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92-436: John Greenhill (c. 1644 – 19 May 1676) was an English portrait painter, a pupil of Peter Lely , who approached his teacher in artistic excellence, but whose life was cut short by a dissolute lifestyle. Greenhill was born at Salisbury , Wiltshire around 1644, the eldest son of John Greenhill, registrar of the diocese of Salisbury, and Penelope Champneys, daughter of Richard Champneys of Orchardleigh , Somerset. His father

184-495: A crest , supporters , and other heraldic embellishments. The term " coat of arms " technically refers to the shield of arms itself, but the phrase is commonly used to refer to the entire achievement. The one indispensable element of a coat of arms is the shield; many ancient coats of arms consist of nothing else, but no achievement or armorial bearings exists without a coat of arms. From a very early date, illustrations of arms were frequently embellished with helmets placed above

276-497: A bright violet-red or pink colour; and carnation , commonly used to represent flesh in French heraldry. A more recent addition is the use of copper as a metal in one or two Canadian coats of arms. There are two basic types of heraldic fur, known as ermine and vair , but over the course of centuries each has developed a number of variations. Ermine represents the fur of the stoat , a type of weasel, in its white winter coat, when it

368-552: A clouded majesty ..." After the English Restoration in 1660, Lely was appointed as Charles II 's Principal Painter in Ordinary in 1661, with a stipend of £200 per year, as Van Dyck had enjoyed in the previous Stuart reign. Lely became a naturalised English subject in 1662. The young Robert Hooke came to London to follow an apprenticeship with Lely before being given a place at Westminster School by Richard Busby . Demand

460-399: A dark red or mulberry colour between gules and purpure, and tenné , an orange or dark yellow to brown colour. These last two are quite rare, and are often referred to as stains , from the belief that they were used to represent some dishonourable act, although in fact there is no evidence that this use existed outside of fanciful heraldic writers. Perhaps owing to the realization that there

552-548: A division of the field, which is partly metal and partly colour; nor, strictly speaking, does it prevent a field from consisting of two metals or two colours, although this is unusual. Furs are considered amphibious, and neither metal nor colour; but in practice ermine and erminois are usually treated as metals, while ermines and pean are treated as colours. This rule is strictly adhered to in British armory, with only rare exceptions; although generally observed in continental heraldry, it

644-658: A fabulous collection of drawings, was broken up and sold after his death, raising the immense sum of £26,000. Some items in it which had been acquired by Lely from the Commonwealth dispersal of Charles I's art collections, such as the Lely Venus , were re-acquired by the Royal Collection. He was replaced as court portraitist jointly by John Riley and Sir Godfrey Kneller , also a German-born Dutchman, whose style drew from Lely's but reflected later Continental trends. A horse

736-407: A grant of arms; it may be assumed without authority by anyone entitled to bear arms, together with mantling and whatever motto the armiger may desire. The crest, however, together with the torse or coronet from which it arises, must be granted or confirmed by the relevant heraldic authority. If the bearer is entitled to the ribbon, collar, or badge of a knightly order, it may encircle or depend from

828-464: A late use of heraldic imagery has been in patriotic commemorations and nationalistic propaganda during the nineteenth and early twentieth centuries. Since the late nineteenth century, heraldry has focused on the use of varied lines of partition and little-used ordinaries to produce new and unique designs. A heraldic achievement consists of a shield of arms , the coat of arms, or simply coat, together with all of its accompanying elements, such as

920-409: A number is usually displayed only in documentary contexts. The Scottish and Spanish traditions resist allowing more than four quarters, preferring to subdivide one or more "grand quarters" into sub-quarters as needed. The third common mode of marshalling is with an inescutcheon , a small shield placed in front of the main shield. In Britain this is most often an "escutcheon of pretence" indicating, in

1012-520: A number of seals dating from between 1135 and 1155 appear to show the adoption of heraldic devices in England, France, Germany, Spain, and Italy. A notable example of an early armorial seal is attached to a charter granted by Philip I, Count of Flanders , in 1164. Seals from the latter part of the eleventh and early twelfth centuries show no evidence of heraldic symbolism, but by the end of the twelfth century, seals are uniformly heraldic in nature. One of

