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90-481: Louis Goebel created Jungleland in 1926 as a support facility for Hollywood . He had been employed at Universal Studios when the studio decided to close its animal facility. Five of the Universal Studio lions formed the nucleus of Goebel's collection. The facility was originally called Goebel's Lion Farm and then Goebel's Wild Animal Farm . Soon a wide variety of exotic animals were obtained, trained, and rented to

180-554: A "...reflection of Canadian life and culture." Some critics argue that there are "two traditions of filmmaking in Canada": The "documentary realist tradition" espoused by the federal government's National Film Board and avant-garde films. Scott MacKenzie argues that by the late 1990s, if Canada did have a popular cinema with both avant-garde and experimental elements, that was influenced by European filmmakers such as Jean-Luc Godard and Wim Wenders . MacKenzie argues that Canadian cinema has

270-429: A "...self-conscious concern with the incorporation of cinematic and televisual images", and as examples, he cites films such as David Cronenberg 's Videodrome (1983), Atom Egoyan 's Family Viewing (1987), Robert Lepage 's The Confessional (Le Confessionnal) (1995) and Srinivas Krishna 's Masala (1991). France's national cinema includes both popular cinema and "avant-garde" films. French national cinema

360-603: A Wonderful Life , It Happened One Night , the original King Kong , Mutiny on the Bounty , Top Hat , City Lights , Red River , The Lady from Shanghai , Rear Window , On the Waterfront , Rebel Without a Cause , Some Like It Hot , and The Manchurian Candidate . The studio system and the Golden Age of Hollywood succumbed to two forces that developed in the late 1940s: In 1938, Walt Disney's Snow White and

450-416: A cage with two she-lions and got frightfully chewed up. I learned with great interest what happened when Paramount sent a star out there to have his picture taken feeding Caesar, as a bit of publicity for a forthcoming picture. Instead of biting the meat Caesar bit the actor. First time I knew a lion liked ham. Wild animal shows entertained thousands in the 1940s and 1950s. Mabel Stark , the "lady lion tamer",

540-549: A compromise with Arnold in October 1940 and signing a consent decree agreeing to, within three years: The "Little Three" ( Universal Studios , United Artists , and Columbia Pictures ), who did not own any theaters, refused to participate in the consent decree. A number of independent film producers were also unhappy with the compromise and formed a union known as the Society of Independent Motion Picture Producers and sued Paramount for

630-419: A computer and manipulate them digitally. The possibilities became apparent in director James Cameron 's Terminator 2: Judgment Day (1991), in images of the shape-changing character T-1000 . Computer graphics or CG advanced to a point where Jurassic Park (1993) was able to use the techniques to create realistic looking animals. Jackpot (2001) became the first film that was shot entirely in digital. In

720-563: A global identity and context of the nation state. Buñuel, however, is less interested in presenting some 'identity' of message, national or international, and remarked that "to ask whether the film is Mexican or not, is to resist, to seek, to disperse, the very mystery this film articulates for us". Modern genres embraced and nurtured as 'Mexican national cinema' are often those of the social and family melodrama genre (the Golden Globe nominated Como agua para chocolate (1991) by Alfonso Arau),

810-516: A homegrown supply of actors—lured west from the New York City stage after the introduction of sound films—to form one of the 20th century's most remarkable growth industries. At motion pictures' height of popularity in the mid-1940s, the studios were cranking out a total of about 400 movies a year, seen by an audience of 90 million Americans per week. Sound also became widely used in Hollywood in

900-829: A large group of films, or "a body of textuality ... given historical weight through common intertextual 'symptoms', or coherencies". In Theorising National Cinema , Philip Rosen suggests national cinema is a conceptualization of: (1) Selected 'national' films/texts themselves, the relationship between them, which be connected by a shared (general) symptom. (2) an understanding of the 'nation' as an entity in synchronicity with its 'symptom'. And (3) an understanding of past or traditional 'symptoms', also known as history or historiography, which contribute to current systems and 'symptoms'. These symptoms of intertextuality could refer to style, medium, content, narrative, narrative structure, costume, Mise-en-scène , character, background, cinematography. It could refer to cultural background of those who make

990-624: A major film production center. In Colorado , Denver was home to the Art-O-Graf Film Company, and Walt Disney 's early Laugh-O-Gram Studio was based in Kansas City , Missouri . From 1908, Jacksonville, Florida's motion picture industry saw more than 30 silent film companies establish studios in town, including Kalem Studios , Metro Pictures (later MGM ), Edison Studios , Majestic Films, King-Bee Films Corporation , Vim Comedy Company , Norman Studios , Gaumont Film Company and

