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140-557: The Lemminkäinen Suite , or more correctly Four Legends from the Kalevala , Op. 22, is a sequence of four tone poems for orchestra completed in 1896 by the Finnish composer Jean Sibelius . The work was conceived as Veneen luominen ( The Building of the Boat ), an opera with a mythological setting, before taking its form as a suite. There is a narrative thread: the exploits are followed of

280-449: A symphonic suite or cycle. For example, The Swan of Tuonela (1895) is a tone poem from Jean Sibelius 's Lemminkäinen Suite , and Vltava ( The Moldau ) by Bedřich Smetana is part of the six-work cycle Má vlast . While the terms symphonic poem and tone poem have often been used interchangeably, some composers such as Richard Strauss and Jean Sibelius have preferred the latter term for their works. The first use of

420-463: A "Late Romantic" period and " Neoromantic " revivals are also discussed. These extensions of the movement are characterized by a resistance to the increasingly experimental and abstract forms that culminated in modern art , and the deconstruction of traditional tonal harmony in music. They continued the Romantic ideal, stressing depth of emotion in art and music while showcasing technical mastery in

560-492: A "symphonic fantasy", is the most closely dependent on its program while also showing a sureness of outline rare in other composers. With the compositional approach he took from the Third Symphony onward, Sibelius sought to overcome the distinction between symphony and tone poem to fuse their most basic principles—the symphony's traditional claims of weight, musical abstraction, gravitas and formal dialogue with seminal works of

700-787: A Láska ( Nature, Life and Love ), they appeared instead as three separate works, V přírodě ( In Nature's Realm ), Carnival and Othello . The score for Othello contains notes from the Shakespeare play, showing that Dvořák meant to write it as a programmatic work; however, the sequence of events and characters portrayed does not correspond to the notes. The second group of symphonic poems comprises five works. Four of them— The Water Goblin , The Noon Witch , The Golden Spinning Wheel and The Wild Dove —are based on poems from Karel Jaromír Erben 's Kytice ( Bouquet ) collection of fairy tales . In these four poems, Dvořák assigns specific musical themes for important characters and events in

840-645: A centre of German Romanticism, where writers and poets such as Clemens Brentano , Achim von Arnim , and Joseph Freiherr von Eichendorff ( Aus dem Leben eines Taugenichts ) met regularly in literary circles. Important motifs in German Romanticism are travelling, nature, for example the German Forest , and Germanic myths . The later German Romanticism of, for example E. T. A. Hoffmann 's Der Sandmann ( The Sandman ), 1817, and Joseph Freiherr von Eichendorff 's Das Marmorbild ( The Marble Statue ), 1819,

980-614: A collection of versified folk tales, in 1806–1808. The first collection of Grimms' Fairy Tales by the Brothers Grimm was published in 1812. Unlike the much later work of Hans Christian Andersen , who was publishing his invented tales in Danish from 1835, these German works were at least mainly based on collected folk tales , and the Grimms remained true to the style of the telling in their early editions, though later rewriting some parts. One of

1120-679: A complicated history. By the 18th century, European languages—notably German, French and Slavic languages—were using the term "Roman" in the sense of the English word " novel ", i.e. a work of popular narrative fiction. This usage derived from the term "Romance languages" , which referred to vernacular (or popular) language in contrast to formal Latin . Most such novels took the form of " chivalric romance ", tales of adventure, devotion and honour. The founders of Romanticism, critics (and brothers) August Wilhelm Schlegel and Friedrich Schlegel , began to speak of romantische Poesie ("romantic poetry") in

1260-428: A considerable number always had, or developed, a wide range of conservative views, and nationalism was in many countries strongly associated with Romanticism, as discussed in detail below. In philosophy and the history of ideas, Romanticism was seen by Isaiah Berlin as disrupting for over a century the classic Western traditions of rationality and the idea of moral absolutes and agreed values, leading "to something like

1400-599: A defence of religion and the medieval spirit ( Génie du christianisme , 1802), and finally in the 1830s and 1840s his enormous autobiography Mémoires d'Outre-Tombe ("Memoirs from beyond the grave"). After the Bourbon Restoration , French Romanticism developed in the lively world of Parisian theatre , with productions of Shakespeare , Schiller (in France a key Romantic author), and adaptations of Scott and Byron alongside French authors, several of whom began to write in

1540-549: A detailed program. The development of the symphonic poem in Russia, as in the Czech lands, stemmed from an admiration for Liszt's music and a devotion to national subjects. Added to this was the Russian love of story-telling, for which the genre seemed expressly tailored, and led critic Vladimir Stasov to write, "Virtually all Russian music is programmatic". Macdonald writes that Stasov and

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1680-478: A distinct national identity and began to enjoy an international reputation. Allan Ramsay (1686–1758) laid the foundations of a reawakening of interest in older Scottish literature, as well as leading the trend for pastoral poetry, helping to develop the Habbie stanza as a poetic form . James Macpherson (1736–1796) was the first Scottish poet to gain an international reputation. Claiming to have found poetry written by

1820-426: A dramatist rather than as a poet or philosopher." He used musical themes to represent specific characters; in this manner he more closely followed the practice of French composer Hector Berlioz in his choral symphony Roméo et Juliette than that of Liszt. By doing so, Hugh Macdonald writes, Smetana followed "a straightforward pattern of musical description". Smetana's set of six symphonic poems published under

1960-524: A dramatist, with his play on the life of the English poet Chatterton (1835) perhaps his best work. George Sand was a central figure of the Parisian literary scene, famous both for her novels and criticism and her affairs with Chopin and several others; she too was inspired by the theatre, and wrote works to be staged at her private estate . French Romantic poets of the 1830s to 1850s include Alfred de Musset , Gérard de Nerval , Alphonse de Lamartine and

2100-478: A highly critical view of recent social changes, including urbanization , brought about by the Industrial Revolution . Romanticism lionized the achievements of "heroic" individuals—especially artists, who began to be represented as cultural leaders (one Romantic luminary, Percy Bysshe Shelley , described poets as the "unacknowledged legislators of the world" in his " Defence of Poetry "). Romanticism placed

2240-612: A longing for the unbounded and the indefinable, for perpetual movement and change, an effort to return to the forgotten sources of life, a passionate effort at self-assertion both individual and collective, a search after means of expressing an unappeasable yearning for unattainable goals". Romantic artists also shared a strong belief in the importance and inspirational qualities of Nature. Romantics were distrustful of cities and social conventions. They deplored Restoration and Enlightenment Era artists who were largely concerned with depicting and critiquing social relations, thereby neglecting

2380-409: A major key evokes childhood. Some piano and chamber works , such as Arnold Schoenberg 's string sextet Verklärte Nacht , have similarities with symphonic poems in their overall intent and effect. However, the term symphonic poem is generally accepted to refer to orchestral works. A symphonic poem may stand on its own (as do those of Richard Strauss ), or it can be part of a series combined into