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1104-401: A number of ways, of which the simplest is impalement : dividing the field per pale and putting one whole coat in each half. Impalement replaced the earlier dimidiation – combining the dexter half of one coat with the sinister half of another – because dimidiation can create ambiguity between, for example, a bend and a chevron . "Dexter" (from Latin dextra , "right") means to

1196-690: A proclamation in 1419, forbidding all those who had not borne arms at the Battle of Agincourt from assuming arms, except by inheritance or a grant from the crown. Beginning in the reign of Henry VIII of England, the English Kings of Arms were commanded to make visitations , in which they traveled about the country, recording arms borne under proper authority, and requiring those who bore arms without authority either to obtain authority for them, or cease their use. Arms borne improperly were to be taken down and defaced. The first such visitation began in 1530, and

1288-425: A pupil of Peter Lely . His progress was rapid, and he acquired some of Lely's skill and method. He carefully studied Vandyck 's portraits, and George Vertue commented that he copied so closely Vandyck's portrait of "Thomas Killigrew and his dog" that it was difficult to know which was the original. Vertue also says that his progress excited Lely's jealousy. Greenhill was at first industrious, and married early. But

1380-566: A self-portrait, now hanging in the Dulwich Picture Gallery in London (engraved in Wornum's edition of Horace Walpole 's "Anecdotes of Painting"). He also drew a portrait of himself, as did Lely. Peter Lely Sir Peter Lely (14 September 1618 – 7 December 1680) was a painter of Dutch origin whose career was nearly all spent in England, where he became the dominant portrait painter to

1472-466: A shield divided azure and gules would be perfectly acceptable. A line of partition may be straight or it may be varied. The variations of partition lines can be wavy, indented, embattled, engrailed, nebuly , or made into myriad other forms; see Line (heraldry) . In the early days of heraldry, very simple bold rectilinear shapes were painted on shields. These could be easily recognized at a long distance and could be easily remembered. They therefore served

1564-672: A taste for poetry and drama, and living in Covent Garden in the vicinity of the theatres, led him to associate with many members of the free-living theatrical world, and he fell into "irregular habits". On 19 May 1676, while returning from the Vine Tavern (in Holborn ) in a state of intoxication, he fell into the gutter in Long Acre , and was carried to his lodgings in Lincoln's Inn Fields , where he died

1656-472: A traditional shield under certain circumstances, and in Canadian heraldry the shield is now regularly granted. The whole surface of the escutcheon is termed the field , which may be plain, consisting of a single tincture, or divided into multiple sections of differing tinctures by various lines of partition; and any part of the field may be semé , or powdered with small charges. The edges and adjacent parts of

1748-520: A window commemorating the knights who embarked on the Second Crusade in 1147, and was probably made soon after the event; but Montfaucon's illustration of the window before it was destroyed shows no heraldic design on any of the shields. In England, from the time of the Norman conquest, official documents had to be sealed. Beginning in the twelfth century, seals assumed a distinctly heraldic character;

1840-500: Is also credited with having originated the English crest of a lion statant (now statant-guardant). The origins of heraldry are sometimes associated with the Crusades , a series of military campaigns undertaken by Christian armies from 1096 to 1487, with the goal of reconquering Jerusalem and other former Byzantine territories captured by Muslim forces during the seventh century. While there

1932-701: Is any object or figure placed on a heraldic shield or on any other object of an armorial composition. Any object found in nature or technology may appear as a heraldic charge in armory. Charges can be animals, objects, or geometric shapes. Apart from the ordinaries, the most frequent charges are the cross – with its hundreds of variations – and the lion and eagle . Other common animals are bears , stags , wild boars , martlets , wolves and fish . Dragons , bats , unicorns , griffins , and other monsters appear as charges and as supporters . Animals are found in various stereotyped positions or attitudes . Quadrupeds can often be found rampant (standing on

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2024-503: Is called barry , while a pattern of vertical (palewise) stripes is called paly . A pattern of diagonal stripes may be called bendy or bendy sinister , depending on the direction of the stripes. Other variations include chevrony , gyronny and chequy . Wave shaped stripes are termed undy . For further variations, these are sometimes combined to produce patterns of barry-bendy , paly-bendy , lozengy and fusilly . Semés, or patterns of repeated charges, are also considered variations of

