AM broadcasting is radio broadcasting using amplitude modulation (AM) transmissions. It was the first method developed for making audio radio transmissions, and is still used worldwide, primarily for medium wave (also known as "AM band") transmissions, but also on the longwave and shortwave radio bands.
126-578: KRNT (1350 AM ) is a radio station broadcasting a sports format. Serving the Des Moines, Iowa , United States, area, the station is owned by Saga Communications through licensee Saga Communications of Iowa, LLC; it operates as part of Saga's Des Moines Radio Group. Studios are located on Locust Street in Des Moines, with its 4-tower transmitter array located on King Avenue in Des Moines. KRNT features programming from ESPN Radio . In addition, it serves as
252-465: A "chain". The Radio Corporation of America (RCA), General Electric , and Westinghouse organized a competing network around its own flagship station, RCA's WJZ (now WABC) in New York City, but were hampered by AT&T's refusal to lease connecting lines or allow them to sell airtime. In 1926 AT&T sold its radio operations to RCA, which used them to form the nucleus of the new NBC network. By
378-477: A "duopoly" rule, which restricted licensees from operating more than one radio station in a given market. KRNT won a Peabody Award in 1945 for outstanding reporting of news. Then-owners Cowles Media started up a sister station, KRNT-FM (104.5) in 1948, but took it off the air and returned the license in 1955. In 1970, they signed on a second KRNT-FM (102.5 FM). For years, KRNT carried an adult standards format, supplemented by sports programming (most notably
504-784: A "fallback" condition where it reverts to a more robust 25 kbit/s signal. FM stations can divide their datastream into sub-channels (e.g., 88.1 HD‑1, HD‑2, HD‑3) of varying audio quality. The multiple services are similar to the digital subchannels found in ATSC -compliant digital television using multiplexed broadcasting. For example, some top 40 stations have added hot AC and classic rock to their digital subchannels , to provide more variety to listeners. Stations may eventually go all-digital, thus allowing as many as three full-power channels and four low-power channels (seven total). Alternatively, they could broadcast one single channel at 300 kbit/s . FCC rules require that one channel be
630-841: A 10 shilling receiver license fee. Both highbrow and mass-appeal programmes were carried by the National and Regional networks. The period from the early 1920s through the 1940s is often called the "Golden Age of Radio". During this period AM radio was the main source of home entertainment, until it was replaced by television. For the first time entertainment was provided from outside the home, replacing traditional forms of entertainment such as oral storytelling and music from family members. New forms were created, including radio plays , mystery serials, soap operas , quiz shows , variety hours , situation comedies and children's shows . Radio news, including remote reporting, allowed listeners to be vicariously present at notable events. Radio greatly eased
756-419: A CD, and the digital signals sometimes interfere with adjacent analog AM band stations. (see § AM, below ). The AM hybrid mode ("MA1") uses 30 kHz of bandwidth (±15 kHz ), and overlaps adjacent channels on both sides of the station's assigned channel. Some nighttime listeners have expressed concern this design harms reception of adjacent channels with one formal complaint filed regarding
882-557: A central station to all parts of the United States", he was unable to overcome the inherent distance limitations of this technology. The earliest public radiotelegraph broadcasts were provided as government services, beginning with daily time signals inaugurated on January 1, 1905, by a number of U.S. Navy stations. In Europe, signals transmitted from a station located on the Eiffel Tower were received throughout much of Europe. In both
1008-596: A concerted attempt to specify performance of AM receivers through the 1993 AMAX standard, a joint effort of the EIA and the NAB, with FCC backing... The FCC rapidly followed up on this with codification of the CQUAM AM stereo standard, also in 1993. At this point, the stage appeared to be set for rejuvenation of the AM band. Nevertheless, with the legacy of confusion and disappointment in the rollout of
1134-617: A consortium, the British Broadcasting Company (BBC), established on 18 October 1922, which was given a monopoly on broadcasting. This enterprise was supported by a tax on radio sets sales, plus an annual license fee on receivers, collected by the Post Office. Initially the eight stations were allowed regional autonomy. In 1927, the original broadcasting organization was replaced by a government chartered British Broadcasting Corporation . an independent nonprofit supported solely by
1260-552: A continuous-wave (CW) transmitter. Fessenden began his research on audio transmissions while doing developmental work for the United States Weather Service on Cobb Island, Maryland. Because he did not yet have a continuous-wave transmitter, initially he worked with an experimental "high-frequency spark" transmitter, taking advantage of the fact that the higher the spark rate, the closer a spark-gap transmission comes to producing continuous waves. He later reported that, in
1386-568: A few " telephone newspaper " systems, most of which were established in Europe, beginning with the Paris Théâtrophone . With this in mind, most early radiotelephone development envisioned that the device would be more profitably developed as a "wireless telephone" for personal communication, or for providing links where regular telephone lines could not be run, rather than for the uncertain finances of broadcasting. The person generally credited as
SECTION 10
#17329057864201512-463: A few hundred ( Hz ), to increase its rotational speed and so generate currents of tens-of-thousands Hz, thus producing a steady continuous-wave transmission when connected to an aerial. The next step, adopted from standard wire-telephone practice, was to insert a simple carbon microphone into the transmission line, to modulate the carrier wave signal to produce AM audio transmissions. However, it would take many years of expensive development before even
1638-512: A home audio device prior to the introduction of the high-fidelity , long-playing record in the late 1940s. Listening habits changed in the 1960s due to the introduction of the revolutionary transistor radio (Regency TR-1, the first transistor radio released December 1954), which was made possible by the invention of the transistor in 1948. (The transistor was invented at Bell labs and released in June 1948.) Their compact size — small enough to fit in
1764-469: A listening site at Plymouth, Massachusetts. An American Telephone Journal account of the December 21 alternator-transmitter demonstration included the statement that "It is admirably adapted to the transmission of news, music, etc. as, owing to the fact that no wires are needed, simultaneous transmission to many subscribers can be effected as easily as to a few", echoing the words of a handout distributed to