2520-408: A mature Romantic style. By the time of World War I , though, the cultural and artistic climate had changed to such a degree that Romanticism essentially dispersed into subsequent movements. The final Late Romanticist figures to maintain the Romantic ideals died in the 1940s. Though they were still widely respected, they were seen as anachronisms at that point. Romanticism was a complex movement with

2660-502: A non-musical concept. Some musical gestures appear to be literal representations of their non-musical counterparts. For example, Sergei Rachmaninoff uses an uneven 5/8 time signature throughout The Isle of the Dead in order to suggest the rocking of a boat. In Richard Strauss ’s Death and Transfiguration , the composer uses the orchestra to mimic the sound of an irregular heartbeat and labored breathing. Other musical gestures capture

2800-905: A non-orchestral 'symphonic poem'. Alexander Ritter , who himself composed six symphonic poems in the vein of Liszt's works, directly influenced Richard Strauss in writing program music. Strauss wrote on a wide range of subjects, some of which had been previously considered unsuitable to set to music, including literature, legend, philosophy and autobiography. The list includes Macbeth (1886–87), Don Juan (1888–89), Death and Transfiguration (1888–89), Till Eulenspiegel's Merry Pranks (1894–95), Also sprach Zarathustra ( Thus Spoke Zoroaster , 1896), Don Quixote (1897), Ein Heldenleben ( A Hero's Life , 1897–98), Symphonia Domestica ( Domestic Symphony , 1902–03) and An Alpine Symphony (1911–1915). In these works, Strauss takes realism in orchestral depiction to unprecedented lengths, widening

2940-408: A novel by Laurence Sterne (1759–1767), introduced a whimsical version of the anti-rational sentimental novel to the English literary public. An early German influence came from Johann Wolfgang von Goethe , whose 1774 novel The Sorrows of Young Werther had young men throughout Europe emulating its protagonist, a young artist with a very sensitive and passionate temperament. At that time Germany

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3080-403: A popular composition form from the 1840s until the 1920s, when composers began to abandon the genre . Symphonic poems are thought to bridge the gap between different modes of expression. Much research has been done on the semiotic relationship between symphonic poems and their extra-musical inspiration, such as art, literature and nature. Composers used many different musical gestures to evoke

3220-489: A series of symphonic works based on literary subjects— Richard III (1857–58), Wallenstein's Camp (1858–59) and Hakon Jarl (1860–61). A piano work dating from the same period, Macbeth a čarodějnice ( Macbeth and the Witches , 1859), is similar in scope but bolder in style. Musicologist John Clapham writes that Smetana planned these works as "a compact series of episodes" drawn from their literary sources "and approached them as

3360-459: A similar manner to these works. Russian folklore also provided material for symphonic poems by Alexander Dargomyzhsky , Anatoly Lyadov and Alexander Glazunov . Glazunov's Stenka Razin and Lyadov's Baba-Yaga Kikimora and The Enchanted Lake are all based on national subjects. The Lyadov works' lack of purposeful harmonic rhythm (an absence less noticeable in Baba-Yaga and Kikimora due to

3500-412: A single-movement cyclic structure. Many of Liszt's mature works follow this pattern, of which Les préludes is one of the best-known examples. The second practice was thematic transformation , a type of variation in which one theme is changed, not into a related or subsidiary theme but into something new, separate and independent. As musicologist Hugh Macdonald wrote of Liszt's works in this genre,

3640-418: A superficial but still exhilarating bustle and whirl) produces a sense of unreality and timelessness much like the telling of an oft-repeated and much loved fairy tale. While none of Pyotr Ilyich Tchaikovsky 's symphonic poems has a Russian subject, they hold musical form and literary material in fine balance. (Tchaikovsky did not call Romeo and Juliet a symphonic poem but rather a "fantasy-overture", and

3780-453: A symphonic poem, and some musicologists, such as Norman Demuth and Julien Tiersot, consider it the first of its genre, preceding Liszt's compositions. However, Franck did not publish or perform his piece; neither did he set about defining the genre. Liszt's determination to explore and promote the symphonic poem gained him recognition as the genre's inventor. The Hungarian composer Franz Liszt desired to expand single-movement works beyond

3920-583: A temporary stop to the debate as to whether the genre was dead. Nevertheless, composers began to explore the "more compact form" of the concert overture "...as a vehicle within which to blend musical, narrative and pictoral ideas." Examples included Mendelssohn's overtures A Midsummer Night's Dream (1826) and The Hebrides (1830). Between 1845 and 1847, the Belgian composer César Franck wrote an orchestral piece based on Victor Hugo 's poem Ce qu'on entend sur la montagne . The work exhibits characteristics of

4060-439: A variety of viewpoints that permeated Western civilization across the globe. The movement and its opposing ideologies mutually shaped each other over time. After its end, Romantic thought and art exerted a sweeping influence on art and music , speculative fiction , philosophy , politics , and environmentalism that has endured to the present day. The movement is the reference for the modern notion of " romanticization " and

4200-576: A very typical view, and about 1830, perhaps a little later than some other critics. Others have proposed 1780–1830. In other fields and other countries the period denominated as Romantic can be considerably different; musical Romanticism , for example, is generally regarded as only having ceased as a major artistic force as late as 1910, but in an extreme extension the Four Last Songs of Richard Strauss are described stylistically as "Late Romantic" and were composed in 1946–1948. However, in most fields

4340-569: A work had to be shortened, Liszt tended to cut sections of conventional musical development and preserve sections of thematic transformation. While Liszt had been inspired to some extent by the ideas of Richard Wagner in unifying ideas of drama and music via the symphonic poem, Wagner gave Liszt's concept only lukewarm support in his 1857 essay On the Symphonic Poems of Franz Liszt , and was later to break entirely with Liszt's Weimar circle over their aesthetic ideals. Composers who developed

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4480-413: A world of uncompromisingly brutal directness and energy. Nikolai Rimsky-Korsakov wrote only two orchestral works that rank as symphonic poems, his "musical tableau" Sadko (1867–92) and Skazka ( Legend , 1879–80), originally titled Baba-Yaga . While this may perhaps be surprising, considering his love for Russian folklore, both his symphonic suites Antar and Scheherazade are conceived in

4620-572: Is also worth noting, both in his use of thematic transformation and his handling of multiple themes in intricate counterpoint . His use of variation form in Don Quixote is handled exceptionally well, as is his use of rondo form in Till Eulenspiegel . As Hugh Macdonald points out in the New Grove (1980), "Strauss liked to use a simple but descriptive theme—for instance the three-note motif at

