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117-578: The shrine's Heian period connections with the Kyoto and the Imperial family date from its founding in 859 ( Jōgan 1 ) when construction on its earliest structures commenced. Shrine tradition explains that Emperor Seiwa ordered the shrine to be built in obeisance to an oracle in which the god Hachiman expressed the desire to be near to Kyoto to watch over the city and the Imperial House of Japan . This vision

234-489: A brush rather than a pen , and their familiarity with brush techniques has made them particularly sensitive to the values and aesthetics of painting. With the rise of popular culture in the Edo period , ukiyo-e , a style of woodblock prints, became a major form and its techniques were fine-tuned to create mass-produced, colorful pictures; in spite of painting's traditional pride of place, these prints proved to be instrumental in

351-629: A de facto return to conditions before the Taika Reform . Within decades of Daigo's death, the Fujiwara had absolute control over the court. By the year 1000, Fujiwara no Michinaga was able to enthrone and dethrone emperors at will. Little authority was left for traditional institutions, and government affairs were handled through the Fujiwara clan's private administration. The Fujiwara had become what historian George B. Sansom has called "hereditary dictators". Despite their usurpation of imperial authority,

468-478: A syllabary system for transcribing sounds and ideas (see kana ), and most were incapable of reading texts that employed Chinese ideographs ( kanji ). Thus, the Kegon Engi Emaki combines passages of text, written with a maximum of easily readable syllables, and illustrations that have the dialogue between characters written next to the speakers, a technique comparable to contemporary comic strips. The plot of

585-587: A Korean peninsula, Buddhist icons were brought to Japan by Various immigrant groups. Particularly, the semi-seated Maitreya form was adapted into a highly developed Ancient Greek art style which was transmitted to Japan as evidenced by the Kōryū-ji Miroku Bosatsu and the Chūgū-ji Siddhartha statues. Many historians portray Korea as a mere transmitter of Buddhism. The Three Kingdoms, and particularly Baekje, were instrumental as active agents in

702-620: A certain courtier tried to ask her advice about how to write a poem to the Empress Sadako , she had to politely rebuke him because his writing was so poor. The lyrics of the modern Japanese national anthem, Kimigayo , were written in the Heian period, as was The Tale of Genji by Murasaki Shikibu , which was extremely important to the Heian court, and one of the first novels ever written. Murasaki Shikibu's contemporary and rival Sei Shōnagon's revealing observations and musings as an attendant in

819-409: A form of Vajrayana Buddhism, which he introduced into Japan in 806. At the core of Shingon worship is mandalas , diagrams of the spiritual universe, which then began to influence temple design. Japanese Buddhist architecture also adopted the stupa , originally an Indian architectural form , in its Chinese-style pagoda. The temples erected for this new sect were built in the mountains, far away from

936-570: A greater "organizational dynamism". The iconography of the Heian period is widely known in Japan, and depicted in various media, from traditional festivals to anime . Various festivals feature Heian dress – most notably Hinamatsuri (doll festival), where the dolls wear Heian dress, but also numerous other festivals, such as Aoi Matsuri in Kyoto (May) and Saiō Matsuri in Meiwa, Mie (June), both of which feature

1053-406: A lack of a sense of Japan as a single nation. Under the early courts, when military conscription had been centrally controlled, military affairs had been taken out of the hands of the provincial aristocracy. But as the system broke down after 792, local power holders again became the primary source of military strength. The re-establishment of an efficient military system was made gradually through

1170-417: A main rectangular structure flanked by two L-shaped wing corridors and a tail corridor, set at the edge of a large artificial pond. Inside, a single golden image of Amida ( c.  1053 ) is installed on a high platform. The Amida sculpture was executed by Jōchō , who used a new canon of proportions and a new technique ( yosegi ), in which multiple pieces of wood are carved out like shells and joined from

1287-419: A major industry at various points. Japanese lacquerware is also one of the world's leading arts and crafts, and works gorgeously decorated with maki-e were exported to Europe and China, remaining important exports until the 19th century. In architecture , Japanese preferences for natural materials and an interaction of interior and exterior space are clearly expressed. The first settlers of Japan were

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1404-456: A minimum of detail. Catching a Catfish with a Gourd (early 15th century, Taizō-in , Myōshin-ji , Kyoto), by the priest-painter Josetsu (active c.  1400 ), marks a turning point in Muromachi painting. Executed originally for a low-standing screen, it has been remounted as a hanging scroll with inscriptions by contemporary figures above, one of which refers to the painting as being in

1521-508: A modification of Yayoi culture, attributable either to internal development or external force. This period is most notable for its tomb culture and other artifacts such as bronze mirrors and clay sculptures called haniwa which were erected outside these tombs. Throughout the Kofun period, the characteristics of these tombs evolved from smaller tombs erected on hilltops and ridges to much larger tombs built on flat land. The largest tomb in Japan,

1638-664: A new, more realistic style of sculpture. The two Niō guardian images (1203) in the Great South Gate of the Tōdai-ji in Nara illustrate .Unkei's dynamic supra-realistic style. The images, about 8 m (about 26 ft) tall, were carved of multiple blocks in a period of about three months, a feat indicative of a developed studio system of artisans working under the direction of a master sculptor. Unkei's polychromed wood sculptures (1208, Kōfuku-ji , Nara) of two Indian sages, Muchaku and Seshin ,

