Misplaced Pages

#420579

96-570: The Lefevre Gallery (or The Lefevre Galleries ) was an art gallery in London , England, operated by Alex. Reid & Lefevre Ltd. The gallery was opened at 1a, King Street, St James's , in 1926, when rival art dealers Alexander Reid and Ernest Lefevre joined forces. Upon Reid's death in 1928, his son, A J McNeill Reid succeeded him. Lefevre resigned in 1931. In 1950, the gallery relocated to premises at 30, Bruton Street , Mayfair . Among artists whose first British solo exhibitions were hosted by

192-652: A "painter who has left the canvas to activate the real space and the lived time." Joan Jonas (born July 13, 1936) is an American visual artist and a pioneer of video and performance art, who is one of the most important female artists to emerge in the late 1960s and early 1970s. Jonas' projects and experiments provided the foundation on which much video performance art would be based. Her influences also extended to conceptual art , theatre, performance art and other visual media. She lives and works in New York and Nova Scotia, Canada. Immersed in New York's downtown art scene of

288-439: A Dead Hare (1965) he covered his face with honey and gold leaf and explained his work to a dead hare that lay in his arms. In this work he linked spacial and sculptural, linguistic and sonorous factors to the artist's figure, to his bodily gesture, to the conscience of a communicator whose receptor is an animal. Beuys acted as a shaman with healing and saving powers toward the society that he considered dead. In 1974 he carried out

384-571: A commodity and declared themselves a sociological art movement. Fluxus was informally organized in 1962 by George Maciunas (1931–1978). This movement had representation in Europe, the United States and Japan. The Fluxus movement, mostly developed in North America and Europe under the stimulus of John Cage , did not see the avant-garde as a linguistic renovation, but it sought to make a different use of

480-526: A connection with performance art, as they are created as a live action, like his best-known artworks of paintings created with the bodies of women. The members of the group saw the world as an image, from which they took parts and incorporated them into their work; they sought to bring life and art closer together. One of the other movements that anticipated performance art was the Japanese movement Gutai , who made action art or happening . It emerged in 1955 in

576-434: A formal linear narrative, or which alternately does not seek to depict a set of fictitious characters in formal scripted interactions. It therefore can include action or spoken word as a communication between the artist and audience, or even ignore expectations of an audience, rather than following a script written beforehand. Some types of performance art nevertheless can be close to performing arts . Such performance may use

672-429: A gallery, a kunsthalle is a facility that hosts temporary art exhibitions however does not possess a permanent collection . The art world comprises everyone involved in the production and distribution of fine art. The market for fine art depends upon maintaining its distinction as high culture , although during recent decades the boundary between high and popular culture has been eroded by postmodernism . In

768-529: A locker (1971) he stayed for five days inside a school locker, in Shoot (1971) he was shot with a firearm, and inhabited for twenty two days a bed inside an art gallery in Bed Piece (1972). Another example of endurance artist is Tehching Hsieh. During a performance created in 1980–1981 ( Time Clock Piece ), where Hsieh took a photo of himself next to time clock installed in his studio every hour for an entire year. Hsieh

864-473: A meta-art which arose when strategies of the Minimalists were expanded to focus on site and context. As well as an aesthetic agenda, the work progressed from perceptions of the physical properties of the gallery to the social and political context, largely taking the form of permanent public sculpture in the last two decades of a highly prolific career, whose diversity could exasperate his critics. Yayoi Kusama

960-636: A number of locations. Galleries selling the work of recognized artists may occupy space in established commercial areas of a city. New styles in art have historically been attracted to the low rent of marginal neighborhoods. An artist colony existed in Greenwich Village as early as 1850, and the tenements built around Washington Square Park to house immigrants after the Civil War also attracted young artists and avant-garde art galleries. The resulting gentrification prompted artists and galleries to move to

1056-593: A public action. Names to be highlighted are Willem de Kooning and Franz Kline , whose work include abstract and action painting. Nouveau réalisme is another one of the artistic movements cited in the beginnings of performance art. It was a painting movement founded in 1960 by art critic Pierre Restany and painter Yves Klein , during the first collective exhibition in the Apollinaire Gallery in Milan. Nouveau réalisme was, along with Fluxus and other groups, one of

SECTION 10

#1732884126421

1152-427: A range of publications, including The New York Times , The Guardian , The Village Voice and The Nation . Carolee Schneemann was an American visual experimental artist , known for her multi-media works on the body, narrative, sexuality and gender . She created pieces such as Meat Joy (1964) and Interior Scroll (1975). Schneemann considered her body a surface for work. She described herself as

