Claydes "Charles" Smith (born Claydes Eugene Smith ; September 6, 1948 – June 20, 2006) was an American musician best known as co-founder and lead guitarist of the group Kool & the Gang .
109-717: Kool & the Gang is an American R&B , soul , and funk band formed in Jersey City, New Jersey , in 1964. Its founding members include brothers Robert "Kool" Bell and Ronald Bell (also known as "Khalis Bayyan"), Dennis "Dee Tee" Thomas , Robert "Spike" Mickens, Charles Smith , George Brown, Woodrow "Woody" Sparrow, and Ricky Westfield. They have undergone numerous changes in personnel and have explored many musical styles throughout their history, including jazz , rhythm and blues, soul, funk, disco , rock , and pop music. The group changed their name several times. Settling on Kool &
218-528: A Jersey City street was renamed the "Kool and the Gang Way". During 2019 Kool and the Gang was also bestowed with the Marian Anderson Award . In 2021, the group released Perfect Union , their 25th studio album and first album of new material in 14 years. The album was produced by Khalis Bayyan before his 2020 death. On November 20, 2022, the group performed a special live concert at the naming ceremony for
327-457: A doo-wop group, had the number four hit of the year with " Crying in the Chapel ". Fats Domino made the top 30 of the pop charts in 1952 and 1953, then the top 10 with " Ain't That a Shame ". Ray Charles came to national prominence in 1955 with " I Got a Woman ". Big Bill Broonzy said of Charles's music: "He's mixing the blues with the spirituals ... I know that's wrong." In 1954
436-807: A "rawer" or "grittier" sound than the more popular " beat groups ". During the 1960s, Geno Washington , the Foundations , and the Equals gained pop hits. Many British black musicians helped form the British R&;B scene. These included Geno Washington , an American singer stationed in England with the Air Force. He was invited to join what became Geno Washington & the Ram Jam Band by guitarist Pete Gage in 1965 and enjoyed top 40 hit singles and two top 10 albums before
545-534: A Dream ". Faye Adams 's " Shake a Hand " made it to number two in 1952. In 1953, the R&;B record-buying public made Willie Mae Thornton 's original recording of Leiber and Stoller 's " Hound Dog " the year's number three hit. Ruth Brown was very prominent among female R&B stars; her popularity most likely came from "her deeply rooted vocal delivery in African American tradition". That same year The Orioles ,
654-528: A United States embargo that still remains in effect today, the island nation had been forgotten as a source of music. By the time people began to talk about rock and roll as having a history, Cuban music had vanished from North American consciousness." At first, only African Americans were buying R&B discs. According to Jerry Wexler of Atlantic Records, sales were localized in African-American markets; there were no white sales or white radio play. During
763-475: A blues progression. Ike Turner recorded "Cubano Jump" (1954) an electric guitar instrumental, which is built around several 2–3 clave figures, adopted from the mambo. The Hawketts , in " Mardi Gras Mambo " (1955) (featuring the vocals of a young Art Neville), make a clear reference to Perez Prado in their use of his trademark "Unhh!" in the break after the introduction. Ned Sublette states: "The electric blues cats were very well aware of Latin music, and there
872-615: A boogie-woogie with a tresillo bass line, and lyrics proudly declaring the adoption of Cuban rhythm: Harlem's got a new rhythm, man it's burning up the dance floors because it's so hot! They took a little rhumba rhythm and added boogie-woogie and now look what they got! Rhumboogie, it's Harlem's new creation with the Cuban syncopation, it's the killer! Just plant your both feet on each side. Let both your hips and shoulder glide. Then throw your body back and ride. There's nothing like rhumbaoogie, rhumboogie, boogie-woogie. In Harlem or Havana, you can kiss
981-410: A choreographer at Prince 's studio at Paisley Park . At the time of the tour's start, the group ceased producing adverts with Schlitz beer because of their new image towards children and that they felt it had run its course. After the tour, Taylor left Kool & the Gang to pursue a solo career. He returned in 1996 for their State of Affairs album. In February 1988, news of Taylor's departure from
1090-488: A dedicated lead vocalist to become a focal point of their music. James "J.T." Taylor from South Carolina was added; Taylor noted that vocals added more warmth to the songs, especially to ballads, which the group had previously avoided as no vocalist in the group could sing them properly. He recalled some resistance to his arrival from some group members and the female singers they had used on The Force and Everybody's Dancin ' . The change in style developed further when
1199-404: A mainstay in rock and roll. At the urging of Leonard Chess at Chess Records, Chuck Berry reworked a country fiddle tune with a long history, entitled " Ida Red ". The resulting " Maybellene " was not only a number three hit on the R&B charts in 1955, but also reached into the top 30 on the pop charts. Alan Freed , who had moved to the much larger market of New York City in 1954, helped
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#17328849199581308-529: A non-African American artist into a music category known for being created by blacks. Nat King Cole , also a jazz pianist who had two hits on the pop charts in the early 1950s (" Mona Lisa " at number two in 1950 and " Too Young " at number one in 1951), had a record in the top five in the R&B charts in 1958, " Looking Back "/"Do I Like It". In 1959, two black-owned record labels, one of which would become hugely successful, made their debut: Sam Cooke 's Sar and Berry Gordy 's Motown Records . Brook Benton
1417-445: A number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music had contributed to the development of rock and roll , the term "R&B" became used in a wider context. It referred to music styles that developed from and incorporated electric blues , as well as gospel and soul music . By the 1970s, the term "rhythm and blues" had changed once again and
