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65-623: The 1927 Renaissance revival house was designed by George Oakley Totten Jr. , for Mary Foote Henderson , widow of Senator John B. Henderson . In 1941, the house was sold to the American Legion . In 1951, it became the embassy of the People's Republic of Hungary . In 1977, it bought by B.C.G. Associates, and rented, In 1982, it was bought by the New China News Agency. In 1987, it was bought by Coolidge House Associates. The Parks Center

130-455: A Center Parcs holiday village. It was the first stately home to open to the public, and the Longleat estate has the first safari park outside Africa and other attractions including a hedge maze . The house was built by Sir John Thynne and designed mainly by Robert Smythson , after Longleat Priory was destroyed by fire in 1567. It took 12 years to complete and is widely regarded as one of

195-595: A Historicist example of Classical Palladianism combined with the French Renaissance, a uniquely distinctive interpretation of the Renaissance Revival style. As mentioned above, the Neo-Renaissance style was in reality an eclectic blending of past styles, which the architect selected on the whims of his patrons. In the true Renaissance era there was a division of labour between the architect, who designed

260-733: A Renaissance influence, its first flight is similar to "The staircase of the Giants" rises from the Doge's Palace Courtyard, designed when the Venetian Gothic was being uncomfortably merged with Renaissance style. Similarly to that at Mentmore, the Staircase of the Giant's terminates on to an arcaded loggia. Perhaps not ironically the Hall and Staircase at Mentmore were designed by Paxton to display furniture formerly housed in

325-492: A building were of several floors, the uppermost floor usually had small square windows representing the minor mezzanine floor of the original Renaissance designs. However, the Neo-renaissance style later came to incorporate Romanesque and Baroque features not found in the original Renaissance architecture which was often more severe in its design. John Ruskin 's panegyrics to architectural wonders of Venice and Florence in

390-608: A film location, including: Libel (1959); several episodes of the BBC science-fiction television series Doctor Who , and for 30 years a Doctor Who Exhibition was hosted on the grounds, with an event celebrating the series's 20th anniversary being held at the house at Easter 1983; the Indian Hindi film Mohabbatein (2000); and the BBC show How to Improve Your Memory (2006). The music video for Toni Braxton 's 1993 single " Breathe Again "

455-510: A more flowing line of design than had been apparent in the earlier Gothic. The Chateau de Blois's triumphal staircase was imitated almost from the moment of its completion, and was certainly the predecessor of the "double staircase" (sometimes attributed to Leonardo da Vinci ) at the Château de Chambord just a few years later. A Grand Staircase whether based on that of Blois, or the Villa Farnese

520-638: A style not always instantly recognisable as a derivative of the Renaissance. In this less obvious guise the Neo-Renaissance was to provide an important undercurrent in totalitarian architecture of various countries, notably in Stalinist architecture of the Soviet Union , as seen in some pavilions of the All-Soviet Exhibition Centre . Neo-Renaissance architecture, because of its diversity, is perhaps

585-615: Is a group of 19th-century architectural revival styles which were neither Greek Revival nor Gothic Revival but which instead drew inspiration from a wide range of classicizing Italian modes. Under the broad designation Renaissance architecture 19th-century architects and critics went beyond the architectural style which began in Florence and Central Italy in the early 15th century as an expression of Renaissance humanism ; they also included styles that can be identified as Mannerist or Baroque . Self-applied style designations were rife in

650-563: Is an office for the non-profit Washington Parks and People and was named in honor of environmentalist, labor organizer and activist, Josephine Butler . This article about a property in the District of Columbia on the National Register of Historic Places is a stub . You can help Misplaced Pages by expanding it . Renaissance Revival architecture Renaissance Revival architecture (sometimes referred to as " Neo-Renaissance ")

715-516: Is an outstanding ensemble of Neo-Renaissance townhouses from the last decades of the 19th century. The most famous Hungarian architect of the age, Miklós Ybl preferred Neo-Renaissance in his works. In Russia, the style was pioneered by Auguste de Montferrand in the Demidov House (1835), the first in Saint Petersburg to take "a story-by-story approach to façade ornamentation, in contrast to