2116-442: Is called an ermine. It consists of a white, or occasionally silver field, powdered with black figures known as ermine spots , representing the black tip of the animal's tail. Ermine was traditionally used to line the cloaks and caps of the nobility. The shape of the heraldic ermine spot has varied considerably over time, and nowadays is typically drawn as an arrowhead surmounted by three small dots, but older forms may be employed at

2208-438: Is given to the heraldic artist in depicting the heraldic tinctures; there is no fixed shade or hue to any of them. Whenever an object is depicted as it appears in nature, rather than in one or more of the heraldic tinctures, it is termed proper , or the colour of nature. This does not seem to have been done in the earliest heraldry, but examples are known from at least the seventeenth century. While there can be no objection to

2300-502: Is no evidence that heraldic art originated in the course of the Crusades, there is no reason to doubt that the gathering of large armies, drawn from across Europe for a united cause, would have encouraged the adoption of armorial bearings as a means of identifying one's commanders in the field, or that it helped disseminate the principles of armory across Europe. At least two distinctive features of heraldry are generally accepted as products of

2392-423: Is no heraldic authority, and no law preventing anyone from assuming whatever arms they please, provided that they do not infringe upon the arms of another. Although heraldry originated from military necessity, it soon found itself at home in the pageantry of the medieval tournament . The opportunity for knights and lords to display their heraldic bearings in a competitive medium led to further refinements, such as

2484-452: Is normally left to the discretion of the heraldic artist, and many different shapes have prevailed during different periods of heraldic design, and in different parts of Europe. One shape alone is normally reserved for a specific purpose: the lozenge , a diamond-shaped escutcheon, was traditionally used to display the arms of women, on the grounds that shields, as implements of war, were inappropriate for this purpose. This distinction

2576-455: Is not adhered to quite as strictly. Arms which violate this rule are sometimes known as "puzzle arms", of which the most famous example is the arms of the Kingdom of Jerusalem , consisting of gold crosses on a silver field. The field of a shield, or less often a charge or crest, is sometimes made up of a pattern of colours, or variation . A pattern of horizontal (barwise) stripes, for example,

2668-522: Is really no such thing as a stain in genuine heraldry, as well as the desire to create new and unique designs, the use of these colours for general purposes has become accepted in the twentieth and twenty-first centuries. Occasionally one meets with other colours, particularly in continental heraldry, although they are not generally regarded among the standard heraldic colours. Among these are cendrée , or ash-colour; brunâtre , or brown; bleu-céleste or bleu de ciel , sky blue; amaranth or columbine ,

2760-639: Is reputed to have adopted the surname "Lely" (also occasionally spelled Lilly ) from a heraldic lily on the gable of the house where his father was born in The Hague . He arrived in London in around 1643, His early English paintings, mainly mythological or religious scenes, or portraits set in a pastoral landscape, show influences from Anthony van Dyck and the Dutch baroque . Lely's portraits were well received, and he succeeded Anthony van Dyck (who had died in 1641) as

2852-423: Is similar to vair in pale, but diagonal. When alternating rows are reversed as in counter-vair, and then displaced by half the width of one bell, it is termed vair in point , or wave-vair. A form peculiar to German heraldry is alternate vair , in which each vair bell is divided in half vertically, with half argent and half azure. All of these variations can also be depicted in the form known as potent , in which

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2944-452: Is sometimes found. Three additional furs are sometimes encountered in continental heraldry; in French and Italian heraldry one meets with plumeté or plumetty , in which the field appears to be covered with feathers, and papelonné , in which it is decorated with scales. In German heraldry one may encounter kursch , or vair bellies, depicted as brown and furry; all of these probably originated as variations of vair. Considerable latitude

3036-564: Is the use of a limited palette of colours and patterns, usually referred to as tinctures . These are divided into three categories, known as metals , colours , and furs . The metals are or and argent , representing gold and silver, respectively, although in practice they are usually depicted as yellow and white. Five colours are universally recognized: gules , or red; sable , or black; azure , or blue; vert , or green; and purpure , or purple; and most heraldic authorities also admit two additional colours, known as sanguine or murrey ,

3128-509: The Bayeux Tapestry , illustrating the Norman invasion of England in 1066, and probably commissioned about 1077, when the cathedral of Bayeux was rebuilt, depicts a number of shields of various shapes and designs, many of which are plain, while others are decorated with dragons, crosses, or other typically heraldic figures. Yet no individual is depicted twice bearing the same arms, nor are any of

