Ian Christe (born 21 March 1970 in Biel/Bienne ) is a Swiss author, disc jockey and the publisher of Bazillion Points Books. He attended Mynderse Academy , The Clarkson School's Bridging Year , and Indiana University Bloomington (1987–1990).
94-506: Holy Diver is the debut studio album by the American heavy metal band Dio , released in 1983. The album was acclaimed by the music press and is the band's most successful album. Released on May 25, 1983, the album has been hailed by critics as Dio's best work and a classic staple in the heavy metal genre. The album was certified gold in the US on September 12, 1984, and platinum on March 21, 1989. In
188-558: A staccato attack created by using a palm-muted technique on the rhythm guitar. Brief, abrupt and detached rhythmic cells are joined into rhythmic phrases with a distinctive, often jerky texture. These phrases are used to create rhythmic accompaniment and melodic figures called riffs , which help to establish thematic hooks . Heavy metal songs also use longer rhythmic figures such as whole note - or dotted quarter note-length chords in slow-tempo power ballads . The tempos in early heavy metal music tended to be "slow, even ponderous". By
282-429: A body of water, wrapped up and locked in the other end of the broken chain. Dio was quick to argue that appearances are misleading, that it could just as easily be a priest killing a devil, wanting people not to "judge a book by its cover". Murray is featured on several other Dio albums. Around the time of making the album, a rise of heroic adventure elements in popular culture (such as J. R. R. Tolkien 's The Lord of
376-489: A drummer, a bassist, a rhythm guitarist, a lead guitarist and a singer, who may or may not be an instrumentalist. Keyboard instruments are sometimes used to enhance the fullness of the sound. Deep Purple 's Jon Lord played an overdriven Hammond organ . In 1970, John Paul Jones used a Moog synthesizer on Led Zeppelin III ; by the 1990s, synthesizers were used in "almost every subgenre of heavy metal". The electric guitar and
470-780: A freelance magazine writer, his articles appeared in Rolling Stone , Popular Mechanics , Spin , AP , Wired , Revolver , CMJ , Stance , Bananafish , Mother Jones , The Baffler , the Chicago Reader , Warp , Blender , Salon.com , HotWired , Mass Appeal , the Utne Reader , I.D. , and Guitar World . Christe has also made film and television appearances on VH1 Classic , MTV2 , VH1 , and several metal-related documentaries. He has penned liner notes to releases by Megadeth , Death , Mantas , William Hooker , and others. His unusual metal band, Dark Noerd
564-473: A heavy metal direction. A few commentators – mainly American – argue for other groups, including Iron Butterfly , Steppenwolf , Blue Cheer , or Vanilla Fudge , as the first to play heavy metal. In 1968, the sound that would become known as heavy metal began to coalesce. That January, San Francisco band Blue Cheer released a cover of Eddie Cochran 's classic " Summertime Blues " as a part of their debut album, Vincebus Eruptum , and many consider it to be
658-517: A heavy-metals blues sound". In January 1970, Lucian K. Truscott IV , reviewing Led Zeppelin II for the Village Voice , described the sound as "heavy" and made comparisons with Blue Cheer and Vanilla Fudge . Other early documented uses of the phrase are from reviews by critic Metal Mike Saunders . In the 12 November 1970 issue of Rolling Stone , he commented on an album put out the previous year by
752-428: A major influence on heavy metal since the genre's earliest days, and that metal's "most influential musicians have been guitar players who have also studied classical music. Their appropriation and adaptation of classical models sparked the development of a new kind of guitar virtuosity [and] changes in the harmonic and melodic language of heavy metal." In an article written for Grove Music Online , Walser stated that
846-491: A massive, heavy sound from unison riffing between guitarist Eric Clapton and bassist Jack Bruce , as well as Ginger Baker 's double bass drumming. Their first two LPs – Fresh Cream (1966) and Disraeli Gears (1967) – are regarded as essential prototypes for the future style of heavy metal. The Jimi Hendrix Experience 's debut album, Are You Experienced (1967), was also highly influential. Hendrix 's virtuosic technique would be emulated by many metal guitarists, and
940-659: A party without limits ... [T]he bulk of the music is stylized and formulaic." Music critics have often deemed metal lyrics juvenile and banal, and others have objected to what they see as advocacy of misogyny and the occult. During the 1980s, the Parents Music Resource Center petitioned the U.S. Congress to regulate the popular music industry due to what the group asserted were objectionable lyrics, particularly those in heavy metal songs. Andrew Cope stated that claims that heavy metal lyrics are misogynistic are "clearly misguided" as these critics have "overlook[ed]
1034-419: A spirit of "affectionate rivalry". Heavy metal "demands the subordination of the voice" to the overall sound of the band. Reflecting metal's roots in the 1960s counterculture, an "explicit display of emotion" is required from the vocals as a sign of authenticity. Critic Simon Frith claims that the metal singer's "tone of voice" is more important than the lyrics. The prominent role of the bass is also key to
SECTION 10