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780-660: Is formed by not only the original Italian architecture but by the form in which Renaissance architecture developed in France during the 16th century. During the early years of the 16th century, the French were involved in the Italian Wars , bringing back to France not just the Renaissance art treasures as their war booty , but also stylistic ideas. In the Loire valley a wave of chateau building

845-434: Is more in the lighter, more columned style of Ottaviano Nonni 's (named il Mascherino) staircase designed for Pope Gregory XIII at Rome's Palazzo Quirinale in 1584, thus demonstrating that architects wherever their location were selecting their Neo-Renaissance styles regardless of geography Gothic influences on both period and revived Renaissance architecture are readily apparent, first as much building occurred during

910-471: Is particularly evident at Hatfield House (1607–1612), where medieval towers jostle with a large Italian cupola. This is why so many buildings of the early English Neo-Renaissance style often have more of a "castle air" than their continental European contemporaries, which can add again to the confusion with the Gothic Revival style . When the revival of Renaissance style architecture came en vogue in

975-518: The British Raj in 1880, the façades of the 1777 Writers' building in Kolkata were redesigned in the Renaissance Revival style then popular in colonial India, though this version was remarkable in its unique design. Loggias of Serlian arches deceptively form an almost Indian appearance, yet they sit beneath a mansard roof. In what at first glance appears an Indian building, on closer examination shows

1040-495: The Gothic revival can at times be especially tricky, as both styles were simultaneously popular during the 19th century. As a consequence, a self-consciously "Neo-Renaissance" manner first began to appear c.  1840 . By 1890 this movement was already in decline. The Hague 's Peace Palace completed in 1913, in a heavy French Neo-Renaissance manner was one of the last notable buildings in this style. Charles Barry introduced

1105-755: The Palais Leuchtenberg (1817–21), by Leo von Klenze , then adopted as a state style under the reign of Ludwig I of Bavaria for such landmarks as the Alte Pinakothek (1826–36), the Konigbau wing of the Munich Residenz (1825–35), and the Bavarian State Library (1831–43). While the beginning of Neo-Renaissance period can be defined by its simplicity and severity, what came later was far more ornate in its design. This period can be defined by some of

1170-647: The Register of Historic Parks and Gardens of special historic interest in 1987. Other Grade I listed buildings on the Longleat Estate include: the stables, the orangery , and the boathouse and bridge over the lake. Longleat Safari Park opened in 1966 as the first drive-through safari park outside Africa, and is home to over 500 animals, including Rothschild's giraffes , Grant's zebras , Rhesus monkeys , rhinos , African lions , Amur tigers and grey wolves . Cheetahs , koalas and spotted hyenas are among

1235-523: The 1850s contributed to shifting "the attention of scholars and designers, with their awareness heightened by debate and restoration work" from Late Neoclassicism and Gothic Revival to the Italian Renaissance. Like all architectural styles, the Neo-Renaissance did not appear overnight fully formed but evolved slowly. One of the first signs of its emergence was the Würzburg Women's Prison, which

1300-646: The American architect Henry Hobson Richardson whose work in the Neo-Renaissance style was popular in the US during the 1880s. Richardson's style at the end or the revival era was a severe mix of both Romanesque and Renaissance features. This was exemplified by his "Marshall Field Warehouse" in Chicago (completed in 1887, now demolished). Neo-Renaissance was adopted early in Munich , often based directly on Italian Palazzi, first appearing in

1365-525: The Doge's Palace. Paris is home to many historicist buildings that partake equally from Renaissance and Baroque source material, such as the Opera Garnier . However, the Parisian Hôtel de Ville faithfully replicates the true French Renaissance style, complete with the steeply pitched roofs and towers, as it was a reconstruction, completed c.  1880 , of the previous Hôtel de Ville . In

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1430-670: The Flight into Egypt – worth more than £5m – was stolen from the drawing room in January 1995. It was found in a plastic shopping bag in London in 2002. Longleat staged the Red Bull Air Race in 2005. A copy of the painting The Fallen Madonna , a running joke from the BBC television sitcom 'Allo 'Allo! , was made for Henry Thynne and hangs in Longleat House. The house has been much used as