1526-497: A primarily African-American clientele. Freed began referring to the rhythm and blues music he played as "rock and roll". In 1951 Little Richard Penniman began recording for RCA Records in the jump blues style of late 1940s stars Roy Brown and Billy Wright . However, it was not until he recorded a demo in 1954 that caught the attention of Specialty Records that the world would start to hear his new uptempo funky rhythm and blues that would catapult him to fame in 1955 and help define
1635-489: A quintet consisting of a vocal quartet with accompanying guitarist, sang a distinctive-sounding combination of blues and gospel. They had the number five hit of the year with " Don't You Know I Love You " on Atlantic. Also in July 1951, Cleveland, Ohio DJ Alan Freed started a late-night radio show called "The Moondog Rock Roll House Party" on WJW (850 AM). Freed's show was sponsored by Fred Mintz, whose R&B record store had
1744-415: A saxophone-section riff) on his own 1949 disc "Country Boy" and subsequently helped make it the most over-used rhythmic pattern in 1950s rock 'n' roll. On numerous recordings by Fats Domino , Little Richard and others, Bartholomew assigned this repeating three-note pattern not just to the string bass, but also to electric guitars and even baritone sax, making for a very heavy bottom. He recalls first hearing
1853-579: A significant portion of their concert audience were women. Roth wanted the group after seeing their set at Glastonbury. In 2013 the group released a Christmas album Kool for the Holidays . That was the group's 24th studio album. In 2015, 50 years after formation, the group received their star on the Hollywood Walk of Fame. During that year they were also inducted into the New Jersey Hall of Fame . In 2016,
1962-507: A single term. The group's seventeenth album, Forever , was released in November 1986. The album included two hit singles on the Billboard Hot 100 chart: "Victory" (US #10, R&B #2) and " Stone Love " (US #10, R&B #4). Two further singles, "Holiday" and "Special Way" were also released from the album; the former reached the top ten on the R&B Chart, the latter hit reached No. 6 on
2071-680: A sold-out performance with 8,000 seats. Roads were clogged for seven hours. Filmmakers took advantage of the popularity of "rhythm and blues" musicians as "rock n roll" musicians beginning in 1956. Little Richard, Chuck Berry, Fats Domino, Big Joe Turner, the Treniers , the Platters , and the Flamingos all made it onto the big screen. Two Elvis Presley records made the R&B top five in 1957: " Jailhouse Rock "/" Treat Me Nice " at number one, and " All Shook Up " at number five, an unprecedented acceptance of
2180-407: A strong sexual connotation in jump blues and R&B, but when DJ Alan Freed referred to rock and roll on mainstream radio in the mid-1950s, "the sexual component had been dialed down enough that it simply became an acceptable term for dancing". The great migration of Black Americans to the urban industrial centers of Chicago, Detroit, New York City, Los Angeles, Washington, D.C. and elsewhere in
2289-405: A supporting act for Van Halen in 2012 and their fiftieth-anniversary tour in 2014. Kool & the Gang have won numerous awards, including two Grammy Awards , seven American Music Awards , and, in 2006, a Music Business Association Chairman's Award for artistic achievement. The group has been inducted into the New Jersey Hall of Fame and been given a MOBO Award for Outstanding Achievement,
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#17328849199582398-473: A triplet or shuffle feel to even or straight eighth notes. Concerning the various funk motifs, Stewart states that this model "... is different from a time line (such as clave and tresillo) in that it is not an exact pattern, but more of a loose organizing principle." Johnny Otis released the R&B mambo "Mambo Boogie" in January 1951, featuring congas, maracas, claves, and mambo saxophone guajeos in
2507-478: A version of " Stagger Lee " at number one and " Personality " at number five in 1959. The white bandleader of the Bill Black Combo, Bill Black , who had helped start Elvis Presley's career and was Elvis's bassist in the 1950s, was popular with black listeners. Ninety percent of his record sales were from black people, and his " Smokie, Part 2 " (1959) rose to the number one position on black music charts. He
2616-454: A visit to Phonogram 's offices in London, Bob Geldof arrived to pitch his idea of the multi-artist charity single " Do They Know It's Christmas? " to the label. Kool & the Gang participated in the project. In 1985, Bell said the group retained control of their own business affairs, avoiding to hire management on a full-time basis and preferring to hire consultants and agents for each project or
2725-557: A weekly jazz night held in a local theatre every Sunday. They also played occasionally with McCoy Tyner , Pharoah Sanders , and Leon Thomas during their early years as a group. They then had several name changes, including "the Soul Town Band" and "the New Dimensions". They played Motown covers as the backing musicians for Soul Town, a small Jersey City-based organization similar to Motown. In 1967, they became regular performers at
2834-575: Is 'Longhair's Blues Rhumba,' where he overlays a straightforward blues with a clave rhythm." Longhair's particular style was known locally as rumba-boogie . In his "Mardi Gras in New Orleans", the pianist employs the 2–3 clave onbeat/offbeat motif in a rumba boogie " guajeo ". The syncopated, but straight subdivision feel of Cuban music (as opposed to swung subdivisions) took root in New Orleans R&;B during this time. Alexander Stewart states that
2943-455: Is an attempt to blend African American and Afro-Cuban music. The word mambo , larger than any of the other text, is placed prominently on the record label. In his composition "Misery", New Orleans pianist Professor Longhair plays a habanera-like figure in his left hand. The deft use of triplets is a characteristic of Longhair's style. Gerhard Kubik notes that with the exception of New Orleans, early blues lacked complex polyrhythms, and there
