60-579: Tripping Daisy is a neo-psychedelic pop rock band that was formed in Dallas, Texas , by lead singer/guitarist Tim DeLaughter in 1990 along with Jeff Bouck (drums), Wes Berggren (guitar) and Mark Pirro (bass). The group disbanded in 1999 following the sudden death of Berggren. The remaining members reformed in 2017 for a reunion performance at the Homegrown Festival in Dallas, following which they played
120-486: A fiberglass top. The tops came from a boat manufacturer who supplied whatever color happened to be available; consequently a number of different colored piano basses were produced. Some recent, undocumented sources place Piano Bass manufacture as early as 1959. Actual production (for retail sale) in Fender's Fullerton plant, however, began early in 1962—following manufacture of prototypes that "[had then] been in use throughout
180-585: A neo-psychedelic sound. Bill was re-released on major label Island Records , with a different mix and mastering from the Dragon Street version. It also excludes the cover song "Green Tamborine". In 1992 Bryan Wakeland replaced Jeff Bouck as the band's drummer. The band released a live album in 1994 titled Get It On . The album closes with a cover of the Bad Religion song " We're Only Gonna Die ". DeLaughter has been noted as saying in 1990s era interviews that
240-453: A tremolo feature that bounces the output signal from the piano across two speakers. This feature is inaccurately labeled " vibrato " (which is a variation in pitch) on some models to be consistent with the labelling on Fender amplifiers . Although the Rhodes functions mechanically like a piano, its sound is very different. Vibrating tines produce a mellower timbre, and the sound changes with
300-609: A 'heavy' metallic ambience, contra-distinct to the sing-song filigree of British psychedelia". Neo-psychedelia, or as they're calling it in England, acid punk ... is one of the two strongest trends in new wave music ... While this may seem a paradox, since punk was largely a backlash against '60s drug culture, in fact acid rock in the '60s was originally a spinoff of that decade's "punk rock" scene. — Greg Shaw writing in Billboard , January 1978 Psychedelic rock declined towards
360-470: A Tailfeather " in the film The Blues Brothers . Donald Fagen of Steely Dan has regularly used the Rhodes. He has also used the Rhodes in all his solo albums and has played it at every one of his touring performances since 1994. The Rhodes features in "Angela", the 1978 instrumental theme from the sitcom Taxi by Bob James . The French band Air make regular use of the Rhodes piano in their recordings. German pianist and composer Nils Frahm uses
420-675: A keyboard instrument is effective in the restoration of neuro-muscular coordination of fingers, hands and arms.” A Popular Mechanics article in June 1945 pictured recovering veterans playing their Xylettes at the Army’s Ft. Thomas (KY) convalescent hospital. Soon after, Rhodes won a service award for his therapy achievements. Rhodes, in California, next developed an electrically-amplified 38-key instrument, again without strings—instead, using carbon steel rods and advertised as "never needing to be tuned." It
480-581: A local television broadcast. She likewise appeared for promotions in Cleveland, New York, and Chicago. Her husband and violinist-partner Gene Bari was Rhodes's sales agent in Palm Springs (CA), advertising the instrument at $ 189.50 with amplification either built into the instrument or as an outboard unit, though it "also plays without amplification." The instrument weighed twenty pounds by itself, and thirty pounds including its tubular base with attached seat, and
540-629: A number of concerts in Texas during 2017, 2019, and 2022. In June 2024, the band officially reformed, and have plans to tour and record a new album. After playing local gigs, the band released their first single, "Lost and Found", which received moderate airplay on local radio station KDGE . The band incorporated a light show similar to The Joshua Light Show at the Fillmore East . It used effects such as hand made slide shows with multi layered 16 mm projections along with oil and water. This visual attention
600-475: A piano and a Rhodes. He achieved particular prominence with his soundtrack music for A Charlie Brown Christmas and other Peanuts / Charlie Brown films. Billy Preston was described as the "Ruler of the Rhodes" by Music Radar; he played Rhodes during the Beatles' rooftop concert in 1969, and on the Beatles' hit single " Get Back ". Many of Stevie Wonder 's recordings from the 1970s, such as " You Are