1495-845: The German version of Neo-Renaissance culminated in such projects as the Town Hall in Hamburg (1886–1897) and the Reichstag in Berlin (completed in 1894). In Austria, it was pioneered by such illustrious names as Rudolf Eitelberger , the founder of the Viennese College of Arts and Crafts (today the University of Applied Arts Vienna ). The style found particular favour in Vienna , where whole streets and blocks were built in

1560-851: The London Foreign Office in this style between 1860 and 1875, it also incorporated certain Palladian features. Starting with the orangery of Sanssouci (1851), "the Neo-Renaissance became the obligatory style for university and public buildings, for banks and financial institutions, and for the urban villas" in Germany. Among the most accomplished examples of the style were Villa Meyer in Dresden, Villa Haas in Hesse , Palais Borsig in Berlin , Villa Meissner in Leipzig ;

1625-684: The Neo-Renaissance to England with his design of the Travellers Club , Pall Mall (1829–1832). Other early but typical, domestic examples of the Neo-Renaissance include Mentmore Towers and the Château de Ferrières , both designed in the 1850s by Joseph Paxton for members of the Rothschild banking family. The style is characterized by original Renaissance motifs , taken from such Quattrocento architects as Alberti . These motifs included rusticated masonry and quoins , windows framed by architraves and doors crowned by pediments and entablatures . If

1690-535: The Orangery. Henry Thynne, 3rd Marquess of Bath (1797–1837) was succeeded by John Thynne, 4th Marquess of Bath (1831–1896) who collected Italian fine arts. He employed John Crace , whose prior work included Brighton Pavilion , Woburn Abbey , Chatsworth House and the Palace of Westminster , to add Italian renaissance style interiors. Thomas Thynne, 5th Marquess of Bath (1862–1946) inherited in 1896. During World War I ,

1755-468: The ambitions of wealthy Americans in equaling and surpassing the ostentatious lifestyles of European aristocrats. During the latter half of the 19th century 5th Avenue in New York City was lined with "Renaissance" French chateaux and Italian palazzi , all designed in Neo-Renaissance styles. Most of these have since been demolished. One of the most widely copied features of Renaissance architecture were

1820-600: The ante-library, with a magnificent Venetian painting on the ceiling; the Red Library, which displays many of the 40,000 books in the house; the Breakfast Room, with a ceiling to match the ante-library; the Lower Dining Room; the bathroom and bath-bedroom: the bath is a lead-lined tub of coopered construction , originally filled by hand from buckets and drained the same way; taps and drains are now provided. The lead lining

1885-460: The beginning of the 20th century, Neo-Renaissance was a commonplace sight on the main streets of thousands of towns, large and small, around the world. In southern Europe the Neo-Renaissance style began to fall from favour c.  1900 . However, it was still extensively practiced in the 1910s in Saint Petersburg and Buenos Aires by such architects as Leon Benois , Marian Peretyatkovich , or Francisco Tamburini ( picture ). In England it

1950-813: The breadth of its source material, such as the English Wollaton Hall , Italian Palazzo Pitti , the French Château de Chambord , and the Russian Palace of Facets —all deemed "Renaissance"—illustrates the variety of appearances the same architectural label can take. The origin of Renaissance architecture is generally accredited to Filippo Brunelleschi (1377–1446). Brunelleschi and his contemporaries wished to bring greater "order" to architecture, resulting in strong symmetry and careful proportion. The movement grew from scientific observations of nature, in particular, human anatomy. Neo-Renaissance architecture

2015-468: The brother of Charles I ; the upper west corridor; the Grand Staircase; and the banqueting suite on the top floor: the furniture and interiors designed by Claire Rendall, the dining table commissioned from John Makepeace and the chandelier from Jocelyn Burton . The house was designated as a Grade I listed building in 1968. The formal gardens, pleasure grounds and parkland were listed Grade I on

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2080-574: The classical method, where the façade was conceived as a unit." Konstantin Thon , the most popular Russian architect of the time, used Italianate elements profusely for decorating some interiors of the Grand Kremlin Palace (1837–1851). Another fashionable architect, Andrei Stackenschneider , was responsible for Mariinsky Palace (1839–1844), with "the faceted rough-hewn stone of the first floor" reminiscent of 16th-century Italian palazzi. The style

