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124-550: The Kinetic Playground was a short-lived nightclub located in the Uptown neighborhood of Chicago , Illinois. The club was opened on April 3, 1968, as the Electric Theater by Aaron Russo and was located at 4812 N. Clark Street (NW corner of Clark and Lawrence). The building was constructed in 1928 and at one time included a dance hall, entertainment center, and ice and roller skating rinks, all known as Rainbo Gardens . Russo

248-589: A door supervisor ) is a type of security guard , employed at licensed or sanctioned venues such as bars , nightclubs , cabaret clubs , strip clubs and casinos . A bouncer's duties are to provide security, to check legal age and drinking age , to refuse entry for intoxicated persons, and to deal with aggressive, violent or verbal behavior or disobedience with statutory or establishment rules. They are also charged with maintaining order, and ensuring all laws and regulations are being followed by all patrons. They are civilians and they are often hired directly by

372-402: A "consent captain". The consent captain monitors bar patrons to stop sexual harassment and sexual assault at social activities at venues and bars. The consent captain intervenes if she sees people who are getting stared at, harassed, or touched without sexual consent . She talks to the person who is feeling uncomfortable and then, if the first person agrees, speaks to the individual whose conduct

496-449: A bouncer and being required to set aside his academic distance, would have been at risk of losing objectivity—though it was accepted that this quandary might be difficult to resolve. One of the main ethical issues of the research was the participation of the researcher in violence, and to what degree he would be allowed to participate. The group could not fully resolve this issue, as the undercover researcher would not have been able to gain

620-413: A boy is thrown out of a restaurant because he has no money to pay for his meal: "Here, Peter, you waited on this young man, didn't you?" "Yes, sir." "He hasn't paid for his breakfast, and pretends he hasn't got any money. Bounce him! " If Sam was ignorant of the meaning of the word 'bounce,' he was soon enlightened. The waiter seized him by the collar, before he knew what was going to happen, pushed him to

744-555: A building or structure in Chicago is a stub . You can help Misplaced Pages by expanding it . Nightclub Nightclubs generally restrict access to people in terms of age, attire , personal belongings , and behaviors. Nightclubs typically have dress codes to prohibit people wearing informal, indecent, offensive, or gang-related attire from entering. Unlike other entertainment venues, nightclubs are more likely to use bouncers to screen prospective patrons for entry. The busiest nights for

868-402: A club culture with many Italian American, African American, gay, and Hispanic people. In addition to the dance and fashion aspects of the disco club scene, there was also a thriving drug subculture , particularly for recreational drugs that would enhance the experience of dancing to the loud music and the flashing lights, such as cocaine (nicknamed "blow"), amyl nitrite " poppers ", and

992-414: A law where for every three men, there was one woman. The women often sought these experiences to seek safety in a venue that embraced the independent woman – with an eye to one or more of the same or opposite sex or none. Although the culture that surrounded disco was progressive in dance couples, cross-genre music, and a push to put the physical over the rational, the role of women looked to be placed in

1116-506: A legal right to carry a weapon even if they would prefer to do so. An article from 2007 about bouncers in Toronto (Canada) stated that a major security firm instructs its bouncers to buy bulletproof vests , as they have to deal with armed patrons on a nightly basis. Bouncers also face patrons armed with brass knuckles , screwdrivers, and improvised weapons such as broken bottles. Lee Vineyard recommends that bouncers be provided with uniforms by

1240-413: A lesser role in their job satisfaction. Bouncer subculture is strongly influenced by perceptions of honour and shame, a typical characteristic of groups that are in the public eye. Factors in enjoying work as a bouncer were also found in the general prestige and respect that was accorded to bouncers, sometimes bordering on hero worship . The camaraderie between bouncers (even of different clubs), as well as

1364-552: A licence to assault people. This may be encouraged by management adherence to a repressive model of supervision of patrons ("if they play up, thump 'em"), which in fact does not reduce trouble, and exacerbates an already hostile and aggressive situation. In practice many bouncers are not well managed in their work, and appear to be given a job autonomy and discretion that they cannot handle well. A 1998 article "Responses by Security Staff to Aggressive Incidents in Public Settings" in

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1488-417: A mass phenomenon. In Germany, the first discothèque on record that involved a disc jockey was Scotch-Club , which opened in 1959. Its, and therefore the world's first DJ was 19-year-old local cub reporter Klaus Quirini who had been sent to write a story about the strange new phenomenon of public record-playing; fueled by whisky , he jumped on stage and started announcing records as he played them and took

1612-635: A nightclub are Friday and Saturday nights. Most nightclubs cater to a particular music genre or sound for branding effects. Some nightclubs may offer food and beverages (including alcoholic beverages). In some countries, nightclubs are also referred to as "discos" or "discothèques" ( German : Disko or Diskothek (outdated; nowadays: Club ); French : discothèque ; Italian , Portuguese , and Spanish : discoteca, antro (common in Mexico), and boliche (common in Argentina, Uruguay, and Paraguay), discos

1736-581: A patron is injured and requires first aid. In a large nightclub, the bouncers may be part of a security team that includes friskers (who check for weapons and drugs), surveillance staff, a doorman, and floor men, with all of these security staff reporting to a chief of security, who in turn, reports to the general manager. In countries like the UK, or where the venue may be smaller in the US, all security personnel are considered bouncers/door supervisors and usually undertake all of

1860-404: A patron is injured because bouncers are dealing with a fight. The concerns about being charged by police may make bouncers reticent to call the police after they break up a bar fight. Lee Vineyard states that judges tend to be prejudiced against bouncers if there are injuries to patrons after bouncers break up a bar fight; as such, he recommends restraint in all bouncer actions, even if the bouncer

1984-521: A piano or a jukebox. With the repeal of Prohibition in February 1933, nightclubs were revived, such as New York's 21 Club , Copacabana , El Morocco , and the Stork Club . These nightclubs featured big bands . During America's Prohibition, new speakeasies and nightclubs appeared on a weekly basis. Texas Guinan opened and ran many, and had many padlocked by the police. Harlem had its own clubs including