660-624: A subset of new wave music as "neo-psychedelia", citing Devo , "to an extent ... [its] first major indication ... [they are] the new darling of the new wave press and opinion-makers, yet nothing about it is remotely 'punk ' ". Shaw wrote that in England, neo-psychedelia was known as "acid punk", noting that the "self-advertised 'psychedelic punk' band, the Soft Boys , [was] being hotly pursued by several major labels." The San Francisco band Chrome labelled themselves "acid punk" during this era. According to Chrome member Helios Creed , music journalists at
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#1732884474205720-506: A variety of elements from 1960s psychedelic music. Some emulated the psychedelic pop and psychedelic rock of bands such as the Beatles and early Pink Floyd , while others adopted Byrds -influenced guitar rock, or distorted free-form jams and sonic experimentalism of the 1960s, with bands like the Red Krayola being a reference point for the latter. Some neo-psychedelic bands were explicitly focused on drug use and experiences, and like
780-467: Is a genre of psychedelic music that draws inspiration from the sounds of 1960s psychedelia , either emulating the sounds of that era or applying its spirit to new styles. It has occasionally seen mainstream pop success but is typically explored within alternative music and underground scenes. Neo-psychedelia first developed in the late-1970s as an outgrowth of the British post-punk scene, where it
840-425: Is laid out like a traditional acoustic piano, but some models contain 73 keys instead of 88. The 73-key model weighs around 130 pounds (59 kg). The keyboard's touch and action is designed to be like an acoustic piano. Pressing a key results in a hammer striking a thin metal rod called a tine connected to a larger "tone bar". The tone generator assembly acts as a tuning fork as the tone bar reinforces and extends
900-463: Is significantly lighter than earlier models. Doors keyboardist Ray Manzarek began using Rhodes instruments when the group formed in 1965. He played basslines on a Piano Bass with his left hand, while playing organ with his right. He also played a full-sized Rhodes in the studio, such as a Mark I Stage 73 on " Riders on the Storm ". According to Manzarek, "If Mr. Rhodes hadn't created the keyboard bass,
960-605: The Fender Rhodes piano ) is an electric piano invented by Harold Rhodes , which became popular in the 1970s. Like a conventional piano , the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines , which vibrate next to an electromagnetic pickup . The signal is then sent through a cable to an external keyboard amplifier and speaker . The instrument evolved from Rhodes's attempt to manufacture pianos while teaching recovering soldiers during World War II . Development continued after
1020-558: The Yamaha DX7 and an inconsistent quality control caused by cost-cutting . In 1987, the company was sold to Roland , which manufactured digital versions of the instrument without authorization from Harold Rhodes. In the 1990s, the instrument experienced a resurgence in popularity, resulting in Rhodes re-obtaining the rights to the piano in 1997. Although Harold Rhodes died in 2000, the Rhodes piano has since been reissued, and his teaching methods are still in use. The Rhodes piano's keyboard
1080-424: The acid house movement of the same era, evoked transitory, ephemeral, and trance -like experiences. Several bands have used neo-psychedelic elements, or perform neo-psychedelia, to accompany surreal or political lyrics. In the view of author Erik Morse , "the sounds of American neo-psychedelia emphasized the cryptic margins of avant-rock , incorporating evanescent textures over an immutable bassline, producing
1140-676: The " true starting-point for English post-punk". Some of the indie music scene 's bands, including the Soft Boys, the Teardrop Explodes , Wah!, and Echo & the Bunnymen , became major figures of neo-psychedelia. In the early 1980s, Siouxsie and the Banshees crafted a "exotic neo-psychedelic pop" with the arrival of guitarist John McGeoch . The early 1980s Paisley Underground movement followed neo-psychedelia. Originating in Los Angeles,
1200-554: The Atom Bomb , was a mix of both creativity and experimentalism. DeLaughter has been quoted as saying that the album "is the band at their best". The album has a fragmented style: from one vignette to another. While the album was not a commercial success, it was critically acclaimed; the Dallas Observer later ranked the album's third track, "Sonic Bloom", at number 100 on their "100 Best Texas Songs of All Time" list. Marine toured with