2145-465: The exterior highly visible shell, and others—the artisans—who decorated and arranged the interior. The original Italian mannerist house was a place for relaxation and entertaining, convenience and comfort of the interior being a priority; in the later Baroque designs, comfort and interior design were secondary to outward appearance. This was followed by the Neoclassical period, which gave importance to

2210-575: The finest examples of Elizabethan architecture in Britain. It continues to be the seat of the Thynn family, who have held the title of Marquess of Bath since 1789; the eighth and present Marquess is Ceawlin Thynn . Longleat was previously an Augustinian priory . The name comes from " leat ", an artificial waterway or channel such as that which supplies a watermill . Sir Charles Appleton (1515–1580) purchased Longleat for Sir John Thynn in 1541 for £53. Appleton

2275-502: The first "picture windows", but also the blending of architectural styles allowed interiors and exteriors to be treated differently. It was at this time that the concept of "furnishing styles" manifested itself, allowing distinctions to be made between interior rooms and external appearances, and indeed between the various rooms themselves. Thus the modern concept of treating a room individually, and differently from its setting and neighbours, came into its infancy. Classic examples of this are

2340-422: The formal gardens with a landscaped park and dramatic drives and entrance roads. Thomas Thynne, 2nd Marquess of Bath (1765–1837) employed Jeffry Wyatville to modernise the house and received advice from Humphrey Repton on the grounds. Wyatville demolished several parts of the house, including Wren's staircase, and replaced them with galleries and a grand staircase. He also constructed many outbuildings including

2405-430: The gardens around the house to allow for tourists. The safari park opened in 1966. Alexander Thynn, 7th Marquess of Bath (1932–2020) was an artist and mural painter with a penchant for mazes and labyrinths: he created the hedge maze, the love labyrinth, the sun maze, the lunar labyrinth and King Arthur's maze on the property. Ceawlin Thynn, 8th Marquess of Bath (born 1974) inherited in 2020. A Titian work, Rest on

2470-604: The great Rothschild house in Buckinghamshire , hybrids of various Renaissance chateaux , and 16th century English country houses , all with interiors ranging from "Versailles" to " Medici ", and in the case of Mentmore Towers a huge central hall, resembling the arcaded courtyard of a Renaissance villa, conveniently glazed over, furnished in Venetian style and heated by a fireplace designed by Rubens for his house in Antwerp By

2535-588: The great opera houses of Europe, such as Gottfried Semper 's Burgtheater in Vienna, and his Opera house in Dresden . This ornate form of the Neo-Renaissance, originating from France, is sometimes known as the "Second Empire" style, by now it also incorporated some Baroque elements. By 1875 it had become the accepted style in Europe for all public and bureaucratic buildings. In England, where Sir George Gilbert Scott designed

2600-535: The great staircases from the chateaux of Blois and Chambord . Blois had been the favourite residence of the French Kings throughout the renaissance. The Francis I wing, completed in 1524, of which the staircase is an integral part was one of the earliest examples of French Renaissance . French renaissance architecture was a combination of the earlier Gothic style coupled with a strong Italian influence represented by arches, arcades, balustrading and, in general,

2665-499: The house was used as a temporary hospital. During World War II , it became the evacuated Royal School for Daughters of Officers of the Army . An American hospital was also constructed in the grounds; Henry Thynne, 6th Marquess of Bath (1905–1992) inherited in 1946. Faced with considerable death duties he sold large parts of the wider estates; to allow Longleat itself to survive, he opened the house to public visitors. Russell Page redesigned

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2730-567: The house; and was succeeded by Thomas Thynne (1646–1682), and then Thomas Thynne, 1st Viscount Weymouth (1640–1714) who started the house's large book collection. Formal gardens, canals, fountains and parterres were created by George London with sculptures by Arnold Quellin and Chevalier David. The Best Gallery, Long Gallery, Old Library and Chapel were all added by Christopher Wren. Thomas Thynne, 2nd Viscount Weymouth (1710–1751) married Louisa Carteret . Thomas Thynne, 1st Marquess of Bath (1734–1796) employed Capability Brown who replaced

2795-546: The interior of their palace church (1909–1916) near Moscow to be decorated in strict imitation of the 16th-century Venetian churches. The style spread to North America , where it became a favourite domestic architectural style of the wealthiest Americans. The Breakers in Newport, Rhode Island , was a residence of the Vanderbilt family designed by Richard Morris Hunt in 1892; it and contemporaneous Gilded Age mansions exemplify

