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Hush, Little Baby

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" Hush, Little Baby " is a traditional lullaby , thought to have been written in the Southern United States. The lyrics are from the point of view of a parent trying to appease an upset child by promising to give them a gift. Sensing the child's apprehension, the parent has planned a series of contingencies in case their gifts don't work out. The simple structure allows more verses to be added ad lib. It has a Roud number of 470.

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92-543: Like most folk songs, the author and date of origin are unclear. The English folklorist Cecil Sharp collected and notated a version from Endicott , Franklin County , Virginia in 1918, and another version sung by a Julie Boone of Micaville , North Carolina , with a complete version of the lyrics. A version recorded on a phonograph cylinder around 1929–35 in Durham, North Carolina by James Madison Carpenter can be heard online via

184-663: A Great Big Beautiful Tomorrow "), and the Jonas Brothers ("Kids of the Future", a parody of " Kids in America "). The track " Little Wonders ", recorded by Thomas, reached number 5 on the Billboard AC chart and the top 20 in Australia and Canada. The song "This Much Fun" by Cowboy Mouth , which was featured in the trailer, was not featured in the film or on the soundtrack. The song "There's

276-681: A Great Big Beautiful Tomorrow" was originally from the Disneyland attraction General Electric's Carousel of Progress which was located in Tomorrowland . The Japanese version uses "Hitomi Hiraite" by Mitsuki as the theme song. All music is composed by Danny Elfman , except as noted A Meet the Robinsons video game was published by Buena Vista Games for PlayStation 2 , Xbox 360 , Wii , GameCube , Nintendo DS , and Microsoft Windows . England-based Climax Group developed their own adaption for

368-461: A budget of $ 150 million. Lewis is an inventor living in an orphanage in 2007. His energy, eccentricity, and malfunctioning inventions frequently scare off prospective parents, so he embarks on a mission to locate his birth mother, who left him at the orphanage when he was an infant. He conceives an invention that will scan his memories and help him identify her. While taking the memory scanner to his school's science fair, Lewis meets Wilbur Robinson,

460-400: A cart and bull. If that cart and bull turn over, Mama's gonna buy you a dog named Rover. If that dog named Rover don't bark, Mama's gonna buy you a horse and cart. If that horse and cart fall down, You'll still be the sweetest little baby in town. There are many different versions of the song. It has a simple structure consisting of a series of rhyming couplets , where a gift

552-719: A century after his death, thanks in part to an uncritical and rose-tinted biography co-authored by his disciple Maud Karpeles, who also enshrined his thinking in the 1954 definition of folk song drawn up by the International Folk Music Council. A. L. Lloyd, a Marxist and the chief theoretician of the second folk song revival during the 1960s, affected to repudiate Sharp’s ideas but in fact followed much of his thinking. He rejected Sharp’s claim that folk song could be found only in isolated rural communities as “primitive romanticism”, and described his piano arrangements as “false and unrepresentative”, but praised his ability as

644-471: A collector, admired his analysis of modal tunes, and used numerous examples from his manuscripts as illustrations. A more radical Marxist analysis was offered in the 1970s by David Harker, questioning the motivations and methods of folk revivalists, and accusing Sharp of having manipulated his research for ideological reasons. According to Harker: "'[F]olk song' as mediated by Cecil Sharp, [is] to be used as 'raw material' or 'instrument', being extracted from

736-474: A dinosaur chase had been added, and the ending was changed. Jim Carrey was originally offered the role of Bowler Hat Guy, but he turned it down to star in The Number 23 . Over 600 REAL D Cinema digital 3D-equipped theaters presented Disney Digital 3-D version of the film. In all theatrical showings, the standard version of the film was preceded by the 1938 Mickey Mouse short film Boat Builders and

828-546: A display by the Headington Quarry Morris dancers just outside Oxford. He approached their musician William Kimber , an expert player of the Anglo-concertina and a skilled dancer, and asked permission to notate some of the dances. Kimber went on to become Sharp's main source for the notation of Cotswold Morris Dancing , gave demonstrations his lectures, and became a lifelong friend. In August 1903, Sharp visited

920-698: A half-time post which provided a house. In July 1905 he resigned from this post after a prolonged dispute about payment and his right to take on students for extra tuition. He had to leave the Principal's house, and apart from his position at Ludgrove his income was henceforth derived largely from lecturing and publishing on folk music. Sharp was not the first to research folk songs in England, which had already been studied by late-19th century collectors like Lucy Broadwood , Frank Kidson and Sabine Baring-Gould . He became aware of English folk music in 1899, when he witnessed