4760-458: Is considered by some critics a parody of Vienna in an idiom no Viennese would recognize as his own. Albert Roussel 's first symphonic poem, based on Leo Tolstoy 's novel Resurrection (1903), was soon followed by Le Poème de forêt (1904–06), which is in four movements written in cyclic form . Pour une fête de printemps (1920), initially conceived as the slow movement of his Second Symphony. Charles Koechlin also wrote several symphonic poems,

4900-445: Is most evident in the aesthetics of romanticism, where the notion of eternal models, a Platonic vision of ideal beauty, which the artist seeks to convey, however imperfectly, on canvas or in sound, is replaced by a passionate belief in spiritual freedom, individual creativity. The painter, the poet, the composer do not hold up a mirror to nature, however ideal, but invent; they do not imitate (the doctrine of mimesis), but create not merely

5040-642: Is now most highly regarded for his short lyrics and his generally unromantic prose writings, especially his letters, and his unfinished satire Don Juan . Unlike many Romantics, Byron's widely publicised personal life appeared to match his work, and his death at 36 in 1824 from disease when helping the Greek War of Independence appeared from a distance to be a suitably Romantic end, entrenching his legend. Keats in 1821 and Shelley in 1822 both died in Italy, Blake (at almost 70) in 1827, and Coleridge largely ceased to write in

5180-469: Is often called "romantic originality". The translator and prominent Romantic August Wilhelm Schlegel argued in his Lectures on Dramatic Arts and Letters that the most valuable quality of human nature is its tendency to diverge and diversify. According to Isaiah Berlin , Romanticism embodied "a new and restless spirit, seeking violently to burst through old and cramping forms, a nervous preoccupation with perpetually changing inner states of consciousness,

5320-827: The Ancien Régime , and the French Revolution had been more of an inspiration to foreign writers than those experiencing it at first-hand. The first major figure was François-René de Chateaubriand , an aristocrat who had remained a royalist throughout the Revolution, and returned to France from exile in England and America under Napoleon, with whose regime he had an uneasy relationship. His writings, all in prose, included some fiction, such as his influential novella of exile René (1802), which anticipated Byron in its alienated hero, but mostly contemporary history and politics, his travels,

5460-512: The Finlandia hymn by Veikko Antero Koskenniemi – to the central part after Finland became independent. The symphonic poem did not enjoy as clear a sense of national identity in other countries, even though numerous works of the kind were written. Composers included Arnold Bax and Frederick Delius in Great Britain; Edward MacDowell , Howard Hanson , Ferde Grofé and George Gershwin in

5600-496: The Origin of Species , the transition from widespread revolution in Europe to a more conservative climate, and a shift in public consciousness to the immediate impact of technology and urbanization on the working class . By World War I , Romanticism was overshadowed by new cultural, social, and political movements, many of them hostile to the perceived illusions and preoccupations of

5740-567: The Crusades that he had researched to a degree that was new in literature. In contrast to Germany, Romanticism in English literature had little connection with nationalism, and the Romantics were often regarded with suspicion for the sympathy many felt for the ideals of the French Revolution , whose collapse and replacement with the dictatorship of Napoleon was, as elsewhere in Europe, a shock to

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5880-539: The Lake Poets were widely regarded as a marginal group of radicals, though they were supported by the critic and writer William Hazlitt and others. In contrast, Lord Byron and Walter Scott achieved enormous fame and influence throughout Europe with works exploiting the violence and drama of their exotic and historical settings; Goethe called Byron "undoubtedly the greatest genius of our century". Scott achieved immediate success with his long narrative poem The Lay of

6020-780: The Los Angeles Philharmonic Orchestra under Esa-Pekka Salonen , the London Symphony Orchestra under Sir Colin Davis , and the Iceland Symphony Orchestra under Petri Sakari. Symphonic poem A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement , which illustrates or evokes the content of a poem, short story, novel, painting, landscape , or other (non-musical) source. The German term Tondichtung (tone poem) appears to have been first used by

6160-404: The national poet of Scotland and a major influence on the Romantic movement. His poem (and song) " Auld Lang Syne " is often sung at Hogmanay (the last day of the year), and " Scots Wha Hae " served for a long time as an unofficial national anthem of the country. Scott began as a poet and also collected and published Scottish ballads. His first prose work, Waverley in 1814, is often called

6300-526: The natural sciences . Romanticism had a significant and complex effect on politics: Romantic thinking influenced conservatism , liberalism , radicalism , and nationalism . Romanticism prioritized the artist's unique, individual imagination above the strictures of classical form. The movement emphasized intense emotion as an authentic source of aesthetic experience. It granted a new importance to experiences of sympathy , awe , wonder , and terror , in part by naturalizing such emotions as responses to

6440-469: The supernatural , an idealization of the past as a nobler era , a fascination with the exotic and the mysterious , and a celebration of the heroic and the sublime . The Romanticist movement had a particular fondness for the Middle Ages , which to them represented an era of chivalry , heroism, and a more organic relationship between humans and their environment. This idealization contrasted sharply with

6580-627: The supernatural / occult and human psychology . Romanticism tended to regard satire as something unworthy of serious attention, a view still influential today. The Romantic movement in literature was preceded by the Enlightenment and succeeded by Realism . The precursors of Romanticism in English poetry go back to the middle of the 18th century, including figures such as Joseph Warton (headmaster at Winchester College ) and his brother Thomas Warton , Professor of Poetry at Oxford University . Joseph maintained that invention and imagination were

6720-399: The "beautiful" and the "sublime". Romantics stressed the nobility of folk art and ancient cultural practices, but also championed radical politics , unconventional behavior, and authentic spontaneity. In contrast to the rationalism and classicism of the Enlightenment , Romanticism revived medievalism and juxtaposed a pastoral conception of a more "authentic" European past with

6860-725: The "romantic harp" and "classic lyre", but in 1820 Byron could still write, perhaps slightly disingenuously, It is only from the 1820s that Romanticism certainly knew itself by its name, and in 1824 the Académie française took the wholly ineffective step of issuing a decree condemning it in literature. The period typically called Romantic varies greatly between different countries and different artistic media or areas of thought. Margaret Drabble described it in literature as taking place "roughly between 1770 and 1848", and few dates much earlier than 1770 will be found. In English literature, M. H. Abrams placed it between 1789, or 1798, this latter

7000-474: The 1790s, contrasting it with "classic" but in terms of spirit rather than merely dating. Friedrich Schlegel wrote in his 1800 essay Gespräch über die Poesie ("Dialogue on Poetry"): The modern sense of the term spread more widely in France by its persistent use by Germaine de Staël in her De l'Allemagne (1813), recounting her travels in Germany. In England Wordsworth wrote in a preface to his poems of 1815 of

7140-406: The 1820s. Wordsworth was by 1820 respectable and highly regarded, holding a government sinecure , but wrote relatively little. In the discussion of English literature, the Romantic period is often regarded as finishing around the 1820s, or sometimes even earlier, although many authors of the succeeding decades were no less committed to Romantic values. The most significant novelist in English during

