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Independence Medal

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The Centenary of National Independence Commemorative Medal 1830-1930 ( French : Médaille Commémorative du Centenaire de l'Indépendance Nationale 1830-1930 , Dutch : Herinneringsmedaille van 100 Jaars de Onafhankelijkheid 1830-1930 ) was a Belgian commemorative medal established by royal decree on 20 July 1930 to commemorate the 100th anniversary of Belgian independence .

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44-950: The Independence Medal can refer to any one of the following medals: Centenary of National Independence Commemorative Medal (Belgium) Ceylon Armed Services Inauguration Medal Cross of Independence (Poland) Fiji Independence Medal Independence Medal (Bophuthatswana) Independence Medal (Ciskei) Independence Medal (Lithuania) Independence Medal (Transkei) Independence Medal (Venda) Indian Independence Medal Jamaica Independence Medal Malawi Independence Medal Medal of Independence (Turkey) Nigerian Independence Medal Pakistan Medal Papua New Guinea Independence Medal Philippine Independence Medal Sierra Leone Independence Medal Solomon Islands Independence Medal Uganda Independence Medal Union of South Africa Commemoration Medal Zimbabwean Independence Medal, 1980 Topics referred to by

88-439: A halftone picture or ray tracing a checkered plane (the latter being a special case of aliasing , due to undersampling a fine regular pattern). This can be overcome in texture mapping through the use of mipmapping and anisotropic filtering . The drawing on the upper right shows a moiré pattern. The lines could represent fibers in moiré silk, or lines drawn on paper or on a computer screen. The nonlinear interaction of

132-426: A fixed direction (say, the x-coordinate) in the paper plane, in the form f = 1 + sin ⁡ ( k x ) 2 {\displaystyle f={\frac {1+\sin(kx)}{2}}} where the presence of 1 keeps the function positive definite, and the division by 2 prevents function values greater than 1. The quantity k represents the periodic variation (i.e., spatial frequency) of

176-440: A given point on the paper as the average (i.e. the arithmetic mean) of each pattern's opacity at that position, which is half their sum, and, as calculated, does not exceed 1. (This choice is not unique. Any other method to combine the functions that satisfies keeping the resultant function value within the bounds [0,1] will also serve; arithmetic averaging has the virtue of simplicity—with hopefully minimal damage to one's concepts of

220-426: A moiré pattern, and show one way (of many possible ways) these patterns and the moiré effect can be rendered mathematically. The visibility of these patterns is dependent on the medium or substrate in which they appear, and these may be opaque (as for example on paper) or transparent (as for example in plastic film). For purposes of discussion we shall assume the two primary patterns are each printed in greyscale ink on

264-412: A partially opaque ruled pattern with transparent gaps is overlaid on another similar pattern. For the moiré interference pattern to appear, the two patterns must not be completely identical, but rather displaced, rotated, or have slightly different pitch. Moiré patterns appear in many situations. In printing, the printed pattern of dots can interfere with the image. In television and digital photography,

308-471: A pattern on an object being photographed can interfere with the shape of the light sensors to generate unwanted artifacts. They are also sometimes created deliberately; in micrometers , they are used to amplify the effects of very small movements. In physics, its manifestation is wave interference like that seen in the double-slit experiment and the beat phenomenon in acoustics . The term originates from moire ( moiré in its French adjectival form),

352-433: A pattern that appears when superposing two transparent layers containing correlated opaque patterns. Line moiré is the case when the superposed patterns comprise straight or curved lines. When moving the layer patterns, the moiré patterns transform or move at a faster speed. This effect is called optical moiré speedup. More complex line moiré patterns are created if the lines are curved or not exactly parallel. Shape moiré

396-408: A person is wearing a shirt or jacket of a particular weave or pattern, such as a houndstooth jacket. This is due to interlaced scanning in televisions and non-film cameras, referred to as interline twitter . As the person moves about, the moiré pattern is quite noticeable. Because of this, newscasters and other professionals who regularly appear on TV are instructed to avoid clothing which could cause

440-423: A screen some distance away. This phase moiré effect and the classical moiré effect from opaque lines are two ends of a continuous spectrum in optics, which is called the universal moiré effect. The phase moiré effect is the basis for a type of broadband interferometer in x-ray and particle wave applications. It also provides a way to reveal hidden patterns in invisible layers. Line moiré is one type of moiré pattern;

484-432: A type of textile , traditionally made of silk but now also made of cotton or synthetic fiber , with a rippled or "watered" appearance. Moire, or "watered textile", is made by pressing two layers of the textile when wet. The similar but imperfect spacing of the threads creates a characteristic pattern which remains after the fabric dries. In French, the noun moire is in use from the 17th century, for "watered silk". It