1248-428: A script or create a fictitious dramatic setting, but still constitute performance art in that it does not seek to follow the usual dramatic norm of creating a fictitious setting with a linear script which follows conventional real-world dynamics; rather, it would intentionally seek to satirize or to transcend the usual real-world dynamics which are used in conventional theatrical plays. Performance artists often challenge

1344-432: A text, and occasionally they appear in assemblies or artistic installations. Apart from their sculptures, Gilbert and George have also made pictorial works, collages and photomontages, where they pictured themselves next to diverse objects from their immediate surroundings, with references to urban culture and a strong content; they addressed topics such as sex, race, death and HIV, religion or politics, critiquing many times

1440-545: Is Wall piece for orchestra (1962). Joseph Beuys was a German Fluxus, happening , performance artist, painter, sculptor, medallist and installation artist . In 1962 his actions alongside the Fluxus neodadaist movement started, group in which he ended up becoming the most important member. His most relevant achievement was his socialization of art, making it more accessible for every kind of public. In How to Explain Pictures to

1536-459: Is a Japanese artist who, throughout her career, has worked with a great variety of media including:sculpture, installation, painting, performance, film, fashion, poetry, fiction, and other arts; the majority of them exhibited her interest in psychedelia, repetition and patterns. Kusama is a pioneer of the pop art, minimalism and feminist art movements and influenced her coetaneous, Andy Warhol and Claes Oldenburg . She has been acknowledged as one of

1632-657: Is a unique commodity, the artist has a monopoly on production, which ceases when the artist either dies or stops working. Some businesses operate as vanity galleries , charging artists a fee to exhibit their work. Lacking a selection process to assure the quality of the artworks, and having little incentive to promote sales, vanity galleries are avoided as unprofessional. Some non-profit organizations or local governments host art galleries for cultural enrichment and to support local artists. Non-profit organizations may start as exhibit spaces for artist collectives , and expand into full-fledged arts programs. Other non-profits include

1728-481: Is also known for his performances about deprivation of freedom; he spent an entire year confined. In The House With the Ocean View (2003), Marina Abramović lived silently for twelve days without food. The Nine Confinements or The Deprivation of Liberty is a conceptual endurance artwork of critical content carried out in the years 2013 and 2016. All of them have in common the illegitimate deprivation of freedom. In

1824-480: Is an artist and United States activist. She is one of the main African-American exponents of feminism and LGBT activism in the United States. In the beginning of the 1970s she worked as a teacher, writer and defender of the black feminism current. She has taught at numerous colleges and universities in the last five years. Smith's essays, reviews, articles, short stories and literary criticism have appeared in

1920-505: Is considered to have influenced artists including Laurie Anderson , Karen Finley , Bruce Nauman , and Tracey Emin , among others. Acconci was initially interested in radical poetry, but by the late 1960s, he began creating Situationist -influenced performances in the street or for small audiences that explored the body and public space. Two of his most famous pieces were Following Piece (1969), in which he selected random passersby on New York City streets and followed them for as long as he

2016-563: Is that while maintaining their urban establishments, galleries also participate in art fairs such as Art Basel and Frieze Art Fair . Art galleries are the primary connection between artists and collectors . At the high end of the market, a handful of elite auction houses and dealers sell the work of celebrity artists; at the low end artists sell their work from their studio, or in informal venues such as restaurants. Point-of-sale galleries connect artists with buyers by hosting exhibitions and openings. The artworks are on consignment, with

SECTION 20

#1732884126421

2112-746: Is thought that the Dada movement was founded in the ten-meter-square locale. Moreover, Surrealists, whose movement descended directly from Dadaism, used to meet in the Cabaret. On its brief existence—barely six months, closing the summer of 1916—the Dadaist Manifesto was read and it held the first Dada actions, performances, and hybrid poetry, plastic art, music and repetitive action presentations. Founders such as Richard Huelsenbeck , Marcel Janco , Tristan Tzara , Sophie Taeuber-Arp and Jean Arp participated in provocative and scandalous events that were fundamental and

2208-510: Is used to refer to establishments with distinct social and economic functions, both public and private. Institutions that preserve a permanent collection may be called either "gallery of art" or "museum of art". If the latter, the rooms where art is displayed within the museum building are called galleries. Art galleries that do not maintain a collection are either commercial enterprises for the sale of artworks, or similar spaces operated by art cooperatives or non-profit organizations . As part of