1755-683: A process of trial-and-error. At that time the imperial court did not possess an army but rather relied on an organization of professional warriors composed mainly of oryoshi, which were appointed to an individual province and tsuibushi, which were appointed over imperial circuits or for specific tasks. This gave rise to the Japanese military class. Nonetheless, final authority rested with the imperial court. Shōen holders had access to manpower and, as they obtained improved military technology (such as new training methods, more powerful bows, armor, horses, and superior swords) and faced worsening local conditions in

1872-409: A scroll that deals with an intrigue at court, emphasizes figures in active motion depicted in rapidly executed brush strokes and thin but vibrant colors. E-maki also serve as some of the earliest and greatest examples of the otoko-e ("men's pictures") and onna-e ("women's pictures") styles of painting. There are many fine differences in the two styles, appealing to the aesthetic preferences of

1989-438: A second time into Japan and took root. Painting: Because of secular ventures and trading missions to China organized by Zen temples, many Chinese paintings and objects of art were imported into Japan and profoundly influenced Japanese artists working for Zen temples and the shogunate. Not only did these imports change the subject matter of painting, but they also modified the use of color; the bright colors of Yamato-e yielded to

2106-408: A solid medium of economic exchange is implicitly illustrated in novels of the time. For instance, messengers were rewarded with useful objects such as an old silk kimono , rather than being paid a monetary fee. The Fujiwara rulers failed to maintain adequate police forces, which left robbers free to prey on travelers. This is implicitly illustrated in novels by the terror that night travel inspired in

2223-455: A succession struggle among his sons, two new offices were established in an effort to adjust the Taika – Taihō administrative structure. Through the new Emperor's Private Office, the emperor could issue administrative edicts more directly and with more self-assurance than before. The new Metropolitan Police Board replaced the largely ceremonial imperial guard units. While these two offices strengthened

2340-568: Is a famous example of this style. In 1180, a war broke out between the two most powerful warrior clans: the Taira and the Minamoto ; five years later the Minamoto emerged victorious and established a de facto seat of government at the seaside village of Kamakura , where it remained until 1333. With the shift of power from the nobility to the warrior class, the arts had to satisfy a new audience: men devoted to

2457-468: Is based on Vajrayana Buddhism. It was brought to Japan by the monk Kūkai . Shingon Buddhism emphasizes the use of symbols, rituals, incantations and mandalas, which gave it a wide appeal. Kūkai greatly impressed the emperors who succeeded Emperor Kammu, and also generations of Japanese, not only with his holiness but also with his poetry, calligraphy, painting, and sculpture. Both Kūkai and Saichō aimed to connect state and religion and establish support from

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2574-492: Is one of Sesshu's most accomplished works, depicting a continuing landscape through the four seasons. In the Azuchi–Momoyama period (1573–1603), a succession of military leaders, such as Oda Nobunaga , Toyotomi Hideyoshi , and Tokugawa Ieyasu , attempted to bring peace and political stability to Japan after an era of almost 100 years of warfare. Oda, a minor chieftain, acquired power sufficient to take de facto control of

2691-577: Is the Japanese version of the Tiantai school from China, which is based on the Lotus Sutra , one of the most important sutras in Mahayana Buddhism. It was brought to Japan by the monk Saichō . An important element of Tendai doctrine was the suggestion that enlightenment was accessible to "every creature". Saichō also sought independent ordination for Tendai monks. A close relationship developed between

2808-670: The Ritsuryō Code , this system attempted to recreate the Tang legal system in Japan, despite the "tremendous differences in the levels of development between the two countries". Despite the decline of the Taika – Taihō reforms, the imperial government was vigorous during the early Heian period. Kammu's avoidance of drastic reform decreased the intensity of political struggles, and he became recognized as one of Japan's most forceful emperors. Although Kammu had abandoned universal conscription in 792, he still waged major military offensives to subjugate

2925-487: The Ryōmin (良民 "Good People") numbered about 5,000 in a land of perhaps five million. One reason the samurai were able to take power was that the ruling nobility proved incompetent at managing Japan and its provinces. By the year 1000, the government no longer knew how to issue currency and money was gradually disappearing. Instead of a fully realized system of money circulation, rice was the primary unit of exchange. The lack of

3042-509: The Emishi , possible descendants of the displaced Jōmon , living in northern and eastern Japan. After making temporary gains in 794, in 797, Kammu appointed a new commander, Sakanoue no Tamuramaro , under the title Seii Taishōgun ("Barbarian-subduing generalissimo"). By 801, the shōgun had defeated the Emishi and had extended the imperial domains to the eastern end of Honshū . Imperial control over

3159-691: The Fujiwara period , Pure Land Buddhism , which offered easy salvation through belief in Amida (the Buddha of the Western Paradise), became popular. This period is named after the Fujiwara family , then the most powerful in the country, who ruled as regents for the Emperor, becoming, in effect, civil dictators. Concurrently, the Kyoto nobility developed a society devoted to elegant aesthetic pursuits. So secure and beautiful

3276-643: The Fukukenjaku Kannon (不空羂索観音立像, the most popular bodhisattva), crafted of dry lacquer (cloth dipped in lacquer and shaped over a wooden armature); the Kaidanin (戒壇院, Ordination Hall) with its magnificent clay statues of the Four Guardian Kings ; and the storehouse, called the Shōsōin . This last structure is of great importance as an art-historical cache, because in it are stored the utensils that were used in

3393-414: The Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan , a powerful aristocratic family who had intermarried with the imperial family . Many emperors had mothers from the Fujiwara family. The economy mostly existed through barter and trade, while the shōen system enabled the accumulation of wealth by an aristocratic elite. Even though the Heian period