2108-480: A police officer. In this era, nightclubbing was generally the preserve of those with money. In Paris, Josephine Baker ran several nightclubs during the 1920s including Chez Josephine, as did her friend Bricktop who ran Bricktops. Jazz singer and Broadway star Adelaide Hall and her husband Bert Hicks opened the nightclub La Grosse Pomme on Rue Pigalle in Montmartre on December 9, 1937. Hall and Hicks also owned

2232-550: A role "... as expected in the creation of an aggressive or violence prone atmosphere [in bars]." However, the study did show that "...edgy and aggressive bouncers, especially when they are arbitrary or petty in their manner, do have an adverse effect." The study stated that bouncers: ...have been observed to initiate fights or further encourage them on several occasions. Many seem poorly trained, obsessed with their own machismo, and relate badly to groups of male strangers. Some of them appear to regard their employment as giving them

2356-481: A significant role in the evolution of clubbing , DJ culture, and nightlife. Significant New York nightclubs of the period were Area , Danceteria , and The Limelight . However, the seismic shift in nightlife was the emergence of rave culture in the UK. A mixture of free and commercial outdoor parties were held in fields, warehouses, and abandoned buildings, by various groups such as Biology, Sunrise, Confusion, Hedonism, Rage & Energy, and many others. This laid

2480-422: A single turntable when a jukebox was not available. These discothèques were also patronized by anti- Vichy youth called zazous . In Nazi Germany , there were underground discothèques patronized by anti-Nazi youth called the " Swing Kids ". The end of World War II saw the beginning of a transformation in the nightclub: no longer the preserve of a moneyed elite, over several decades, the nightclub steadily became

2604-433: A slave, who guarded the door, and sometimes ejected unwanted people from the house whose gate he guarded. The term later become a low-ranking clergy title. Plautus , in his play Bacchides (written approximately 194–184 BC), mentions a "large and powerful" doorman / bouncer as a threat to get an unwelcome visitor to leave. Tertullian , an early Christian author living mainly in the 2nd century AD, while reporting on

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2728-469: A somewhat unusual situation where some bouncers are known to work for prostitutes, instead of being their pimps . Hong Kong police have noted that due to the letter of the law, they sometimes had to charge the bouncer for illegally extorting the women when the usually expected dominance situation between the sex worker and her "protector" was in fact reversed. In the 1990s and 2000s, a number of bouncers have written "tell-all" books about their experiences on

2852-475: Is commonly used in all others in Latin America). In Japanese ディスコ, disuko refers to an older, smaller, less fashionable venue; while クラブ, kurabu refers to a more recent, larger, more popular venue. The term night is used to refer to an evening focusing on a specific genre, such as " retro music night" or a "singles night". In Hong Kong and China, nightclub is used as a euphemism for a hostess club , and

2976-507: Is credited as the first modern nightclub, being built in 1886 and starting off as a "social hall", originally functioning as a home for dance and political activism events. Reisenweber's Cafe is credited for introducing jazz and cabaret to New Yorkers. The jukebox (a coin-operated record-player) was invented by the Pacific Phonograph Company in 1889 by its managers Louis Glass and his partner William S. Arnold. The first

3100-652: Is defending him or herself from a patron. According to statistical research in Canada, bouncers are as likely to face physical violence in their work as urban-area police officers. The research also found that the likelihood of such encounters increased (with statistical significance ) with the number of years the bouncer had worked in his occupation. Despite popular misconceptions, bouncers in Western countries are normally unarmed. Some bouncers may carry weapons such as expandable batons for personal protection, but they may not have

3224-470: Is evident by the reduced number of assaults by bouncers since the introduction of the license. Other terms include "cooler" in the U.S. and "door supervisor" in the U.K. In U.S. bars, "cooler" is often the term for the head bouncer. The "cooler" is expected to have the same ability to respond to physical situations as the rest of the bouncers, but should also have reliable interpersonal skills that can be used to de-escalate situations without violence. In

3348-677: Is found in a number of Mesopotamian myths (and later in Greek myths descended from them), including that of Nergal overcoming the seven doormen guarding the gates to the Underworld. In 1 Chronicles 26 of the Old Testament , the Levitical Temple is described as having a number of 'gatekeepers'—amongst their duties are "protect[ing] the temple from theft", from "illegal entry into sacred areas" and "maintain[ing] order", all functions they share with

3472-424: Is unwanted. Like a regular bouncer, the consent captain warns the person engaging in unwanted behavior that those acts are not tolerated in the venue; if the unwanted acts continue, she may "eventually ask them to leave". The consent captain also checks on people who are intoxicated, to prevent people from taking advantage of their impaired state. Since the consent captain is, in this case, a sexual health educator, she

3596-744: The Cotton Club . Midtown New York had a string of nightclubs, many named after bandleaders such as Paul Whiteman , Vincent Lopez , and Roger Wolfe Kahn who opened Le Perroquet de Paris at a cost of $ 250,000. It was billed as America's most beautiful and sophisticated nightclub and featured the young Kahn and his band most evenings. Pre-World War II Soho in London offered café society , cabaret , burlesque jazz, and bohemian clubs similar to those in New York, Paris , and Berlin . Nightclubs in London were tied much to

3720-692: The Delphi Filmpalast ), Kakadu , Femina-Palast , Palais am Zoo , Gourmenia-Palast , Uhlandeck , and the Haus Vaterland . In the 1920s, the nightlife of the city was dominated by party drugs such as cocaine . Hundreds of venues in the city, which at the time had a sinful reputation, offered in addition to bars, stages, and dance floors an erotic nightlife, such as small booths where lovers could withdraw to for intimate moments. These venues were aimed at rich and poor people, gays , lesbians , nudists , and gangsters alike. In 1930s Shanghai ,

3844-587: The Electric Circus , and Dom. While the discothèque swept Europe throughout the 1960s, it did not become widely popular in the United States until the 1970s, where the first rock and roll generation preferred rough and tumble bars and taverns to nightclubs until the disco era. In the early 1960s, Mark Birley opened a members-only discothèque nightclub, Annabel's , in Berkeley Square , London. In 1962,