2860-485: The mid 19th century understood them as part of a continuum, often simply called 'Italian', and freely combined them all, as well as Renaissance as it was first practiced in other countries. Thus Italian, French and Flemish Renaissance coupled with the amount of borrowing from these later periods can cause great difficulty and argument in correctly identifying various forms of 19th-century architecture. Differentiating some forms of French Neo-Renaissance buildings from those of

2925-455: The mid 19th century, it often materialized not just in its original form first seen in Italy, but as a hybrid of all its forms according to the whims of architects and patrons, an approach typical of the mid and late 19th century. Modern scholarship defines the styles following the Renaissance as Mannerist and Baroque , two very different, even opposing styles of architecture , but the architects of

2990-429: The mid- and later 19th century: "Neo-Renaissance" might be applied by contemporaries to structures that others called " Italianate ", or when many French Baroque features are present ( Second Empire ). The divergent forms of Renaissance architecture in different parts of Europe, particularly in France and Italy , has added to the difficulty of defining and recognizing Neo-Renaissance architecture. A comparison between

3055-431: The most recent additions to the safari park. Four lion cubs were born in September 2011, making a total of ten cubs born that year, and Disney named two of them Simba and Nala as part of a co-promotion agreement for the upcoming Lion King 3D film. Longleat House was built in the sixteenth century by Sir John Thynn on the site of a dissolved priory, and in 1949 became the first stately home in Britain to be opened to

3120-407: The one at the Warsaw University of Technology designed by Bronisław Rogóyski and Stefan Szyller (late 19th century), both rise from pastiches of true Renaissance courtyards. Both staircases seem more akin to Balthasar Neumann 's great Baroque staircase at the Würzburg Residenz than anything found in a true Renaissance Palazzo. The apparent Baroque style staircase at Mentmore is not without

3185-586: The only style of architecture to have existed in so many forms, yet still common to so many countries. Longleat House Longleat is a stately home about 4 miles (7 km) west of Warminster in Wiltshire, England. A leading and early example of the Elizabethan prodigy house , it is a Grade I listed building and the seat of the Marquesses of Bath . Longleat is set in 1,000 acres (400 ha) of parkland landscaped by Capability Brown , along with 4,000 acres (1,600 ha) of let farmland and 4,000 acres (1,600 ha) of woodland, which includes

3250-498: The operation of the Longleat Forest holiday village. The Longleat hedge maze is considered the world's longest, with 1.69 miles (2.72 km) of pathway. The layout was by maze designer Greg Bright. Over 16,000 English yews form the walls surrounding a central tower, and there are six raised footbridges. Longleat Woods ( grid reference ST795435 ) is a 249.9 ha (618 acres) biological Site of Special Scientific Interest in Somerset, notified in 1972. Longleat Forest

3315-482: The period of transition from the Gothic to the Renaissance style; and also as Renaissance−era design took the form of the addition of Renaissance ornamentation to Gothic−era buildings thus creating an accretion of details from disparate sources. Architects who designed in the Renaissance Revival style usually avoided any references to Gothic Revival architecture, drawing instead on a variety of other classically based styles. However, there are exceptions and occasionally

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3380-428: The proportions and dignity of interiors, but still lost the comfort and internal convenience of the mannerist period. It was during the Neo-Renaissance period of the 19th century that the mannerist comforts were re-discovered and taken a step further. Not only did the improved building techniques of the 1850s allow the glazing of formerly open loggias and arches with the newly invented sheets of plate glass, providing

3445-473: The public on a commercial basis. The house, park and attractions are open from mid-February to the start of November each year. The 9,800-acre (4,000 ha) estate, of which the park occupies 900 acres (360 ha), has long been one of the top British tourist attractions, and has motivated other large landowners to generate income from their heritage in response to rising maintenance costs. Longleat leases 400 acres (160 ha) of land to Center Parcs for

3510-436: The so-called Neo-Renaissance style, in reality, a classicizing conglomeration of elements liberally borrowed from different historical periods. Neo-Renaissance was also the favourite style in Kingdom of Hungary in the 1870s and 1880s. In the fast-growing capital, Budapest many monumental public buildings were built in Neo-Renaissance style like Saint Stephen's Basilica and the Hungarian State Opera House . Andrássy Avenue