#17328976158601128-789: A trippy, distorted haze". During the late 1960s, many psychedelic singers, such as Arthur Brown , began to create outlandish, theatrical, and often macabre performances that influenced many metal acts. The American psychedelic rock band Coven , who opened for early heavy metal influencers such as Vanilla Fudge and the Yardbirds, portrayed themselves as practitioners of witchcraft or black magic , using dark – Satanic or occult – imagery in their lyrics, album art and live performances, which consisted of elaborate, theatrical " Satanic rites ". Coven's 1969 debut album, Witchcraft Destroys Minds & Reaps Souls , featured imagery of skulls, black masses , inverted crosses , and Satan worship, and both
1222-691: Is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock , psychedelic rock and acid rock , heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos , emphatic beats and loudness . In 1968, three of the genre's most famous pioneers – British bands Led Zeppelin , Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during
1316-517: Is an audio interview with Ronnie James Dio . Tracks 10–19 on the 2005 edition are Dio's answers to various questions about the album. The questions are not posed during the interview itself, but can be found inside the CD's booklet instead. The album, along with The Last in Line and Sacred Heart , were released in a new two-CD deluxe edition on March 19, 2012 through Universal for worldwide distribution outside
1410-449: Is at number 8, and this statement followed, "In all his bands, in all his roles, in all his musical vagabond choices, Ronnie James Dio has been fortunate enough to be associated with some of heavy metal's best -- Sabbath, Rainbow, and his own band Dio. To best represent his tenure in the genre, one must look no farther than Holy Diver . His first album with his new band was also his best. It is one of metal's best albums, and it spawned two of
1504-503: Is considered vital. In his book, Metalheads , psychologist Jeffrey Arnett refers to heavy metal concerts as "the sensory equivalent of war". Following the lead set by Jimi Hendrix , Cream and the Who , early heavy metal acts such as Blue Cheer set new benchmarks for volume. As Blue Cheer's Dick Peterson put it, "All we knew was we wanted more power." A 1977 review of a Motörhead concert noted how "excessive volume in particular figured into
1598-426: Is emphatic, with deliberate stresses. Weinstein observes that the wide array of sonic effects available to metal drummers enables the "rhythmic pattern to take on a complexity within its elemental drive and insistency". In many heavy metal songs, the main groove is characterized by short, two- or three-note rhythmic figures – generally made up of eighth or 16th notes . These rhythmic figures are usually performed with
1692-557: Is speculation as to who started the phenomenon. Attendees of metal concerts do not dance in the usual sense. It has been argued that this is due to the music's largely male audience and "extreme heterosexualist ideology". Two primary body movements used are headbanging and an arm thrust that is both a sign of appreciation and a rhythmic gesture. The performance of air guitar is popular among metal fans both at concerts and listening to records at home. According to Deena Weinstein , thrash metal concerts have two elements that are not part of
1786-485: Is traditionally characterized by loud distorted guitars, emphatic rhythms, dense bass-and-drum sound and vigorous vocals. Heavy metal subgenres variously emphasize, alter or omit one or more of these attributes. In a 1988 article, The New York Times critic Jon Pareles wrote, "In the taxonomy of popular music, heavy metal is a major subspecies of hard-rock—the breed with less syncopation , less blues, more showmanship and more brute force." The typical band lineup includes
1880-439: The 13th Floor Elevators epitomized the frenetic, heavier, darker, and more psychotic psychedelic rock sound known as acid rock, a sound characterized by droning guitar riffs, amplified feedback, and guitar distortion, while the 13th Floor Elevators' sound in particular featured yelping vocals and "occasionally demented" lyrics. Frank Hoffman noted that "[Psychedelic rock] was sometimes referred to as 'acid rock'. The latter label
1974-714: The Aeolian and Phrygian modes . Harmonically speaking, this means the genre typically incorporates modal chord progressions such as the Aeolian progressions I-♭VI-♭VII, I-♭VII-(♭VI), or I-♭VI-IV-♭VII and Phrygian progressions implying the relation between I and ♭II (I-♭II-I, I-♭II-III, or I-♭II-VII for example). Tense-sounding chromatic or tritone relationships are used in a number of metal chord progressions. In addition to using modal harmonic relationships, heavy metal also uses " pentatonic and blues-derived features". The tritone, an interval spanning three whole tones – such as C to F# –
SECTION 20
#17328976158602068-458: The minor third , major third , perfect fourth , diminished fifth or minor sixth . Most power chords are also played with a consistent finger arrangement that can be slid easily up and down the fretboard . Heavy metal is usually based on riffs created with three main harmonic traits: modal scale progressions, tritone and chromatic progressions, and the use of pedal points . Traditional heavy metal tends to employ modal scales, in particular
