Huaining County ( simplified Chinese : 怀宁县 ; traditional Chinese : 懷寧縣 ; pinyin : Huáiníng Xiàn ) is a county in the southwest Anhui Province, China, under the jurisdiction of the prefecture-level city of Anqing . It has a population of 790,000 and an area of 1,543 km (596 sq mi). The government of Huaining County was originally based in Shipai (Shihpai) ( 石牌镇 ) Town and moved to its current location in Gaohe Town ( 高河镇 ) on 18 January 2002.
57-457: Huaining County has jurisdiction over fifteen towns and five townships. Towns Townships: Huaining County is noted as the birthplace of Huangmei opera . This Anqing location article is a stub . You can help Misplaced Pages by expanding it . Huangmei opera Huangmei Opera or Huangmei tone ( 黃梅戲 or 黃梅調 , pinyin : Huángméixì or Huángméidiào ) is a form of Chinese opera originating from Anqing , Anhui province, as
114-499: A strategy game featuring several martial arts schools which commonly appear in wuxia fiction. The wuxia genre continues to be drawn as a pool of inspiration or source material for Chinese video game studios. In June 2022, Tencent's Lightspeed Studio released a demo trailer on Code: To Jin Yong . In the following month, Everstone Studio unveiled Where Winds Meet , a game compared to Ghost of Tsushima and Assassin's Creed . 2023 saw
171-407: A backdrop. Elements of fantasy, such as the use of magic powers and appearance of supernatural beings, are common in some wuxia stories but are not a prerequisite of the wuxia genre. However, the martial arts element is a definite part of a wuxia tale, as the characters must know some form of martial arts. Themes of romance are also strongly featured in some wuxia tales. A typical wuxia story features
228-508: A big opera festival. Audiences from various areas were shocked and appreciated Huangmei opera, attracted by its new singing forms and stories. Huangmei opera became very popular and famous after that. The big success evoked the passion of Huangmei opera artists and they created The Marriage of A Fairy Princess and Female Consort Prince which are classics. The theme of Huangmei opera began to expand with its initial introduction in Hong Kong via
285-513: A certain pattern: a tragic event occurs, usually one that costs the lives of the newly introduced characters, and then it sets events into motion that will culminate in the primary action of the story. Other stories use different structures. For instance, the protagonist is denied admission into a martial arts school. He experiences hardships and trains secretly and waits until there is an opportunity for him to show off his skills and surprise those who initially looked down on him. Some stories feature
342-583: A corrupt government, played an influential role in the development of jianghu (Jianghu is the setting that wuxia stories inhabit. Literally meaning "rivers and lakes", Jianghu settings are fictionalized versions of China which focus on social underworlds and the marginalized figures which inhabit them." ) culture in later centuries. Romance of the Three Kingdoms is also seen as a possible early antecedent and contains classic close-combat descriptions that were later emulated by wuxia writers in their works In
399-524: A form of rural folk song and dance. It is also referred to as Anhui Opera. It has been in existence for the last 200 years and possibly longer. Huangmei opera is one of the most famous and mainstream opera in China (others are Beijing opera , Yue opera , Ping opera and Yu opera ), and is a class of the typical Anhui opera. The original Huangmei opera was sung by women in Anqing areas when they were picking tea, and
456-438: A formidable martial artist and intelligent problem-solver, embarks on a quest to solve a mystery such as a murder case. Huang Yi's stories are blended with science fiction. Despite these genre-blending elements, wuxia is primarily a historical genre of fiction. Notwithstanding this, wuxia writers openly admit that they are unable to capture the entire history of a course of events and instead choose to structure their stories along
513-606: A franchise of eight video games, two of which were adapted into the television series Chinese Paladin (2005) and Chinese Paladin 3 (2009). There are also MMORPGs , such as JX Online 3 , Heroes of Kung Fu and Age of Wulin , and hack and slash games, such as Bujingai and Heavenly Sword . Games adapted from the works of wuxia writers include Heroes of Jin Yong , an RPG based on characters in Jin Yong 's novels; Dragon Oath , an MMORPG inspired by Jin Yong's Demi-Gods and Semi-Devils ; and Martial Kingdoms ,