3220-595: The Nebra sky disc , is also thought to serve as a heraldic precursor. Until the nineteenth century, it was common for heraldic writers to cite examples such as these, and metaphorical symbols such as the "Lion of Judah" or "Eagle of the Caesars", as evidence of the antiquity of heraldry itself; and to infer therefrom that the great figures of ancient history bore arms representing their noble status and descent. The Book of Saint Albans , compiled in 1486, declares that Christ himself

3312-741: The Second Anglo-Dutch War , known as the " Flagmen of Lowestoft ", now mostly owned by the National Maritime Museum in Greenwich ; and his Susannah and the Elders at Burghley House . His most famous non-portrait work is probably Nymphs by a Fountain in Dulwich Picture Gallery . Lely played a significant role in introducing the mezzotint to Britain, as he realized its possibilities for publicising his portraits. He encouraged Dutch mezzotinters to come to Britain to copy his work, laying

3404-410: The fess , the pale , the bend , the chevron , the saltire , and the pall . There is a separate class of charges called sub-ordinaries which are of a geometrical shape subordinate to the ordinary. According to Friar, they are distinguished by their order in blazon. The sub-ordinaries include the inescutcheon , the orle , the tressure, the double tressure, the bordure , the chief , the canton ,

3496-592: The griffin can also be found. In the Bible , the Book of Numbers refers to the standards and ensigns of the children of Israel , who were commanded to gather beneath these emblems and declare their pedigrees. The Greek and Latin writers frequently describe the shields and symbols of various heroes, and units of the Roman army were sometimes identified by distinctive markings on their shields. At least one pre-historic European object,

3588-404: The herald , originally a type of messenger employed by noblemen, assumed the responsibility of learning and knowing the rank, pedigree, and heraldic devices of various knights and lords, as well as the rules governing the design and description, or blazoning of arms, and the precedence of their bearers. As early as the late thirteenth century, certain heralds in the employ of monarchs were given

3680-459: The label , and flaunches . Ordinaries may appear in parallel series, in which case blazons in English give them different names such as pallets, bars, bendlets, and chevronels. French blazon makes no such distinction between these diminutives and the ordinaries when borne singly. Unless otherwise specified an ordinary is drawn with straight lines, but each may be indented, embattled, wavy, engrailed, or otherwise have their lines varied. A charge

3772-582: The Guildhall at Salisbury, painted in 1673; Anthony Ashley Cooper, 1st Earl of Shaftesbury , painted more than once during his chancellorship in 1672 (engraved by Abraham Blooteling ); John Locke , who wrote some verses in Greenhill's praise (engraved by Pieter van Gunst); Sir William D'Avenant (engraved by William Faithorne ); Philip Woolrich (engraved in mezzotint by Francis Place ); poet Abraham Cowley , Admiral Edward Spragge and others. Greenhill painted

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3864-566: The National Trust, and no sight is more aesthetically and intellectually numbing, unless it is a corridor of Knellers . Among his most famous paintings are a series of 10 portraits of ladies from the Royal court, known as the Windsor Beauties , formerly at Windsor Castle but now at Hampton Court Palace ; a similar series for Althorp ; a series of 12 of the admirals and captains who fought in

3956-403: The antiquity of heraldry. The development of the modern heraldic language cannot be attributed to a single individual, time, or place. Although certain designs that are now considered heraldic were evidently in use during the eleventh century, most accounts and depictions of shields up to the beginning of the twelfth century contain little or no evidence of their heraldic character. For example,

4048-409: The arms of a married couple, that the wife is an heraldic heiress (i.e., she inherits a coat of arms because she has no brothers). In continental Europe an inescutcheon (sometimes called a "heart shield") usually carries the ancestral arms of a monarch or noble whose domains are represented by the quarters of the main shield. In German heraldry , animate charges in combined coats usually turn to face

4140-404: The artist's discretion. When the field is sable and the ermine spots argent, the same pattern is termed ermines ; when the field is or rather than argent, the fur is termed erminois ; and when the field is sable and the ermine spots or , it is termed pean . Vair represents the winter coat of the red squirrel , which is blue-grey on top and white underneath. To form the linings of cloaks,