1012-904: A lecturer, teacher, composer and musician. He was a key figure in the folk-song revival in England during the Edwardian period. According to Roud's Folk Song in England , Sharp was the country's "single most important figure in the study of folk song and music". Sharp collected over four thousand folk songs, both in South-West England and the Southern Appalachian region of the United States. He published an extensive series of songbooks based on his fieldwork, often with piano arrangements, and wrote an influential theoretical work, English Folk Song: Some Conclusions . He notated examples of English Morris dancing , and played an important role in

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1104-438: A long time.  I find them very easy to get on with, and have no difficulty in making them sing and show their enthusiasm for their songs.  I have taken down very nearly one hundred already, and many of these are quite unknown to me and aesthetically of the very highest value.  Indeed, it is the greatest discovery I have made since the original one I made in England sixteen years ago. This strong focus on 'Englishness'

1196-583: A mysterious boy who claims to be from the future. Wilbur needs to recover a time machine that a man wearing a bowler hat has stolen. Lewis tries to demonstrate the scanner, but it has been sabotaged by the Bowler Hat Guy and falls apart, throwing the science fair into chaos. Lewis leaves while the Bowler Hat Guy, with the help of his robotic bowler hat named Doris, steals the scanner. He plans to pitch it as his own to an invention company, but fails when he cannot figure out how to turn it on. Wilbur meets Lewis at

1288-483: A partnership which, though initially cordial and successful, soured over an ideological disagreement, Sharp's insistence on correct traditional practice coming up against Neal's preference for flamboyance and energy. This developed into a power struggle over control of the Morris dance movement, and finally into a public feud. Sharp pursued his interest in dance through a teaching post at the new School of Morris Dancing under

1380-696: A passionate advocate for folk song, giving numerous lectures, and setting out his manifesto in English Folk Song: Some Conclusions in 1907. In the years between 1907 and the First World War, Sharp became more focussed on traditional dance. In 1905 he met Mary Neal , the organiser of the Espérance Girls' Club, a philanthropic organisation for working-class young women in London, who was seeking suitable dances for them to perform. This initiated

1472-470: A personal connection to the main character Lewis, as he himself grew up an orphan and was later adopted. Disney originally planned to adapt Joyce's style, before it was decided to slightly rework the style due to his involvement stylistically in Blue Sky Studios ' Robots . The animation crew had the challenge to animate CG humans, being inspired by Pixar 's The Incredibles , while the inspiration for

1564-429: A portfolio of British-origin ballads she had collected in the Southern Appalachian mountains. The quality of her collection convinced Sharp to make several song collecting expeditions into the remote mountain backcountry with his collaborator Maud Karpeles during the years 1916–1918, following in the footsteps of Olive Campbell and other collectors such as Lorraine Wyman and Katherine Jackson French. Travelling through

1656-400: A result, John Lasseter became the chief creative officer of both Pixar and Walt Disney Animation Studios. When he saw an early screening for the movie, he told Anderson that he did not find the villain scary or threatening enough, and suggested that he make some changes. Ten months later, almost 60% of the film had been scrapped and redone. The villain had improved and was given a new sidekick,

1748-524: A son. Also in 1893 he was taken on as a music teacher by Ludgrove School , a preparatory school then in North London. During his seventeen years in the post, he took on a number of other musical jobs. After his marriage in 1893, Sharp became a vegetarian for health reasons and took interest in spiritualism and theosophy. From 1896 Sharp was Principal of the Hampstead Conservatoire of Music ,

1840-681: A tiny fraction of the rural proletariat and... imposed upon town and country alike for the people's own good, not in its original form, but, suitably integrated into the Conservatoire curriculum, made the basis of nationalistic sentiments and bourgeois values." Harker expanded this thesis in the influential Fakesong in 1985, dismissing the concept of folk song as "intellectual rubble which needs to be shifted so that building can begin again", and attacking scholars from Francis James Child to A. L. Lloyd . Folk song collecting, scholarship, and revival were viewed as forms of appropriation and exploitation by

1932-505: A valuable record of life amongst rural working people in both South-West England and the Appalachian Mountains. In 1902, at a time when state-sponsored mass public schooling was in its infancy, Sharp, then a music teacher, compiled a song book for use in schools. This contained a mixture of patriotic ‘National Songs’ ( The British Grenadiers , Rule Britannia , etc.) and folk material. As his knowledge of folk song grew, he rejected

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2024-413: A version in 1949 that had been passed down in her family. The Ritchie family version is identical to the versions which would later become famous. Due to the melodic and lyrical diversity of other traditional recordings and the fact that Ritchie shared a stage with and directly influenced artists who would later record the song such as The Weavers and Joan Baez , it is likely that the popular version of

2116-436: A village when they realised it was an African-American settlement. Using an offensive term then in common usage, Sharp wrote: "We tramped – mainly uphill. When we reached the cove we found it peopled by n----s ... All our troubles and spent energy for nought." However, unlike other mountain collectors of the time he did take down ballads from two Black singers, one of whom he described in his field notes thus: “Aunt Maria [Tomes]