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3968-513: The Journal of Drug Issues examined 182 violent incidents involving crowd controllers (bouncers) that occurred in bars in Toronto, Ontario , Canada. The study indicated that in 12% of the incidents the bouncers had good responses, in 20% of the incidents, the bouncers had a neutral response; and in 36% of the incidents, the bouncers "... responses were rated as bad—that is, the crowd controllers enhanced

4092-557: The Middle Earth club (at 43 King Street) and eventually the Roundhouse in 1968. Both the UFO Club and Middle Earth were short-lived but saw performances by artists such as house-band Pink Floyd , Soft Machine , Procol Harum , Fairport Convention , Arthur Brown , and Jimi Hendrix ; DJ John Peel was a regular. These clubs germinated what would later become the underground gig scene of

4216-658: The Peppermint Lounge in New York City became popular and is the place where go-go dancing originated. Sybil Burton opened the "Arthur" discothèque in 1965 on East 54th Street in Manhattan on the site of the old El Morocco nightclub and it became the first, foremost, and hottest disco in New York City through 1969. In Germany in the 1960s, when Berlin was divided by the Wall , Munich became Germany's epicenter of nightlife for

4340-590: The United Kingdom for example, long-running series of feuds between fan groups like The Blades and groups of bouncers in the 1990s were described by researchers. Bouncers have also been known to be associated with criminal gangs, especially in places like Russia, Hong Kong or Japan, where bouncers may often belong to these groups or have to pay the crime syndicates to be able to operate. In Hong Kong, triad -connected reprisal or intimidation attacks against bouncers have been known to occur. Hong Kong also features

4464-522: The Wigan Casino , known for the acrobatic dancing of its clubgoers; each of these clubs was known for all-nighters. Disco has its roots in the underground club scene. During the early 1970s in New York City, disco clubs were places where oppressed or marginalized groups such as gay people, African Americans , Latinos , Italian Americans , and Jews could party without following male to female dance protocol or exclusive club policies. Discothèques had

4588-491: The communist victory in 1949 as The Red Capitol Cinema , dedicated to Maoist propaganda films, before fading into obscurity. It reopened as The Paramount in 2008. In occupied France , jazz and bebop music, and the jitterbug dance were banned by the Nazis as "decadent American influences", so as an act of resistance, people met at hidden basements called discothèques where they danced to jazz and swing music , played on

4712-566: The glam rock ( T. Rex , David Bowie, Roxy Music ) and punk rock cultures in London produced their own set of nightclubs, starting with Billy's at 69 Dean Street (known for its David Bowie nights), Louise's on Poland Street (the first true punk club and hangout of the Sex Pistols , Siouxsie Sioux plus the Bromley Contingent , and then Blitz (the home of the Blitz Kids ). Crackers

4836-464: The "best of food and drink was served." To maintain the high-class atmosphere at these establishments, male patrons were expected to act like gentlemen; "... if any customer did or said anything out of line, he was asked to leave. A bouncer made sure he did". Bouncers in pre- World War I United States were also sometimes used as the guardians of morality. As ballroom dancing was often considered as an activity which could lead to immoral conduct if

4960-406: The "other quintessential 1970s club drug Quaalude , which suspended motor coordination and turned one's arms and legs to Jell-O ". The "massive quantities of drugs ingested in discotheques by newly liberated gay men produced the next cultural phenomenon of the disco era: rampant promiscuity and public sex . While the dance floor was the central arena of seduction, actual sex usually took place in

5084-420: The "tough guy" mentality and look of some bouncers, in which they have their sleeves rolled up to show off their biceps and they have their arms crossed, can actually create more potential for fights than a bouncer who greets patrons with a "hello", and is thus approachable. An ability to judge and communicate well with people will reduce the need for physical intervention, while a steady personality will prevent

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5208-420: The 1890s, San Diego had a similarly rough waterfront area and red-light district called the ' Stingaree ', where bouncers worked the door at brothels. Prostitutes worked at the area's 120 bawdy houses in small rooms, paying a fee to the procurer who usually was the bouncer or 'protector' of the brothel. The more expensive, higher-class brothels were called "parlour houses", and they were "run most decorously", and

5332-698: The 1960s, along with musicians such as the Beatles . Discothèques began to appear in New York City in 1964: the Village Vanguard offered dancing between jazz sets; Shepheard's, located in the basement of the Drake Hotel , was small but popular; L'Interdit and Il Mio (at Delmonico's ) were private; the El Morocco had an on-premises disco called Garrison; and the Stork Club had one in its Shermaine suite. Larger discos opened in 1966: Cheetah, with room for 2000 dancers,

5456-914: The 1960s, but especially with the rise of electronic dance music since the late 1980s. VJing gained more and more importance. VJs ("video jockeys") mix video content in a similar manner that DJs mix audio content, creating a visual experience that is intended to complement the music. The 2020s started with the global COVID-19 pandemic , which closed nightclubs worldwide – the first ever synchronized, global shutdown of nightlife. In response, online "virtual nightclubs" developed, hosted on video-conferencing platforms such as Zoom . As countries relaxed lockdown rules following drops in case numbers, some nightclubs reopened in repurposed form as sat-down pubs. As vaccine rollouts reached advanced stages, nightclubs were able to reopen with looser restrictions, such as producing certification of full vaccination upon entry. Bouncer (doorman) A bouncer (also known as

5580-565: The 1970s and 1980s, at venues such as the 100 Club and The Clarendon in Hammersmith . During the 1960s, the Clarendon was a country & western club, having earlier been an upmarket jazz, dining , and dancing club in the pre-War era. In the north of England, the distinct northern soul movement spanned Manchester 's Twisted Wheel Club , the Blackpool Mecca , Cleethorpes Pier , and

5704-931: The 1980s, during the New Romantic movement, London had a vibrant nightclub scene, which included clubs like The Blitz, the Batcave , the Camden Palace , and Club for Heroes . These clubs grew out of the earlier Mandrake and Billy's (later Gossip's) at 69 Dean Street, in the basement below the ground floor Gargoyle Club . Both music and fashion embraced the aesthetics of the movement. Bands included Depeche Mode , Yazoo , The Human League , Duran Duran , Eurythmics , and Ultravox . Reggae -influenced bands included Boy George and Culture Club , and electronic vibe bands included Visage . At London nightclubs, young men would often wear make-up and young women would wear men's suits. Leigh Bowery 's Taboo (which opened in 1985) bridged