3052-585: Is often cited as a precursor to rock and roll or as one of the first records in that genre. In a later interview, however, Ike Turner offered this comment: "I don't think that 'Rocket 88' is rock 'n' roll. I think that 'Rocket 88' is R&B, but I think 'Rocket 88' is the cause of rock and roll existing". Ruth Brown , performing on the Atlantic label, placed hits in the top five every year from 1951 through 1954: " Teardrops from My Eyes ", "Five, Ten, Fifteen Hours", " (Mama) He Treats Your Daughter Mean " and " What
3161-552: The 1980 World Series , the 1981 Super Bowl , the 1981 NBA Finals , and the 1981 return of the Iran hostages . After the release of Something Special (1981), which continued the level of success of the previous two albums, the band recorded their fourth and final album with Deodato, As One (1982). The latter struggled to reach gold certification in the US, which led to the band's decision to end their time with Deodato as they had enough with
3270-892: The Soul Train Legend Award , the Marian Anderson Award , and a star on the Hollywood Walk of Fame . In 2007, the group was inducted into the Vocal Group Hall of Fame . Throughout 2018, the Bells, Brown, and Taylor were also inducted into the Songwriters Hall of Fame and the group were inducted into the Rock and Roll Hall of Fame in 2024. Their discography includes 23 studio albums and nearly 70 singles. They have sold 7.5 million and 4.5 million Recording Industry Association of America -certified albums and singles, respectively, in
3379-645: The UK R&;B Albums chart. During 2007 the group released another album entitled Still Kool . The album reached No. 31 on the US Billboard Top Soul Albums chart. Still Kool has also been certified Platinum in France by the SNEP . In 2012, Bell accepted Van Halen singer David Lee Roth 's invitation for Kool & the Gang to be the opening act during their A Different Kind of Truth Tour as Roth had noticed
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3488-611: The boogie-woogie rhythms that had come to prominence during the 1940s. Jordan's band, the Tympany Five (formed in 1938), consisted of him on saxophone and vocals, along with musicians on trumpet, tenor saxophone, piano, bass and drums. Lawrence Cohn described the music as "grittier than his boogie-era jazz-tinged blues". Robert Palmer described it as "urbane, rocking, jazz-based music ... [with a] heavy, insistent beat". Jordan's music, along with that of Big Joe Turner , Roy Brown , Billy Wright , and Wynonie Harris , before 1949,
3597-408: The conga drum , bongos , maracas and claves . According to John Storm Roberts , R&B became the vehicle for the return of Cuban elements into mass popular music. Ahmet Ertegun , producer for Atlantic Records , is reported to have said that "Afro-Cuban rhythms added color and excitement to the basic drive of R&B." As Ned Sublette points out though: "By the 1960s, with Cuba the object of
3706-443: The 1800s with the popularity of the Cuban contradanza (known outside of Cuba as the habanera ). The habanera rhythm can be thought of as a combination of tresillo and the backbeat . For the more than a quarter-century in which the cakewalk , ragtime and proto-jazz were forming and developing, the Cuban genre habanera exerted a constant presence in African American popular music. Jazz pioneer Jelly Roll Morton considered
3815-545: The 1920s and 1930s created a new market for jazz, blues, and related genres of music. These genres of music were often performed by full-time musicians, either working alone or in small groups. The precursors of rhythm and blues came from jazz and blues, which overlapped in the late-1920s and 30s through the work of musicians such as the Harlem Hamfats , with their 1936 hit "Oh Red", as well as Lonnie Johnson , Leroy Carr , Cab Calloway , Count Basie , and T-Bone Walker . There
3924-645: The Adult Contemporary chart. By 1986, the group had scored 14 top 40 singles in the US since 1980, more than Michael Jackson . In July 1986, the group recorded a special version of "Celebration" with different vocals that was used in an advertisement for Wendy's . In 1987, the group completed a 50-city tour of the US. The tour included the group establishing their own public service program, devised by Robert Bell and Taylor, which encouraged school children to pursue education, giving free tickets to those with perfect attendance. The group rehearsed their stage show with
4033-870: The Blue Note Lounge in Jersey, where one of the emcees advertised them with a new name, Kool & the Flames. However, since their manager, Gene Redd, advised against taking this name to avoid confusion with James Brown 's band, the Famous Flames , the band settled on Kool & the Gang instead. After selecting the new band name and line-up, Kool & the Gang signed a recording deal with Redd's new independent label, De-Lite Records . Redd wrote: "I discovered these eight super talented incomparable young musicians, [...and...] I immediately realized that their potential would earn them success unknown by most musicians". The group entered
4142-496: The Blues , writes that "rhythm and blues" was an umbrella term invented for industry convenience. According to him, the term embraced all black music except classical music and religious music , unless a gospel song sold enough to break into the charts. Well into the 21st century, the term R&B continues in use (in some contexts) to categorize music made by black musicians, as distinct from styles of music made by other musicians. In
4251-655: The CEO of LaFace Records , was responsible for some of R&B's greatest successes in the 1990s in the form of Usher , TLC and Toni Braxton . Later, Reid successfully marketed Boyz II Men . In 2004, 80% of the songs that topped the R&B charts were also at the top of the Hot 100. That period was the all-time peak for R&B and hip hop on the Billboard Hot 100 and on Top 40 Radio. From about 2005 to 2013, R&B sales declined. However, since 2010, hip-hop has started to take cues from