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1080-798: A number of theaters in the late 1920s, and would hold a monopoly on theaters in Detroit, Michigan . By the 1930s, almost all of the first-run metropolitan theaters in the United States were owned by the Big Five studios— MGM , Paramount Pictures , RKO , Warner Bros. , and 20th Century Fox . Motion picture companies operated under the studio system . The major studios kept thousands of people on salary—actors, producers, directors, writers, stunt men, crafts persons, and technicians. They owned or leased Movie Ranches in rural Southern California for location shooting of westerns and other large-scale genre films, and

1170-482: A row. Muybridge's accomplishment led inventors everywhere to attempt to make similar devices. In the United States , Thomas Edison was among the first to produce such a device, the kinetoscope and kinetograph . The history of cinema in the United States can trace its roots to the East Coast , where, at one time, Fort Lee, New Jersey , was the motion-picture capital of America. The American film industry began at

1260-634: A time to theaters and use the lock-in to cover for releases of mediocre quality. Assistant Attorney General Thurman Arnold —a noted " trust buster " of the Roosevelt administration—took this opportunity to initiate proceedings against the eight largest Hollywood studios in July 1938 for violations of the Sherman Antitrust Act . The federal suit resulted in five of the eight studios (the "Big Five": Warner Bros. , MGM , Fox , RKO and Paramount ) reaching

1350-411: A unique window to other cultures, particularly where the output of a nation or region is high. Like other film theory or film criticism terms (e.g., " art film "), the term "national cinema" is hard to define, and its meaning is debated by film scholars and critics. A film may be considered to be part of a "national cinema" based on a number of factors. Simply put, a "nation's cinema" can be attributed to

1440-401: A vacant lot near Georgia Street in downtown Los Angeles. While there, the company decided to explore new territories, traveling several miles north to Hollywood: a little village that was friendly and enjoyed the movie company filming there. Griffith then filmed the first movie ever shot in Hollywood, In Old California , a Biograph melodrama about California in the 19th century, when the state

1530-427: Is another example that presents 'symptoms' of Mexican national identity. Although less well received by lower classes, and more admired by upper classes, Buñuel's Los Olvidados (1950) stands as an example that a director's national heritage doesn't always have to contribute to the conceptualization of a nation's cinema. Rather than building the nation through celebration, the film presents problem, which contribute to

1620-461: Is associated with the auteur filmmakers and with a variety of specific movements. Avant-garde filmmakers include Germaine Dulac , Marie and Jean Epstein . Poetic Realism filmmakers include Jean Renoir and Marcel Carné . The French New Wave filmmakers include Jean-Luc Godard and François Truffaut . The 1990s and 2000s " postmodern cinema" of France includes filmmakers such as Jean-Jacques Beinex , Luc Besson and Coline Serreau . During

1710-1072: The Kalem Company began using Fort Lee as a location for filming in the area, other filmmakers quickly followed. In 1909, a forerunner of Universal Studios , the Champion Film Company , built the first studio. Others quickly followed and either built new studios or leased facilities in Fort Lee. In the 1910s and 1920s , film companies such as the Independent Moving Pictures Company, Peerless Pictures Studios , Solax Studios , Eclair , Goldwyn Pictures Corporation , Star Film ( Georges Méliès ), World Film Company , Biograph Studios , Fox Film Corporation , Société Pathé Frères , Metro-Goldwyn-Mayer Studios Inc. , Victor Film Company , and Selznick International Pictures were all making pictures in Fort Lee. Such notables as Mary Pickford got their start at Biograph Studios. In New York,

1800-674: The Kaufman Astoria Studios in Queens , which was built during the silent film era, was used by the Marx Brothers and W.C. Fields . The Edison Studios were located in the Bronx . Chelsea, Manhattan , was also frequently used. Other Eastern cities, most notably Chicago and Cleveland , also served as early centers for film production. In the West, California was already quickly emerging as

1890-486: The Lubin Manufacturing Company . Picture City, Florida was a planned site for a movie picture production center in the 1920s, but due to the 1928 Okeechobee hurricane , the idea collapsed and Picture City, Florida returned to its original name of Hobe Sound . An attempt to establish a film production center in Detroit also proved unsuccessful. The film patents wars of the early 20th century helped