2208-525: A widespread reappraisal of the work of Sharp and his colleagues. Michael Pickering concluded that: "Harker has provided a firm foundation for future work", while Vic Gammon commented that Fakesong had taken on "the status of an orthodoxy in some quarters of the British left", and represented "the beginning of critical work" on the early folk music movement - although he stated later that, "this does not mean that Harker got it all right." A more critical analysis

2300-602: A word, Sister's gonna buy you a Mockingbird. And if that mockingbird don't sing, Sister's gonna buy you a diamond ring. (She Cries) And if that diamond ring turns brass... Meet the Robinsons Cecil Sharp English Folk Songs from the Southern Appalachians Cecil James Sharp (22 November 1859 – 23 June 1924) was an English collector of folk songs, folk dances and instrumental music, as well as

2392-581: A ‘conservative socialist’, since his opposition to capitalism went alongside a suspicion of the Industrial Revolution and modernity in general, and a belief in the virtues of rural over urban life. He wrote of his anger about the ‘injustice of class distinctions’, believed in collectivism over private enterprise, and in later life wrote of his sympathy with striking coal miners. He also believed in democracy over totalitarianism, holding that “any form of collectivist government must also be democratic if it

2484-512: Is Wilbur's obese uncle, Billie's wife, and Bud and Fritz' brother who rides in an easy chair, his whimpers are provided by an uncredited actor. Also in the Robinson family is their dog, Buster, who wears glasses. Note: Lewis was voiced by both Daniel Hansen and Jordan Fry. Daniel Hansen voiced Lewis at the beginning of the film's production, and when the studio needed Lewis' lines changed, they had Jordan Fry re-dub many segments. Pre-production of

2576-442: Is an R&B variant of the song. The most common version of the lyrics are: Hush, little baby, don't say a word, Mama's gonna buy you a mockingbird. If that mockingbird don't sing, Mama's gonna buy you a diamond ring. If that diamond ring turns brass, Mama's gonna buy you a looking glass. If that looking glass gets broke, Mama's gonna buy you a billy-goat. If that billy-goat don't pull, Mama's gonna buy you

2668-464: Is an old coloured woman who was a slave belonging to Mrs Coleman... she sang very beautifully in a wonderfully musical way and with clear and perfect intonation... rather a nice old lady". Sharp and Karpeles noted down a huge number of songs, many of which would otherwise have been lost, and contributed to the continuing tradition of balladry in the Appalachian Mountains. Their collection was described by ballad expert Bertrand Bronson as “without question

2760-431: Is desperate to be adopted. He meets Wilbur Robinson, a young time-traveler who takes him to the year 2037 to visit his eccentric family. They must prevent a mysterious bowler-hatted man from changing Lewis's fate, and, by proxy, the future. Development began in 2002, with production underway starting in 2004, under the working title A Day with Wilbur Robinson , with a release initially slated for 2006. Anderson developed

2852-654: Is evident in Sharp's work, and he has been criticised for failing to recognise that many of the songs he collected were derived from the Scottish rather than the English ballad tradition. Olive Dame Campbell and her husband John had led Sharp and Karpeles to areas with a high concentration of white people of English or Scots-Irish ancestry, so the collectors had little sense of the cultural mosaic of White , Black , Indigenous and multiracial Americans that existed across Appalachia, or of

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2944-461: Is given to the little baby. In the next couplet, the gift is found faulty in some way, and a new gift is presented. The song continues in this pattern as long as the singer likes; and can come up with new gifts that fit the rhyming pattern. An example of some common couplets used in the transcript of the Target commercial "Strawberry Shortcake" (2004): (Strawberry Shortcake) Hush, Apple Dumpling, don't say

3036-627: Is loosely based on the 1990 children's book A Day with Wilbur Robinson by William Joyce . The film was directed by Stephen J. Anderson (in his feature directorial debut) and produced by Dorothy McKim , from a screenplay that Anderson co-wrote with Don Hall , Nathan Greno , Joe Mateo, Jon Bernstein, Michelle Spitz, and Aurian Redson. The film stars the voices of Daniel Hansen and Jordan Fry, Wesley Singerman , Angela Bassett , Tom Selleck , Harland Williams , Laurie Metcalf , Nicole Sullivan , Adam West , Ethan Sandler , Tom Kenny , and Anderson. It follows an orphaned 12-year-old inventor, Lewis, who

3128-611: Is to function properly”, and expressing scepticism about the Bolshevik revolution in Russia. Sharp was an opponent of capital punishment . He was not, however, a supporter of the Suffragette movement, although according to his colleague and biographer Maud Karpeles this probably reflected a disapproval of their methods rather than the principle. Despite this, he maintained a friendly relationship with his sister Evelyn , an avid suffragist who