4360-542: The Chords ' " Sh-Boom " became the first hit to cross over from the R&B chart to hit the top 10 early in the year. Late in the year, and into 1955, " Hearts of Stone " by the Charms made the top 20. At Chess Records in the spring of 1955, Bo Diddley 's debut record " Bo Diddley "/" I'm a Man " climbed to number two on the R&B charts and popularized Bo Diddley's own original rhythm and blues clave-based vamp that would become
4469-585: The Cleftones , and the Spaniels with Illinois Jacquet 's Big Rockin' Rhythm Band. Cities visited by the tour included Columbia, South Carolina; Annapolis, Maryland; Pittsburgh, Pennsylvania; Syracuse, Rochester and Buffalo, New York; and other cities. In Columbia, the concert ended with a near riot as Perkins began his first song as the closing act. Perkins is quoted as saying, "It was dangerous. Lot of kids got hurt". In Annapolis, 50,000 to 70,000 people tried to attend
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4578-688: The Gang added Larry Gittens from the Stylistics , and released Spirit of the Boogie which contained the top 40 single " Spirit of the Boogie ". That was followed by the part-studio part-live release Love & Understanding , in 1976. By mid-1976, however, Kool & the Gang entered a period of commercial decline. Rolling Stone writer Geoff Himes wrote the fans "frowned on their loose and greasy approach to dance music." Their three albums released during this time, Open Sesame (1976), The Force (1977), and Everybody's Dancin' (1978) failed to generate
4687-440: The Gang pursued elements of hip hop. The album was a compilation of rappers backed by Kool and the Gang remaking some of the group's songs. During 2003 the group was given a Mobo Award for Outstanding Achievement. In 2004 they released another album featuring remakes and some new songs. The Hits Reloaded contained collaborations with artists such as Atomic Kitten , Lisa Stansfield and Jamiroquai . The album reached No. 21 on
4796-422: The Gang sound[...] and the public didn't like it". The change in style affected their ability to secure as many dates as before, working "just off and on" during this time. One review for Everybody's Dancin ' bore the headline, "Kool and the Gang have gone bland." Writer Mike Duffy opined, "They've joined the disco lemmings [...] The edge has gone. Say so long to the raw and raunchy." During their low period,
4905-495: The Gang, the group signed to De-Lite Records and released their debut album, Kool and the Gang in 1969. The band's first mainstream success came with the release of their fourth album Wild and Peaceful (1973); it contained the US top-ten singles " Jungle Boogie " and " Hollywood Swinging ". The band entered a period of decline before they reached a second commercial peak between 1979 and 1986 following their partnership with Brazilian musician and producer Eumir Deodato and
5014-414: The Gang. His cool jazz stylings and octave runs, reminiscent of Wes Montgomery but uniquely his own, enriched the music of the group. His playing on the hit " Summer Madness " is a fine example of his work. Kool & the Gang blended jazz , funk , R&B , and pop . The group remained popular from the 1960s through the 1980s. Smith stopped touring in January 2006 due to illness. In 2024, Smith
5123-517: The Jewish writer, music publishing executive, and songwriter Arnold Shaw , during the 1940s in the US, there was generally little opportunity for Jews in the WASP -controlled realm of mass communications , but the music business was "wide open for Jews as it was for blacks". Jews played a key role in developing and popularizing African American music, including rhythm and blues, and the independent record business
5232-557: The Mighty Magnificents which, according to Robert Bell, "Blew us away[...] We thought, 'Wow, if we want to be in show business, we have to change our act. We can't just stand up there and play'." Also at this time, the group were asked to deliver songs with vocals. Despite Bell recalling the group sounding "real ragged" with lyrics at first, "Bit by bit we gained in confidence... we kinda learnt how to sing as we went along." The group followed their debut with two live albums: Live at
5341-461: The New Orleans sound. Robert Palmer reports that, in the 1940s, Professor Longhair listened to and played with musicians from the islands and "fell under the spell of Perez Prado's mambo records." He was especially enamored with Afro-Cuban music. Michael Campbell states: "Professor Longhair's influence was ... far-reaching. In several of his early recordings, Professor Longhair blended Afro-Cuban rhythms with rhythm and blues. The most explicit
5450-474: The R&B sound, choosing to adopt a softer, smoother sound that incorporates traditional R&B with rappers such as Drake , who has opened an entire new door for the genre. This sound has gained in popularity and created great controversy for both hip-hop and R&B as to how to identify it. In 2010, the National Rhythm & Blues Hall of Fame was founded by LaMont "ShowBoat" Robinson . According to
5559-508: The Sex Machine , recorded the year before, and Live at PJ's , both released in 1971. These were their final albums before their amicable split with Redd. Their next album, Music Is the Message , was the first time the group self-produced one of their records. It was released in July 1972, and peaked at No. 25 on the R&B chart. It was followed with Good Times in November, which featured
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#17328849199585668-404: The US. It spawned four US top 20 singles, including "Emergency", " Cherish ", " Fresh ", and "Misled". The feat made Kool & the Gang the only group to have four top 20 singles from a single album in 1985. In June 1984, Kool & the Gang took time off from recording Emergency to perform at Wembley Stadium as part of a sold-out summer concert organised by Elton John . That November, during
5777-639: The United States in 1948, the term had been used in Billboard as early as 1943. However, the company's first list of songs popular among African Americans was named Harlem Hit Parade ; created in 1942, it listed the "most popular records in Harlem ," and is the predecessor to the Billboard RnB chart. “Rhythm and Blues” replaced the common term " race music ", a term coined by Okeh producer Ralph Peer based on