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528-409: A white sheet, where the opacity (e.g., shade of grey) of the "printed" part is given by a value between 0 (white) and 1 (black) inclusive, with ⁠ 1 / 2 ⁠ representing neutral grey. Any value less than 0 or greater than 1 using this grey scale is essentially "unprintable". We shall also choose to represent the opacity of the pattern resulting from printing one pattern atop the other at

572-428: Is d and the side opposite to the angle α is p ). The pale lines correspond to the small diagonal of the rhombus. As the diagonals are the bisectors of the neighbouring sides, we can see that the pale line makes an angle equal to ⁠ α / 2 ⁠ with the perpendicular of each pattern's line. Additionally, the spacing between two pale lines is D , half of the long diagonal. The long diagonal 2 D

616-401: Is an acoustic version of the moiré effect in the one dimension of time: the original two notes are still present—but the listener's perception is of two pitches that are the average of and half the difference of the frequencies of the two notes. Aliasing in sampling of time-varying signals also belongs to this moiré paradigm. Consider two patterns with the same step p , but the second pattern

660-552: Is different from Wikidata All article disambiguation pages All disambiguation pages Centenary of National Independence Commemorative Medal It was awarded to serving members of the Belgian Armed Forces and to veterans of the service as well as to civil servants who served honourably for twenty years or more prior to 1 January 1931 and who were thus eligible for the Civic Decoration for long service ,

704-414: Is easily shown that A = k 1 + k 2 2 {\displaystyle A={\frac {k_{1}+k_{2}}{2}}} and B = k 1 − k 2 2 . {\displaystyle B={\frac {k_{1}-k_{2}}{2}}.} This function average, f 3 , clearly lies in the range [0,1]. Since the periodic variation A

748-556: Is inevitable, but in favorable circumstances the pattern is "tight"; that is, the spatial frequency of the moiré is so high that it is not noticeable. In the graphic arts, the term moiré means an excessively visible moiré pattern. Part of the prepress art consists of selecting screen angles and halftone frequencies which minimize moiré. The visibility of moiré is not entirely predictable. The same set of screens may produce good results with some images, but visible moiré with others. Moiré patterns are commonly seen on television screens when

792-463: Is one type of moiré pattern demonstrating the phenomenon of moiré magnification. 1D shape moiré is the particular simplified case of 2D shape moiré. One-dimensional patterns may appear when superimposing an opaque layer containing tiny horizontal transparent lines on top of a layer containing a complex shape which is periodically repeating along the vertical axis . Moiré patterns revealing complex shapes, or sequences of symbols embedded in one of

836-405: Is rotated by an angle α . Seen from afar, we can also see darker and paler lines: the pale lines correspond to the lines of nodes , that is, lines passing through the intersections of the two patterns. If we consider a cell of the lattice formed, we can see that it is a rhombus with the four sides equal to d = ⁠ p / sin α ⁠ ; (we have a right triangle whose hypotenuse

880-405: Is shifted by n δp compared to the n th line of the first network. The middle of the first dark zone thus corresponds to n ⋅ δ p = p 2 {\displaystyle n\cdot \delta p={\frac {p}{2}}} that is n = p 2 δ p . {\displaystyle n={\frac {p}{2\delta p}}.} The distance d between

924-486: Is the average of and therefore close to k 1 and k 2 , the moiré effect is distinctively demonstrated by the sinusoidal envelope "beat" function cos( Bx ) , whose periodic variation is half the difference of the periodic variations k 1 and k 2 (and evidently much lower in frequency). Other one-dimensional moiré effects include the classic beat frequency tone which is heard when two pure notes of almost identical pitch are sounded simultaneously. This

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968-1552: Is the hypotenuse of a right triangle and the sides of the right angle are d (1 + cos α ) and p . The Pythagorean theorem gives: ( 2 D ) 2 = d 2 ( 1 + cos ⁡ α ) 2 + p 2 {\displaystyle (2D)^{2}=d^{2}(1+\cos \alpha )^{2}+p^{2}} that is: ( 2 D ) 2 = p 2 sin 2 ⁡ α ( 1 + cos ⁡ α ) 2 + p 2 = p 2 ⋅ ( ( 1 + cos ⁡ α ) 2 sin 2 ⁡ α + 1 ) {\displaystyle {\begin{aligned}(2D)^{2}&={\frac {p^{2}}{\sin ^{2}\alpha }}(1+\cos \alpha )^{2}+p^{2}\\[5pt]&=p^{2}\cdot \left({\frac {(1+\cos \alpha )^{2}}{\sin ^{2}\alpha }}+1\right)\end{aligned}}} thus ( 2 D ) 2 = 2 p 2 ⋅ 1 + cos ⁡ α sin 2 ⁡ α D = p 2 sin ⁡ α 2 . {\displaystyle {\begin{aligned}(2D)^{2}&=2p^{2}\cdot {\frac {1+\cos \alpha }{\sin ^{2}\alpha }}\\[5pt]D&={\frac {\frac {p}{2}}{\sin {\frac {\alpha }{2}}}}.\end{aligned}}} When α