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7280-482: The 1870s, supported by the newly founded Société Nationale and its promotion of younger French composers. In the year after its foundation, 1872, Camille Saint-Saëns composed his Le rouet d'Omphale , soon following it with three more, the most famous of which became the Danse macabre (1874). In all four of these works Saint-Saëns experimented with orchestration and thematic transformation . La jeunesse d'Hercule (1877)

7420-424: The Czech lands and Slovakia", including Antonín Dvořák , Zdeněk Fibich , Leoš Janáček and Vítězslav Novák . Dvořák wrote two groups of symphonic poems, which date from the 1890s. The first, which Macdonald variously calls symphonic poems and overtures, forms a cycle similar to Má vlast , with a single musical theme running through all three pieces. Originally conceived as a trilogy to be titled Příroda, Život

7560-589: The French retreat from Moscow in 1812, fantasies of heroism and adventure had little appeal for him, and like Goya he is often seen as a forerunner of Realism. His most important works are Le Rouge et le Noir ( The Red and the Black , 1830) and La Chartreuse de Parme ( The Charterhouse of Parma , 1839). Romanticism in Poland is often taken to begin with the publication of Adam Mickiewicz 's first poems in 1822, and end with

7700-660: The German musical scene, but neither wrote symphonic poems; instead, they devoted themselves completely to music drama (Wagner) and absolute music (Brahms). Therefore, other than Strauss and numerous concert overtures by others, there are only isolated symphonic poems by German and Austrian composers— Hugo Wolf 's Penthesilea (1883–85), Alexander von Zemlinsky 's Die Seejungfrau (1902-03) and Arnold Schoenberg 's Pelleas und Melisande (1902–03). Because of its clear relationship between poem and music, Schoenberg's Verklärte Nacht (1899) for string sextet has been characterised as

7840-403: The German term Tondichtung (tone poem) appears to have been by Carl Loewe , applied not to an orchestral work but to his piece for piano solo, Mazeppa , Op. 27 (1828), based on the poem of that name by Lord Byron , and written twelve years before Liszt treated the same subject orchestrally. The musicologist Mark Bonds suggests that in the second quarter of the 19th century, the future of

7980-605: The Last Minstrel in 1805, followed by the full epic poem Marmion in 1808. Both were set in the distant Scottish past, already evoked in Ossian ; Romanticism and Scotland were to have a long and fruitful partnership. Byron had equal success with the first part of Childe Harold's Pilgrimage in 1812, followed by four "Turkish tales", all in the form of long poems, starting with The Giaour in 1813, drawing from his Grand Tour , which had reached Ottoman Europe, and orientalizing

8120-806: The Maidens of the Island and Lemminkäinen's Return have been recorded by Osmo Vänskä and the Lahti Symphony Orchestra (BIS CD-1015). Other recordings of the full published suite are by the Helsinki Philharmonic Orchestra under Leif Segerstam , the Helsinki Radio Symphony Orchestra under Okko Kamu , the Gothenburg Symphony Orchestra under Neeme Järvi , The Philadelphia Orchestra under Eugene Ormandy ,

8260-627: The Nightingale , excerpted from his opera The Nightingale . Alexander Scriabin 's The Poem of Ecstasy (1905–08) and Prometheus: The Poem of Fire (1908–10), in their projection of an egocentric theosophic world unequalled in other symphonic poems, are notable for their detail and advanced harmonic idiom. Socialist realism in the Soviet Union allowed program music to survive longer there than in western Europe, as typified by Dmitri Shostakovich 's symphonic poem October (1967). While France

8400-436: The Romantic interest in folk literature, but neither had a fully Romantic approach to life or their work. Though they have modern critical champions such as György Lukács , Scott's novels are today more likely to be experienced in the form of the many operas that composers continued to base on them over the following decades, such as Donizetti 's Lucia di Lammermoor and Vincenzo Bellini 's I puritani (both 1835). Byron

8540-465: The Romantic period is said to be over by about 1850, or earlier. The early period of the Romantic era was a time of war, with the French Revolution (1789–1799) followed by the Napoleonic Wars until 1815. These wars, along with the political and social turmoil that went along with them, served as the background for Romanticism. The key generation of French Romantics born between 1795 and 1805 had, in

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8680-492: The Romanticist movement and its ideals. The events and ideologies of the French Revolution were also direct influences on the movement; many early Romantics throughout Europe sympathized with the ideals and achievements of French revolutionaries. A confluence of circumstances led to Romanticism's decline in the mid-19th century, including (but not limited to) the rise of Realism and Naturalism , Charles Darwin 's publishing of

8820-518: The Romantics. However, Romanticism has had a lasting impact on Western civilization, and many works of art, music, and literature that embody the Romantic ideals have been made after the end of the Romantic Era. The movement's advocacy for nature appreciation is cited as an influence for current nature conservation efforts. The majority of film scores from the Golden Age of Hollywood were written in

8960-466: The Steppes of Central Asia "powerful orchestral pictures, each unique in its composer's output". Titled a "musical portrait", In the Steppes of Central Asia evokes the journey of a caravan across the steppes . Night on Bald Mountain , especially its original version, contains harmony that is often striking, sometimes pungent and highly abrasive; its initial stretches especially pull the listener into

9100-506: The United States; Carl Nielsen in Denmark; Zygmunt Noskowski and Mieczysław Karłowicz in Poland and Ottorino Respighi in Italy. Also, with the rejection of Romantic ideals in the 20th century and their replacement with ideals of abstraction and independence of music, the writing of symphonic poems went into decline. Romanticism Romanticists rejected the social conventions of

9240-709: The act of "romanticizing" something. For most of the Western world, Romanticism was at its peak from approximately 1800 to 1850. The first Romantic ideas arose from an earlier German Counter-Enlightenment movement called Sturm und Drang (German: "Storm and Stress"). This movement directly criticized the Enlightenment's position that humans can fully comprehend the world through rationality alone, suggesting that intuition and emotion are key components of insight and understanding. Published in 1774, " The Sorrows of Young Werther " by Johann Wolfgang von Goethe began to shape

9380-647: The ancient bard Ossian , he published translations that acquired international popularity, being proclaimed as a Celtic equivalent of the Classical epics . Fingal , written in 1762, was speedily translated into many European languages, and its appreciation of natural beauty and treatment of the ancient legend has been credited more than any single work with bringing about the Romantic movement in European, and especially in German literature, through its influence on Johann Gottfried von Herder and Johann Wolfgang von Goethe . It

9520-448: The beginning of a tradition of resistance to Enlightenment rationalism—a "Counter-Enlightenment"— to be associated most closely with German Romanticism . Another early definition comes from Charles Baudelaire : "Romanticism is precisely situated neither in choice of subject nor exact truth, but in the way of feeling." The end of the Romantic era is marked in some areas by a new style of Realism , which affected literature, especially