2304-521: The European Union , and the introduction of droit de suite (royalties paid to artists when their work is sold). The name lives on as 'Lefevre Fine Art' founded the same year. 51°30′25″N 0°08′11″W  /  51.5069°N 0.1365°W  / 51.5069; -0.1365 Art gallery Among the modern reasons art may be displayed are aesthetic enjoyment, education , historic preservation , or for marketing purposes. The term

2400-490: The Middle Ages that preceded, painters and sculptors were members of guilds, seeking commissions to produce artworks for aristocratic patrons or churches. The establishment of academies of art in the 16th century represented efforts by painters and sculptors to raise their status from mere artisans who worked with their hands to that of the classical arts such as poetry and music, which are purely intellectual pursuits. However,

2496-471: The Museum of Modern Art and National Museum of Western Art ). However, establishments that display art for other purposes, but serve no museum functions, are only called art galleries. The distinctive function of a museum is the preservation of artifacts with cultural, historical, and aesthetic value by maintaining a collection of valued objects. Art museums also function as galleries that display works from

2592-535: The Viennese Actionists and neo-Dadaists , prefer to use the terms "live art", "action art", "actions", "intervention" (see art intervention ) or "manoeuvre" to describe their performing activities. As genres of performance art appear body art , fluxus-performance, happening , action poetry , and intermedia . Performance art is a form of expression that was born as an alternative artistic manifestation. The discipline emerged in 1916 parallel to dadaism, under

2688-489: The art world , art galleries play an important role in maintaining the network of connections between artists, collectors, and art experts that define fine art . The terms 'art museum' and 'art gallery' may be used interchangeably as reflected in the names of institutions around the world, some of which are called galleries (e.g. the National Gallery and Neue Nationalgalerie ), and some of which are called museums (e.g.

2784-546: The 1940s and 1950s, the action painting technique or movement gave artists the possibility of interpreting the canvas as an area to act in, rendering the paintings as traces of the artist's performance in the studio According to art critic Harold Rosenberg , it was one of the initiating processes of performance art, along with abstract expressionism. Jackson Pollock is the action painter par excellence, who carried out many of his actions live. In Europe Yves Klein did his Anthropométries using (female) bodies to paint canvasses as

2880-460: The 1950s and 1960s, including a number of theatrical productions that were traditionally scripted and invited only limited audience interaction." A happening allows the artist to experiment with the movement of the body, recorded sounds, written and talked texts, and even smells. One of Kaprow's first works was Happenings in the New York Scene , written in 1961. Allan Kaprow's happenings turned

2976-440: The 1960s, Jonas studied with the choreographer Trisha Brown for two years. Jonas also worked with choreographers Yvonne Rainer and Steve Paxton. Yoko Ono was part of the avant-garde movement of the 1960s. She was part of the Fluxus movement. She is known for her performance art pieces in the late 1960s, works such as Cut Piece , where visitors could intervene in her body until she was left naked. One of her best known pieces

Lefevre Gallery - Misplaced Pages Continue

3072-654: The 20th century, who worked with various mediums and techniques such as painting, sculpture, installation , decollage , video art , happening and fluxus . Vito Acconci was an influential American performance, video and installation artist , whose diverse practice eventually included sculpture, architectural design, and landscape design. His foundational performance and video art was characterized by "existential unease," exhibitionism, discomfort, transgression and provocation, as well as wit and audacity, and often involved crossing boundaries such as public–private, consensual–nonconsensual, and real world–art world. His work

3168-670: The 20th century. He studied music and art history in the University of Tokyo. Later, in 1956, he traveled to Germany, where he studied Music Theory in Munich, then continued in Cologne in the Freiburg conservatory. While studying in Germany, Paik met the composers Karlheinz Stockhausen and John Cage and the conceptual artists Sharon Grace as well as George Maciunas , Joseph Beuys and Wolf Vostell and

3264-763: The British government and the established power. The group's most prolific and ambitious work was Jack Freak Pictures , where they had a constant presence of the colors red, white and blue in the Union Jack. Gilbert and George have exhibited their work in museums and galleries around the world, like the Stedelijk van Abbemuseum of Eindhoven (1980), the Hayward Gallery in London (1987), and the Tate Modern (2007). They have participated in

3360-588: The Nazi Party, continued incorporating experimental performing arts in the scenic arts training twenty years before the events related to the history of performance in the 1960s. The name Bauhaus derives from the German words Bau, construction and Haus, house ; ironically, despite its name and the fact that his founder was an architect, the Bauhaus did not have an architecture department the first years of its existence. In