1260-540: The Baris were then using it in performances at Palm Springs' Desert Inn. In 1958, Rhodes began a business affiliation with Leo Fender to manufacture instruments. For Fender, Rhodes developed a 32-note keyboard bass approximating the string bass's range (E1-B3), known as the Piano Bass. The instrument introduced the design that would become common to subsequent Rhodes pianos, with the same Tolex body as Fender amplifiers and
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#17328844742051320-487: The Doors would never have existed." The Rhodes piano became a popular instrument in jazz in the late 1960s, particularly for several sidemen who played with Miles Davis . Herbie Hancock first encountered the Rhodes in 1968 while booked for a session with Davis. He immediately became an enthusiast, noting that the amplification made him much more audible in groups when compared to the piano. Hancock continued to experiment with
1380-400: The Rhodes over the following years, including playing it through a wah-wah . Other former Davis sidemen, Chick Corea and Joe Zawinul , started using the Rhodes prominently during the 1970s. Beginning with In a Silent Way (1969), the Rhodes became the most prominent keyboard on Davis's recordings until the mid-1970s. Vince Guaraldi started using a Rhodes in 1968, and toured with both
1440-502: The Rhodes, known as Dyno My Piano. It included a lever that moved the relative position of the tines to the pickups, modifying the sound, and fed the output signal through additional electronics. This sound was emulated by the Yamaha DX7 with a patch known as the DX7 Rhodes that was popular during the 1980s, and caused several players to abandon the Rhodes in favor of the DX7. In 1983, Rhodes
1500-509: The Southwest for more than a year.” The earliest-known national advertisement for the instrument was in Down Beat's July 1962 issue. Fender was bought by CBS in 1965. Rhodes stayed with the company, and released the first Fender Rhodes piano, a 73-note model. The instrument comprised parts — the piano, and a separate enclosure underneath containing the power amplifier and loudspeaker. Like
1560-567: The Sunshine of My Life " feature him playing the Rhodes. He often used one alongside the Hohner Clavinet . Donny Hathaway regularly used the Rhodes; his hit single, " This Christmas ", which receives seasonal radio play on African American stations, makes a prominent use of the instrument. Although better known for playing the Wurlitzer , Ray Charles played a Rhodes on his performance of " Shake
1620-635: The United States, and led to an hour-long nationally syndicated radio show. Rhodes continued to teach piano throughout his lifetime, and his piano method continues to be taught today. He continually refined and updated the design of the instrument up to 1984. By 1942, Rhodes was in the Army Air Corps , where he created a piano teaching method to provide therapy for soldiers recovering from combat in hospital. From scrapped airplanes, he eventually developed miniature pianos that could be played in bed. Rhodes
1680-649: The band played a "secret" show at the Dada in Dallas. Dylan Silvers filled in for Curtis during this concert. On August 28, 2022, the band played a surprise show at the Kessler Theater in Dallas. On June 18, 2024, the Dallas Observer announced that Tripping Daisy had officially reformed, and that the band had plans to tour and record a new album. The band then played at The Factory in Deep Ellum , Dallas on June 29, 2024. Neo-psychedelia Neo-psychedelia
1740-410: The band until he was replaced by Ben Curtis , who drummed on Jesus Hit Like the Atom Bomb and their fourth album, the self-titled Tripping Daisy . Other releases during this period include Time Capsule (a mix of old demos, b-sides, and one new song – the only officially released studio recording to feature drummer Mitch Marine) and The Tops Off Our Heads (an impromptu "jam" EP recording that marked
1800-407: The band's first post-major label release). Wes Berggren was found dead of a drug overdose in his apartment on October 27, 1999. The Dallas County Medical Examiner's office found traces of cocaine , propoxyphene , and benzodiazepine in his body. With Berggren's death, the band cancelled its upcoming tour dates and finished some minor recording sessions for the final album. The self-titled album