1890-479: A majority of early broadcasting stations operated on mediumwave frequencies, whose limited range generally restricted them to local audiences. One method for overcoming this limitation, as well as a method for sharing program costs, was to create radio networks , linking stations together with telephone lines to provide a nationwide audience. In the U.S., the American Telephone and Telegraph Company (AT&T)
2016-461: A multiplex request from WTLC . The FM hybrid digital / analog mode offers four options which can carry approximately 100, 112, 125, or 150 kbit/s of data carrying ( lossy ) compressed digital audio depending upon the station manager's power budget and desired range of signal. HD FM also provides several pure digital modes with up to 300 kbit/s rate, and enabling extra features like surround sound. Like AM , purely-digital FM provides
2142-503: A national scale. The introduction of nationwide talk shows, most prominently Rush Limbaugh 's beginning in 1988, was sometimes credited with "saving" AM radio. However, these stations tended to attract older listeners who were of lesser interest to advertisers, and AM radio's audience share continued to erode. In 1961, the FCC adopted a single standard for FM stereo transmissions, which was widely credited with enhancing FM's popularity. Developing
2268-399: A policy allowing AM stations to simulcast over FM translator stations. Translators had previously been available only to FM broadcasters, in order to increase coverage in fringe areas. Their assignment for use by AM stations was intended to approximate the station's daytime coverage, which in cases where the stations reduced power at night, often resulted in expanded nighttime coverage. Although
2394-693: A poorer sound quality than FM does under similar conditions. Many DAB stations also broadcast in mono. In contrast, DAB+ uses the newer AAC+ codec and HD FM uses a codec based upon the MPEG-4 HE - AAC standard. Before DAB+ was introduced, DAB's inefficient compression led in some cases to "downgrading" stations from stereophonic to monaural , in order to include more channels in the limited 1 Mbit/s bandwidth. Digital radio, such as DAB, DAB+, and HD FM often have smaller coverage of markets as compared to analog FM, radios are more expensive, and reception inside vehicles and buildings may be poor, depending on
2520-482: A prototype alternator-transmitter would be ready, and a few years beyond that for high-power versions to become available. Fessenden worked with General Electric 's (GE) Ernst F. W. Alexanderson , who in August 1906 delivered an improved model which operated at a transmitting frequency of approximately 50 kHz, although at low power. The alternator-transmitter achieved the goal of transmitting quality audio signals, but
2646-625: A radio station can run between $ 100,000 and $ 200,000. Receiver manufacturers who include HD Radio pay a royalty, which is the main reason it failed to be fully-adopted as a standard feature. If the HD receiver loses the primary digital signal (HD‑1), it reverts to the analog signal, thereby providing seamless operation between the newer and older transmission methods. The extra HD‑2 and HD‑3 streams do not have an analog simulcast; consequently, their sound will drop-out or "skip" when digital reception degrades (similar to digital television drop-outs). Alternatively
SECTION 20
#17329057864202772-423: A result, AM radio tends to do best in areas where FM frequencies are in short supply, or in thinly populated or mountainous areas where FM coverage is poor. Great care must be taken to avoid mutual interference between stations operating on the same frequency. In general, an AM transmission needs to be about 20 times stronger than an interfering signal to avoid a reduction in quality, in contrast to FM signals, where
2898-452: A shirt pocket — and lower power requirements, compared to vacuum tubes, meant that for the first time radio receivers were readily portable. The transistor radio became the most widely used communication device in history, with billions manufactured by the 1970s. Radio became a ubiquitous "companion medium" which people could take with them anywhere they went. The demarcation between what is considered "experimental" and "organized" broadcasting
3024-427: A short-range "wireless telephone" demonstration, that included simultaneously broadcasting speech and music to seven locations throughout Murray, Kentucky. However, this was transmitted using induction rather than radio signals, and although Stubblefield predicted that his system would be perfected so that "it will be possible to communicate with hundreds of homes at the same time", and "a single message can be sent from
3150-440: A simulcast of the analog signal so that when the primary digital stream cannot be decoded, a receiver can fall back to the analog signal. This requires synchronization of the two, with a significant delay added to the analog service. In some cases, particularly during tropospheric ducting events, an HD receiver will lock on to the digital stream of a distant station even though there is a much stronger local analog-only station on
3276-559: A survey dated 8 August 2007 by Bridge Ratings, when asked the question, "Would you buy an HD Radio in the next two months?" Only 1.0% responded "yes" . Some broadcast engineers have expressed concern over the new HD system. A survey conducted in September ;2008 saw a small percentage of participants that confused HD Radio with satellite radio . Many first-generation HD Radios had insensitive receivers, which caused issues with sound quality. The HD Radio digital signal level
3402-461: A widespread audience — dates back to the founding period of radio development, even though the earliest radio transmissions, originally known as "Hertzian radiation" and "wireless telegraphy", used spark-gap transmitters that could only transmit the dots-and-dashes of Morse code . In October 1898 a London publication, The Electrician , noted that "there are rare cases where, as Dr. [Oliver] Lodge once expressed it, it might be advantageous to 'shout'
3528-570: Is transmitted using OFDM with an audio compression format called HDC ( High-Definition Coding ). HDC is a proprietary codec based upon, but incompatible with, the MPEG-4 standard HE-AAC . It uses a modified discrete cosine transform (MDCT) audio data compression algorithm. HD equipped stations pay a one-time licensing fee for converting their primary audio channel to iBiquity 's HD Radio technology, and 3% of incremental net revenues for any additional digital subchannels. The cost of converting
3654-406: Is comparable to or better in audio quality than a standard analog broadcast". Despite the various actions, AM band audiences continued to contract, and the number of stations began to slowly decline. A 2009 FCC review reported that "The story of AM radio over the last 50 years has been a transition from being the dominant form of audio entertainment for all age groups to being almost non-existent to
3780-497: Is largely arbitrary. Listed below are some of the early AM radio broadcasts, which, due to their irregular schedules and limited purposes, can be classified as "experimental": People who weren't around in the Twenties when radio exploded can't know what it meant, this milestone for mankind. Suddenly, with radio, there was instant human communication. No longer were our homes isolated and lonely and silent. The world came into our homes for