5886-690: The United States. Worldwide, they have sold over 70 million albums. The band formed in Jersey City, New Jersey , in 1964 when seven school friends decided to perform together as an instrumental jazz and soul group named the Jazziacs. Among them were Robert "Kool" Bell on bass, his brother Ronald Bell on keyboards, Robert "Spike" Mickens on trumpet, Dennis "Dee Tee" Thomas on saxophone, Ricky West on keyboards, George Brown on drums, and Charles Smith on guitar. Except Smith, all of them attended Lincoln High School in Jersey City. Robert Bell had given himself
5995-573: The addition of singer James "J.T." Taylor to the line-up. Their most successful albums of the time include Ladies' Night (1979), Celebrate! (1980), and Emergency (1984), the latter being their highest-selling album, with two million copies sold in the US. Their hit singles during the period include " Ladies' Night " (1979), the US No. 1 " Celebration " (1980), " Get Down on It " (1981), " Joanna " (1983), " Misled " (1984), and " Cherish " (1985). The group has continued to perform worldwide, including as
6104-497: The age of 62 after a year-long battle with cancer. Adams, who had been with Kool & the Gang since 1977, had no health insurance to cover medical expenses. Saxophonist Ronald "Khalis Bayyan" Bell died suddenly in September 2020; the cause of death was not announced. Alto saxophonist Dennis "D.T." Thomas died in his sleep on August 7, 2021, at the age of 70. Drummer George “Funky” Brown died from lung cancer on November 16, 2023, at
6213-489: The age of 74. Studio albums Rhythm and blues Rhythm and blues , frequently abbreviated as R&B or R'n'B , is a genre of popular music that originated within the African-American community in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat"
6322-439: The article said that rock and roll combined R&B with pop and country music. Fats Domino was not convinced that there was any new genre. In 1957, he said, "What they call rock 'n' roll now is rhythm and blues. I've been playing it for 15 years in New Orleans". According to Rolling Stone , "this is a valid statement ... all Fifties rockers, black and white, country born and city bred, were fundamentally influenced by R&B,
6431-401: The backbeat (two-side). The " Bo Diddley beat " (1955) is perhaps the first true fusion of 3–2 clave and R&B/rock 'n' roll. Bo Diddley has given different accounts of the riff's origins. Sublette asserts: "In the context of the time, and especially those maracas [heard on the record], 'Bo Diddley' has to be understood as a Latin-tinged record. A rejected cut recorded at the same session
6540-627: The band backed by a string section. The elements of jazz, rock, and instrumental styles on the record made it difficult for reviewers to categorize the band by genre. Since the album failed to generate the radio exposure the group had hoped for, they began to explore how to build a following without relying on airplay. By the spring of 1973, Kool & the Gang was influenced by the growing disco music scene, driving it to create sound Robert Bell described as "a much harder, funkier, tighter" unit than before. He said band members mostly learned of disco culture from others, and didn't frequent discotheques. With
6649-526: The band split up in 1969. Another American GI , Jimmy James , born in Jamaica, moved to London after two local number one hits in 1960 with The Vagabonds, who built a strong reputation as a live act. They released a live album and their studio debut, The New Religion, in 1966 and achieved moderate success with a few singles before the original Vagabonds broke up in 1970. White blues rock musician Alexis Korner formed new jazz rock band CCS in 1970. Interest in
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#17328849199586758-463: The black popular music of the late Forties and early Fifties". In 1956, an R&B "Top Stars of '56" tour took place, with headliners Al Hibbler , Frankie Lymon and the Teenagers, and Carl Perkins , whose " Blue Suede Shoes " was very popular with R&B music buyers. Some of the performers completing the bill were Chuck Berry, Cathy Carr , Shirley & Lee , Della Reese , Sam "T-Bird" Jensen,
6867-533: The blues would influence major British rock musicians, including Eric Clapton , Mick Taylor , Peter Green , and John Mayall , the groups Free and Cream adopted an interest in a wider range of rhythm and blues styles. Claydes Charles Smith Born in Jersey City, New Jersey , he was introduced to jazz guitar by his father in the early 1960s. In the late 1960s, he joined with Ronald Bell (later Khalis Bayyan), Robert "Kool" Bell , George Brown, Dennis Thomas and Robert "Spike" Mickens to become Kool &
6976-468: The change in musical direction came the band's first major commercial success. Their fourth studio album, Wild and Peaceful , went to No. 33 on the album chart. The album was certified "gold" by RIAA for selling 500,000 copies. It also spawned the Top-40 single "Funky Stuff". The album's next two singles, " Jungle Boogie " and " Hollywood Swinging ", fared even better by entering the US top 10. This also marked
7085-495: The commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, and saxophone. Arrangements were rehearsed to the point of effortlessness and were sometimes accompanied by background vocalists. Simple repetitive parts mesh, creating momentum and rhythmic interplay producing mellow, lilting, and often hypnotic textures while calling attention to no individual sound. While singers are emotionally engaged with
7194-417: The common self description by the African American press as “people of race.” The term "rhythm and blues" was then used by Billboard in its chart listings from June 1949 until August 1969, when its "Hot Rhythm & Blues Singles" chart was renamed as "Best Selling Soul Singles". Before the "Rhythm and Blues" name was instated, various record companies had already begun replacing the term "race music" with
7303-481: The direction they had adopted. They then decided to produce their next album, In the Heart (1983), by themselves with Jim Bonnefond as co-producer. The album contained the US top-five single " Joanna ". The song was declared the most-played pop song in 1984 by Broadcast Music International. Bonnefond stayed with the group for Emergency (1984), which remains their highest selling album with over two million copies sold in