5828-404: The 1990s and 2000s, increased awareness of the risks of lawsuits and criminal charges have led many bars and venues to train their bouncers to use communication and conflict resolution skills before, or rather than, resorting to brute force against troublemakers. However, the earlier history of the occupation suggests that the stereotype of bouncers as rough, tough, physical enforcers has indeed been

5952-641: The New Romantic and acid house scenes. With the birth of house music in the mid-1980s and then acid house, kickstarted by Chris Sullivan's The Wag Club (on the site of the earlier The Flamingo Club ), a cultural revolution swept around the world; first in Chicago at the Warehouse and then London and New York City. London clubs such as Clink Street , Revolution in Progress (RiP), Philip Sallon's The Mudd Club , Danny Rampling 's Shoom (starting in December 1987 in

6076-520: The Rhein-Main region" in which bar owners are "compelled to hire a bouncer, for 100 euros ($ 128) per hour", to "protect" against damage to their venue from the "wrong" type of patron or violence. In 2008, newspapers reported that some bouncers in London and other northern UK towns were "extorting cash from [club] businesses" by operating protection rackets , in which they offer to sell "protection" to club owners, telling them "you're going to pay us, or else"

6200-742: The Starship Discovery One. In San Francisco, there was the Trocadero Transfer , the I-Beam , and the End Up . In Spain during the 1970s, the first clubs and discos opened in Ibiza , an island which had been a popular destination for hippie travelers since the 1960s and now was experiencing a tourist boom. The first ever " Superclub " in Ibiza was the now-abandoned "Festival Club" at Sant Josep de sa Talaia , which

6324-454: The UK government's Criminal Justice Act , which largely ended the rave movement by criminalizing any gathering of 20 or more people where music ("sounds wholly or predominantly characterized by the emission of a succession of repetitive beats") was played. Commercial clubs immediately capitalized on the situation causing a boom in "Superclubs" in the UK, such as Ministry of Sound (London), Renaissance , and Cream ( Liverpool ). These developed

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6448-411: The ability to work "in the moment" and outside of the drudgery of typical jobs were also often cited. The same research has also indicated that the decisions made by bouncers, while seeming haphazard to an outsider, often have a basis in rational logic. The decision to turn certain customers away at the door because of too casual clothing ( face control ) is for example often based on the perception that

6572-413: The above roles at the same time. This can also include CCTV operation and sweeps/patrols of the venue. Although a common stereotype of bouncers is that of the thuggish brute, a good club security staff member requires more than just physical qualities such as strength and size: "The best bouncers don’t "bounce" anyone... they talk to people" (and remind them of the venue rules). Lee Vineyard states that

6696-498: The association of the term with the sex trade has driven out the regular usage of the term. In the United States , New York increasingly became the national capital for tourism and entertainment. Grand hotels were built for upscale visitors. New York's theater district gradually moved northward during this half century, from The Bowery up Broadway through Union Square and Madison Square , settling around Times Square at

6820-490: The bar]; only some aches and pains [for the troublemakers]." In the 1880s and 1890s, bouncers were used to maintain order in "The Gut", the roughest part of New York City's Coney Island , which was filled with "ramshackle groups of wooden shanties", bars, cabarets, fleabag hotels and brothels. Huge bouncers patrolled these venues of vice and "roughly ejected anyone who violated the loose rules of decorum" by engaging in pick-pocketing, jewelry thieving, or bloody fights. During

6944-465: The basement of Southwark's Fitness Centre), Paul Oakenfold 's Spectrum , and Nicky Holloway 's The Trip fused the eclecticism and ethos of [Ibiza with the new electronic music from the US. The largest UK cities like Birmingham , Leeds (The Orbit), Liverpool ( Quadrant Park and 051), Manchester ( The Haçienda ), Newcastle , and Swansea , and several key European places like Paris ( Les Bains-Douches ), Ibiza ( Pacha ), and Rimini , also played

7068-614: The big clubs were The Paramount Club (opened in 1933) and Ciro's (opened in 1936). Other clubs of the era were the Metropole and the Canidrome . Jazz bands , big bands, and singers performed for a bowtied clientele. The Paramount and Ciro's in particular were fiercely rivalrous and attracted many customers from the underworld. Shanghai's clubs fell into decline after the Japanese invasion of 1937 and eventually closed. The Paramount reopened after

7192-412: The bouncer culture from the outside, the group selected a suitable candidate for covert, long-term research. The man had previously worked as a bouncer before becoming an academic, and while conversant with the milieu, it required some time for him to re-enter bouncing work in a new locality. The study has, however, attracted some criticism due to the fact that the researcher, while fulfilling his duties as

7316-466: The bouncer from being easily provoked by customers. Bouncers need to be able to detect the early warning signs of a potential confrontation with a patron, by observing crowds and individuals and spotting the signs of a "heated" interaction that could become a fight. Bouncers also profit from good written communication skills, because they are often required to document assaults in an incident log or using an incident form. Well-kept incident logs can protect

7440-400: The case in many countries and cultures throughout history. Historical references also suggest that the 'door supervisor' function of guarding a place and selecting who can have entry to it (the stereotypical task of the modern bouncer) could at times be an honorific and evolve into a relatively important position. The significance of the door supervisor as the person allowing (or barring) entry

7564-518: The case of the British research project, the legally required licensing as a bouncer was also found to be expected by employers before applicants started the job (and as licensing generally excluded people with criminal convictions, this kept out some of the more unstable violent personalities). Bouncers monitor a club or venue to "detect, report and correct any condition inside/outside the club" which could lead to injuries of patrons or staff or to damage of