1860-509: The domain of alternative and indie rock bands. The late 1980s would see the birth of shoegazing , which, among other influences, took inspiration from 1960s psychedelia. Reynolds referred to this movement as "a rash of blurry, neo-psychedelic bands" in a 1992 article in The Observer . AllMusic states: "Aside from the early-'80s Paisley Underground movement and the Elephant 6 collective of
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1920-401: The end of the 1960s as bands broke up or moved into new forms of music, including heavy metal music and progressive rock . Like the psychedelic developments of the late 1960s, punk rock and new wave in the 1970s challenged the rock music establishment. At the time, "new wave" was a term used interchangeably with the nascent punk rock explosion. In 1978, journalist Greg Shaw categorized
1980-474: The existing electromechanical elements. The overall effect was that of a Rhodes piano and a synthesizer being played simultaneously. The instrument was unreliable with a problematic production, particularly when a shipment of 150 units to Japan caused interference with local television reception. Compared to the new polyphonic synthesizers being marketed at the same time, it was limited in scope and sound, and very few units were sold. The final Rhodes produced by
2040-571: The existing two-piece style, featuring four detachable legs (used in Fender steel pedal guitars), a sustain pedal derived from a Rogers hi-hat stand and a single output jack. Although the Stage could be used with any amplifier, catalogs suggested the use of the Fender Twin Reverb . The older style piano continued to be sold alongside the Stage and was renamed the Suitcase Piano. An 88-note model
2100-618: The first Tripping Daisy tour in nearly twenty years. Christopher Penn announced during Homegrown Fest 8 in Dallas, Texas, on May 13, 2017, that Tripping Daisy would be recording a live album during a concert July 7, 2017, during the NYTEX Summer Concert Series at the NYTEX Sports Centre in North Richland Hills, Texas. The band went idle again until reuniting in 2019 for the 10th Homegrown Festival. Shortly thereafter,
2160-509: The hardwood of the propellor.” On 18 March 1945 Rhodes visited the Santa Ana (CA) Army Base Convalescent Hospital, bringing with him eight Xylettes, and having visited seven similar military hospitals across the U.S. When Rhodes had visited the Army's Fort Logan (CO) convalescent hospital a month earlier, he supervised construction of Xylettes and provided instruction, noting that "exercise afforded by
2220-567: The instrument will have a gap where the frequency of a lead vocal can be. This means the instrument can easily support a voice performance without overpowering it. Harold Rhodes started teaching piano when he was 19. He dropped out of the University of Southern California in 1929 to support his family through the Great Depression by full-time teaching. He designed a method that combined classical and jazz music , which became popular across
2280-730: The late 1990s, most subsequent neo-psychedelia came from isolated eccentrics and revivalists, not cohesive scenes." They go on to cite what they consider some of the more prominent artists: the Church , Nick Saloman 's Bevis Frond , Spacemen 3 , Robyn Hitchcock , Mercury Rev , the Flaming Lips , and Super Furry Animals . According to Treblezine ' s Jeff Telrich: " Primal Scream made [neo-psychedelia] dancefloor ready. The Flaming Lips and Spiritualized took it to orchestral realms. And Animal Collective —well, they kinda did their own thing." Fender Rhodes The Rhodes piano (also known as
2340-502: The movement saw a number of young bands who were influenced by the psychedelia of the late 1960s and all took different elements of it, and the term "Paisley Underground" was later expanded to include others from outside the city who explored the same songwriting techniques and influences. In the 1980s and 1990s there were occasional mainstream acts that dabbled in neo-psychedelia, including Prince's mid-1980s work and some of Lenny Kravitz 's 1990s output, but neo-psychedelia has mainly been
2400-521: The original company was the Mk V in 1984. Among other improvements, it had a lighter plastic body and an improved action that varied the dynamics with each note. The Mark V is the easiest of the original Rhodes pianos for touring musicians to transport. Rhodes pianos produced under the original run had an inconsistent quality as the company wanted to mass-produce the instrument. During the late 1970s and 1980s, Chuck Monte manufactured an after-market modification to