7412-751: The early 1950s, more white teenagers started to become aware of R&B and began purchasing the music. For example, 40% of 1952 sales at Dolphin's of Hollywood record shop, located in an African-American area of Los Angeles, were to whites. Eventually, white teens across the country turned their musical taste toward rhythm and blues. Johnny Otis , who had signed with the Newark, New Jersey–based Savoy Records, produced many R&B hits in 1951, including " Double Crossing Blues ", "Mistrustin' Blues" and " Cupid's Boogie ", all of which hit number one that year. Otis scored ten top ten hits that year. Other hits include " Gee Baby ", "Mambo Boogie" and "All Nite Long". The Clovers ,
7521-408: The figure – as a bass pattern on a Cuban disc. In a 1988 interview with Palmer, Bartholomew (who had the first R&B studio band), revealed how he initially superimposed tresillo over swing rhythm: I heard the bass playing that part on a 'rumba' record. On 'Country Boy' I had my bass and drums playing a straight swing rhythm and wrote out that 'rumba' bass part for the saxes to play on top of
7630-561: The foundation for R&B in the 1940s, cutting one swinging rhythm & blues masterpiece after another". Other artists who were "cornerstones of R&B and its transformation into rock & roll" include Etta James, Fats Domino , Roy Brown, Little Richard and Ruth Brown. The "doo wop" groups were also noteworthy, including the Orioles , the Ravens and the Dominoes . The term "rock and roll" had
7739-434: The group entered a four-album association with Brazilian musician, songwriter, and arranger Eumir Deodato as their producer, who helped them move towards mainstream pop and dance-oriented music with greater emphasis on catchy hooks and chorus lines. The group's first choice, Stevie Wonder , was too busy to work with them. Earl Toon Jr. was added to the group. Kool & the Gang's first album with Deodato, Ladies' Night ,
7848-495: The group gained some mainstream attention with their contribution of "Open Sesame" to the soundtrack of Saturday Night Fever (1977). " Summer Madness " was also used in Rocky (1976), but not released on its soundtrack album. By 1979, Kool & the Gang changed musical direction in two distinct ways. After several years of consideration, and at the suggestion of promoter turned SOLAR Records founder Dick Griffey , they brought in
7957-432: The group to pursue a solo career was reported in the press. The group had discussed pursuing solo projects during the previous year, with Thomas suggesting the band had considered splitting into twos or threes. Taylor was replaced by three vocalists: Sennie "Skip" Martin, Odeen Mays, and Gary Brown. In 1989 the group's 18th album Sweat was released. By that time Khalis Bayyan and Robert "Spike" Mickens also had departed
8066-482: The group's breakthrough to a white audience. The latter two songs sold over one million copies and were certified gold by the Recording Industry Association of America ( RIAA ). Their success continued with Light of Worlds (1974), which contained the hit instrumental " Summer Madness ". In October 1974, the group landed a spot on the national television music show Soul Train . In 1975 Kool &
8175-587: The group's original keyboardist, who left in 1976 to form his own band, died in 1985. Guitarist Charles Smith died after a long illness in 2006 and was replaced by the Bells' youngest brother, Amir Bayyan, former leader of the Kay Gees . Original trumpet player Robert "Spike" Mickens, who retired in 1986 due to poor health, died at the age of 59 on November 2, 2010, at a nursing home in Far Rockaway, New York. Trombonist Clifford Alanza Adams Jr. died in January 2015 at
8284-456: The group. The album did not fare well. Unite , the group's nineteenth studio album, was released in 1992. It marked the return of Khalis Bayyan to the group. In 1995, Taylor returned to the group for State of Affairs (1996), hailed as the group's "comeback" album. All of the songs on the album were written by Khalis Bayyan and Taylor. Taylor left the group for the second time in 1999. On their next studio album Gangland (2001), Kool &
8393-766: The late 1980s and early 1990s, hip-hop started to capture the imagination of America's youth. R&B started to become homogenized, with a group of high-profile producers responsible for most R&B hits. It was hard for R&B artists of the era to sell their music or even have their music heard because of the rise of hip-hop, but some adopted a "hip-hop" image, were marketed as such, and often featured rappers on their songs. In 1990, Billboard reintroduced R&B to categorize all of Black popular music other than hip-hop. Newer artists such as Usher , R. Kelly , Janet Jackson , TLC , Aaliyah , Brandy , Destiny's Child , Tevin Campbell and Mary J. Blige enjoyed success. L.A. Reid ,
8502-470: The lead single " Celebration " remains the band's only single to reach No. 1 on the Billboard Hot 100 singles chart. The song originated from the lyric "Come on, let's all celebrate" from "Ladies' Night", which inspired Robert Bell to write "an international anthem." The group developed the song on a tour bus after attending the American Music Awards . The song was used in national media coverage for
8611-424: The lyrics, often intensely so, they remain cool, relaxed, and in control. The bands dressed in suits, and even uniforms, a practice associated with the modern popular music that rhythm and blues performers aspired to dominate. Lyrics often seemed fatalistic, and the music typically followed predictable patterns of chords and structure. R&B lyrical themes often encapsulate the African-American experience of pain and
8720-501: The newly christened Carnival Celebration , notably performing “ Celebration ” as a nod to the newest addition to the Carnival fleet. Kool & the Gang were selected for induction into the Rock and Roll Hall of Fame in April 2024. The group's music has been featured in several movies and video games: Current members Former members Former session/touring musicians Rick West,