3906-535: Is one of several digital radio standards which are generally incompatible with each other: By May 2018, iBiquity Digital Co. claimed its HD Radio technology was used by more than 3,500 individual services, mostly in the United States. This compares with more than 2,200 services operating with the DAB system . A 400 kHz wide channel is required for HD FM analog-digital hybrid transmission, making its adoption problematic outside of North America. In
KRNT - Misplaced Pages Continue
4032-504: Is royalty-free. The company makes its money on fees on additional multicast channels. Stations can choose the quality of these additional channels; music stations generally add one or two high-fidelity channels, while others use lower bit rates for voice-only news and sports. Previously these services required their own transmitters, often on low-fidelity AM. With HD, a single FM allocation can carry all of these channels, and even its lower-quality settings usually sound better than AM. While it
4158-645: Is simpler than later transmission systems. An AM receiver detects amplitude variations in the radio waves at a particular frequency, then amplifies changes in the signal voltage to operate a loudspeaker or earphone . However, the simplicity of AM transmission also makes it vulnerable to "static" ( radio noise , radio frequency interference ) created by both natural atmospheric electrical activity such as lightning, and electrical and electronic equipment, including fluorescent lights, motors and vehicle ignition systems. In large urban centers, AM radio signals can be severely disrupted by metal structures and tall buildings. As
4284-637: Is typically used in conjunction with an existing channel it has been licensed for all-digital transmission as well. Four AM stations use the all-digital format, one under an experimental authorization, the other three under new rules adopted by the FCC in October 2020. The system sees little use elsewhere due to its reliance on the sparse allocation of FM broadcast channels in North America; in Europe, stations are more tightly spaced. iBiquity developed HD Radio, and
4410-526: Is well suited to national broadcasting networks that provide several stations as is common in Europe, whereas HD is more appropriate for individual stations. Digital Radio Mondiale (DRM 30) is a system designed primarily for shortwave and medium wave broadcasting with compatible radios already available for sale. DRM 30 is similar to HD AM, in that each station is broadcast via channels spaced 10 kHz (or 9 kHz in some regions) on frequencies up to 30 MHz . The two standards also share
4536-426: Is what reduces its potential for co-channel interference with distant analog stations. Unlike with subcarriers, where the total baseband modulation is reduced, there is no reduction to the analog carrier power . The National Association of Broadcasters (NAB) requested a 10 dB (10×) increase in the digital signal from the FCC. This equates to an increase to 10% of the analog carrier power, but no decrease in
4662-407: Is within a certain distance and height referenced to the main analog signal. The limitation assures that the two transmissions have nearly the same broadcast range , and that they maintain the proper ratio of signal strength to each other so as not to cause destructive interference at any given location where they may be received. HD Radio supports a service called "Artist Experience" in which
4788-529: The Chicago Cubs and Drake University athletics ). In 2015, the adult standards format was moved to sister station KAZR's HD2 subchannel and translator K283CC 104.5 FM. KRNT was rebranded ESPN Des Moines as it became the market's ESPN Radio affiliate. In April 2022, station owner Saga Communications requested a waiver to change the call sign back to the original KSO. However, broadcasting stations were now generally required to have four-letter call signs, and
4914-556: The Electronic Industries Association (EIA) and the National Association of Broadcasters (NAB) with the intention of helping AM stations, especially ones with musical formats, become more competitive with FM broadcasters by promoting better quality receivers. However, the stereo AM and AMAX initiatives had little impact, and a 2015 review of these events concluded that Initially the consumer manufacturers made
5040-615: The Emergency Alert System (EAS). Some automakers have been eliminating AM radio from their electric vehicles (EVs) due to interference from the electric motors , but the lawmakers argue that this is a safety risk and that car owners should have access to AM radio regardless of the type of vehicle they drive. The proposed legislation would require all new vehicles to include AM radio at no additional charge, and it would also require automakers that have already eliminated AM radio to inform customers of alternatives. AM radio technology
5166-479: The Federal Emergency Management Agency (FEMA) expressed concerns that this would reduce the effectiveness of emergency communications. In May 2023, a bipartisan group of lawmakers in the United States introduced legislation making it illegal for automakers to eliminate AM radio from their cars. The lawmakers argue that AM radio is an important tool for public safety due to being a component of
KRNT - Misplaced Pages Continue
5292-592: The VHF bands ( 1 , 2 , and 3 ), either as a hybrid analog-digital or digital only broadcast, but with 0.1 MHz digital-only bandwidth, it allows 186.3 kbit/s data rate (compared to HD FM with 0.4 MHz allowing 300 kbps.) Digital Radio Mondiale is an open standards system, albeit one that is subject to patents and licensing . HD Radio is based upon the intellectual property of iBiquity Digital Co. / Xperi Holding Co. The United States uses DRM for HF / shortwave broadcasts. According to
5418-431: The electrolytic detector and thermionic diode ( Fleming valve ) were invented by Reginald Fessenden and John Ambrose Fleming , respectively. Most important, in 1904–1906 the crystal detector , the simplest and cheapest AM detector, was developed by G. W. Pickard . Homemade crystal radios spread rapidly during the next 15 years, providing ready audiences for the first radio broadcasts. One limitation of crystals sets
5544-430: The same frequency . With no automatic identification of the station on the analog signal, there is no way for the receiver to recognize that there is no correlation between the two. The listener can possibly turn HD reception off (to listen to the local station, or avoid random flipping between the two stations), or listen to the distant stations and try to get a station ID . Although the signals may be synchronized at
5670-502: The " Golden Age of Radio ", until television broadcasting became widespread in the 1950s and received much of the programming previously carried by radio. Later, AM radio's audiences declined greatly due to competition from FM ( frequency modulation ) radio, Digital Audio Broadcasting (DAB), satellite radio , HD (digital) radio , Internet radio , music streaming services , and podcasting . Compared to FM or digital transmissions , AM transmissions are more expensive to transmit due to