3220-554: The Appalachian Mountains in Virginia , North Carolina , Kentucky and Tennessee , often covering many miles on foot over rough terrain, Sharp and Karpeles recorded a treasure trove of folk songs, many of British origin, though in versions quite different from those Sharp had collected in rural England, and some altogether extinct in the old country. In remote log cabins Sharp would notate the tunes by ear, while Karpeles took down

3312-581: The Beaumont Journal said that "The Robinsons might not be a family you want to hang out with, but they sure were fun to meet in this imaginative and beautiful 3-D experience". Andrew L. Urban of Australian Urban Cinefile said that " Walt Disney stood for fantasy on screen and this is a loving tribute to his legacy". Kyle Smith of the New York Post named it the 10th best film of 2007. Conversely, A. O. Scott of The New York Times wrote: " Meet

3404-870: The Clare College boat and graduated B.A. in 1882. Sharp decided to emigrate to Australia on his father's suggestion. He arrived in Adelaide in November 1882 and early in 1883 obtained a position as a clerk in the Commercial Bank of South Australia. He read some law, and in April 1884 became associate to the Chief Justice, Sir Samuel James Way . He held this position until 1889 when he resigned and gave his whole time to music. He had become assistant organist at St Peter's Cathedral soon after he arrived, and had been conductor of

3496-483: The Game Boy Advance . Bowler Hat Guy appears as a playable character in the mobile game Disney Heroes Battle Mode. Disneytoon Studios originally planned to make a direct-to-video sequel to the film, tentatively titled Meet the Robinsons 2: First Date . However, when Lasseter became Walt Disney Animation Studios' new chief creative officer, he cancelled all sequels in development at Disneytoon, including Meet

3588-533: The Vaughan Williams Memorial Library website. Alan Lomax recorded several varying traditional renditions of the song in the southern United States in the 1930s and 40s, including from the traditional singer Texas Gladden . All of these versions differ melodically and lyrically, to varying degrees, from the now popular version. One of the versions recorded by Lomax was that of the influential Appalachian musician Jean Ritchie , who performed

3680-463: The review aggregator website Rotten Tomatoes , 67% of 144 critics' reviews are positive, with an average rating of 6.4/10. The website's consensus reads: " Meet the Robinsons is a visually impressive children's animated film marked by a story of considerable depth." Metacritic reported the film had a weighted average score of 61 out of 100 based on 27 critic reviews, indicating "generally favorable reviews". Audiences polled by CinemaScore gave

3772-459: The "Family Function 5000" game, deleted scenes , and other bonus features. The DVD's audio commentary contains Anderson's narration, occasionally interrupted by himself as the Bowler Hat Guy. The Blu-ray also includes uncompressed 5.1 audio and a BD-J game, Bowler Hat Barrage! . A 3D Blu-ray was released on November 8, 2011. As of January 2008, the DVD had sold approximately 4 million copies. On

Hush, Little Baby - Misplaced Pages Continue

3864-668: The 1960s to the present day have used songs collected by Sharp in their work. Scores of Morris dance teams throughout England, and also abroad, demonstrate the resilience of the revival he played a large part in sustaining. In the US, the Country Dance and Song Society was founded with Sharp's support, and dancers there continue to participate in styles he developed. Over the last four decades, Sharp's work has attracted heated debate, with claims and counter-claims regarding selectivity, nationalism, appropriation, bowdlerisation and racism. Sharp

3956-687: The 3D version was preceded by the 1953 Donald Duck 3D short Working for Peanuts . The final credits of the 3D version were left two-dimensional, except for the names of those who converted the film to 3D. This is also the first Walt Disney animated film to have the Walt Disney Animation Studios logo before this movie the animated films from Walt Disney Animation Studios had Walt Disney Pictures logo before 2007. The DVD and Blu-ray versions were both released on October 23, 2007. Both versions feature 1.78 widescreen aspect ratio and Dolby Digital 5.1 surround sound , plus music videos,

4048-430: The Bowler Hat Guy reveals that Lewis is Wilbur's father, and that himself is the adult version of Lewis' roommate, Goob. Because he was repeatedly kept awake during Lewis' work on the scanner, Goob fell asleep during a Little League baseball game and failed to make an important catch, costing his team the championship. Goob, having been influenced by his future self's imprudent advice, became so withdrawn and bitter that he

4140-690: The Edwardian era, and thirdly for omitting the fact that Sharp had been open about his edits and preserved the original texts. In another paper, Bearman disputed statistics from Somerset communities that had been employed by Harker to challenge the notion of a rural peasantry. Harker's contention that much of the material collected by Sharp and others had its origins in commercial print is now widely accepted, however, and Sharp's narrow definition of what constituted "folk song" has been broadened considerably in more recent scholarship. In 1993 Georgina Boyes produced her book The Imagined Village – Culture, ideology and