3510-539: The In-no-chō and of the rise of the military class throughout the country. Military might rather than civil authority dominated the government. A struggle for succession in the mid-twelfth century gave the Fujiwara an opportunity to regain their former power. Fujiwara no Yorinaga sided with the retired emperor in a violent battle in 1156 against the heir apparent, who was supported by the Taira and Minamoto ( Hōgen Rebellion ). In

3627-559: The Jōmon people ( c.  10,500  – c.  300 BCE ), named for the cord markings that decorated the surfaces of their clay vessels, were nomadic hunter-gatherers who later practiced organized farming and built cities with populations of hundreds if not thousands. They built simple houses of wood and thatch set into shallow earthen pits to provide warmth from the soil. They crafted lavishly decorated pottery storage vessels , clay figurines called dogū , and crystal jewels. During

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3744-843: The Nara period , beginning when the 50th emperor, Emperor Kammu , moved the capital of Japan to Heian-kyō (modern Kyoto ). Heian ( 平安 ) means ' peace ' in Japanese. It is a period in Japanese history when the Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese imperial court , noted for its art , especially poetry and literature . Two syllabaries unique to Japan, katakana and hiragana , emerged during this time. This gave rise to Japan's famous vernacular literature, with many of its texts written by court women who were not as educated in Chinese as their male counterparts. Although

3861-471: The Soga clan had taken control of the throne in the sixth century, the Fujiwara by the ninth century had intermarried with the imperial family , and one of their members was the first head of the Emperor's Private Office. Another Fujiwara became regent, Sesshō for his grandson, then a minor emperor and yet another was appointed Kampaku . Toward the end of the 9th century, several emperors tried but failed, to check

3978-459: The Tokugawa shogunate , organized religion played a much less important role in people's lives, and the arts that survived were primarily secular. The Meiji Period (1868–1912) saw an abrupt influx of Western styles, which have continued to be important. Painting is the preferred artistic expression in Japan, practiced by amateurs and professionals alike. Until modern times, the Japanese wrote with

4095-587: The e-maki , the lives of the two Korean priests who founded the Kegon sect, is swiftly paced and filled with fantastic feats such as a journey to the palace of the Ocean King, and a poignant mom story. A work in a more conservative vein is the illustrated version of Murasaki Shikibu's diary . E-maki versions of her novel continued to be produced, but the nobility, attuned to the new interest in realism yet nostalgic for past days of wealth and power, revived and illustrated

4212-507: The jūnihitoe 12-layer dress. Traditional horseback archery ( yabusame ) festivals, which date from the beginning of the Kamakura period (immediately following the Heian period) feature similar dress. < Nara period | History of Japan | Kamakura period > Japanese art Art of Central Asia Art of East Asia Art of South Asia Art of Southeast Asia Art of Europe Art of Africa Art of

4329-461: The monochromes of painting in the Chinese manner, where paintings generally only have black and white or different tones of a single color. Typical of early Muromachi painting is the depiction by the priest-painter Kao (active early 15th century) of the legendary monk Kensu (Hsien-tzu in Chinese) at the moment he achieved enlightenment. This type of painting was executed with quick brush strokes and

4446-412: The "new style". In the foreground a man is depicted on the bank of a stream holding a small gourd and looking at a large slithery catfish. Mist fills the middle ground, and the background mountains appear to be far in the distance. It is generally assumed that the "new style" of the painting, executed about 1413, refers to a more Chinese sense of deep space within the picture plane. The foremost artists of

4563-436: The 10th millennium BCE, to the present day. Japan has alternated between periods of exposure to new ideas, and long periods of minimal contact with the outside world. Over time the country absorbed, imitated, and finally assimilated elements of foreign culture that complemented already-existing aesthetic preferences. The earliest complex art in Japan was produced in the 7th and 8th centuries in connection with Buddhism . In

4680-411: The 6-year old Emperor. He perished, but his mother survived. Takakura's other son succeeded as Emperor Go-Toba . With Yoritomo firmly established, the bakufu system that governed Japan for the next seven centuries was in place. He appointed military governors, or shugo , to rule over the provinces, and stewards, or jito to supervise public and private estates. Yoritomo then turned his attention to

4797-459: The 7th and 8th centuries, however, the major focus in contacts between Japan and the Asian continent was the development of Buddhism. Not all scholars agree on the significant dates and the appropriate names to apply to various time periods between 552, the official date of the introduction of Buddhism into Japan, and 784, when the Japanese capital was transferred from Nara. The most common designations are

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4914-455: The 9th century, as the Japanese began to turn away from China and develop indigenous forms of expression, the secular arts became increasingly important; until the late 15th century, both religious and secular arts flourished. After the Ōnin War (1467–1477), Japan entered a period of political, social, and economic turmoil that lasted for over a century. In the state that emerged under the leadership of

5031-469: The Americas Art of Oceania Japanese art consists of a wide range of art styles and media that includes ancient pottery , sculpture , ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints , ceramics , origami , bonsai , and more recently manga and anime . It has a long history, ranging from the beginnings of human habitation in Japan, sometime in

5148-570: The Buddhist institutions there. Kyoto had good river access to the sea and could be reached by land routes from the eastern provinces. The early Heian period (784–967) continued Nara culture; the Heian capital was patterned on the Chinese Tang capital at Chang'an , as was Nara, but on a larger scale than Nara. Kammu endeavored to improve the Tang-style administrative system which was in use. Known as

5265-480: The Court and the laity in the capital. The irregular topography of these sites forced Japanese architects to rethink the problems of temple construction, and in so doing to choose more indigenous elements of design. Cypress-bark roofs replaced those of ceramic tile, wood planks were used instead of earthen floors, and a separate worship area for the laity was added in front of the main sanctuary. The temple that best reflects