4232-593: The authority of the Earl Marshal ; but all of the arms granted by the college are granted by the authority of the crown. In Scotland Court of the Lord Lyon King of Arms oversees the heraldry, and holds court sessions which are an official part of Scotland's court system. Similar bodies regulate the granting of arms in other monarchies and several members of the Commonwealth of Nations , but in most other countries there

4324-435: The base. The other points include dexter chief , center chief , and sinister chief , running along the upper part of the shield from left to right, above the honour point; dexter flank and sinister flank , on the sides approximately level with fess point; and dexter base , middle base , and sinister base along the lower part of the shield, below the nombril point. One of the most distinctive qualities of heraldry

4416-641: The battlefield during the seventeenth century. Heraldry has been described poetically as "the handmaid of history", "the shorthand of history", and "the floral border in the garden of history". In modern times, individuals, public and private organizations, corporations, cities, towns, regions, and other entities use heraldry and its conventions to symbolize their heritage, achievements, and aspirations. Various symbols have been used to represent individuals or groups for thousands of years. The earliest representations of distinct persons and regions in Egyptian art show

4508-416: The centre of the composition. In English the word "crest" is commonly (but erroneously) used to refer to an entire heraldic achievement of armorial bearings. The technical use of the heraldic term crest refers to just one component of a complete achievement. The crest rests on top of a helmet which itself rests on the most important part of the achievement: the shield. The modern crest has grown out of

4600-714: The court. He became a naturalised British subject and was knighted in 1679. Lely was born Pieter van der Faes to Dutch parents in Soest in Westphalia , where his father was an officer serving in the armed forces of the Elector of Brandenburg . Lely studied painting in Haarlem , where he may have been apprenticed to Pieter de Grebber . He became a master of the Guild of Saint Luke in Haarlem in 1637. He

4692-401: The crusaders: the surcoat , an outer garment worn over the armor to protect the wearer from the heat of the sun, was often decorated with the same devices that appeared on a knight's shield. It is from this garment that the phrase "coat of arms" is derived. Also the lambrequin, or mantling, that depends from the helmet and frames the shield in modern heraldry, began as a practical covering for

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4784-527: The descendants of the various persons depicted known to have borne devices resembling those in the tapestry. Similarly, an account of the French knights at the court of the Byzantine emperor Alexius I at the beginning of the twelfth century describes their shields of polished metal, devoid of heraldic design. A Spanish manuscript from 1109 describes both plain and decorated shields, none of which appears to have been heraldic. The Abbey of St. Denis contained

4876-405: The development of "landscape heraldry", incorporating realistic depictions of landscapes, during the latter part of the eighteenth and early part of the nineteenth century. These fell out of fashion during the mid-nineteenth century, when a renewed interest in the history of armory led to the re-evaluation of earlier designs, and a new appreciation for the medieval origins of the art. In particular,

4968-471: The development of elaborate tournament helms, and further popularized the art of heraldry throughout Europe. Prominent burghers and corporations, including many cities and towns, assumed or obtained grants of arms, with only nominal military associations. Heraldic devices were depicted in various contexts, such as religious and funerary art, and in using a wide variety of media, including stonework, carved wood, enamel , stained glass , and embroidery . As

5060-446: The dexter is on the left side, and the sinister on the right. The placement of various charges may also refer to a number of specific points, nine in number according to some authorities, but eleven according to others. The three most important are fess point , located in the visual center of the shield; the honour point , located midway between fess point and the chief; and the nombril point , located midway between fess point and

5152-443: The earliest known examples of armory as it subsequently came to be practiced can be seen on the tomb of Geoffrey Plantagenet, Count of Anjou , who died in 1151. An enamel, probably commissioned by Geoffrey's widow between 1155 and 1160, depicts him carrying a blue shield decorated with six golden lions rampant. He wears a blue helmet adorned with another lion, and his cloak is lined in vair. A medieval chronicle states that Geoffrey

5244-436: The escutcheon are used to identify the placement of various heraldic charges; the upper edge, and the corresponding upper third of the shield, are referred to as the chief; the lower part is the base. The sides of the shield are known as the dexter and sinister flanks, although these terms are based on the point of view of the bearer of the shield, who would be standing behind it; to the observer, and in all heraldic illustration,