2162-443: The perfect fifth , though an octave may be added as a doubling of the root . When power chords are played on the lower strings at high volumes and with distortion, additional low-frequency sounds are created, which add to the "weight of the sound" and create an effect of "overwhelming power". Although the perfect fifth interval is the most common basis for the power chord, power chords are also based on different intervals such as
2256-485: The "1980s brought on ... the widespread adaptation of chord progressions and virtuosic practices from 18th-century European models, especially Bach and Antonio Vivaldi , by influential guitarists such as Ritchie Blackmore , Marty Friedman , Jason Becker , Uli Jon Roth , Eddie Van Halen , Randy Rhoads and Yngwie Malmsteen ." Kurt Bachmann of Believer has stated that "if done correctly, metal and classical fit quite well together. Classical and metal are probably
2350-410: The "heavy crunch sound in heavy metal ... [is created by] palm muting " the strings with the picking hand and using distortion. Palm muting creates a tighter, more precise sound and it emphasizes the low end. The lead role of the guitar in heavy metal often collides with the traditional "frontman" or bandleader role of the vocalist, creating a musical tension as the two "contend for dominance" in
2444-434: The "holiest of heavy metal communions". The metal scene has been characterized as a "subculture of alienation" with its own code of authenticity. This code puts several demands on performers: they must appear both completely devoted to their music and loyal to the subculture that supports it; they must appear uninterested in mainstream appeal and radio hits; and they must never " sell out ". Deena Weinstein stated that for
2538-555: The "punch and grind" characteristic. Thrash metal guitar tone has scooped mid-frequencies and tightly compressed sound with multiple bass frequencies. Guitar solos are "an essential element of the heavy metal code ... that underscores the significance of the guitar" to the genre. Most heavy metal songs "feature at least one guitar solo", which is "a primary means through which the heavy metal performer expresses virtuosity". Some exceptions are nu metal and grindcore bands, which tend to omit guitar solos. With rhythm guitar parts,
2632-400: The 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss ; the blues-rooted rock of Aerosmith ; and the flashy guitar leads and party rock of Van Halen . During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence, while Motörhead introduced a punk rock sensibility and an increasing emphasis on speed. Beginning in
2726-510: The 1980s and 1990s, heavy metal hair "symbolised the hate, angst and disenchantment of a generation that seemingly never felt at home", according to journalist Nader Rahman. Long hair gave members of the metal community "the power they needed to rebel against nothing in general". The classic uniform of heavy metal fans consists of light-colored, ripped, frayed or torn blue jeans, black T-shirts, boots, and black leather or denim jackets. Deena Weinstein wrote, "T-shirts are generally emblazoned with
2820-789: The Beholder, appears on the soundtrack to the cult film Gummo . Christe also recorded with the bluegrass band Grouse Mountain Skyride, the experimental drone metal band Kuboaa, and performed during 2000 and 2001 as singer with the Jacques Dutronc "couvert" band Les Opportunistes, one of the first bands of the early 2000s Brooklyn rock renaissance. In 2007, Christe launched Bazillion Points Publishing to promote books by deserving like-minded authors. On June 30, 2010, Bazillion Points Publishing released Touch and Go: The Complete Hardcore Punk Zine '79-'83 by Tesco Vee and Dave Stimson. The book chronicles
2914-461: The British band Humble Pie : " Safe as Yesterday Is , their first American release, proved that Humble Pie could be boring in lots of different ways. Here they were a noisy, unmelodic, heavy metal-leaden shit-rock band with the loud and noisy parts beyond doubt. There were a couple of nice songs ... and one monumental pile of refuse." He described the band's latest, self-titled release as "more of
Holy Diver - Misplaced Pages Continue
3008-416: The British bands Led Zeppelin and Black Sabbath , with American commentators tending to favour Led Zeppelin and British commentators tending to favour Black Sabbath, though many give equal credit to both. Deep Purple , the third band in what is sometimes considered the "unholy trinity" of heavy metal along with Led Zeppelin and Black Sabbath, fluctuated between many rock styles until late 1969 when they took
3102-697: The British record label Earache Records , in an "unsuccessful attempt to prosecute the label for obscenity". In some predominantly Muslim countries, heavy metal has been officially denounced as a threat to traditional values, and in countries such as Morocco, Egypt, Lebanon and Malaysia, there have been incidents of heavy metal musicians and fans being arrested and incarcerated. In 1997, the Egyptian police jailed many young metal fans, and they were accused of "devil worship" and blasphemy after police found metal recordings during searches of their homes. In 2013, Malaysia banned Lamb of God from performing in their country, on
3196-463: The Rings books and role-playing games Dungeons & Dragons ) were having influence. "Much of heavy metal took place on similar turf, a realm of dark towers and impenetrable wilderness populated by battles and adversity." When Ronnie James Dio had been with Black Sabbath , "He reverently refurbished and reinvented the band's stately doom with grandiose concepts...Dio found a fertile fantasy framework for