5382-735: The Early Jōmon Period in many ways. These people were less nomadic and began to settle in villages. They created useful tools that to process the food they gathered and hunted, which made life easier. Through the numerous aesthetically pleasing ceramics found during this period, it is evident that they had a stable economy and more leisure time. In addition, the people of the Middle Jōmon period differed from their ancestors in their development of vessels for specific functions, for example, pots for storage. The decorations on these vessels were more realistic than those on early Jōmon ceramics. During

5499-503: The Early Jōmon period (5000–2500 BCE), villages started to be discovered and ordinary everyday objects were found such as ceramic pots for boiling water. The pots found during this time had flat bottoms and elaborate designs made out of materials such as bamboo. It is believed that some early Jōmon figurines may have been used as fertility objects based on their breasts and broad hips. The Middle Jōmon period (2500–1500 BCE), differed from

5616-504: The Empress' court were recorded collectively as The Pillow Book in the 990s, which revealed the quotidian capital lifestyle. The Heian period produced a flowering of poetry including works of Ariwara no Narihira , Ono no Komachi , Izumi Shikibu , Murasaki Shikibu, Saigyō and Fujiwara no Teika . The famous Japanese poem known as the Iroha (いろは), of uncertain authorship, was also written during

5733-416: The Fujiwara after centuries of imitating Chinese forms. Vividly colored yamato-e , Japanese style paintings of court life and stories about temples and shrines became common in the mid-to-late Heian period, setting patterns for Japanese art to this day. As culture flourished, so did decentralization. Whereas the first phase of shōen development in the early Heian period had seen the opening of new lands and

5850-407: The Fujiwara presided over a period of cultural and artistic flowering at the imperial court and among the aristocracy. There was great interest in graceful poetry and vernacular literature . Two types of phonetic Japanese script: katakana , a simplified script that was developed by using parts of Chinese characters, was abbreviated to hiragana , a cursive syllabary with a distinct writing method that

5967-596: The Fujiwara, felt threatened with the loss of their lands. Go-Sanjo also established the In-no-chō  [ ja ] ( 院庁 "Office of the Cloistered Emperor"), which was held by a succession of emperors who abdicated to devote themselves to behind-the-scenes governance, or insei . The In-no-chō filled the void left by the decline of Fujiwara power. Rather than being banished, the Fujiwara were mostly retained in their old positions of civil dictator and minister of

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6084-425: The Fujiwara. For a time, however, during the reign of Emperor Daigo (897–930), the Fujiwara regency was suspended as he ruled directly. Nevertheless, the Fujiwara were not demoted by Daigo but actually became stronger during his reign. Central control of Japan had continued to decline, and the Fujiwara, along with other great families and religious foundations, acquired ever larger shōen and greater wealth during

6201-587: The Heian Period is considered a high point in Japanese culture that later generations have always admired. The period is also noted for the rise of the samurai class, which would eventually take power and start the feudal period of Japan. Nominally, sovereignty lay in the emperor but in fact, power was wielded by the Fujiwara nobility. However, to protect their interests in the provinces, the Fujiwara, and other noble families required guards, police and soldiers. The warrior class made steady political gains throughout

6318-433: The Heian period. During the Heian period, beauty was widely considered an important part of what made one a "good" person. In cosmetic terms, aristocratic men and women powdered their faces and blackened their teeth, the latter termed ohaguro . The male courtly ideal included a faint mustache and thin goatee , while women's mouths were painted small and red, and their eyebrows were plucked or shaved and redrawn higher on

6435-402: The Heian period. As early as 939 AD, Taira no Masakado threatened the authority of the central government, leading an uprising in the eastern province of Hitachi , and almost simultaneously, Fujiwara no Sumitomo rebelled in the west. Still, a true military takeover of the Japanese government was centuries away, when much of the strength of the government would lie within the private armies of

6552-506: The Japanese Misplaced Pages entries irome and kasane-no-irome ). While the Heian period was an unusually long period of peace, it can also be argued that the period weakened Japan economically and led to poverty for all but a tiny few of its inhabitants. The control of rice fields provided a key source of income for families such as the Fujiwara and was a fundamental base of their power. The aristocratic beneficiaries of Heian culture,

6669-670: The Late and Final Jōmon period (1500–300 BCE), the weather grew colder, prompting settlers to move away from the mountains. The main food source was fish, which led them to develop fishing tools and techniques. In addition, the increase in the number of vessels suggests that each household had its own stock. Some vessels found during the Late and Final Jōmon Period were damaged which might indicate that they were used for rituals. In addition, figurines were found with distinctive fleshy bodies and goggle-like eyes. Dogū figurines Dogū ("earthen figure") are small humanoid and animal figurines dated to

6786-472: The Muromachi period are the priest-painters Shūbun and Sesshū . Shūbun, a monk at the Kyoto temple of Shōkoku-ji , created in the painting Reading in a Bamboo Grove (1446) a realistic landscape with deep recession into space. Sesshū, unlike most artists of the period, was able to journey to China and study Chinese painting at its source. Landscape of the Four Seasons ( Sansui Chokan ; c.  1486 )

6903-652: The Suiko period, 552–645; the Hakuhō period , 645–710, and the Tenpyō period, 710–784. The earliest Japanese sculptures of the Buddha are dated to the 6th and 7th century. They ultimately derive from the 1st- to 3rd-century AD Greco-Buddhist art of Gandhara , characterized by flowing dress patterns and realistic rendering, on which Chinese artistic traits were superimposed. After the Chinese Northern Wei buddhist art had infiltrated

