15-427: Hindle Wakes may refer to: Hindle Wakes (play) , a stage play by Stanley Houghton written in 1910 Hindle Wakes (1918 film) , a 1918 British silent film drama, based on the play Hindle Wakes (1927 film) , a 1927 British silent film drama, based on the play Hindle Wakes (1931 film) , a 1931 British film drama, based on the play Hindle Wakes (1952 film) ,
30-399: A gold-digger ), the families pressure the couple to get married. Greatly to the surprise of everyone (including Alan) Fanny refuses. She makes it clear that she regarded the dalliance with Alan as "a bit of fun" and considers him a poor choice for a husband. She is disowned by her people but expresses confidence that her skills as a weaver will allow her to support herself in the future. It
45-629: A 1952 British film drama, based on the play Hindle Wakes (dish) , a poultry dish associated mainly with the Bolton area of England Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title Hindle Wakes . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Hindle_Wakes&oldid=783558143 " Category : Disambiguation pages Hidden categories: Short description
60-471: A half years of repair works following the bomb damage. Both productions were directed by Helena Kaut-Howson with Ewan Hooper as Mr Jeffcote, Sue Johnston as Mrs Jeffcote, Colin Prockter as Mr Hawthorn, Nicholas Gleaves as Alan Jeffcote and Sophie Stanton as Fanny Hawthorn. The production won a MEN Award . The 100th anniversary of Stanley Houghton's Hindle Wakes was marked in 2012. In September 2012,
75-638: Is a Polish-born British theatre director . Helena Kaut-Howson was born (as Helena Kaut) in Lviv , a Polish city which was recently forcibly incorporated into Soviet Union . She is a child Holocaust survivor. She grew up in Wrocław , Poland. Her training as a director was first at the Polish State Theatre School and then at the Royal Academy of Dramatic Art . Kaut-Howson originally worked as an actor in
90-538: Is different from Wikidata All article disambiguation pages All disambiguation pages Hindle Wakes (play) Hindle Wakes is a stage play by Stanley Houghton written in 1910. It was first performed in 1912. The play is set in the fictional mill town of Hindle in Lancashire in England , and concerns two young persons, Fanny Hawthorn and Alan Jeffcote, who are discovered to be having illicit sex during
105-709: The Gate Theatre in Dublin. She has also worked with Scena Polska UK at the Polish Social and Cultural Association in London. Kaut-Howson was artistic director of Theatr Clwyd in Wales between 1992 and 1995. The Board decided not to renew her contract, despite the financial and critical success Clwyd had under her leadership. There was disagreement between Kaut-Howson and the theatre management about her production of The Miser at
120-548: The Leicester Haymarket Theatre , later transferring to the Young Vic , the part of King Lear was played by a woman, Kathryn Hunter , a decision which was called "controversial". Kaut-Howson values working with actors from the theatre company Complicité . She believes that theatre is about a company performing, rather than individual actors. Kaut-Howson was instrumental in bringing the work of Bruno Schulz to
135-637: The Royal Exchange, Manchester in 2009. Kaut-Howson has taught at the Royal Academy of Dramatic Art (RADA) and at the London Academy of Music and Dramatic Art . Some of the plays she has directed are her own adaptations. This includes Faithful Ruslan , which she adapted from the book by Georgi Vladimov . Although Kaut-Howson does not call herself a feminist, her productions are often identified as feminist. In her production of King Lear at
150-887: The 1950s, at the Jewish Theatre, Warsaw . She had to leave Poland after marrying a British man who was the son of an admiral working for NATO , and came to the United Kingdom then. She worked in the 1960s in direction at the Royal Court Theatre . She has directed in Israel at the Jerusalem Community Theatre, the Habima Theatre and Cameri Theater . Other work as director outside the UK includes at Monument-National in Canada and
165-592: The first London revival in over 30 years took place at Finborough Theatre (Earls Court) from the 11th to the 29th. It has been filmed four times, twice in the silent era ( 1918 , 1927 ), and twice in the sound era (1931, 1952) although the film versions have tended to open out the play considerably. The 1931 film starred Belle Chrystal as the mill girl and John Stuart as the employer's son, with Sybil Thorndike , Edmund Gwenn and Norman McKinnel . Parts of it were filmed in Blackpool . A version of it featured in
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#1733085714455180-612: The original actress participated, with many correspondents questioning whether the play's treatment of non-marital sex would set a bad example. The Vice-Chancellor of the University of Oxford placed all the theatres performing it out of bounds to students. It was the play in performance at the Royal Exchange Theatre during the 1996 Manchester bombing and the play with which the theatre reopened in December 1998 after almost two and
195-567: The series Laurence Olivier Presents (1976), starring Judi Bowker , Donald Pleasence , Trevor Eve and co-directed by Laurence Olivier and June Howson . Mint Theater Company produced it in New York City in 2018. This production was nominated for a Drama Desk Award Outstanding Revival of a Play. This was the first time it has been produced in the United States in 95 years. Helena Kaut-Howson Helena Kaut-Howson (born 1940)
210-400: The town's wakes week . Class is a major plot point in the play; Fanny is a mill-hand in the factory owned by Alan's father and their respective fathers once worked together before Mr Jeffcote senior rose to owning a mill, while Mr Hawthorn continued as a mill worker. After initial reluctance on the part of Mr Jeffcote senior, and the outright opposition of his wife (who suspects Fanny of being
225-513: Was first performed in 1912 by Annie Horniman 's Gaiety Theatre company, originally in Manchester and then in London and on Broadway. The character Fanny Hawthorn was played by Edyth Goodall in the original production. It was a controversial piece at the time it was first produced, and provoked a prolonged correspondence in the Pall Mall Gazette in which both the author, Stanley Houghton, and
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