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1980-841: The Third Reich "(159). After World War II, the Lódz Film School was founded in 1948. During the 1950s and 1960s, a " Polish School of Film " of filmmakers developed, such as Wojciech Has , Kazimierz Kutz , Andrzej Munk and Andrzej Wajda . According to film scholar Marek Haltof , the Polish School made films which can be described as the " Cinema of Distrust ". In the late 1970s and early 1980s, Wajda, Krzysztof Zanussi and Barbara Sass made influential films which garnered interest outside of Poland. However, even though Western countries became increasingly interested in Polish cinema during this period,

2070-614: The antagonist and protagonist may be blurred. The roots of post-classical storytelling may be seen in film noir , in Rebel Without a Cause (1955), and in Hitchcock's storyline-shattering Psycho . The New Hollywood is the emergence of a new generation of film school-trained directors who had absorbed the techniques developed in Europe in the 1960s as a result of the French New Wave;

2160-474: The most commercially successful and most commercially successful movies in the world. Hollywood is considered to be the oldest film industry, where the earliest film studios, and production companies emerged. It is the birthplace of various genres of cinema —among them comedy , drama , action , musical , romance , horror , science fiction , and epic —and has set the example for other national film industries. In 1878, Eadweard Muybridge demonstrated

2250-407: The studios and Hollywood grew. Before World War I , films were made in several American cities, but filmmakers tended to gravitate towards southern California as the industry developed. They were attracted by the warm, predictable climate with reliable sunlight, which made it possible to film their films outdoors year-round alongside the varied scenery that was available. War damage contributed to

2340-533: The 1967 film Bonnie and Clyde marked the beginning of American cinema rebounding as well, as a new generation of films would afterwards gain success at the box offices as well. Filmmakers like Francis Ford Coppola , Steven Spielberg , George Lucas , Brian De Palma , Stanley Kubrick , Martin Scorsese , Roman Polanski , and William Friedkin came to produce fare that paid homage to the history of film and developed upon existing genres and techniques. Inaugurated by

2430-609: The 1969 release of Andy Warhol 's Blue Movie , the phenomenon of adult erotic films being publicly discussed by celebrities (like Johnny Carson and Bob Hope ), and taken seriously by critics (like Roger Ebert ), a development referred to, by Ralph Blumenthal of The New York Times , as " porno chic ", and later known as the Golden Age of Porn , began, for the first time, in modern American culture. According to award-winning author Toni Bentley , Radley Metzger 's 1976 film The Opening of Misty Beethoven , based on

2520-420: The 1970s and 1980s included films by directors such as Fassbinder , Herzog , and Wim Wenders . While these directors made films with "many ideological and cinematic messages", they all shared the common element of providing an "aesthetic alternativ(e) to Hollywood " films (even though Fassbinder was influenced by the works of Douglas Sirk ) and "a break with the cultural and political traditions associated with

2610-579: The 1980s, there were West German films and East German films. Film historians and film scholars do not agree whether the films from the different parts of Cold War-era Germany can be considered to be a single "German national cinema." Some West German films were about the "immediate past in sociopolitical thought and in literature". East German films were often Soviet -funded "socially critical" films. Some East German films examined Germany's Nazi past, such as Wolfgang Staudte's Die Mörder sind unter uns ( The Murderers Are Among Us ). The New German Cinema of

2700-520: The 1990s had access to technological, political and economic innovations that had not been available in previous decades. Dick Tracy (1990) became the first 35 mm feature film with a digital soundtrack. Batman Returns (1992) was the first film to make use of the Dolby Digital six-channel stereo sound that has since become the industry standard. Computer-generated imagery was greatly facilitated when it became possible to transfer film images into

2790-542: The Catholic watchdog organization The Legion of Decency —appalled by some of the provocative films and lurid advertising of the era later classified Pre-Code Hollywood —threatened a boycott of motion pictures if it did not go into effect. The films that did not obtain a seal of approval from the Production Code Administration had to pay a $ 25,000 fine (equivalent to $ 455,976 in 2023) and could not profit in

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2880-656: The Fox Film Corporation owned the Fox Theatre . RKO (a 1928 merger between Keith-Orpheum Theaters and the Radio Corporation of America ) also responded to the Western Electric/ERPI monopoly over sound in films, and developed their own method, known as Photophone , to put sound in films. Paramount, which acquired Balaban and Katz in 1926, would answer to the success of Warner Bros. and RKO by purchasing