4232-533: The English Folk Revival , which critiqued the Victorian and Edwardian folk song revival for having invented a culturally anachronistic rural community – "The Folk" - and making unrepresentative collections of songs to support the idea. The book was also critical of Sharp's controlling tendencies, which some of his contemporaries complained about, and interpreted the power struggle with Mary Neal over control of

4324-777: The Government House Choral Society and the Cathedral Choral Society. Later he became conductor of the Adelaide Philharmonic, and in 1889 entered into partnership with I. G. Reimann as joint director of the Adelaide College of Music. He was very successful as a lecturer but around the middle of 1891 the partnership was dissolved. The school continued under Reimann and in 1898 developed into the Elder Conservatorium of Music in connexion with

4416-575: The Helping Hats to dispose of him and enslave humanity, turning the future into a dystopia. Lewis repairs the second time machine, confronts Doris in the past, and invalidates her existence by vowing to never invent her, restoring the future. Back in Wilbur's time, Wilbur reluctantly attempts to ask the adult Goob to join the Robinson family at Lewis' request, but he flees in shame for his actions. Lewis finally meets Cornelius face to face. Cornelius explains how

4508-535: The Morris dance movement in terms of a patriarchal refusal to share power with a woman. Roy Judge's accounts, however, apportion blame more even-handedly and stress their ideological disagreement. There has also been criticism of Sharp's attitude towards the social dance activist Elizabeth Burchenal in the USA. Sharp's song collecting in the USA has also been the subject of controversy amongst American scholars of cultural politics. Henry Shapiro held him responsible in part for

4600-415: The Robinson house with a Tyrannosaurus rex , but the Robinsons incapacitate it. The Robinsons offer to adopt Lewis, but change their mind when they learn that he is from the past. Wilbur admits to lying to Lewis about taking him back to see his mother, causing Lewis to run off in disgust. The Bowler Hat Guy approaches Lewis, and offers to take him to his mother if he fixes the memory scanner. Once he does,

4692-460: The Robinsons is surely one of the worst theatrically released animated features issued under the Disney label in quite some time", while Lisa Schwarzbaum of Entertainment Weekly gave the film a "C" and said "This is one bumpy ride". Meet the Robinsons grossed $ 25,123,781 on its opening weekend, ranking in second place behind Blades of Glory . Over its theatrical run, it grossed $ 97,822,171 in

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4784-495: The Robinsons 2 , and ordered the studio to shift its focus towards spin-off films and original productions. A limited edition MagicBand bracelet was also released by the company to commemorate the 15th anniversary. The characters of Lewis, Wilbur, Bowler Hat Guy, Carl, and Lucille (in her young scientist judge appearance) made cameos appearances in 2023 short film Once Upon a Studio to celebrate Disney's 100th anniversary, in which they were recreated using new CGI models. This

4876-686: The Southern Appalachians . Sharp identified with the political left of his day. He joined the Fabian Society , a Socialist organisation, in 1900, and in later years became a supporter of the Labour Party. In his younger days he was considered a radical and, according to a teaching colleague, liked to “pull the legs off the Tories”. While at Cambridge, Sharp heard the lectures of William Morris , which probably influenced his later self-description as

4968-582: The United States of America and $ 72,730,548 in other territories, grossing $ 170,552,719 worldwide. The soundtrack album was released by Walt Disney Records on March 27, 2007. It includes four original songs written for the film, performed by Rufus Wainwright , Jamie Cullum , and Rob Thomas . Contributors to the album beyond the Danny Elfman score include another track by Wainwright ("The Motion Waltz (Emotional Commotion)"), The All-American Rejects ("The Future Has Arrived"), They Might Be Giants (" There's

5060-511: The United States. He was invited to act as dance consultant for a 1915 New York production of A Midsummer Night’s Dream and went on to give successful lectures and classes across the country on English folk song and especially folk dance. He met the wealthy philanthropist Helen Storrow in Boston, and with her and other colleagues was instrumental in setting up the Country Dance and Song Society . He also met Olive Dame Campbell , who brought with her

5152-795: The auspices of the South West Polytechnic in Chelsea, set up by the Principal, Dorette Wilkie , and stepped up his field collecting efforts, resulting in the publication of his notations over five volumes of The Morris Book (1907–1913). It has been argued that Sharp emphasised the Cotswold tradition of Morris dancing at the expense of other regional styles, although he did collect dances in Derbyshire. Sharp also developed an interest in sword dancing, and between 1911 and 1913 published three volumes of The Sword Dances of Northern England , which described

5244-483: The bourgeoisie of the working class, and Sharp in particular was strongly criticised. An expert on printed broadsides , Harker argued against the oral tradition and maintained that most of what Sharp had termed "folk song" in fact originated from commercially produced print copies. He also claimed that Sharp and Marson had bowdlerised or otherwise tampered with the songs, making "hundreds of alterations, additions and omissions" in their published material. Fakesong led to