5796-430: The " capture effect " means that the dominant signal needs to only be about twice as strong as the interfering one. To allow room for more stations on the mediumwave broadcast band in the United States, in June 1989 the FCC adopted a National Radio Systems Committee (NRSC) standard that limited maximum transmitted audio bandwidth to 10.2 kHz, limiting occupied bandwidth to 20.4 kHz. The former audio limitation
5922-587: The 1930s, most of the major radio stations in the country were affiliated with networks owned by two companies, NBC and CBS . In 1934, a third national network, the Mutual Radio Network , was formed as a cooperative owned by its stations. A second country which quickly adopted network programming was the United Kingdom, and its national network quickly became a prototype for a state-managed monopoly of broadcasting. A rising interest in radio broadcasting by
6048-660: The 1940s two new broadcast media, FM radio and television , began to provide extensive competition with the established broadcasting services. The AM radio industry suffered a serious loss of audience and advertising revenue, and coped by developing new strategies. Network broadcasting gave way to format broadcasting: instead of broadcasting the same programs all over the country, stations individually adopted specialized formats which appealed to different audiences, such as regional and local news, sports, "talk" programs, and programs targeted at minorities. Instead of live music, most stations began playing less expensive recorded music. In
6174-470: The 200 kHz channel spacing traditionally used in the United States – with capability of 300 kbit/s in digital-only mode. The first generation DAB uses the MPEG-1 Audio Layer II (MP2) audio codec which has less efficient compression than newer codecs. The typical bitrate for DAB stereo programs is 128 kilobit per second|kbit/s or less and as a result most radio stations on DAB have
6300-528: The AM radio industry in the United States developed technology for broadcasting in stereo . Other nations adopted AM stereo, most commonly choosing Motorola's C-QUAM, and in 1993 the United States also made the C-QUAM system its standard, after a period allowing four different standards to compete. The selection of a single standard improved acceptance of AM stereo , however overall there was limited adoption of AM stereo worldwide, and interest declined after 1990. With
6426-521: The British public pressured the government to reintroduce the service, following its suspension in 1920. However, the government also wanted to avoid what it termed the "chaotic" U.S. experience of allowing large numbers of stations to operate with few restrictions. There were also concerns about broadcasting becoming dominated by the Marconi company. Arrangements were made for six large radio manufacturers to form
SECTION 50
#17329057864206552-412: The FCC was unwilling to make an exception. [REDACTED] [REDACTED] AM broadcasting The earliest experimental AM transmissions began in the early 1900s. However, widespread AM broadcasting was not established until the 1920s, following the development of vacuum tube receivers and transmitters. AM radio remained the dominant method of broadcasting for the next 30 years, a period called
6678-476: The HD signal can revert to a more robust 20 kbit/s stream, although the sound quality is then reduced to conventional AM-level. Datacasting is also possible, with metadata providing song titles or artist information. iBiquity Digital claims that the system approaches CD quality audio and offers reduction of both interference and static. However, the data rates in HD Radio are substantially lower than from
6804-481: The Iowa Broadcasting Company. The new owners received permission to move KSO from Clarinda to Des Moines, and to begin broadcasting on 1370 kHz. KSO made its debut broadcast from the new location on November 5, 1932. In 1934, KSO was reassigned to 1320 kHz. On March 17, 1935, the callsign KSO was transferred to the former KWCR on 1430 kHz, which was relocated from Cedar Rapids to Des Moines. Concurrently,
6930-411: The Twenties when radio exploded can't know what it meant, this milestone for mankind. Suddenly, with radio, there was instant human communication. No longer were our homes isolated and lonely and silent. The world came into our homes for the first time. Music came pouring in. Laughter came in. News came in. The world shrank, with radio. The idea of broadcasting — the unrestricted transmission of signals to
7056-404: The U.S., for example) subject to international agreements. HD Radio HD Radio ( HDR ) is a trademark for a so-called in-band on-channel (IBOC) digital radio broadcast technology. HD radio generally simulcasts an existing analog radio station in digital format with less noise and with additional text information. HD Radio is used primarily by AM and FM radio stations in
7182-453: The U.S., the heavier spectral loading of the FM broadcast band makes IBoC systems like HD Radio less practical. The FCC has not indicated any intent to end analog radio broadcasting as it did with analog television , since it would not result in the recovery of any radio spectrum rights which could be sold. Thus, there is no deadline by which consumers must buy an HD receiver. Digital information
7308-662: The United States and France this led to a small market of receiver lines geared for jewelers who needed accurate time to set their clocks, including the Ondophone in France, and the De Forest RS-100 Jewelers Time Receiver in the United States The ability to pick up time signal broadcasts, in addition to Morse code weather reports and news summaries, also attracted the interest of amateur radio enthusiasts. It
7434-586: The United States, FM channels are spaced 200 kHz apart as opposed to 100 kHz elsewhere. Furthermore, long-standing FCC licensing practice, dating from when receivers had poor adjacent-channel selectivity, assigns stations in geographically overlapping or adjacent coverage areas to channels separated by (at least) 400 kHz . Thus most stations can transmit carefully designed digital signals on their adjacent channels without interfering with other local stations, and usually without co-channel interference with distant stations on those channels. Outside
7560-514: The United States, U.S. Virgin Islands, Canada, Mexico and the Philippines, with a few implementations outside North America. HD Radio transmits the digital signals in unused portions of the same band as the analog AM and FM signals. As a result, radios are more easily designed to pick up both signals, which is why the HD in HD Radio stands for "hybrid digital," not "high definition." HD Radios tune into
7686-432: The already-expensive system has so far given them no benefit. There are still some concerns that HD FM will increase interference between different stations, even though HD Radio at the 10% power level fits within the FCC spectral mask. North American FM channels are spaced 200 kHz apart. An HD broadcast station will not generally cause interference to any analog station within its 1 mV/m service contour –
SECTION 60
#17329057864207812-580: The analog signal, thus taking a full 400 kHz of spectrum. In extended hybrid mode, the analog signal is restricted to ±100 kHz . Extended primary sidebands are added to the main primary sidebands using the extra ±30 kHz of spectrum created by restricting the analog signal. Extended hybrid provides up to approximately 50 kbit/s additional capacity. Any existing subcarrier services (usually at 92 kHz and 67 kHz ) that must be shut down to use extended hybrid can be restored through use of digital subchannels . However, this requires