3290-527: The U.S. "Caught in the Middle" shares the main guitar riff with Campbell's previous band Sweet Savage 's song "Straight Through the Heart" (1983), whose title was used for another song in this album. The album art is illustrated by Randy Berrett. It features the band's mascot Murray, a demonic creature, pulling or whipping a snapped metal chain and a man wearing a Catholic priest's attire flailing and splashing around in
3384-577: The UK it attained Silver certification (60,000 units sold) by the British Phonographic Industry , achieving this in January 1986, at the same time as The Last in Line . The original vinyl release had a photomontage LP-liner, with images from both Rainbow and Black Sabbath days. The album was remastered and re-released by Rock Candy Records in 2005. The only notable addition to the original album
3478-526: The album A Long Time Comin' by U.S. band Electric Flag : "Nobody who's been listening to Mike Bloomfield —either talking or playing—in the last few years could have expected this. This is the new soul music, the synthesis of white blues and heavy metal rock." In the 7 September 1968 edition of the Seattle Daily Times , reviewer Susan Schwartz wrote that the Jimi Hendrix Experience "has
3572-508: The album a positive review in 1983 and Holy Diver ended up at no. 5 in the British magazine's End of Year list of best releases. Today, Kerrang! still considers it a "perfect melodic metal album" and an "essential purchase". The rock historian Ian Christe relates that for the post-Sabbath solo career "Dio simplified his stories substantially for a younger heavy metal audience. The 1983 debut Holy Diver , by his band Dio, reduced lush moral landscapes to simple good-versus-evil conflicts, using
3666-418: The album artwork and the band's live performances marked the first appearances in rock music of the sign of the horns , which would later become an important gesture in heavy metal culture. Coven's lyrical and thematic influences on heavy metal were quickly overshadowed by the darker and heavier sounds of Black Sabbath . Critics disagree over who can be thought of as the first heavy metal band. Most credit
3760-526: The album's most successful single, " Purple Haze ", is identified by some as the first heavy metal hit. Vanilla Fudge , whose first album also came out in 1967, has been called "one of the few American links between psychedelia and what soon became heavy metal," and the band has been cited as an early American heavy metal group. On their self-titled debut album, Vanilla Fudge created "loud, heavy, slowed-down arrangements" of contemporary hit songs, blowing these songs up to "epic proportions" and "bathing them in
3854-402: The album, stating that "aside from Ronnie's unquestionably stellar songwriting, Holy Diver ' s stunning quality and consistency owed much to his carefully chosen bandmates, including powerhouse drummer and fellow [Black] Sabbath survivor Vinny Appice, veteran bassist Jimmy Bain, and a phenomenal find in young Irish guitarist Vivian Campbell, whose tastefully pyrotechnic leads helped make this
Holy Diver - Misplaced Pages Continue
3948-434: The audience for whom they're playing – engage in headbanging , which involves rhythmically beating time with the head, often emphasized by long hair. The il cornuto , or "devil horns", hand gesture was popularized by vocalist Ronnie James Dio during his time with the bands Black Sabbath and Dio . Although Gene Simmons of Kiss claims to have been the first to make the gesture on the 1977 Love Gun album cover, there
4042-426: The band's impact". Weinstein makes the case that in the same way that melody is the main element of pop and rhythm is the main focus of house music , powerful sound, timbre and volume are the key elements of metal. She argues that the loudness is designed to "sweep the listener into the sound" and to provide a "shot of youthful vitality". Heavy metal performers tended to be almost exclusively male until at least
4136-572: The bass as a lead instrument, an approach popularized by Metallica 's Cliff Burton with his heavy emphasis on bass solos and use of chords while playing the bass in the early 1980s. Lemmy of Motörhead often played overdriven power chords in his bass lines. The essence of heavy metal drumming is creating a loud, constant beat for the band using the "trifecta of speed, power, and precision". Heavy metal drumming "requires an exceptional amount of endurance", and drummers have to develop "considerable speed, coordination, and dexterity ... to play
4230-483: The big Sabbath themes of madness and desolation". Dio, who had read Sir Walter Scott , Arthurian tales , and science fiction growing up, had previously used fantasy lyrics in his early 1970s band Elf . He explained the influence of his youthful reading to an interviewer, saying, "When I became a songwriter, I thought what better thing to do than do what no one else is doing...to tell fantasy tales. Smartest thing I ever did." AllMusic reviewer Eduardo Rivadavia praises
4324-466: The blues rock drumming style started out largely as simple shuffle beats on small kits, drummers began using a more muscular, complex and amplified approach to match and be heard against the increasingly loud guitar. Vocalists similarly modified their technique and increased their reliance on amplification, often becoming more stylized and dramatic. In terms of sheer volume, especially in live performance, The Who's "bigger-louder-wall-of- Marshalls " approach