9660-482: The best known of which are included in his cycle based on The Jungle Book by Rudyard Kipling . Through these works, he defended the viability of the symphonic poem long after it had gone out of vogue. Both Liszt and Richard Strauss worked in Germany, but while Liszt may have invented the symphonic poem and Strauss brought it to its highest point, overall the form was less well received there than in other countries. Johannes Brahms and Richard Wagner dominated

9800-479: The best known works, which became a paradigm of the French Romantic movement. The preface to his unperformed play Cromwell gives an important manifesto of French Romanticism, stating that "there are no rules, or models". The career of Prosper Mérimée followed a similar pattern; he is now best known as the originator of the story of Carmen , with his novella published 1845. Alfred de Vigny remains best known as

9940-478: The brothers, Jacob , published in 1835 Deutsche Mythologie , a long academic work on Germanic mythology. Another strain is exemplified by Schiller's highly emotional language and the depiction of physical violence in his play The Robbers of 1781. In English literature , the key figures of the Romantic movement are considered to be the group of poets including William Wordsworth , Samuel Taylor Coleridge , John Keats , Lord Byron , Percy Bysshe Shelley and

10080-418: The chief qualities of a poet. The Scottish poet James Macpherson influenced the early development of Romanticism with the international success of his Ossian cycle of poems published in 1762, inspiring both Goethe and the young Walter Scott . Thomas Chatterton is generally considered the first Romantic poet in English. Both Chatterton and Macpherson's work involved elements of fraud, as what they claimed

10220-637: The composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term Symphonische Dichtung to his 13 works in this vein , which commenced in 1848. While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form . This intention to inspire listeners

10360-803: The composer soon after its premiere and were neither performed, nor added to the published score of the suite until 1935. Sibelius changed the order of the movements when he made his final revisions in 1939, placing The Swan of Tuonela second, and Lemminkäinen in Tuonela third. Sibelius revised the score in 1897 and 1939. The suite is scored for two flutes (both doubling piccolo ), two oboes (one doubling cor anglais ), two clarinets in B ♭ (one doubling on bass clarinet ), two bassoons , four horns (in E and F), three trumpets (in E and F), three trombones , tuba , timpani , triangle , bass drum , cymbals , tambourine , glockenspiel , harp , and strings . The original versions of Lemminkäinen and

10500-437: The composition of symphonic poems. Even his works in other instrumental forms are very free in structure and frequently partake of the nature of programme music. Among later Russian symphonic poems, Sergei Rachmaninoff 's The Rock shows as much the influence of Tchaikovsky's work as Isle of the Dead (1909) does its independence from it. A similar debt to his teacher Rimsky-Korsakov imbues Igor Stravinsky 's The Song of

10640-406: The concert overture form. The music of overtures is to inspire listeners to imagine scenes, images, or moods; Liszt intended to combine those programmatic qualities with a scale and musical complexity normally reserved for the opening movement of classical symphonies. The opening movement, with its interplay of contrasting themes under sonata form , was normally considered the most important part of

10780-690: The crushing of the January Uprising of 1863 against the Russians. It was strongly marked by interest in Polish history. Polish Romanticism revived the old "Sarmatism" traditions of the szlachta or Polish nobility. Old traditions and customs were revived and portrayed in a positive light in the Polish messianic movement and in works of great Polish poets such as Adam Mickiewicz ( Pan Tadeusz ), Juliusz Słowacki and Zygmunt Krasiński . This close connection between Polish Romanticism and Polish history became one of

10920-424: The cycle is similar to Smetana's Má vlast in overall scope. Henri Duparc 's Lenore (1875) displayed a Wagnerian warmth in its writing and orchestration. Franck wrote the delicately evocative Les Éolides , following it with the narrative Le Chasseur maudit and the piano-and-orchestral tone poem Les Djinns , conceived in much the same manner as Liszt's Totentanz . Ernest Chausson 's Vivane illustrates

11060-437: The defining qualities of the literature of Polish Romanticism period, differentiating it from that of other countries. They had not suffered the loss of national statehood as was the case with Poland. Influenced by the general spirit and main ideas of European Romanticism, the literature of Polish Romanticism is unique, as many scholars have pointed out, in having developed largely outside of Poland and in its emphatic focus upon

11200-512: The difficulty of defining Romanticism in his seminal article "On the Discrimination of Romanticisms" in his Essays in the History of Ideas (1948); some scholars see Romanticism as essentially continuous with the present, some like Robert Hughes see in it the inaugural moment of modernity , while writers of the 19th Century such as Chateaubriand , Novalis and Samuel Taylor Coleridge saw it as

11340-536: The drama. For The Golden Spinning Wheel , Dvořák arrived at these themes by setting lines from the poems to music. He also follows Liszt and Smetana's example of thematic transformation, metamorphosing the king's theme in The Golden Spinning Wheel to represent the wicked stepmother and also the mysterious, kindly old man found in the tale. Macdonald writes that while these works may seem diffuse by symphonic standards, their literary sources actually define

11480-655: The early nineteenth century, caused Edinburgh to emerge as the cultural capital of Britain and become central to a wider formation of a "British Isles nationalism". Scottish "national drama" emerged in the early 1800s, as plays with specifically Scottish themes began to dominate the Scottish stage. Theatres had been discouraged by the Church of Scotland and fears of Jacobite assemblies. In the later eighteenth century, many plays were written for and performed by small amateur companies and were not published and so most have been lost. Towards

11620-444: The end of the century there were " closet dramas ", primarily designed to be read, rather than performed, including work by Scott, Hogg, Galt and Joanna Baillie (1762–1851), often influenced by the ballad tradition and Gothic Romanticism. Romanticism was relatively late in developing in French literature , more so than in the visual arts. The 18th-century precursor to Romanticism, the cult of sensibility, had become associated with

11760-401: The essence of the subject on a more abstract level. For example, In Franz Liszt’s Hamlet , Liszt portrays the complex relation between Hamlet and Ophelia by juxtaposing a somber motif that is harmonically inconclusive (Hamlet) against a tranquil and harmonically conclusive motif (Ophelia), and developing the music from these principles. In Death and Transfiguration , a sprightly melody in

11900-414: The exotic and historical settings pioneered by the Romantics, but experimentation with form and technique was generally reduced, often replaced with meticulous technique, as in the poems of Tennyson or many paintings. If not realist, late 19th-century art was often extremely detailed, and pride was taken in adding authentic details in a way that earlier Romantics did not trouble with. Many Romantic ideas about