5336-438: The fashionable face and repeat the stock patterns of the dress, landscapes, flowers, musical instruments and other essential embellishments of portraiture. On Lely's death in 1680 his executors employed a dozen such slaves to complete for sale the many unfinished canvases stacked about his studio. It is these half-and-half and hardly-at-all Lelys that line the corridors of the indigent aristocracy whose houses are now administered by

5428-399: The field. The Rule of tincture applies to all semés and variations of the field. The field of a shield in heraldry can be divided into more than one tincture , as can the various heraldic charges . Many coats of arms consist simply of a division of the field into two contrasting tinctures. These are considered divisions of a shield, so the rule of tincture can be ignored. For example,

5520-608: The foundations for the English mezzotint tradition. Lely lived from about 1651 to 1680 at No. 10-11 Great Piazza, Covent Garden . He was knighted in 1679. Lely died soon afterwards at his easel in Covent Garden, while painting a portrait of the Duchess of Somerset. Sir Peter was buried at St Paul's Church, Covent Garden . In his lifetime, Lely was known as a skillful connoisseur of art. His collection of Old Masters , including Veronese , Titian , Claude Lorrain and Rubens , and

5612-475: The fur is termed gros vair or beffroi ; if of six or more, it is menu-vair , or miniver. A common variation is counter-vair , in which alternating rows are reversed, so that the bases of the vair bells of each tincture are joined to those of the same tincture in the row above or below. When the rows are arranged so that the bells of each tincture form vertical columns, it is termed vair in pale ; in continental heraldry one may encounter vair in bend , which

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5704-402: The helmet and the back of the neck during the Crusades, serving much the same function as the surcoat. Its slashed or scalloped edge, today rendered as billowing flourishes, is thought to have originated from hard wearing in the field, or as a means of deadening a sword blow and perhaps entangling the attacker's weapon. The spread of armorial bearings across Europe gave rise to a new occupation:

5796-567: The last was carried out in 1700, although no new commissions to carry out visitations were made after the accession of William III in 1689. There is little evidence that Scottish heralds ever went on visitations. In 1484, during the reign of Richard III , the various heralds employed by the crown were incorporated into England's College of Arms , through which all new grants of arms would eventually be issued. The college currently consists of three Kings of Arms, assisted by six Heralds, and four Pursuivants , or junior officers of arms, all under

5888-409: The left hind foot). Another frequent position is passant , or walking, like the lions of the coat of arms of England . Eagles are almost always shown with their wings spread, or displayed. A pair of wings conjoined is called a vol . In English heraldry the crescent , mullet , martlet , annulet , fleur-de-lis , and rose may be added to a shield to distinguish cadet branches of a family from

5980-399: The main purpose of heraldry: identification. As more complicated shields came into use, these bold shapes were set apart in a separate class as the "honourable ordinaries". They act as charges and are always written first in blazon . Unless otherwise specified they extend to the edges of the field. Though ordinaries are not easily defined, they are generally described as including the cross ,

6072-487: The most fashionable portrait artist in England. He became a freeman of the Painter-Stainers' Company in 1647 and was a portrait artist to Charles I . His talent ensured that his career was not interrupted by Charles's execution, and he served Oliver Cromwell , whom he painted "warts and all", and Richard Cromwell . In the years around 1650 the poet Sir Richard Lovelace wrote two poems about Lely – Peinture "See what

6164-430: The name implies, the usual number of divisions is four, but the principle has been extended to very large numbers of "quarters". Quarters are numbered from the dexter chief (the corner nearest to the right shoulder of a man standing behind the shield), proceeding across the top row, and then across the next row and so on. When three coats are quartered, the first is repeated as the fourth; when only two coats are quartered,

6256-662: The next, representing a particular person or line of descent. The medieval heralds also devised arms for various knights and lords from history and literature. Notable examples include the toads attributed to Pharamond , the cross and martlets of Edward the Confessor , and the various arms attributed to the Nine Worthies and the Knights of the Round Table . These too are readily dismissed as fanciful inventions, rather than evidence of

6348-601: The occasional depiction of objects in this manner, the overuse of charges in their natural colours is often cited as indicative of bad heraldic practice. The practice of landscape heraldry, which flourished in the latter part of the eighteenth and early part of the nineteenth century, made extensive use of non-heraldic colours. One of the most important conventions of heraldry is the so-called " rule of tincture ". To provide for contrast and visibility, metals should never be placed on metals, and colours should never be placed on colours. This rule does not apply to charges which cross