8829-400: The nickname "Kool" as a way of adapting to the street gangs in his neighborhood after moving from Ohio. The Bells' father Bobby and uncle Tommy were boxers. They moved to New York to train and lived in the same apartment building as Thelonious Monk , who became Robert's godfather. Miles Davis would drop by because he wanted to be a boxer. Their first gigs took place as the opening act to
8938-665: The old Savannah. It's a killer! Although originating in the metropolis at the mouth of the Mississippi River, New Orleans blues, with its Afro-Caribbean rhythmic traits, is distinct from the sound of the Mississippi Delta blues. In the late 1940s, New Orleans musicians were especially receptive to Cuban influences precisely at the time when R&B was first forming. The first use of tresillo in R&B occurred in New Orleans. Robert Palmer recalls: New Orleans producer-bandleader Dave Bartholomew first employed this figure (as
9047-505: The pattern is only half a clave ). Tresillo is the most basic duple-pulse rhythmic cell in Sub-Saharan African music traditions , and its use in African American music is one of the clearest examples of African rhythmic retention in the United States. The use of tresillo was continuously reinforced by the consecutive waves of Cuban music, which were adopted into North American popular culture. In 1940 Bob Zurke released "Rhumboogie",
9156-420: The popular feel was passed along from "New Orleans—through James Brown's music, to the popular music of the 1970s," adding: "The singular style of rhythm & blues that emerged from New Orleans in the years after World War II played an important role in the development of funk. In a related development, the underlying rhythms of American popular music underwent a basic, yet generally unacknowledged transition from
9265-488: The quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. One publication of the Smithsonian Institution provided this summary of the origins of the genre in 2016. "A distinctly African American music drawing from the deep tributaries of African American expressive culture, it is an amalgam of jump blues, big band swing, gospel, boogie, and blues that
9374-514: The rawer Memphis soul sound for which Stax became known. In Jamaica, R&B influenced the development of ska . In 1969, black culture and rhythm and blues reached another great achievement when the Grammys added the Rhythm and Blues category, giving academic recognition to the category. By the 1970s, the term "rhythm and blues" was being used as a blanket term for soul , funk , and disco . In
9483-495: The record become popular with white teenagers. Freed had been given part of the writing credit by Chess in return for his promotional activities, a common practice at the time. R&B was also a strong influence on rock and roll . A 1985 article in The Wall Street Journal , titled, "Rock! It's Still Rhythm and Blues" reported that the "two terms were used interchangeably" until about 1957. The other sources quoted in
9592-408: The same commercial or critical acclaim as their previous records. Bell later said the albums "bent our style a bit, and we didn't feel at home with it". The Force and Everybody's Dancin ' displayed the group's attempt to adopt disco elements with female vocalists and a string section, but Robert Bell later said the group got "Too fancy and over-creative[...] We got away from the basic Kool &
9701-408: The sound of rock 'n' roll. A rapid succession of rhythm and blues hits followed, beginning with " Tutti Frutti " and " Long Tall Sally ", which would influence performers such as James Brown , Elvis Presley , and Otis Redding . Also in 1951, the song Rocket 88 was recorded by Ike Turner and his Kings of Rhythm at a studio owned by Sam Phillips with the vocal by Jackie Brenston . This song
9810-460: The studio and recorded their debut album, the all-instrumental Kool and the Gang (1969), with Redd as a producer, arranger, conductor, and partial songwriter. It would be their only album with guitarist Woody Sparrow. The album peaked at No. 46 on the Billboard R&;B chart. Around this time, the group began to develop their stage performance after they witnessed a set by Willie (Feaster) and
9919-461: The swing rhythm. Later, especially after rock 'n' roll came along, I made the 'rumba' bass part heavier and heavier. I'd have the string bass, an electric guitar and a baritone all in unison. Bartholomew referred to the Cuban son by the misnomer rumba , a common practice of that time. Fats Domino's " Blue Monday ", produced by Bartholomew, is another example of this now classic use of tresillo in R&B. Bartholomew's 1949 tresillo-based "Oh Cubanas"
10028-544: The term "sepia series". "Rhythm and blues" is often abbreviated as "R&B" or "R'n'B". In the early 1950s, the term "rhythm & blues" was frequently applied to blues records. Writer and producer Robert Palmer defined rhythm & blues as "a catchall term referring to any music that was made by and for black Americans". He has also used the term "R&B" as a synonym for jump blues . However, AllMusic separates it from jump blues because of R&B's stronger gospel influences. Lawrence Cohn , author of Nothing but
10137-471: The tresillo/habanera rhythm (which he called the Spanish tinge ) to be an essential ingredient of jazz. There are examples of tresillo-like rhythms in some African American folk music such as the hand-clapping and foot-stomping patterns in ring shout , post-Civil War drum and fife music, and New Orleans second line music. Wynton Marsalis considers tresillo to be the New Orleans "clave" (although technically,
10246-484: The two-celled timeline structure was brought into the blues. New Orleans musicians such as Bartholomew and Longhair incorporated Cuban instruments, as well as the clave pattern and related two-celled figures in songs such as "Carnival Day", (Bartholomew 1949) and "Mardi Gras In New Orleans" (Longhair 1949). While some of these early experiments were awkward fusions, the Afro-Cuban elements were eventually integrated fully into