5336-505: The challenge to animate CG humans. They took inspiration from Pixar 's The Incredibles when animating the characters. They also took inspiration from Disney animated classics, such as Alice in Wonderland , Cinderella , and Peter Pan , and from Warner Brothers cartoons to capture the 1950s aesthetic. While the film was in production, The Walt Disney Company announced on January 24, 2006, that it would be acquiring Pixar, and as

5428-543: The characteristic melodic patterns and recognisable tone intervals and ornaments of its national folk music. Among the composers who took up this goal was Ralph Vaughan Williams , who incorporated many melodies from Sharp's collections into his compositions, as well as a number from his own fieldwork in England. During the years of the First World War , Sharp found it difficult to support himself through his customary work in England, and decided to try to earn his living in

5520-524: The committee of the Folk-Song Society voted to approve the Board's list, causing a rift with Sharp. After his struggle with the Board of Education, Sharp published English Folk Song: Some Conclusions , in which he pursued his ideas about folk songs in schools. His main aim was to expound a theory for the development of folk song, based on Darwinian evolution and oral transmission - the passage of songs down

5612-509: The fair, pausing en route to wake Goob up at the baseball field just in time for him to make the winning catch, averting his future. Back at the fair, Lewis asks for one more chance to demonstrate his scanner, which this time succeeds. He is adopted by Lucille, one of the science fair judges, and her husband Bud, who nicknames him "Cornelius." Emboldened by his future family's credo of "keep moving forward," Lewis moves in with his new parents and begins his inventing career. In addition, Joe Robinson

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5704-476: The film an average grade of "A–" on an A+ to F scale. Realmovienews stated that it has "a snappy plot that demands close attention as it whizzes back and forth in the space-time continuum, touching on serious ideas and proposing some rather disturbing alternate realities. And the witty story twists are handled with rare subtlety and intelligence. In the end it may get a little weepy and inspirational. But it's so charming that we don't mind at all". Danny Minton of

5796-490: The film came from Disney animated classics, such as Alice in Wonderland , Cinderella , and Peter Pan , as well as Warner Brothers cartoons, to capture a 1950s aesthetic. Disney's acquisition of Pixar in early 2006 led to nearly 60% of the film, including the villain and the ending, being scrapped and reworked. Danny Elfman provided the film's score, while artists such as Rufus Wainwright , Rob Thomas , The All-American Rejects and They Might Be Giants contributed to

5888-555: The film was first unveiled during SIGGRAPH 2001 where a character resembling Lewis was showcased in a tech demo for "Project Gemini". Originally titled A Day with Wilbur Robinson , production began in June 2004, and was scheduled for a 2006 release. During the film's production, Walt Disney Animation Studios ' storyboard artist Stephen Anderson decided to direct the film due to his personal connection to Lewis, since they both grew up adopted. The studio planned to adapt Joyce's style to

5980-513: The film's soundtrack. Meet the Robinsons premiered at the El Capitan Theatre in Los Angeles on March 25, 2007, and was released in standard and Disney Digital 3-D formats in the United States on March 30. The film received generally positive reviews from critics, with praise directed towards the animation and story. However, it was a box office failure , grossing $ 170.5 million against

6072-401: The film, but due to his involvement stylistically in Blue Sky Studios ' Robots , the style was slightly reworked. While still taking cues from his retro style, influenced by everything from Technicolor movies to '40s architectural design, the crew also took inspiration from the company Apple . Unlike their previous film Chicken Little , a film starring CG animals, the animation crew had

6164-709: The foremost contribution to the study of British-American folk-song”, and by Archie Green as a “monumental contribution… an unending scroll in cultural understanding”. However, it can be argued that a fascination with Child Ballads and other old British material led him and the other fieldworkers of his era to misrepresent Appalachian folk music as an overwhelmingly Anglo-Saxon or Celtic tradition, and overlook its cultural diversity. Elizabeth DiSavino, in her 2020 biography of Katherine Jackson French, has claimed that Sharp had neglected to give proper acknowledgement to female and Scottish-diaspora sources, although in fact he mentioned both in his Introduction to English Folk Songs from

6256-403: The generations by word of mouth. Sharp put forward three principles: Continuity – individual songs had survived recognisably over centuries; Variation – songs existed in multiple versions as singers altered them; and Selection – a community would choose the most pleasing version. This implied that songs had no individual composer, since they had evolved to their present form "as the pebble on