3456-433: The U.S. in 1968. A work of this period, Paradise Now , was notorious for its audience participation and a scene in which actors recited a list of social taboos that included nudity, while disrobing. Fluxus , a Latin word that means flow , is a visual arts movement related to music, literature, and dance. Its most active moment was in the 1960s and 1970s. They proclaimed themselves against the traditional artistic object as

3552-923: The United States, were new forms of theatre, embodied by the San Francisco Mime Troupe and the Living Theatre and showcased in Off-Off Broadway theaters in SoHO and at La MaMa in New York City. The Living Theatre is a theater company created in 1947 in New York. It is the oldest experimental theatre in the United States. Throughout its history it has been led by its founders: actress Judith Malina , who had studied theatre with Erwin Piscator , with whom she studied Bertolt Brecht 's and Meyerhold 's theory; and painter and poet Julian Beck . After Beck's death in 1985,

3648-586: The Venice Biennale. In 1986 they won the Turner Prize. Endurance performance art deepens the themes of trance, pain, solitude, deprivation of freedom, isolation or exhaustion. Some of the works, based on the passing of long periods of time are also known as long-durational performances. One of the pioneering artists was Chris Burden in California since the 1970s. In one of his best known works, Five days in

3744-413: The adjacent neighborhood "south of Houston" ( SoHo ) which became gentrified in turn. Attempting to recreate this natural process, arts districts have been created intentionally by local governments in partnership with private developers as a strategy for revitalizing neighborhoods. Such developments often include spaces for artists to live and work as well as galleries. A contemporary practice has been

3840-414: The arm with a small-caliber rifle. A prolific artist, Burden created many well-known installations, public artworks and sculptures before his death in 2015. Burden began to work in performance art in the early 1970s. He made a series of controversial performances in which the idea of personal danger as artistic expression was central. His first significant performance work, Five Day Locker Piece (1971),

3936-412: The art market. Art dealers, through their galleries, have occupied a central role in the art world by bringing many of these factors together; such as "discovering" new artists, promoting their associations in group shows, and managing market valuation. Exhibitions of art operating similar to current galleries for marketing art first appeared in the early modern period , approximately 1500 to 1800 CE. In

Lefevre Gallery - Misplaced Pages Continue

4032-549: The artist and the gallery splitting the proceeds from each sale. Depending upon the expertise of the gallery owner and staff, and the particular market, the artwork shown may be more innovative or more traditional in style and media. Galleries may deal in the primary market of new works by living artists, or the secondary markets for works from prior periods owned by collectors, estates, or museums. The periods represented include Old Masters , Modern (1900–1950), and contemporary (1950–present). Modern and contemporary may be combined in

4128-493: The artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a public in a fine art context in an interdisciplinary mode. Also known as artistic action , it has been developed through the years as a genre of its own in which art is presented live. It had an important and fundamental role in 20th century avant-garde art . It involves five basic elements: time, space, body, and presence of

4224-491: The artist's body in the creative process, it acquires similarities with the beginnings of performance art. In the 1960s, with the purpose of evolving the generalized idea of art and with similar principles of those originary from Cabaret Voltaire or Futurism , a variety of new works, concepts and a growing number of artists led to new kinds of performance art. Movements clearly differentiated from Viennese Actionism , avant garde performance art in New York City, process art ,

4320-399: The artist, and the relation between the creator and the public. The actions, generally developed in art galleries and museums, can take place in the street, any kind of setting or space and during any time period. Its goal is to generate a reaction, sometimes with the support of improvisation and a sense of aesthetics. The themes are commonly linked to life experiences of the artist themselves,

4416-409: The arts as part of other missions, such as providing services to low-income neighborhoods. Historically, art world activities have benefited from clustering together either in cities or in remote areas offering natural beauty. The proximity of art galleries facilitated an informal tradition of art show openings on the same night, which have become officially coordinated as " first Friday events " in

4512-433: The artwork are deeply bound. It uses nature as a material (wood, soil, rocks, sand, wind, fire, water, etc.) to intervene on itself. The artwork is generated with the place itself as a starting point. The result is sometimes a junction between sculpture and architecture, and sometimes a junction between sculpture and landscaping that is increasingly taking a more determinant role in contemporary public spaces. When incorporating

4608-713: The audience to think in new and unconventional ways, break conventions of traditional arts, and break down conventional ideas about "what art is". As long as the performer does not become a player who repeats a role, performance art can include satirical elements; use robots and machines as performers, as in pieces of the Survival Research Laboratories ; involve ritualised elements (e.g. Shaun Caton ); or borrow elements of any performing arts such as dance, music, and circus . Performance art can also involve intersection with architecture, and may intertwine with religious practice and with theology . Some artists, e.g.