10355-427: Was a "very specific absence of asymmetric time-line patterns ( key patterns ) in virtually all early-twentieth-century African American music ... only in some New Orleans genres does a hint of simple time line patterns occasionally appear in the form of transient so-called 'stomp' patterns or stop-time chorus. These do not function in the same way as African timelines." In the late 1940s, this changed somewhat when
10464-624: Was a very nasty dance". Also in 1949, a new version of a 1920s blues song, " Ain't Nobody's Business " was a number four hit for Jimmy Witherspoon , and Louis Jordan and the Tympany Five once again made the top five with " Saturday Night Fish Fry ". Many of these hit records were issued on new independent record labels, such as Savoy (founded 1942), King (founded 1943), Imperial (founded 1945), Specialty (founded 1946), Chess (founded 1947), and Atlantic (founded 1948). African American music began incorporating Afro-Cuban rhythmic motifs in
10573-463: Was also increasing emphasis on the electric guitar as a lead instrument, as well as the piano and saxophone . R&B originated in African-American communities in the 1940s. In 1948, RCA Victor was marketing black music under the name "Blues and Rhythm". In that year, Louis Jordan dominated the top five listings of the R&;B charts with three songs, and two of the top five songs were based on
10682-400: Was at the top of the R&B charts in 1959 and 1960 with one number one and two number two hits. Benton had a certain warmth in his voice that attracted a wide variety of listeners, and his ballads led to comparisons with performers such as Nat King Cole , Frank Sinatra and Tony Bennett . Lloyd Price , who in 1952 had a number one hit with " Lawdy Miss Clawdy ", regained predominance with
10791-529: Was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations. The term "rhythm and blues" has undergone
10900-453: Was being called soul music , and similar music by white artists was labeled blue-eyed soul . Motown Records had its first million-selling single in 1960 with the Miracles ' " Shop Around ", and in 1961, Stax Records had its first hit with Carla Thomas 's " Gee Whiz (Look at His Eyes) ". Stax's next major hit, The Mar-Keys ' instrumental " Last Night " (also released in 1961), introduced
11009-422: Was definitely such a thing as rhumba blues ; you can hear Muddy Waters and Howlin' Wolf playing it." He also cites Otis Rush , Ike Turner and Ray Charles , as R&B artists who employed this feel. The use of clave in R&B coincided with the growing dominance of the backbeat , and the rising popularity of Cuban music in the U.S. In a sense, clave can be distilled down to tresillo (three-side) answered by
11118-532: Was dominated by young Jewish men who promoted the sounds of black music. British rhythm and blues and blues rock developed in the early 1960s, largely as a response to the recordings of American artists, often brought over by African American servicemen stationed in Britain or seamen visiting ports such as London, Liverpool, Newcastle and Belfast. Many bands, particularly in the developing London club scene, tried to emulate black rhythm and blues performers, resulting in
11227-419: Was initially developed during a thirty-year period that bridges the era of legally sanctioned racial segregation, international conflicts, and the struggle for civil rights". The Rock & Roll Hall of Fame defines some of the originators of R&B, including Joe Turner 's big band, Louis Jordan's Tympany Five, James Brown and LaVern Baker. In fact, this source states that "Louis Jordan joined Turner in laying
11336-472: Was once told that "a lot of those stations still think you're a black group because the sound feels funky and black." Hi Records did not feature pictures of the Combo on early records. Sam Cooke 's number five hit " Chain Gang " is indicative of R&B in 1960, as is pop rocker Chubby Checker 's number five hit " The Twist ". By the early 1960s, the music industry category previously known as rhythm and blues
11445-580: Was referred to as jump blues . Then, Paul Gayten , Roy Brown, and others had had hits in the style now referred to as rhythm and blues. In 1948, Wynonie Harris's remake of Brown's 1947 recording " Good Rockin' Tonight " reached number two on the charts, following band leader Sonny Thompson 's "Long Gone" at number one. In 1949, the term "Rhythm and Blues" (R&B) replaced the Billboard category Harlem Hit Parade . Also in that year, " The Huckle-Buck ", recorded by band leader and saxophonist Paul Williams ,
11554-488: Was released in September 1979 and became their most successful album since their formation. This was helped by the hit singles " Too Hot " and " Ladies' Night ", which went to No. 5 and No. 8 on the Billboard Hot 100 chart, respectively. In January 1980, Ladies' Night was certified platinum by the RIAA for selling one million copies in the US. Later that year, Celebrate! became a bigger commercial success than Ladies' Night ;
11663-523: Was the number one R&B tune, remaining on top of the charts for nearly the entire year. Written by musician and arranger Andy Gibson , the song was described as a "dirty boogie" because it was risque and raunchy. Paul Williams and His Hucklebuckers' concerts were sweaty riotous affairs that got shut down on more than one occasion. Their lyrics, by Roy Alfred (who later co-wrote the 1955 hit " (The) Rock and Roll Waltz "), were mildly sexually suggestive, and one teenager from Philadelphia said "That Hucklebuck
11772-459: Was titled only 'Rhumba' on the track sheets." Johnny Otis 's "Willie and the Hand Jive" (1958) is another example of this successful blend of 3–2 claves and R&B. Otis used the Cuban instruments claves and maracas on the song. Afro-Cuban music was the conduit by which African American music was "re-Africanized", through the adoption of two-celled figures like clave and Afro-Cuban instruments like
11881-411: Was used as a blanket term for soul and funk . In the late 1980s, a newer style of R&B developed, becoming known as " contemporary R&B ". This contemporary form combines rhythm and blues with various elements of pop , soul, funk, disco , hip hop , and electronic music . Although Jerry Wexler of Billboard magazine is credited with coining the term "rhythm and blues" as a musical term in
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