2970-510: The German Weimar Republic , German national cinema was influenced by silent and sound "Bergfilm" (this translates to "mountain film"). During the 1920s and early 1930s, German national cinema was known for the progressive and artistic approaches to filmmaking with "shifted conventional cinematic vocabulary" and which gave actresses a much larger range of character-types. During the Nazi era,

3060-510: The Hollywood antitrust case, as did the Little Three studios. The United States Supreme Court eventually ruled in United States v. Paramount Pictures, Inc. that the major studios ownership of theaters and film distribution was a violation of the Sherman Antitrust Act . As a result, the studios began to release actors and technical staff from their contracts with the studios. This changed

3150-466: The Hollywood studios. The Classical style began to emerge in 1913, was accelerated in 1917 after the U.S. entered World War I , and finally solidified when the film The Jazz Singer was released in 1927, ending the silent film era and increasing box-office profits for the film industry by introducing sound to feature films. Most Hollywood pictures adhered closely to a formula— Western , slapstick comedy , musical , animated cartoon , biographical —and

3240-520: The Mexican national cinematic body. These films, and most popular films of the 1920s in Mexico, adopted David Bordwell 's "cinematic norms": narrative linkage, cause and effect, goal oriented protagonists, temporal order or cinematic time, and filmic space as story space. But also, is noted to have incorporated visual folkloric style of José Guadalupe Posada , the deconstructing landscapes of Gerardo Murillo , and

3330-492: The Seven Dwarfs was released during a run of lackluster films from the major studios, and quickly became the highest grossing film released to that point. Embarrassingly for the studios, it was an independently produced animated film that did not feature any studio-employed stars. This stoked already widespread frustration at the practice of block-booking , in which studios would only sell an entire year's schedule of films at

3420-502: The US film industry. They were able to make their mark in a brand-new business: the exhibition of short films in storefront theaters called nickelodeons , after their admission price of a nickel (five cents). Within a few years, men like Samuel Goldwyn , William Fox , Carl Laemmle , Adolph Zukor , Louis B. Mayer , and the Warner Brothers (Harry, Albert, Samuel, and Jack) had switched to

3510-571: The United States The cinema of the United States , consisting mainly of major film studios (also known, metonymically , as Hollywood ), has remained a significant influence on the global film industry beginning in the early 20th century . Classical Hollywood cinema , which developed from 1910 to 1962, is still typical of most films made in America today. While French filmmakers Auguste and Louis Lumière are generally credited with

3600-419: The actors who appeared in it; MGM , for example, claimed it had contracted "more stars than there are in heaven." Each studio had its own style and characteristic touches which made it possible to know this—a trait that rarely exists today. For example, To Have and Have Not (1944) is notable not only for the first pairing of actors Humphrey Bogart (1899–1957) and Lauren Bacall (1924–2014), but because it

3690-465: The birth of modern cinema, American cinema soon came to be a dominant force in the emerging industry, with more than 600 English-language films released annually as of 2017 , it has produced the fourth-largest number of films of any national cinema , after India , Japan , and China . While the national cinemas of the United Kingdom , Canada , Australia , and New Zealand , also produce films in

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3780-431: The compound named Sammy mauled Zoltán Hargitay, the young son of actors Mickey Hargitay and Jayne Mansfield . A barn fire in 1940 killed 12 of the animals including tigers, camels and elephants. Jungleland closed in October 1969, because of competition from other Southern California amusement parks, and because the facility "didn't blend in" with the increasingly urban character of Thousand Oaks. The company which owned

3870-427: The country that provided the financing for the film, the language spoken in the film, the nationalities or dress of the characters, and the setting, music, or cultural elements present in the film. To define a national cinema, some scholars emphasize the structure of the film industry and the roles played by "...market forces, government support, and cultural transfers..." More theoretically, national cinema can refer to

3960-474: The country's film infrastructure and market was disintegrating. Although it is difficult to determine and define a 'national cinema', much of what many consider Mexican national cinema, but not limited to, is Golden Age of Mexican Cinema and films that revolve around the Mexican Revolution . Unique trajectories of Mexican cinema's development shaped historically specific understandings of the ontology of

4050-399: The decline of the then-dominant European film industry, in favor of the United States , where infrastructure was still intact. The stronger early public health response to the 1918 flu epidemic by Los Angeles compared to other American cities reduced the number of cases there and resulted in a faster recovery, contributing to the increasing dominance of Hollywood over New York City. During

