit would be used to produce Daicon IV . Due to copyright problems an official release of
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