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7688-809: The casual oppression of Christians in Carthage , noted that bouncers were counted as part of a semi-legal underworld, amongst other 'shady' characters such as gamblers and pimps . Within Buddhist lore, the Nio , the twin guardian statues who decorate the entrances of temples, dojos, and various places related with religious importance, are believed to be the embodiment of wrathful deity bodhisattvas such as Vajrapani , Mahasthamaprapta , Vajrasattva , Acala , or various figures within Buddhist legend who accompanied Gautama Buddha during his journeys to spread his teachings to protect him and aid in cases needing justified force. During

7812-617: The chic Florida Club in London's Mayfair. In Germany during the Golden Twenties , there was a need to dance away the memories of the First World War . In Berlin, where a " tango fever" had already swept dancing establishments in the early 1910s, 899 venues with a dancing licence were registered by 1930, including the Moka Efti , Casanova , Scala , Delphi-Palast (destroyed in WW2, replaced by

7936-561: The city. In 1967, Germany's first large-scale discothèque opened in Munich as the club Blow Up , which because of its extravagance and excesses quickly gained international reputation. In parallel, the hippie movement spawned Britain's first club for psychedelic music , the UFO Club (at the Blarney Club, 31 Tottenham Court Road , London from 23 Dec 1966 to Oct 1967) which then became

8060-452: The club or its equipment. A key role for bouncers is communicating information within a club to the venue employees who need to know (e.g., regarding injuries, size of crowd outside, capacity of venue, incidents, etc.). Bouncers answer questions about club policies and procedures while controlling crowds (by asking people not to block entrances, exits, stairwells, and other high-traffic areas). Bouncers lead "injury and emergency procedures" if

8184-414: The club owner's venue may be damaged. In the early 1990s, an Australian government study on violence stated that violent incidents in public drinking locations are caused by the interaction of five factors: aggressive and unreasonable bouncers, groups of male strangers, low comfort (e.g., unventilated, hot clubs), high boredom, and high drunkenness. The research indicated that bouncers did not play as large

8308-408: The club, so that patrons can identify the bouncers. During a fight in a bar, if the bouncers are un-uniformed as they approach the altercation, the fighting patrons may believe that the bouncers who are intervening are other fighting patrons, rather than security staff. Use of force training programs teach bouncers ways to avoid using force and explain what types of force are considered allowable by

8432-460: The club-as-spectacle theme pioneered in the 1970s and 1980s by Pacha (Ibiza) and Juliana's Tokyo (Japan), creating a global phenomenon; however, many clubs such as The Cross in London, preserved the more underground feel of the former era. Since the late 2000s, venues that received high media attention include Berghain in Berlin and Fabric in London. Video art has been used in nightclubs since

8556-553: The courts. Some bars have gone so far as to institute policies barring physical contact, where bouncers are instructed to ask a drunk or disorderly patron to leave—if the patron refuses, the bouncers call police. However, if the police are called too frequently, it can reflect badly on the venue upon renewal of its liquor licence . Another strategy used in some bars is to hire smaller, less threatening or female bouncers, because they may be better able to defuse conflicts than large, intimidating bouncers. The more 'impressive' bouncers, in

8680-425: The cream of the crop, and [the prostitutes working there] scorned those who worked in (or out of) saloons, dance halls, and theatres." The best bordellos looked like respectable mansions, with attractively decorated parlours, a game room and a dance hall. For security, "somewhere in every parlor of the house there was always a bouncer, a giant of a man who stayed sober to handle any customer who got too rough with one of

8804-480: The dancers got too close, some of the more reputable venues had bouncers to remind patrons not to dance closer than nine inches to their partners. The bouncers' warnings tended to consist of light taps on the shoulder at first, and then progressed to sterner remonstrations. In the 1930s, bars in the bawdiest parts of Baltimore, Maryland docks hired bouncers to maintain order and eject aggressive patrons. The Oasis club, operated by Max Cohen, hired "...a lady bouncer by

8928-455: The door for women to enter the profession". However, female bouncers are still a rarity in many countries, such as in India, where two women who became media celebrities in 2008 for being " Punjab 's first female bouncers" were soon sacked again after accusations of unbecoming behaviour. The Victoria Event Center has hired a sexual health educator/intimacy coach who acts as a type of bouncer called

9052-415: The door, and then, lifting his foot by a well-directed kick, landed him across the sidewalk into the street. This proceeding was followed by derisive laughter from the other waiters who had gathered near the door, and it was echoed by two street urchins outside, who witnessed Sam's ignominious exit from the restaurant. Sam staggered from the force of the bouncing, and felt disgraced and humiliated to think that

9176-431: The door. They indicate that male bouncers are respected by some club-goers as the ultimate 'hard men', while at the same time, these bouncers can also be lightning rods for aggression and macho posturing on the part of obnoxious male customers wanting to prove themselves. Bouncing has also started to attract some academic interest as part of ethnographic studies into violent subcultures . Bouncers were selected as one of

9300-543: The elaborate light show of its earlier incarnation, in late December 1972, but closed in June 1973 due to neighbors' complaints about the behavior of concertgoers as well as code compliance issues. In 1975 it planned to reopen as the Emerald Isle Discothèque, but apparently never opened its doors again. The building was demolished for condominiums in 2003. There is no relationship between the 1968–69 Kinetic Playground and

9424-428: The employee from any potential criminal charges or lawsuits that later arise from an incident. Bouncers need to be polite when answering questions or controlling crowds. In larger clubs, bouncers need to be able to work with a team of bouncers, which may require the use of radios to stay in contact and communicate (particularly between the inside and outside of a club). In bouncer teams, the bouncers must be aware of

9548-611: The end of the 19th century. Stars such as Edwin Booth and Lillian Russell were among the early Broadway performers. Prostitutes served a wide variety of clientele, from sailors on leave to playboys. The first nightclubs appeared in New York City in the 1840s and 1850s, including McGlory's, and the Haymarket. They enjoyed a national reputation for vaudeville , live music, and dance. They tolerated unlicensed liquor, commercial sex, and gambling cards, chiefly Faro . Practically all gambling