6348-750: The home of his friend Charles Marson , a Christian Socialist he had met in Adelaide, and by then a vicar in Hambridge, Somerset. There he heard the gardener John England sing the traditional song The Seeds of Love . Although Sharp had already joined the Folk-Song Society in 1901, this was his first experience of folk song in the field, and it set him on a new career path. Between 1904 and 1914 he collected more than 1,600 songs in rural Somerset and over 700 songs from elsewhere in England. He published five volumes of Folk Songs from Somerset and numerous other books, including collections of sea shanties and folk carols, and became

6440-600: The interactions between these groups that had resulted in a dynamic, hybridised folk tradition. For instance, having witnessed in white communities a form of square dancing that he christened the “Kentucky Running Set”, Sharp interpreted it inaccurately as the survival of a 17th-century English style, whereas in fact it contained significant African-American and European elements. In their search for communities rich in British-origin songs, Sharp and Karpeles avoided German-American communities, and on one occasion turned back from

6532-435: The memory scanner started their successful career, and persuades Lewis to return to the science fair. Wilbur takes Lewis in the time machine, but surprises him by taking him back to the night when his mother left him at the orphanage. Lewis attempts to interact with her, but ultimately decides against it, content with the knowledge of his future family. Wilbur drops Lewis off in his own time and bids him farewell. Lewis heads to

6624-571: The most prolific. Sharp was able to relate well to people of a different social class, and established friendships with several singers; after his death Louisa Hooper wrote of his generosity in terms of payments, gifts and outings. He also collected a significant number of songs from Gypsies. In the Appalachians Sharp and Maud Karpeles similarly used local knowledge and their own initiative to find singers, and again made lasting friendships. Sharp notated songs mostly by ear. He experimented with

6716-451: The musical hegemony of Germany, a belief shared by Vaughan Williams and other composers. Sharp and Marson bowdlerised some of their song texts, especially those containing references to sexual intercourse. Given the prudery of the Edwardian era, these could never have been published in full (especially in a school textbook), but Sharp did note such lyrics accurately in his field notebooks, thus preserving them for posterity. A good example of

6808-691: The new technology of the phonograph, but rejected it on account of a lack of portability and potential intimidatory effect. He had assistance in taking down lyrics from Marson in Somerset, and Karpeles in the Appalachians, while making the musical notations himself. His transcriptions, which included melodic variations, were generally accurate, although some nuances were missed. Sharp was meticulous in noting singers’ names, locations and dates, enabling subsequent biographical research. He made many photographic portraits of singers at their homes or workplaces, providing

6900-414: The obscure and near-extinct Rapper sword dances of Northumbria and Long Sword dances of North Yorkshire. This led to the revival of both traditions in their home areas, and later elsewhere. Sharp, assisted initially by Marson, worked by asking around in rural Somerset communities for people who might sing old songs and located many informants, the sisters Louisa Hooper and Lucy White of Langport amongst

6992-445: The orphanage and asks him to repair the scanner. Lewis demands proof that Wilbur is telling the truth. Wilbur does so by taking Lewis in a second time machine to the year 2037, which is highly advanced technologically. When they arrive, Lewis theorizes that he can simply use the time machine to go back and prevent his mother from giving him up; an ensuing argument between the boys leads to the time machine crashing. Wilbur asks Lewis to fix

7084-562: The perception of Appalachian mountain culture as "Anglo-Saxon", while Benjamin Filene and Daniel Walkowitz claimed that Sharp had neglected to collect fiddle tunes, hymns, recent compositions, and songs of African-American origin. David Whisnant made similar claims about his selectivity, but praised him for being "serious, industrious and uniformly gracious to and respectful of local people". More recently, Phil Jamison has stated that Sharp "was interested only in English music and dances. He ignored

7176-484: The rest". However, Brian Peters’ detailed analysis of Sharp's collection identified a large number of American-made songs, plus hymns, fiddle tunes, and songs which Sharp himself described as having "negro" origins. Meet the Robinsons Meet the Robinsons is a 2007 American animated science-fiction comedy-drama film produced by Walt Disney Animation Studios and released by Walt Disney Pictures . It

7268-617: The revival both of the Morris and English country dance . In 1911, he co-founded the English Folk Dance Society, which was later merged with the Folk-Song Society to form the English Folk Dance and Song Society . Cecil Sharp's musical legacy extends into English orchestral music, and the classroom singing experienced by generations of schoolchildren. Many of the most popular musicians of the British Folk Revival from

7360-428: The sea shore is rounded and polished by the action of the waves". However, some in the folk song movement, such as Kidson, were sceptical of this theory. Sharp argued that folk songs expressed Englishness, and it was vital that they should be taught in schools to inculcate a sense of national identity. He also suggested that their melodies should form the basis of a new English movement in art music, in competition with