7020-499: The Tendai monastery complex on Mount Hiei and the imperial court in its new capital at the foot of the mountain. As a result, Tendai emphasized great reverence for the emperor and the nation. Emperor Kammu himself was a notable patron of the otherworldly Tendai sect, which rose to great power over the ensuing centuries. Shingon is the Japanese version of the Zhenyen school from China, which

7137-556: The Tōdaiji represented the center for Imperially sponsored Buddhism and its dissemination throughout Japan. Only a few fragments of the original statue survive, and the present hall and central Buddha are reconstructions from the Edo period . Clustered around the Daibutsuden on a gently sloping hillside are a number of secondary halls: the Hokke-dō (Lotus Sutra Hall), with its principal image,

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7254-503: The Western world's 19th-century dialogue with Japanese art . The Japanese, in this period, found sculpture a much less sympathetic medium for artistic expression: most large Japanese sculpture is associated with religion , and the medium's use declined with the lessening importance of traditional Buddhism. Japanese pottery is among the finest in the world and includes the earliest known Japanese artifacts; Japanese export porcelain has been

7371-466: The aristocracy, leading to the notion of "aristocratic Buddhism". Although written Chinese ( kanbun ) remained the official language of the Heian period imperial court, the introduction and widespread use of kana saw a boom in Japanese literature . Despite the establishment of several new literary genres such as the novel and narrative monogatari (物語) and essays, literacy was only common among

7488-403: The center while being bypassed in decision making. In time, many of the Fujiwara were replaced, mostly by members of the rising Minamoto clan . While the Fujiwara fell into disputes among themselves and formed northern and southern factions, the insei system allowed the paternal line of the imperial family to gain influence over the throne. The period from 1086 to 1156 was the age of supremacy of

7605-457: The city, prompting the emperor to relocate the capital a second time, to Heian. A rebellion occurred in China toward the end of the 9th century, making the political situation unstable. The Japanese missions to Tang China were suspended and the influx of Chinese exports halted, a fact which facilitated the independent growth of Japanese culture called kokufu bunka  [ ja ] . Therefore,

7722-455: The corner posts and their branches extending to left and right, unifying the adjoining panels. Eitoku's screen, Chinese Lions , also in Kyoto, reveals the bold, brightly colored style of painting preferred by the samurai. Hasegawa Tōhaku , a contemporary of Eitoku, developed a somewhat different and more decorative style for large-scale screen paintings. In his Maple Screen (楓図), now in the temple of Chishaku-in ( ja:智積院 ), Kyoto, he placed

7839-424: The court and Buddhist clergy. Poetry, in particular, was a staple of court life. Nobles and ladies-in-waiting were expected to be well versed in the art of writing poetry as a mark of their status. Every occasion could call for the writing of a verse, from the birth of a child to the coronation of an emperor, or even a pretty scene of nature. A well-written poem could easily make or break one's reputation, and often

7956-428: The court aristocracy who had become prominent provincial figures. These military families gained prestige from connections to the imperial court and court-granted military titles and access to manpower. The Fujiwara family, Taira clan, and Minamoto clan were among the most prominent families supported by the new military class. A decline in food production, the growth of the population, and competition for resources among

8073-498: The creation of monumental landscapes on the sliding doors enclosing a room. The decoration of the main room facing the garden of the Jukō-in , a subtemple of Daitoku-ji (a Zen temple in Kyoto), is perhaps the best extant example of Eitoku's work. A massive ume tree and twin pines are depicted on pairs of sliding screens in diagonally opposite corners, their trunks repeating the verticals of

8190-575: The diary in order to recapture the splendor of the author's times. One of the most beautiful passages illustrates the episode in which Murasaki Shikibu is playfully held prisoner in her room by two young courtiers, while, just outside, moonlight gleams on the mossy banks of a rivulet in the imperial garden. During the Muromachi period (1338–1573), also called the Ashikaga period, a profound change took place in Japanese culture. The Ashikaga clan took control of

8307-401: The early Heian period . In 965, Emperor Murakami ordered that Imperial messengers were sent to report important events to the guardian kami of Japan. These heihaku were initially presented to 16 shrines including the Ōharano Shrine. The shrine's importance and influence grew in succeeding centuries; and its extensive landholdings led to modest conflicts with Minamoto no Yoritomo during

8424-449: The early tenth century. By the early Heian period, the shōen had obtained legal status, and the large religious establishments sought clear titles in perpetuity, waiver of taxes, and immunity from government inspection of the shōen they held. Those people who worked the land found it advantageous to transfer title to shōen holders in return for a share of the harvest. People and lands were increasingly beyond central control and taxation,

8541-465: The elimination of the powerful Fujiwara family, which sheltered his rebellious brother Yoshitsune. Three years later, he was appointed shōgun in Kyoto. One year before his death in 1199, Yoritomo expelled the teenaged emperor Go-Toba from the throne. Two of Go-Toba's sons succeeded him, but they would also be removed by Yoritomo's successors to the shogunate. The Heian period saw the rise of two esoteric Buddhist sects, Tendai and Shingon . Tendai

8658-433: The emperor's position temporarily, soon they and other Chinese-style structures were bypassed in the developing state. In 838 the end of the imperial-sanctioned missions to Tang China, which had begun in 630, marked the effective end of Chinese influence. Tang China was in a state of decline, and Chinese Buddhists were severely persecuted, undermining Japanese respect for Chinese institutions. Japan began to turn inward. As