9672-472: The establishment. Some establishments may also assign a bouncer to be responsible for cover charge collections. In the United States, civil liability and court costs related to the use of force by bouncers are "the highest preventable loss found within the [bar] industry", as many United States bouncers are often taken to court and other countries have similar problems of excessive force. In many countries, state governments have taken steps to professionalise

9796-467: The fights caused by Nazis and other potentially violent groups (such as Communists). Such scenes were fictionalised in the movie Cabaret . Hitler surrounded himself with a number of former bouncers such as Christian Weber ; the SS originated as a group designated to protect party meetings. In early Nazi Germany , some bouncers in underground jazz clubs were also hired to screen for Nazi spies, because jazz

9920-438: The girls or didn't want to pay his bill." The "protective presence" of bouncers in high-class brothels was "... one of the reasons the girls considered themselves superior to [lower-class] free-lancers, who lacked any such shepherds." In Wisconsin's lumberjack days, bouncers would physically remove drinkers who were too drunk to keep buying drinks, and thus free up space in the bar for new patrons. The slang term 'snake-room'

10044-577: The ground for what was unfold in the 1990s, initially in the United Kingdom, Germany, and the United States and then worldwide from the 2000s onwards. In Europe and North America, nightclubs play disco-influenced dance music such as house music , techno , Eurodance and other dance music styles such as electronica , breakbeat , and trance . Most nightclubs in major cities in the U.S. that have an early adulthood clientele, play hip hop , dance-pop , house, and/or trance music. These clubs are generally

10168-462: The groups studied by several English researchers in the 1990s because their culture was seen as "grounded in violence", as well as because the group had increasingly been "demonised", especially in common liberal discourse (see Research section of this article ). In 2006, a German newspaper reported that organized crime is operating bouncer extortion rackets in "Berlin, Hamburg, the Ruhr Valley and

10292-569: The idea of " high society ", via organisations such as the Kit Kat Club (which took its name from the political Kit-Cat Club in Pall Mall, London ) and the Café de Paris . The 43 Club on Gerrard Street was run by Kate Meyrick the 'Night Club Queen'. Meyrick ran several London nightclubs in the 1920s and early 1930s, during which time she served prison sentences for breaching licensing laws and bribing

10416-511: The idea of dancing to records at her premises' basement in 1957. It stayed popular into the 1960s. It later became a 1940s-themed club called the Black Gardenia but has since closed. The Flamingo Club on Wardour Street in London ran between 1952 and 1967 and was known for its role in the growth of rhythm and blues and jazz in the UK. It earned a controversial reputation with gangsters and prostitutes said to have been frequent visitors in

10540-405: The industry by requiring bouncers to have training, licensing, and a criminal records background check. In the United Kingdom, all licensed premises are required to have a Security Industry Authority licensed door supervisor when the venue capacity has been appraised. These operatives go through a one week training regime, and are often more highly skilled than operatives without this training, as

10664-507: The jukebox with two turntables that she operated herself so there would be no breaks between the music. This was the world's first-ever "discothèque". The Whisky à Gogo set into place the standard elements of the modern post-World War II discothèque -style nightclub. In London, by the end of the 1950s, several of the coffee bars in London's Soho introduced afternoon dancing. These prototype discothèques were nothing like modern-day nightclubs, as they were unlicensed, daytime venues where coffee

10788-568: The largest and most frequented of all of the different types of clubs. Techno clubs are popular around the world since the early 1990s. Well known examples of the 1990s include Tresor , E-Werk , and Bunker in Berlin ; Omen and Dorian Gray in Frankfurt ; Ultraschall , KW – Das Heizkraftwerk , and Natraj Temple in Munich; and Stammheim in Kassel . The Castlemorton Common Festival in 1992 triggered

10912-487: The late 19th and early 20th centuries, US saloon-keepers and brothel madams hired bouncers to remove troublesome, violent, or dead-drunk patrons, and to protect the saloon girls and prostitutes. The word "bouncer" was first popularized in a novel by Horatio Alger , called The Young Outlaw , which was first published in 1875. Alger was an immensely popular author in the 19th century, especially with young people and his books were widely quoted. In Chapter XIV, entitled "Bounced",

11036-415: The laws and customs of the country. In Australia, the number of complaints and lawsuits against venues due to the behaviour of their bouncers has been credited with turning many establishments to using former police officers to head their in-house security, instead of hiring private firms. In 2007, a bouncer firm in Toronto stated that a major issue for his bouncers is the risk of being charged with assault if

11160-440: The likelihood of violence but were themselves not violent." Finally, "... in almost one-third of incidents, 31 per cent, the crowd controllers' responses were rated as ugly. The controllers' actions involved gratuitous aggression, harassment of patrons and provocative behaviour." At least one major ethnographic study also observed bouncing from within, as part of a British project to study violent subcultures. Beyond studying

11284-441: The location of the other bouncers, and ensure that when one bouncer relocates (e.g., to go to the bathroom), a gap is not left in the venue security. However, UK research from the 1990s also indicates that a major part of both the group identity and the job satisfaction of bouncers is related to their self image as a strongly masculine person who is capable of dealing with – and dealing out – violence; their employment income plays

11408-428: The modern concept of the bouncer, though the described temple servants also serve as holy persons and administrators themselves (it is noted that some administrative function is still present in today's bouncing in the higher position of the supervisor). Door supervisors or bouncers are usually larger persons who display great strength and size. The Romans had a position known as the ostiarius (doorkeeper), initially

11532-429: The most prestigious clubs had elaborate lighting systems that throbbed to the beat of the music. The genre of disco has changed through the years. It is classified both as a musical genre and as a nightclub; and in the late seventies, disco began to act as a safe haven for social outcasts. This club culture that originated in downtown New York, was attended by a variety of different ethnicities and economic backgrounds. It

11656-591: The name of Mickey Steele, a six-foot acrobat from the Pennsylvania coal fields. Mickey was always considerate of the people she bounced; first asking them where they lived and then throwing them in that general direction. She was succeeded by a character known as 'Machine-Gun Butch' who was a long-time bouncer at the club". In the Weimar Republic in the Germany of the 1920s and early 1930s, doormen protected venues from