7938-629: The analog signal. This was shown to reduce analog coverage because of interference, but results in a dramatic improvement in digital coverage. Other levels were also tested, including a 6 dB or fourfold increase to 4% (−14 dBc or 25:1). National Public Radio was opposed to any increase because it is likely to increase interference to their member stations, particularly to their broadcast translators , which are secondary and therefore left unprotected from such interference. Other broadcasters are also opposed (or indifferent), since increasing power would require expensive changes in equipment for many, and
8064-523: The antenna wire. This meant that the full transmitter power flowed through the microphone, and even using water cooling, the power handling ability of the microphones severely limited the power of the transmissions. Ultimately only a small number of large and powerful Alexanderson alternators would be developed. However, they would be almost exclusively used for long-range radiotelegraph communication, and occasionally for radiotelephone experimentation, but were never used for general broadcasting. Almost all of
8190-474: The audience has continued to decline. In 1987, the elimination of the Fairness Doctrine requirement meant that talk shows, which were commonly carried by AM stations, could adopt a more focused presentation on controversial topics, without the distraction of having to provide airtime for any contrasting opinions. In addition, satellite distribution made it possible for programs to be economically carried on
8316-481: The broadcast outlet for several sports teams: The station was first licensed on October 9, 1925, to the A. A. Berry Seed Company in Clarinda, Iowa , transmitting on 1240 kHz, with the call sign KSO. The call letters reflected the slogan "Keep Serving Others". In 1926, an adverse legal decision briefly eliminated the ability of the U.S. government to assign station frequencies and powers, and as of December 31, 1926, KSO
8442-652: The call letters of the original KSO on 1320 kHz were changed to KRNT. At that time, both stations were owned and operated by subsidiary corporations of the Des Moines Register-Tribune . In March 1941, stations on 1320 kHz, including KRNT, were moved to the 1350 kHz, as part of the North American Regional Broadcasting Agreement . In August 1941, the Federal Communications Commission (FCC) began implementation of
8568-404: The characteristics of arc-transmitters . Fessenden attempted to sell this form of radiotelephone for point-to-point communication, but was unsuccessful. Fessenden's work with high-frequency spark transmissions was only a temporary measure. His ultimate plan for creating an audio-capable transmitter was to redesign an electrical alternator , which normally produced alternating current of at most
8694-403: The commission estimated that fewer than 250 AM stations were transmitting hybrid mode signals. On October 27, 2020, the FCC voted to allow AM stations to eliminate their analog transmissions and convert to all-digital operation, with the requirement that stations making the change had to continue to make programming available over "at least one free over-the-air digital programming stream that
8820-475: The continued migration of AM stations away from music to news, sports, and talk formats, receiver manufacturers saw little reason to adopt the more expensive stereo tuners, and thus radio stations have little incentive to upgrade to stereo transmission. In countries where the use of directional antennas is common, such as the United States, transmitter sites consisting of multiple towers often occupy large tracts of land that have significantly increased in value over
8946-437: The continuous wave AM transmissions made prior to 1915 were made by versions of the arc converter transmitter, which had been initially developed by Valdemar Poulsen in 1903. Arc transmitters worked by producing a pulsating electrical arc in an enclosed hydrogen atmosphere. They were much more compact than alternator transmitters, and could operate on somewhat higher transmitting frequencies. However, they suffered from some of
9072-434: The decades, to the point that the value of land exceeds that of the station itself. This sometimes results in the sale of the transmitter site, with the station relocating to a more distant shared site using significantly less power, or completely shutting down operations. The ongoing development of alternative transmission systems, including Digital Audio Broadcasting (DAB), satellite radio, and HD (digital) radio, continued
9198-567: The decline of the popularity of the traditional broadcast technologies. These new options, including the introduction of Internet streaming, particularly resulted in the reduction of shortwave transmissions, as international broadcasters found ways to reach their audiences more easily. In 2022 it was reported that AM radio was being removed from a number of electric vehicle (EV) models, including from cars manufactured by Tesla, Audi, Porsche, BMW and Volvo, reportedly due to automakers concerns that an EV's higher electromagnetic interference can disrupt
9324-569: The demonstration witnesses, which stated "[Radio] Telephony is admirably adapted for transmitting news, stock quotations, music, race reports, etc. simultaneously over a city, on account of the fact that no wires are needed and a single apparatus can distribute to ten thousand subscribers as easily as to a few. It is proposed to erect stations for this purpose in the large cities here and abroad." However, other than two holiday transmissions reportedly made shortly after these demonstrations, Fessenden does not appear to have conducted any radio broadcasts for
9450-600: The expectation is that listeners will primarily be tuning into the FM signal rather than the nominally "primary" AM station. A 2020 review noted that "for many owners, keeping their AM stations on the air now is pretty much just about retaining their FM translator footprint rather than keeping the AM on the air on its own merits". In 2018 the FCC, led by then-Commission Chairman Ajit Pai , proposed greatly reducing signal protection for 50 kW Class A " clear channel " stations. This would allow co-channel secondary stations to operate with higher powers, especially at night. However,
9576-445: The fall of 1900, he successfully transmitted speech over a distance of about 1.6 kilometers (one mile), which appears to have been the first successful audio transmission using radio signals. However, at this time the sound was far too distorted to be commercially practical. For a time he continued working with more sophisticated high-frequency spark transmitters, including versions that used compressed air, which began to take on some of
9702-401: The first time. Music came pouring in. Laughter came in. News came in. The world shrank, with radio. Following World War I, the number of stations providing a regular broadcasting service greatly increased, primarily due to advances in vacuum-tube technology. In response to ongoing activities, government regulators eventually codified standards for which stations could make broadcasts intended for