4140-506: The early New Hollywood films like Bonnie and Clyde and Easy Rider had been relatively low-budget affairs with amoral heroes and increased sexuality and violence, the enormous success enjoyed by Friedkin with The Exorcist , Spielberg with Jaws , Coppola with The Godfather and Apocalypse Now , Scorsese with Taxi Driver , Kubrick with 2001: A Space Odyssey , Polanski with Chinatown , and Lucas with American Graffiti and Star Wars , respectively helped to give rise to

4230-537: The early times of talkies, American studios found that their sound productions were rejected in foreign-language markets and even among speakers of other dialects of English. The synchronization technology was still too primitive for dubbing . One of the solutions was creating parallel foreign-language versions of Hollywood films. Around 1930, the American companies opened a studio in Joinville-le-Pont , France, where

4320-601: The end of the 19th century, with the construction of Thomas Edison's " Black Maria ", the first motion-picture studio in West Orange, New Jersey . The cities and towns on the Hudson River and Hudson Palisades offered land at costs considerably less than New York City across the river, and benefited greatly as a result of the phenomenal growth of the film industry at the turn of the 20th century. The industry began attracting both capital and innovative work forces. In 1907, when

4410-521: The end of their careers or used the same creative teams on their films so that a DeMille film still looked like one whether it was made in 1932 or 1956. Post-classical cinema is the changing methods of storytelling in the New Hollywood. It has been argued that new approaches to drama and characterization played upon audience expectations acquired in the classical period: chronology may be scrambled, storylines may feature " twist endings ", and lines between

4500-599: The eventual shift of virtually all filmmaking to the West Coast by the 1930s. At the time, Thomas Edison owned almost all the patents relevant to motion picture production and movie producers on the East Coast acting independently of Edison's Motion Picture Patents Company were often sued or enjoined by Edison and his agents while movie makers working on the West Coast could work independently of Edison's control. In Los Angeles,

4590-464: The facilities declared bankruptcy and sold all the movable property at auction: animals, buildings, trucks, furniture and supplies. Goebel retained ownership of the land, which was eventually sold to the city to create the Civic Arts Plaza and other developments. 34°10′27″N 118°50′51″W  /  34.174095°N 118.847544°W  / 34.174095; -118.847544 Cinema of

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4680-543: The film Titanic , Cameron wanted to push the boundary of special effects with his film, and enlisted Digital Domain and Pacific Data Images to continue the developments in digital technology which the director pioneered while working on The Abyss and Terminator 2: Judgment Day . Many previous films about the RMS Titanic shot water in slow motion , which did not look wholly convincing. Cameron encouraged his crew to shoot their 45-foot-long (14 m) miniature of

4770-459: The foreign language. The Spanish-language crews included people like Luis Buñuel , Enrique Jardiel Poncela , Xavier Cugat , and Edgar Neville . The productions were not very successful in their intended markets, due to the following reasons: Classical Hollywood cinema , or the Golden Age of Hollywood, is defined as a technical and narrative style characteristic of American cinema from 1913 to 1962, during which thousands of movies were issued from

4860-536: The late 1920s. After The Jazz Singer , the first film with synchronized voices was successfully released as a Vitaphone talkie in 1927, Hollywood film companies would respond to Warner Bros. and begin to use Vitaphone sound—which Warner Bros. owned until 1928—in future films. By May 1928, Electrical Research Product Incorporated (ERPI), a subsidiary of the Western Electric company, gained a monopoly over film sound distribution. A side effect of these " talkies "

4950-539: The low angles, deep focus, diagonal lines, and 'native' imagery in Sergei Eisenstein 's Que Viva Mexico . Although a mélange of Western and Mexican influences coexist in Fernandez's films, his Mexican biography and locality leave a legacy of romanticizing Mexico and Mexican history, often presenting idyllic ranches, singing, and a charming life of the poor. Although of European heritage, Luis Buñuel 's work in Mexico

5040-562: The major film studio UFA was controlled by Propaganda Minister Goebbels . UFA produced "Hetzfilme" (anti-Semitic hate films) and films which emphasized the "theme of heroic death." Other film genres produced by UFA during the Nazi era included historical and biographical dramas that emphasized the achievements in German history, comedy films, and propaganda films. During the Cold War from the 1950s through