12040-440: The expressive functions of program music as well as extending its boundaries. Because of his virtuosic use of orchestration, the descriptive power and vividness of these works is extremely marked. He usually employs a large orchestra, often with extra instruments, and he often uses instrumental effects for sharp characterization, such as portraying the bleating of sheep with cuivré brass in Don Quixote . Strauss's handling of form

12180-656: The fields of intellectual history and literary history throughout the 20th century, without any great measure of consensus emerging. That it was part of the Counter-Enlightenment , a reaction against the Age of Enlightenment , is generally accepted in current scholarship. Its relationship to the French Revolution , which began in 1789 in the very early stages of the period, is clearly important, but highly variable depending on geography and individual reactions. Most Romantics can be said to be broadly progressive in their views, but

12320-499: The first historical novel. It launched a highly successful career, with other historical novels such as Rob Roy (1817), The Heart of Midlothian (1818) and Ivanhoe (1820). Scott probably did more than any other figure to define and popularise Scottish cultural identity in the nineteenth century. Other major literary figures connected with Romanticism include the poets and novelists James Hogg (1770–1835), Allan Cunningham (1784–1842) and John Galt (1779–1839). Scotland

12460-409: The flamboyant Théophile Gautier , whose prolific output in various forms continued until his death in 1872. Stendhal is today probably the most highly regarded French novelist of the period, but he stands in a complex relation with Romanticism, and is notable for his penetrating psychological insight into his characters and his realism, qualities rarely prominent in Romantic fiction. As a survivor of

12600-408: The general title of Má vlast became his greatest achievements in the genre. Composed between 1872 and 1879, the cycle embodies its composer's personal belief in the greatness of the Czech nation while presenting selected episodes and ideas from Czech history. Two recurrent musical themes unify the entire cycle. One theme represents Vyšehrad, the fortress over the river Vltava whose course provides

12740-451: The heroic character Lemminkäinen from the Kalevala , which is a collection of folkloric, mythic, epic poetry . The second tone poem, The Swan of Tuonela , is popular as a standalone orchestral work. The piece was originally conceived as a mythological opera before Sibelius abandoned the idea and made it a piece consisting of four distinct movements. The first two though were withdrawn by

12880-476: The highest importance on the freedom of the artists to authentically express their sentiments and ideas. Romantics like the German painter Caspar David Friedrich believed that an artist's emotions should dictate their formal approach; Friedrich went as far as declaring that "the artist's feeling is his law". The Romantic poet William Wordsworth , thinking along similar lines, wrote that poetry should begin with "the spontaneous overflow of powerful feelings", which

13020-454: The imagination of born artists followed instinctively when these individuals were, so to speak, "left alone" during the creative process. These "natural laws" could support a wide range of different formal approaches: as many, perhaps, as there were individuals making personally meaningful works of art. Many Romantics believed that works of artistic genius were created " ex nihilo ", "from nothing", without recourse to existing models. This idea

13160-405: The intent was "to display the traditional logic of symphonic thought;" that is, to display a comparable complexity in the interplay of musical themes and tonal 'landscape' to those of the Romantic symphony . Thematic transformation, like cyclic form, was nothing new in itself. It had been previously used by Mozart and Haydn. In the final movement of his Ninth Symphony , Beethoven had transformed

13300-495: The late 1820s. Cliques of pro- and anti-Romantics developed, and productions were often accompanied by raucous vocalizing by the two sides, including the shouted assertion by one theatregoer in 1822 that "Shakespeare, c'est l'aide-de-camp de Wellington" ("Shakespeare is Wellington 's aide-de-camp "). Alexandre Dumas began as a dramatist, with a series of successes beginning with Henri III et sa cour (1829) before turning to novels that were mostly historical adventures somewhat in

13440-510: The lives of the poor in his native Lake District , or his feelings about nature—which he more fully developed in his long poem The Prelude , never published in his lifetime. The longest poem in the volume was Coleridge's The Rime of the Ancient Mariner , which showed the Gothic side of English Romanticism, and the exotic settings that many works featured. In the period when they were writing,

13580-409: The lush orchestral Romantic style, and this genre of orchestral cinematic music is still often seen in films of the 21st century. The philosophical underpinnings of the movement have influenced modern political theory, both among liberals and conservatives . Romanticism was characterized by its emphasis on emotion and individualism as well as the glorification of the past and nature, preferring

13720-611: The main theme." Jean Sibelius showed a great affinity for the form, writing well over a dozen symphonic poems and numerous shorter works. These works span his entire career, from En saga (1892) to Tapiola (1926), expressing more clearly than anything else his identification to Finland and its mythology. The Kalevala provided ideal episodes and texts for musical setting; this coupled with Sibelius's natural aptitude for symphonic writing allowed him to write taut, organic structures for many of these works, especially Tapiola (1926). Pohjola's Daughter (1906), which Sibelius called

13860-444: The manner of Scott, most famously The Three Musketeers and The Count of Monte Cristo , both of 1844. Victor Hugo published as a poet in the 1820s before achieving success on the stage with Hernani —a historical drama in a quasi-Shakespearean style that had famously riotous performances on its first run in 1830. Like Dumas, Hugo is best known for his novels, and was already writing The Hunchback of Notre-Dame (1831), one of

14000-408: The means but the goals that they pursue; these goals represent the self-expression of the artist's own unique, inner vision, to set aside which in response to the demands of some "external" voice—church, state, public opinion, family friends, arbiters of taste—is an act of betrayal of what alone justifies their existence for those who are in any sense creative. Arthur Lovejoy attempted to demonstrate

14140-401: The medieval over the classical. Romanticism was partly a reaction to the Industrial Revolution , and the prevailing ideology of the Age of Enlightenment , especially the scientific rationalization of Nature. The movement's ideals were embodied most strongly in the visual arts, music, and literature; it also had a major impact on historiography , education, chess , social sciences , and

14280-433: The melting away of the very notion of objective truth", and hence not only to nationalism, but also fascism and totalitarianism , with a gradual recovery coming only after World War II. For the Romantics, Berlin says, in the realm of ethics, politics, aesthetics it was the authenticity and sincerity of the pursuit of inner goals that mattered; this applied equally to individuals and groups—states, nations, movements. This

14420-521: The mid-century the undoubtedly Romantic novels of the Yorkshire -based Brontë family appeared, most notably Charlotte 's Jane Eyre and Emily 's Wuthering Heights , both published in 1847, which also introduced more Gothic themes. While these two novels were written and published after the Romantic period is said to have ended, their novels were heavily influenced by Romantic literature they had read as children. Byron, Keats, and Shelley all wrote for

14560-602: The movement. Though his novels celebrated Scottish identity and history, Scott was politically a firm Unionist, but admitted to Jacobite sympathies. Several Romantics spent much time abroad, and a famous stay on Lake Geneva with Byron and Shelley in 1816 produced the hugely influential novel Frankenstein by Shelley's wife-to-be Mary Shelley and the novella The Vampyre by Byron's doctor John William Polidori . The lyrics of Robert Burns in Scotland, and Thomas Moore from Ireland, reflected in different ways their countries and