2460-645: The piano bass, it was finished in black Tolex, and had a fiberglass top. During the late 1960s, two models of the Fender Rhodes Celeste also became available, which used the top three or four octaves, respectively, of the Fender Rhodes piano. The Celeste did not sell well and is now hard to find. In 1969, the fiberglass lid was replaced with vacuum-molded plastic; the earlier models became known retrospectively as "silvertops". The Student and Instructor models were introduced in 1965. They were designed to teach
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2520-446: The piano in the classroom. By connecting the output of a network of student models, the teacher could listen to each student in isolation on the instructor model, and send an audio backing track to them. This allowed the teacher to monitor individual students' progress. Production of educational models ceased in 1974. In 1970, the 73-note Stage Piano was introduced as a lighter (130 pounds (59 kg)) and more portable alternative to
2580-458: The progressive space rock trio called The Secret Machines and later, the dream pop trio School of Seven Bells . Curtis died on December 29, 2013, from complications of lymphoma. On January 5, 2017, the band's official Facebook page teased a possible reunion event. News later confirmed the remaining members would perform at the Homegrown Festival in Dallas on May 13, 2017. On March 9, 2017, they announced four additional Texas dates, making it
2640-420: The record label pushed the live album out to capitalize on the popularity of Bill , and it is not one of his favorite albums. After signing a deal with Island Records , which re-released Bill (minus the cover song "Green Tambourine"), the band recorded their first major-label release, I Am an Elastic Firecracker . The music video for the song " I Got a Girl " received extended airplay on MTV . A segment of
2700-479: The resonance of the instrument slightly. In 1977 the power amplifier design was changed from an 80 to a 100-watt model. The Mk II model was introduced in late 1979, which was simply a set of cosmetic changes over the most recent Mk I models. A 54-note model was added to the range. The Rhodes Mk III EK-10 was a combination electric piano and synthesizer , introduced in 1980 before CBS bought ARP Instruments in 1981. It used analog oscillators and filters alongside
2760-511: The rights to the Rhodes piano in 1997. By then, he was in ill health and died in December 2000. In 2007, his former business partner Joe Brandstetter acquired the rights to the name and re-formed Rhodes Music Corporation. The company introduced a reproduction of the original electric piano, the Rhodes Mark 7, housed in a molded plexiglass enclosure. In 2021, a new company, Rhodes Music Group Ltd,
2820-401: The time considered about ten bands – including Chrome, Devo , and Pere Ubu – to be acid punk groups: "They didn't want to call it psychedelia, it was New Wave psychedelia". By 1978–79, new wave was considered independent from punk and post-punk (the latter was initially known as "new musick"). Author Clinton Heylin marks the second half of year 1977 and the first half of year 1978 as
2880-582: The tine's relative position to the pickup. Putting the two close together gives a characteristic "bell" sound. The instrument has been compared with the Wurlitzer electronic piano , which uses a similar technology, but with the hammers striking metal reeds. The Rhodes has a better sustain, while the Wurlitzer produces significant harmonics when the keys are played hard, giving it a "bite". According to Benjamin Love of Retro Rentals, an equalization spectrum analysis of
2940-427: The tine's vibrations. A pickup sits opposite the tine, inducing an electric current from the vibrations like an electric guitar. Simply hitting tines does not need an external power supply , and a Rhodes will make sound even when not plugged into an amplifier , though like an unplugged electric guitar, the volume level and tone will be diminished. The Suitcase model Rhodes includes a built-in power amplifier and
3000-457: The video was used in a Beavis and Butt-Head episode, a show known to lampoon popular music videos of the time. Wakeland remained in the band until after the tour for I Am an Elastic Firecracker when he chose to leave, and was replaced by Mitch Marine and Cory Lemons. Phil Karnats joined the band on lead guitar soon after Wakeland's departure, allowing DeLaughter more freedom to focus on lead vocal duty. The band's third album, Jesus Hits Like