4704-412: The basis of the foundation for the anarchist movement called Dada. Dadaism was born with the intention of destroying any system or established norm in the art world. It is an anti-art movement, anti-literary and anti-poetry, that questioned the existence of art, literature and poetry itself. Not only was it a way of creating, but of living; it created a whole new ideology. It was against eternal beauty,

4800-456: The case of historical works, or Old Masters this distinction is maintained by the work's provenance ; proof of its origin and history. For more recent work, status is based upon the reputation of the artist. Reputation includes both aesthetic factors; art schools attended, membership in a stylistic or historical movement, the opinions of art historians and critics; and economic factors; inclusion in group and solo exhibitions and past success in

4896-447: The category of Post-war art; while contemporary may be limited to the 21st century or "emerging artists". An enduring model for contemporary galleries was set by Leo Castelli . Rather than simply being the broker for sales, Castelli became actively involved in the discovery and development of new artists, while expecting to remain an exclusive agent for their work. However he also focused exclusively on new works, not participating in

SECTION 50

#1732884126421

4992-432: The chaos protagonized their breaking actions with traditional artistic form. Cabaret Voltaire closed in 1916, but was revived in the 21st century. Futurism was an artistic avant garde movement that appeared in 1909. It first started as a literary movement, even though most of the participants were painters. In the beginning it also included sculpture, photography, music and cinema. The First World War put an end to

5088-500: The company member Hanon Reznikov became co-director along with Malina. Because it is one of the oldest random theatre or live theatre groups nowadays, it is looked upon by the rest. They understood theatre as a way of life, and the actors lived in a community under libertary principles. It was a theatre campaign dedicated to transformation of the power organization of an authoritarian society and hierarchical structure. The Living Theatre chiefly toured in Europe between 1963 and 1968, and in

5184-420: The creation process. His priority is the idea and the creative process over the result. His art uses an incredible array of materials and especially his own body. Gilbert and George are Italian artist Gilbert Proesch and English artist George Passmore, who have developed their work inside conceptual art, performance and body art. They were best known for their live-sculpture acts. One of their first makings

5280-412: The daily, many times with small actions or performances. John Cage was an American composer, music theorist , artist, and philosopher. A pioneer of indeterminacy in music , electroacoustic music , and non-standard use of musical instruments , Cage was one of the leading figures of the post-war avant-garde . Critics have lauded him as one of the most influential composers of the 20th century. He

5376-528: The early 1960s, New York City harbored many movements, events and interests regarding performance art. Amongst others, Andy Warhol began creating films and videos, and mid decade he sponsored The Velvet Underground and staged events and performative actions in New York, such as the Exploding Plastic Inevitable (1966), that included live rock music, explosive lights and films. Indirectly influential for art-world performance, particularly in

5472-402: The early 1970s the use of video format by performance artists was consolidated. Some exhibitions by Joan Jonas and Vito Acconci were made entirely of video, activated by previous performative processes. In this decade, various books that talked about the use of the means of communication, video and cinema by performance artists, like Expanded Cinema , by Gene Youngblood, were published. One of

5568-405: The early seventies. Joan Jonas started to include video in her experimental performances in 1972, while Bruce Nauman scenified his acts to be directly recorded on video. Nauman is an American multimedia artist, whose sculptures, videos, graphic work and performances have helped diversify and develop culture from the 1960s on. His unsettling artworks emphasized the conceptual nature of art and

5664-455: The eternity of principles, the laws of logic, the immobility of thought and clearly against anything universal. It promoted change, spontaneity, immediacy, contradiction, randomness and the defense of chaos against the order and imperfection against perfection, ideas similar to those of performance art. They stood for provocation, anti-art protest and scandal, through ways of expression many times satirical and ironic. The absurd or lack of value and

5760-473: The evolution of The Living Theatre or happening , but most of all the consolidation of the pioneers of performance art. The term Viennese Actionism ( Wiener Aktionismus ) comprehends a brief and controversial art movement of the 20th century, which is remembered for the violence, grotesque and visual of their artworks. It is located in the Austrian vanguard of the 1960s, and it had the goal of bringing art to

5856-531: The first indications of modern values regarding art; art as an investment versus pure aesthetics, and the increased attention to living artists as an opportunity for such investment. Commercial galleries owned or operated by an art dealer or "gallerist" occupy the middle tier of the art market , accounting for most transactions, although not those with the highest monetary values. Once limited to major urban art worlds such as New York, Paris and London, art galleries have become global. Another trend in globalization