570-405: A later period. Chen Yu-hui is a contemporary female wuxia novelist who made her debut with the novel The Tian-Guan Duo Heroes (天觀雙俠). There have also been works created after the 1980s which attempt to create a post-wuxia genre. Yu Hua , one of the more notable writers from this period, published a counter-genre short story titled Blood and Plum Blossoms , in which the protagonist goes on
627-400: A lord, wield military power, or belong to the aristocratic class. They often originate from the lower social classes of ancient Chinese society. A code of chivalry usually requires wuxia heroes to right and redress wrongs, fight for righteousness, remove oppressors, and bring retribution for past misdeeds. Chinese xia traditions may be compared to martial codes from other cultures, such as
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#1733084604759684-544: A martial artist attending underground fights. The Mulan remake in 2020 was Disney 's attempt in making a wuxia movie. In 2021, Marvel 's Shang-Chi opens with a wuxia sequence and has action sequences inspired by Jackie Chan. Some notable wuxia video games of the action RPG genre include The Legend of Sword and Fairy , Xuan-Yuan Sword , Jade Empire , and Kingdom of Paradise , all of which blend wuxia with elements of Chinese mythology and fantasy. The Legend of Sword and Fairy , in particular, expanded into
741-681: A master or training with a group of fighters. Menpai is often translated as sect, school, society, church, house, or cult. Members of the same menpai follow the guidance and train under the same leader. If the members of the menpai are related, then it can be translated as clan. Since some of the menpai are religiously affiliated, "sect" has come to be a common translation for the non-family based menpai. However, it would be inaccurate to use sect to denote menpais that are not associated with religion. Notable modern wuxia writers include: New and original wuxia writings have dwindled significantly in modern times, particularly so as patronage and readerships of
798-485: A mature hero with powerful martial arts abilities confronting an equally powerful antagonist as his nemesis. The plot will gradually meander to a final dramatic showdown between the protagonist and his nemesis. These types of stories were prevalent during the era of anti- Qing revolutionaries. Certain stories have unique plots, such as those by Gu Long and Huang Yi . Gu Long's works have an element of mystery and are written like detective stories. The protagonist, usually
855-498: A quest to avenge his murdered father. Wuxia as a genre has also spread to Korean literature. The shared themes in both culture seem to be honor, revenge, martial sects and mystical prowess. While Chinese wuxia stories incorporate Daoist and Buddhist philosophy, Korean adaptations tend to put more weight in Confucius principles. Korean historical dramas depict martial arts but tend to downplay the mysticism though there are stories where it
912-617: A symbol of personal freedom, defiance to Confucian tradition, and rejection of the Chinese family system. Xiang Kairan (pen name Pingjiang Buxiaosheng ) became the first notable wuxia writer, with his debut novel being The Peculiar Knights-Errant of the Jianghu (江湖奇俠傳). It was serialised from 1921 to 1928 and was adapted into the first wuxia film, The Burning of the Red Lotus Temple (1928). Zhao Huanting (趙煥亭), who wrote Chronicles of
969-441: A young male protagonist who experiences a tragedy – such as the loss of his loved ones – and goes on to undertake several trials and tribulations to learn several forms of martial arts from various fighters. At the end of the story, he emerges as a powerful fighter whom few can equal. He uses his abilities to follow the code of xia and mends the ills of the jianghu . For instance, the opening chapters of some of Jin Yong's works follow
1026-555: Is a choreographer who achieved fame by crafting action-sequences in wuxia films. Wuxia was introduced to Hollywood studios in 2000 by Ang Lee 's Crouching Tiger, Hidden Dragon , though influence of the genre was previously seen in the United States in the 1970s television series Kung Fu . Following in Lee's footsteps, Zhang Yimou made Hero , targeted for the international market in 2002, House of Flying Daggers in 2004, Curse of
1083-438: Is instead embraced like the seeries Gu family book . The influence of Wuxia can also be found in games, manhwa and light novel in which the settings are depicted in ancient times with distinct wuxia aesthetics. Modern wuxia stories are largely set in ancient or pre-modern China . The historical setting can range from being quite specific and important to the story, to being vaguely-defined, anachronistic, or mainly for use as