4418-429: The components of the term mean in " hippiespeak ": "heavy" is roughly synonymous with "potent" or "profound", and "metal" designates a certain type of mood, grinding and weighted as with metal. The word "heavy" in this sense was a basic element of beatnik and later countercultural hippie slang , and references to "heavy music" – typically slower, more amplified variations of standard pop fare – were already common by
4512-525: The definitive Dio lineup. Holy Diver remains the undisputed highlight of Dio's career...and, indeed, one of the finest pure heavy metal albums of the 1980s." Canadian reviewer Martin Popoff describes the album as "quintessential traditional metal", with Ronnie James Dio "almost single-handedly reinventing gothic hard rock for the '80s, incorporating strong melodic hooks and more than the genre's usual share of velvety, classical-based pyrotechnics." Kerrang! gave
4606-536: The emergence of an intense, exclusionary and strongly masculine subculture. While the metal fan base is largely young, white, male and blue-collar, the group is "tolerant of those outside its core demographic base who follow its codes of dress, appearance, and behavior". Identification with the subculture is strengthened not only by the group experience of concert-going and shared elements of fashion, but also by contributing to metal magazines and, more recently, websites. Attending live concerts in particular has been called
4700-651: The era. Bands like The Rolling Stones and The Yardbirds developed blues rock by recording covers of classic blues songs, often speeding up the tempos . As they experimented with the music, the U.K. blues-based bands – and in turn the U.S. acts they influenced – developed what would become the hallmarks of heavy metal (in particular, the loud, distorted guitar sound). The Kinks played a major role in popularising this sound with their 1964 hit " You Really Got Me ". In addition to The Kinks' Dave Davies , other guitarists such as The Who 's Pete Townshend and The Yardbirds' Jeff Beck were experimenting with feedback. Where
4794-418: The fans themselves, the code promotes "opposition to established authority, and separateness from the rest of society". Musician and filmmaker Rob Zombie observed, "Most of the kids who come to my shows seem like really imaginative kids with a lot of creative energy they don't know what to do with" and that metal is "outsider music for outsiders. Nobody wants to be the weird kid; you just somehow end up being
SECTION 50
#17328976158604888-864: The first true heavy metal recording. The same month, Steppenwolf released their self-titled debut album , on which the track " Born to Be Wild " refers to "heavy metal thunder" in describing a motorcycle. In July, the Jeff Beck Group , whose leader had preceded Page as The Yardbirds' guitarist, released its debut record, Truth , which featured some of the "most molten, barbed, downright funny noises of all time", breaking ground for generations of metal ax-slingers. In September, Page's new band, Led Zeppelin , made its live debut in Denmark (but were billed as The New Yardbirds). The Beatles ' self-titled double album , released in November, included " Helter Skelter ", then one of
4982-600: The foundation of heavy metal and greatly influential in the transformation of acid rock into heavy metal. Ian Christe Christe is the author of the heavy metal history book Sound of the Beast: The Complete Headbanging History of Heavy Metal , published in English in 2003 and subsequently translated into French, German, Finnish, Spanish, Japanese, Portuguese, Croatian, Italian, Czech, Serbian, and Polish. A weekly radio show known as Bloody Roots
5076-413: The general population. For many artists and bands, visual imagery plays a large role in heavy metal. In addition to its sound and lyrics, a heavy metal band's image is expressed in album cover art, logos, stage sets, clothing, design of instruments and music videos . Down-the-back long hair is the "most crucial distinguishing feature of metal fashion". Originally adopted from the hippie subculture, by
5170-597: The greatest metal songs of the '80s: 'Holy Diver' and 'Rainbow in the Dark'. Featuring the underrated Vivian Campbell on guitar, this album showed that Dio could do it on his own." In 2017, it was ranked 16th on Rolling Stone 's list of "100 Greatest Metal Albums of All Time". All lyrics are written by Ronnie James Dio , music as stated Dio Production Shipments figures based on certification alone. Sales+streaming figures based on certification alone. Heavy metal music Heavy metal (or simply metal )
5264-517: The ground opening up and little dwarves coming out riding dragons! You know, like bad Dio records." Heavy metal's quintessential guitar style, which is built around distortion-heavy riffs and power chords, traces its roots to early 1950s Memphis blues guitarists such as Joe Hill Louis , Willie Johnson and particularly Pat Hare , who captured a "grittier, nastier, more ferocious electric guitar sound" on records such as James Cotton 's " Cotton Crop Blues " (1954). Other early influences include