SECTION 60

#1732884126421

5952-561: The gallery were Salvador Dalí , Edgar Degas , André Derain , L. S. Lowry , Amedeo Modigliani , Henri Rousseau , Gregorio Prieto and Georges Seurat , It also held the first London exhibitions for Bernard Buffet , Balthus and René Magritte . Others who exhibited there included Francis Bacon , Lucian Freud , Walter Sickert , Wyndham Lewis , and the East London Group . The gallery closed in 2002, citing competition from auction houses, changes in tax on works imported from outside

6048-439: The ground of performance art, and is linked to Fluxus and Body Art. Amongst their main exponents are Günter Brus , Otto Muehl and Hermann Nitsch , who developed most of their actionist activities between 1960 and 1971. Hermann, pioneer of performance art, presented in 1962 his Theatre of Orgies and Mysteries (Orgien und Mysterien Theater). Marina Abramović participated as a performer in one of his performances in 1975. In

6144-409: The handicaps comes from the term itself, which is polysemic, and one of its meanings relates to the scenic arts. This meaning of "performance" in the scenic-arts context differs radically from the concept of "performance art", since performance art emerged with a critical and antagonistic position towards scenic arts. Performance art only adjoins the scenic arts in certain aspects such as the audience and

6240-581: The honey or the grease used by the tartars who saved in World War Two. In 1970 he made his Felt Suit . Also in 1970, Beuys taught sculpture in the Kunstakademie Düsseldorf. In 1979, the Solomon R. Guggenheim Museum of New York City exhibited a retrospective of his work from the 1940s to 1970. Nam June Paik was a South Korean performance artist, composer and video artist from the second half of

6336-516: The idea of a political concentration, with poetry and music-halls, which anticipated performance art. The Bauhaus , an art school founded in Weimar in 1919, included an experimental performing arts workshops with the goal of exploring the relationship between the body, space, sound and light. The Black Mountain College , founded in the United States by instructors of the original Bauhaus who were exiled by

6432-546: The initiation of actions and proceedings. Process artists saw art as pure human expression. Process art defends the idea that the process of creating the work of art can be an art piece itself. Artist Robert Morris predicated "anti-form", process and time over an objectual finished product. Wardrip-Fruin and Montfort in The New Media Reader , "The term 'Happening' has been used to describe many performances and events, organized by Allan Kaprow and others during

6528-414: The late 1960s, diverse land art artists such as Robert Smithson or Dennis Oppenheim created environmental pieces that preceded performance art in the 1970s. Works by conceptual artists from the early 1980s, such as Sol LeWitt , who made mural drawing into a performance act, were influenced by Yves Klein and other land art artists. Land art is a contemporary art movement in which the landscape and

6624-454: The lines between life, Zen, performative art-making techniques and "events," in both pre-meditated and spontaneous ways. Process art is an artistic movement where the end product of art and craft , the objet d’art ( work of art / found object ), is not the principal focus; the process of its making is one of the most relevant aspects if not the most important one: the gathering, sorting, collating, associating, patterning, and moreover

6720-411: The main art channels that separate themselves from specific language; it tries to be interdisciplinary and to adopt mediums and materials from different fields. Language is not the goal, but the mean for a renovation of art, seen as a global art. As well as Dada , Fluxus escaped any attempt for a definition or categorization. As one of the movement's founders, Dick Higgins , stated: Fluxus started with

6816-563: The main artists who used video and performance, with notorious audiovisual installations, is the South Korean artist Nam June Paik , who in the early 1960s had already been in the Fluxus movement until becoming a media artist and evolving into the audiovisual installations he is known for. Carolee Schneemann 's and Robert Whitman's 1960s work regarding their video-performances must be taken into consideration as well. Both were pioneers of performance art, turning it into an independent art form in

6912-455: The main exponents more recently are Tania Bruguera , Abel Azcona , Regina José Galindo , Marta Minujín , Melati Suryodarmo and Petr Pavlensky . The discipline is linked to the happenings and "events" of the Fluxus movement, Viennese Actionism , body art and conceptual art . The definition and historical and pedagogical contextualization of performance art is controversial. One of

7008-429: The many avant garde tendencies of the 1960s. Pierre Restany created various performance art assemblies in the Tate Modern , amongst other spaces. Yves Klein is one of the main exponents of the movement. He was a clear pioneer of performance art, with his conceptual pieces like Zone de Sensibilité Picturale Immatérielle (1959–62), Anthropométries (1960), and the photomontage Saut dans le vide . All his works have