1140-733: Is mainly composed of small plays, the tone is healthy and simple, beautiful and cheerful, with a strong sense of life and the color of the folk songs; the color cavity is very popular, and it has been widely used in the small dramas; the main theme is the vocal used in the traditional Chinese drama of Huangmei opera. The Huangmei Opera is pure and fresh, exquisite and moving, with a bright and expressive sensibility, rich in expressiveness, easy to understand, easy to popularize, and deeply loved by people all over China. There are Xiaosheng , Xiaodan , Chou role , Zhengdan , Laosheng, Laochou and so on in Huangmei Opera. The classification of Huangmei opera
1197-723: Is not strict. In the early days, Huangmei Opera was mainly based on "two small plays" ( Xiaosheng , Xiaodan ) and "three small plays" ( Xiaosheng , Xiaodan , Chou role ). On the basis of its own development, the workmanship of the Huangmei opera draws lessons from some characteristics of the Peking Opera , Kunqu Opera , and Sichuan Opera , and is unique. Famous Huangmei opera troupes include Anhui Huangmei Theater , Anqing Huangmei Theater , Hubei Huangmei Theater and so on. Taiwan 's theater troupes include Wang Youlan Huangmei Diaojuyifang , Yunqingyue Dance Troupe , etc. Huangmei Opera
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#17330846047591254-425: Is often referred to as a xiákè ( 俠客 , literally "follower of xia ") or yóuxiá ( 遊俠 , literally "wandering xia "). In some translations, the martial artist is referred to as a jiànxiá ( 劍俠 ) or jiànkè ( 劍客 ), either of which can be interpreted as a "swordsman" or "swordswoman", even though they may not necessarily wield a sword. The heroes in wuxia fiction typically do not serve
1311-775: Is the center of the opera and enrich the Huangmei Songs into a real opera. Huangmei opera did not involve the traditional opera gestures which often used the sleeves and step movements. It was also not performed on stage initially but as a kind of roving troupe performance. The Huangmei opera was active in Anhui Province, Hubei Province and Jiangxi Province in the late 19th century. From the Revolution of 1911 to 1949, Huangmei performances gradually became professional, from rural areas to city stages. After Huangmei arrived in Anqing City from
1368-518: Is the third Chinese opera genre with undergraduate education. Anqing Normal University has an undergraduate major in Huangmei Opera performance. In addition, there is a professional Huangmei opera school. Anhui Huangmei Opera Art Vocational College is a full-time comprehensive public higher art college approved by the Anhui Provincial People's Government and filed by the Ministry of Education. It
1425-581: The Great Classical Novels of Chinese literature. The former is a romanticised historical retelling of the events in the late Eastern Han dynasty and the Three Kingdoms period, while the latter criticises the deplorable socio-economic status of the late Northern Song dynasty. Water Margin is often seen as the first full-length wuxia novel: the portrayal of the 108 heroes , and their code of honour and willingness to become outlaws rather than serve
1482-613: The Qing dynasty (1644-1911), further developments were the gong'an (公案; literally "public case") and related detective novels, where xia and other heroes, in collaboration with a judge or magistrate, solved crimes and battled injustice. The Justice Bao stories from Sanxia Wuyi (三俠五義; later extended and renamed to Qixia Wuyi ) and Xiaowuyi (小五義), incorporated much of social justice themes of later wuxia stories. Xiayi stories of chivalrous romance, which frequently featured female heroes and supernatural fighting abilities, also surfaced during
1539-712: The Shaw Brothers Studio featured sophisticated action choreography using wire and trampoline assisted acrobatics combined with sped-up camera techniques. The storylines in the early films were loosely adapted from existing literature. Cheng Pei-pei , Jimmy Wang and Connie Chan are among the better known wuxia movie stars in the 1960s–70s, when films made by King Hu and the Shaw Brothers Studio were most prominent. More recent wuxia movie actors and actresses include Jet Li , Brigitte Lin , Michelle Yeoh , Donnie Yen , Tony Leung and Zhang Ziyi . Yuen Woo-ping
1596-892: The Shi Ji , Sima Qian detailed several embryonic features of xia culture from his period. These popular phenomena were also documented in other historical records such as the Book of Han and the Book of the Later Han . Xiake stories made a turning point in the Tang dynasty (618–907) and returned in the form of chuanqi (傳奇; literally "legendary tales"). Stories from that era, such as Nie Yinniang (聶隱娘), The Kunlun Slave , Thirteenth Madame Jing ( 荊十三娘 ), Red String (紅線) and The Bearded Warrior (虬髯客), served as prototypes for modern wuxia stories. They featured fantasies and isolated protagonists – usually loners – who performed daring heroic deeds. During