5358-429: The grounds that the "band's lyrics could be interpreted as being religiously insensitive" and blasphemous. Some people consider heavy metal music to be a leading factor for mental health disorders, and that heavy metal fans are more likely to suffer poor mental health, but a study from 2009 suggests that this is not true and that fans of heavy metal music suffer from poor mental health at a similar or lower rate compared to
5452-413: The harmonic analysis done by metal players and teachers is "often very sophisticated". In the study of heavy metal chord structures, it has been concluded that "heavy metal music has proved to be far more complicated" than other music researchers had realized. Robert Walser stated that, alongside blues and R&B, the "assemblage of disparate musical styles known ... as ' classical music '" has been
5546-605: The heaviest-sounding songs ever released by a major band. The Pretty Things ' rock opera S.F. Sorrow , released in December, featured "proto heavy metal" songs such as "Old Man Going" and "I See You". Iron Butterfly 's 1968 song " In-A-Gadda-Da-Vida " is sometimes described as an example of the transition between acid rock and heavy metal or the turning point in which acid rock became "heavy metal", and both Iron Butterfly's 1968 album In-A-Gadda-Da-Vida and Blue Cheer's 1968 album Vincebus Eruptum have been described as laying
5640-403: The influence of 'art traditions.' An example is Walser's linkage of heavy metal music with the ideologies and even some of the performance practices of nineteenth-century Romanticism . However, it would be clearly wrong to claim that traditions such as blues, rock, heavy metal, rap or dance music derive primarily from "art music.'" According to David Hatch and Stephen Millward, Black Sabbath and
5734-605: The intricate patterns" used in heavy metal. A characteristic metal drumming technique is the cymbal choke , which consists of striking a cymbal and then immediately silencing it by grabbing it with the other hand (or, in some cases, the same striking hand), producing a burst of sound. The metal drum setup is generally much larger than those employed in other forms of rock music. Black metal, death metal and some "mainstream metal" bands "all depend upon double-kicks and blast beats ". In live performance, loudness – an "onslaught of sound", in sociologist Deena Weinstein 's description –
SECTION 60
#17328976158605828-423: The late 1950s instrumentals of Link Wray , particularly " Rumble " (1958); the early 1960s surf rock of Dick Dale , including " Let's Go Trippin' " (1961) and " Misirlou " (1962); and The Kingsmen 's version of " Louie Louie " (1963), which became a garage rock standard. However, the genre's direct lineage begins in the mid-1960s. American blues music was a major influence on the early British rockers of
5922-580: The late 1970s, bands in the new wave of British heavy metal such as Iron Maiden and Saxon followed in a similar vein. By the end of the decade, heavy metal fans became known as " metalheads " or " headbangers ". The lyrics of some metal genres became associated with aggression and machismo , an issue that has at times led to accusations of misogyny. During the 1980s, glam metal became popular with groups such as Bon Jovi , Mötley Crüe and Poison . Meanwhile, however, underground scenes produced an array of more aggressive styles: thrash metal broke into
6016-438: The late 1970s, however, metal bands were employing a wide variety of tempos, and as recently as the 2000s, metal tempos range from slow ballad tempos (quarter note = 60 beats per minute ) to extremely fast blast beat tempos (quarter note = 350 beats per minute). One of the signatures of the genre is the guitar power chord. In technical terms, the power chord is relatively simple: it involves just one main interval , generally
6110-471: The logos or other visual representations of favorite metal bands." In the 1980s, a range of sources – from punk rock and goth music to horror films – influenced metal fashion. Many metal performers of the 1970s and 1980s used radically shaped and brightly colored instruments to enhance their stage appearance. Fashion and personal style was especially important for glam metal bands of the era. Performers typically wore long, dyed, hairspray-teased hair (hence
6204-484: The lyrical duality of 'Rainbow in the Dark' and 'Holy Diver' to raise questions about deceit and hypocrisy in romance and religion. In the sharp contrasts of Dio's imagery, there was always a built-in contradiction that fed adolescent revolt: a black side to every white light, and a hidden secret behind every loud proclamation of truth. In a similar way, Dio's music balanced torrents of rage with brief acoustic interludes." On IGN 's list of "Top 25 Metal Albums", Holy Diver
6298-414: The mainstream with bands such as Metallica , Slayer , Megadeth and Anthrax , while other extreme subgenres such as death metal and black metal became – and remain – subcultural phenomena. Since the mid-1990s, popular styles have expanded the definition of the genre. These include groove metal and nu metal , the latter of which often incorporates elements of grunge and hip-hop . Heavy metal
6392-432: The metal sound, and the interplay of bass and guitar is a central element. The bass provides the low-end sound crucial to making the music "heavy". The bass plays a "more important role in heavy metal than in any other genre of rock". Metal basslines vary widely in complexity, from holding down a low pedal point as a foundation to doubling complex riffs and licks along with the lead or rhythm guitars. Some bands feature