5130-468: The major studios owned hundreds of theaters in cities and towns across the nation in 1920 film theaters that showed their films and that were always in need of fresh material. In 1930, MPPDA President Will Hays created the Hays (Production) Code , which followed censorship guidelines and went into effect after government threats of censorship expanded by 1930. However, the code was never enforced until 1934, after

5220-556: The modern " blockbuster ", and induced studios to focus ever more heavily on trying to produce enormous hits. In the US, the PG-13 rating was introduced in 1984 to accommodate films that straddled the line between PG and R, which was mainly due to the controversies surrounding the violent content of the PG films Indiana Jones and the Temple of Doom and Gremlins (both 1984). Film   makers in

5310-561: The monopoly they still had over the Detroit Theaters—as Paramount was also gaining dominance through actors like Bob Hope, Paulette Goddard, Veronica Lake, Betty Hutton, crooner Bing Crosby, Alan Ladd, and longtime actor for studio Gary Cooper too- by 1942. The Big Five studios did not meet the requirements of the Consent of Decree during WWII, without major consequence, but after the war ended they joined Paramount as defendants in

5400-508: The most successful film of its time, Snow White and the Seven Dwarfs . This distinction was promptly topped in 1939 when Selznick International created what is still, when adjusted for inflation, the most successful film of all time in Gone with the Wind . Many film historians have remarked upon the many great works of cinema that emerged from this period of highly regimented filmmaking. One reason this

5490-589: The movie and cultural background of those in the movie, of spectatorship, of spectacle. Canadian cultural and film critics have long debated how Canadian national cinema can be defined, or whether there is a Canadian national cinema. Most of the films shown on Canadian movie screens are US imports. If "Canadian national cinema" is defined as the films made in Canada, then the canon of Canadian cinema would have to include lightweight teen-oriented fare such as Meatballs (1979), Porky's (1981) or Death Ship (1980). Other critics have defined Canadian national cinema as

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5580-521: The movie-making process. Nestor Studios of Bayonne, New Jersey , built the first studio in the Hollywood neighborhood in 1911. Nestor Studios, owned by David and William Horsley, later merged with Universal Studios; and William Horsley's other company, Hollywood Film Laboratory, is now the oldest existing company in Hollywood, presently called the Hollywood Digital Laboratory. California 's more hospitable and cost-effective climate led to

5670-506: The moving image, leading to unique configurations of documentation and fictionalization. The Revolution spilled across pages of the press, and became the primary subject of Mexican films produced between 1911 and 1916. There was a high interest in topicality in and capturing current events as they unfolded, re-staging, or combining both approaching, created a sensationalist appeal in these visual 'records' of death and injury. Compilation documentaries, such as Toscano's Memorias de un Mexicano in

5760-503: The pandemic, public health officials temporarily closed movie theaters in some jurisdictions, large studios suspended production for weeks at a time, and some actors came down with the flu. This caused major financial losses and severe difficulties for small studios, but the industry as a whole more than recovered during the Roaring Twenties . In the early 20th century, when the medium was new, many Jewish immigrants found employment in

5850-437: The paradigm of film making by the major Hollywood studios, as each could have an entirely different cast and creative team. The decision resulted in the gradual loss of the characteristics which made Metro-Goldwyn-Mayer, Paramount Pictures, Universal Studios, Columbia Pictures, RKO Pictures, and 20th Century Fox films immediately identifiable. Certain movie people, such as Cecil B. DeMille , either remained contract artists until

5940-505: The park's trained animals, and many productions were filmed there, including The Birth of a Nation , The Fugitive , Tarzan the Ape Man , Doctor Dolittle , and The Adventures of Robin Hood . It was also featured prominently in an episode of the television show Route 66 (Season 2, Episode 31, "Hell Is Empty, All The Devils Are Here"). The park made headlines in 1966 when a male lion at

6030-477: The play Pygmalion by George Bernard Shaw (and its derivative, My Fair Lady ), and due to attaining a mainstream level in storyline and sets, is considered the "crown jewel" of this ' Golden Age '. At the height of his fame in the early 1970s, Charles Bronson was the world's No. 1 box office attraction, commanding $ 1 million per film. In the 1970s, the films of New Hollywood filmmakers were often both critically acclaimed and commercially successful. While

6120-459: The power of photography to capture motion. In 1894, the world's first commercial motion-picture exhibition was given in New York City , using Thomas Edison 's kinetoscope, and kinetograph. In the following decades, the production of silent films greatly expanded, studios formed and migrated to California , and the films and stories they told became much longer. The United States produced