1653-585: The Song dynasty (960–1279), similar stories circulated in the huaben , short works that were once thought to have served as prompt-books for shuochang (traditional Chinese storytelling). The genre of the martial or military romance also developed during the Tang dynasty. In the Ming dynasty (1368-1644), Luo Guanzhong and Shi Nai'an wrote Romance of the Three Kingdoms and Water Margin respectively, which are among
1710-1037: The Spring and Autumn period . Some well-known stories include Zhuan Zhu 's assassination of King Liao of Wu , and most notably, Jing Ke 's attempt on the life of the King of Qin (who later became Qin Shi Huang ). In Volume 86 of the Records of the Grand Historian ( Shi Ji ), Sima Qian mentioned five notable assassins – Cao Mo , Zhuan Zhu , Yu Rang , Nie Zheng and Jing Ke – in the Warring States period who undertook tasks of conducting political assassinations of aristocrats and nobles. These assassins were known as cike (刺客; literally "stabbing guests"). They usually rendered their loyalties and services to feudal lords and nobles in return for rewards such as riches and women. In Volume 124 of
1767-504: The jianghu , martial artists are expected to be loyal to their master ( Shifu ). This gives rise to the formation of several complex trees of master-apprentice relations as well as the various schools such as Shaolin and Wudang . If there are any disputes between fighters, they will choose the honourable way of settling their issues through fighting in duels. The martial arts in wuxia stories are based on wushu techniques and other real life Chinese martial arts . In wuxia tales, however,
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1824-523: The 1920s. Extant early wuxia films produced in China include Red Heroine (1929), Woman Warrior White Rose (1929), and Woman Warrior of the Wild River 6: Rumble at Deerhorn Gully (1930), the sixth film in a series. Hua Mu Lan (1939), another surviving film, is considered a representative of the second wave of wuxia films, during the Anti-Japanese War. Films directed by King Hu and produced by
1881-459: The 1959 film The Kingdom and the Beauty ( 江山美人 ). The artform is believed to have come from the massive wave of immigrants from mainland China to Hong Kong in the 1950s. The film that peaked the music genre was 1963's The Love Eterne . The audience was attracted by the rewritten music style which combined both Chinese and Western musical instruments. The tempo was also livelier and faster than
1938-523: The Golden Flower in 2006 and Shadow in 2018. Western audiences were also introduced to wuxia through Asian television stations in larger cities, which featured miniseries such as Warriors of the Yang Clan and Paradise , often with English subtitles. Ash Is Purest White (Chinese: 江湖儿女; 'Sons and Daughters of Jianghu'), a 2018 Chinese drama directed by Jia Zhangke, is a modern film that refers to
1995-455: The Japanese samurai bushidō . Even though the term "wuxia" as the name of a genre is a recent coinage, stories about xia date back more than 2,000 years. Wuxia stories have their roots in some early youxia tales from 300–200 BC. The Legalist philosopher Han Fei spoke disparagingly of youxias in his book Han Feizi in the chapter On Five 'Maggot' Classes about five social classes in
2052-978: The Loyal Knights-Errant (奇俠精忠傳, serialised 1923–27), was another well-known wuxia writer based in Shanghai. Starting from the 1930s, wuxia works proliferated and its centre shifted to Beijing and Tianjin in northern China. The most prolific writers there were collectively referred to as the Five Great Masters of the Northern School (北派五大家): Huanzhulouzhu , who wrote The Swordspeople from Shu Mountains (蜀山劍俠傳); Gong Baiyu (宮白羽), who wrote Twelve Coin Darts (十二金錢鏢); Wang Dulu , who wrote The Crane-Iron Pentalogy (鹤鉄五部作); Zheng Zhengyin (郑証因), who wrote The King of Eagle Claws (鹰爪王); Zhu Zhenmu (朱貞木), who wrote The Seven 'Kill' Stele (七殺碑). Wuxia fiction
2109-606: The Qing dynasty. Novels such as Shi Gong'an Qiwen (施公案奇聞) and Ernü Yingxiong Zhuan (兒女英雄傳) have been cited as the clearest nascent wuxia novels. The term "wuxia" as a genre label itself first appeared at the end of the Qing dynasty, a calque of the Japanese " bukyō ", a genre of oft-militaristic and bushido -influenced adventure fiction. The term was brought to China by writers such as Liang Qichao and students who hoped that China would modernise its military and place emphasis on martial virtues, and it quickly became entrenched as