1012-411: Is used in shoreside beacons called "Inogon leading marks" or "Inogon lights", manufactured by Inogon Licens AB, Sweden, to designate the safest path of travel for ships heading to locks, marinas, ports, etc., or to indicate underwater hazards (such as pipelines or cables). The moiré effect creates arrows that point towards an imaginary line marking the hazard or line of safe passage; as navigators pass over

1056-531: Is very small ( α < ⁠ π / 6 ⁠ ) the following small-angle approximations can be made: sin ⁡ α ≈ α cos ⁡ α ≈ 1 {\displaystyle {\begin{aligned}\sin \alpha &\approx \alpha \\\cos \alpha &\approx 1\end{aligned}}} thus D ≈ p α . {\displaystyle D\approx {\frac {p}{\alpha }}.} We can see that

1100-592: The Military Cross or the Military Decoration . The Centenary of National Independence Commemorative Medal was a 32mm wide by 30mm high silvered bronze octagon surmounted by a crown giving it a total height of 41mm. Its obverse bore the left facing profiles of kings Leopold I , Leopold II and Albert I of Belgium. The reverse bore the relief years "1830" and "1930" on two rows slightly offset from center superimposed over oak and laurel leaves. The medal

1144-506: The angle, the final error is proportional to the measurement error. If we choose to measure the spacing, the final error is proportional to the inverse of the spacing. Thus, for the small angles, it is best to measure the spacing. In graphic arts and prepress , the usual technology for printing full-color images involves the superimposition of halftone screens. These are regular rectangular dot patterns—often four of them, printed in cyan, yellow, magenta, and black. Some kind of moiré pattern

1188-403: The centre point of an oncoming bridge; when the vessel is aligned with the centreline, vertical lines are visible. Inogon lights are deployed at airports to help pilots on the ground keep to the centreline while docking on stand. In manufacturing industries, these patterns are used for studying microscopic strain in materials: by deforming a grid with respect to a reference grid and measuring

1232-408: The design is visible even at great distances. Consider two patterns made of parallel and equidistant lines, e.g., vertical lines. The step of the first pattern is p , the step of the second is p + δp , with 0 < δp < p . If the lines of the patterns are superimposed at the left of the figure, the shift between the lines increases when going to the right. After a given number of lines,

1276-454: The effect. Photographs of a TV screen taken with a digital camera often exhibit moiré patterns. Since both the TV screen and the digital camera use a scanning technique to produce or to capture pictures with horizontal scan lines, the conflicting sets of lines cause the moiré patterns. To avoid the effect, the digital camera can be aimed at an angle of 30 degrees to the TV screen. The moiré effect

1320-437: The layers (in form of periodically repeated compressed shapes) are created with shape moiré, otherwise called band moiré patterns. One of the most important properties of shape moiré is its ability to magnify tiny shapes along either one or both axes, that is, stretching. A common 2D example of moiré magnification occurs when viewing a chain-link fence through a second chain-link fence of identical design. The fine structure of

1364-479: The line, the arrows on the beacon appear to become vertical bands before changing back to arrows pointing in the reverse direction. An example can be found in the UK on the eastern shore of Southampton Water , opposite Fawley oil refinery ( 50°51′21.63″N 1°19′44.77″W  /  50.8560083°N 1.3291028°W  / 50.8560083; -1.3291028 ). Similar moiré effect beacons can be used to guide mariners to

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1408-595: The middle of a pale zone and a dark zone is d = n ⋅ ( p + δ p ) = p 2 2 δ p + p 2 {\displaystyle d=n\cdot (p+\delta p)={\frac {p^{2}}{2\delta p}}+{\frac {p}{2}}} the distance between the middle of two dark zones, which is also the distance between two pale zones, is 2 d = p 2 δ p + p {\displaystyle 2d={\frac {p^{2}}{\delta p}}+p} From this formula, we can see that: The principle of

1452-484: The moiré is similar to the Vernier scale . The essence of the moiré effect is the (mainly visual) perception of a distinctly different third pattern which is caused by inexact superimposition of two similar patterns. The mathematical representation of these patterns is not trivially obtained and can seem somewhat arbitrary. In this section we shall give a mathematical example of two parallel patterns whose superimposition forms