6210-629: The production side of the business. Soon they were the heads of a new kind of enterprise: the movie studio . The US had at least two female directors, producers and studio heads in these early years: Lois Weber and French-born Alice Guy-Blaché . They also set the stage for the industry's internationalism; the industry is often accused of Amero centric provincialism . Other movie makers arrived from Europe after World War I: directors like Ernst Lubitsch , Alfred Hitchcock , Fritz Lang and Jean Renoir ; and actors like Rudolph Valentino , Marlene Dietrich , Ronald Colman , and Charles Boyer . They joined

6300-449: The same creative teams often worked on films made by the same studio. For example, Cedric Gibbons and Herbert Stothart always worked on MGM films, Alfred Newman worked at 20th Century Fox for twenty years, Cecil B. De Mille 's films were almost all made at Paramount , and director Henry King 's films were mostly made for 20th Century Fox . At the same time, one could usually guess which studio made which film, largely because of

6390-509: The same language, they are not part of the Hollywood system. Because of this, Hollywood has also been considered a transnational cinema , and has produced multiple language versions of some titles, often in Spanish or French. Contemporary Hollywood often outsources production to the United Kingdom, Canada, Australia, and New Zealand. The major film studios of Hollywood are the primary source of

6480-469: The same sets and wardrobe and even mass scenes were used for different time-sharing crews. Also, foreign unemployed actors, playwrights, and winners of photogenic contests were chosen and brought to Hollywood, where they shot parallel versions of the English-language films. These parallel versions had a lower budget, were shot at night and were directed by second-line American directors who did not speak

6570-585: The scale of George Lucas 's $ 1 billion prequel to the Star Wars Trilogy , The Blair Witch Project earned the distinction of being the most profitable film of all time, in terms of percentage gross. National cinema National cinema is a term sometimes used in film theory and film criticism to describe the films associated with a specific nation-state. Although there is little relatively written on theories of national cinema it has an irrefutably important role in globalization . Film provides

6660-466: The ship as if "we're making a commercial for the White Star Line". Even The Blair Witch Project (1999), a low-budget indie horror film by Eduardo Sanchez and Daniel Myrick , was a huge financial success. Filmed on a budget of just $ 35,000, without any big stars or special effects, the film grossed $ 248 million with the use of modern marketing techniques and online promotion. Though not on

6750-494: The spread of film companies to other parts of the US, outside New York. Many filmmakers worked with equipment for which they did not own the rights to use. Therefore, filming in New York could be dangerous, as it was close to Edison's company headquarters, and close to the agents the company sent out to seize cameras. An alternative was Los Angeles , which had mild winters, a large selection of places to film, and, most importantly, it

6840-497: The studios for use in films. The facility later became a theme park , opened to the public in 1929. I have got so that if I go out for an afternoon's drive, I usually wind up at Goebel's Lion Farm, smoking a cigarette with Bert Parks, the chief attendant. God in Heaven, a cat is something to look at! I have followed all the doings out there faithfully, from the birth of the leopard cubs to the unfortunate fate of Jiggs when he strayed into

6930-451: The studios in order to achieve their artistic visions. The apogee of the studio system may have been the year 1939, which saw the release of such classics as The Wizard of Oz , Gone with the Wind , Stagecoach , Mr. Smith Goes to Washington , Wuthering Heights , Only Angels Have Wings , Ninotchka and Midnight . Among the other films from the Golden Age period that are now considered to be classics: Casablanca , It's

7020-774: The theaters, as the MPPDA controlled every theater in the country through the Big Five studios. Throughout the 1930s, as well as most of the golden age, MGM dominated the film screen and had the top stars in Hollywood, and they were also credited for creating the Hollywood star system altogether. Some MGM stars included "King of Hollywood" Clark Gable , Lionel Barrymore , Jean Harlow , Norma Shearer , Greta Garbo , Joan Crawford , Jeanette MacDonald , Gene Raymond , Spencer Tracy , Judy Garland , and Gene Kelly . Another great achievement of American cinema during this era came through Walt Disney's animation company . In 1937, Disney created

7110-648: The time was an independent city. In the Sultan's Power, directed by Boggs for Selig Polyscope Company, also starring Bosworth, is considered the first film shot entirely in Los Angeles, with shooting at 7th and Olive Streets, in 1909. In early 1910, director D. W. Griffith was sent by the Biograph Company to the West Coast with his acting troupe, consisting of actors: Blanche Sweet , Lillian Gish , Mary Pickford , Lionel Barrymore and others. They started filming on