2166-411: The counties of Haining, Susong, Tongcheng, artists developed the opera and borrowed performance styles from other operas. They reformed the traditional chants, reducing the function words to make the drama easy to understand with a lively rhythm. 1952 is a key year for Huangmei opera. It was during this year that the excellent artists Yan Fengying, Wang Shaofang and others gave performances in Shanghai for
2223-517: The first three in The Matrix film series (1999–2003, the fourth film from 2021 was choreographed by Joshua Grothe ) and the Kill Bill films from 2003 to 2004, all of which were choregraphed by Yuen Woo-ping . Perhaps the most successful example was DreamWorks Animation 's media franchise Kung Fu Panda . Created as an earnest, if humorous, emulation by producers who were knowledgeable admirers of
2280-461: The founding of a "new school" of the wuxia genre that differed largely from its predecessors. They wrote serials for newspapers and magazines. They also incorporated several fictional themes such as mystery and romance from other cultures. In Taiwan, Wolong Sheng , Sima Ling , Zhuge Qingyun (諸葛青雲), Shiao Yi (萧逸) and Gu Long became the region's best known wuxia writers. After them, writers such as Woon Swee Oan and Huang Yi rose to prominence in
2337-457: The genre decimated due to readily available alternatives in entertainment such as DVDs, gaming consoles, and other newer forms of entertainment. However, the genre has persisted in the form of manhua (Chinese comics) in places like Hong Kong and Taiwan, with the core essentials of the wuxia genre living on in weekly editions equivalent to the Japanese manga . Some notable comic artists are listed as follows: The earliest wuxia films date back to
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2394-537: The genre, the series has been particularly hailed in China as an excellent contribution to the form. From the 1990s–2000s, Hong Kong stars Daniel Wu and Stephen Fung have worked with AMC Networks to bring wuxia to a US television audience with Into the Badlands , which premiered in 2015 and ran for three seasons. In 2013, Keanu Reeves directed and starred as the main antagonist in Man of Tai Chi , with Tiger Chen as
2451-408: The importance of vengeance is controversial, as a number of wuxia works stress Buddhist ideals, which include forgiveness, compassion and a prohibition on killing. While borrowing ideas from the better known Confucian values, the root of Xia originated from the lesser known Mohism , which in the Warring States period saw a few Mohists stood up to defend kingdoms being attacked by other kingdoms. In
2508-624: The mastery of such skills are highly exaggerated to superhuman levels of achievement and prowess. The following is a list of skills and abilities a typical fighter in a wuxia story possesses: In wuxia stories, characters attain the above skills and abilities by devoting themselves to years of diligent study and exercise, but can also have such power conferred upon them by a master who transfers his energy to them. The instructions to mastering these skills through training are found in secret manuals known as miji (秘笈). In some stories, specific skills can be learned by spending several years in seclusion with
2565-534: The opera was called the Picking Tea Song . In the late Qing dynasty , the songs were popular in Anhui Huaining County adjacent regions, combined with the local folk art, Anqing dialect with singing and chants, and gradually developed into a newborn's operas. The music is performed with a pitch that hits high and stays high for the duration of the song. It is unique in the sense that it does not sound like
2622-455: The other Chinese opera branches. There is usually a greater emphasis on the singing than the display. In Hong Kong there is not necessarily a requirement to wear any traditional Chinese opera attire. An example is the cantopop artist Jenny Tseng singing Huangmei style music with Ivy Ling Po in a concert. The melody of Huangmei Opera is a plate-like variant, with three lumens: flower cavity, color cavity, and main tone. The flower cavity
2679-488: The pattern of the protagonist's progression from childhood to adulthood instead. The progression may be symbolic rather than literal, as observed in Jin Yong's The Smiling, Proud Wanderer , where Linghu Chong progresses from childish concerns and dalliances into much more adult ones as his unwavering loyalty repeatedly thrusts him into the rocks of betrayal at the hands of his inhumane master. The eight common attributes of