3575-422: The two distinct styles are mixed. The sub-variety of Gothic design most frequently employed is floral Venetian Gothic , as seen in the Doge's Palace courtyard, built in the 1480s. A common Baroque feature introduced into the Renaissance Revival styles was the "imperial staircase" (a single straight flight dividing into two separate flights). The staircase at Mentmore Towers designed by Joseph Paxton, and

3640-409: Was a builder with experience gained from working on The Old School Baltonsborough , Bedwyn Broil and Somerset House . In April 1567 the original house caught fire and burnt down. A replacement house was effectively completed by 1580. Adrian Gaunt, Alan Maynard, Robert Smythson , the Earl of Hertford and Humpfrey Lovell all contributed to the new building but most of the design was Sir John's work. He

3705-417: Was carried out using traditional French Gothic styles but with ornament in the forms of pediments, arcades, shallow pilasters and entablatures from the Italian Renaissance . In England , the Renaissance tended to manifest itself in large square tall houses such as Longleat House (1568–1580). Often these buildings had symmetrical towers which hint at the evolution from medieval fortified architecture. This

3770-407: Was erected in 1809 designed by Peter Speeth . It included a heavily rusticated ground floor, alleviated by one semicircular arch, with a curious Egyptian style miniature portico above, high above this were a sequence of six tall arched windows and above these just beneath the slightly projecting roof were the small windows of the upper floor. This building foreshadows similar effects in the work of

3835-425: Was filmed at the house & gardens. The tour of the house comprises: the Elizabethan Great Hall, with a minstrels' gallery; The lower east corridor, a wide room originally used as servant access to the main rooms. This now holds fine furniture and paintings. Also on display are two visitor books, one showing the signatures of Elizabeth II and Philip, the other Albert ( George VI ) and Elizabeth (the Queen Mother);

3900-440: Was further elaborated by architects of the Vladimir Palace (1867–1872) and culminated in the Stieglitz Museum (1885–1896). In Moscow , the Neo-Renaissance was less prevalent than in the Northern capital, although interiors of the neo-Muscovite City Duma (1890–1892) were executed with emphasis on Florentine and Venetian décor. While the Neo-Renaissance is associated primarily with secular buildings, Princes Yusupov commissioned

3965-445: Was in fact a truly internal feature. Further and more adventurous use of glass also enabled the open and arcaded Renaissance courtyards to be reproduced as lofty halls with glazed roofs. This was a feature at Mentmore Towers and on a far larger scale at the Warsaw University of Technology , where the large glazed court contained a monumental staircase. The "Warsaw University of Technology staircase", though if Renaissance in spirit at all,

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4030-413: Was replaced in 2005. The room holds the first plumbed-in flush lavatory in the house; the State Dining Room, with a Meissen porcelain table centrepiece; the Saloon; the State Drawing Room, designed by Crace; the Robes Corridor; the Chinese Bedroom; the Music Room, with instruments including a barrel organ; the Prince of Wales Bedroom, so named because of a large painting of Henry Frederick, Prince of Wales ,

4095-429: Was so common that today one finds "Renaissance Italian Palazzi" serving as banks or municipal buildings in the centres of even the smallest towns. It has been said " It is a well-known fact that the nineteenth century had no art style of its own. " While to an extent this may be true, the same could be said of most eras until the early 20th century, the Neo-Renaissance in the hands of provincial architects did develop into

4160-426: Was the first of the Thynne 'dynasty' that have held unbroken ownership since the 16th century. Sir John's immediate descendants were Sir John Thynne the Younger (1555–1604) and then Sir Thomas Thynne ( ca. 1578–1639). Thomas's secret marriage to his family's enemy is said to have inspired Shakespeare's Romeo and Juliet ; Sir James Thynne (1605–1670) employed Sir Christopher Wren to carry out modifications to

4225-431: Was to become one of the features of Neo-Renaissance design. It became a common feature for the staircase to be not just a feature of the internal architecture but also the external. But whereas at Blois the stairs had been open to the elements in the 19th century new and innovative use of glass was able to give protection from the weather, giving the staircase the appearance of being in the true renaissance open style, when it

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