14700-436: The much older William Blake , followed later by the isolated figure of John Clare ; also such novelists as Walter Scott from Scotland and Mary Shelley , and the essayists William Hazlitt and Charles Lamb . The publication in 1798 of Lyrical Ballads , with many of the finest poems by Wordsworth and Coleridge, is often held to mark the start of the movement. The majority of the poems were by Wordsworth, and many dealt with

14840-557: The nature and purpose of art, above all the pre-eminent importance of originality, remained important for later generations, and often underlie modern views, despite opposition from theorists. In literature, Romanticism found recurrent themes in the evocation or criticism of the past, the cult of " sensibility " with its emphasis on women and children, the isolation of the artist or narrator, and respect for nature. Furthermore, several romantic authors, such as Edgar Allan Poe , Charles Maturin and Nathaniel Hawthorne , based their writings on

14980-414: The novel and drama, painting, and even music, through Verismo opera. This movement was led by France, with Balzac and Flaubert in literature and Courbet in painting; Stendhal and Goya were important precursors of Realism in their respective media. However, Romantic styles, now often representing the established and safe style against which Realists rebelled, continued to flourish in many fields for

15120-424: The opening of Also sprach Zarathustra , or striding, vigorous arpeggios to represent the manly qualities of his heroes. His love themes are honeyed and chromatic and generally richly scored, and he is often fond of the warmth and serenity of diatonic harmony as balm after torrential chromatic textures, notably at the end of Don Quixote , where the solo cello has a surpassingly beautiful D major transformation of

15260-478: The past; and the tone poem's structural innovation and spontaneity, identifiable poetic content and inventive sonority. However, the stylistic distinction between symphony, "fantasy" and tone poem in Sibelius's late works becomes blurred since ideas first sketched for one piece ended up in another. One of Sibelius's greatest works, Finlandia , focuses on Finnish independence. He wrote it in 1901 and added choral lyrics –

15400-422: The patriotic group of composers known as The Five or The Mighty Handful, went so far as to hail Mikhail Glinka 's Kamarinskaya as "a prototype of Russian descriptive music"; despite the fact that Glinka himself denied the piece had any program, he called the work, which is based entirely on Russian folk music, "picturesque music." In this Glinka was influenced by French composer Hector Berlioz , whom he met in

15540-422: The peak Romantic period, other than Walter Scott, was Jane Austen , whose essentially conservative world-view had little in common with her Romantic contemporaries, retaining a strong belief in decorum and social rules, though critics such as Claudia L. Johnson have detected tremors under the surface of many works, such as Northanger Abbey (1817), Mansfield Park (1814) and Persuasion (1817). But around

15680-553: The penchant shown by the Franck circle for mythological subjects. Claude Debussy 's Prélude à l'après-midi d'un faune (1892–94), intended initially as part of a triptych , is, in the composer's words, "a very free ... succession of settings through which the Faun's desires and dreams move in the afternoon heat." Paul Dukas ' The Sorcerer's Apprentice follows the narrative vein of symphonic poem, while Maurice Ravel 's La valse (1921)

15820-417: The poet then "recollect[s] in tranquility", enabling the poet to find a suitably unique form for representing such feelings. The Romantics never doubted that emotionally motivated art would find suitable, harmonious modes for expressing its vital content—if, that is, the artist steered clear of moribund conventions and distracting precedents. Samuel Taylor Coleridge and others thought there were natural laws

15960-451: The reader to identify the protagonists with the poets themselves." This quality in Romantic literature, in turn, influenced the approach and reception of works in other media; it has seeped into everything from critical evaluations of individual style in painting, fashion, and music, to the auteur movement in modern filmmaking. The group of words with the root "Roman" in the various European languages, such as "romance" and "Romanesque", has

16100-399: The relationship between people and Nature. Romantics generally believed a close connection with Nature was beneficial for human beings, especially for individuals who broke off from society in order to encounter the natural world by themselves. Romantic literature was frequently written in a distinctive, personal "voice". As critic M. H. Abrams has observed, "much of romantic poetry invited

16240-477: The rest of the century and beyond. In music such works from after about 1850 are referred to by some writers as "Late Romantic" and by others as "Neoromantic" or "Postromantic", but other fields do not usually use these terms; in English literature and painting the convenient term "Victorian" avoids having to characterise the period further. In northern Europe, the Early Romantic visionary optimism and belief that

16380-416: The scope and purpose of the symphonic poem beyond the aims of any later composer". Clapham adds that in his musical depiction of scenery in these works, Smetana "established a new type of symphonic poem, which led eventually to Sibelius's Tapiola ". Also, in showing how to apply new forms for new purposes, Macdonald writes that Smetana "began a profusion of symphonic poems from his younger contemporaries in

16520-414: The sequence of events and the course of the musical action. Clapham adds that while Dvořák may follow the narrative complexities of The Golden Spinning Wheel too closely, "the lengthy repetition at the beginning of The Noon Witch shows Dvořák temporarily rejecting a precise representation of the ballad for the sake of an initial musical balance". The fifth poem, Heroic Song , is the only one not to have

16660-523: The stage, but with little success in England, with Shelley's The Cenci perhaps the best work produced, though that was not played in a public theatre in England until a century after his death. Byron's plays, along with dramatizations of his poems and Scott's novels, were much more popular on the Continent, and especially in France, and through these versions several were turned into operas, many still performed today. If contemporary poets had little success on

16800-558: The stage, the period was a legendary one for performances of Shakespeare , and went some way to restoring his original texts and removing the Augustan "improvements" to them. The greatest actor of the period, Edmund Kean , restored the tragic ending to King Lear ; Coleridge said that "Seeing him act was like reading Shakespeare by flashes of lightning." Although after union with England in 1707 Scotland increasingly adopted English language and wider cultural norms, its literature developed

16940-403: The subject matter for the second (and best-known) work in the cycle; the other is the ancient Czech hymn " Ktož jsú boží bojovníci " ("Ye who are God's warriors"), which unites the cycle's last two poems, Tábor and Blaník. While expanding the form to a unified cycle of symphonic poems, Smetana created what Macdonald terms "one of the monuments of Czech music" and, Clapham writes, "extended

17080-650: The summer of 1844. At least three of the Five fully embraced the symphonic poem. Mily Balakirev 's Tamara (1867–82) richly evokes the fairy-tale orient and, while remaining closely based on the poem by Mikhail Lermontov , remains well-paced and full of atmosphere. Balakirev's other two symphonic poems, In Bohemia (1867, 1905) and Russia (1884 version) lack the same narrative content; they are actually looser collections of national melodies and were originally written as concert overtures. Macdonald calls Modest Mussorgsky 's Night on Bald Mountain and Alexander Borodin 's In