2736-535: The term used to refer to xiayi and other predecessors of wuxia proper. In Japan, however, the term "bukyō" faded into obscurity. Many wuxia works produced during the Ming and Qing dynasties were lost due to the governments' crackdown on and banning of such works. Wuxia works like Water Margin were deemed responsible for brewing anti-government sentiments, which led to rebellions in those eras. The departure from mainstream literature also meant that patronage of this genre
2793-640: The traditional opera. During this period, many Huangmei films were made, evolving into various forms and combinations, which later included wuxia sword fights. Because the genre has such a heavy association with romance films like The Love Eterne , it is sometimes preferred that the singing be done with a male and a female pair. There has only been a handful of big name Huangmei artists in Hong Kong. Betty Loh Ti and Ivy Ling Po , Tsin Ting are some examples. Huangmei costumes are generally less extravagant compared to
2850-452: The typical rhythmic Chinese opera . In the 1960s Hong Kong counted the style as much as an opera as it was a music genre. Today it is more of a traditional performance art with efforts of revival in mainland China , Hong Kong, and Taiwan , and mostly sung in Mandarin . In 2006, Huangmei Opera was selected for the first batch of China's national intangible cultural heritage. Huangmei opera
2907-552: The underworld interpretation of jianghu. It was selected to compete for the Palme d'Or at the 2018 Cannes Film Festival. The story is loosely based on the leader of a gang from Jia Zhangke's childhood, whom he had admired as a role model. Like the rest of Jia's films, it opened to widespread acclaim. There have been Western attempts at the genre, such as the 2008 film The Forbidden Kingdom , which starred Jackie Chan , Jet Li and Michael Angarano ; other movies including wuxia elements are
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#17330846047592964-397: The world. According to Hong Kong film director, producer, and movie writer Ronny Yu , wuxia movies are not to be confused with martial arts movies . The word " wǔxiá " is a compound composed of the elements wǔ ( 武 , literally "martial", "military", or "armed") and xiá ( 俠 , literally "chivalrous", " vigilante " or "hero"). A martial artist who follows the code of xia
3021-589: The xia are listed as benevolence, justice, individualism, loyalty, courage, truthfulness, disregard for wealth, and desire for glory. Apart from individualism, these characteristics are similar to Confucian values such as ren (仁; "benevolence", "kindness"), zhong (忠; "loyalty"), yong (勇; "courage", "bravery") and yi (義; "righteousness"). The code of xia also emphasises the importance of repaying benefactors after having received deeds of en (恩; "grace", "favour") from others, as well as seeking chou (仇; "vengeance", "revenge") to bring villains to justice. However,
3078-507: Was banned at various times during the Republican era and these restrictions stifled the growth of the genre. In 1949, China also banned martial arts novels as vulgar reading. In Taiwan, the government banned several wuxia works in 1959. Despite this, wuxia prevailed in other Chinese-speaking regions. In Hong Kong, between the 1960s and 1980s, the genre entered a golden age . Writers such as Liang Yusheng and Louis Cha ( Jin Yong ) spearheaded
3135-647: Was established in April 2011. Its predecessor was Anhui Huangmei Opera School established in 1958. Wuxia Wuxia ( 武俠 [ù.ɕjǎ] , literally "martial arts and chivalry") is a genre of Chinese fiction concerning the adventures of martial artists in ancient China. Although wuxia is traditionally a form of historical fantasy literature, its popularity has caused it to be adapted for such diverse art forms as Chinese opera , manhua , television dramas, films, and video games. It forms part of popular culture in many Chinese-speaking communities around
3192-462: Was limited to the masses and not to the literati, which led to the stifling of the development of the wuxia genre. Nonetheless, the wuxia genre remained enormously popular with the common people. The modern wuxia genre rose to prominence in the early 20th century after the May Fourth Movement of 1919. A new literature evolved, calling for a break with Confucian values, and the xia emerged as
3249-536: Was originally named as Wan Opera or Huai Opera. The origins of Huangmei opera are not clear, and there is disagreement among scholars. About the only thing certain is that this style came from the city of Anqing, China . Generally accepted opinion is that the opera is from the greater Anqing area (junction of Anhui and Hubei and Jiangxi Province). It became a part of the operatic genre in the Anqing region of southwestern Anhui province before 18th century. The city of Anqing
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