8775-409: The emperors and established the shogunate in Kamakura. When Emperor Kammu moved the capital to Heian-kyō ( Kyoto ), which remained the imperial capital for the next 1,000 years, he did so not only to strengthen imperial authority but also to improve his seat of government geopolitically. Nara was abandoned after only 70 years in part due to the ascendancy of Dōkyō and the encroaching secular power of

8892-457: The end of the Jōmon period . They were produced all over Japan, except Okinawa . According to some scholars, the dogū were effigies of people and might have been used in sympathetic magic . Dogū are small clay figures, typically 10 to 30 centimetres (4 to 12 inches) high. Most are female, with large eyes, small waists and wide hips. Many have large bellies, suggesting that they were mother goddesses . The next wave of immigrants

9009-442: The end, the Fujiwara were destroyed, the old system of government supplanted, and the insei system left powerless as bushi took control of court affairs, marking a turning point in Japanese history. In 1159, the Taira and Minamoto clashed ( Heiji Rebellion ), and a twenty-year period of Taira ascendancy began. Taira no Kiyomori emerged as the real power in Japan following the Fujiwara's destruction, and he would remain in command for

9126-417: The forehead ( hikimayu ). Women cultivated shiny, black flowing hair and a courtly woman's formal dress included a complex "twelve-layered robe" called jūnihitoe , though the actual number of layers varied. Costumes were determined by office and season, with a woman's robes, in particular, following a system of color combinations representing flowers, plants, and animals specific to a season or month, (see

9243-598: The founding of the Kegon sect, is an excellent example of the popularizing trend in Kamakura painting. The Kegon sect, one of the most important in the Nara period, fell on hard times during the ascendancy of the Pure Land sects. After the Genpei War (1180–1185), Priest Myōe of Kōzan-ji sought to revive the sect and also to provide a refuge for women widowed by the war. The wives of samurai had been discouraged from learning more than

9360-592: The genders. But perhaps most easily noticeable are the differences in subject matter. Onna-e , epitomized by the Tale of Genji handscroll, typically deals with court life, particularly the court ladies, and with romantic themes. Otoko-e often recorded historical events, particularly battles. The Siege of the Sanjō Palace (1160), depicted in the "Night Attack on the Sanjō Palace" section of the Heiji Monogatari handscroll

9477-530: The government in 1568 and, five years later, to oust the last Ashikaga shōgun. Hideyoshi took command after Oda's death, but his plans to establish hereditary rule were foiled by Ieyasu, who established the Tokugawa shogunate in 1603. Painting: The most important school of painting in the Momoyama period was that of the Kanō school , and the greatest innovation of the period was the formula, developed by Kanō Eitoku , for

9594-508: The granting of the use of lands to aristocrats and religious institutions, the second phase saw the growth of patrimonial "house governments", as in the old clan system. In fact, the form of the old clan system had remained largely intact within the great old centralized government. New institutions were now needed in the face of social, economic, and political changes. The Taihō Code lapsed, its institutions relegated to ceremonial functions. Family administrations now became public institutions. As

9711-407: The great families all led to the gradual decline of Fujiwara power and gave rise to military disturbances in the mid-tenth and eleventh centuries. Members of the Fujiwara, Taira, and Minamoto families—all of whom had descended from the imperial family—attacked one another, claimed control over vast tracts of conquered land, set up rival regimes, and generally upset the peace. The Fujiwara controlled

9828-487: The initial impetus for contacts between China and Japan. The Japanese recognized the facets of Chinese culture that could profitably be incorporated into their own: a system for converting ideas and sounds into writing; historiography ; complex theories of government, such as an effective bureaucracy ; and, most important for the arts, new technologies, new building techniques, more advanced methods of casting in bronze , and new techniques and media for painting. Throughout

9945-683: The inside. Applied to the walls of the hall are small relief carvings of celestials, the host believed to have accompanied Amida when he descended from the Western Paradise to gather the souls of believers at the moment of death and transport them in lotus blossoms to Paradise. Raigō paintings on the wooden doors of the Hō-ō-dō, depicting the Descent of the Amida Buddha, are an early example of Yamato-e , Japanese-style painting, and contain representations of

10062-607: The introduction and formation of a Buddhist tradition in Japan in 538 or 552. They illustrate the terminal point of the Silk Road transmission of art during the first few centuries of our era. Other examples can be found in the development of the iconography of the Japanese Fūjin Wind God, the Niō guardians, and the near- Classical floral patterns in temple decorations. The earliest Buddhist structures still extant in Japan, and

10179-559: The legendary founders of the Hossō sect , are among the most accomplished realistic works of the period; as rendered by Unkei, they are remarkably individualized and believable images. One of the most famous works of this period is an Amitabha Triad (completed in 1195), in Jōdo-ji in Ono , created by Kaikei , Unkei's successor. Calligraphy and painting: The Kegon Engi Emaki , the illustrated history of

10296-461: The main characters. The shōen system enabled the accumulation of wealth by an aristocratic elite; the economic surplus can be linked to the cultural developments of the Heian period and the "pursuit of arts". The major Buddhist temples in Heian-kyō and Nara also made use of the shōen . The establishment of branches rurally and integration of some Shinto shrines within these temple networks reflects

10413-471: The most powerful family, the Fujiwara governed Japan and determined the general affairs of state, such as succession to the throne. Family and state affairs were thoroughly intermixed, a pattern followed among other families, monasteries, and even the imperial family. Land management became the primary occupation of the aristocracy, not so much because direct control by the imperial family or central government had declined but more from strong family solidarity and