7104-404: The meanings of a performance-art presentation. "Performance art" is a term usually reserved to refer to a conceptual art that conveys a content-based meaning in a more drama-related sense, rather than being simple performance for its own sake for entertainment purposes. It largely refers to a performance presented to an audience, but which does not seek to present a conventional theatrical play or

7200-547: The mid-1970s, behind the Iron Curtain, in major Eastern Europe cities such as Budapest , Kraków , Belgrade, Zagreb , Novi Sad and others, scenic arts of a more experimental content flourished. Against political and social control, different artists who made performance of political content arose. Orshi Drozdik 's performance series, titled Individual Mythology 1975–77 and the NudeModel 1976–77. All her actions were critical of

7296-440: The most important living artists to come out of Japan and a very relevant voice in avant garde art. In the 1970s, artists that had derived to works related to performance art evolved and consolidated themselves as artists with performance art as their main discipline, deriving into installations created through performance, video performance, or collective actions, or in the context of a socio-historical and political context. In

7392-685: The movement, even though in Italy it went on until the 1930s. One of the countries where it had the most impact was Russia. In 1912 manifestos such as the Futurist Sculpture Manifesto and the Futurist Architecture arose, and in 1913 the Manifesto of Futurist Lust by Valentine de Saint-Point , dancer, writer and French artist. The futurists spread their theories through encounters, meetings and conferences in public spaces, that got close to

7488-456: The museum's own collection or on loan from the collections of other museums. Museums might be in public or private ownership and may be accessible to all or have restrictions on access. Although primarily concerned with visual art , art museums are often used as a venue for other cultural exchanges and artistic activities where the art object is replaced by practices such as performance art , dance, music concerts, or poetry readings. Similar to

7584-638: The need for denunciation or social criticism and with a spirit of transformation. The term "performance art" and "performance" became widely used in the 1970s, even though the history of performance in visual arts dates back to futurist productions and cabarets from the 1910s. Art critic and performance artist John Perreault credits Marjorie Strider with the invention of the term in 1969. The main pioneers of performance art include Carolee Schneemann , Marina Abramović , Ana Mendieta , Chris Burden , Hermann Nitsch , Joseph Beuys , Nam June Paik , Tehching Hsieh , Yves Klein and Vito Acconci . Some of

7680-611: The patriarchal discourse in art and the forced emancipation programme and constructed by the equally patriarchal state. Drozdik showed a pioneer and feminist point of view on both, becoming one of the precursors of this type of critical art in Eastern Europe. In the 1970s, performance art, due to its fugacity, had a solid presence in the Eastern European avant-garde, specially in Poland and Yugoslavia, where dozens of artists who explored

7776-656: The performance I Like America and America Likes Me where Beuys, a coyote and materials such as paper, felt and thatch constituted the vehicle for its creation. He lived with the coyote for three days. He piled United States newspapers, a symbol of capitalism. With time, the tolerance between Beuys and the coyote grew and he ended up hugging the animal. Beuys repeats many elements used in other works. Objects that differ form Duchamp's ready-mades, not for their poor and ephemerality, but because they are part of Beuys's own life, who placed them after living with them and leaving his mark on them. Many have an autobiographical meaning, like

7872-949: The present body, and still not every performance-art piece contains these elements. The meaning of the term "performance art" in the narrower sense is related to postmodernist traditions in Western culture. From about the mid-1960s into the 1970s, often derived from concepts of visual art, with respect to Antonin Artaud , Dada , the Situationists , Fluxus , installation art , and conceptual art , performance art tended to be defined as an antithesis to theatre, challenging orthodox art-forms and cultural norms. The ideal had been an ephemeral and authentic experience for performer and audience in an event that could not be repeated, captured or purchased. The widely discussed difference, how concepts of visual arts and concepts of performing arts are used, can determine

7968-466: The public exhibition of art had to overcome the bias against commercial activity, which was deemed beneath the dignity of artists in many European societies. Commercial art galleries were well-established by the Victorian era , made possible by the increasing number of people seeking to own objects of cultural and aesthetic value. At the end of the 19th and the beginning of the 20th century there were also

8064-495: The public into interpreters. Often the spectators became an active part of the act without realizing it. Other actors who created happenings were Jim Dine , Al Hansen , Claes Oldenburg , Robert Whitman and Wolf Vostell : Theater is in the Street (Paris, 1958). The works by performance artists after 1968 showed many times influences from the political and cultural situation that year. Barbara T. Smith with Ritual Meal (1969)