11780-450: The nether regions of the disco: bathroom stalls, exit stairwells, and so on. In other cases, the disco became a kind of "main course" in a hedonist 's menu for a night out." Well known 1970s discothèques included celebrity hangouts such as Manhattan's Studio 54 , which was operated by Steve Rubell and Ian Schrager . Studio 54 was notorious for the hedonism that went on within; the balconies were known for sexual encounters, and drug use

11904-451: The next two decades with numerous nightclubs and discothèques such as Big Apple , PN hit-house , Tiffany , Domicile , Hot Club , Piper Club , Why Not , Crash , Sugar Shack , the underwater discothèque Yellow Submarine , and Mrs. Henderson , where stars such as Mick Jagger , Keith Richards , Freddie Mercury , and David Bowie went in and out and which led to artists such as Giorgio Moroder , Donna Summer , and Mercury settling in

12028-624: The often tense environments they are supposed to supervise, are also often challenged by aggressive males wanting to prove their machismo . Large and intimidating bouncers, whilst providing an appearance of strong security, may also drive customers away in cases where a more relaxed environment is desired. In addition, female security staff, apart from having fewer problems searching female patrons for drugs or weapons and entering women's washrooms to check for illegal activities, are also considered as better able to deal with drunk or aggressive women. In Australia, for example, women comprise almost 20% of

12152-539: The original batch, and being London's longest running one-nighter club, Gaz's Rockin' Blues , is still going as of 2020. The new wave music scene grew out of Blitz and the Cha Cha Club in Charing Cross . Whilst overall, the club scene was fairly small and hidden away in basements, cellars, and warehouses, London's complicated mix of punk, New Romantic , New Wave, and gay clubs in the late 1970s and early 1980s paved

12276-434: The patron was drunk or using aggressive language. In The United Kingdom, the definition of an assault is very particularly defined. Door supervisors may have to use physical force in the course of their duties. Such force must be no more than is reasonable and necessary (the minimum force necessary). If deemed otherwise they may be liable for assault charges, otherwise, if it is deemed reasonable proportionate and necessary to

12400-435: The person will be more willing to fight (compared to someone dressed in expensive attire). Many similar decisions taken by a bouncer during the course of a night are also being described as based on experience rather than just personality. Movies often depict bouncers physically throwing patrons out of clubs and restraining drunk customers with headlocks, which has led to a popular misconception that bouncers have (or reserve)

12524-496: The recruitment process, which was mainly by word of mouth as opposed to typical job recruitment, and also depended heavily on previous familiarity with violence. This does not extend to the prospective bouncer himself having to have a reputation for violence—rather a perception was needed that he could deal with it if required. Various other elements, such as body language or physical looks (muscles, shaved heads) were also described as often expected for entry into bouncing—being part of

12648-433: The right to use physical force freely. However, in many countries bouncers have no legal authority to use physical force more freely than any other civilian—meaning they are restricted to reasonable levels of force used in self defense , to eject drunk or aggressive patrons refusing to leave a venue, or when restraining a patron who has committed an offence until police arrive. Lawsuits are possible if injuries occur, even if

12772-513: The role of safety net. It brought together people from different backgrounds. These clubs acted as safe havens for homosexual partygoers to dance in peace and away from public scrutiny. By the late 1970s, many major U.S. cities had thriving disco club scenes centered on discothèques, nightclubs, and private loft parties where DJs would play disco hits through powerful PA systems for the dancers. The DJs played "a smooth mix of long single records to keep people 'dancing all night long ' ". Some of

12896-407: The saloon "bouncer" was generally on hand to discourage [those with too] hearty appetites". In the late 19th century, bouncers at small town dances and bars physically resolved disputes and removed troublemakers, without worrying about lawsuits. In the main bar in one Iowa town, "...there were many quarrels, many fights, but all were settled on the spot. There were no court costs [for the bouncers or

13020-399: The security industry and increasingly work the door as well, using "a smile, chat and a friendly but firm demeanor" to resolve tense situations. Nearly one in nine of Britain's nightclub bouncers are also women, with the UK's 2003 Licensing Act giving the authorities "discretionary power to withhold a venue's licence if it does not employ female door staff". This is credited with having "opened

13144-482: The stage-name DJ Heinrich. In the US, Connie's Inn and the Cotton Club in Harlem , NY were popular venues for white audiences. Before 1953 and some years thereafter, most bars and nightclubs used a jukebox or mostly live bands. In Paris, at a club named Le Whisky à Gogo , founded in 1947 on the rue de Seine by Paul Pacine, Régine Zylberberg in 1953 laid down a dance floor, suspended coloured lights, and replaced

13268-412: The symbolic 'narratives of intimidation' that set bouncers apart in their work environment. Training on the job was described as very limited, with the new bouncers being 'thrown into the deep end'—the fact that they had been accepted for the job in the first place including the assessment that they should know what they are doing (though informal observation of a beginner's behaviour was commonplace). In

13392-425: The threat faced - the door supervisor will not face any charges. With civil liability and court costs related to the use of force as "the highest preventable loss found within the industry..." (US) and bars being "sued more often for using unnecessary or excessive force than for any other reason" (Canada), substantial costs may be incurred by indiscriminate violence against patrons—though this depends heavily on

13516-480: The trust of his peers while shying away from the use of force. As part of the study it eventually became clear that bouncers themselves were similarly and constantly weighing up the limits and uses of their participation in violence. The research however found that instead of being a part of the occupation, violence itself was the defining characteristic, a "culture created around violence and violent expectation". The bouncing culture's insular attitudes also extended to

13640-545: The venue by the same name, also known as the Roll Factory, that operated until 2011 at 1113 W. Lawrence in Chicago, not far from the original. Aaron Russo went on to become Bette Midler's manager. 41°58′09″N 87°40′04″W  /  41.9693°N 87.6677°W  / 41.9693; -87.6677 This article on a music performance venue is a stub . You can help Misplaced Pages by expanding it . This article related to