7452-721: The song descends from Jean Ritchie's Kentucky family. The song has been performed and recorded by many artists including Joan Baez , Burl Ives , Regina Spektor , Nina Simone , The Weavers and the Mormon Tabernacle Choir . Additionally, the song has been adapted into pop songs such as Maurice King 's "Hambone", Inez and Charlie Foxx 's " Mockingbird " and Bo Diddley 's eponymous song " Bo Diddley ", as well as Bobby McFerrin and Yo-Yo Ma 's "Hush Little Baby" and Eminem 's " Mockingbird ". Aretha Franklin , Carly Simon , James Taylor , Etta James , Taj Mahal and Dusty Springfield have each recorded " Mockingbird ", which

7544-426: The time machine, and Lewis agrees on the condition that Wilbur has to take him to visit his mother afterwards. Reluctantly, Wilbur agrees and hides Lewis in the garage. Lewis accidentally ends up meeting the rest of the Robinson family except for Cornelius, Wilbur's father and the inventor of the time's technologies, who is away on a business trip. Having followed Lewis, the Bowler Hat Guy tries to kidnap him by attacking

7636-497: The traditional dances through workshops held nationwide, and which later merged with the Folk-Song Society in 1932 to form the English Folk Dance and Song Society (EFDSS). The current London headquarters of the EFDSS is named Cecil Sharp House in his honour. Sharp's work coincided with a period of nationalism in classical music , the idea being to reinvigorate and give distinctiveness to English classical composition by grounding it in

7728-403: The transformation of a formerly erotic song into one suitable for all audiences is Gently Johnny My Jingalo . The immediate goal of Sharp's project – disseminating the distinctive, and hitherto little known melodies of these songs through music education – might also explain why he considered the song texts less important. In 1911 Sharp co-founded the English Folk Dance Society, which promoted

7820-570: The university. Sharp had made many friends and an address with over 300 signatures asked him to continue his work at Adelaide, but he decided to return to England and arrived there in January 1892. During his stay in Adelaide he composed the music for an operetta Dimple's Lovers performed by the Adelaide Garrick Club at the Albert Hall on 9 September 1890, and two light operas, Sylvia , which

7912-736: The words, and they collected songs from singers including Jane Hicks Gentry , Mary Sands and young members of the Ritchie family of Kentucky. Sharp was particularly interested in the tunes, which he found very beautiful and often set in ‘gapped scales’. Sharp wrote the following words a few weeks after his arrival in Appalachia: The people are just English of the late eighteenth or early nineteenth century.  They speak English, look English, and their manners are old-fashioned English.  Heaps of words and expressions they use habitually in ordinary conversation are obsolete, and have been in England

8004-463: The ‘National Songs’, which were absent from the 1906 collection English Folk Songs for Schools , co-written with Baring-Gould and using Sharp's piano arrangements. Sharp was determined that folk song should be at the heart of the curriculum, and fought the Board of Education in 1905 over their list of songs recommended for schools, which included many ‘National Songs’. His colleagues Frank Kidson and Lucy Broadwood , did not share his view, however, and

8096-529: Was born in Camberwell , Surrey , the eldest son of James Sharp (a slate merchant who was interested in archaeology, architecture, old furniture and music) and his wife, Jane née Bloyd, who was also a music lover. They named him after the patron saint of music , on whose feast he was born. Sharp was educated at Uppingham , but left at 15 and was privately coached for the University of Cambridge , where he rowed in

8188-437: Was imprisoned for her activities; after her release from Holloway she wrote to Sharp stating that she had no wish to quarrel over the matter, and that she did not believe he was a “confirmed ‘anti’”. Sharp was a nationalist, and believed that exposure to English folk song would engender a spirit of patriotism. Sharp died of cancer of the upper respiratory system at Hampstead on 23 June 1924. Sharp’s ideas held sway for half

8280-428: Was never adopted and remained in the orphanage long after it closed. Doris is a Helping Hat, a failed and abandoned Robinson invention. They both blamed Lewis for their misfortunes and decided to ruin his life. Leaving Lewis in the future, they return to the past and enact their plan, successfully pitching the memory scanner and subsequently mass-producing Helping Hats. However, it is revealed that Doris tricked Goob, using

8372-541: Was offered by C. J. Bearman, who noted numerous statistical discrepancies in Harker's claims that Sharp and Marson's choices of songs for publication were unrepresentative: "It is an interesting variety of mistake which so consistently produces errors in favour of the argument being presented.” Bearman also disputed Harker's claims of mass bowdlerisation, on grounds firstly of factual misrepresentation and exaggeration, secondly for ignoring constraints on publishing erotic material in

8464-458: Was produced at the Theatre Royal on 4 December 1890, and The Jonquil . The libretto in each case was written by Guy Boothby . Sharp also wrote the music for some nursery rhymes which were sung by the Cathedral Choral Society. In 1892 Sharp returned to England and on 22 August 1893 at East Clevedon, Somerset, he married Constance Dorothea Birch, also a music lover. They had three daughters and

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