8160-484: The region of Kansai ( Kyōto , Ōsaka , Kōbe ). The main participants were Jirō Yoshihara , Sadamasa Motonaga, Shozo Shimamoto, Saburō Murakami, Katsuō Shiraga, Seichi Sato, Akira Ganayama and Atsuko Tanaka. The Gutai group arose after World War II. They rejected capitalist consumerism, carrying out ironic actions with latent aggressiveness (object breaking, actions with smoke). They influenced groups such as Fluxus and artists like Joseph Beuys and Wolf Vostell . In

8256-434: The resale of older work by the same artists. All art sales after the first are part of the secondary market, in which the artist and the original dealer are not involved. Many of these sales occur privately between collectors, or works are sold at auctions. However some galleries participate in the secondary market depending upon the market conditions. As with any market, the major conditions are supply and demand. Because art

8352-449: The starting process of performance art. The Cabaret Voltaire was founded in Zürich , Switzerland by the couple Hugo Ball and Emmy Hennings for artistic and political purposes, and was a place where new tendencies were explored. Located on the upper floor of a theater, whose exhibitions they mocked in their shows, the works interpreted in the cabaret were avant garde and experimental. It

8448-475: The umbrella of conceptual art. The movement was led by Tristan Tzara , one of the pioneers of Dada . Western culture theorists have set the origins of performance art in the beginnings of the 20th century, along with constructivism , Futurism and Dadaism. Dada was an important inspiration because of their poetry actions, which drifted apart from conventionalisms, and futurist artists, specially some members of Russian futurism , could also be identified as part of

8544-451: The use of vacant commercial space for art exhibitions that run for periods from a single day to a month. Now called "popup galleries", a precursor was Artomatic which had its first event in 1999 and has occurred periodically to the present, mainly in the Washington metro area . Performance art Performance art is an artwork or art exhibition created through actions executed by

8640-435: The work, and then came together, applying the name Fluxus to work which already existed. It was as if it started in the middle of the situation, rather than at the beginning. Robert Filliou places Fluxus opposite to conceptual art for its direct, immediate and urgent reference to everyday life, and turns around Duchamp's proposal, who starting from Ready-made , introduced the daily into art, whereas Fluxus dissolved art into

8736-472: Was The Singing Sculpture , where the artists sang and danced "Underneath the Arches", a song from the 1930s. Since then they have forged a solid reputation as live-sculptures, making themselves works of art, exhibited in front of spectators through diverse time intervals. They usually appear dressed in suits and ties, adopting diverse postures that they maintain without moving, though sometimes they also move and read

8832-482: Was able, and Seedbed (1972), in which he claimed that he masturbated while under a temporary floor at the Sonnabend Gallery , as visitors walked above and heard him speaking. Chris Burden was an American artist working in performance , sculpture and installation art . Burden became known in the 1970s for his performance art works, including Shoot (1971), in which he arranged for a friend to shoot him in

8928-479: Was also instrumental in the development of modern dance , mostly through his association with choreographer Merce Cunningham , who was also Cage's romantic partner for most of their lives. Cage's friend Sari Dienes can be seen as an important link between the Abstract Expressionists , Neo- Dada artists like Robert Rauschenberg and Ray Johnson , and Fluxus. Dienes inspired all these artists to blur

9024-553: Was at the vanguard of body and scenic feminist art in the seventies, which included, amongst others, Carolee Schneemann and Joan Jonas . These, along with Yoko Ono , Joseph Beuys , Nam June Paik , Wolf Vostell , Allan Kaprow , Vito Acconci , Chris Burden and Dennis Oppenheim were pioneers in the relationship between body art and performance art, as well as the Zaj collective in Spain with Esther Ferrer and Juan Hidalgo . Barbara Smith

9120-403: Was created for his master's thesis at the University of California, Irvine, and involved his being locked in a locker for five days. Dennis Oppenheim was an American conceptual artist , performance artist, earth artist , sculptor and photographer. Dennis Oppenheim's early artistic practice is an epistemological questioning about the nature of art, the making of art and the definition of art:

9216-461: Was from 1962 on, a member of the experimental art movement Fluxus . Nam June Paik then began participating in the Neo-Dada art movement, known as Fluxus , which was inspired by the composer John Cage and his use of everyday sounds and noises in his music. He was mates with Yoko Ono as a member of Fluxus . Wolf Vostell was a German artist, one of the most representative of the second half of

#420579