6486-485: The mid-1960s, such as in reference to Vanilla Fudge . Iron Butterfly 's debut album, which was released in early 1968, was titled Heavy . The first use of "heavy metal" in a song lyric is in reference to a motorcycle in the Steppenwolf song " Born to Be Wild ", also released that year: "I like smoke and lightning / Heavy metal thunder / Racin' with the wind / And the feelin' that I'm under". An early documented use of
6580-462: The mid-1980s, with some exceptions such as Girlschool . However, by the 2010s, women were making more of an impact, and PopMatters' Craig Hayes argues that metal "clearly empowers women". In the power metal and symphonic metal subgenres, there has been a sizable number of bands that have had women as the lead singers, such as Nightwish , Delain and Within Temptation . The rhythm in metal songs
6674-452: The mid-Seventies". "The term 'heavy metal' is self-defeating," remarked Kiss bassist Gene Simmons . "When I think of heavy metal, I've always thought of elves and evil dwarves and evil princes and princesses. A lot of the Maiden and Priest records were real metal records. I sure as hell don't think Metallica 's metal, or Guns N' Roses is metal, or Kiss is metal. It just doesn't deal with
6768-502: The more extreme side of the psychedelic rock genre, frequently containing a loud, improvised, and heavily distorted, guitar-centered sound. Acid rock has been described as psychedelic rock at its "rawest and most intense", emphasizing the heavier qualities associated with both the positive and negative extremes of the psychedelic experience rather than only the idyllic side of psychedelia. In contrast to more idyllic or whimsical pop psychedelic rock, American acid rock garage bands such as
6862-530: The nickname "hair metal"); makeup such as lipstick and eyeliner; gaudy clothing, including leopard-skin-printed shirts or vests and tight denim, leather or spandex pants; and accessories such as headbands and jewelry. Pioneered by the heavy metal act X Japan in the late 1980s, bands in the Japanese movement known as visual kei , which includes many non-metal groups, emphasize elaborate costumes, hair and makeup. When performing live, many metal musicians – as well as
6956-456: The numerous heavy metal bands that they inspired have concentrated lyrically "on dark and depressing subject matter to an extent hitherto unprecedented in any form of pop music." They take as an example Black Sabbath's second album, Paranoid (1970), which "included songs dealing with personal trauma—' Paranoid ' and ' Fairies Wear Boots ' (which described the unsavoury side effects of drug-taking)—as well as those confronting wider issues, such as
7050-431: The other metal genres: moshing and stage diving , which "were imported from the punk/hardcore subculture ". Weinstein states that moshing participants bump and jostle each other as they move in a circle in an area called the "pit" near the stage. Stage divers climb onto the stage with the band and then jump "back into the audience". It has been argued that heavy metal has outlasted many other rock genres largely due to
7144-430: The overwhelming evidence that suggests otherwise". Music critic Robert Christgau called metal "an expressive mode [that] it sometimes seems will be with us for as long as ordinary white boys fear girls, pity themselves, and are permitted to rage against a world they'll never beat". Heavy metal artists have had to defend their lyrics in front of the U.S. Senate and in court. In 1985, Twisted Sister frontman Dee Snider
7238-720: The periodic table organizes elements of both light and heavy metals (e.g., uranium). An early use of the term in modern popular culture was by countercultural writer William S. Burroughs . His 1961 novel The Soft Machine includes a character known as "Uranian Willy, the Heavy Metal Kid". Burroughs' next novel, Nova Express (1964), develops the theme, using "heavy metal" as a metaphor for addictive drugs: "With their diseases and orgasm drugs and their sexless parasite life forms—Heavy Metal People of Uranus wrapped in cool blue mist of vaporized bank notes—And The Insect People of Minraud with metal music." Inspired by Burroughs' novels,
7332-574: The phrase in rock criticism appears in Sandy Pearlman's February 1967 Crawdaddy review of the Rolling Stones ' Got Live If You Want It (1966), albeit as a description of the sound rather than as a genre: "On this album the Stones go metal. Technology is in the saddle—as an ideal and as a method." Another appears in the 11 May 1968 issue of Rolling Stone , in which Barry Gifford wrote about
7426-470: The same 27th-rate heavy metal crap". In a review of Sir Lord Baltimore 's Kingdom Come in the May 1971 edition of Creem , Saunders wrote, "Sir Lord Baltimore seems to have down pat most all the best heavy metal tricks in the book." Creem critic Lester Bangs is credited with popularizing the term via his early 1970s essays on bands such as Led Zeppelin and Black Sabbath. Through the decade, "heavy metal"
7520-499: The self-explanatory ' War Pigs ' and ' Hand of Doom .'" Deriving from the genre's roots in blues music, sex is another important topic – a thread running from Led Zeppelin's suggestive lyrics to the more explicit references of glam metal and nu metal bands. The thematic content of heavy metal has long been a target of criticism. According to Jon Pareles , "Heavy metal's main subject matter is simple and virtually universal. With grunts, moans and subliterary lyrics, it celebrates ...