10530-487: The next 20 years. He gave his daughter Tokuko in marriage to the young emperor Takakura , who died at only 19, leaving their infant son Antoku to succeed to the throne. Kiyomori filled no less than 50 government posts with his relatives, rebuilt the Inland Sea, and encouraged trade with Song China. He also took aggressive actions to safeguard his power when necessary, including the removal and exile of 45 court officials and

10647-583: The ninth century, military service became part of shōen life. Not only the shōen but also civil and religious institutions formed private guard units to protect themselves. Gradually, the provincial upper class was transformed into a new military elite of samurai . Bushi interests were diverse, cutting across old power structures to form new associations in the tenth century. Mutual interests, family connections, and kinship were consolidated in military groups that became part of family administration. In time, large regional military families formed around members of

10764-525: The oldest wooden buildings in the Far East are found at the Hōryū-ji to the southwest of Nara. First built in the early 7th century as the private temple of Crown Prince Shōtoku , it consists of 41 independent buildings. The most important ones, the main worship hall, or Kondō (Golden Hall), and Gojū-no-tō (Five-story Pagoda ), stand in the center of an open area surrounded by a roofed cloister. The Kondō , in

10881-488: The provinces was tenuous at best, however. In the ninth and tenth centuries, much authority was lost to the great families, who disregarded the Chinese-style land and tax systems imposed by the government in Kyoto. Stability came to Japan, but, even though succession was ensured for the imperial family through heredity, power again concentrated in the hands of one noble family, the Fujiwara. Following Kammu's death in 806 and

10998-474: The razing of two troublesome temples, Todai-ji and Kofuku-ji. The Taira were seduced by court life and ignored problems in the provinces, where the Minamoto clan were rebuilding their strength. In 1183, two years after Kiyomori's death, Yoritomo Minamoto dispatched his brothers Yoshitsune and Noriyori to attack Kyoto. The Taira were routed and forced to flee, and the Empress Dowager tried to drown herself and

11115-579: The recently deceased Prince Shōtoku. At the four corners of the platform are the Guardian Kings of the Four Directions , carved in wood around 650. Also housed at Hōryū-ji is the Tamamushi Shrine, a wooden replica of a Kondō , which is set on a high wooden base that is decorated with figural paintings executed in a medium of mineral pigments mixed with lacquer. Temple building in the 8th century

11232-589: The reign of Emperor Go-Daigo , when the sovereigns began to live more secluded lives. In the Shōhei era (1346–1370), Emperor Murakami visited Iwashimizu in person. After the Ōnin war (1467–1477), Imperial visits were held in abeyance for 200 years. The shrine is dedicated to the veneration of Hachiman , the Shinto kami or spirit guardian of Imperial legitimacy . Since the time of its founding in 859, Hachiman has been recognized as Emperor Ojin . A 2005 survey of

11349-471: The scenery around Kyoto. E-maki : In the last century of the Heian period, the horizontal, illustrated narrative handscroll, known as e-maki (絵巻, lit. "picture scroll"), came to the fore. Dating from about 1130, the Genji Monogatari Emaki , a famous illustrated Tale of Genji represents the earliest surviving yamato-e handscroll, and one of the high points of Japanese painting. Written about

11466-445: The shogunate and moved its headquarters back to Kyoto, to the Muromachi district of the city. With the return of government to the capital, the popularizing trends of the Kamakura period came to an end, and cultural expression took on a more aristocratic, elitist character. Zen Buddhism, the Ch'an sect traditionally thought to have been founded in China in the 6th century, was introduced for

11583-607: The shogunate. The entry of the warrior class into court influence was a result of the Hōgen Rebellion . At this time Taira no Kiyomori revived the Fujiwara practices by placing his grandson on the throne to rule Japan by regency. Their clan, the Taira , would not be overthrown until after the Genpei War , which marked the start of the Kamakura shogunate . The Kamakura period began in 1185 when Minamoto no Yoritomo seized power from

11700-498: The skills of warfare, priests committed to making Buddhism available to illiterate commoners, and conservatives, the nobility and some members of the priesthood who regretted the declining power of the court. Thus, realism, a popularizing trend, and a classical revival characterize the art of the Kamakura period . In the Kamakura period, Kyoto and Nara remained the centres of artistic production and high culture. Sculpture: The Kei school of sculptors, particularly Unkei , created

11817-548: The spirit of early Heian Shingon temples is the Murō-ji (early 9th century), set deep in a stand of cypress trees on a mountain southeast of Nara. The wooden image (also early 9th century) of Shakyamuni , the "historic" Buddha, enshrined in a secondary building at the Murō-ji , is typical of the early Heian sculpture, with its ponderous body, covered by thick drapery folds carved in the honpa-shiki (rolling-wave) style, and its austere, withdrawn facial expression. Fujiwara art: In

11934-515: The style of Chinese worship halls, is a two-story structure of post-and-beam construction, capped by an irimoya , or hipped-gabled roof of ceramic tiles. Inside the Kondō , on a large rectangular platform, are some of the most important sculptures of the period. The central image is a Shaka Trinity (623), the historical Buddha flanked by two bodhisattvas , sculpture cast in bronze by the sculptor Tori Busshi (flourished early 7th century) in homage to

12051-501: The temple's dedication ceremony in 752, the eye-opening ritual for the Rushana image, as well as government documents and many secular objects owned by the Imperial family. Choukin (or chōkin ), the art of metal engraving or sculpting, is thought to have started in the Nara period. In 794 the capital of Japan was officially transferred to Heian-kyō (present-day Kyoto ), where it remained until 1868. The term Heian period refers to