7200-461: The working class melodrama ( Danzon (1991) by Maria Novaro), the comedy ( Sólo con tu pareja (1991) by Alfonso Cuarón ) and the rural costumbrismo film ( La mujer de Benjamin (1990) by Carlos Carrera). Changes in the politics of film industry institutions allowed these film texts and their directors to "transform the traditional filmic paradigm". Up to 60% of financial assistance for national, Latin American, and European productions were provided by

7290-428: The world's first sync-sound musical film , The Jazz Singer in 1927, and was at the forefront of sound-film development in the following decades. It was fully released to the public on October 6, 1927. Since the early 20th century, the U.S. film industry has primarily been based in and around the thirty-mile zone , centered in the Hollywood neighborhood of Los Angeles County, California . Director D. W. Griffith

7380-489: The years following the Mexican Revolution can be seen as part of a broader cultural politics of nationalism that worked to naturalize and to consolidate the political and ideological story of the revolution. Later narrativized dramas, such as María Candelaria , The Pearl , Enamorada , Rio Escondido , Saián Mexico , or Pueblerina by Emilio Fernandez and/or Gabriel Figueroa , are often considered part of

7470-451: Was central to the development of a film grammar . Orson Welles 's Citizen Kane (1941) is frequently cited in critics' polls as the greatest film of all time . The first recorded instance of photographs capturing and reproducing motion was a series of photographs of a running horse by Eadweard Muybridge , which he took in Palo Alto, California , using a set of still cameras placed in

7560-501: Was claimed as the first to have been filmed in Los Angeles , in 1907. A plaque was unveiled by the city, in 1957, at Dearden's flagship store on the corner of Main Street and 7th Street, to mark the filming on the site when it had been a Chinese laundry. Bosworth's widow suggested the city had got the date and location wrong, and that the film was actually shot in nearby Venice , which at

7650-678: Was featured in these shows; she also doubled for Mae West in the lion-taming scenes in the 1933 film I'm No Angel . The zoo's residents included Leo the Lion, mascot of the Metro-Goldwyn-Mayer studio; Mister Ed, the talking horse from the television show of the same name ; Bimbo the elephant from the Circus Boy television series; and Tamba the chimpanzee, featured in the Jungle Jim movies and television series. Many TV and movie productions used

7740-492: Was only 90 miles to the border of Mexico , in case they needed to run if Edison's enforcement agents found them. By 1912, most major film companies had set up production facilities in Southern California , near or in Los Angeles , because of the region's favorable year-round weather. The 1908 Selig Polyscope Company production of The Count of Monte Cristo , directed by Francis Boggs and starring Hobart Bosworth ,

7830-464: Was possible is that, with so many movies being made, not everyone had to be a big hit. A studio could gamble on a medium-budget feature with a good script and relatively unknown actors: Citizen Kane , directed by Orson Welles (1915–1985) and often regarded as the greatest film of all time , fits this description. In other cases, strong-willed directors like Howard Hawks (1896–1977), Alfred Hitchcock (1899–1980), and Frank Capra (1897–1991) battled

7920-587: Was that many actors who had made their careers in silent films suddenly found themselves out of work, as they often had bad voices or could not remember their lines. Meanwhile, in 1922, US politician Will H. Hays left politics and formed the movie studio boss organization known as the Motion Picture Producers and Distributors of America (MPPDA). The organization became the Motion Picture Association of America after Hays retired in 1945. In

8010-494: Was under Mexican rule . Griffith stayed there for months and made several films before returning to New York. Also in 1910, Selig Polyscope Company of Chicago established the first film studio in the Los Angeles area in Edendale , and the first studio in Hollywood opened in 1912. After hearing about Griffith's success in Hollywood, in 1913, many movie-makers headed west to avoid the fees imposed by Thomas Edison , who owned patents on

8100-637: Was written by two future winners of the Nobel Prize in Literature : Ernest Hemingway (1899–1961), the author of the novel on which the script was nominally based, and William Faulkner (1897–1962), who worked on the screen adaptation. After The Jazz Singer was released in 1927, Warner Bros. gained huge success and were able to acquire their own string of movie theaters after purchasing Stanley Theaters and First National Productions in 1928. In contrast, Loews theaters owned MGM since forming in 1924, while

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