1496-448: The moiré pattern, the stress levels and patterns can be deduced. This technique is attractive because the scale of the moiré pattern is much larger than the deflection that causes it, making measurement easier. The moiré effect can be used in strain measurement: the operator just has to draw a pattern on the object, and superimpose the reference pattern to the deformed pattern on the deformed object. A similar effect can be obtained by

1540-429: The optical patterns of lines creates a real and visible pattern of roughly parallel dark and light bands, the moiré pattern, superimposed on the lines. The moiré effect also occurs between overlapping transparent objects. For example, an invisible phase mask is made of a transparent polymer with a wavy thickness profile. As light shines through two overlaid masks of similar phase patterns, a broad moiré pattern occurs on

1584-889: The pattern's grey intensity, measured as the number of intensity cycles per unit distance. Since the sine function is cyclic over argument changes of 2π , the distance increment Δ x per intensity cycle (the wavelength) obtains when k Δ x = 2π , or Δ x = ⁠ 2π / k ⁠ . Consider now two such patterns, where one has a slightly different periodic variation from the other: f 1 = 1 + sin ⁡ ( k 1 x ) 2 f 2 = 1 + sin ⁡ ( k 2 x ) 2 {\displaystyle {\begin{aligned}f_{1}&={\frac {1+\sin(k_{1}x)}{2}}\\[4pt]f_{2}&={\frac {1+\sin(k_{2}x)}{2}}\end{aligned}}} such that k 1 ≈ k 2 . The average of these two functions, representing

1628-417: The patterns are opposed: the lines of the second pattern are between the lines of the first pattern. If we look from a far distance, we have the feeling of pale zones when the lines are superimposed (there is white between the lines), and of dark zones when the lines are "opposed". The middle of the first dark zone is when the shift is equal to ⁠ p / 2 ⁠ . The n th line of the second pattern

1672-415: The printmaking process.) We now consider the "printing" superimposition of two almost similar, sinusoidally varying, grey-scale patterns to show how they produce a moiré effect in first printing one pattern on the paper, and then printing the other pattern over the first, keeping their coordinate axes in register. We represent the grey intensity in each pattern by a positive opacity function of distance along

1716-432: The same term [REDACTED] This disambiguation page lists articles associated with the title Independence Medal . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Independence_Medal&oldid=887265058 " Category : Disambiguation pages Hidden categories: Short description

1760-408: The smaller α is, the farther apart the pale lines; when both patterns are parallel ( α = 0 ), the spacing between the pale lines is infinite (there is no pale line). There are thus two ways to determine α : by the orientation of the pale lines and by their spacing α ≈ p D {\displaystyle \alpha \approx {\frac {p}{D}}} If we choose to measure

1804-738: The superimposed printed image, evaluates as follows (see reverse identities here : Prosthaphaeresis ): f 3 = f 1 + f 2 2 = 1 2 + sin ⁡ ( k 1 x ) + sin ⁡ ( k 2 x ) 4 = 1 + sin ⁡ ( A x ) cos ⁡ ( B x ) 2 {\displaystyle {\begin{aligned}f_{3}&={\frac {f_{1}+f_{2}}{2}}\\[5pt]&={\frac {1}{2}}+{\frac {\sin(k_{1}x)+\sin(k_{2}x)}{4}}\\[5pt]&={\frac {1+\sin(Ax)\cos(Bx)}{2}}\end{aligned}}} where it

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1848-472: The superposition of a holographic image of the object to the object itself: the hologram is the reference step, and the difference with the object are the deformations, which appear as pale and dark lines. Some image scanner computer programs provide an optional filter , called a "descreen" filter, to remove moiré pattern artifacts which would otherwise be produced when scanning printed halftone images to produce digital images. Many banknotes exploit

1892-466: Was a loan of the English mohair (attested 1610). In French usage, the noun gave rise to the verb moirer , "to produce a watered textile by weaving or pressing", by the 18th century. The adjective moiré formed from this verb is in use from at least 1823. Moiré patterns are often an artifact of images produced by various digital imaging and computer graphics techniques, for example when scanning

1936-665: Was suspended by a ring through a suspension loop from a white 38mm wide silk moiré ribbon with the national colours of Belgium as 3mm wide edge stripes (1mm black, 1mm yellow and 1mm red). The individuals listed below were awarded the Centenary of National Independence Commemorative Medal: Moir%C3%A9 In mathematics, physics, and art, moiré patterns ( UK : / ˈ m w ɑː r eɪ / MWAH -ray , US : / m w ɑː ˈ r eɪ / mwah- RAY , French: [mwaʁe] ) or moiré fringes are large-scale interference patterns that can be produced when

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