12168-447: The throne until the reign of Emperor Go-Sanjō (1068–1073), the first emperor not born of a Fujiwara mother since the ninth century. Go-Sanjo, determined to restore imperial control through strong personal rule, implemented reforms to curb Fujiwara influence. He also established an office to compile and validate estate records with the aim of reasserting central control. Many shōen were not properly certified, and large landholders, like

12285-541: The tomb of Emperor Nintoku , houses 46 burial mounds and is shaped like a keyhole, a distinct characteristic found within later Kofun tombs. During the Asuka and Nara periods , so named because the seat of Japanese government was located in the Asuka Valley from 542 to 645 and in the city of Nara until 784, the first significant influx of continental Asian culture took place in Japan. The transmission of Buddhism provided

12402-415: The treasures at Iwashimizu revealed, among other things, the existence of a kris , a jeweled Indonesian dagger, which was exhibited at Kyoto National Museum as part of an exhibit entitled "Famous Swords from Kyoto's Temples and Shrines." Heian period The Heian period ( 平安時代 , Heian jidai ) is the last division of classical Japanese history , running from 794 to 1185. It followed

12519-549: The year 1000 by Murasaki Shikibu , a lady-in-waiting to the Empress Shōshi , the novel deals with the life and loves of Genji and the world of the Heian court after his death. The 12th-century artists of the e-maki version devised a system of pictorial conventions that convey visually the emotional content of each scene. In the second half of the century, a different, livelier style of continuous narrative illustration became popular. The Ban Dainagon Ekotoba (late 12th century),

12636-510: The years between 794 and 1185, when the Kamakura shogunate was established at the end of the Genpei War . The period is further divided into the early Heian and the late Heian, or Fujiwara era , the pivotal date being 894, the year imperial embassies to China were officially discontinued. Early Heian art: In reaction to the growing wealth and power of organized Buddhism in Nara, the priest Kūkai (best known by his posthumous title Kōbō Daishi, 774–835) journeyed to China to study Shingon ,

12753-469: The years in which the Kamakura shogunate was establishing itself. The shrine sought to maintain its traditional exemption from contributing to paying the costs of military forces. In time, the bakufu faded away; and the shrine endured. Iwashimizu Hachimangū and Ise Shrine were specified for "the two ancestral mausoleum" ( 二所宗廟 ) in the Middle Ages. From 1871 through 1946, Iwashimizu Hachimangū

12870-479: Was a key part of social interaction. Almost as important was the choice of calligraphy, or handwriting, used. The Japanese of this period believed handwriting could reflect the condition of a person's soul: therefore, poor or hasty writing could be considered a sign of poor breeding. Whether the script was Chinese or Japanese, good writing and artistic skill were paramount to social reputation when it came to poetry. Sei Shōnagon mentions in her Pillow Book that when

12987-433: Was focused around the Tōdai-ji in Nara. Constructed as the headquarters for a network of temples in each of the provinces, the Tōdaiji is the most ambitious religious complex erected in the early centuries of Buddhist worship in Japan. Appropriately, the 16.2-m (53-ft) Buddha (completed 752) enshrined in the main Buddha hall, or Daibutsuden , is a Rushana Buddha, the figure that represents the essence of Buddhahood, just as

13104-528: Was officially designated one of the Kanpei-taisha ( 官幣大社 ) , meaning that it stood in the first rank of government supported shrines. Other similarly honored Hachiman shrines were Usa Shrine of Usa in Ōita Prefecture and Hakozaki-gū of Fukuoka in Fukuoka Prefecture . In 979 ( Tengen 2 ), Emperor Enyū visited the shrine; and the shrine continued to be visited by nearly all the emperors until

13221-403: Was one of national peace, the government failed to effectively police the territory, leading to frequent robberies of travellers. The Heian period was preceded by the Nara period and began in 794 AD after the movement of the capital of Japan to Heian-kyō (modern Kyoto), by the 50th emperor, Emperor Kammu . Kammu first tried to move the capital to Nagaoka-kyō , but a series of disasters befell

13338-454: Was reported by a Buddhist monk, Gyōkyō , who had a second vision which led to selecting the Otokoyama location where the shrine now stands. Like other Hachiman shrines, until 1868 Iwashimizu was actually a shrine-temple complex ( jingū-ji ) called Iwashimizu Hachimangū-ji ( 石清水八幡宮寺 ) dedicated to Buddhism as much as to kami worship. The shrine became the object of Imperial patronage during

13455-556: Was the Yayoi people, named for the district in Tokyo where remnants of their settlements first were found. These people, arriving in Japan about 300 BCE, brought their knowledge of wetland rice cultivation, the manufacture of copper weapons and bronze bells ( dōtaku ), and wheel-thrown, kiln-fired ceramics . The third stage in Japanese prehistory, the Kofun period (c. 300 – 710 AD), represents

13572-589: Was their world that they could not conceive of Paradise as being much different. They created a new form of Buddha hall, the Amida hall, which blends the secular with the religious, and houses one or more Buddha images within a structure resembling the mansions of the nobility. The Hō-ō-dō (Phoenix Hall, completed 1053) of the Byōdō-in , a temple in Uji to the southeast of Kyoto, is the exemplar of Fujiwara Amida halls. It consists of

13689-597: Was uniquely Japanese. Hiragana gave written expression to the spoken word and, with it, to the rise in Japan's famous vernacular literature, much of it written by court women who had not been trained in Chinese as had their male counterparts. Three late-tenth-century and early-11th-century women presented their views of life and romance at the Heian court in Kagerō Nikki by "the mother of Fujiwara Michitsuna ", The Pillow Book by Sei Shōnagon and The Tale of Genji by Murasaki Shikibu . Indigenous art also flourished under

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