6440-401: The older, undulating pattern, now known as vair ondé or vair ancien , the bells of each tincture are curved and joined at the base. There is no fixed rule as to whether the argent bells should be at the top or the bottom of each row. At one time vair commonly came in three sizes, and this distinction is sometimes encountered in continental heraldry; if the field contains fewer than four rows,

6532-410: The pelts were sewn together, forming an undulating, bell-shaped pattern, with interlocking light and dark rows. The heraldic fur is depicted with interlocking rows of argent and azure, although the shape of the pelts, usually referred to as "vair bells", is usually left to the artist's discretion. In the modern form, the bells are depicted with straight lines and sharp angles, and meet only at points; in

6624-458: The right from the viewpoint of the bearer of the arms and "sinister" (from Latin sinistra , "left") means to the bearer's left. The dexter side is considered the side of greatest honour (see also dexter and sinister ). A more versatile method is quartering , division of the field by both vertical and horizontal lines. This practice originated in Spain ( Castile and León ) after the 13th century. As

6716-418: The rise of firearms rendered the mounted knight increasingly irrelevant during the sixteenth and seventeenth centuries, and the tournament faded into history, the military character of heraldry gave way to its use as a decorative art. Freed from the limitations of actual shields and the need for arms to be easily distinguished in combat, heraldic artists designed increasingly elaborate achievements, culminating in

6808-534: The same night. He was buried in St Giles in the Fields church. He left a widow and family, to whom Lely gave an annuity. Among Greenhill's personal admirers was dramatist Aphra Behn , who kept up an amorous correspondence with him, and lamented his early death in a fulsome panegyric . Greenhill's portraits are of great merit, often approaching those of Lely in excellence. Among his chief sitters were Bishop Seth Ward , in

6900-433: The second is also repeated as the third. The quarters of a personal coat of arms correspond to the ancestors from whom the bearer has inherited arms, normally in the same sequence as if the pedigree were laid out with the father's father's ... father (to as many generations as necessary) on the extreme left and the mother's mother's...mother on the extreme right. A few lineages have accumulated hundreds of quarters, though such

6992-426: The senior line. These cadency marks are usually shown smaller than normal charges, but it still does not follow that a shield containing such a charge belongs to a cadet branch. All of these charges occur frequently in basic undifferenced coats of arms. To marshal two or more coats of arms is to combine them in one shield, to express inheritance, claims to property, or the occupation of an office. This can be done in

7084-585: The shape of the vair bell is replaced by a T -shaped figure, known as a potent from its resemblance to a crutch. Although it is really just a variation of vair, it is frequently treated as a separate fur. When the same patterns are composed of tinctures other than argent and azure, they are termed vairé or vairy of those tinctures, rather than vair ; potenté of other colours may also be found. Usually vairé will consist of one metal and one colour, but ermine or one of its variations may also be used, and vairé of four tinctures, usually two metals and two colours,

7176-436: The shield. Some arms, particularly those of the nobility, are further embellished with supporters, heraldic figures standing alongside or behind the shield; often these stand on a compartment , typically a mound of earth and grass, on which other badges , symbols, or heraldic banners may be displayed. The most elaborate achievements sometimes display the entire coat of arms beneath a pavilion, an embellished tent or canopy of

7268-408: The shields. These in turn came to be decorated with fan-shaped or sculptural crests, often incorporating elements from the shield of arms; as well as a wreath or torse , or sometimes a coronet , from which depended the lambrequin or mantling . To these elements, modern heraldry often adds a motto displayed on a ribbon, typically below the shield. The helmet is borne of right, and forms no part of

7360-548: The title "King of Heralds", which eventually became " King of Arms ." In the earliest period, arms were assumed by their bearers without any need for heraldic authority. However, by the middle of the fourteenth century, the principle that only a single individual was entitled to bear a particular coat of arms was generally accepted, and disputes over the ownership of arms seems to have led to gradual establishment of heraldic authorities to regulate their use. The earliest known work of heraldic jurisprudence , De Insigniis et Armis ,