13764-679: The venue was featured in the film Medium Cool (1969). The movie was filmed on location during the 1968 Democratic Convention and many members of the Playground crew were hired as extras. Iron Butterfly, Poco, and King Crimson had been booked for a three-night gig at the Kinetic Playground on November 7, 8, and 9, 1969, but a small fire took place in the venue between acts at the November 7 performance. The remaining dates for this line-up were cancelled. The Kinetic Playground later reopened, without

13888-413: The venue, rather than by a security firm throughout the Western world and particularly in the U.S. Bouncers are often required where crowd size, clientele or alcohol consumption may make arguments or fights a possibility, or where the threat or presence of criminal gang activity or violence is high. At some clubs, bouncers are also responsible for " face control ", choosing who is allowed to patronize

14012-683: The waiter who had been so respectful and attentive should have inflicted upon him such an indignity, which he had no power to resent. An 1883 newspaper article stated that " 'The Bouncer' is merely the English 'chucker out'. When liberty verges on license and gaiety on wanton delirium, the Bouncer selects the gayest of the gay, and—bounces him!" In US Western towns in the 1870s, high-class brothels known as "good houses" or "parlour houses" hired bouncers for security and to prevent patrons from evading payment. "Good house"-style brothels "... considered themselves

14136-580: The way for acid house to flourish in the late 1980s, initially with Shoom and two acid house nights at Heaven : Spectrum and Rage. In the north of England, what later became the "alternative" scene was centred around the Roxy/Bowie room at Pips in Manchester, which opened in 1972; as small as this scene was, many notable figures attended the club, and Joy Division played their first gig there, billed as "Warsaw" before changing their name that night. During

14260-585: Was a key part of the jazz- funk scene and also the early punk scene via its Vortex nights. The underground warehouse party scene was kicked off by Toyah Willcox with her Mayhem Studios at Patcham Terrace in Battersea . The emergence of this highly experimental artistic scene in London can be credited almost entirely to Rusty Egan , Steve Strange , the Bromley Contingent's Philip Sallon , and Chris Sullivan. Dozens of clubs came and went, but one of

14384-652: Was an inexpensive activity to indulge in, and discos united a multitude of different minorities in a way never seen before; including those in the gay and psychedelic communities. The music ultimately was what brought people together. Some cities had disco dance instructors or dance schools that taught people how to do popular disco dances such as "touch dancing", the " hustle ", and the " cha-cha-cha ". There were also disco fashions that discotheque-goers wore for nights out at their local disco, such as sheer, flowing Halston dresses for women and shiny polyester Qiana shirts for men. Disco clubs and "hedonistic loft parties" had

14508-450: Was built between 1969 and 1972 and serviced tourists who were bused in until it closed in 1974. Responding to this influx of visitors, locals opened the first large clubs Pacha , Amnesia , and the Ku-club (renamed Privilege in 1995). By the early 1980s, the term "disco" had largely fallen out of favour in the United States . In parallel to the disco scene and quite separate from it,

14632-451: Was considered a "degenerate" form of music by the Nazi party. Later during the Nazi regime, bouncers also increasingly barred non-German people (such as foreign workers) from public functions, such as 'German' dances at dance halls. Bouncers also often come into conflict with football hooligans , due to the tendency of groups of hooligans to congregate at pubs and bars before and after games. In

14756-548: Was illegal in the city (except upscale horseracing tracks), and regular payoffs to political and police leadership was necessary. Prices were high and they were patronized by an upscale audience. Timothy Gilfoyle called them "the first nightclubs". By contrast, Owney Geoghegan ran the toughest nightclub in New York from 1880 to 1883. It catered to a downscale clientele and besides the usual illegal liquor, gambling, and prostitution, it featured nightly fistfights and occasional shootings, stabbings, and police raids. Webster Hall

14880-661: Was installed at the Palais Royale Saloon, San Francisco on November 23, 1889, becoming an overnight sensation. The advent of the jukebox fueled the Prohibition -era boom in underground illegal speakeasy bars, which needed music but could not afford a live band and needed precious space for paying customers. Webster Hall stayed open, with rumors circulating of Al Capone 's involvement and police bribery. From about 1900 to 1920, working class Americans would gather at honky tonks or juke joints to dance to music played on

15004-579: Was rampant. Its dance floor was decorated with an image of the " Man in the Moon " that included an animated cocaine spoon . Other 1970s discothèques in New York City were Manhattan's Starship Discovery One at 350 West 42nd Street , Roseland Ballroom , Xenon , The Loft , the Paradise Garage , a recently renovated Copacabana , and Aux Puces, one of the first gay disco bars. The album cover of Saturday Night Band's Come On and Dance, Dance featured two dancers in

15128-908: Was sued by the owners of the Electric Circus in New York City , and changed the club's name a few months after the Chicago club's opening, just prior to the performance of Nova Express and Little Boy Blues on August 9–11, 1968. The club became a driving force in the music business, hosting famous rock bands and musicians such as The Doors , The Jimi Hendrix Experience , Pink Floyd , Led Zeppelin , Tim Buckley , The Who , Keith Reid and Bowzer , The Byrds , Janis Joplin , Coven , The Mothers of Invention , The Grateful Dead , Joe Cocker , Spirit , Jeff Beck Group , Eric Burdon , The Small Faces , MC5 , Jethro Tull , Deep Purple , Iron Butterfly , Buffy Saint Marie , Fleetwood Mac , Rotary Connection , Savoy Brown , Vanilla Fudge , Muddy Waters , Alice Cooper , and Jefferson Airplane . The interior of

15252-470: Was the drink of choice and that catered to a very young public – mostly made up of French and Italians working illegally, mostly in catering, to learn English, as well as au pair girls from most of western Europe. A well known venue was Les Enfants Terribles at 93 Dean St., in Soho , London. Initially opening as a coffee-bar, it was run by Betty Passes who claimed to be the inventor of disco after she pioneered

15376-449: Was used to describe a "...room off a saloon, usually two or three steps down, into which a bar-keeper or the bouncer could slide drunk lumber-jacks head first through swinging doors from the bar-room." In the late 19th century, until Prohibition, bouncers also had the unusual role of protecting the saloon's buffet. To attract business, "...many saloons lured customers with offers of a " free lunch "—usually well salted to inspire drinking, and

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