9828-401: The frequencies used. HD Radio shares most of these same flaws ( see criticisms below ). On the other hand, digital radio allows for more stations and less susceptibility for disturbances in the signal. In the United States, however, other than HD Radio, digital broadcast technologies, such as DAB+, have not been approved for use on either the VHF band II ( FM ) or medium wave band. DAB
9954-620: The general public, for example, in the United States formal recognition of a "broadcasting service" came with the establishment of regulations effective December 1, 1921, and Canadian authorities created a separate category of "radio-telephone broadcasting stations" in April 1922. However, there were numerous cases of entertainment broadcasts being presented on a regular schedule before their formal recognition by government regulators. Some early examples include: Because most longwave radio frequencies were used for international radiotelegraph communication,
10080-417: The general public, or to have even given additional thought about the potential of a regular broadcast service, and in a 1908 article providing a comprehensive review of the potential uses for his radiotelephone invention, he made no references to broadcasting. Because there was no way to amplify electrical currents at this time, modulation was usually accomplished by a carbon microphone inserted directly in
10206-500: The highest baseband modulating frequency (around 60 kHz when RBDS is used). Only 15 kHz of the baseband bandwidth is used by analog monaural audio (baseband), with the remainder used for stereo , RBDS , paging , radio reading service , rental to other customers , or as a transmitter/studio link for in-house telemetry . In (regular) hybrid mode a station has ±130 kHz of analog bandwidth. The primary main digital sidebands extend ±70 kHz on either side of
10332-414: The interfering station will be required to reduce to the next level down of 4%, 2% (−17 dB), or 1%, until the FCC finally determines that the interference has been satisfactorily reduced. The station to which the interference is caused bears the burden of proof and its associated expenses, rather than the station that causes the problem. For grandfathered FM stations, which are allowed to remain over
10458-541: The isolation of rural life. Political officials could now speak directly to millions of citizens. One of the first to take advantage of this was American president Franklin Roosevelt , who became famous for his fireside chats during the Great Depression . However, broadcasting also provided the means to use propaganda as a powerful government tool, and contributed to the rise of fascist and communist ideologies. In
10584-411: The lack of any way to amplify the signals meant they were somewhat weak. On December 21, 1906, Fessenden made an extensive demonstration of the new alternator-transmitter at Brant Rock, Massachusetts, showing its utility for point-to-point wireless telephony, including interconnecting his stations to the wire telephone network. As part of the demonstration, speech was transmitted 18 kilometers (11 miles) to
10710-419: The late 1960s and 1970s, top 40 rock and roll stations in the U.S. and Canada such as WABC and CHUM transmitted highly processed and extended audio to 11 kHz, successfully attracting huge audiences. For young people, listening to AM broadcasts and participating in their music surveys and contests was the social media of the time. In the late 1970s, spurred by the exodus of musical programming to FM stations,
10836-463: The limit above which the FCC protects most stations. However, the IBOC signal resides within the analog signal of the immediately adjacent station(s). With the proposed power increase of 10 dB, the potential exists to cause the degradation of the second-adjacent analog signals within its 1 mV/m contour . On 29 January 2010, the U.S. FCC approved a report and order to voluntarily increase
10962-520: The limit for their broadcast class , these numbers are relative to that lower limit rather than their actual power. Some countries have implemented Eureka-147 Digital Audio Broadcasting (DAB) or the newer DAB+ version. DAB broadcasts a single multiplex that is approximately 1.5 megahertz wide (≈1 megabit per second ). That multiplex is then subdivided into multiple digital streams of between 9~12 programs (or stations). In contrast, HD FM requires 400 kHz bandwidth – compatible with
11088-399: The marketplace decide" which was best. The lack of a common standard resulted in consumer confusion and increased the complexity and cost of producing AM stereo receivers. In 1993, the FCC again revised its policy, by selecting C-QUAM as the sole AM stereo implementation. In 1993, the FCC also endorsed, although it did not make mandatory, AMAX broadcasting standards that were developed by
11214-573: The matter: WYSL owner Bob Savage against WBZ in Boston. The capacity of a 30 kHz channel on the AM band is limited. By using spectral band replication the HDC+SBR codec is able to simulate the recreation of sounds up to 15,000 Hz, thus achieving moderate quality on the bandwidth -tight AM band . The HD Radio AM hybrid mode offers two options which can carry approximately 40~60 kbit/s of data, with most AM digital stations defaulting to
11340-451: The maximum digital effective radiated power (ERP) to 4% of analog ERP (−14 dB c ), up from the previous maximum of 1% (−20 dBc). Individual stations may apply for up to 10% (−10 dBc) if they can prove it will not cause harmful interference to any other station. If at least six verified complaints of ongoing RF interference to another station come from locations within the other station's licensed service geographic region ,
11466-441: The medium wave, actual DRM bit rates vary depending on day versus night transmission ( groundwave versus skywave ) and the amount of bits dedicated for error correction (signal robustness). Although DRM offers a growth path for AM broadcasters , unfortunately it shares many of the same flaws as DAB and HD AM: DRM+ , a different system based upon the same principles of HD Radio on the FM band, but can be implemented in all
11592-432: The message, spreading it broadcast to receivers in all directions". However, it was recognized that this would involve significant financial issues, as that same year The Electrician also commented "did not Prof. Lodge forget that no one wants to pay for shouting to the world on a system by which it would be impossible to prevent non-subscribers from benefiting gratuitously?" On January 1, 1902, Nathan Stubblefield gave
11718-430: The more-robust 40 kbit/s mode, which features redundancy (same data is broadcast twice). The digital radio signal received on a conventional AM receiver tuned to an adjacent channel sounds like white noise – the sound of a "hiss" , or a large waterfall, or a strong, steady wind through a dense forest canopy , or similar. All-digital AM ("MA3") allows for two modes: "Enhanced" and "core-only". When
11844-448: The multiple incompatible AM stereo systems, and failure of the manufacturers (including the auto makers) to effectively promote AMAX radios, coupled with the ever-increasing background of noise in the band, the general public soon lost interest and moved on to other media. On June 8, 1988, an International Telecommunication Union (ITU)-sponsored conference held at Rio de Janeiro, Brazil adopted provisions, effective July 1, 1990, to extend