17220-466: The symphonic genre seemed uncertain. While many composers continued to write symphonies during the 1820s and '30s, "there were a growing sense that these works were aesthetically far inferior to Beethoven 's.... The real question was not so much whether symphonies could still be written, but whether the genre could continue to flourish and grow." Felix Mendelssohn , Robert Schumann and Niels Gade achieved successes with their symphonies, putting at least

17360-597: The symphonic poem after Liszt were mainly Bohemian, Russian, and French; the Bohemians and Russians showed the potential of the form as a vehicle for the nationalist ideas fomenting in their respective countries at this time. Bedřich Smetana visited Liszt in Weimar in the summer of 1857, where he heard the first performances of the Faust Symphony and the symphonic poem Die Ideale . Influenced by Liszt's efforts, Smetana began

17500-561: The symphony. To achieve his objectives, Liszt needed a more flexible method of developing musical themes than sonata form would allow, but one that would preserve the overall unity of a musical composition. Liszt found his method through two compositional practices, which he used in his symphonic poems. The first practice was cyclic form , a procedure established by Beethoven in which certain movements are not only linked but actually reflect one another's content. Liszt took Beethoven's practice one step further, combining separate movements into

17640-513: The theme of the "Ode to Joy" into a Turkish march. Weber and Berlioz had also transformed themes, and Schubert used thematic transformation to bind together the movements of his Wanderer Fantasy , a work that had a tremendous influence on Liszt. However, Liszt perfected the creation of significantly longer formal structures solely through thematic transformation, not only in the symphonic poems but in others works such as his Second Piano Concerto and his Piano Sonata in B minor . In fact, when

17780-424: The themes of the Gothic novel in verse. These featured different variations of the " Byronic hero ", and his own life contributed a further version. Scott meanwhile was effectively inventing the historical novel , beginning in 1814 with Waverley , set in the 1745 Jacobite rising , which was a highly profitable success, followed by over 20 further Waverley Novels over the next 17 years, with settings going back to

17920-470: The time in favour of a moral outlook known as individualism . They argued that passion and intuition were crucial to understanding the world, and that beauty is more than merely an affair of form , but rather something that evokes a strong emotional response. With this philosophical foundation, the Romanticists elevated several key themes to which they were deeply committed: a reverence for nature and

18060-453: The values of their contemporary industrial society, which they considered alienating for its economic materialism and environmental degradation . The movement's illustration of the Middle Ages was a central theme in debates, with allegations that Romanticist portrayals often overlooked the downsides of medieval life. The consensus is that Romanticism peaked from 1800 until 1850. However,

18200-422: The words of one of their number, Alfred de Vigny , been "conceived between battles, attended school to the rolling of drums". According to Jacques Barzun , there were three generations of Romantic artists. The first emerged in the 1790s and 1800s, the second in the 1820s, and the third later in the century. The more precise characterization and specific definition of Romanticism has been the subject of debate in

18340-483: The work may actually be closer to a concert overture in its relatively stringent use of sonata form . It was the suggestion of the work's musical mid-wife, Balakirev, to base Romeo structurally on his King Lear , a tragic overture in sonata form after the example of Beethoven 's overtures.) R.W.S. Mendl, writing in The Musical Quarterly , states that Tchaikovsky was by temperament peculiarly well-fitted for

18480-427: The world was in the process of great change and improvement had largely vanished, and some art became more conventionally political and polemical as its creators engaged polemically with the world as it was. Elsewhere, including in very different ways the United States and Russia, feelings that great change was underway or just about to come were still possible. Displays of intense emotion in art remained prominent, as did

18620-508: Was a direct consequence of Romanticism , which encouraged literary, pictorial and dramatic associations in music. According to the musicologist Hugh Macdonald , the symphonic poem met three 19th-century aesthetic goals: it related music to outside sources; it often combined or compressed multiple movements into a single principal section; and it elevated instrumental program music to an aesthetic level that could be regarded as equivalent to, or higher than opera . The symphonic poem remained

18760-555: Was a multitude of small separate states, and Goethe's works would have a seminal influence in developing a unifying sense of nationalism . Another philosophic influence came from the German idealism of Johann Gottlieb Fichte and Friedrich Schelling , making Jena (where Fichte lived, as well as Schelling, Hegel , Schiller and the brothers Schlegel ) a centre for early German Romanticism (see Jena Romanticism ). Important writers were Ludwig Tieck , Novalis , Heinrich von Kleist and Friedrich Hölderlin . Heidelberg later became

18900-456: Was also popularised in France by figures that included Napoleon . Eventually it became clear that the poems were not direct translations from Scottish Gaelic , but flowery adaptations made to suit the aesthetic expectations of his audience. Robert Burns (1759–96) and Walter Scott (1771–1832) were highly influenced by the Ossian cycle. Burns, an Ayrshire poet and lyricist, is widely regarded as

19040-437: Was also the location of two of the most important literary magazines of the era, The Edinburgh Review (founded in 1802) and Blackwood's Magazine (founded in 1817), which had a major impact on the development of British literature and drama in the era of Romanticism. Ian Duncan and Alex Benchimol suggest that publications like the novels of Scott and these magazines were part of a highly dynamic Scottish Romanticism that by

19180-455: Was darker in its motifs and has gothic elements. The significance to Romanticism of childhood innocence, the importance of imagination, and racial theories all combined to give an unprecedented importance to folk literature , non-classical mythology and children's literature , above all in Germany. Brentano and von Arnim were significant literary figures who together published Des Knaben Wunderhorn ("The Boy's Magic Horn" or cornucopia ),

19320-469: Was earlier literature that they had discovered or compiled was, in fact, entirely their own work. The Gothic novel , beginning with Horace Walpole 's The Castle of Otranto (1764), was an important precursor of one strain of Romanticism, with a delight in horror and threat, and exotic picturesque settings, matched in Walpole's case by his role in the early revival of Gothic architecture . Tristram Shandy ,

19460-506: Was less concerned than other countries with nationalism, it still had a well-established tradition of narrative and illustrative music reaching back to Berlioz and Félicien David . For this reason, French composers were attracted to the poetic elements of the symphonic poem. In fact, César Franck had written an orchestral piece based on Hugo's poem Ce qu'on entend sur la montagne before Liszt did so himself as his first numbered symphonic poem. The symphonic poem came into vogue in France in

19600-462: Was written closest in style to Liszt. The other three concentrate on some physical movement—spinning, riding, dancing—which is portrayed in musical terms. He had previously experimented with thematic transformation in his program overture Spartacus ; he would later use it in his Fourth Piano Concerto and Third Symphony . After Saint-Saëns came Vincent d'Indy . While d'Indy called his trilogy Wallenstein (1873, 1879–81) "three symphonic overtures",

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