7614-421: The sonic power that it projects through amplification has historically been the key element in heavy metal. The heavy metal guitar sound comes from a combined use of high volumes and heavy fuzz . For classic heavy metal guitar tone, guitarists maintain gain at moderate levels, without excessive preamp or pedal distortion, to retain open spaces and air in the music; the guitar amplifier is turned up loud to produce
7708-689: The term was used in the title of the 1967 album Featuring the Human Host and the Heavy Metal Kids by Hapshash and the Coloured Coat , which has been claimed to be its first use in the context of music. The phrase was later lifted by Sandy Pearlman , who used the term to describe the Byrds for their supposed "aluminium style of context and effect", particularly on their album The Notorious Byrd Brothers (1968). Metal historian Ian Christe describes what
7802-467: The terms "heavy metal" and "hard rock" have often been used interchangeably, particularly in discussing bands of the 1970s, a period when the terms were largely synonymous. For example, the 1983 edition of the Rolling Stone Encyclopedia of Rock & Roll includes the following passage: "Known for its aggressive blues-based hard-rock style, Aerosmith was the top American heavy-metal band of
7896-434: The two genres that have the most in common when it comes to feel, texture, creativity." Although a number of metal musicians cite classical composers as inspiration, classical and metal are rooted in different cultural traditions and practices – classical in the art music tradition, metal in the popular music tradition. As musicologists Nicolas Cook and Nicola Dibben note: "Analyses of popular music also sometimes reveal
7990-475: The weird kid. It's kind of like that, but with metal you have all the weird kids in one place." Scholars of metal have noted the tendency of fans to classify and reject some performers (and some other fans) as " poseurs " "who pretended to be part of the subculture, but who were deemed to lack authenticity and sincerity". The origin of the term "heavy metal" in a musical context is uncertain. The phrase has been used for centuries in chemistry and metallurgy, where
8084-406: Was applied to a pounding, hard rock variant that evolved out of the mid-1960s garage-punk movement. ... When rock began turning back to softer, roots-oriented sounds in late 1968, acid-rock bands mutated into heavy metal acts." One of the most influential bands in forging the merger of psychedelic rock and acid rock with the blues rock genre was the British power trio Cream , who derived
8178-578: Was asked to defend his song " Under the Blade " at a U.S. Senate hearing. At the hearing, the PMRC alleged that the song was about sadomasochism and rape ; Snider stated that the song was about his bandmate's throat surgery. In 1986, Ozzy Osbourne was sued over the lyrics of his song " Suicide Solution ". A lawsuit against Osbourne was filed by the parents of John McCollum, a depressed teenager who committed suicide allegedly after listening to Osbourne's song. Osbourne
8272-493: Was considered extremely dissonant and unstable by medieval and Renaissance music theorists. It was nicknamed the diabolus in musica – "the devil in music". Heavy metal songs often make extensive use of pedal point as a harmonic basis. A pedal point is a sustained tone, typically in the bass range, during which at least one foreign (i.e., dissonant) harmony is sounded in the other parts. According to Robert Walser, heavy metal harmonic relationships are "often quite complex" and
8366-653: Was launched in 2004 based on the book, on the Hard Attack/ Liquid Metal station of Sirius XM Radio . Hosted by Christe, the show focuses on specific eras or styles of heavy metal, with Christe discussing them in-depth. He also hosted a brief daily spot on the Sirius Buzzsaw channel for several years. His first published work was in the IAN fanzine , and he started as a radio host at WEOS in Geneva, New York , at age 14. As
8460-445: Was not found to be responsible for the teen's death. In 1990, Judas Priest was sued in American court by the parents of two young men who had shot themselves five years earlier, allegedly after hearing the subliminal statement "do it" in the band's cover of the song " Better by You, Better than Me ". While the case attracted a great deal of media attention, it was ultimately dismissed. In 1991, U.K. police seized death metal records from
8554-410: Was often used interchangeably with "heavy metal" and " hard rock ". "Acid rock" generally describes heavy, hard or raw psychedelic rock. Musicologist Steve Waksman stated that "the distinction between acid rock, hard rock, and heavy metal can at some point never be more than tenuous", while percussionist John Beck defined "acid rock" as synonymous with hard rock and heavy metal. Apart from "acid rock",
8648-419: Was one of the earliest terms used to describe this style of music and was applied to acts such as Sabbath and Bloodrock . Classic Rock magazine described the downer rock culture revolving around the use of Quaaludes and the drinking of wine. The term would later be replaced by "heavy metal". Earlier on, as "heavy metal" emerged partially from heavy psychedelic rock, also known as acid rock , "acid rock"
8742-435: Was seminal to the development of the later heavy metal sound. The combination of this loud and heavy blues rock with psychedelic rock and acid rock formed much of the original basis for heavy metal. The variant or subgenre of psychedelic rock often known as "acid rock" was particularly influential on heavy metal and its development; acid rock is often defined as a heavier, louder, or harder variant of psychedelic rock, or
8836-413: Was used by certain critics as a virtually automatic putdown. In 1979, lead New York Times popular music critic John Rockwell described what he called "heavy-metal rock" as "brutally aggressive music played mostly for minds clouded by drugs" and, in a different article, as "a crude exaggeration of rock basics that appeals to white teenagers". Coined by Black Sabbath drummer Bill Ward , "downer rock"
#859140