3060-457: The war and into the following decade. In 1959, Fender began marketing the Piano Bass, a cut-down version; the full-size instrument did not appear until after Fender's sale to CBS in 1965. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz , pop , and soul music . It was less used in the 1980s because of competition with polyphonic and digital synthesizers such as
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#17328844742053120-443: Was also known as acid punk . Prince explored neo-psychedelic elements in his successful mid-1980s music. A neo-psychedelic wave of British alternative rock in the 1980s spawned the subgenres of dream pop and shoegazing . Neo-psychedelia may also include forays into psychedelic pop , jangly guitar rock , heavily distorted free-form jams, or recording experiments . Psychedelic film Neo-psychedelic acts consistently borrow
3180-563: Was being used for teaching in the Los Angeles Public School System, and was eventually adopted in other cities, including Chicago. Among Rhodes's promotional appearances away from Los Angeles was Chicago's Lyon & Healy music store, where he demonstrated the instrument on July 21-22-23, 1948. During the summer of 1948 pianist and song-stylist Gwen Bari was Rhodes's representative and demonstrator in Philadelphia, —including
3240-534: Was discharged from the Army Air Corps in September 1944. He named his (non-amplified) lap instrument the "Xylette," and a 1945 newspaper described its materials and their source: "The Xylette is being constructed by patients in the craft shops of the convalescent hospitals. The [aluminum] xylophone bars are made from discarded hydraulic systems, the plywood from hatchways, keys from the fuselage spruce, and hammers from
3300-510: Was formed by the audio company Loopmasters who licensed the trademark rights from Brandstetter. They announced a new model, the MK8, in development. The MK8 was made available for pre-order in November with 500 units planned for production in 2022. The MK8's case was designed by Axel Hartmann and its electronics were designed by former Moog Music technician Cyril Lance. At 75 pounds (34 kg), it
3360-542: Was introduced in 1971. The Rhodes became increasingly popular during the 1970s. In 1976, the company posted an advertisement claiming that of the top 100 Billboard albums featuring electric pianos, 82% of them used a Rhodes. During the 1970s various changes were made to the Rhodes mechanics. In 1971 the hammer tips were changed to neoprene rubber instead of felt, to avoid the excessive need for regular maintenance, while in 1975 harp supports were changed from wood to aluminum. Although this made production cheaper, it changed
3420-555: Was labeled the "Pre-Piano," also being advertised as the "Bantam Piano" to broaden its appeal. Its public debut was in Los Angeles on 21 May 1948, at the Broadway department store. Rhodes was present as demonstrator, as was songwriter Jimmy McHugh ; by that date, Rhodes had built 100 of the instruments in his factory space at 2370 E. Foothill Blvd. in Pasadena. By mid-1948 the Pre-Piano
3480-407: Was present in their very first show and was the beginning of many multimedia attractions to come. The band soon began recording what would become their first full-length album, Bill , released on the independent label Dragon Street Records. The album was a favorite on Dallas radio. The sound on Bill is characterized by the heavy use of vocal effects and unconventional riffs, both of which lend to
3540-484: Was released posthumously, with Berggren's father Don playing a Fender Rhodes electric piano on the unfinished song "Soothing Jubilee". The album included a re-recording of "One Through Four", a song originally featured on Bill . Tripping Daisy officially disbanded on December 14, 1999. After the band disbanded, Tim DeLaughter, Mark Pirro, Bryan Wakeland and Jeff Bouck formed the chamber pop group The Polyphonic Spree . Ben Curtis went on to join brother Brandon Curtis in
3600-542: Was sold to CBS boss William Schultz, who closed the main factory in 1985 and sold the business to the Japanese corporation Roland in 1987. Roland introduced digital pianos known as the Rhodes MK80 and MK60 in 1989, and were essentially re-engineered versions of Roland's own RD-1000 (which they closely resembled), but Harold Rhodes disapproved of the instruments, which were made without his consultation. Rhodes re-acquired
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