11970-537: The necessity of having to transmit a high power carrier wave to overcome ground losses, and the large antenna radiators required at the low broadcast frequencies, but can be sent over long distances via the ionosphere at night; however, they are much more susceptible to interference, and often have lower audio fidelity. Thus, AM broadcasters tend to specialize in spoken-word formats, such as talk radio , all-news radio and sports radio , with music formats primarily for FM and digital stations. People who weren't around in
12096-405: The new frequencies. It was now estimated that the expanded band could accommodate around 300 U.S. stations. However, it turned out that the number of possible station reassignments was much lower, with a 2006 accounting reporting that, out of 4,758 licensed U.S. AM stations, only 56 were now operating on the expanded band. Moreover, despite an initial requirement that by the end of five years either
12222-428: The new policy, by 2011 there were approximately 500 in operation, and as of 2020 approximately 2,800 of the 4,570 licensed AM stations were rebroadcasting on one or more FM translators. In 2009 the FCC stated that "We do not intend to allow these cross-service translators to be used as surrogates for FM stations". However, based on station slogans, especially in the case of recently adopted musical formats, in most cases
12348-402: The original analog signal intact, allowing enabled receivers to switch between digital and analog as required. In most FM implementations, from 96 to 128 kbit/s of capacity is available. High-fidelity audio requires only 48 kbit/s so there is ample capacity for additional channels, which HD Radio refers to as "multicasting". HD Radio is licensed so that the simulcast of the main channel
12474-411: The original station or its expanded band counterpart had to cease broadcasting, as of 2015 there were 25 cases where the original standard band station was still on the air, despite also operating as an expanded band station. HD Radio is a digital audio broadcasting method developed by iBiquity . In 2002 its "hybrid mode", which simultaneously transmits a standard analog signal as well as a digital one,
12600-433: The overheating issues of needing to insert microphones directly in the transmission antenna circuit. Vacuum tube transmitters also provided high-quality AM signals, and could operate on higher transmitting frequencies than alternator and arc transmitters. Non-governmental radio transmissions were prohibited in many countries during World War I, but AM radiotelephony technology advanced greatly due to wartime research, and after
12726-489: The primary digital carrier. Four stations have operated as all-digital / digital-only broadcasters: WWFD experimented with using a digital subchannel , operating a second channel (HD2) at a low data rate while reducing the data rate of the primary channel (HD1). In October 2020, the FCC concluded from WWFD 's experiments: The FCC requires stations that wish to multiplex their digital AM signals to request and receive permission to do so; in early 2020 it rejected
12852-441: The primary early developer of AM technology is Canadian-born inventor Reginald Fessenden . The original spark-gap radio transmitters were impractical for transmitting audio, since they produced discontinuous pulses known as " damped waves ". Fessenden realized that what was needed was a new type of radio transmitter that produced steady "undamped" (better known as " continuous wave ") signals, which could then be "modulated" to reflect
12978-420: The receiver can only decode the primary carriers in either mode, the audio will be mono and only text information can be displayed. The narrower bandwidth needed in either all-digital mode compared to hybrid mode reduces possible interference to and from stations broadcasting on adjacent channels. However, all-digital AM lacks the analog signal for fallback when the signal is too weak for the receiver to decode
13104-637: The reception of AM transmissions and hurt the listening experience, among other reasons. However the United States Congress has introduced a bill to require all vehicles sold in the US to have an AM receiver to receive emergency broadcasts. The FM broadcast band was established in 1941 in the United States, and at the time some suggested that the AM band would soon be eliminated. In 1948 wide-band FM's inventor, Edwin H. Armstrong , predicted that "The broadcasters will set up FM stations which will parallel, carry
13230-403: The replacement of all related equipment both for the broadcasters and all of the receivers that use the services shifted to HD subchannels. The ratio of power of the analog signal to the digital signal was initially standardized at 100:1 (−20 dBc), i.e., the digital signal power is 1% of the analog carrier power. This low power, plus the uniform, noise-like nature of the digital modulation,
13356-574: The same basic modulation scheme (COFDM), and HD AM uses a proprietary codec. DRM 30 operates with xHE-AAC , historically with any of a number of codecs, including AAC, Opus, and HVXC . The receiver synchronization and data coding are quite different between HD AM and DRM 30. As of 2015 there are several radio chipsets available which can decode AM, FM, DAB , DRM 30 and DRM+ , and HD AM and HD FM. Similar to HD AM, DRM allows either hybrid digital-analog broadcasts or pure digital broadcasts, DRM allows broadcasters to use multiple options: On
13482-799: The same deficiencies. The lack of any means to amplify electrical currents meant that, like the alternator transmitters, modulation was usually accomplished by a microphone inserted directly in the antenna wire, which again resulted in overheating issues, even with the use of water-cooled microphones. Thus, transmitter powers tended to be limited. The arc was also somewhat unstable, which reduced audio quality. Experimenters who used arc transmitters for their radiotelephone research included Ernst Ruhmer , Quirino Majorana , Charles "Doc" Herrold , and Lee de Forest . Advances in vacuum tube technology (called "valves" in British usage), especially after around 1915, revolutionized radio technology. Vacuum tube devices could be used to amplify electrical currents, which overcame
13608-400: The same program, as over their AM stations... eventually the day will come, of course, when we will no longer have to build receivers capable of receiving both types of transmission, and then the AM transmitters will disappear." However, FM stations actually struggled for many decades, and it was not until 1978 that FM listenership surpassed that of AM stations. Since then the AM band's share of
13734-399: The same room or house, tuned to the same station, can be annoying. It is more noticeable with simple voice transmission than with complex musical program content. Stations can transmit HD through their existing antennas using a diplexer , as on AM , or are permitted by the FCC to use a separate antenna at the same general location, or at a site licensed as an analog auxiliary , provided it