7452-434: The type associated with the medieval tournament, though this is only very rarely found in English or Scots achievements. The primary element of a heraldic achievement is the shield, or escutcheon, upon which the coat of arms is depicted. All of the other elements of an achievement are designed to decorate and complement these arms, but only the shield of arms is required. The shape of the shield, like many other details,

7544-402: The use of helmets with face guards during this period made it difficult to recognize one's commanders in the field when large armies gathered together for extended periods, necessitating the development of heraldry as a symbolic language, but there is little support for this view. The perceived beauty and pageantry of heraldic designs allowed them to survive the gradual abandonment of armour on

7636-421: The use of standards topped with the images or symbols of various gods, and the names of kings appear upon emblems known as serekhs , representing the king's palace, and usually topped with a falcon representing the god Horus , of whom the king was regarded as the earthly incarnation. Similar emblems and devices are found in ancient Mesopotamian art of the same period, and the precursors of heraldic beasts such as

7728-414: Was a gentleman of coat armour. These claims are now regarded as the fantasy of medieval heralds, as there is no evidence of a distinctive symbolic language akin to that of heraldry during this early period; nor do many of the shields described in antiquity bear a close resemblance to those of medieval heraldry; nor is there any evidence that specific symbols or designs were passed down from one generation to

7820-482: Was also named after him, finishing fourth in the 1996 Grand National . Lely was first and foremost a portraitist . He painted both men and women, but with a greater inclination towards the latter, whose cleavage was often accentuated, sometimes to the point of having one breast fully exposed (such as in Margaret Hughes 's earlier portrait, seen below). The loss in 1929 of a "family portrait by Sir Peter Lely"

7912-590: Was connected through his brothers with the East India trade. John's younger brother Henry became Governor of the Gold Coast and a commissioner of the Navy. Greenhill was educated at Salisbury Cathedral School . His first attempt at a portrait was one of his paternal uncle James Abbott of Salisbury, whom he is said to have sketched surreptitiously, as the old man would not sit for him. About 1662 he moved to London and became

8004-518: Was given a shield of this description when he was knighted by his father-in-law, Henry I , in 1128; but this account probably dates to about 1175. The earlier heraldic writers attributed the lions of England to William the Conqueror , but the earliest evidence of the association of lions with the English crown is a seal bearing two lions passant, used by the future King John during the lifetime of his father, Henry II , who died in 1189. Since Henry

8096-541: Was high, and Lely and his large workshop were prolific. After Lely painted a sitter's head, Lely's pupils would often complete the portrait in one of a series of numbered poses. As a result, Lely is the first English painter who has left "an enormous mass of work", although the quality of studio pieces is variable. As Brian Sewell put it: There may well be thousands of these portraits, ranging from rare prime originals of often quite astonishing quality, to crass workshop replicas by assistants drilled to imitate Lely's way with

8188-562: Was not always strictly adhered to, and a general exception was usually made for sovereigns, whose arms represented an entire nation. Sometimes an oval shield, or cartouche, was substituted for the lozenge; this shape was also widely used for the arms of clerics in French, Spanish, and Italian heraldry, although it was never reserved for their use. In recent years, the use of the cartouche for women's arms has become general in Scottish heraldry, while both Scottish and Irish authorities have permitted

8280-460: Was reported in the fire at Pit House, Farley Heath, Albury. Heraldry Although the use of various devices to signify individuals and groups goes back to antiquity , both the form and use of such devices varied widely, as the concept of regular, hereditary designs, constituting the distinguishing feature of heraldry, did not develop until the High Middle Ages . It is often claimed that

8372-550: Was the son of Geoffrey Plantagenet, it seems reasonable to suppose that the adoption of lions as an heraldic emblem by Henry or his sons might have been inspired by Geoffrey's shield. John's elder brother, Richard the Lionheart , who succeeded his father on the throne, is believed to have been the first to have borne the arms of three lions passant-guardant, still the arms of England, having earlier used two lions rampant combatant, which arms may also have belonged to his father. Richard

8464-468: Was written about 1350 by Bartolus de Saxoferrato , a professor of law at the University of Padua . The most celebrated armorial dispute in English heraldry is that of Scrope v Grosvenor (1390), in which two different men claimed the right to bear azure, a bend or . The continued proliferation of arms, and the number of disputes arising from different men assuming the same arms, led Henry V to issue

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