13860-410: The sounds being transmitted. Fessenden's basic approach was disclosed in U.S. Patent 706,737, which he applied for on May 29, 1901, and was issued the next year. It called for the use of a high-speed alternator (referred to as "an alternating-current dynamo") that generated "pure sine waves" and produced "a continuous train of radiant waves of substantially uniform strength", or, in modern terminology,
13986-468: The station's analog signal first and then look for a digital signal. The European DRM system shares channels similar to HD Radio, but the European DAB system uses different frequencies for its digital transmission. The term "on channel" is a misnomer because the system actually sends the digital components on the ordinarily unused channels adjacent to an existing radio station 's allocation. This leaves
14112-575: The system was selected by the U.S. Federal Communications Commission (FCC) in 2002 as a digital audio broadcasting method for the United States. It is officially known as NRSC‑5, with the latest version being NRSC‑5‑E. iBiquity was acquired by DTS in September 2015 bringing the HD ;Radio technology under the same banner as DTS 's eponymous theater surround sound systems. The HD Radio technology and trademarks were subsequently acquired by Xperi Holding Corporation in 2016. HD Radio
14238-411: The technology for AM broadcasting in stereo was challenging due to the need to limit the transmissions to a 20 kHz bandwidth, while also making the transmissions backward compatible with existing non-stereo receivers. In 1990, the FCC authorized an AM stereo standard developed by Magnavox, but two years later revised its decision to instead approve four competing implementations, saying it would "let
14364-401: The translator stations are not permitted to originate programming when the "primary" AM station is broadcasting, they are permitted to do so during nighttime hours for AM stations licensed for daytime-only operation. Prior to the adoption of the new policy, as of March 18, 2009, the FCC had issued 215 Special Temporary Authority grants for FM translators relaying AM stations. After creation of
14490-399: The transmission of album art, logos, and other graphics can be displayed on the receiver. Album art and logos are displayed at the station's discretion, and require extra equipment. An HD Radio manufacturer should pass the iBiquity certification, which includes displaying the artwork properly. Since 2016, newer HD Radios support Bluetooth and Emergency Alert System (EAS) alerts in which
14616-412: The transmission of traffic, weather alerts, AMBER , and security alerts can be displayed on the radio. As with "Artist Experience", emergency alerts are displayed at the station's discretion, and require extra equipment. FM stereo stations typically require up to 280 kilohertz of spectrum . The bandwidth of an FM signal is found by doubling the sum of the peak deviation (usually 75 kHz ) and
14742-461: The transmitter and reach the receiving equipment simultaneously, what the listener hears through an HD unit and an analog radio played together can be distinctly unsynchronized. This is because all analog receivers process analog signals faster than digital radios can process digital signals. The digital processing of analog signals in an HD Radio also delays them. The resulting unmistakable "reverb" or echo effect from playing digital and analog radios in
14868-492: The upper end of the Region 2 AM broadcast band, by adding ten frequencies which spanned from 1610 kHz to 1700 kHz. At this time it was suggested that as many as 500 U.S. stations could be assigned to the new frequencies. On April 12, 1990, the FCC voted to begin the process of populating the expanded band, with the main priority being the reduction of interference on the existing AM band, by transferring selected stations to
14994-548: The war the availability of tubes sparked a great increase in the number of amateur radio stations experimenting with AM transmission of news or music. Vacuum tubes remained the central technology of radio for 40 years, until transistors began to dominate in the late 1950s, and are still used in the highest power broadcast transmitters. Unlike telegraph and telephone systems, which used completely different types of equipment, most radio receivers were equally suitable for both radiotelegraph and radiotelephone reception. In 1903 and 1904
15120-404: The youngest demographic groups. Among persons aged 12–24, AM accounts for only 4% of listening, while FM accounts for 96%. Among persons aged 25–34, AM accounts for only 9% of listening, while FM accounts for 91%. The median age of listeners to the AM band is 57 years old, a full generation older than the median age of FM listeners." In 2009, the FCC made a major regulatory change, when it adopted
15246-565: Was 15 kHz resulting in bandwidth of 30 kHz. Another common limitation on AM fidelity is the result of receiver design, although some efforts have been made to improve this, notably through the AMAX standards adopted in the United States. AM broadcasts are used on several frequency bands. The allocation of these bands is governed by the ITU 's Radio Regulations and, on the national level, by each country's telecommunications administration (the FCC in
15372-474: Was approved by the FCC for use by AM stations, initially only during daytime hours, due to concerns that during the night its wider bandwidth would cause unacceptable interference to stations on adjacent frequencies. In 2007 nighttime operation was also authorized. The number of hybrid mode AM stations is not exactly known, because the FCC does not keep track of the stations employing the system, and some authorized stations have later turned it off. But as of 2020
15498-400: Was immediately recognized that, much like the telegraph had preceded the invention of the telephone, the ability to make audio radio transmissions would be a significant technical advance. Despite this knowledge, it still took two decades to perfect the technology needed to make quality audio transmissions. In addition, the telephone had rarely been used for distributing entertainment, outside of
15624-649: Was reported to now be at 740 kHz. The next year government control was re-established with the formation of the Federal Radio Commission (FRC), and on July 1, 1927, KSO was reassigned to 1320 kHz. Effective November 11, 1928, with the implementation of the FRC's General Order 40 , the station moved to 1380 kHz. On June 26, 1931, the Cowles family, publishers of the Des Moines Register and Tribune , bought KSO, via
15750-468: Was the first organization to create a radio network, and also to promote commercial advertising, which it called "toll" broadcasting. Its flagship station, WEAF (now WFAN) in New York City, sold blocks of airtime to commercial sponsors that developed entertainment shows containing commercial messages . AT&T held a monopoly on quality telephone lines, and by 1924 had linked 12 stations in Eastern cities into
15876-406: Was the lack of amplifying the signals, so listeners had to use earphones , and it required the development of vacuum-tube receivers before loudspeakers could be used. The dynamic cone loudspeaker , invented in 1924, greatly improved audio frequency response over the previous horn speakers, allowing music to be reproduced with good fidelity. AM radio offered the highest sound quality available in
#419580